Advocacy

The following letter comes from Brooke Wooldridge of the Digital Library of the Caribbean (dLOC). A cooperative digital library for resources from and about the Caribbean and circum-Caribbean, dLOC provides access to digitized versions of Caribbean cultural, historical, and research materials currently held in archives, libraries, and private collections.

There has been significant confusion as to the state of the four main patrimonial libraries in Port-au-Prince after the earthquake on January 12, 2010. Based on information that I have received from the Digital Library of the Caribbean partner libraries in Haiti, all four of the following library buildings are standing:

• Archives nationales d’Haïti
• Bibliothèque haïtienne des Pères du Saint-Esprit / San Martial [though the collection will need to be evacuated, as the building cannot be salvaged]
• Bibliothèque haïtienne des Frères de l’Instruction Chrétienne / Saint Louis de Gonzague
• Bibliothèque nationale d’Haïti

Importantly, the library at Saint Louis de Gonzague (FIC) was NOT destroyed. The reporter that stated the library had fallen was incorrect.

According to the director of the National Library, Mme. Francoise Thybulle, the structures must be inspected before the local staff can assess the situation and prepare detailed plans that will certainly ask for international assistance. While the buildings are standing, this does not diminish what will be the very real need for assistance once the local leadership is able to assess the situation. All of the library directors have asked that interested parties work together to help preserve the collections [and] bring these libraries/archives back into service.

Many institutions and individuals have expressed an interest in supporting the Haitian libraries/archives as they begin to rebuild. The outpouring of support and interest for the preservation of Haitian patrimony is unprecedented. Many of you are already in contact with colleagues regarding ways to help. I am trying to serve as a clearinghouse for the Haitian libraries of the different people, institutions or groups that would like to offer support to the libraries. Once I have feedback from the partner libraries in Haiti, I will share a working document of the projects I am aware of and an online survey for interested individuals to complete via www.dloc.com. Feel free to contact me personally at dloc@fiu.edu or preferably via the dLOC Facebook Group if you are already planning a project locally.

The Digital Library of the Caribbean has been working with partners in Haiti since it began in 2004. The National Archives in Haiti was a founding member of dLOC, and in the last few years we have developed strong relationships with both the National Library and the Fathers of the Holy Spirit (San Martial) Library. As more information becomes available from the local leadership, I will share it as widely as possible. I have been hesitant to send a large response until now because of the many conflicting reports. This information is confirmed, and comes from the directors of each library/archive.

As the many researchers that have worked in these four libraries know, their directors are completely dedicated to the preservation of their national patrimonial collections. All four have been fighting to preserve these collections for decades, and I am confident with support from the international community these collections will be preserved and accessible for many years to come.

While most news updates in the aftermath of the devastating earthquake in Haiti on January 12 are rightly focused on rescue efforts, information about losses of the country’s artistic, architectural, and cultural life have begun surfacing.

A report from the Rutland Herald, published a few days after the quake, told us about the death of Flo McGarrell, a thirty-five-year-old artist who had been the director of FOSAJ, a nonprofit art center in Jacmel, a French colonial town in southern Haiti.

The Biblical murals at the Cathedrale of Sainte Trinite (also known as the Episcopal Holy Trinity Cathedral) by some of Haiti’s best-known artists “are now largely dust,” according to Lesley Clark of the Miami Herald. The Centre d’Art, founded in the 1940s by a group of Haitian artists and writers in collaboration with an American educator, is badly damaged as well, and the Culture Creation Foundation has lost its offices and eighteen years of work.

Clark details other significant losses, including the private collections of Carmel Delatour, who herself perished in the quake, and Georges Nader. Nader and his wife survived, but hundreds of paintings by Philomé Obin and Hector Hyppolite, among many other artists, did not. About 100 of his 15,000 works were salvaged from the Musée d’Art Nader, which was part of the collector’s home. (Other sources number 50 surviving works from a 12,000 piece collection.) There is some good news: his son’s Nader Gallery in nearby Pétionville was barely touched.

Clark also reports that a Quebec-based Haitian critic and curator, Gerald Alexis, is working to mobilize arts groups to help preserve surviving works, and the Waterloo Center for the Arts in Iowa, which has a large collection of Haitian art, has established a relief fund. In addition, the Haitian government has deputized Daniel Elie, a former minister of culture, to conduct a nationwide inventory.

For the Wall Street Journal, Pooja Bhatia describes the loss of the Sacre Coeur church, including its stained-glass windows, as well as the National Cathedral in Port-au-Prince. She also provides a biography of Nader and an account of the Haitian art scene before and after the disaster. Bhatia notes that none of his works was insured.

Marc Lacey of the New York Times mentions the destruction of the Supreme Court building and the National Palace, a French Renaissance–style building that was home the Haiti’s president. Although no permanent collection of art and artifacts were housed there, the status of works in the ceremonial rooms is unknown. Some believe the collections in the nearby National Museum, which was built underground, survived, and the contents of the National Archives appear to have fared well.

Because of continuously unstable government situations, Lacy writes, “private groups and individuals had become some of the most important protectors of the country’s treasures. Many of the country’s most valuable historical texts, for instance, were owned by individuals, and preserved at their homes—rather than under glass or in wood-walled libraries as they might have been in Washington or other moneyed capitals.” The reporter encountered a sculptor, Patrick Vilaire, who was strategizing on how to protect art and books in private collection from looting. Vilaire said, “The dead are dead, we know that. But if you don’t have the memory of the past, the rest of us can’t continue living.”

UNESCO reports that the National History Park, an early-nineteenth-century complex in northern Haiti made up of the Palace of Sans Souci, buildings at Ramiers, and the Citadel, was probably spared. However, the colonial town of Jacmel in the south has witnessed the collapse of many buildings.

The International Council on Monuments and Sites (ICOMOS) has assembled a Haiti Steering Committee to help formulate and guide the assistance and rescue effort of cultural heritage in the country, to begin after humanitarian rescue operations conclude. Gustavo A. Araoz, ICOMOS president, writes:

ICOMOS has assessed the situation and considers it impractical, perhaps even insensitive, to send team that will further tax the scarce local ability to provide food, shelter, medical attention and other basic services, especially while our Haitian colleagues and all the Haitian nation are still struggling for sheer survival while dealing with personal tragedies, loss of family and the wholesale destruction of their homes…. At this time, our efforts are focused on planning and preparing the mobilization process and all its logistics, on the field work methodology, and on the composition and training of the international and multidisciplinary volunteer teams in order that they be ready to be deployed as soon as the go-ahead to do so is given. It is important that this work be centralized in ICOMOS to ensure uniformity in the field evaluations and avoid redundancy.

Katherine Slick, executive director of US/ICOMOS, has announced that her organization has set up a fund to receive tax-deductible donations to support these efforts. Checks may be made out to US/ICOMOS-Haiti Recovery and mailed to: US/ICOMOS, Ste. 331, 401 F St. NW, Washington, DC 20001. An easy method to make your donation online will be set up soon on the US/ICOMOS website.

Greetings:

It has been a difficult night. Many of us are in a state of shock or more fittingly in disbelief. As a business that prides itself in keeping the rich culture of Haiti alive in Philadelphia, I and the Haitian Professionals of Philadelphia (HPP) send our deepest and most sincere condolences to our Haitian family in our area and around the world.

We have secured a private jumbo jet to transport supplies to Haiti, which is leaving in the next 24–48 hours. We are in need of doctors, nurses, and donations to go to Haiti in order to provide medical care. Vivant Art Collection and HPP is currently coordinating with the Haitian Coalition of Philadelphia, the Haitian Clergy of Philadelphia, Beyond Borders, the Mayor’s Office, the Temple Haitian Student Association, the University of Pennsylvania Haitian Student Association, Congressman Brady’s office, the Philadelphia Young Democrats, political officials, and other Haitian organizations in the surrounding area to devise a plan to provide assistance to Haiti. Frequent updates will be made to www.hphilly.org and www.vivantartcollection.com/events, so please check back often. In the meantime, if you wish to provide assistance we urge you to do the following:

• Make a monetary donation to Haitian Professionals of Philadelphia to the Haitian Relief Fund via Paypal. All funds will go toward purchasing items that must be bought in Haiti to defray shipping cost, as well as medical supplies
• Purchase or bring cots and tents that will be instrumental in providing temporary shelter to those who have been displaced
• Medical supplies such as band aids, alcohol, peroxide, etc.
• Water and nonperishable food items
• Generators and industrial supplies for building will be needed for rebuilding
• Supplies for children such as diapers, baby clothes, wipes, and bottles are greatly need as well
• Call elected officials in your area and ask them to partner with HPP

Current Drop Off Sites

The Office of State Senator Leanna M. Washington
1555-A Wadsworth Avenue
Philadelphia, PA 19150

The Office of State Representative Vanessa Brown
4706 Westminster Avenue
Philadelphia, PA 19131

Vivant Art Collections (monetary donations and medical supplies only)
60 North 2nd Street
Philadelphia, PA 19106

For further information on how to help, please call Yve-Car Momperousse, board chair, at 973-280-2307 or Florcy Morisset, community development chair, at 310-612-4636. You can also send an email to vivantartcollection@gmail.com or yvecar@hpphilly.org.

Press contact: Please call Alain Joinville, public-relations chair, at 215-287-7373 to coordinate interviews.

Moving forward,

Florcy Morisset
Vivant Art Collection
vivantartcollection@gmail.com
310-612-4636

The horrifying news about the earthquake in from Haiti give all indications of major devastation and loss. Once the immediate human relief effort is over, I call on all International Council on Monuments and Sites (ICOMOS) to come together in solidarity to help in whatever way we can with the heritage recovery process. It is the right time now to identify individual ICOMOS members and groups of members who would be willing to form part of volunteer teams to be deployed to Haiti as needed when the time comes and the heritage needs are manifested by our Haitian colleagues. For that reason, I ask all National and International Committees to circulate this letter to their full membership. Anyone interested in considering to be a volunteer should drop me a line at gustavo.araoz@icomos.org and let me know who you are so that we may keep you informed about the opportunities that arise as we learn more about the situation.

For those national Committees from countries with disaster recovery experience, we also ask that you urge your government and other national institutions to be generous with their assistance.

For me personally, Haiti is a special place where I began my professional conservation life. It was at the Citadelle and later at the Palais de Sans-Souci in Cap Haitien that I had my very first projects as head of the OAS heritage assistance mission after graduation. I know the Haitians to be a good people, possessing great dignity and generosity while living amid extreme poverty.

For this reason, I put my own name down as the first volunteer to assist in whatever way I can.

Thanks to all,

Gustavo Araoz
ICOMOS Presiden

On October 31, 2009, fifty-nine cultural heritage leaders from thirty-two countries, including representatives of Africa, the Middle East, South America, and Asia, unanimously passed the Salzburg Declaration on the Conservation and Preservation of Cultural Heritage. The declaration was the culmination of the Salzburg Global Seminar (SGS), entitled “Connecting to the World’s Collections: Making the Case for Conservation and Preservation of our Cultural Heritage” and held October 28–November 1, 2009, under the auspices of the Institute of Museum and Library Services (IMLS) and SGS. The declaration will be widely distributed to cultural ministries and other policy-making entities; it has already been translated into Arabic.

The seminar built on the findings of “Connecting to Collections: A Call to Action,” IMLS’s multiyear initiative on collections care, putting them into a global context. It combined presentations by leading experts in conservation and preservation throughout the world with small working groups tasked with making practical recommendations for future action on specific topics. Those guiding topics included emergency preparedness, education and training, public awareness, new preservation approaches, and assessment and planning. One evening was devoted to a fireside chat on “conservation in the developing world,” with a panel of participants representing Benin, Iraq, Mexico, Singapore, and Trinidad and Tobago.

At the opening session, Vinod Daniel, seminar coleader and head of Culture Heritage and Science Initiatives at the Australia Museum, noted that he had never attended a meeting “as diverse as this, with people from this many parts of the world, as cross-disciplinary as this.” A report summarizing the discussions and outlining the recommendations will be published later this year, sent to key stakeholders around the world, and made available online at www.imls.gov and www.SalzburgGlobal.org.

Additional support for the seminar was provided by the President’s Committee on the Arts and the Humanities. For more information about the program, please contact Nancy Rogers, IMLS senior project coordinator, or Susanna Seidl-Fox, SGS program director.

Daily seminar blog posts by Richard McCoy, associate conservator of objects at the Indianapolis Museum of Art, are available at www.iiconservation.org/wpress.

Saving Antiquities for Everyone (SAFE) and Donny George, former director of the Iraq Museum and former president of the Iraq State Board of Antiquities, invite you to participate in the 2008 Global Candlelight Vigil to mark the fifth anniversary of the 2003 looting of the Iraq Museum in Baghdad.

In the five years since this terrible event, nearly half the missing works have been recovered. Yet thousands of Iraq Museum artifacts remain at large. Meanwhile, museums around the world are increasingly confronted by security challenges, and rampant looting at archaeological sites continues unabated around the world.

“Now is the time for people and museum professionals to gather together: to remember the events of 2003 and take steps to ensure that no museum in the world suffers a similar fate,” says George, who is now a visiting professor at Stony Brook University.

In a global call to action, George urges museum directors and staff, university faculty and students, and citizens around the world to use the fifth anniversary of the looting of the Iraq Museum as an opportunity to reenergize our efforts to protect the world’s cultural heritage.

Museums are encouraged to treat April 10-12, 2008, every year as a time to conduct security audits and update their internal risk management and due diligence practices. Likewise, universities are invited to use these three days every year for education and public awareness about the academic, ethical, and legal consequences of the destruction of cultural heritage with classroom projects, panel discussions, symposiums, or exhibitions.

The SAFE website offers suggestions for universities, museums, community groups, and others to plan an event of any size. SAFE Candlelight Vigil Kits offer a wealth of resources, including the DVD documentary Robbing the Cradle of Civilization: The Looting of Iraq’s Ancient Treasures (Canadian Broadcasting Company) or the documentary Thieves of Baghdad (Al Jazeera). Other relevant videos, such as a Charlie Rose interview with George from 2007, can be used, and SAFE also provides publicity tools.

Hosting a vigil in your community is easy:

• Choose a location and time on April 10, 11, or 12

• Schedule your event and post it to the Host a Vigil section of the SAFE website so that members of your community can learn of it and attend

• Use e-cards, customizable announcement flyers, buttons, posters, postcards, and the press-release template to help publicize your vigil

• Distribute the Candlelight Vigil brochure for distribution at your event. The brochure is being developed in conjunction with the exhibition Catastrophe! The Looting and Destruction of Iraq’s Past at the Oriental Institute at the University of Chicago

• Gather with friends, family, colleagues, professors, and students. Pause for a moment of silence and light a candle. Discuss the destruction of cultural heritage and looting of ancient sites around the world, fueled by the global trade in illicit antiquities

• Document your vigil with digital photographs or video and send them to SAFE. We will use them in a compilation Video Memorial that includes gatherings from around the world

• You may also choose to light a virtual candle and add your name to the list of other supporters

For more information about the 2008 Global Candlelight Vigil for the Iraq Museum, contact us. Also join our e-mail list to receive periodic newsletters about SAFE activities.

SAFE is a nonprofit organization that creates educational programs and media campaigns to raise public awareness about the importance of preserving cultural heritage worldwide. Having no political affiliations, SAFE is a coalition of professionals in communications, media, and advertising working alongside experts in the academic, legal, and law enforcement communities.

Saving Antiquities for Everyone (SAFE) and Donny George, former director of the Iraq Museum and former president of the Iraq State Board of Antiquities, invite you to participate in the 2008 Global Candlelight Vigil to mark the fifth anniversary of the 2003 looting of the Iraq Museum in Baghdad.

In the five years since this terrible event, nearly half the missing works have been recovered. Yet thousands of Iraq Museum artifacts remain at large. Meanwhile, museums around the world are increasingly confronted by security challenges, and rampant looting at archaeological sites continues unabated around the world.

“Now is the time for people and museum professionals to gather together: to remember the events of 2003 and take steps to ensure that no museum in the world suffers a similar fate,” says George, who is now a visiting professor at Stony Brook University.

In a global call to action, George urges museum directors and staff, university faculty and students, and citizens around the world to use the fifth anniversary of the looting of the Iraq Museum as an opportunity to reenergize our efforts to protect the world’s cultural heritage.

Museums are encouraged to treat April 10-12, 2008, every year as a time to conduct security audits and update their internal risk management and due diligence practices. Likewise, universities are invited to use these three days every year for education and public awareness about the academic, ethical, and legal consequences of the destruction of cultural heritage with classroom projects, panel discussions, symposiums, or exhibitions.

The SAFE website offers suggestions for universities, museums, community groups, and others to plan an event of any size. SAFE Candlelight Vigil Kits offer a wealth of resources, including the DVD documentary Robbing the Cradle of Civilization: The Looting of Iraq’s Ancient Treasures (Canadian Broadcasting Company) or the documentary Thieves of Baghdad (Al Jazeera). Other relevant videos, such as a Charlie Rose interview with George from 2007, can be used, and SAFE also provides publicity tools.

Hosting a vigil in your community is easy:

• Choose a location and time on April 10, 11, or 12

• Schedule your event and post it to the Host a Vigil section of the SAFE website so that members of your community can learn of it and attend

• Use e-cards, customizable announcement flyers, buttons, posters, postcards, and the press-release template to help publicize your vigil

• Distribute the Candlelight Vigil brochure for distribution at your event. The brochure is being developed in conjunction with the exhibition Catastrophe! The Looting and Destruction of Iraq’s Past at the Oriental Institute at the University of Chicago

• Gather with friends, family, colleagues, professors, and students. Pause for a moment of silence and light a candle. Discuss the destruction of cultural heritage and looting of ancient sites around the world, fueled by the global trade in illicit antiquities

• Document your vigil with digital photographs or video and send them to SAFE. We will use them in a compilation Video Memorial that includes gatherings from around the world

• You may also choose to light a virtual candle and add your name to the list of other supporters

For more information about the 2008 Global Candlelight Vigil for the Iraq Museum, contact us. Also join our e-mail list to receive periodic newsletters about SAFE activities.

SAFE is a nonprofit organization that creates educational programs and media campaigns to raise public awareness about the importance of preserving cultural heritage worldwide. Having no political affiliations, SAFE is a coalition of professionals in communications, media, and advertising working alongside experts in the academic, legal, and law enforcement communities.