Art Bulletin
U.S. and Canadian Dissertations, 2002
Dissertations in Progress
Egyptian, Ancient Near Eastern, and Classical Art
AKER, JULIDE, “Rhetoric of Transgression: Assurbanipal's Babylonian Policy and Transformations in the Visual Domain” (Harvard, I. Winter)
ATAC, MEHMET-ALI, “Scribal-Sacerdotal Agency in the Production of the Neo-Assyrian Palace Reliefs: Towards a Hermeneutics of Mesopotamian Iconography” (Harvard, I. Winter)
BELCHER, ELLEN, “Late Neolithic Figurines from Northern Mesopotamia: A Comparative Analysis” (Columbia, N. Kampen)
BLACK, ERIN, “Center and Periphery: Artistic Interactions between the Column of Trajan in Rome, Italy, and the Tropaeum Traiani at Adamklissi, Romania” (Emory, E. Varner)
BRENNINGMEYER, TODD, “Post-Bronze Age Architecture at the Palace of Nestor at Pylos” (Minnesota, F. Cooper)
BUSBY, KIMBERLY, “The Temple Terracottas of Etruscan Orvieto: The Power of Cult in Pre-Rome Italy” (UIUC, E. Hostetter)
CORRADO GOULET, CRISPIN, “A Study of Deity Assimilation in Sculptural Representation of Male Children from the Roman Imperial Era” (Brown, R. Winkes)
DESTAEBLER, PETER, “The City Wall of Aphrodisias” (IFA/NYU, C. Ratté)
DRAKAKI, ELENI, “Mycenean Stone Seals: Contexts and History” (IFA/NYU, G. Kopcke)
EVANS, JEAN, “Votive Sculpture and Early Dynastic Regionalism in Greater Mesopotamia” (IFA/NYU, D. P. Hansen)
GRUPICO, THERESA, “Urban Planning and Temple Design at Selinus (Selinunte, Sicily): Temple E” (Rutgers, J. Kenfield)
HARDIMAN, CRAIG, “The Nature of Hellenistic Domestic Sculpture in Its Cultural and Spatial Contexts” (Ohio State, M. Fullerton)
KAROGLOU, KYRIAKI, “Attic Votive Plaques” (Princeton, W. Childs)
KLAR, LAURA, “Explaining the Architecture of the Roman Theater: Origins, Canonization, and Dissemination” (IFA/NYU, K. Welch)
LEDUC, JOSEPH, “Late Roman Mosaics in Greece: Nature and Design in Pagan and Christian Art” (Brown, R. Winkes)
LOVETTE GUICHARD, CELESTE, “Travels and Traversals in Hellenistic Architecture” (Columbia, R. Brilliant, N. Kampen)
MARTIN, SUSAN REBECCA, “Hellenization and the Levant: The Material Evidence as Seen through Tel Dor, Israel” (UC Berkeley, A. Stewart)
MURATOV, MAYA, “Coroplastic Traditions of the Bosporan Kingdom: VI Century bc-III Century ad” (IFA/NYU, G. Kopcke)
PALINKAS, JENNIFER, “Sacred Gates: Propyla and Propylaia in Greek Sanctuaries” (Emory, B. Wescoat)
PARK, GLORIA, “Building Culture: Perceptions and Responses to Early Greek Architecture, 900-600 bce” (UNC-Chapel Hill, D. Haggis)
PIOK-ZANON, CORNELIE, “The Queen Also Builds: Architecture, Gender, and Dynasty in Hellinistic Pergamon” (Pittsburgh, A.Weis)
SCHERTZ, PETER, “Marsyas Contended: The Figure of Marsyas in Roman Art, Politics, and Religion” (USC, J. Pollini)
STEPHENSON, JOHN, “A Social History of Late Roman Villas in Spain and Portugal” (Emory, E. Varner)
THOMPSON, JOANNE, “Images of Vesta and the Vestal Virgins in Roman State Religion and Imperial Policy of the First and Second Centuries ad” (Yale, D. Kleiner)
TRONCHIN, FRANCESCA, “The Use of Greek Visual Culture in Pompeian Houses” (Boston University, F. Kleiner)
WALSH, JUSTIN, “Domestic Assemblages from Fifth-Century Morgantina” (Virginia, M. Bell III)
Early Christian, Byzantine, and Medieval Art
ABEND-DAVID, ILANA, “The Heribert Shrine” (Binghamton, B. Abou-El-Haj)
ANGELOVA, DILIANA, “Imaging the Christian Empress: The Iconography of Female Imperial Authority; Its Religious and Political Origins from the First to the Sixth Century” (Harvard, I. Kalavrezou)
BAUER-SMITH, CHARLOTTE, “Visual Constructions of Corporate Identity and Exempla for the University of Paris, 1200-1500” (UIUC, A. D. Hedeman)
BERTHA, REV. JOSEPH W., “The Illustration of the Akathist Hymn at Ferapontow Monastery” (Binghamton, B. Abou-El-Haj)
BOECK, ELENA, “The Art of Being Byzantine: History, Ritual, and Visual Narrative in the Madrid Skylitzes” (Yale, M. Georgopoulou)
BORLAND, JENNIFER, “Anxiety and Abjection: The Crisis of Corporeal Integritas in Twelfth-Century Images of the Female Body” (Stanford, S. Lewis)
BRADBURY, CARLEE, “Imaging and Imagining the Jew in Medieval England” (UIUC, A. D. Hedeman)
BROWN, PETER SCOTT, “The Style and Iconography of Romanesque Art in Bearn: Regionalism and Local Meaning in a Regional Product of the ‘International’ Romanesque Style” (Yale, W. Cahn)
CADERO-GILLETTE, JENNIFER, “Collecting Art and Constructing History: The Recovery of Medieval Panel Painting circa 1800” (Harvard, J. Koerner)
CAMERLENGHI, NICOLA, “The Basilica of San Paolo Fuori le Mura, Rome: History, Topography, and Architecture” (Princeton, S. Curcic)
CANEJO, CYNTHIA, “Transforming Early Gothic Form: The Cistercian Abbey of Pontigny and Northern Burgundian Architecture” (UC Santa Barbara, C. Armi)
CANEPA, MATTHEW, “The Two Eyes of the Earth: Competition and Exchange in the Art and Ritual of Kingship between Rome and Sasanian Iran” (Chicago, R. Nelson)
CANNING, JONATHAN, “The Stone-Cage Chantry Chapel and the Architecture of Perpetual Commemoration in Late-Medieval England” (Columbia, S. Murray)
COHEN, MEREDITH, “The Sainte-Chapelle and the Ideology of Royal Sovereignty” (Columbia, S. Murray)
DANIELSON, SIGRID, “The Gold Altar of Sant'Ambrogio in Milan” (Indiana, E. Kleinbauer)
DEWSNAP, TERENCE FRANCIS, JR., “The Romanesque Cathedral of St. Mary at Lincoln” (Columbia, S. Murray)
DIMITROVA, KATE, “The Passion of Christ in Late-Medieval Tapestries” (Pittsburgh, A. Stones)
DURAN-MCLURE, MICHELLE, “Style, Identity, and Ideology: Issues of Patronage and Courtly Culture in the Work of Simone Martini” (UC Santa Barbara, R. Williams, L. Ayres)
ERHARDT, MICHELLE, “Penitence, Power, and Patronage: The Trecento Fresco Decoration of the Rinuccini Chapel, Florence” (Indiana, B. Cole)
EVALDS, VALIJA, “Regularis Concordia: The Development of the Monastic Cloister in England” (Yale, W. Cahn)
FLAHERTY, HEATHER M., “The Place of the Speculum Humanae Salvationis in the Rise of Affective Piety in the Later Middle Ages” (University of Michigan, E. Sears)
FOSTER-CAMPBELL, MEGAN, “Reading Pilgrimage: Pilgrims' Badges in Late-Medieval Devotional Texts” (UIUC, A. D. Hedeman)
FULGHUM HEINTZ, MARY, “The Transitive Form: Textiles as Transmitters of Power in the Middle Ages” (Harvard, I. Kalavrezou)
FUNK, CARLA, “Visualizing Identity: The Decoration and Transformation of the Palazzo Datini in Prato” (Emory, C. J. Campbell, E. Pastan)
GERTSMAN, ELINA, “Debeo Saltare: Theology, Reception, and Performative Aspects of the Late-Medieval Dance of Death” (Boston University, J. Cranston)
GITTINGS, ELIZABETH, “The Ideology and Aesthetics of Architecture in the Early-Christian Mosaics of the Rotunda in Thessaloniki” (Harvard, I. Kalavrezou)
GOODSON, CAROLINE, “Santa Prassede, Santa Cecilia, and Santa Maria in Dominica: The Basilicas of Paschal and the Iconography of Renovatio” (Columbia, S. Murray)
GROSSMAN, HEATHER, “Building Identity: Architecture as Evidence of Intercultural Interaction between Byzantines and Latins in Medieval Greece” (Pennsylvania, C. Striker)
GROSSMAN, MAX, “Architecture and Ideology in the Sienese Contado from the Age of Frederick II to the Fall of the Nine” (Columbia, S. Murray)
HADLEY, MARGARET, “The Yale Missal, Beinecke Library, Ms. 425” (Yale, W. Cahn)
HEARNE, K. MICHELLE, “Anne de Bretagne (r. 1491-1514): Images of Medieval Queenship in Early Modern France” (Binghamton, J. Wilson)
HEATH, ANNE, “Framing Medieval Devotion: The Display of Relics in the Abbey Church of Saint-Germain and the Cathedral of Saint-Etienne, Auxerre, 1200-1400” (Brown, S. Bonde)
JEKELY, ZSOMBOR, “Art at the Court of King Sigismund of Hungary: A Study of Frescoes of the Augustinian Church” (Yale, W. Cahn)
KOVAL, LINDSAY, “The Collegiate Church of Notre-Dame at Mantes-la-Jolie; or, ‘Comment Doit-On Rédiger la Monographie d'une Eglise?’…” (Columbia, S. Murray)
LANGMEAD, ALISON, “The Architectural Landscape of Eleventh- and Twelfth-Century South-Central France” (Columbia, S. Murray)
LAROCCO, ELIZABETH, “Miracula Sanctae Virginis: Marian Miracle Illustration in the Thirteenth-Century Manuscripts of Gautier de Coinci's Les Miracles de Notre Dame and Alfonso el Sabio's Las Cantigas de Santa Maria” (Yale, W. Cahn)
LOCKE, ALISON, “Visuality and Experience in the Twelfth-Century Church of Castel Sant'Elia, near Nepi” (Yale, M. Georgopoulou)
LUDWICK, SISTER ROSEMARY, “The Master of St. Augustine: Studies in Late-Medieval Style and Iconography” (Binghamton, B. Abou-El-Haj)
LUYSTER, AMANDA, “Courtly Images Far from Court: The Family St-Floret” (Harvard, J. Hamburger)
MACLAREN, SHELLEY, “The Word Made Flesh: Word and Image in Francesco da Barberino's I Documenti d'Amore” (Emory, C. J. Campbell)
MADSEN, GAMBLE, “Psalm 109 and the Medieval Mind: Visions of the Godhead with Special Emphasis on the Commentary of Peter Lombard” (USC, C. Malone)
MARLOWE, ELIZABETH, “Symbolic Capital: Constantine's Rome” (Columbia, R. Brilliant, N. Kampen)
MIHALJEVIC, MARINA, “Constantinopolitan Architecture of the Comnenian Era (1081- MONROE, ELIZABETH, “Synagoga as Christian Discourse, 1007-1215” (USC, C. Malone)
PAPILLO, PAUL J., “Illuminating the Comedy: Artistic Strategy and the Medieval Art of Teaching in Pierpont Morgan Library's Divine Comedy, Ms. M676” (Columbia, S. Murray)
PONGRACZ, PATRICIA COLBERT, “Monastic Architecture and Royal Patronage in Thirteenth-Century France: The Convent of Saint-Jean-aux-Bois” (Brown, S. Bonde)
PRESCHER, AMY, “Saxon Convent Architecture: The Diocese of Halberstadt in the High Middle Ages” (Yale, W. Cahn)
RATLIFF, BRANDIE, “Image and Relic at Byzantine Pilgrimage Sites” (Columbia, S. Murray, H. Klein)
RYDER, EDMUND, “Portable Mosaic Icons of the Late Byzantine Period (1261-1453)” (IFA/NYU, T. Mathews)
SCHENK, KARA, “The Dura Synagogue Frescoes: Priestly Patronage and the Image of the Temple” (Johns Hopkins, H. Maguire)
SCIACCA, CHRISTINE, “The Gradual and Sacramentary of Hainricus Sacrista (Pierpont Morgan Library, Ms. 711) and the Liturgy of Weingarten Abbey” (Columbia, S. Murray, H. Klein)
SCIBILIA, ANTHONY, “Perspective before Perspective: The Spaces of Medieval Architecture” (Columbia, S. Murray)
SMITH, J. KIRSTEN, “Martyrs, Monks and the End of Time in the Church of Saint John in Müstair” (Harvard, I. Kalavrezou)
SPIRO, ANNA LEE, “The Facade of San Zeno in Verona: A Banner Worthy of Defense” (Columbia, J. Beck)
VAN LIEFFERINGE, STEFAAN, “Gothic Church Architecture and the Quadrivium: Geometry and Arithmetic for Religious Building in Twelfth-Century Paris” (Columbia, S. Murray)
VARINLIOGLU, GUNDER, “The Rural Landscape and Built Environment at the End of Antiquity: The Limestone Villages of Southeastern Isauria” (Pennsylvania, C. Striker)
WALKER, ALICIA, “Beyond the Classical: Islamic Elements in Middle Byzantine Secular Art” (Harvard, I. Kalavrezou)
ALVAREZ, MARI-TERE, “An Examination of the Art Market in Renaissance Spain (1470-1530)” (USC, S. Holo)
ARIOLI, KRISTIN, “Cardinal Raffaele Riario (1477-1521) and the Dynamics of Renaissance Patronage” (USC, E. Howe)
ASSONITIS, ALESSIO, “Savonarola and the Origins of Florentine Mannerism” (Columbia, J. Beck)
BACON, PAUL, “A Mirror of a Christian Prince: Frederick the Wise and Art Patronage at the Electoral Saxon Court, 1486-1525” (Wisconsin-Madison, J. Hutchison)
BARRY, FABIO, “Painting in Stone: The Symbolic Identity of Coloured Marbles from Antiquity until the Age of Enlightenment” (Columbia, J. Connors)
BEGEL, ANDREA, “Unclean Spirits: Images of Exorcism in Italian Renaissance Art” (Columbia, J. Beck)
BERTIZ, AGNES, “For Pleasure and Profit: The Role of Images in the Late Fourteenth-Century Illustrated Tacuinum Sanitatis” (USC, E. Howe)
BREAZEALE, WILLIAM, “Sketchbook and Zibaldone: Studies in the Theory and Practice of Sixteenth-Century Disegno” (Maryland at College Park, A. Colantuono)
CALLAHAN, MEGHAN, “The Politics of Architecture: Suor Domenica da Paradiso and Her Convent of La Crocetta in Post-Savonarolan Florence” (Rutgers, S. B. McHam)
CHRISTIAN, KATHLEEN, “The Birth of Antiquities Collections in Rome, 1450-1530” (Harvard, J. Shearman)
CHURCHILL, DEREK, “Replication in the Early Netherlandish Tradition: Dieric Bouts and His Copyists” (Yale, C. Wood)
COHEN, EVELYN, “Problems in the Art of Giovanni da Modena” (Columbia, J. Beck)
DEKONING, MARION, “The Battle of Lekkerbettje: Imagery and Ideology during the Eighty Years War (1568-1648)” (USC, T. Olson)
DEPRANO, MARIA, “Pulchior in terries nulla tabela foret: The Works Commissioned for Giovanna degli Albizzi in Light of Poliziano's Writings” (UCLA, J. Woods-Marsden)
DOW, DOUGLAS N., “Confraternal Piety and Corporate Patronage: The Frescoes of the Chiostro dello Scalzo, Florence” (Penn State, B. Curran)
DROGIN, DAVID, “Representations of Bentivoglio Authority: Fifteenth-Century Painting and Sculpture in the Bentivoglio Chapel, San Giacomo Maggiore, Bologna” (Harvard, J. Shearman)
EL-HANANY, EFRAT, “Images of the Madonna del Soccorso in Italian Renaissance Art” (Indiana, B. Cole)
FINKEL, JENNIFER, “Michelangelo at San Lorenzo: The Tragedy of the Facade” (Case Western Reserve, E. Olszewski)
GLASS, ROBERT, “Filarete and the Taste for the Antique in Mid-Fifteenth Century Rome” (Princeton, P. Brown, L. Barkan, J. Pinto)
HAVENSTEIN, KEN, “Choreographing the City: Socio-Political Implications of Ambrogio Lorenzetti's Dance Motif Included in the Good Government Fresco, Palazzo Pubblico, Siena” (Binghamton, C. Burroughs)
ILCHMAN, FREDERICK, “Tintoretto's Judgment: Artistic Ambition in Counter-Reformation Venice” (Columbia, D. Rosand)
KARMON, DAVID, “Conservation without Guidelines: The Protection of Ancient Buildings in Early Modern Rome” (Harvard, J. Shearman)
KATZ, DANA, “Painting with Violence: The Representation of Jews in the Italian Renaissance Courts” (Chicago, C. Cohen)
KIM, IL, “The Cult of Light in Fifteenth-Century Italian Renaissance Architecture” (Columbia, J. Connors)
KIRKLAND-IVES, MITZI, “Narrative Performance and Devotional Experience in the Art of Hans Memling” (UC Santa Barbara, M. Meadow)
LEHMAN, GEOFF, “Perspective and the Renaissance Landscape” (Columbia, D. Rosand)
LEOPARDI, LILIANA, “Carlo Crivelli and the Adriatic Renaissance” (IFA/NYU, C. Eisler)
LEPAGE, ANDREA, “Arts of the Franciscan Colegio de San Andrés in Colonial Quito: A Process of Cultural (Re)formation” (Brown, C. W. Zerner)
MAIER, JESSICA, “Imaging Rome: The Art and Science of Renaissance City Views” (Columbia, D. Rosand)
MCCALL, TIMOTHY D., “Networks of Power in Quattrocento Emilia and Lombardy: Pier Maria Rossi's Patronage of Art” (University of Michigan, P. Simons, M. Holmes)
MORRIS, AMY, “Lucas Moser's St. Magdalene Altarpiece: A Stylistic, Iconographical, and Contextual Reevaluation” (Indiana, M. Faries)
MORSE, MARGARET, “The Arts of Domestic Devotion in Renaissance Italy” (Maryland at College Park, A. Colantuono)
NERI, JANICE, “Fantastic Observations: Images of Insects in Early Modern Europe” (UC Irvine, G. Bauer)
ODDE, LAURENT, “La Nouvelle Artemise: Catherine de’ Medici, Queen of France and Patron of the Arts” (CUNY, J. Saslow)
O'LEARY, HEATHER, “Viva Bacco e Viva Amore: Bacchic Imagery in the Renaissance” (Columbia, D. Rosand)
ONUF, ALEXANDRA, “Local Engagements: Hieronymus Cock and the Small Landscape Prints” (Columbia, D. Freedberg)
PARK, SOO-YEON, “Crucifixion with the Virgin Mary and Saint John” (Wisconsin-Madison, J. Hutchison)
POWELL, AMY, “The Fascination of Likeness: Imitation in and of Rogier van der Weyden's Descent from the Cross” (Harvard, J. Koerner)
RASHLEIGH, JENNIFER JONES, “Francisco Pacheco's Tratado de Erudicion de Varios Autores: A Transcription and Critical Interpretation of His Religious Writing and Painting” (Brown, C. W. Zerner)
REJAIE, AZAR, “Renaissance Self-Portrayal: Embedded Self-Portraits, Artistic Identity, and Vasari's Program in Both Editions of the Lives” (Pittsburgh, D. Wilkins)
ROBERTS, SEAN E., “Cartography between Cultures: Francesco Berlinghieri's Geographia of 1482” (University of Michigan, P. Simons, M. Holmes)
ROBEY, JESSICA, “In Pursuit of a Civil Order: The Civitates Orbis Terrarum, the Microcosmic Collection, and the Circle of Abraham Ortelius and Joris Hoefnagel” (UC Santa Barbara, M. Meadow)
ROSS, ELIZABETH, “Picturing Knowledge and Experience in the Early Printed Book: Reuwich's Illustrations for Breydenbach's Peregrinatio in terram sanctam (1486)” (Harvard, J. Koerner)
SMITH, JAMIE, “Ecce in manibus meis descripsi te: Passion Imagery of the Word in Northern Art of the Fifteenth Century” (Johns Hopkins, W. Melion)
SMITH, SHARON C., “Planned Grandeur: A Comparative Study of Urban Expansion in Early Modern Italy and Mamluk Egypt” (Binghamton, C. Burroughs)
TAL, GUY, “Imago Maleficarum: Witchcraft and Demonomagic in Italian Renaissance and Baroque Art” (Indiana, B. Cole)
TOBEY, ELIZABETH, “The Palio in Italian Renaissance Art, Thought, and Culture” (Maryland at College Park, A. Colantuono)
WALDROP, GREGORY, “Sight Unseen: Priests and Visual Representation in Early Renaissance Italy” (UC Berkeley, L. Partridge)
WAMSLER, CAROLINE A., “Picturing Heaven: Guariento's Coronation of the Virgin in Venice's Sala del Maggior Consiglio” (Columbia, D. Rosand)
WHITTEMORE, LEILA, “Theory, Practice, and the Architectural Imagination: Filarete's Treatise on Architecture and Early Sforza Urbanism, 1450-1464” (Columbia, J. Connors)
WILLIAMS, LINDA, “The Art of Love and Marriage in Fifteenth- and Sixteenth-Century Rome: Domestic Frescoes and Their Patrons” (University of Washington, J. Snow-Smith)
WOODALL, DENA, “Sharing Space: Double Portraiture in Sixteenth-Century Italy” (Case Western Reserve, E. Olszewski)
WOOLLETT, ANNE, “The Altarpiece in Antwerp, 1554-1612: Painting and the Militia Guilds” (Columbia, D. Freedberg)
ARMSTRONG, CHRISTOPHER DREW “Progress in the Age of Navigation: The Voyage-Philosophique of Julien-David Le Roy” (Columbia, R. Middleton, B. Bergdoll)
BADIEE-BANTA, ANDALEEB, “Gioacchino Assereto and the International Artistic Culture of Genoa, 1600-1650” (IFA/NYU, D. Posner)
BEDARD, JEAN-FRANCOIS, “The Architect as Honnete Homme: The Domestic Architecture and Decoration of Gilles-Marie Oppenord (1672-1742)” (Columbia, R. Middleton)
BYRON, DAVID, “The Visual and Social Strategies of German Propaganda Broadsheets, l608-l62l” (Yale, C. Wood)
CAMPBELL, EVA, “Trade Cards and Sign Boards: Visual and Textual Representations of Difference” (University of Victoria, C. Gibson-Wood)
CHEN, HUI-HUNG, “Missionaries and Images—Jesuit Visual Culture in Sixteenth- to Seventeenth-Century China” (Brown, J. Muller)
DAVID, MARGARET DIANE, “Francesco Mochi, Sculptor (1580-1654)” (Columbia, J. Connors)
DEARING, GLENN, “Rubens and the Imagery of Divine Love in Antwerp, 1608-1640” (Johns Hopkins, W. Melion)
DE CAVI, SABINA, “Spain in Naples: Building, Sculpting, and Painting for the Viceroys (1585-1621)” (Columbia, J. Connors)
DEWITT, LLOYD, “Jan Lievens in London, Antwerp, and Amsterdam” (Maryland at College Park, A. Wheelock)
DICKERSON, CLAUDE, “Before Bernini: Modeled Sculpture in Rome, ca. 1585-1635” (IFA/NYU, D. Posner)
DUDLEY, DENNINE, “Art, Taste, and Self-Fashioning: Henrietta Louisa Jeffreys and the Oxford Donation of 1755” (University of Victoria, C. Gibson-Wood)
ETHERIDGE, CHRISTOPHER, “Rough Trade: Realism and the Labour of Painting circa 1600” (Harvard, H. Zerner)
FASSL, JOHANNA, “Sacred Eloquence: Giambattista Tiepolo and the Rhetoric of the Altarpiece” (Columbia, D. Rosand)
FORDHAM, DOUGLAS, “Imperial London and the Dawn of British Art: 1745-1776” (Yale, T. Barringer)
FRIEDFERTIG, LORI, “Hebrew Manuscripts in Eighteenth-Century Vienna: Production and Patronage” (Columbia, D. Rosand)
GUILE, CAROLYN, “Architecture and Theory in the Polish Lithuanian Commonwealth, 1764-1807” (Princeton, T. Kaufmann)
HALE, MEREDITH, “Romeyn de Hooghe and the Birth of Political Satire” (Columbia, S. Schama, D. Freedberg)
JONES, JENNIFER, “A Discourse on Drawings: Salon Culture and the Graphic Arts in Eighteenth-Century Paris” (Columbia, D. Rosand)
KAY, NANCY CHUTE, “The Sacred Public Sculptures of Counter-Reformation Antwerp” (Brown, J. Muller)
KOUDOUNARIS, PAUL, “Barbarians Within and Without” (UCLA, D. Kunzle)
LANGWORTHY, JENNIFER, “On Shifting Ground: Politics and Patronage in Art of François Gerard” (UIUC, D. O'Brien)
LARKIN, GRAHAM, “The Elusive Oeuvre of Jacques Callot” (Harvard, H. Zerner)
LECA, BENEDICT, “Constructions of Patrimony: The Interpretive Prints after Claude-Joseph Vernet's Ports of France” (Brown, K. D. Kriz)
LITSARDOPOULOU, NAUSIKA-SOTIRIA, “Rubens's Pastorals” (Brown, J. Muller)
MCINTOSH, LAURENTIA, “Seventeenth-Century Dutch Still-Life Painter Maria van Oosterwyck” (Wisconsin-Madison, J. Hutchison)
NEVILLE, KRISTOFFER, “Nicodemus Tessin the Elder and German Artists in Sweden in the Age of the Thirty Years' War” (Princeton, T. Kaufmann)
ROMAN, DULCE, “Rubens and the Emergence of High Baroque Style in Spanish Painting” (Columbia, D. Freedberg)
ROMAN, MONICA, “Sensibilité Painting in the Public Sphere” (University of Victoria, C. Gibson-Wood)
SCHAUDIES, IRENE, “Proverbs, Fables, and Folklore, The Genre Painting of Jacob Jordaens” (Brown, J. Muller)
SCHMID, VANESSA, “Govaert Flinck's Portraits and Their Role in the Internationalization of the Portraiture of Amsterdam in the 1650s” (IFA/NYU, E. Haverkamp-Begemann)
SELLIN, CHRISTINE P., “Uitgedreven en door Gods Engel geredt: The Biblical Hagar and Ishmael in Seventeenth-Century Netherlandish Painting” (UCLA, D. Kunzle)
SENOS, NUNO, “Franciscan Patronage in Northeastern Brazil (1650-1800)” (IFA/NYU, J. Brown)
SHAFER, DEBORAH, “Fashioning an Ideal of Intimacy: British Family Portraits, 1730-90” (Boston University, J. Ribner, J. Cranston)
TAL, GUY, “Imago Maleficarum: Witchcraft and Demonomagic in Italian Renaissance and Baroque Art” (Indiana, B. Cole)
THOMAS, ROBIN, III, “Charles of Bourbon's Naples: Architecture and Politics” (Columbia, J. Connors)
WILSON, MEGHAN S., “Dutch Flower Still-Life Painting in Middelburg, ca. 1600-1620” (Northwestern, C. Swan)
ZANARDI, TARA, “National Imaging and Artistic Rendering: The Creation of the Spanish ‘Type,’ 1750-1830” (Virginia, C. Johns)
ALBINSON, AMY CASSANDRA, “Portraiture and Presence: Artists and Aristocrats in Nineteenth-Century Britain” (Yale, T. Barringer)
ANGELL, MARISA, “Learning from Urforms of Nature: Organic Functionalism in German Architecture and Photography, 1923-1941” (Yale, S. Isenstadt)
AUSTIN, NANCY, “Industrialization and the Language of Art and Design” (Brown, D. Neumann)
BAILEY, BRADLEY, “Duchamp and Games” (Case Western Reserve, E. Landau)
BARRON-DUNCAN, RACHAEL, “Fashioning Surrealism: The Making of Radical Couture, l925-l938” (Yale, C. Mehring)
BAVUSO, FRANCESCA, “The Gravity of Memory: Recollection and Forgetting at the Bibliothèque Impériale of Napoléon III” (UC Irvine, J. Herbert)
BELL, MELISSA, “Lithography and the French Stage, 1815-1848” (CUNY, P. Mainardi)
BEWLEY, MICHELE, “A Coign of Vantage: Sir Lawrence Alma-Tadema and the Spaces of Modern London” (Binghamton, O. Vazquez)
BOSTON, LEAH C., “Political Vision: Art and Ideology in the Salons of Les XX (1884-1893)” (Northwestern, S. Eisenman)
BUSH, DIANA, “The Dialectical Object: John Heartfield, 1915-1938” (Columbia, B. Buchloh)
CADERO-GILLETTE, JENNIFER, “Collecting Art and Constructing History: The Recovery of Medieval Panel Painting circa 1800” (Harvard, J. Koerner)
CHANG, YOON-KYUNG, “Art and Artist under Occupation: Goya and His Contemporaries in the Peninsular War” (IFA/NYU, J. Brown)
CHILDS, ADRIENNE, “The Black Exotic: Representing Africans in French Orientalist Art, 1850-1900” (Maryland at College Park, J. Hargrove)
COZZOLINO, ROBERT T., “Every Picture Should Be a Prayer: A Critical Study of Ivan Albright” (Wisconsin-Madison, B. Buenger)
DECKER, JUILEE, “John Constable's English Landscape Mezzotints as Metonymic Strategy” (Case Western Reserve, C. Scallen)
DILLON, JENNIFER, “Architecture and the Urban Imaginary: A Comparative Study of the Public Bath in Canada and Germany, 1880-1935” (Duke, A. Wharton)
DUDLEY, HELEN, “Fascist Regionalisms: The Cultural Politics of Strapaese in Interwar Italy” (Emory, C. Poling)
EGGLER-GEROZISSIS, MARIANNE, ” ‘A Decorator in the Best Sense’: Mies van der Rohe and the Articulation of the German Modernist Interior” (CUNY, R. Bletter)
FRIEDMAN, JULIA P., “The Threshold Art of Alexei Remizov” (Brown, K. S. Champa)
GALVEZ, PAUL, “The Landscape-as-Body in Modernist Painting” (Columbia, J. Crary)
GANZ, SARAH, “The Redemptive Power of Art: Utopian Aspirations and Pictorial Realities in Fin-de-Siècle France” (IFA/NYU, L. Nochlin)
GARRETT, SUSAN, “Velázquez in the Nineteenth Century: An Historiographic Inquiry” (Brown, K. S. Champa)
GILDERHUS, KIRSTEN ELOISE, “Karl Hubbuch: Drawings and Graphic Works, 1927-1930” (Wisconsin-Madison, B. Buenger)
GRAYBILL, LELA, “Vulnerable Bodies: Violent Spectacle in Early Post-Enlightenment Europe” (Stanford, M. Marrinan)
GREENE, VIVIEN, “Italian Divisionism in the 1890s: The Forging of a Modern Identity” (CUNY, P. Mainardi)
GUTSCHOW, KAI, “Architectural Criticism and the Crusade for a Modern German Culture: Adolf Behne and Walter Curt Behrendt” (Columbia, R. Middleton)
HAGE, EMILY, “Circuits of Exchange: International Dada Art Journals, 1915-1921” (Pennsylvania, C. Poggi)
HALKIN, TALYA, “Jacques-Joseph Tissot: A Reassessment, 1860-1895” (Columbia, J. Crary)
HAMLIN, AMY, “Between Allegory and Symbol: Max Beckmann and the Crisis of Expressionism” (IFA/NYU, R. Lubar)
HARKETT, DANIEL E., “The Consumption of History Painting in Restoration France” (Brown, K. S. Champa)
HENDRICKSON, LAURA, “Art Aspiring to the Condition of Music, 1850-1900: English Avant-Gardism and the Case of Wagner” (Brown, K. S. Champa)
HESS, HEATHER, “The Wiener Werkstaette and Its Critics” (Rutgers, J. Sharp)
HINDERLITER, BETH, “The Space of Painting: Kurt Schwitters and El Lissitzky” (Columbia, B. Buchloh, R. Krauss)
HUGHES, GORDON, “Resisting Abstraction: Cubism, Robert Delaunay, and the Crisis of Representation in Early Twentieth-Century French Painting” (Princeton, H. Foster)
KIM, JONGWOO, “The Royal Academy of Arts and Masculinity in Transition: Class, Gender, and Power in Depictions of English Manhood from the 1870s to the 1920s” (IFA/NYU, L. Nochlin)
KREINIK, JULIANA, “New Objectivity in German Art: The Canvas, the Camera, and Modernity in the Weimar Era” (IFA/NYU, R. Lubar)
LAMPE, ISSA, “David in Brussels: Painting the Subject of Exile” (Harvard, E. Lajer-Burcharth)
LAXTON, SUSAN, “Paris as Gameboard” (Columbia, R. Krauss)
LEONARD, ANNE, “Picturing Listening in the Late Nineteenth Century” (Harvard, H. Zerner)
LOUGHREY, STACEY, “Fancy Utilities: The Idea of China in British Design, 1745-1880” (USC, K. Lang)
LOURIE, ARIANE, “Modernism's Entrepreneurs: European Design Firms and the Market, 1930-1950” (IFA/NYU, J.-L. Cohen)
MAHDI, FATIMA, “Representing the Middle Ages at the Metropolitan Museum of Art, 1870-1940” (IFA/NYU, J.-L. Cohen)
MAIMON, VERED, “Herschel, Talbot, Duchenne and Galton—Photography as an Epistemological Site in the Nineteenth Century” (Columbia, J. Crary)
MAULSBY, LUCY, “Architecture and Urbanism in Fascist Italy: Milan 1926-40” (Columbia, R. Middleton)
MITZEN, ANNE, “Gender, Modernism and Regionalism: The Promotion of Kunstlerinnen in the Rhineland, 1900-1933” (Brown, K. S. Champa)
MLADENOVIC, IVANA, “John Ruskin: The Medieval Mission” (UCLA, A. Boime)
NECOL, JANE, “Matisse and His Books: Transcending Limits” (Columbia, D. Rosand)
NEDD, ANDREW, “Defending Russia: Russian History and Pictorial Narratives of the ‘Patriotic War,’ 1812-1912” (USC, J. Bowlt)
NELLIS, ANNE, “The English Landscape Painter Abroad: Tourism, Genre, and Modernity in the Post-Napoleonic Period” (Brown, K. D. Kriz)
NYDEN, LAINE, “Nationalism and Identity in an Emerging Nation: Czech Art in the Last Half of the Nineteenth Century” (Indiana, M. Facos)
O'NEILL, MORNA, “‘Art Is Born Again’: Painting as a Practice in the Work of Walter Crane, l877-l902” (Yale, T. Barringer)
PALUCH-MISHUR, MICHELLE, “The Mutable Perspectives of Flight: Futurist Aeropittura and the ‘Golden Age’ of Aviation” (Wisconsin-Madison, B. Buenger)
PASSANTI, FRANCESCO, “Le Corbusier at the Salon d'Automne of 1922” (Columbia, R. Middleton)
ROBERTS, SARAH REHM, “Englishness, Abstraction, and Surrealism: Modern Art in England, 1932-1936” (Brown, K. S. Champa)
ROGAN, CLARE, “Freundinnen and Mannweiber: Constructing Female Homoeroticism and the Figure of the Lesbian in German Art and Visual Culture, 1900-1933” (Brown, K. S. Champa)
SIVARD, SUSAN, “The Volcano in European and American Art, 1770-1865” (Columbia, B. Novak)
SKRYPZAK, JOANN, “Sporting Modernity: German Artists and the Athletic Body, 1918-1945” (Wisconsin-Madison, B. Buenger)
SMITH, T'AI, “Weaving Work at the Bauhaus (1919-1933): The Gender and Engendering of a Medium” (Rochester, D. Crimp)
SRIVASTAVA, SEEMA, “Redressing the Decorative Body: Fashion and Art in the Late Nineteenth Century” (IFA/NYU, L. Nochlin)
STEWART, LEE, “Likeness and Identity: Painted and Photographic Portraiture in France, 1830-1880” (Columbia, R. Brilliant)
SWEET, LEAH, “Puppets in Zurich Dada and Germany between the Wars” (IFA/NYU, R. Lubar)
SYME, ALISON, “Hedgewhores, Wagtails, Cockatrices, Whipsters: John Singer Sargent and His Coterie of Nature's Artful Dodgers” (Harvard, Y.-A. Bois)
VAN HOESEN, BRETT M., “Institutions of Visual Culture and the Critique of Colonial Legacies: The Avant-Garde, Popular Press and Ethnographic Museums in Weimar Germany” (Iowa, C. Adcock, S. Foster)
VENDELIN, CARMEN, “The Decay of Gender in Symbolist and Decadent Art circa 1885-1905” (Rutgers, J. Spector)
VIERECK HUNTER, CHRISTINA, “Kurt Schwitters: German Romanticism and the Language of Abstraction” (Columbia, B. Buchloh)
WARWICK, ACACIA R., “Prefabricated Desire: Surrealism, Mannequins, and the Fashioning of Modernity” (UCLA, A. Boime)
WEEKS, EMILY, “The ‘Egyptian Years’ of John Frederick Lewis (1805-1876): An Orientalist Painter Re-Viewed” (Yale, T. Barringer)
ZIMMERMAN, CLAIRE, “Photography, Architecture, and Commerce in Ludwig Mies van der Rohe's German Work, 1925-1931” (CUNY, R. Bletter)
BARBERIE, PETER, “Landscape and the Discourses of Naturalism: Charles Marville's Photographs of the Bois de Boulogne” (Princeton, P. Bunnell)
BASSNETT, SARAH, “Photography, Instrumental Discourse, and City Planning in Early Twentieth-Century Toronto and Montreal” (Binghamton, J. Tagg)
BLACKBURN, MARCIA, “A Social Architectonics of Science Fiction Film Design” (Binghamton, T. McDonough)
BURGESS, REBEKAH, “Collecting Agency: Turn-of-the-Century Lowell, Massachusetts, Mill Workers Return the Gaze” (Boston University, K. Sichel)
CZACH, ELIZABETH, “Substandard: An Aesthetic History of Home Movies” (Rochester, S. Willis)
DE SOUZA, CARLOS, “And Love Will Live Forever: The Narrative Structure of the Fotonovela” (UC Santa Barbara, U. Keller)
FIRSTENBERG, LAURI, “Postcoloniality, Performance, and Photographic Portraiture” (Harvard, S. P. Blier)
GORDON, SARAH A., “Philadelphians in Motion: Human Bodies in Muybridge's Animal Locomotion” (Northwestern, S. H. Clayson)
HOSS, MARY-LOUISE, “Ladies and Scholars: Photographic Images of Women Students 1890-1914” (Boston University, K. Sichel)
HUMPHREY, DAN, “Projected Affects/Constructed Subjects: Considering the Male American Spectator of ‘Foreign’ Feature Films” (Rochester, L. Cartwright)
KELLER, COREY, “The Look of Knowledge: Photographic Imagery and the Discourses of Science, 1839-1895” (Stanford, M. Marrinan)
LUTZ, ERIC, “The Architect's Eye: R. M. Schindler and His Photography” (UC Santa Barbara, U. Keller)
MULLER, GABRIELA, “The German Absolute Film and the Discourse of Medium-Specificity” (Stanford, S. Bukatman)
PRUNES, MARIANO, “Contemporary Italian Cinema: A Cinema of Persistence” (Yale, N. Steimatsky)
PYTLINSKI, DEANNE, “Utopian Visions: Women in Early Video Art” (CUNY, A. Chave)
RICCIARDELLI, LUCIA, “Packaging the Past for the Spectator: The Status of the Photographic Image in Contemporary Documentary Practice” (UC Santa Barbara, C. Gardner and A. Solomon-Godeau)
WEISS, MARTA, “Photographic Fiction: British Photography in the 1860s and 1870s” (Princeton, P. Bunnell)
WEISSMAN, TERRI, “Super Sight: The Photography of Berenice Abbott” (Columbia, B. Buchloh)
WILLIAMS, MICHAEL, “Playing Perverse: Being-in-the-Filmic-World” (Rochester, T. DiPiero)
AHLFELDT, JENNIFER, “On Reconstructing Maya Architecture: A Reconstruction and Reinterpretation of an 8th-Century Maya Temple at Copán, Honduras” (Columbia, E. Pasztory)
BRADLEY, ROBERT, “The Architecture of Kuelap, Chachapoyas” (Columbia, E. Pasztory)
CASSIDY, ANNE, “Divination by Image: The Borgia Group of Pre-Hispanic Mexican Ritual Calendars” (Columbia, E. Pasztory)
DUBREUIL, CHISATO, “The Impacts of ‘Ksan, the Kitanmax School of Northwest Coast Indian Art” (University of Victoria, A. N. Walsh)
GLINSMANN, DAWN, “A Lively Exchange: Traditions and Techniques in Northern Northwest Coast Spruce Root Hats, 1770-1910” (University of Washington, R. Wright)
MATUSIK, TARYN, “The Image Breakers: Sculptural Mutilation among the Olmec and Maya” (Columbia, E. Pasztory)
OLTON, ELIZABETH, “To Animate the Dead: The Iconography and Cosmology of Classic Elite Maya Burials” (New Mexico, F. Clancy, H. Barnet)
O\’NEIL, MEGAN, “Making Visible History: Ancient Maya Sculpture from the Lacanja Region of Chiapas, Mexico” (Yale, M. Miller)
ROBERTSON, JANICE, “Aztec ‘Picture Writing’: Renewing Our Understanding and Investigations in an Age of Electronic Literacy—A Study Based on the Place Name-Signs in the Codex Mendoza” (Columbia, R. Brilliant)
SPENCER, KAYLEE, “Towards an Understanding of Elite Representation in Late Classic Palenque” (Texas at Austin, N. Grube, J. Kappelman)
VALLILEE, DAVID, “Of Body and Blood: Sacrifice among the Aztecs of Mesoamerica and the Lakota of the Great Plains” (CUNY, E. Quiñones-Keber)
ADDONIZIO, SHARI, “Charismatic Masters, Serious Young Men, and Angels under White Umbrellas: The Summer Art Schools at Magnolia, Shinnecock, and Provincetown” (Florida State, K. Bearor)
ATKINS, ASHLEY, “Winslow Homer and the Aesthetic Movement” (Rutgers, M. Baigell)
BADGETT, AMANDA, “Gothic Revival Churches in the Antebellum South” (Columbia, B. Bergdoll)
BASSNETT, SARAH, “Photography, Instrumental Discourse, and City Planning in Early Twentieth-Century Toronto and Montreal” (Binghamton, J. Tagg)
BAXTER, ADRIENNE, “The Metaphysical Paintings of George Inness” (Columbia, D. Rosand)
BECHTEL, ALISON, “Infiltrating the Interior: The New York Art World and Collectors' Houses, 1860-1900” (Pennsylvania, E. Johns)
BOETTCHER, GRAHAM, “Domestic Violence: Familial and Political Conflict in the Work of Emanuel Leutze” (Yale, A. Nemerov)
BURDAN, AMANDA C., “Américaines in Paris: The Role of Women Artists in the Formation of America's Cultural Identity, 1865-1880” (Brown, K. S. Champa)
CORDOVA, JAMES M., “Between Heaven and Earth: Discerning Femininity, Sanctity, and Ambivalence in the Portraits of the ‘Crowned Nuns’ of New Spain” (Tulane, E. Boone)
DAVIS, CAITLIN S., “Lee Miller: A Critical Analysis of Her Photography” (Rutgers, J. Marter)
DAVIS, MEREDITH, “Fool's Gold: American Trompe l'Oeil and the Gilded Age” (Columbia, J. Crary)
DEMING, DIANE, “Dennis Oppenheim and the Wild West” (Delaware, B. Herman)
DILLON, JENNIFER, “Architecture and the Urban Imaginary: A Comparative Study of the Public Bath in Canada and Germany, 1880-1935” (Duke, A. Wharton)
DOOLEY, MICHAEL C., “Citizen Bird: Progressive-Era Ornithological Art and the Founding of the Bird Conservation Movement” (Iowa, J. Kinsey)
EGAN, SHANNON, “Edward S. Curtis and the North American Indian, 1907-1930” (Johns Hopkins, B. Doherty)
ELLIS, AMY, “…‘Not a Mere Leaf-Painter’: Thomas Cole and the Figure” (Columbia, J. Crary, E. Hutchinson)
ELLIS, JAMES, “The Fourteenth Street School” (Case Western Reserve, H. Adams)
ELPHICK, NENITA PONCE DE LEON, “Colonial Peruvian Portraits, 1650-1800” (Harvard, T. Cummins)
EMPEN, CYNTHIA WIEDEMANN, “Public and Exposed: The Female Body Imaged in American Visual Culture, 1848-1875” (Indiana, S. Burns)
FLORES, TATIANA, “Estridentismo and \!30-30!, The First Mexican Avant-Gardes” (Columbia, K. Moxey)
FOWLER, ELIZABETH, “The Rookwood Sage: Kataro Shirayamadani and American Japanism, 1883-1913” (Minnesota, G. Weisberg)
FRAISE, JEANNE WIENKE, “Modernism and the ‘Ultra-Feminine’ Artist: Reworking Cultural Codes of Femininity in the Art of Florine Stettheimer” (Stanford, W. Corn)
FULLALOVE, BENEDICT, “The Production of Authenticity: Wilderness, History and Travel in Landscape Representation of the Canadian Rockies (c. 1860-1940)” (Duke, A. Wharton)
GLICK, PAULA F., “Paul Sample: Regionalist Artist” (Columbia, J. Beck)
GORDON, SARAH A., “Philadelphians in Motion: Human Bodies in Muybridge's Animal Locomotion” (Northwestern, S. H. Clayson)
HEGSTROM, DEBRA, “Gustav Stickley and American ‘Home-making’ in the Craftsman: Gender and Design Issues, 1890-1915” (Minnesota, G. Weisberg)
HIGGINBOTHAM, CARMENITA, “Saturday Night at the Savoy: Blackness and the Urban Spectacle in the Art of Reginald Marsh” (Michigan, R. Zurier)
JAMESON, KATHLEEN V., “Society Matrons, Fair Maidens, Working Girls, and New Women: Gender Roles and Frances Benjamin Johnston” (Delaware, W. Homer)
KAPS, NANNI, “Similarities of Form and Concept in American and German Nineteenth-Century Landscape Painting” (Columbia, B. Novak)
KARPINSKAIA, NATALIA, “Landscape Art and Landscape Attitudes in Russia and America” (Columbia, B. Novak)
KELLY, SARAH, “Camera's Lens and Mind's Eye: Whistler and the Science of Art” (Columbia, D. Rosand)
KILBANE, NORA C., “A Tug from the Jug: Images of Drinking in American Genre Painting, 1800-1869” (Ohio State, B. Groseclose)
KUEBLER-WOLF, ” ‘The Perfect Shadow of His Master’: Picturing Slaves in the Antebellum South” (Indiana, S. Burns)
LEIMER, ANN MARIE, “The Performance of the Sacred: The Concept of Journey in Codex Delilah” (Texas at Austin, A. Malagamba)
LEPAGE, ANDREA, “Arts of the Franciscan Colegio de San Andrés in Colonial Quito: A Process of Cultural (Re)formation” (Brown, C. W. Zerner)
LESSING, LAUREN, “Captives in the Parlor: Re-viewing Ninteenth-Century American Ideal Sculptures in Their Domestic Context” (Indiana, S. Burns)
MASON, PAUL, “The Light of Progress: Electric Light at Chicago's 1933-34 Century of Progress International Exposition: A Symbol of American Modernity” (Wisconsin-Madison, N. Menocal)
MURAI, NORIKO, “Authoring the East: Okakura Kakuzo and East Asian Art in Early Twentieth-Century America” (Harvard, H. Zerner)
MURPHY, KEVIN, “The Economics of Style: The Business Practices of American Artists and the Structure of the Market, 1850-1910” (UC Santa Barbara, B. Robertson)
ORCUTT, KIMBERLY, “…‘Revising History’: Creating a Canon of American Art at the Centennial Exhibition” (CUNY, S. Webster)
PHILLIPS, RUTH ANNE, “Pre-Columbian Inspiration: Incorporating the Indigenous in United States Architecture, 1915-1930” (CUNY, E. Quiñones-Keber)
REYNOLDS, REBECCA, “Preserving Her Nature: An Animal and Figurative Sculpture of Anna Hyatt Huntington” (Boston University, P. Hills)
ROBERTS, ELLEN, “Japanese Art and the American Aesthetic Interior, 1876-1893” (Boston University, K. Morgan, P. Hills )
SAMUEL, ANNE, “Rethinking Vision in the American Renaissance Murals of Edwin Blashfield” (Delaware, M. Leja)
SAVOIE, ROBERT, “Profiles in Commercialism: Artistic Subjectivity in American History Painting, 1770-1805” (Stanford, B. Wolf)
SCHWARTZ, STEPHANIE, “Building a ‘Sister Republic’: Urban Planning and Architecture in Cuba, 1925-1933” (Columbia, H. Ballon)
SENOS, NUNO, “Franciscan Patronage in Northeastern Brazil (1650-1800)” (IFA/NYU, J. Brown)
SHAPIRO, EMILY, “Machine Crafted: Images of the Artisan in American Genre Painting, 1877-1908” (Stanford, W. Corn)
SHEEHAN, TANYA, “Performances and Procedures: The Surgical Operating Theatre and the Photographic Body in American Visual Culture, 1860-1890” (Brown, K. Kriz, K. S. Champa)
SIDDONS, LOUISE, “Working in Reproduction: Print Media and the Maternal Ideal in the United States, 1915-1940” (Stanford, W. Corn)
SIVARD, SUSAN, “The Volcano in European and American Art, 1770-1865” (Columbia, B. Novak)
SNOOK, SARAH, “The Development of the American Art Market in Antebellum New York” (Columbia, D. Rosand)
SOLON, DEBORAH, “The Life and Work of Alson Skinner Clark” (CUNY, K. Murphy)
SPEER, GEORGE, “Binding Frankenstein: Reclaiming the Self in the Visual Culture of the Machine Age” (Washington University in St. Louis, A. Miller)
STANFIELD-MAZZI, MAYA, “Statue and Substitute: The Replication of Miraculous Statues in Colonial Peru” (UCLA, C. Klein)
STREB, JENNIFER L., “Minna Citron: A Feminist Critique of an Artist's Satirical Realism in the 1930s” (Penn State, S. Rich)
VAN ARRAGON, ELIZABETH J., “The Photo League: Views of Urban Experience in the 1930s and 1940s” (Iowa, C. Adcock)
WILLIAMS, LYNEISE, “Sacudiendo de los Espiritus Adormecidos/Rousing the Sleeping Spirits: The Art of Pedro Figari (1861-1938)” (Yale, R. Thompson)
WILLIS, CAROL, “Futuricity: American Visionary Urbanism in the 1920s” (Columbia, B. Bergdoll)
WOLFSKILL, PHOEBE, “Popular Culture and the Construction of Identity in the Urban Scene Paintings of Archibald Motley, Jr., and Reginald Marsh” (UIUC, J. Fineberg)
YORK, KAREN, “American Portrait Cameo Cutting: An Alternate Apprenticeship in Relief Sculpture, 1830-1870” (Indiana, M. Facos)
ZUGAY, BRIAN C. R., “The ‘New Era’ in Church Building: Progressive Strategies for Ecclesiastical Architecture in Early Twentieth-Century America” (Brown, D. Neumann)
ALDANA, ERIN, “Uran Interventions to Xerox Art: 3No's3 and the City of São Paulo, 1978-1982” (Texas at Austin, A. Reynolds)
ALLEN, GWEN, “From Specific Medium to Mass Media: The Art Magazine in the 1960s” (Stanford, P. Lee)
ARCHIAS, ELISE, “Visual Art in a Performative Mode: Problems and Proposals in the Art of Yvonne Rainer, Vito Acconci, and Adrian Piper” (UC Berkeley, A. Wagner)
BAUM, RACHEL, “Andy Warhol: The Crisis of Modernist Subjectivity in Abstraction” (Harvard, N. Bryson)
BEYER, MELISSA BROOKHART, “Expanded Fields: Performance, Installation, and the Crowd” (Stanford, P. Lee)
BUTLER, KAREN K., “Jean Fautrier and the Representation of Resistance in Postwar France” (Columbia, B. Buchloh)
BUTLER-PALMER, CAROLYN, “Interfaces: The Pop, Politics, and Portraiture of David Neel and Andy Warhol” (Pittsburgh, K. Savage, T. Smith)
CHONG, DORYUN, “Home Out of Place, Time Out of Joint: Nam June Paik and Lee Ufan, c. 1960-1989” (UC Berkeley, A. Wagner, G. Levine)
CLUNIS, SARAH A., “Readymade Diaspora: Cultural Icons Rectified and Assisted” (Iowa, C. Roy)
COLAIZZI, VITTORIO, “Robert Ryman: Painting and Minimalism” (Virginia Commonwealth, R. Hobbs)
CUSHWA, ANNE J., “Felix Gonzalez-Torres (1957-1996)” (Iowa, C. Adcock)
DAWSEY, JILL, “Secrets from the Street: Women, Art, and Urban Space, 1966-1980” (Stanford, P. Lee)
DE ARMENDI, NICOLE, “Shifting Perception: Labyrinths and the Rise of Phenomenology in American Art of the 1960s and 1970s” (Virginia Commonwealth, R. Hobbs)
DEEB, ELYSE, “Studies in American Art: Women Sculpting in the 1960s” (Brown, K. S. Champa)
DUMETT, MARI, “Corporate Imaginations: Fluxus Collaboration in the Age of Postwar Capitalism” (Boston University, C. Jones)
DURAN, ADRIAN, “The Widows of War: Painting and Politics in Venice, 1945-65” (Delaware, A. Gibson)
EISMAN, APRIL, “Bernhard Heisig and the Cultural Politics of East German Art” (Pittsburgh, B. McCloskey)
ERTEN, ERDEM, “The Case for Englishness: The Architectural Review, 1946-1973” (MIT, M. Jarzombek)
EVANS, KIM, “The Geography of Feminist Art Criticism: A Genealogical History of Feminist Discourse on Art, 1971-1981” (Binghamton, J. Tagg)
FARRELL, JENNIFER, “Buren before Buren: The Early Works of Daniel Buren” (CUNY, R. Golan)
FELDMAN, HANNAH, “Spatial Negotiations: Art, Historical Experience, and the Public in Postwar Paris” (Columbia, B. Buchloh, R. Krauss)
FLOYD, KATHRYN M., “Documenta: A History and Analysis” (Iowa, C. Adcock)
FREDRICKSON, LAUREL, “Third Politics: The Liberatory Strategies and Artistic Behavior of Jean-Jacques Lebel and Kate Millett in the 1960s and Early 1970s” (Duke, K. Stiles)
GEIGER, MELISSA S., “A Socio-Historical Critique of Robert Rauschenberg's Electronic Works of the Sixties” (Penn State, S. Rich)
GILMAN, CLAIRE, “Arte Povera's Theatrical Impulse: Italian Art of the 1960s and 70s” (Columbia, B. Buchloh, R. Krauss)
GRUDIN, ANTHONY, “Art and Commodification in 1960s New York” (UC Berkeley, T. J. Clark)
HABOECK, ALMUT, “Viennese Actionism: Theorizing a Movement” (Iowa, C. Adcock)
HAIDU, RACHEL, “Marcel Broodthaers; or, The Absence of Work” (Columbia, B. Buchloh, R. Krauss)
HAMILTON, JAIMEY, “Strategies of Excess: Postwar Assemblage in Europe and the U.S.” (Boston University, C. Jones)
HORIUCHI, LYNN, “Dislocations and Relocations: The Built Environments of Japanese American Internment” (UC Santa Barbara, B. Robertson)
IBARRA, ALVARO, “Legions in Mourning: Reconstructing Communities in the Roman Provinces” (Texas at Austin, J. Clarke, P. Davis)
IKEGAMI, HIROKO, “Patterns of Spontaneity: American Art, 1954-1961 (Robert Rauschenberg, Larry Rivers, Ray Johnson, Bruce Conner)” (Yale, A. Nemerov)
JAMES, ERICA, “What Good Are Roots If You Can't Take Them with You? Caribbean Art in the Global Imaginary” (Duke, R. Powell)
JAROSI, SUSAN, “The Holographic Model and Visual Forms of Trauma in Postwar Art: Hermann Nitsch and Raphael Ortiz” (Duke, K. Stiles)
JUNCKER, KRIS, “Honey at the Crossroads: Women and the Arts of African-Cuban Santería, 1930-1980” (Columbia, N. Kampen, Z. Strother)
KAIZEN, WILLIAM, “The Immediate: Video Art, circa 1970” (Columbia, B. Buchloh)
KAJIYA, KENJI, “Unfolding Modernism: Reconsidering Clement Greenberg's Art Criticism and the Paintings of Helen Frankenthaler, Morris Louis, and Kenneth Noland, 1948-1961” (IFA/NYU, R. Lubar)
KANTOR, JORDAN, “Jackson Pollock's Late Paintings” (Harvard, Y.-A. Bois)
KIM, JINA, “Invitation to the Other: The Display of National and Cultural Identity around the 1993 Whitney Biennial” (Binghamton, J. Tagg)
LANGE, ALEXANDRA, “Tower Typewriter and Trademark: Architects, Designers, and the Corporate Utopia, from the Rouge River to Black Rock” (IFA/NYU, J.-L. Cohen)
LEPPANEN, ANALISA, “The Child Lost in the Garden of Time: Childhood and the Fourth Dimension in the Works of Joseph Cornell” (UC Irvine, D. Tashjian)
LIMA, BENJAMIN, “Mediate Objects, Concrete Spaces: Wolf Vostell and Dé-coll/age, 1954-1976” (UC Irvine, D. Joselit)
MALAGON, MARIA, “The Presence of ‘the Uncanny’ in the Works of Beatriz Gonzalez, Oscar Munoz, and Doris Salcedo” (Texas at Austin, J. Barnitz)
MANSOOR, JALEH, “Marshall Plan Modernism: The Matrix of Fifties Abstraction” (Columbia, B. Buchloh, R. Krauss)
MARSHALL, JENNIFER, “The Stuff of Modern Life: Materiality and Thingness in American Interwar Aesthetics and Display” (UCLA, C. Whiting)
MCCORMICK, SETH, “The Mobilized Sign: Jasper Johns, Robert Rauschenberg, and Cy Twombly” (Columbia, B. Buchloh, R. Krauss)
MCMANUS, WILLIAM, “When we made films just to make them: Warhol Unlimited” (Princeton, H. Foster)
MCTIGHE, MONICA, ” ‘Epic Forgetting’: Mapping Memory Practices in Installation Art of the 1980s and 1990s” (Virginia, H. Singerman)
MELTZER, EVE, “Art after Words: Visibility in the Age of Information” (UC Berkeley, K. Silverman, A. Wagner)
MINTURN, KENT, “Contre-Histoire: The Postwar Art and Writings of Jean Dubuffet” (Columbia, B. Buchloh, R. Krauss)
MONAHAN, ANNE, “Form and Content: Political Figuration in American Art of the 1960s” (Delaware, A. Gibson)
MONDLOCH, KATIE, “Thinking through the Screen: Screen-Reliant Media Installation Art from the Mid-1960s to the Present” (UCLA, M. Kwon)
MOODY, MEREDITH, “Ruby C. Williams and Howard Finster: Creating a Unique Touching Experience through Visionary Art” (Stony Brook, D. Kuspit)
MURPHY, MIKE, “White Collared: Fashioning Masculinity in American Visual Culture” (Washington University in St. Louis, A. Miller)
MUZAFFER, IJLAL, “An Uncooked Modernity: Modern Architecture and Aesthetics of Development” (MIT, M. Jarzombek)
NOONAN, JENNIFER H., “Romancing the Stone: Desire in Conceptual Prints of the 1960s and 1970s” (Penn State, S. Rich)
OLIVER, LISA, “Lesbian Butch-Femme Identities and American Visual Culture of the 1940s and 1950s” (Brown, K. S. Champa)
PASQUARIELLO, LISA, ” ‘Words Without Thoughts Never to Heaven Go’: The Work of Ed Ruscha, 1958-1970” (Stanford, P. Lee)
PEDERSON, AMY, “Der Superman, Wie in der Welt Kam Er: Superheroes and Modernism in Mid-Century America” (UCLA, C. Whiting)
PEPPER, IAN, “On the Difference between Serialism and Seriality in the Visual Arts after 1945” (Columbia, R. Krauss)
PYTLINSKI, DEANNE, “Utopian Visions: Women in Early Video Art” (CUNY, A. Chave)
REECE-HUGHES, SHIRLEY, “The Art of David Bates” (Kansas, C. Eldredge)
REED, CATHERINE, “The Britishness of British Art: Landscape, Art, and Identity, 1951-1956” (Penn State, S. Rich)
RICHMOND, PATRICIA, “Gender and the Forms of Modernism: Dancers and Painters” (Case Western Reserve, E. Landau)
ROBINSON, JULIA, “In the Event of George Brecht: Chance Encounters of the ReadyMade, Cage, Fluxus, and Pop” (Princeton, H. Foster)
RODENBECK, JUDITH, “The Black Box of Experience: Happenings and the Mechanization of Affect, 1958-66” (Columbia, R. Krauss, B. Buchloh)
SALEEBY-MULLIGAN, DEBORAH, “Painting the Irish Conflict: The Belfast Murals of Gerard Mochara Kelly” (CUNY, K. Manthorne)
SANDLER, DANIELA, “Incarnate Politics: The Reunification of Germany and the Reconstruction of Berlin” (Rochester, A. Nader)
SCHOENTHAL, REBECCA YOUNG, “North Beach to Haight Ashbury: Artists and Community in San Francisco, 1950-1965” (Virginia, H. Singerman)
SCHREYACH, MICHAEL, “Painting Pragmatically: Reflexivity in Hans Hofmann and Jackson Pollock” (UC Berkeley, W. Davis)
SMITH, CHERISE, “Adrian Piper, Eleanor Antin, and Anna Deveare Smith: Ethnic, Gender, and Racial Performance” (Stanford, W. Corn)
STECK, STEWART, “Veiling the Subject: Ellsworth Kelly and the Discourses of Modernism” (Boston University, C. Jones)
STIFLER, SARAH, “Slippery when Wet: Visibility Politics and Lesbian Art in Los Angeles 1970-2000” (USC, R. Meyer)
URADOMO, STACEY, “Legacies: Family Memories, Identity, and History in Japanese American Art” (USC, R. Meyer, N. Troy)
VAN DER WATT, LIESE, “Making Whiteness Strange: The Politics of Whiteness in Postapartheid South African Visual Culture” (Stony Brook, N. Mirzoeff)
VILCHES, FLORA, “The Art of Archaeology: Reflecting on the Archaeological Process through the Work of Robert Smithson, Mark Dion, and Fred Wilson” (Maryland at College Park, J. Withers)
VINCENTI, MARISSA, “Our Spiritual Strivings: Gurdjieffian Philosophy, Spiritualism, and Politics in the Art of Aaron Douglas” (Duke, R. Powell)
WALKER, LANITRA, “Pictures that Satisfy: Modernist Discourses and the Politics of Race, Gender, and Nation in the Art of Irena Stern (1894-1966)” (Duke, R. Powell)
WENTRACK, KATHLEEN, “The Female Body in Conflict: U.S. and European Feminist Performance Art, 1968-1979, Carolee Schneemann, Valie Export, and Ulrike Rosenbach” (CUNY, A. Chave)
WERSCHKUL, HILDA, “Modernism into Memory: The Drawings of Eva Hesse” (Columbia, D. Rosand, B. Buchloh)
WILLIAMS, GREGORY, “Irony and Obfuscation: The Unstable Production of Meaning in the Work of German Artists from 1977 to the Present” (CUNY, R. Golan)
WILSON, SIONA, “Outworking: Feminist Refigurations of Modernism and Collectivity in North America and Britain, 1974-1985” (Columbia, B. Buchloh, C. Kiaer)
WOO, JUNG-AH, “The Art and National Identity of On Kawara and Yoko Ono” (UCLA, C. Whiting)
BECKER, CATHERINE, “Artistic Production and Ritual Performance at Amaravati and Other Stupas of Andrha Pradesh” (UC Berkeley, J. Williams)
BROWN, ROXANNA, “Shipwrecks with Trade Ceramics in Southeast Asia” (UCLA, R. Brown)
CARR, KEVIN, “The Lives of Sh CHEN, HUI-HUNG, “Missionaries and Images—Jesuit Visual Culture in Sixteenth- to Seventeenth-Century China” (Brown, J. Muller)
CHU, YANGMING, “Gentrification of Women in Early Tang Paintings” (Columbia, R. Harrist)
FENG, JIREN, “Imperial Song Architecture: Treatises, Buildings, Literature, and Art” (Brown, M. Bickford)
HAN, HYONJEONG, “Longing to Travel: Art and Travel in Nineteenth-Century China” (UC Santa Barbara, P. Sturman)
HINGORANI, ALKA, “Studying ‘Mohras’ (or Masks) in the Dissetwa Festival at Kullu, Himachal Pradesh” (UC Berkeley, J. Williams)
HSU, MIAO-LIN, “Chu Bronze Mirrors: Guardians of the Grave” (Pittsburgh, K. Linduff)
HUANG, BINGYI, “Reading Mawangdui” (Yale, D. Sensabaugh)
HUANG, YUN-JU MICHELLE, “Dunhuang Cave #446: The Embodiment of Hua-yen Buddhism” (Wisconsin-Madison, J. Murray)
INGEMAN, LARA IDSINGA, “Meditations on Painting: Inscriptions on Paintings Collected in the Discourse Records of Southern Song (1127-1279) Chan Masters” (Indiana, S. Nelson)
JOFFEE, JENNIFER, “Art, Architecture, and Politics in Seventeenth-Century Mewar” (Minnesota, C. Asher)
KAL, HONG, “Present's Pasts: Museums, Memories, and National Identities in Postcolonial Japan and Korea” (Binghamton, J. Tagg)
KIM, BOKYUNG, “The Relationship of Borobudur and Loro Jonggrong in the Central Javanese Period” (UCLA, R. Brown)
KIM, HAWON KU, “Forming a ‘Jain’ Identity: The Nineteenth-Century Temples and Maps of Satrunjaya, Gujarat” (Minnesota, F. Asher)
KIM, JINAH, “Unorthodox Practice: Rethinking the Cult of the Illustrated Buddhist Books” (UC Berkeley, J. Williams)
KIM, SOO, “Materializing the Past: Rikyu's Tea Utensils, Portraits and Calligraphy” (UC Berkeley, G. Levine)
KIM, SUNKYUNG, “Buddhist Image and Text at Anyang Caves during the Late Sixth Century” (Duke, S. Abe)
LAU, CHAK KWONG, “Ding Jing (1695-1765): Art, Hangzhou, and the Foundation of the Xiling Identity” (UC Santa Barbara, P. Sturman)
LEE, DE-NIN, “Lives of Handscroll Paintings from the Southern Tang Dynasty, 937-975” (Stanford, R. Vinograd)
LEE, SOYOUNG, “Influence and Reception: Ceramics and Culture from Southern Korea to Western Japan” (Columbia, M. Murase)
LINGLEY, KATE, “Negotiating Identity: Social Dimensions of Sixth-Century Buddhist Art Patronage” (Chicago, W. Hung)
LOH, JOSEPH, “When Worlds Collide: Art, Cartography, and Spatial Imagination in Early Modern Japan” (Columbia, R. Harrist)
LU, HUI-WEN, “The Quest for a State Identity in Artistic Grandeur: Revival of a Monumental Writing Tradition in Northern Wei Luoyang, 494-534” (Princeton, W. Fong)
MACK, KAREN, “The Dissemination and Popularization of Fudo Imagery from the
Ninth to Fourteenth Century in Japan” (Kansas, S. Fowler, M. Haufler)
MAEDA, TAMAKI, “Tomioka Tessai: The Paragon of Literati Painting in Imperial Japan” (University of Washington, C. Bogel)
MAO, YILING, “Women's Painting in Seventeenth-Century China: Persona, Performance, and the Construction of Female Aesthetics” (Columbia, R. Harrist)
MORRISON, LOUIS, “Expedient Means: Large-Scale Korean Taenghua of the
Choson Dynasty” (Kansas, M. Weidner)
MURAI, NORIKO, “Authoring the East: Okakura Kakuzo and East Asian Art in Early Twentieth-Century America” (Harvard, H. Zerner)
OLSON, MARSHA GAIL, “Jesus, Mary, and All of the Saints: Indo-Portuguese Ivory Statuettes and Their Role as Mission Art in Seventeenth- and Eighteenth-Century Goa” (Minnesota, C. Asher)
PARK, JAE-SUK, “The Rustic Image and Cult of Su Shi: ‘Su Shi Wearing Bamboo Hat and Clogs’ ” (Wisconsin-Madison, J. Murray)
PHILLIPS, KRISTY, “Exhibiting the Nation: Politics and Identity in the National Museum of India” (Minnesota, F. Asher)
SAKOMURA, TOMOKO, “Pictured Words and Codified Seasons: Transmission and Transformation of the Courtly Aesthetic in Sixteenth- to Seventeenth-Century Japan” (Columbia, M. McCormick, R. Harrist)
SAPIN, JULIA, “Merchandising (Art in) Meiji Japan: Liaisons between Painters and Department Stores, 1868-1912” (University of Washington, C. Bogel)
SPURGEON, JANET LEE, “Constructing the Classical Japanese Past: History Paintings of the Meiji Period” (Wisconsin-Madison, Q. Phillips)
SUZUKI, YUI, “Healing Practices, Healing Faith: Yakushi Buddha Images in Heian Japan” (UCLA, D. McCallum)
TAKENAKA-O'BRIEN, AKIKO, “The Aesthetics of Mass Persuasion: War and Architectural Sites in Tokyo, 1868-1945” (Yale, M. Yiengpruksawan)
TEZUKA, MIWAKO, “Towards a Postwar Japanese Avant-Garde: The Experimental Workshop (1951-58) and the High Red Center (1963-64)” (Columbia, B. Buchloh)
THOMSEN, HANS, “The Making of an Eccentric: Ito Jakuchu (1716-1800) and the Rokuonji Temple Painting Ensemble of 1759” (Princeton, Y. Shimizu)
TSENG, ALICE, “Art in Place: Shaping the Imperial Museum of Japan, 1872-1909” (Harvard, C. Wendelken)
TSURUYA, MAYU, “War Campaign Record Painting: Japan's National Imagery of the ‘Holy War’ (1937-1945)” (Pittsburgh, T. Rimer)
WILLIAMS, GRATIA, “Takuma Eiga and Fourteenth-Century Buddhist Painting” (Columbia, M. Murase)
XIALONG, WU, “Stylistic Traditions, Patronage, and Cultural Identity in Ancient China: Bronze Artifacts of the Zhongshan State, Warring States Period (476-221 bce) (Pittsburgh, K. Linduff)
YAMAMOTO, SHARON, ” Visual Culture at Hokyoji Imperial Convent: Exploring the Meaning of ‘Women's Art’ in Early Modern Japan” (UC Berkeley, G. Levine)
YEN, SHOU-CHIH, “Xu Wei (1521-1593) and the Rise of Ink-Flower Painting” (Yale, D. Sensabaugh)
YONG, YING, “Noble Women's Status in the Spring and Autumn Period: Evidence from Burials” (Pittsburgh, K. Linduff)
YU, HUI-CHUN, “Finding the Utopian Past: Shang-Zhou Archaic Bronzes and the Reign of Qianlong” (Princeton, R. Bagley)
ZITTERBART, SUE, “The Kumando Mandala: The World of Nature, Gods, and Man” (Pittsburgh, K. Gerhart)
BERLEKAMP, PERSIS, “Wonder and Its Images in Medieval Islamic Culture: The Wonders of Creation from the Oxus to the Euphrates, 1280-1388” (Harvard, G. Necipoglu)
CANEPA, MATTHEW, “The Two Eyes of the Earth: Competition and Exchange in the Art and Ritual of Kingship between Rome and Sasanian Iran” (Chicago, R. Nelson)
CICHOCKI, NINA, “Tourists and Turkish Bathhouses: The Life Story of a Monument in a Global Age” (Minnesota, C. Asher)
EIMEN, ALISA, “Architecture of Reform and Revolution in Twentieth-Century Tehran” (Minnesota, C. Asher)
FETVACI, EMINE, “Viziers to Eunuchs: Transitions in Ottoman Manuscript Patronage, 1574-1617” (Harvard, G. Necipoglu)
GRUBER, CHRISTIANE, “Heavenly Journeys and the Imaginary: Illustrations of Muhammad's Mi'raj in Medieval Islamic Manuscripts (Fourteenth-Seventeenth Centuries)” (Pennsylvania, R. Holod)
KESHANI, HUSSEIN, “Architecture of Ritual: The Bara Imambara Complex of Lucknow, India” (University of Victoria, A. Welch)
MASARWA, YUMNA, “Early Islamic Military Architecture: A Study of the Umayyad Ribats of Palestine Based on Archaeological Remains and Historical Sources” (Princeton, T. Leisten)
ROBERSON, JENNIFER, “The Mosque: Community and Identity in Twentieth-Century Morocco and Spain” (Minnesota, C. Asher)
SMITH, SHARON C., “Planned Grandeur: A Comparative Study of Urban Expansion in Early Modern Italy and Mamluk Egypt” (Binghamton, C. Burroughs)
SORNIN, ALEXIS, “Architectural Culture in Early Modern India: Jaipur and the Mughal Building Workshops” (Harvard, G. Necipoglu)
WALKER, ALICIA, “Beyond the Classical: Islamic Elements in Middle Byzantine Secular Art” (Harvard, I. Kalavrezou)
YUREKLI, ZEYNEP, “The Architecture of the Ottoman Halvetis in Anatolia and the Balkans: A Study on the Politics of Sufi Architecture in the Classical Age” (Harvard, G. Necipoglu)
BIRD, RANDALL, “The Majesty of Architecture in Madagascar: Transforming a Kingdom in the Central Highlands, 1820-1880” (Harvard, S. P. Blier)
BRIELMAIER, ISOLDE, “…‘Picture-Taking,’ Portraits and Performing Identities on the Kenyan Coast, 1940-1980” (Columbia, E. Pasztory, Z. Strother)
DELANCEY, MARK, “Representing Rulership: Palace Architecture, Ritualized Movement, and Secrecy in Northern Cameroon” (Harvard, S. P. Blier)
FIRSTENBERG, LAURI, “Postcoloniality, Performance, and Photographic Portraiture” (Harvard, S. P. Blier)
HILL, SHANNEN L., “Changing Legacies of Bantu Stephen Biko and Black Consciousness in South African Visual Culture” (Wisconsin-Madison, H. Drewal)
LEVIN, JESSICA, “Byeri Remains: Fang Reliquary Figures and the Process of Extinction” (Harvard, S. P. Blier)
MARTINEZ-RUIZ, BARBARO, “Kongo Machinery: Graphic Writing and Other Narratives of the Sign” (Yale, R. Thompson)
ONYILE, ONYILE BASSEY, “Ekpu Oro: The Spirit of the Living Dead as an Expression of Oron Worldview, 1894-1940” (Binghamton, N. Nzegwu)
SALAMI, GITTI, “Leadership Performed: Yakurr Bina and the Leboku New Yam Festival” (Iowa, C. Roy)
CAGLAYAN, EMILY REKOW, “The Sacred Revealed: An Iconographic Study of the Berndt Collection of Arnhem Land Bark Paintings at the American Museum of Natural History” (CUNY, G. Corbin)
BAUM, RACHEL, “Andy Warhol: The Crisis of Modernist Subjectivity in Abstraction” (Harvard, N. Bryson)
BLAIS, CATHERINE, “Installing the Museum: When Artist/Curators Re-Create the Museum and Its Discourses” (Boston University, C. Jones)
CRONAN, TODD, “Materialism in Painting and Sculpture from J. J. Winckelmann to George Santayana” (UC Berkeley, W. Davis)
EVANS, KIM, “The Geography of Feminist Art Criticism: A Genealogical History of Feminist Discourse on Art, 1971-1981” (Binghamton, J. Tagg)
FIRSTENBERG, LAURI, “Postcoloniality, Performance, and Photographic Portraiture” (Harvard, S. P. Blier)
KANTOR, JORDAN, “Jackson Pollock's Late Paintings” (Harvard, Y.-A. Bois)
MUZAFFER, IJLAL, “An Uncooked Modernity: Modern Architecture and Aesthetics of Development” (MIT, M. Jarzombek)
PERSINGER, CYNTHIA, “Meyer Schapiro and the Politics of Style, 1929-53” (Pittsburgh, B. McCloskey)
SANDLER, DANIELA, “Incarnate Politics: The Reunification of Germany and the Reconstruction of Berlin” (Rochester, A. Nader)
SCHWARTZ, MARGARET, “Tracing the Intellectual History of Art: The Historical Writings of Max Dvorak” (CUNY, R. Long)
WILLIAMS, MICHAEL, “Playing Perverse: Being-in-the-Filmic-World” (Rochester, T. DiPiero)
ZEIDLER, SEBASTIAN, “Carl Einstein's History and Theory of Art” (Columbia, B. Buchloh, R. Krauss)
BRYAN, JAMES E., III, “Historic Dolls' Houses as Material Culture” (Wisconsin-Madison, A. Smart Martin)
BERENFELD, MICHELLE, “The Bishop's Palace at Aphrodisias: A Late Roman Townhouse in the Center of the City” (IFA/NYU, C. Ratté)
BUBOLTZ, LISA, “Dance Scenes in Early Archaic Greek Vase Painting” (Harvard, D. G. Mitten)
CHI, JENNIFER, “Studies in the Programmatic Statuary of Roman Asia Minor” (IFA/NYU, R. Smith)
DICKSON, KATRINA M., “Agrippina Minor: Optima Mater or Semper Atrox” (Emory, E. Varner)
GAUNT, JASPER, “The Attic Volute-Krater” (IFA/NYU, D. von Bothmer)
KARAKAS, SCOTT, “Subject and Symbolism in Historical Battle Reliefs of the Late Classical and Hellenistic Periods” (UNC-Chapel Hill, M. Sturgeon)
MILBANK, THOMAS LIGHTFOOT, “A Commercial and Industrial Building in the Athenian Agora, 480 bc to ad 125” (Bryn Mawr, S. Miller-Collett)
SCHON, ROBERT, “Seeding the Landscape: Experimental Contributions to Regional Survey Methodology” (Bryn Mawr, J. Wright)
SENSENEY, JOHN, “The Shaping of Imperial Order: Rome's Porticoed Enclosures from the Late Republic to the High Principate and the Question of Hellenistic Antecedents” (UC Santa Barbara, F. Yegul)
SYMEONOGLOU, NANCY, “Early Iron Age Pottery and the Development of the Sanctuary at Aetos, Ithaka” (Washington University in St. Louis, S. Rotroff)
TABACK, NATALIE, “Untangling the Muses: A Comprehensive Study of Sculptures of Muses in the Greek and Roman World” (Harvard, D. G. Mitten)
ANDREWS, JUSTINE, “Imagery in the Aftermath of the Crusades: A Fourteenth-Century Illustrated Commentary on Job (Paris, B.N. ms. Graecus 135)” (UCLA, B. Zeitler)
BOWES, KIMBERLY, “Possessing the Holy: Private Churches and Private Piety in Late Antiquity” (Princeton, S. Curcic)
BROOKS, SARAH, “Commemoration of the Dead: Late Byzantine Tomb Decoration (Mid- Thirteenth to Mid-Fifteenth Centuries)” (IFA/NYU, T. Mathews)
BZDAK, MICHAEL, “Wisdom and Education in the Middle Ages: Images and Traditions” (Rutgers, E. McLachlan)
CHOATE, STEVE B., “Devotion and Narrative within the Tradition of the Croce Depinta” (Florida State, J. Freiberg)
CIRESI, LISA VICTORIA, “Manifestations of the Holy as Instruments of Propaganda: The Cologna Dreikönigenschrein and the Aachen Karlsschrein and Marienschrein in Late Medieval Ritual” (Rutgers, E. McLachlan)
DECKER, PATRICIA, “The Herzogenburg Moralia: A Thirteenth-Century Illuminated Manuscript of the Moralia in Job” (Columbia, J. Rosenthal)
HIGGS, JAMIE L., “Some Observations on Visigothic Architecture and Its Influence on the British Isles: More Spanish Symptoms” (Louisville, S. Maloney)
HUDSON, ELIZABETH, “The Psalter of Blanche of Castile: Picturing Queenly Power in Thirteenth-Century France” (UNC-Chapel Hill, J. Folda)
JUNG, JACQUELINE, “The West Choir Screen of Naumburg Cathedral and the Formation of Social and Sacred Space” (Columbia, S. Murray, D. Freedberg)
KANN, ANDREA G. J., “Picturing the World: The Illustrated Manuscripts of the Book of John Mandeville” (Iowa, R. Bork)
LAOS, NORA, “Provençal Baptisteries: Early Christian Origins and Medieval Afterlife” (Princeton, S. Curcic)
MOODEY, ELIZABETH, “Illuminated Crusader Histories for Philip the Good of Burgundy (1419-1467)” (Princeton, J. Marrow)
NIELSEN, CHRISTINA, “…‘Hoc Opus Eximium’: Artistic Patronage in the Ottonian Empire” (Chicago, L. Seidel)
PRADO-VILAR, FRANCISCO, “In the Shadow of the Gothic Idol: The Cantigas de Santa Maria and the Imagery of Love and Conversion” (Harvard, J. Shearman)
ROFF, SHELLEY ELAINE, “Building Images of Prosperity: The Catalan Merchant Halls of the Fourteenth and Fifteenth Centuries” (Brown, S. Bonde)
ROSE, MARICE, “The Iconography of Female Adornment in Late Antiquity” (Rutgers, A. St. Clair-Harvey)
ROWE, NINA A., “Monumental Fictions: Personifications of Synagogue and Church on the Thirteenth-Century Cathedral Facade” (Northwestern, S. Hindman)
SALVADORI, SHARON, “Per Feminam Mors Per Feminam Vita: Images of Women in the Early Christian Funerary Art of Rome” (IFA/NYU, T. Mathews)
STAVROS, MARGO, “Precious Metals in Byzantine Art and Society, 843-1204” (Penn State, A. Cutler)
TUERK, JACKQUELINE, “How to Do Things with Words and Images in Late Antiquity and the Early Middle Ages” (Chicago, R. Nelson)
YASIN, ANN MARIE, “Commemorating the Dead—Constructing the Community: Church Space, Funerary Monuments, and Saints' Cults in Late Antiquity” (Chicago, R. Nelson)
AHRENDT, MARTHA, “The Cultural Legacy and Patronal Stewardship of Margherita Paleologa (1510-1566), Duchess of Mantua and Marchesa of Montferrat” (Washington University in St. Louis, W. Wallace)
BAKEMEIER, EMILY, “The Portraits Historiés of Henri IV (1589-1610)” (Princeton, T. da Costa Kaufmann)
BLONDIN BOWMAN, JILL, “Constructing History: The Visual Legacy of Pope Sixtus IV,” (UIUC, J. Wood)
BLOOM, JAMES, “How Antwerp Stole the Idea of Popular Culture; or, The Rise of the Painted Panel in Early Modern Netherlandish Art” (Duke, H. Van Miegroet)
BRESSLER, ROSS, “Between Ancient and All'Antica: The Imitation of Roman Coins in the Renaissance” (Boston University, J. Cranston)
BUDD, DENISE, “Leonardo da Vinci through Milan: Studies on the Documentary Evidence” (Columbia, J. Beck)
BUTLER, KIM, “Full of Grace: Raphael's Madonnas and the Rhetoric of Devotion” (Johns Hopkins, C. Dempsey)
BYRD, KIMBERLY, “Pierre Gilles' Topography of Constantinople and Its Antiquities: A New Translation with Commentary” (Rutgers, A. St. Clair-Harvey)
CHASE, VANESSA, “The Casa delle Zitelle: Gender and Architecture in Renaissance Venice” (Columbia, J. Connors)
DE VRIES, JOYCE, “Power, Gender, and Representation in the Italian Renaissance Court: The Cultural Patronage of Caterina Sforza (1463-1509)” (UIUC, J. Wood)
DREYER, DERICK, “The Drawings of Peter Vischer the Younger and the Vischer Workshop of Renaissance Nuremberg” (Yale, C. Wood)
ELLIS, LLOYD, “Raffaello Borghini's Il Riposo: A Critical Study and Annotated Translation” (Case Western Reserve, E. Olszewski)
FLEMING, ALISON C., “Emerging from the Shadow of Giotto: The Riminese School and Other Masters in the Trecento Marche” (Penn State, B. Curran)
HALL, CYNTHIA, “Devotional Practice in Fifteenth-Century Germany: The Use of Images in the Schatzbehalter” (Harvard, J. Koerner)
HANSEN, MORTEN, “The Art of Hubris: Pellegrino Tibaldi in the Papal States” (Johns Hopkins, E. Cropper)
HERMAN, TODD, “Out of the Shadow of Titian: Bonifacio de Pitati and Sixteenth Century Venetian Painting” (Case Western Reserve, E. Olszewski)
KILPATRICK, DAVID, “Paradoxes of the German Small Engraving in the Reformation” (Yale, C. Wood)
LAFRANCE, ROBERT, “Francesco d'Ubertino Verdi, il Bachiacca (1494-1557): ‘Diligente Dipintore’ ” (IFA/NYU, K. Brandt)
LOUGHMAN, THOMAS, “Spinello Aretino, Benedetto Alberti, and the Olivetans: Late Trecento Patronage at San Miniato al Monte, Florence” (Rutgers, S. B. McHam)
MERRIAM, SUSAN, “Icons after Iconoclasm: The Flemish Garland Picture, 1608-1700” (Harvard, J. Koerner)
ORYSHKEVICH, IRINA, “A History of the Roman Catacombs from the Constantinian Era to the Renaissance” (Columbia, D. Rosand)
SMITH, TIMOTHY BRYAN, “Alberto Aringhieri and the Chapel of St. John the Baptist: Patronage, Politics, and the Cult of Relics in Renaissance Siena” (Florida State, J. Freiberg)
VICK, SUSAN, ” ‘Pictura’ and the Concept of the Cognate Arts in Florence” (Rutgers, S. B. McHam)
WEED, STANLEY E., “The Virgo inter Virgines: Art and the Devotion to Virgin Saints in the Low Countries and Germany, 1400-1530” (Pennsylvania, L. Silver)
ZAHARIA-ROTH, ANDREA, “La donna virtuosa: ‘Portraits’ of Women in Renaissance Bergamo” (USC, E. Howe)
BARKER, SHEILA, “Art in a Time of Danger: Urban VIII's Rome and the Plague of 1629-1634” (Columbia, D. Rosand)
BRIENEN, REBECCA P., “Art and Natural History at a Colonial Court: Albert Eckhout and Georg Marcgraf in Seventeenth-Century Dutch Brazil” (Northwestern, L. Silver)
CAMARA, ESPERAN|$$|ACCA, “Pictures and Prayers: Madonna of the Rosary Imagery in Post-Tridentine Italy” (Johns Hopkins, E. Cropper)
GERBINO, ANTHONY, “François Blondel (1618-1686): Architecture, Erudition, and Early Modern Science” (Columbia, R. Middleton)
GERMANN, JENNIFER, “Figuring Marie Leszczinska (1703-1768): Representing Queenship in Eighteenth-Century France” (UNC-Chapel Hill, M. Sheriff)
HELLER-GREENMAN, BERNADINE, “The Monument du costume of Jean-Michel le Jeune in the Context of Rousseau and the Ancien Régime” (Florida State, R. Neuman)
JUSTUS, KEVIN, “A Fractured Mirror: The Royal Portraiture of Louis XV and the Search for a Successful Image through Architecture; or, Versailles Is the Thing in which We Will Catch the Character of the King” (UNC-Chapel Hill, M. Sheriff)
KENNEDY, JAN, “Images of the Soldier in Seventeenth-Century Dutch Art” (Kansas, L. Stone-Ferrier)
MANN, C. GRIFFITH, “From Creation to the End of Time: The Nave Frescoes of San Gimignano's Collegiata and the Structure of Civic Devotion” (Johns Hopkins, H. Kessler)
MINOR, HEATHER, “Reforming Rome: Architecture and Culture, 1730-58” (Princeton, J. Pinto)
TONKOVICH, JENNIFER, “Claude Gillot and the Theater with a Catalogue of Drawings” (Rutgers, M. Eidelberg)
TUCKER, REBECCA, “The Art of Living Nobly: The Patronage of Prince Frederik Hendrik (1584-1647) at the Palace of Honselaarsdijk during the Dutch Republic” (IFA/NYU, E. Haverkamp-Begemann)
VAN HOUTVEN, ANDREA, “A Royal Gallery for Philip III: Humanism, State Craft and Art in Spain, 1598-1621” (Maryland at College Park, A. Colantuono)
WIDMANN, ELIZABETH, “Charles leBrun and Louis XIV: Art, Ethics and the State” (Maryland at College Park, A. Colantuono)
ANDERSON, NANCY A., “Observing Techniques: Images from the Microscopical Life Sciences, 1850-1895” (University of Michigan, C. Brusati, M. Pernick)
ANDERSON-RIEDEL, SUSANNE, “Creativity and Reproduction: Establishing the Graphic Arts as an Academic Discipline, The Engraving Department at the Institut de France and the Rome Prize for Engraving, 1803-1825” (UCLA, A. Boime)
AUDEH, AIDA, “Rodin's Gates of Hell and Dante's Divine Comedy: An Iconographic Study” (Iowa, D. Johnson)
BASILIO, MIRIAM, “Reinventing Spain: Images of the Nation in Painting and Propaganda, 1936-1943” (IFA/NYU, R. Lubar)
BLAND, CYNTHIA K., “Inspiration, Innovation, and Emotion: The Early Religious Paintings of Eugène Delacroix” (Iowa, D. Johnson)
BROWN, STEPHEN, “Luce: The Artist Engagé” (Columbia, T. Reff)
CASEY-DEL PRIORE, KIMBERLY BETH, “Théodore Géricault's ‘Erotic’ Drawings Reconsidered as Exercises in Composition and Invention” (Virginia Commonwealth, E. Garberson)
CHAPIN WEAVER, MARY, “Henri de Toulouse-Lautrec and the Café-Concert: Printmaking, Publicity, and Celebrity in Fin-de-Siècle Paris” (IFA/NYU, L. Nochlin)
CONATY, SIOBHAN, “Italian Futurism: Gender, Culture, and Power” (Case Western Reserve, E. Landau)
COSTELLO, ROBERT LEO, “The Center Cannot Hold: J. M. W. Turner's Contemporary History Paintings in the Age of Revolution” (Bryn Mawr, C. Hertel)
DAPENA, GERARD, “Framing Spain: Cinema, Painting, and National Identity under Franco, 1939-1950” (CUNY, R. Long)
DAVID, ALISON MATTHEWS, “Cutting a Figure: Tailoring, Technology, and Social Identity in Nineteenth-Century Paris” (Stanford, M. Marrinan)
GETSY, DAVID J., “Physicality and Modern Sculpture in Late-Victorian Britain” (Northwestern, W. Davis)
GINDHART, MARIA, “The Art and Science of Late Nineteenth-Century Images of Human Prehistory at the National Museum of Natural History in Paris” (Pennsylvania, S. Sidlauskas)
GLIEM, DAVID E., “Pierre Bonnard: Le Nabi tres Japonard” (Penn State, G. Mauner)
GOBRAN, SOPHIE, “The First Dresden Hoftheater (1835-1841), Gottfried Semper and Theater Architecture in Vormarz Germany” (Columbia, B. Bergdoll)
GRADY, ELIZABETH M., “The Politicization of Public Opinion on Modern Art at the National Gallery in Berlin, 1918-1933” (Northwestern, O. K. Werckmeister)
HAUSMAN, TAMI, “Mobilization and Modernization in Vichy France: The National Renovation of Paris, 1939-1945” (IFA/NYU, J.-L. Cohen)
HOPSON, ROBERT R., “The Symbolist Portraiture of Berthe Morisot” (Iowa, D. Johnson)
HORNBECK, ELIZABETH, “Visions of Modernity: The Architectural Landscape of the 1925 Exposition of Decorative Arts, Paris” (UC Santa Barbara, L. Monahan)
JOLLES, ADAM, “Curating Surrealism: The French Avant-Garde in Exhibition, 1925-1938” (Chicago, M. Ward)
KEATING, MARY O., “The Genre Interior in English Painting: From Dutch Origins to Native Solutions” (Penn State, G. Mauner)
KIHARA, ELIZABETH, “Alfred Stevens (1823-1906),‘La Femme Seule’: Constructions of 1906 and Modernity in French Art of the Later Nineteenth Century” (IFA/NYU, R. Lubar)
KLAHR, DOUGLAS, “The Architectural Patronage of Wilhelm II: Issues of Urban, Dynastic, and National Identity in the Work of Hofarchitekt Ernst von Ihne” (Brown, D. Neumann)
KRAMER, MARTIN, “Immaculate Skin, Admirable Machine Body, and Representation in French Aesthetics, Science, and Art, 1850-1900” (Princeton, C. Armstrong)
KUENZLI, KATHERINE, “The Anti-Heroism of Modern Life: Symbolist Decoration and the Problem of Privacy in Fin-de-Siècle Modernist Painting” (UC Berkeley, T. J. Clark)
LATIMER, TIRZA, “Looking Like a Lesbian: The Sexual Politics of Portraiture, Paris between the Wars” (Stanford, W. Corn)
LEWIS, RAEL, “Intoxication and Representation: A Visual Culture of Absinthe, 1859-1915” (Stanford, M. Marrinan)
MACNAMIDHE, MARGARET, “The Dilemma of Painting in the 1824 Salon: A New Interpretation of Eugène Delacroix's Career” (Johns Hopkins, M. Fried)
MARCHI, RICCARDO, ” ‘Pure Painting’ in Berlin, 1912-1913: Boccioni, Kandinsky, and Delaunay at Der Sturm” (Chicago, R. Heller)
MARSTELLER, NANCY-CLAY, “Sir Edward John Poynter and His Paintings of the Female Nude: Influences and Ideals” (Case Western Reserve, J. Neils)
MOFFAT, ISABELLE, “The Independent Group's Encounters with Logical Positivism and Searches for Unity in the 1951 Growth and Form Exhibition” (MIT, L. Marx)
NI, MING, “The Construction of Childhood Spaces as Represented in Victorian Art” (Louisville, J. Kloner)
OLSEN, KARA, “Through the Looking Glass: Engagements with History and the Decorative Arts in Britain, 1870-1910” (UC Berkeley, M. Lovell)
PINSON, STEPHEN, “Speculating Daguerre” (Harvard, H. Zerner)
RITTELMANN, LEESA, “Constructed Identities: The German Photobook from Weimar to the Third Reich” (Pittsburgh, B. McCloskey)
ROSE, GABRIELLE, “Succeeding Rodin: Emile-Antoine Bourdelle and the Making of a New Sculptor for France, c. 1900-1931” (Rutgers, J. Marter)
RUSNOCK, ANDREA, “Life as It Is, Life as It Is Becoming” : Socialist Realist Paintings of Collectivization, 1934-1941” (USC, J. Bowlt)
SCHEDLER, AMANDA ADAMS, “The Nation, the Nude, and Desire: An Account of William Etty and His Work in the Nineteenth and Twentieth Centuries” (Bryn Mawr, D. Cast, S. Z. Levine)
SWITZER, TERRI, “Nationalism in Hungarian Art, c. 1860-1920” (Indiana, M. Facos)
TSUI, AILEEN, “Nothing of Substance: James McNeill Whistler, the Viewer, and the Gentle Art of Painting” (Harvard, H. Zerner)
WARREN, SARAH, “Performing the Primitive: Mikhail Larinov and the Paradoxes of Russian Futurism” (USC, N. Troy)
WHITMORE, JANET, “Painting Collections and the Gilded Age Art Market: Minneapolis, Chicago, St. Louis, 1870-1925” (Minnesota, G. Weisberg)
WITKOVSKY, MATTHEW S., “Avant-Garde and Center: Dev AVERY, ELIZABETH BLOOM, “New Deal Photography and the Campaign for Public Housing” (Chicago, J. Snyder)
BAILLARGEON, CLAUDE, “Religious Fervor and Photographic Propaganda: Durandelle's Anatomical Studies of the Sacré-Coeur de Montmartre” (UC Santa Barbara, U. Keller)
COOPER-CARSON, JEANIE, “Interpreting National Identity in Time of War: Competing Views in Office of War Information (OWI) Photography, 1940-1945” (Boston University, K. Sichel)
DERMER, RACHELLE, “Led to Believe: Photography and the Construction of the Medical Subject” (Boston University, C. Jones, K. Sichel)
FALKENBERG, MERRILL, “The Myth of Interactivity in Video Art” (Stanford, S. Bukatman, P. Lee)
FREIRE-MEDEIROS, BIANCA, “The Traveling City: Representations of Rio in U.S. Films, Travel Accounts and Scholarly Writing” (Binghamton, A. King)
GROSSMAN, WENDY, “Modernist Gambits and Primitivist Discourses: Reframing Man Ray's Photographs of African and Oceanic Art” (Maryland at College Park, J. Hargrove)
HOLLOWAY, CAMARA, “Race-ing American Moderns: Race and Modernism in Photography between the Two World Wars” (Yale, K. Jones)
MOORE, KEVIN, “Jacques-Henri Lartigue (1894-1986): Invention of an Artist” (Princeton, P. Bunnell)
MULLIGAN, THERESE, “Ralph Eugene Meatyard: Postmodern Poetics and Photography” (New Mexico, G. Batchen)
MURPHY, SHEILA C., “Lurking and Looking: Media Technologies and Cultural Convergences of Spectatorship, Surveillance, and Voyeurism” (UC Irvine, A. Friedberg)
PINSON, STEPHEN, “Speculating Daguerre” (Harvard, H. Zerner)
RITTELMANN, LEESA, “Constructed Identities: The German Photobook from Weimar to the Third Reich” (Pittsburgh, B. McCloskey)
ROSENBLATT-FARRELL, NOAH, “Twentieth-Century Photography” (Duke, R. Powell)
VAYZMAN, LIENA, “The Self-Portraits of Claude Cahun: Transgression, Self-Representation, and Avant-Garde Photography, 1917-1947” (Yale, C. Mehring)
YAMASHIRO, JENNIFER, “Sex in the Field: Photography at the Kinsey Institute” (Indiana, S. Burns)
CASSIDY, ANNE, “Divination by Image: The Borgia Group of Pre-Hispanic Mexican Ritual Calendars” (Columbia, E. Pasztory)
DICESARE, CATHERINE, “Ochpaniztli and the Woman of Discord: Picturing Native Ritual in Colonial Mexican Books” (New Mexico, F. Clancy)
MORALES, REINALDO, JR., “The Nordeste Tradition: Innovation and Continuity in Brazilian Rock Art” (Virginia Commonwealth, J. Farmer)
BECKER, JACK, “A Taste for Landscape: Studies in American Tonalism” (Delaware, W. Homer)
BLOOM, PATRICIA LAUGHLIN, “Dressing up Modernity: Decoration as Strategy in Art Deco Images of Women” (Rutgers, M. Baigell)
BRADDOCK, ALAN, “Displacing Orientalism: Thomas Eakins and Ethnographic Modernity” (Delaware, M. Leja; Yale, A. Nemerov)
BRAZEAU, LINDA, ” ‘The Visionaries’: Archer and Anna Hyatt Huntington—Patrons of American Sculpture” (CUNY, S. Webster)
BRESKIN, ISABEL, “Visualizing the Nineteenth-Century American City: Lithographic Views of San Francisco, 1849-1905” (UC Berkeley, M. Lovell)
BRUGGER, LAURA, “Constructing Taste: Athenaeums and Academies of Art in the United States, 1800-1865” (Columbia, H. Ballon)
BUBENZER, BRIAN, “The Arthurian Architecture of H. H. Richardson” (Wisconsin-Madison, N. Menocal)
CARSO, KERRY, “Reading the Gothic: American Art and Architecture in the Age of Romantic Literature, 1800-1850” (Boston University, K. Morgan)
COHEN, MICHELE, “Art to Educate: A History of Public Art in the New York City Public Schools, 1890-1976” (CUNY, M. Park)
COSENTINO, DELIA A., “Landscapes of Lineage: Nahua Pictorial Genealogies of Early Colonial Tlaxcala, Mexico” (UCLA, C. Klein)
CULLEN, DEBORAH, “Robert Blackburn: American Printmaker” (CUNY, D. Kelder)
DIEL, LORI BOORNAZIAN, “Power, Politics, and Persuasion: The Painted Histories of the Tira de Tepechpan” (Tulane, E. Boone)
DUFFY, HENRY, “New York City Collections (1865-1895)” (Rutgers, M. Baigell)
FOWLER, CYNTHIA, “Early American Modernism and Craft Production: The Embroideries of Marguerite Zorach” (Delaware, W. Homer)
FROHNE, ANDREA, “The African Burial Ground in New York City: Manifesting and Representing Spirituality of Space” (Binghamton, N. Nzegwu)
HAYWARD, JUDITH, “Nature and Progress: Winslow Homer's Oils, 1880-1890” (Columbia, B. Novak, D. Rosand)
HOWE, KATE, “Accommodating the Faithful: San Bernardino de Sena and the Franciscan Program in Sixteenth-Century Yucatán, Mexico” (Florida State, L. Weingarden)
IAROCCI, LOUISA, “Spaces of Desire: The Department Store in America” (Boston University, K. Morgan)
KUWAYAMA, GEORGE, “Chinese Ceramics in Colonial Latin America” (University of Michigan, M. Powers)
LEE, ELIZABETH, “White Fantasies: Dirt, Desire, and Visual Culture in Late Nineteenth-Century America” (Indiana, S. Burns)
MITCHELL, MARK, “The Artist-Makers: Professional Art Training in Mid-Nineteenth-Century New York City” (Princeton, J. Wilmerding)
MORGAN, KERRY, “From the Courtroom to the Gallows: Picturing Justice in American Visual Culture, 1850-1880” (Kansas, C. Eldredge)
OTT, JOHN W., “The Gilded Rush: Art Patronage, Industrial Capital, and Social Authority in Victorian California” (UCLA, C. Whiting)
PAUL, APRIL, “Byron Browne: The Measure of a Polemical Legacy” (CUNY, D. Kelder)
PAULK, ANN B., “Thomas Eakins and Antiheroic Modernism” (Iowa, J. Kinsey)
PIERCE, ALEXANDRIA, “Imperialist Intent—Colonial Response: The Art Collection and Cultural Milieu of Lord Strathcona in Nineteenth-Century Montreal” (McGill, T. Chang, J. Sloan)
RANDALL, TERREE, “Democracy's Passion Play: The Lincoln Memorial, Politics, and History as Myth” (CUNY, S. Webster)
SAVIDOU-TERRONO, EVDOKIA, “For ‘The Boys in Blue’: The Art Galleries of the Sanitary Fairs” (CUNY, W. Gerdts)
SEGAL, ERIC, “Realizing Whiteness in U.S. Visual Culture: The Popular Illustration of J. C. Leyendecker, Norman Rockwell, and The Saturday Evening Post, 1917-1945” (UCLA, C. Whiting)
AMOR, MONICA, “Defying Structures: Gego and the Crisis of Geometric Abstraction in the Americas” (CUNY, A. Chave)
ANDRE, LAURA, “Lunar Nation: The Moon and American Visual Culture, 1957-1972” (UNC-Chapel Hill, C. Mavor)
BOWLES, JOHN, “Bodies of Work: Autobiography and Identity in Adrian Piper's Conceptual and Performance Art” (UCLA, C. Whiting)
BURNS-CHASE, ALISIA, “An American Heroine in Paris: Hollywood and Women in the City of Light in the 1950s” (Minnesota, R. Silberman)
CARPENTER, JANE H. “Conjure Woman: Betye Saar and Rituals of Transformation, 1960-1990” (University of Michigan, R. Zurier)
CHASIN, NOAH, “Ethics and Aesthetics: New Brutalism, Team 10, and Architectural Change in the 1950s” (CUNY, R. Bletter)
CHRISTENSEN, JESPER, “Svend Wiighansen (1922-1997): The Human Figure in Art after World War II” (Louisville, J. Kloner)
COLLINS-GOODYEAR, ANN, “American Art of the Second Machine Age: Space, Sputnik, and Technocracy, 1957-1971” (Texas at Austin, R. Shiff)
COWHERD, ROBERT, “Cultural Construction of Jakarta: Design, Planning, and Development in Jabotabek, 1980-1997” (MIT, S. Anderson)
CUMMINS, LOUIS, “Undermining the Museum: The Rhetorics of Michael Asher, Marcel Broodthaers, Daniel Buren, Hans Haacke and Louise Lawler” (CUNY, R. Golan)
DE BRUYN, ERIC, “The Filmic Anomaly: Moments in Post-Minimalism (1966-1970)” (CUNY, A. Chave)
ENGLISH, DARBY, “Black Artists, Black Work? Regarding Difference in Three Dimensions” (Rochester, D. Crimp)
FILICE, EUGENIO, “Figurations of Ethics, Configurations of Power: Michel Foucault, Attila Richard Lukacs, and the New Painting” (McGill, C. Ross)
FRASER, KATHRYN RUTH, “The Makeover and Other Consumerist Narratives” (McGill, W. Straw)
GEORGE, J. LEIGH, “The Functions of Graphic Design: Sociologies, History, and the International Design Conference in Aspen” (Binghamton, J. Tagg)
HILLINGS, VALERIE, “Experimental Artists' Groups in Europe, 1951-1968: Abstraction, Interaction and Internationalism” (IFA/NYU, R. Lubar)
KROKSNES, ANDREA, “Reframing the 80s: Visual Culture and the Picture Generation” (Stony Brook, N. Mirzoeff)
LAMBERT, CARRIE, “Yvonne Rainer's Media: Performance, Photography, and American Culture, 1961-1973” (Stanford, P. Lee)
LATORRE, GUISELA, “Chicana/o Murals of California: Indigenist Aesthetics and the Politics of Space, 1970-2000” (UIUC, J. Mendelson)
LOPEZ, ELIZABETH, “The Mexican Front: Artist Collectives in Mexico City, 1968-1985” (UCLA, A. Boime)
NITZAN-SHIFTAN, ALONA, “Isrealizing Jerusalem: The Encounter between Architectural and National Ideologies, 1967-1977” (MIT, M. Jarzombek)
PAQUETTE, CATHA, “Public Duties, Private Interests: Mexican Art at New York's Museum of Modern Art, 1929-1954” (UC Santa Barbara, L. Monahan)
PETERSEN, STEPHEN, “Space and the Space Age in Postwar European Art: Lucio Fontana, Yves Klein, and Their Contemporaries” (Texas at Austin, R. Shiff)
PYLA, PANAYIOTA, “Ekistics, Architecture and Environmental Politics 1945-76: A Prehistory of Sustainable Development” (MIT, S. Anderson, M. Jarzombek)
RANDO, FLAVIA, “Generations of Lesbian Self-Representation and the Construction of Desire” (Rutgers, M. Baigell)
RICHMOND, SUSAN ERIN, “Put-Ons and Take-Offs: Lynda Benglis, Feminism, and Representations of the Body, 1967-1977” (Texas at Austin, A. Reynolds)
RODENBECK, JUDITH, “The Black Box of Experience: Happenings and the Mechanization of Affect, 1958-66” (Columbia, R. Krauss, B. Buchloh)
ROSENBLATT-FARRELL, NOAH, “Twentieth-Century Photography” (Duke, R. Powell)
SAUNDERS, SUSANNA TERRELL, “Anne Truitt: Placement and a Sense of Place” (Bryn Mawr, D. Cast)
SCHOENFELD, ANN, “An Art of No Dogma! Philosophical Anarchism in Barnett Newman's Writings and Art” (CUNY, M. Hadler)
SPIVEY, VIRGINIA, “Performing Relationships: Gendered Subjectivity in the Work of Robert Morris” (Case Western Reserve, E. Landau)
TEAGLE, RACHEL, “The Aesthetics of Information: Terry Winters and Scientific Representation” (Stanford, W. Corn)
TRELLES HERNANDEZ, MERCEDES, “The Contested Object: Pop Art in Latin America, 1964-1974” (Harvard, Y.-A. Bois)
WACKER, KELLY, “Convergence: Form, Meaning, and Context in the Work of Alice Aycock, Nancy Holt, and Mary Miss” (Louisville, J. Kloner)
WINGATE, JENNIFER, “Doughboys, Art Worlds, and Identities: Sculpted Memories of World War I in the United States” (Stony Brook, M. Bogart)
YOSHIMOTO, MIDORI, “Into Performance: Japanese Women Artists in New York, 1955-1975” (Rutgers, J. Marter)
CHO, INSOO, “Images of Liu Haichan: The Formation and Transformation of a Daoist Immortal's Iconography” (Kansas, M. Weidner)
DEWAN, DEEPALI, “Crafting Knowledge and Knowledge of Crafts: Art Education, Colonialism, and the Madras School of Arts in Nineteenth-Century South Asia” (Minnesota, F. Asher)
DRAMER, KIM, “Between the Living and the Dead: Han Dynasty Stone Carved Tomb Doors” (Columbia, R. Harrist)
HAMMERS, ROSLYN L., “The Production of Good Government: Images of Agrarian Labor in the Southern Song (1127-1279) and Yuan (1272/79-1368) China” (University of Michigan, M. Powers)
HUANG, SHIH-SHAN SUSAN, “The Triptych of Daoist Deities of Heaven, Earth, and Water and the Making of Visual Culture in the Southern Song Period (1127-1279)” (Yale, R. Barnhart)
KANDA, FUSAE, “The Development of Amida Raigo Painting: Style, Concept, and Landscape” (Yale, M. Yiengpruksawan)
KAVURI-BAUER, SANTHI, “From Picturesque Ruin to World Heritage Site: A Spatial History of Fatehpur Sikri” (UCLA, R. Brown)
KUCERA, KARIL, “Cliff Notes: Text and Image at Baodingshan” (Kansas, A. McNair)
KUWAYAMA, GEORGE, “Chinese Ceramics in Colonial Latin America” (University of Michigan, M. Powers)
LAI, GUOLONG, “The Baoshan Tomb: Religious Transitions in Art, Ritual, and Text during the Warring States Period (480-221 bce)” (UCLA, L. von Falkenhausen)
LIPPIT, YUKIO, “The Birth of Japanese Painting History: Kano Artists, Authors, and Authenticators of the Seventeenth Century” (Princeton, Y. Shimizu)
LY, BORETH, “Storytelling on Stone: The Patterns of Visual Narrative Intention on Ancient Khmer (Cambodian) Temples” (UC Berkeley, J. Williams)
MILHAUPT, TERRY, “Flowers at the Crossroads: The Four-Hundred-Year Life of a Japanese Textile” (Washington University in St. Louis, K. Brock)
MINTZ, ROBERT, “Manifestations of Cultural Hybridity in Yosa Buson's Bunjinga: Interpretations of Eighteenth-Century Japanese Paintings” (University of Washington, C. Bogel)
PURTLE, JENNIFER, “The Production of Painting, Place, and Identity in Song-Yuan (960-1368) Fujian” (Yale, R. Barnhart)
REICHLE, NATASHA, “Violence and Serenity: Late Buddhist Sculpture of Indonesia” (UC Berkeley, J. Williams)
TENCKHOFF, DIANA, “The Art of Cha Shih-piao (1615-1698)” (Kansas, A. McNair)
WU, CHAO-JEN, “Between Modernity and Tradition: Zhao Zhiqian (1829-1884) and the Epigraphic Movement of the Late Qing Period” (Kansas, C. Li, M. Stokstad)
COWHERD, ROBERT, “Cultural Construction of Jakarta: Design, Planning, and Development in Jabotabek, 1980-1997” (MIT, S. Anderson)
EL AMROUSI, MOHAMED, “Beyond Muslim Space: Jeddah, Muscat, Aden, and Port Said” (UCLA, I. Bierman)
FARHAT, MAY, “Islamic Piety and Dynastic Legitimacy: The Case of the Shrine of Ali al-Rida in Mashhad (10th-17th Century)” (Harvard, G. Necipoglu)
KAHIL, ABDALLAH, “The Sultan Hasan Complex in Cairo, 1357-1364” (IFA/NYU, P. Soucek)
WOOD, BARRY, “The Shahnama-i Isma'il: Art and Cultural Memory in Sixteenth-Century Iran” (Harvard, G. Necipoglu)
YOLTAR, AYSIN, “The Role of Illustrated Manuscripts in Ottoman Luxury Book Production, 1413-1520” (IFA/NYU, P. Soucek)
ADAMS, SARAH, “Hand to Hand: Uli Body and Wall Painting and Artistic Identity in Southeastern Nigeria” (Yale, R. Thompson)
BONNELL, LETTY, “Elephants and Hunters, Diviners and Oracles: Yoruba Carving in Bone and Ivory” (Maryland at College Park, E. Eyo)
DORIS, DAVID, “Vigilant Things: The Strange Fates of Ordinary Objects in Southwestern Nigeria” (Yale, R. Thompson)
ELLEH, NNAMDI, “Architecture and Nationalism at Abuja, Nigeria: A Study of the Ideologies of ‘Federal Character,’ 1975-1991” (Northwestern, D. Van Zanten)
KLEMM, PERI, “Shaping the Future, Wearing the Past: Dress and the Decorated Female Body among the Afran Qallo Oromo in Eastern Hararghe, Ethiopia” (Emory, S. Kasfir)
MILLER, KIMBERLY ANNE, “The Philani Printing Project: Women's Art and Activism in Crossroads, South Africa” (Wisconsin-Madison, H. Drewal)
SENSENEY, JOHN, “The Shaping of Imperial Order: Rome's Porticoed Enclosures from the Late Republic to the High Principate and the Question of Hellenistic Antecedents” (UC Santa Barbara, F. Yegul)
HARVEY, BENJAMIN, “Formalism's First Affair: What Roger Fry Made of Paul Cézanne” (UNC-Chapel Hill, C. Mavor)
MACAPIA, PETER, “Minimalism, Post-Minimalism and Wittgenstein: The Problem of Meaning and Intention” (Columbia, R. Krauss)
ZANES, R. J. WARREN, “Globalization and the Anxious State of a New Regionalism” (Rochester, D. Crimp, J. Wolff) Renaissance Art
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