Art Bulletin
U.S. and Canadian Dissertations, 2004
Dissertations in Progess By Subject
African Art (Sub-Saharan)
BORTOLOT, ALEXANDER, “Negotiating Masculinity: Male Initiation and Associated Arts of the Makonde Peoples” (Columbia, N. Kampen)BRIDGES, NICHOLE, “Contact, Commentary, and Commodity: Nineteenth-Century Ivory Tusk Sculptures From the Loango Coast, Congo” (Wisconsin, Madison, H. Drewal)
CIOLA, ANN M., “Identity and Community Solidarity: Counter-Spectacle, Power, and Resistance in the Mass Funeral of the ‘Guguleteu Seven,’ March 15, 1986” (SUNY Binghamton, K. Barzman)
CLEVELAND, KIMBERLY L., “New Directions in Black Brazilian Art History” (Iowa, S. Adams)
CLUNIS, SARAH A., “Readymade Diaspora: Cultural Icons Rectified and Assisted” (Iowa, C. Roy)
FIRSTENBERG, LAURI, “Postcoloniality, Performance, and Photographic Portraiture” (Harvard, S. P. Blier)
HOLLOWAY, ANITA, “Animal Symbolism in Ewe Textiles” (Virginia Commonwealth, B. Lawal)
KART, SUSAN, “Sculpting the Psyche: Sokari Douglas Camp, Moustapha Dimè and Renèe Stout On the Body, Identity and Politics in ‘African’ Art” (Columbia, C. Kiaer, E. Hutchinson)
MARTIN, MARY R., “International Legislation to Protect Cultural Patrimony of African Art” (Iowa, C. Roy)
ONYILE, ONYILE BASSEY, “Ekpu Oro: Spirits of the Living Dead as an Expression of Oron Worldview, 1894–1940” (SUNY Binghamton, N. Nzegwu)
ROSS, EMMA, “Aesthetic Experience and Expression: Representation of Dan Women in the Cote D’Ivoire” (Yale, R. Thompson)
SALAMI, GITTI, “Yakurr Visual Expression in the Context of the Political Economy of Nigeria” (Iowa, C. Roy)
VAN DYKE, KRISTINA, “To See and Be Seen in Mali: A New Look at the Visible in Africa” (Harvard, S. Blier)
Architectural History/Historic Preservation
AL TAL, RAED, “Structures of Authority: A Political Account of Architectural and Urban Programs in Jordan (1970–1999)” (SUNY Binghamton, N. Um)ALLISON, LARA, “The Bauhaus in Chicago, 1937–1955” (Columbia, H. Ballon)
ANDERSON, ERIC, “From the Caribbean Hut to the English House: Domestic Architecture in German Theory, 1851–1904” (Columbia, B. Bergdoll, M. Mcleod, G. Wright)
ANGELL BROWN, MARISA, “Social Icon: the Architecture and Image of Public Housing in Postwar America” (Yale, S. Isenstadt)
ARIOLI, KRISTIN, “Cardinal Raffaele Riario (1477–1521) and the Dynamics of Renaissance Patronage” (USC, E. Howe)
BALL, JEFFREY, “The Missouri State Capitol: Architecture, Mural Painting, and Sculptural Decoration” (Missouri, O. Overby)
BARRETT, JENNIFER, “The Power of the Ordinary: Contextualism, Regionalism, and ‘The Everyday’ in the Architecture of Alison and Peter Smithson” (Delaware, A. Gibson)
BARTEET, C. CODY, “Colonial Contradictions in the Casa De Montejo and Mèrida: Space, Society, and Self-Representation at the Edge of Viceregal Mexico” (SUNY Binghamton, C. Burroughs)
BATUMAN, BULENT, “Spaces of Counter-Hegemony: Turkish Architects and Planners as Political Agents in the 1970s” (SUNY Binghamton, T. Mcdonough)
COFFMAN, PETER, “Gothic Revival Architecture in Atlantic Canada” (Queen’s, Kingston, P. Du Prey)
DAVIS, BLAIR HIXSON, “The Drawings of Charles Percier” (UC Santa Barbara, E. B. Robertson)
DILLON, JENNIFER, “Modernity, Sanitation, and the Public Bath: Berlin, 1896–1933, as Archetype” (Duke, A. Wharton)
EGGEBEEN, JANNA, “The American Air Passenger Terminal and Modernity” (CUNY, R. Bletter)
GOLLANNEK, ERIC, “Colonial Exchange and Visions of Empire in Britain and Its Colonies” (Delaware, B. Herman)
GUTSCHOW, KAI K., “The Culture of Criticism: Adolf Behne and the Development of a Modern German Architecture 1910–1918” (Columbia, R. Middleton, B. Bergdoll, M. Mcleod)
HAMILTON, JEFFREY, “Adapting the City to Meet Rural Desires: the English Urban Landscape as Surrogate Country House” (Delaware, D. Stillman)
HAUGHEY, PATRICK, “The Presidential Library: Archive, Afterlife, and the National Imagination” (MIT, M. Jarzombek)
HENDERSON, AMY, “Furnishing the Republican Court: Building and Decorating Philadelphia Homes, 1790–1800” (Delaware, B. Herman)
HOLST, NANCY, “A Wise Woman Buildeth Her Home” (Delaware, B. Herman)
HUNTING, MARY ANNE, “Edward Durell Stone: Perception and Criticism” (CUNY, K. Murphy)
HURTT, DEBORAH D., “Rivalry and Representation: Regionalist Architecture and the Road to the 1937 Paris Exposition” (Virginia, R. Wilson)
JAMES, STEPHEN B., “Louis Kahn in India: Negotiating an Iconography of Memory” (Virginia, R. Wilson)
KAUKAS HAVENHAND, LUCINDA, “Creating a Modern Gesamtkunstwerk: Interior Design 1930–1960” (Virginia Commonwealth, R. Hobbs)
KELLER, WILLIAM, “Urban Architecture For Community and Spectacle: the Roofed Arena in the United States, 1890-1969” (Delaware, B. Herman)
KIM, GRACE E., “Adalberto Libera’s Unit Di Abitazione Orizzontali: Modernization in Housing Typology” (Washington, M. Clausen)
KIM, IL, “The Cult of Light in Fifteenth-Century Italian Renaissance Architecture” (Columbia, J. Connors)
KLEE, JEFFREY, “The Five Orders of Beacon Hill” (Delaware, B. Herman)
KOVAL, LINDSAY M., “Architectural Patronage and Liberal Religion at New York’s Riverside Church” (Columbia, S. Murray)
KULI, VLADIMIR, “Land of the In-Between: Modern Architecture and Politics in Socialist Yugoslavia 1948–1980” (UT Austin, D. Udovicki-Selb, A. Alofsin).
LEIBOWITZ, RACHEL, “Gazing at Window Rock: the Landscape Legacy of the New Deal in the Capital of the Navajo Nation” (UIUC, D. Harris)
MANSON, ANDREW, “Architecture, Archaeology, and Urbanism in ‘la Grande Roma’ : the Via Dell’impero and the Palazzo Del Littorio Competition” (Columbia, N. Kampen, M. Mcleod)
MARSHALL, JESSICA, “Architecture and Popular Religion: French Pilgrimage Churches of the Nineteenth and Twentieth Centuries” (Columbia, B. Bergdoll)
MAULSBY, LUCY, “Architecture and Urbanism in Fascist Italy: Milan 1926–40” (Columbia, R. Middleton)
MEADOWS, B. TED, “Monuments and Memory: Three American World War I Memorials in Context” (Kansas, C. Eldredge, D. Cateforis)
MEKINDA, JONATHAN, “Reconstruction and Revolution: The Re-Invention of Modernism in Italy, 1945–1955” (Pennsylvania, D. Brownlee)
MENEFEE, ELLEN, “Live the Dream: The Rhetoric of the Furnished Model Home in Late Twentieth and Early Twenty-First Century America” (Delaware, B. Herman)
MICHAILIDIS, MELANIE, “Landmarks of the Persian Renaissance: Monumental Funerary Architecture in Iran and Central Asia, Tenth-Eleventh Centuries” (MIT, N. Rabbat)
MIMS, MARTINA, “August Endell’s Exploration of the Relationship of the Modern Observer and Form” (Columbia, B. Bergdoll)
MYERS, TRACY, “Modern Architecture For Education in the Post-War Era: Public School Buildings By the Architects Collaborative (Tac) and the Development of American Modernism, 1946–1995” (Delaware, D. Stillman)
NOWICKI, SUSAN, “Montclair, New Jersey: The Development of a Suburban Town and Its Architecture” (CUNY, K. Murphy)
OLGREN-LEBLOND, KELLY, “Reading Expressionist Architecture: The German Avant-Garde and ‘paper Architecture,’ 1914–1924” (USC, K. Lang)
PARKER, TIMOTHY, “The Modern Church in Rome: Architecture, Theology, and Community, 1945–80” (UT Austin, C. Long, D. Udovicki-Selb)
PARNELL, TRACI, “Gilding the Black Box: Showmanship and Revivalism in 1920s American Movie Palace Architecture” (Rutgers, C. Yanni)
PASSANTI, FRANCESCO, “Le Corbusier at the Salon D’automne of 1922” (Columbia, R. Middleton)
PENICK, MONICA, “The Forgotten Generation: House Beautiful’s Pace Setter House Program and the Popularization of Organic Modernism in Postwar America, 1945–1965” (UT Austin, A. Alofsin)
PHILLIPS, RUTH ANNE, “Pre-Columbian Appropriation: Ancient American Influence in U.S. Architecture, 1910–1940” (CUNY, J. Sund)
PUGH, EMILY, “The Berlin Wall and the Urban Space and Experience of East and West Berlin, 1961–1989” (CUNY, K. Murphy)
REMMEL, RACHEL, “The Influence of School Buildings: Boston Public School Architecture, 1800–1860” (Chicago, K. Taylor)
REYMOND, RHONDA, “For Glory and For Beauty: Richard Morris Hunt, George W. Vanderbilt, and All Souls’ Church” (Georgia, J. Simon)
ROGERS, KAREN L., “Checkerboard: Complexities of the Grid and the Making of Place in the American Southwest” (SUNY Binghamton, C. Burroughs)
SANDLER, DANIELA, “Incarnate Politics: National Identity, History, and Architectural Heritage in Postwar Berlin” (Rochester, A. Nader)
SANDLIN, JULIANNE PARSE, “Religious Orders and Catholic Reform: Parisian Churches During the Reign of Louis Xiii” (Florida State, R. Neuman)
SKELTON, KIMBERLEY, “Planning Anew: The English Country House and Social Identity in the 1650s” (Yale, S. Isenstadt)
SMITH, DANIELLA, “Hotel Design in British Mandate Palestine: Alliance of Modernism, Tourism, and National Agenda” (The Bard Graduate Center, A. Ogata)
STEWART, CHARLES A., “Development of Medieval Dome Churches in France” (Indiana, Bloomington, W. Kleinbauer)
SURDU, ROBERT C. A., “Wholesome Architecture and the Rise of the Tourist State in Early-Twentieth-Century Canada” (Queen’s, Kingston, L. Jessup)
SWAN, CHRISTOPHER, “An Alternative Modernism: The Pacific Northwest Architecture of John Yeon” (Yale, E. Cooke Jr.)
SZCZESNY-ADAMS, CHRISTY, “The Professional Architect On the Frontier: Edward Townsend Mix” (Virginia, R. Wilson)
TARANDJIEVA, TEODORA, “The Church of St. John Aleitourgetos in Nesebar (Ancient Mesembria) and Its Role in Late Byzantine Architecture in Bulgaria” (Indiana, Bloomington, W. Kleinbauer)
VAN DEN HURK, JEROEN, “Early Dutch Neo-Gothic Architecture, 1772–1840” (Delaware, B. Herman)
WILLIS, CAROL, “Futuricity: American Visionary Urbanism in the 1920s” (Columbia, B. Bergdoll)
WORTHAM, B. D., “Mythologies of an Everyday Landscape: Henry Ford at the Wayside Inn Farm, 1923–1945” (MIT, M. Jarzombek)
YUREKLI, ZEYNEP, “The Architecture of the Ottoman Halvetis in Anatolia and the Balkans: A Study On the Politics of Sufi Architecture in the Classical Age” (Harvard, G. Necipoglu)
Art of the Middle East/North Africa
AKBARNIA, LADAN, “‘Chinoiserie’ in Iran and Central Asia: The Creation of Artistic Ideals and Cultural Memory Under the Mongol Patrons” (Harvard, G. Necipoglu, D. Roxburgh)AL TAL, RAED, “Structures of Authority: A Political Account of Architectural and Urban Programs in Jordan (1970–1999)” (SUNY Binghamton, N. Um)
BATUMAN, BULENT, “Spaces of Counter-Hegemony: Turkish Architects and Planners as Political Agents in the 1970s” (SUNY Binghamton, T. Mcdonough)
CICHOCKI, NINA, “The Life Story of the Cemberlitas Hamam: From Bath to Tourist Attraction” (Minnesota, C. Asher)
DOWNS, JOAN, “The Topography and Iconography of Death in Christian North Africa” (Michigan, T. Thomas)
EIMEN, ALISA, “Museum and Mosque: Identity Construction in Twentieth-Century Tehran” (Minnesota, C. Asher)
EL SANDOUBY, ALIA’A, “Remembering the Ahl Al-Bayt: The Shrines of the Family of the Prophet in Cairo and Damascus” (UCLA, I. Bierman)
FETVACI, EMINE, “Viziers to Eunuchs: Transitions in Ottoman Manuscript Patronage, 1574–1617” (Harvard, G. Necipoglu)
GRUBER, CHRISTIANE, “The Prophet Muhammad’s Ascension (Mi’raj) in Islamic Art and Literature, Fourteenth to Seventeenth Centuries” (Pennsylvania, R. Holod)
MICHAILIDIS, MELANIE, “Landmarks of the Persian Renaissance: Monumental Funerary Architecture in Iran and Central Asia, Tenth to Eleventh Centuries” (MIT, N. Rabbat)
NATIF, MIKA, “Mughal Illustrated Manuscripts of the Anvar-I Suhaili By Mawlana Kamal Al-Din Husain-Wa’iz Al Kashifi” (Ifa/Nyu, P. Soucek)
ROGERS, SARAH, “Art as History in Postwar Lebanon” (MIT, N. Rabbat)
SCHENK, KRA, “The Dura Synagogue Frescoes: Priestly Patronage and the Image of the Temple” (Johns Hopkins, H. Maguire)
SMITH, SHARON C., “Planned Grandeur: A Comparative Study of Urban Expansion in Early Modern Italy and Mamluk Egypt” (SUNY Binghamton, C. Burroughs)
TEECE, DENISE, “Vessels of Verse, Ships of Song: Persian ‘safina’ Manuscripts and Their Significance” (Ifa/Nyu, P. Soucek)
YUREKLI, ZEYNEP, “The Architecture of the Ottoman Halvetis in Anatolia and the Balkans: A Study On the Politics of Sufi Architecture in the Classical Age” (Harvard, G. Necipoglu)
Art of the United States
ABBOTT, JANET, “The Barnett Aden Gallery of Washington, D.C.: 1943–1969” (Penn State, J. H. Robinson)ADDONIZIO, SHARI, “Charismatic Masters, Serious Young Men, and Angels Under White Umbrellas: The Summer Art Schools at Magnolia, Shinnecock, and Provincetown” (Florida State, K. Bearor)
ANDERSON, REED, “An Epic of the American Farm: James Ormsbee Chapin and the Marvin Paintings” (Kansas, C. Eldredge)
ARCHIAS, S. ELISE, “The Body as a Material C. 1970: Yvonne Rainer, Vito Acconci, and Adrian Piper” (UC Berkeley, A. Wagner)
ATKINS, ASHLEY, “Winslow Homer and Aestheticism in the United States” (Rutgers, W. Bellion)
BAKER, KELLY, “A Southern Sense of Place: The Vernacular Landscape in the Photography of William Christenberry, Carrie Mae Weems, and Sally Mann” (CUNY, G. Batchen)
BALL, JEFFREY, “The Missouri State Capitol: Architecture, Mural Painting, and Sculptural Decoration” (Missouri, O. Overby)
BAXTER BELL, ADRIENNE, “The Metaphysical Paintings of George Inness” (Columbia, D. Rosand)
BERSHAD, DEBORAH, “The New York City Hall Portrait Collection: 1790–1830” (CUNY, S. Webster)
BOETTCHER, GRAHAM, “Domestic Violence: Familial and Political Conflict in the Work of Emanuel Leutze” (Yale, A. Nemerov)
BORTEL, ELLEN, “George Ohr: His Life, Work, and Influence On Contemporary Ceramics” (Case Western Reserve, H. Adams)
BROWN, MIKELL, “The Photographer’s Wife: Genre-Blurring in Emmet Gowin’s Photographs of Edith and the Dialectics of Looking” (Virginia Commonwealth, R. Hobbs)
BURDAN, AMANDA C., “Amèricaines in Paris: The Role of Women Artists in the Formation of America’s Cultural Identity, 1865–1880” (Brown, K. D. Kriz)
BURGESS, REBEKAH, “Collecting Agency: Turn-Of-The-Century Lowell, Massachusetts, Workers Return the Camera’s Gaze” (Boston, K. Sichel)
BURT, SARAH, “Joseph Worchester and the Church of the New Jerusalem: Creating a Bay-Area Aesthetic” (Kansas, C. Eldredge)
CARR, DENNIS, “Early Furnituremaking in the Narragansett Bay, 1636–1740” (Yale, E. Cooke Jr.)
CLAYTON, LISA, “Shaping Struggle: Heroic Themes in African American Art, 1929–1959” (Virginia Commonwealth, B. Lawal)
COLAIZZI, VITTORIO, “Robert Ryman, Minimalism and Painting” (Virginia Commonwealth, R. Hobbs)
COPELAND, HUEY, “Bound to Appear: Site, Subjection, and the Disfiguration of Slavery in Multicultural America” (UC Berkeley, A. Wagner)
COWIE, ROBIN, “Blazing Sun: Childe Hassam and the Forces of Sunlight in American Impressionism” (Yale, A. Nemerov)
COYLE, HEATHER CAMPBELL, “Having Fun With Art: Pranks, Performances, and Parody in American Art Schools, 1890–1915” (Delaware, M. Leja)
CURTISS, KIMBERLY, “Making Red Skins White: The Construction of Racial and Cultural Identity Through Paintings and Photographs of the Native American, 1800–1900” (Rutgers, W. Bellion)
DAUGHERTY, ELLEN, “Lifting the Veil of Ignorance: Images of Racial Uplift in American Public Monuments” (University of Virginia, M. Mcinnis)
DAVIS, MEREDITH, “Fool’s Gold: American Trompe L’oeil and the Gilded Age” (Columbia, J. Crary)
DE ARMENDI, NICOLE, “Shifting Perception: Labyrinths and the Rise of Phenomenology in American Art of the 1960s and 1970s” (Virginia Commonwealth, R. Hobbs)
DEMING, DIANE, “Wasteland Poetics On the Western Frontier: Visualizing the Environment of the Great Basin” (Delaware, A. Gibson)
DOOLEY, MICHAEL C., “Citizen Bird: American Ornithological Art of the Progressive Era and the Beginnings of the Bird Conservation Movement” (Iowa, J. Kinsey)
DURHAM, DENNIS, “N.E. Thing Co. in Vancouver (1965–1978): Defining Conceptual Art On the Periphery” (Virginia Commonwealth, R. Hobbs)
EGAN, SHANNON, “An American Art: Edward S. Curtis and the North American Indian, 1907–1930” (Johns Hopkins, B. Doherty)
ELLIS, AMY, “’Not a Mere Leaf-Painter’ : Thomas Cole and the Figure” (Columbia, J. Crary, E. Hutchinson)
EVANS, YATES, “Doors and Windows: Eastern Philosophy and Western Aesthetics in the Art of Ray Johnson” (Virginia Commonwealth, R. Hobbs)
GASTON, DEBORAH, “Immigration, Ethnicity, and the Early Drawings of Joseph Stella, 1896–1924” (Delaware, W. Homer)
GEIGER, MELISSA, “A Socio-Historical Critique of Robert Rauschenberg’s Electronic Works of the Sixties” (Penn State, S. Rich)
GILBERT, CHRISTOPHER, “American Art and Language During the Period of the Fox (1974–1976)” (Virginia Commonwealth, R. Hobbs)
GILLESPIE, SARAH KATIE, “Samuel F. B. Morse and the Daguerreotype: Art and Science in American Culture, 1835–1855” (CUNY, K. Manthorne)
GLAHN, PHILIP, “Estrangement and Politicization: Bertolt Brecht and Postwar American Art” (CUNY, R. Golan)
GLICK, PAULA F., “Paul Sample: Regionalist Artist” (Columbia, J. Beck)
GREENHILL, JENNIFER, “‘The Plague of Jocularity’ : Art, Humor, and the American Social Body, 1863–1906” (Yale, A. Nemerov)
GROVES, LAURA, “Lilly Martin Spencer and Popular Prints” (Maryland, College Park, S. Promey)
GRUDIN, ANTHONY, “Television Dreams: Warhol’s Style and the Ambivalence of Emulation” (UC Berkeley, T. J. Clark)
HACK, BRIAN, “Lorado Taft, George Grey Barnard, and the Promise of Monumental Symbolist Sculpture in Early Twentieth-Century America” (CUNY, S. Webster)
HAGOOD, MARTHA, “Representing the Truth: Realism, Sensationalism, and the Progressive Era Picture Press, 1902-1913” (Delaware, W. Homer)
HANSON, DEBRA, “Gender, Genre, and Domesticity: Thomas Eakins’ Home Scenes of the 1870s” (Virginia Commonwealth, R. Hobbs)
HARTLEY, CODY, “Cultural Cornerstones: Museums as Foundational Civic Institutions in the Western United States (1893–1945)” (UC Santa Barbara, E. B. Robertson)
HAUGHEY, PATRICK, “The Presidential Library: Archive, Afterlife, and the National Imagination” (MIT, M. Jarzombek)
HAXALL, DANIEL, “Politics, Form, and Identity in Abstract Expressionist Collage” (Penn State, S. Rich)
HENRY, BETTINA RICCIO, “Lights, Camera, Art: John Baldessari, Ed Ruscha, and Hollywood Film” (CUNY, H. Senie)
HIGGINBOTHAM, CARMENITA, “Saturday Night at the Savoy: Blackness and the Urban Spectacle in the Art of Reginald Marsh” (Michigan, R. Zurier)
HUBENTHAL, JOHN, “A Life in the Newspapers: The American Press and George Grosz” (Virginia Commonwealth, H. Risatti)
HUCKINS, PAMELA, “Furnishing the Northern Frontier: The Sacred Decoration of the California Mission Churches” (Ifa/Nyu, J. Brown)
HULT-LEWIS, CHRISTINE, “Industrial Aesthetics: The Mining Photographs of Carleton Watkins, 1851–1891” (Boston, K. Sichel)
HYDE, KIMBERLY, “Louis C. Tiffany and the Business of Art” (Case Western Reserve, H. Adams)
IKEGAMI, HIROKO, “1964: Robert Rauschenberg and the Beginnings of Globalization in Modern Art” (Yale, A. Nemerov)
JARMAN, BAIRD, “Edwin Austin Abbey and the Quest of the Holy Grail” (Yale, J. Prown)
JONES, PENNY, “Figural Trees: American Artists and Forest Debate in the Nineteenth Century” (Columbia, E. Hutchinson)
JUNG, EUN YOUNG, “From Sculpture to Situations: Critical Issues in Dan Flavin’s Fluorescent Light Installations of the 1960s” (Uiuc, J. Fineberg)
KAPS, NANNI, “Similarities of Form and Concept in American and German Nineteenth-Century Landscape Painting” (Columbia, B. Novak)
KARPINSKAIA, NATALIA, “Landscape Art and Landscape Attitudes in Russia and America” (Columbia, B. Novak)
KELLY, SARAH, “Camera’s Lens and Mind’s Eye: Whistler and the Science of Art” (Columbia, D. Rosand)
KIEFER, EVELYN, “The Birth and Death of the American Dining Room: an Evolution From the Colonial Hall to Frank Lloyd Wright’s Dining Rooms and Beyond” (Case Western Reserve, H. Adams)
KIENHOLZ, KATHLEEN, “The Art Colonies at Cape Ann, 1890–1920” (CUNY, K. Murphy)
KILBANE, NORA, “A Tug From the Jug: Drink and Drinking in Nineteenth-Century American Genre Painting” (Ohio State, B. Groseclose)
KING, JENNIFIER, “Michael Asher and the Art of Infrastructure: Space, Cities, Institutions” (Princeton, H. Foster)
KJAER, LISE, “Awakening the Spiritual: James Turrell and Quaker Practice” (CUNY, H. Senie)
KNOX, PAGE, “Scribner’s Monthly/The Century: A Vehicle of Aesthetic Thought in Late Nineteenth-Century America” (Columbia, E. Hutchinson)
KOH, DONG-YEON, “Larry Rivers and Frank O’hara: Reframing Male Subjectivity” (CUNY, A. Chave)
KURTZ, AMY, “Old Worlds and New: Edward Lamson Henry (1814–1919), Conservative Genre Painting” (Yale, J. Prown)
LAMUNIERE, MICHELLE, “The Social Museum at Harvard: Francis Greenwood Peabody and Early Twentieth-Century Social Reform Photography in Context” (Boston, K. Sichel)
LAWTON, SAADIA, “Representing the Representative: Visual Binaries of the Wedgwood Slave Medallion, 1787–1887” (Wisconsin, Madison, A. Andrzejewski)
LEE, KEE-LEE, “Sur Vampyr: Theresa Hak, Kyang Cha, and the Cultural Para-Sites of the Korean Diaspora” (Unc Chapel Hill, C. Mavor)
LEVINE, CARY, “Pay For Your Pleasures: Mike Kelley, Raymond Pettibon, Paul Mccarthy” (CUNY, R. Golan)
LONGWELL, ALICIA, “John Graham and the Quest For an American Art in the 1920s and 1930s” (CUNY, K. Manthorne)
MARSHALL, DARLENE, “The Character of the Home: The Domestic Interior in American Painting, 1860–1900” (Penn State, C. Zabel, S. Rich)
MARSHALL, JENNIFER J., “The Stuff of Modern Life: Materiality and Thingness in the Museum of Modern Art’s Machine Art Show, 1934” (UCLA, C. Whiting, M. Kwon)
MAURO, HAYES PETER, “Art, Science, and Social Representation in the United States, 1830–1890” (CUNY, K. Manthorne)
MAY, JESSICA, “Off the Clock: Walker Evans and the Crisis of American Capital, 1930–1946” (UC Berkeley, M. M. Lovell)
MCCARROLL, STACEY, “Intimate Images: The Public and the Private in Twentieth-Century American Photography” (Boston, C. Jones)
MESCHUTT, DAVID, “Portraiture of James Monroe (1758–1831)” (Delaware, W. Bellion)
MILLER, MARK PARKER, “Claiming and Denying Sophistication: Grant Wood’s Art and Responses to It: 1930–1942” (Delaware, A. Gibson)
MONAHAN, ANNE, “Form and Content: Politics and Figuration in American Art of the 1960s” (Delaware, A. Gibson)
MOSS, DOROTHY, “Recasting the Copy: Original Paintings and Reproductions at the Dawn of American Mass Culture, C. 1900” (Delaware, M. Leja)
MURPHY, JESSICA, “Agnes Ernst Meyer, Katharine Rhoades, and Marion Beckett: Artist and Patrons in the Stieglitz Circle” (Delaware, A. Gibson)
MURPHY, JONI, “Coyote Tales: Stereotypes, Politics, and Humor in the Art of Jaune Quick-To-See Smith” (Kansas, D. Cateforis)
MURPHY, KEVIN M., “The Economics of Style: The Business Practices of American Artists and the Structure of the Market, 1850–1910” (UC Santa Barbara, E. B. Robertson)
NELSON, ANDREA, “Reading Montage: The Photography Books of Làszlò Moholy-Nagy and Walker Evans” (Minnesota, J. Blocker)
NEWMAN, SARAH, “Excavating New York: George Bellows’s Landscapes of Modernity” (UC Berkeley, M. M. Lovell)
NOWICKI, SUSAN, “Montclair, New Jersey: The Development of a Suburban Town and Its Architecture” (CUNY, K. Murphy)
PEABODY, REBECCA, “Imagining Race: Kara Walker’s Silhouettes” (Yale, H. Carby, R. Thompson)
PERCHUK, ANDREW, “Mapping the Surface: Art and Modernism in Los Angeles, 1962–1972” (Yale, C. Wood)
PERRY, WEENA, “America in Ruins: Photography and the Making of National Meanings” (SUNY Stony Brook, M. Bogart)
PHILLIPS, RUTH ANNE, “Pre-Columbian Appropriation: Ancient American Influence in U.S. Architecture, 1910–1940” (CUNY, J. Sund)
POOR, NATASHA, “Dirty Art: Transgressing Domesticity and the Body in 1950s United States Art” (CUNY, A. Chave)
PULTZ, JANET, “Christian Abrahamsen (1887–1983), Norwegian-American Portrait Painter” (Missouri, O. Overby)
RAU, PAULA, “Chance Encounters: John Cage’s Late Visual Works” (Virginia Commonwealth, H. Risatti)
REASON, AKELA, “Beyond Realism: History in the Art of Thomas Eakins” (Maryland, College Park, S. Promey)
REECE-HUGHES, SHIRLEY, “The Art of David Bates” (Kansas, C. Eldredge)
REYMOND, RHONDA, “For Glory and For Beauty: Richard Morris Hunt, George W. Vanderbilt, and All Souls’ Church” (Georgia, J. Simon)
REYNOLDS, REBECCA, “Anna Hyatt Huntington as a Case Study For the Influence of the Culture of Science On Art in the Nineteenth and Twentieth Centuries” (Boston, P. Hills)
ROBERTS, ELLEN, “Japanese Art and the American Aesthetic Interior, 1870–1900” (Boston, P. Hills, K. Morgan)
ROETHKE, LEIGH, “A Passion For Spain: Españolismo in American Visual Culture” (Minnesota, K. A. Marling)
ROGERS, KAREN L., “Checkerboard: Complexities of the Grid and the Making of Place in the American Southwest” (SUNY Binghamton, C. Burroughs)
RUNDQUIST, LEISA, “Firestorms and Conflagrations: The Inflamed Cosmology of Henry Darger” (Unc Chapel Hill, C. Mavor)
SAILOR, RACHEL M., “Meaningful Places: Nineteenth-Century Photography and the Local Landscapes of the American West” (Iowa, J. Kinsey)
SAMUEL, ANNE, “Rethinking Vision in the American Renaissance Murals of Edwin Howland Blashfield” (Delaware, M. Leja)
SCOLARI, PAUL, “Indian Warriors and Pioneer Mothers: American Identity and the Closing of the Frontier in Public Monuments, 1890–1930” (Pittsburgh, K. Savage)
SENF, REBECCA, “Intimate Places: Ansel Adams’s Photographs in the American West and Southwest, 1916–1936” (Boston, K. Sichel)
SHEEHAN, TANYA, “Doctor Photo: The Cultural Authority of Portrait Photography as Medicine in Nineteenth-Century America” (Brown, K. Kriz)
SHERRY, KAREN, “Exposing the ‘natural’ Woman: Female Bodies in American Visual Culture, 1785–1830” (Delaware, M. Leja)
SIDDONS, LOUISE, “The Future of the American Race: Theorizing Reproduction in Print Media, 1925–1940” (Stanford, W. Corn)
SINNETT, GRETCHEN, “Envisioning Female Adolescence: Rites of Passage in Late Nineteenth-Century Painting and Photography” (Pennsylvania, E. Johns)
SIVARD, SUSAN, “The Volcano in European and American Art, 1770–1865” (Columbia, B. Novak)
SLIFKIN, ROBERT, “Out of Time: Philip Guston’s 1970 Marlborough Show” (Yale, A. Nemerov)
SMITH, CAROLINE, “American Artists’ Frames: Paintings, Environments, and Viewers” (UC Santa Barbara, E. B. Robertson)
SMITH, DANIELLA, “Hotel Design in British Mandate Palestine: Alliance of Modernism, Tourism, and National Agenda” (The Bard Graduate Center, A. Ogata)
SMITH, JERRY, “Auto-America: The Automobile and American Art, C. 1900–1950” (Kansas, C. Eldredge)
SNOOK, SARAH, “The Development of the American Art Market in Antebellum New York” (Columbia, D. Rosand)
TOWNS, ELIZABETH, “Wondrous Creatures: The Hummingbird and Orchid Paintings of Martin Johnson Heade” (Unc Chapel Hill, C. Mavor)
TRAVIS, AMBER, “Theatres of War, Torture, and Duress: Leon Golub’s Mercenaries, Interrogations, and White Squads 1979–87” (Northwestern, S. Eisenman)
TWA, LINDSAY, “Troubling Island: The Imagining and Imaging of Haiti By African-American Artists” (Unc Chapel Hill, M. Harris)
VINCENTI, MARISSA, “Our Spiritual Strivings: Gurdjieffian Philosophy, Spiritualism and Politics in the Art of Aaron Douglas” (Duke, R. Powell)
WAGNER, ANN PRENTICE, “‘Living On Paper’ : Georgia O’keeffe and the Culture of Drawing and Watercolor in the Stieglitz Circle” (Maryland, College Park, S. Promey)
WAGNER, SARAH, “Zen and the Artists of the Eighth Street Club” (CUNY, A. Chave)
WATSON, SAMUEL, “Childhood’s End: Representing the American Child, 1940–1970” (Kansas, C. Eldredge)
WILK, DEBORAH, “Jewish Identity in American Art: Immigration in New York City at the Turn of the Century” (Kansas, C. Eldredge)
WILLIAMS, THOMAS, “Pop Art, Affluence, and the Politics of Taste” (SUNY Stony Brook, J. Katz)
WORTHAM, B. D., “Mythologies of an Everyday Landscape: Henry Ford at the Wayside Inn Farm, 1923–1945” (MIT, M. Jarzombek)
ZARRO, JENNIFER, “Images of the American City: Maps, Prints, and Magazine Views, 1780–1800” (Rutgers, W. Bellion)
Chinese Art
AUYEUNG, POYIN, “Critical Spatial Responses to Urban Redevelopment in Beijing and Shanghai: Art in Public Spaces, 1978–1998” (CUNY, R. Bletter)BENINGSON, SUSAN, “Shaping Sacred Space: Early Buddhist Caves and Their Interaction With Ritual Architecture and Artistic Programs of Tombs in Fifth Century China” (Columbia, R. Harrist)
BRASH, CAROL, “Representations of Gardens Under the Ming” (Minnesota, R. Poor)
CHANG, HAN-YUN, “He Tianjian and the Traditional Painting Revival Movement” (UC Santa Barbara, P. Sturman)
CHANG, QING, “Feilaifeng and the Flowering of Chinese Buddhist Sculpture From Tenth to Fourteenth Centuries” (Kansas, M. Haufler)
CHIU, LI-LI, “The Image of Lohans Crossing the Water and Its Social and Historical Context in Ming Dynasty Popular Culture” (Kansas, M. Haufler)
CHU, YANGMING, “Gentrification of Women in Early Tang Paintings” (Columbia, R. Harrist)
EARNSHAW, CONNIE V., “Ming Illustrations of Bai Juyi’s Tang Poem Pipa Xing” (Washington, J. Silbergeld)
FENG, JIREN, “Imperial Song Architecture: Treatises, Buildings, Literature and Art” (Brown, M. Bickford)
GIUFFRIDA, NOELLE, “Representing Zhenwu [The Perfected Warrior] in Late Imperial China” (Kansas, M. Haufler)
HAN, HYONJEONG, “He Tianjian (1891–1977) and the Defense of Guohua” (UC Santa Barbara, P. Sturman)
HSU, MIAO-LIN, “Chu Bronze Mirrors: Guardians of the Grave” (Pittsburgh, K. Linduff)
HUANG, BINGYI, “Reading Mawangdui” (Yale, D. Sensabaugh)
HUANG, YUN-JU MICHELLE, “Dunhuang Cave #446: The Embodiment of Hua-Yen Buddhism” (Wisconsin, Madison, J. Murray)
KIM, SUNKYUNG, “Buddhist Image and Text at Anyang Caves During the Late Sixth Century” (Duke, S. Abe)
KINDALL, ELIZABETH, “Functions of Late-Ming Dynasty Paintings of Monasteries” (Kansas, S. Fowler)
KYAN, WINSTON, “The Body and the Family: Filial Piety and Buddhist Art in Late Medieval China” (Chicago, W. Hung)
LAI, YU-CHIH, “Reveal the Hidden: Ren Bonian’s Appropriation of Japanese Elements in Art” (Yale, R. Barnhart)
LAU, CHAK KWONG, “Ding Jing (1695–1765): Art, Hangzhou, and the Foundation of the Xiling Identity” (UC Santa Barbara, P. Sturman)
LEE, MARION, “Women, Men, and Morality: Paintings and Prints By Fei Xiaolou (1801/02–50)” (Stanford, R. Vinograd)
LIANG, SAMUEL Y., “Ephemeral Households, Splintered City: Mapping Leisure in the Sojourners’ Shanghai, 1870–1900” (SUNY Binghamton, T. Mcdonough)
LIU, BO, “When Paintings Speak For the Owners: Political Expressions in Song Dynasty Fan Paintings” (Michigan, M. Powers)
LIU, DAVID, “The Prehistory of the Middle and Lower Changjiang Region” (Princeton, R. Bagley)
LO, HUI-CHI, “From Prince to Emperor: Aixinjueluo Yinzhenis (1678–1735) Political Deployment of Art in Early Qing Dynasty” (Stanford, R. Vinograd)
LU, LING-EN, “Agricultural Themes in Temple Wall Paintings in the Ming Dynasty (1368–1644)” (Kansas, M. Haufler)
MA, YA-CHEN, “Making the Image of a Metropolis: Local and Imperial Interactions in Representing Eighteenth-Century Suzhou” (Stanford, R. Vinograd)
MAO, YILING, “Women’s Painting in Seventeenth-Century China: Persona, Performance, and the Construction of Female Aesthetics” (Columbia, R. Harrist)
MARTIN, HUI WANG, “Guangsheng Monastery: The Study of Its Art and Architecture From a Ming Perspective” (Kansas, M. Haufler)
OWEN, ELIZABETH, “Love Lost: Qian Zuan (C. 1235–C. 1307) and Images of Emperor Ming Huang and Yang Guifei” (Yale, R. Barnhart)
PARK, JAE-SUK, “The Rustic Image and Cult of Su Shi: ‘su Shi Wearing Bamboo Hat and Clogs’ ” (Wisconsin, Madison, J. Murray)
RASMUSSEN, KENNETH, “Wang Shen (Born C. 1048) and Landscape Painting Among the Elite in Northern Song China, 1069–1120” (Yale, R. Barnhart)
SHIN, SEOJEONG, “Illustrations of Taiping Prefecture (1648): an Early Printed Album of Landscapes By the Scholar-Painter Xiao Yuncong (1596–1673)” (Maryland, College Park, J. Kuo)
WANG, HAICHENG, “Writing and Civilization in Early Bronze Age China: A Comparative Study” (Princeton, R. Bagley)
WANG, MEIQIN, “Transformation and Construction: Exhibiting Chinese Contemporary National Art in 2003” (SUNY Binghamton, N. Um)
WETHERELL, ANN, “Shen Zhou (1427–1509) and the Rise of Literati Flower and Bird Painting in the Ming Dynasty” (Oregon, C. Lachman)
YAO, ERICA, “Systems of Display at the Qing Dynasty Court: Visual Culture in Eighteenth-Century China” (Stanford, R. Vinograd)
YU, SHUISHAN, “Chang’an Avenue and the Radical Redefinition of China’s National Identity in the Twentieth Century” (Washington, M. Clausen)
ZHANG, RUI, “Feng Xiaogang and Chinese Popular Cinema After 1989” (Ohio State, R. Green)
Contemporary Art
ADAMS, VIRGINIA, “Illusion and Disillusionment in the Works of Gerhard Richter and Jeff Wall: Picturing (Post)Modern Life” (Maryland, College Park, S. Mansbach)ADAN, ELIZABETH, “Matter, Presence, Image: The Work of Ritual in Contemporary Feminist Art” (UC Santa Barbara, A. Solomon-Godeau)
ALLAN, KEN, “Conceptual Art Magazine Projects and Their Precedents” (Toronto, E. Legge)
AUYEUNG, POYIN, “Critical Spatial Responses to Urban Redevelopment in Beijing and Shanghai: Art in Public Spaces, 1978–1998” (CUNY, R. Bletter)
BLAIS, CATHERINE, “‘Installing’ the Museum: When Artist/Curators Re-Create the Museum and Its Discourses” (Boston, C. Jones)
BOUMAN, MARGOT, “Fata Morgana: Matrices of Video and Site” (Rochester, D. Crimp)
DUMETT, MARI, “Corporate Imaginations: The Fluxus Collective in the Age of Multi-National Capitalism” (Boston, C. Jones)
EVANS, KIM, “The Geography of Feminist Art Criticism: A Genealogical History of Feminist Discourses On Art, 1971–1981” (SUNY Binghamton, J. Tagg)
FEIBELMAN, BECK, “Real Life After ‘the Death of the Author’ : Celebrity and Identity in the Media” (Pennsylvania, C. Poggi)
FREDRICKSON, LAUREL, “The Liberatory Art and Politics of Jean-Jacques Lebel and Kate Millett” (Duke, K. Stiles)
GLAHN, PHILIP, “Estrangement and Politicization: Bertolt Brecht and Postwar American Art” (CUNY, R. Golan)
HAGE, EMILY, “New York and European Dada Art Journals, 1916–1926: International Venues of Exchange” (Pennsylvania, C. Poggi)
HAMILTON, JAIMEY, “Strategies of Excess: The Postwar Assemblage of Alberto Burri, Robert Rauschenberg, and Arman” (Boston, C. Jones)
HENSON, DENNIS, “Beyond Warhol’s 15 Minutes: Pop Art, Pop Music, ‘the Media’ and Fame” (Missouri, J. Klein)
HOLMES, KRISTY, “The Gendered Nation: The Work of Joyce Wieland 1964–1976” (Queen’s, Kingston, L. Jessup, S. Lord)
HOSEIN, LISE, “The Weight of Being Human: Animals as Surrogate Bodies in Contemporary Art” (Toronto, M. Cheetham)
HOUSER, CRAIG, “Recontextualizing Robert Gober” (CUNY, A. Chave)
JAROSI, SUSAN, “Art and Trauma Since 1950, a Holographic Model” (Duke, K. Stiles)
JOHNSON BIDLER, TIFFANY, “Tracing Genealogies: The Question of Inheritance in Early and Contemporary American Art” (Minnesota, J. Blocker)
KOH, DONG-YEON, “Larry Rivers and Frank O’hara: Reframing Male Subjectivity” (CUNY, A. Chave)
LECLRE, MARY, “Siting Art Criticism 1965–1975” (Virginia, H. Singerman)
LEE, ANDREA, “Visioning the Sacred: Expressions of Spirituality By Contemporary Women Artists” (Missouri, Kansas City, M. Southwell-Wahlman)
LGER, MARC, “Visuality, Subjectivity and Social Space in Critical Public Art” (Rochester, J. Saab)
LEVINE, CARY, “Pay For Your Pleasures: Mike Kelley, Raymond Pettibon, Paul Mccarthy” (CUNY, R. Golan)
MCELREAVY, TIMOTHY S., “Object Relations: Repeating and Working Through Minimalism and Postminimalism in the 1980s and 1990s” (Stanford, P. Lee)
MILKOVA, LILIANA, “The Photographic Other: Soviet Underground Art From the 1970s–1980s” (Pennsylvania, C. Poggi)
PALMER, KATE, “Archive/Atlas/Album: The Photographic Records of Christian Boltanski, Dinh Q. Lê, and Gerhard Richter” (Boston, C. Jones) {Diss}
PUGH, EMILY, “The Berlin Wall and the Urban Space and Experience of East and West Berlin, 1961–1989” (CUNY, K. Murphy)
QIN, ZHAO-KAI, “Transnational Modernities: Artistic Interactions Between China and the West 1979–1999” (Cornell, L. Meixner)
RATH, AMANDA, “Mutable Signs: De/Con/Struction in Indonesian Experimental Art” (Cornell, K. Mcgowan)
RICHARDSON, MARGARET, “Re-Constructing Tradition and Modernity: The Theories and Art Projects of K. G. Subramanyan” (Virginia Commonwealth, H. Risatti)
ROBERTSON, KIRSTY, “This Is What Democracy Looks Like: Visual Culture and Protest in Canada, 1988–2003” (Queen’s, Kingston, L. Jessup)
ROBINSON, JEN, “Reading Between the Lines: The Art and Language Movement” (University of New Mexico, D. Craven)
ROGERS, SARAH, “Art as History in Postwar Lebanon” (MIT, N. Rabbat)
ROMAINE, JAMES, “The Art of Tim Rollins and K.O.S.: 25 Years of Art, Education, and Community” (CUNY, H. Senie)
ROSENBERG, LELA C., “The Virgin and the Murderess: Reflecting On the Sensation Sensation” (Duke, K. Stiles)
RUIZ-GÓMEZ, NATASHA, “Morceaux D’Amphithéâtre: Science and the Fragment in Rodin’s Sculpture” (Pennsylvania, C. Poggi)
STECK, STUART, “Veiling the Subject: Ellsworth Kelly and the Discourses of Modernism” (Boston, C. Jones)
THEODORE, MOLLEEN, “Walter De Maria’s Work: Patronage, Reception and Aura” (CUNY, A. Chave)
TINTI, MARY, “Dimensions of Flight: A Study of Contemporary Sculpture in Airports of the United States and Canada” (Rutgers, J. Marter)
TSENG, LI-LIN, “Melodrama as Modernity in Early Chinese Cinema: A Case Study in the Works of Zheng Zhengqiu and His Shanghai Contemporaries, 1922–1937” (Uiuc, J. Fineberg)
WANG, MEIQIN, “Transformation and Construction: Exhibiting Chinese Contemporary National Art in 2003” (SUNY Binghamton, N. Um)
WARNOCK, MOLLY, “Painting Blind: Simon Hantai’s Technique-Based Paintings” (Johns Hopkins, B. Doherty)
WOLFSKILL, PHOEBE, “Constituting the Elusive City: Documentation and Fantasy in the Work of Archibald Motley, Jr. and Reginald Marsh” (Uiuc, J. Fineberg)
Critical Theory/Visual Studies/Gender Studies
BAGG, SHANNON K., “Artists, Art Historians, and the Value of Contemporary Inuit Art” (Queen’s, Kingston, L. Jessup)BAUM, RACHEL, “Andy Warhol: The Crisis of Modernist Subjectivity in Abstraction” (Harvard, N. Bryson)
BROWER, MATTHEW, “Animal Traces: Early North American Animal Photography” (Rochester, L. Cartwright, J. Saab)
BUBENIK, ANDREA, “The Reception of Albrecht Dürer (1528–1700): The Practices of Art, Science and Collecting” (Queen’s, Kingston, C. Hoeniger and V. Manuth)
CARLSON, ELIZABETH, “City of Mirrors: Spectacle and Surveillance in Nineteenth-Century Paris” (Minnesota, J. Blocker)
CARO, MARIO A., “The Native as Image: Art History and the Representation of the American Native” (Rochester, J. Berlo, M. Holly)
CONTRERAS DE BERENFELD, MARIA CELINA, “Cesare Brandi’s Teoria Del Restauro and the Practice of Restoration” (Queen’s, Kingston, C. Hoeniger)
CRONAN, TODD, “The Despair of the Physical: Materialism in George Santayana, Wallace Stevens, and Henri Matisse, 1900–1950” (UC Berkeley, W. Davis)
CURZON, LUCY, “Modernity’s Revision: Culture and National Identity in Postwar Britain” (Rochester, P. Duro, J. Saab)
CZACH, LIZ, “Careless Rapture: Artifacts and Archives of the Home Movie” (Rochester, S. Willis)
DAWSEY, JILL, “Secrets From the Streets: Women, Art, and Urban Space, 1966–1980” (Stanford, P. Lee)
DE SOUZA, C. ROBERTO, “And Love Will Live Forever: The Narrative Structure of the Fotonovela” (UC Santa Barbara, U. Keller)
EMERLING, JOHN, “The Gesture of Collecting: Walter Benjamin and Contemporary Aesthetics” (UCLA, D. Preziosi)
EVANS, KIM, “The Geography of Feminist Art Criticism: A Genealogical History of Feminist Discourses On Art, 1971–1981” (SUNY Binghamton, J. Tagg)
FIRSTENBERG, LAURI, “Postcoloniality, Performance, and Photographic Portraiture” (Harvard, S. P. Blier)
GASPARAVICIUS, GEDIMINAS, “The Emergence of Neo-Avantgardes in Central Europe in 1975–1995” (SUNY Stony Brook, D. Kuspit)
HOLMES, KRISTY, “The Gendered Nation: The Work of Joyce Wieland 1964–1976” (Queen’s, Kingston, L. Jessup)
HORIUCHI, LYNNE, “Dislocations and Relocations: The Built Environments of Japanese American Internment” (UC Santa Barbara, E. B. Robertson)
HOWIE, ELIZABETH, “The Courtly Erotics of the Photograph: Photography and the Nineteenth-Century Theorization of Courtly Love” (Unc Chapel Hill, C. Mavor)
HUMPHREY, DAN, “Projected Affects/Constructed Subjects: Considering the Male American Spectator of ‘foreign’ Feature Films” (Rochester, D. Crimp)
JOHNSON BIDLER, TIFFANY, “Tracing Genealogies: The Question of Inheritance in Early and Contemporary American Art” (Minnesota, J. Blocker)
LANGLOIS, LISA, “Exhibiting Japan: Gender and National Identity at the World’s Columbian Exposition of 1893” (Michigan, P. Simons)
LEE, ANDREA, “Visioning the Sacred: Expressions of Spirituality By Contemporary Women Artists” (Missouri, Columbia-Kansas City, M. Southwell-Wahlman)
LGER, MARC, “Visuality, Subjectivity and Social Space in Critical Public Art” (Rochester, J. Saab)
MACNAYR, LINDA C., “Politics and Gender in Portraits of Princess Charlotte of Belgium, Vicereine of Lombardy-Venetia, and Empress of Mexico” (Queen’s, Kingston, J. Helland)
MCAULIFFE, MICHAEL, “Connoisseurship in the Twentieth Century: The Jànos Scholz Collection of Italian Old Master Drawings—A Case Study” (Columbia, D. Rosand)
MCELREAVY, TIMOTHY S., “Object Relations: Repeating and Working Through Minimalism and Postminimalism in the 1980s and 1990s” (Stanford, P. Lee)
MIZOGUCHI, AKIKO, “The Construction of Lesbian Sexuality in Contemporary Japan in Relation to Yaoi Fictions and ‘gay Boom’ Cinema” (Rochester, D. Crimp)
MUIR, KIM H. S., “Wounded Masterpieces: Restoring Severely Damaged Works of Art” (Queen’s, Kingston, C. Hoeniger)
OLIVER, LISA, “The Logic of Advertising: Foucault, Visual Culture and the Production of Subjectivity” (Brown, H. Vanel)
PARKINSON, KAMILLA T., “Philip John Bainbrigge (1817–1881) and the ‘group of 1838’ ” (Queen’s, Kingston, L. Jessup)
PERRY, WEENS, “America in Ruins: Photography and the Making of National Meanings” (SUNY Stony Brook, M. Bogart)
PERSINGER, CYNTHIA, “The Politics of Style: Meyer Schapiro and the Methods of Art History” (Pittsburgh, B. Mccloskey)
POTVIN, JOHN, “‘The New Chivalry’ : Representation of Male Bodies, Labour, Sexuality and Domestic Ideology in British Aestheticism” (Queen’s, Kingston, J. Helland)
REYMOND, RHONDA, “For Glory and For Beauty: Richard Morris Hunt, George W. Vanderbilt, and All Souls’ Church” (Georgia, J. Simon)
RICCIARDELLI, LUCIA, “Packaging the Past For the Spectator: The Status of the Photographic Image in Contemporary Documentary Practice” (UC Santa Barbara, A. Solomon-Godeau)
ROBERTSON, KIRSTY, “This Is What Democracy Looks Like: Visual Culture and Protest in Canada, 1988–2003” (Queen’s, Kingston, L. Jessup)
RODRIGUEZ, VICTOR M., “Mimicry in Latin American Art and the Rhetoric of Modernist Art History” (Rochester, D. Crimp)
ROGERS, DENISE, “Becoming Black Woman: Eldzier Cortor’s Visualization of the Black Female Body” (UC Irvine, J. Wilson)
ROGERS, JENNIFER, “Walking After Midnight: Mythic Monstrousness, Menstruation, and the Female Werewolf” (UC Irvine, A. Lippit)
SANDLER, DANIELA, “Incarnate Politics: National Identity, History, and Architectural Heritage in Postwar Berlin” (Rochester, A. Nader)
SMITH, T’AI, “Weaving Work at the Bauhaus: The Gender and Engendering of a Medium” (Rochester, D. Crimp)
SOCCIO, LISA, “Nothing’s Shocking: On the Persistence of Avant-Gardism in Alternative Music” (Rochester, J. Wolff)
THOMPSON, ALLISON, “Arriving at the Caribbean: Constructing Visual Representations of Transatlantic and Transcultural Experience” (SUNY Stony Brook, B. Frank)
VORANO, NORMAN D., “The Culture of Inuit Art: Museums, Modernism, and the Popular Imaginary in the Mid Twentieth Century” (Rochester, J. Berlo)
WANG, MEIQIN, “Transformation and Construction: Exhibiting Chinese Contemporary National Art in 2003” (SUNY Binghamton, N. Um)
WILLIAMS, MICHAEL, “Playing Perverse: Being-In-The-Filmic-World” (Rochester, T. Dipiero)
ZEIDLER, SEBASTIAN, “Carl Einstein’s History and Theory of Art” (Columbia, B. Buchloh, R. Krauss)
ZUROMSKIS, CATHERINE, “Private Images, Public Contexts: Snapshot Photography in the Public Sphere” (Rochester, D. Crimp)
Decorative Arts/Textiles/Design History
ATKINS, JACQUELINE, “Wearing Propaganda: Civilian Textiles On the Home Front in Japan, America and Great Britain, 1931–1945” (The Bard Graduate Center, K. Ames, P. Kirkham)BORTEL, ELLEN, “George Ohr: His Life, Work, and Influence On Contemporary Ceramics” (Case Western Reserve, H. Adams)
CARR, DENNIS, “Early Furnituremaking in the Narragansett Bay, 1636–1740” (Yale, E. Cooke Jr.)
DANDONA, JESSICA, “Ornament and Empire in the Making of French Modernity” (UC Berkeley, D. Grimaldo Grigsby)
DONNELLY, BRIAN T., “Graphic Design in Canada Since 1945” (Queen’s, Kingston, L. Jessup)
FISHER, ELLEN, “Mary Mcfadden, Fashion Designer” (The Bard Graduate Center, P. Kirkham)
FLEMING, ELIZABETH, “Redesigning the Decorative Arts: The Production and Promotion of Postmodern Objects” (Yale, E. Cooke Jr.)
FOWLER, LIZ, “The Rookwood Sage: Kataro Shirayamadani and American Japonism, 1883–1913” (Minnesota, G. Weisberg)
FULGHUM HEINTZ, MARY, “The Transitive Form: Textiles as Transmitters of Power in the Middle Ages” (Harvard, I. Kalavrezou)
HESS, HEATHER, “The Wiener Werkstaette and Its Critics” (Rutgers, J. Sharp)
HOLLOWAY, ANITA, “Animal Symbolism in Ewe Textiles” (Virginia Commonwealth, B. Lawal)
IVERSON, STEPHANIE DAY, “Elegant Solutions and Sybaritic Delights: The Design and Work of Bonnie Cashin, C. 1923–1985” (The Bard Graduate Center, P. Kirkham)
KAUKAS HAVENHAND, LUCINDA, “Creating a Modern Gesamtkunstwerk: Interior Design 1930–1960” (Virginia Commonwealth, R. Hobbs)
KIEFER, EVELYN, “The Birth and Death of the American Dining Room: an Evolution From the Colonial Hall to Frank Lloyd Wright’s Dining Rooms and Beyond” (Case Western Reserve, H. Adams)
KULLY, DEBORAH, “Morality, Architecture, and the French Interior (1860–1890)” (MIT, E. Naginski)
LANDFORD JOY, CATHERINE, “Reflecting Refinement: The Making and Meaning of Silver Metal in Antebellum Boston, 1800–1875” (Yale, E. Cooke Jr.)
LASSER, ETHAN, “The Figure in the Grain: Furniture, Mercantilism and the Imagination in Boston, 1660–1800” (Yale, E. Cooke Jr.)
MATHIAS, CATHERINE A., “Textiles in Seventeenth-Century Colonial Portraiture” (Queen’s, Kingston, A. Murray, V. Manuth)
MCCORMICK, HEATHER JANE, “Woodcarvers in the City of New York: A Study in Craft Change, 1820–1880” (The Bard Graduate Center, P. Kirkham)
MEIERS, SARAH H., “William Morris’s Green Dining Room: The Experience of an Arts-And-Crafts Interior” (Queen’s, Kingston, J. Helland)
MYZELEV, ALLA, “Art, Craft, Commodity: Peasant Craft Revival in Russia and England, 1880–1914” (Queen’s, Kingston, J. Helland)
ORTIZ-HOLMES, AMY, “Tramp Art: Cultural Expression, Visual Splendor” (Wisconsin, Madison, A. Smart Martin)
SHALES, EZRA, “Applied Art in the Newark Library and Museum, 1902–1929: Commerce and Citizenship in an ‘engine of Culture’ ” (The Bard Graduate Center, K. Ames, A. Ogata)
SHINN, MASAKO, “The Commercial, Social, and Cultural Basis of the Proliferation of Japanese Design Elements in Late Nineteenth-Century American Industrial Art: The Case of the Silver Industry” (The Bard Graduate Center, K. Ames)
SMITH, DANIELLA, “Hotel Design in British Mandate Palestine: Alliance of Modernism, Tourism, and National Agenda” (The Bard Graduate Center, A. Ogata)
SMITH, T’AI, “Weaving Work at the Bauhaus: The Gender and Engendering of a Medium” (Rochester, D. Crimp)
TALBOT, LEE, “Women, Textiles, and Upper-Class Domestic Environments in Late Choson-Dynasty Korea” (The Bard Graduate Center, F. Louis)
TOLINI, MICHELLE, “Fashioning Early Cinema: Dress and Representation in American Film, 1910–1930” (The Bard Graduate Center, P. Kirkham)
YAMAMORI, YUMIKO, “The A. A. Vantine Japanese Handcrafts For the American Consumer, 1895–1920” (The Bard Graduate Center, F. Louis)
Digital Media/Animation
CROCKETT, TOBEY, “Towards a Theory of Fun: an Aesthetics of Play and Empathy in 3d Virtual Worlds” (UC Irvine, A. Lippit)Drawings/Prints/Photography/Works On Paper
AZEVEDO, FERNANDO, “The Nineteenth-Century Rio De Janeiro of Marc Ferrez: A Case Study of Uses and Transformations of the Sense of Place in the Age of Photography” (CUNY, G. Batchen)BAKER, KELLY, “A Southern Sense of Place: The Vernacular Landscape in the Photography of William Christenberry, Carrie Mae Weems, and Sally Mann” (CUNY, G. Batchen)
BREAZEALE, WILLIAM, “Sketchbook and Zibaldone: Studies in the Theory and Practice of Disegno in Sixteenth-Century Italy” (Maryland, College Park, Colantuono)
BROWER, MATTHEW, “Animal Traces: Early North American Animal Photography” (Rochester, L. Cartwright, J. Saab)
BURGESS, REBEKAH, “Collecting Agency: Turn-Of-The-Century Lowell, Massachusetts, Workers Return the Camera’s Gaze” (Boston, K. Sichel)
COLEMAN, DAVID LAWRENCE, “Matter of Fact Or Truth: The Photographs and Theories of Henry Peach Robinson” (UT Austin, M. Charlesworth)
FINCH, ELIZABETH, “Languages of Vision: Gyorgy Kepes and His ‘new Landscape’ of Art and Science, 1944–1972” (CUNY, G. Batchen)
FOWLER, AMY, “Exposè Reporting On the Belgian Congo: Prints, Drawings, and Photographs From the Congo Reform Movement, 1884–1908” (Kansas, S. Goddard)
FRASER, KAREN, “Picturing Japan: Commercial Photography in the Meiji Era” (Stanford, M. Takeuchi)
GILLESPIE, SARAH KATIE, “Samuel F. B. Morse and the Daguerreotype: Art and Science in American Culture, 1835–1855” (CUNY, K. Manthorne)
GROSS, FREDERICK, “Fairy Tales For Grown-Ups: Diane Arbus’s Social Gallery” (CUNY, G. Batchen)
GROVES, LAURA, “Lilly Martin Spencer and Popular Prints” (Maryland, College Park, S. Promey)
HAMILL, SARAH, “Sculpture’s Frame: On the Photography of David Smith, 1931–1965” (UC Berkeley, A. Wagner)
HENRY, BETTINA RICCIO, “Lights, Camera, Art: John Baldessari, Ed Ruscha, and Hollywood Film” (CUNY, H. Senie)
HICKMAN, CAROLINE MESROBIAN, “Clare Leighton (1898–1989): A Wood Engraver’s Impressions of Agrarian Life in England and the American South” (Unc Chapel Hill, A. Marks)
HULT-LEWIS, CHRISTINE, “Industrial Aesthetics: The Mining Photographs of Carleton Watkins, 1851–1891” (Boston, K. Sichel)
KARR SCHMIDT, SUZANNE, “Art—A User’s Guide: Interactive and Sculptural Printmaking in the Renaissance” (Yale, C. Wood)
KELLER, COREY ELISE, “The Look of Knowledge: Photographic Imagery and the Discourses of Science, 1839–1895” (Stanford, M. Marrinan)
KNAPPE, BRETT, “Hope and Innovation: The Photography of Barbara Morgan” (Kansas, J. Pultz)
LAMUNIERE, MICHELLE, “The Social Museum at Harvard: Francis Greenwood Peabody and Early Twentieth-Century Social Reform Photography in Context” (Boston, K. Sichel)
MAIMON, VERED, “Herschel and Talbot: On the Conception of the Photographic as an Epistemological Site in the Early Nineteenth-Century in England” (Columbia, J. Crary)
MAY, JESSICA, “Off the Clock: Walker Evans and the Crisis of American Capital, 1930–1946” (UC Berkeley, M. M. Lovell)
MCCANN, CARMEN, “Status Viatoris: a New Spectacularization of Death in French Paintings and Prints From the Bourbon Restoration” (Penn State, N. Locke)
MCCARROLL, STACEY, “Intimate Images: The Public and the Private in Twentieth-Century American Photography” (Boston, C. Jones)
MCKENNA, MAUREEN, “Anne Brigman, California Pictorialist Photographer” (Delaware, W. Homer)
NELSON, ANDREA, “Reading Montage: The Photography Books of Làszlò Moholy-Nagy and Walker Evans” (Minnesota, J. Blocker)
NOONAN, JENNIFER, “Romancing the Stone: Desire in Conceptual Prints of the 1960s and 1970s” (Penn State, S. Rich)
PALMER, KATE, “Archive/Atlas/Album: The Photographic Records of Christian Boltanski, Dinh Q. Lê, and Gerhard Richter” (Boston, C. Jones)
ROTH, LYNETTE, “‘Neue Sachlichkeit’ in Cologne: August Sander and the Cologne Progressives” (Johns Hopkins, B. Doherty)
SASKA, HOPE, “Theatricality and the Popular Print in Eighteenth-Century England” (Brown, K. D. Kriz)
SENF, REBECCA, “Intimate Places: Ansel Adams’s Photographs in the American West and Southwest, 1916–1936” (Boston, K. Sichel)
SHEEHAN, TANYA, “Doctor Photo: The Cultural Authority of Portrait Photography as Medicine in Nineteenth-Century America” (Brown, K. D. Kriz)
SIDDONS, LOUISE, “The Future of the American Race: Theorizing Reproduction in Print Media, 1925–1940” (Stanford, W. Corn)
SNOW, RACHEL, “Incidental Tourists: Vernacular Photo-Travel Books, 1920–1940” (CUNY, G. Batchen)
STEER, LINDA M., “Appropriated Photographs in French Surrealist Reviews, 1924–1939” (SUNY Binghamton, J. Tagg)
WAGNER, ANN PRENTICE, “‘Living On Paper’ : Georgia O’keeffe and the Culture of Drawing and Watercolor in the Stieglitz Circle” (Maryland, College Park, S. Promey)
WEISSMAN, TERRI, “Super Sight: The Realisms of Berenice Abbott” (Columbia, B. Buchloh)
WERSCHKUL, HILDA, “Modernism Into Memory: The Drawings of Eva Hesse” (Columbia, D. Rosand, B. Buchloh)
YAKIMOSKI, NANCY, “To Lure and Secure the Voyeur: Staged Ficto-Narratives in Contemporary Canadian Art Photography” (Victoria, A. Antliff)
YOUNG, LISA JAYE, “All Consuming: Weimar Photography and the Aesthetics of Americanization, 1923–1933” (CUNY, G. Batchen)
ZUROMSKIS, CATHERINE, “Private Images, Public Contexts: Snapshot Photography in the Public Sphere” (Rochester, D. Crimp)
Early Christian/Byzantine Art
ANGELOVA, DILIANA, “Imaging the Christian Empress: The Iconography of Female Imperial Authority; Its Religious and Political Origins From the First to the Sixth Century” (Harvard, I. Kalavrezou)BOGDANOVIC, JELENA, “To Κιβωριον: The Framing of Sacred Space in the Byzantine Tradition” (Princeton, S. Ćurčić)
CLARK, TRAVIS, “Imaging the Cosmos: The Iconography and Meaning of the Cosmograms in The Christian Topography By Cosmas Indicopleustes” (Temple University, E. Bolman)
DALGIC, ORGU, “Late Antique Floor Mosaics of Constantinople Before the Great Palace” (Ifa/Nyu, T. Mathews)
DOWNS, JOAN, “The Topography and Iconography of Death in Christian North Africa” (Michigan, T. Thomas)
GITTINGS, ELIZABETH, “The Ideology and Aesthetics of Architecture in the Early Christian Mosaics of the Rotunda in Thessaloniki” (Harvard, I. Kalavrezou)
KLIMA, ALICE, “A Study of Roudnice Abbey” (Brown, S. Bonde)
LEWIS, TONYA, “Popular Image Veneration in Late and Post-Byzantine Paintings” (Johns Hopkins, H. Maguire)
MARINIS, VASILEIOS, “The Monastery Tou Libos: Architecture, Sculpture, and Liturgical Planning in Middle and Late Byzantine Constantinople” (Uiuc, R. Ousterhout)
RATLIFF, BRANDIE, “Image and Relic at Byzantine Pilgrimage Sites” (Columbia, S. Murray, H. Klein)
SCHENK, KRA, “The Dura Synagogue Frescoes: Priestly Patronage and the Image of the Temple” (Johns Hopkins, H. Maguire)
SCHILB, HENRY D., “Byzantine Identity and Its Patrons: Embroidered Epitaphioi and Aeres of the Palaiologan and Post-Byzantine Periods” (Indiana, Bloomington, W. Kleinbauer)
TARANDJIEVA, TEODORA, “The Church of St. John Aleitourgetos in Nesebar (Ancient Mesembria) and Its Role in Late Byzantine Architecture in Bulgaria” (Indiana, Bloomington, W. Kleinbauer)
Early Medieval/Romanesque/Gothic Art
ABEND-DAVID, ILANA, “The Heribert Shrine” (SUNY Binghamton, B. Abou-El-Haj)ATAOGUZ, J. KIRSTEN, “Cultivating the Monastic Ideal: Imitation and Emulation at the Monastic Church of Saint John in Müstair” (Harvard, J. Hamburger, I. Kalavrezou)
BAUER-SMITH, CHARLOTTE, “Visual Constructions of Corporate Identity and Exempla For the University of Paris, 1200–1500” (Uiuc, A. Hedeman)
BORLAND, JENNIFER, “Unstable Women: Transgression and Corporeal Experience in Twelfth-Century Visual Culture” (Stanford, S. Lewis)
BRADBURY, CARLEE ANN, “Imaging and Imagining the Jew in Medieval England” (Uiuc, A. Hedeman)
BRUHN, HEATHER, “Late Gothic Architectural Monstrances in the Rhineland” (Penn State, E. B. Smith)
CANEJO, CYNTHIA, “Transforming Early Gothic Form: The Cistercian Abbey of Pontigny and Northern Burgundian Architecture” (UC Santa Barbara, C. E. Armi)
CANNING, JONATHAN, “The Stone-Cage Chantry Chapel and the Architecture of Perpetual Commemoration in Late Medieval England” (Columbia, S. Murray)
COLLINS, KRISTEN M., “Redeemer, Mother, and Ruler: Images of the Virgin in Ottonian Germany” (UT Austin, J. Holladay)
DE APPOLONIA, GIOVANNA, “Profane and Sacred Justice: The Symbolism of the Romanesque Column-Bearing Lion From Northern Italy” (Boston, D. Kahn)
DEWSNAP, TERENCE FRANCIS, JR., “The Romanesque Cathedral of Saint Mary at Lincoln and the Image of Reform” (Columbia, S. Murray)
DIMITROVA, KATE, “The Passion of Christ in Late Medieval Tapestries” (Pittsburgh, A. Stones)
EGAN, HEATHER, “Containing the Sacred: Enamel Phylacteries, Relics, and Twelfth-Century Theology in the Meuse Valley” (Johns Hopkins, H. Kessler)
ELLIOTT, GILLIAN, “Alsatian Sculpture in the Aftermath of the Investiture Controversy (1130–1190)” (UT Austin, J. Holladay)
EVALDS, VALIJA, “Regularis Concordia: The Development of the Monastic Cloister in England” (Yale, W. Cahn)
FOSTER-CAMPBELL, MEGAN H., “Reading Pilgrimage: Pilgrims’ Badges in Late Medieval Devotional Texts” (Uiuc, A. Hedeman)
FULGHUM HEINTZ, MARY, “The Transitive Form: Textiles as Transmitters of Power in the Middle Ages” (Harvard, I. Kalavrezou)
GATTI, EVAN, “Developing an Iconography of the Episcopacy: Liturgical Portraiture and Episcopal Politics in Late Tenth- and Early Eleventh-Century Manuscripts” (Unc Chapel Hill, D. Verkerk)
GERRY, KATHRYN, “The Alexis Quire and Its Role Within the Saint Albans Psalter” (Johns Hopkins, H. Kessler)
GESINK CORNELISSE, MELANIE, “Counterfeit Portraits and Authentic Likeness: Ways of Imaging Sacred Figures in Late Medieval Germany” (UT Austin, J. Smith)
GREENWOOD, JILL VESSELY, “The Romanesque Duomo in Sovana, Italy: Context, Iconography, and Style” (Kansas, M. Stokstad)
GROSSMAN, MAX, “Architecture and Ideology in the Sienese Contado From the Age of Frederick Ii to the Fall of the Nine” (Columbia, S. Murray)
HADLEY, MARGARET, “The Yale Missal, Beinecke Library, Ms. 425” (Yale, W. Cahn)
HEATH, ANNE, “Framing Medieval Devotion: The Display of Relics in the Abbey Church of Saint-Germain and the Cathedral of Saint-Etienne, Auxerre, 1200–1400” (Brown, S. Bonde)
JOYNER, DANIELLE, “A Timely History: Images and Texts in the Hortus Deliciarum” (Harvard, J. Hamburger)
KARR SCHMIDT, SUZANNE, “Art—A User’s Guide: Interactive and Sculptural Printmaking in the Renaissance” (Yale, C. Wood)
KIBBEY, DOUGLAS MARSHALL, “Historical Assemblage and the Aggregate Object in the Later Middle Ages” (Yale, C. Wood)
KILLIAN, KYLE, “Landscapes of Saint-Pierre D’orbais: The Anthropology of Medieval Monastic Architecture” (Columbia, S. Murray)
KINGSLEY, JENNIFER, “The Bishop and the Book: Art, Ideology and Collecting in Medieval Germany” (Johns Hopkins, H. Kessler)
KIRKWOOD, KEVANNE, “On Inventive Scribes and Visual Literacy in Western Books: The Bobbio Orosius and the Earliest Medieval Manuscripts From Bobbio” (Delaware, D. Kinney)
KUMLER, ADEN, “Visual Translation, Visible Theology: Illuminated Devotional Compendia in Late Medieval France and England” (Harvard, J. Hamburger)
LACHAT, ISABELLE, “Offering the Sacred Word: The Gospels of S. Maria Ad Martyres (Trier, Stadtbibliothek, Cod. 23) and Carolingian Court Taste in the Early Ninth Century” (Delaware, L. Nees)
LAKEY, CHRIS, “Relief in Perspective: Italian Sculpture and the Rise of Optical Aesthetics” (UC Berkeley, J. Jung)
LAROCCO, ELIZABETH, “Miracula Sanctae Virginis: Marian Miracle Illustration in the Thirteenth-Century Manuscripts of Gautier De Coinci’s Les Miracles De Notre Dame” (Yale, W. Cahn)
LOCKE, ALISON, “Visuality and Experience in the Twelfth-Century Church of Castel Sant’elia, Near Nepi Vt” (Yale, M. Georgopoulou)
MAHONEY, LISA, “Re-Presenting the Past: The Histoire Ancienne Jusqu’a Cesar in the Context of the Crusades” (Johns Hopkins, D. Weiss)
MCKIERNAN GONZALEZ, EILEEN, “Monastery and Monarchy: The Foundation and Patronage of Santa Maria La Real De Las Hueleas and Santa Maria La Real De Sigena” (UT Austin, J. Holladay)
MOEBUS-BERGERON, SUSANNE, “The Adaptation and Application of Goldsmith Techniques in Medieval Manuscripts From the Early Eleventh- to the Mid Thirteenth-Century” (Boston, D. Kahn)
MORROW, KARA, “‘Ears and Eyes and Mouth and Heart His Soul and His Senses’ : The Visual St. Stephen Narrative as the Essence of Ecclesiastical Authority” (Florida State, C. Hahn)
MUNDIS, MARTHA, “Christine De Pizan’s ‘livre D’epitre D’othea a Hector’ at the Intersection of Image and Text” (Kansas, M. Stokstad)
NEVINS, TERESA, “Viewing Revelation: Text and Image in Ninth-Century Apocalypse Manuscripts” (Delaware, L. Nees)
O’BRIEN, MAUREEN, “Art and Text in the Vienna Genesis” (Unc Chapel Hill, D. Verkerk)
PAC, TERESA, “Churches at the Edge: A Comparative Study of Acculturation at the Baltic Shore in the Middle Ages” (SUNY Binghamton, C. Burroughs)
PRESCHER, AMY, “Saxon Convent Architecture: The Diocese of Halberstadt in the High Middle Ages” (Yale, W. Cahn)
PROCTOR-TIFFANY, MARIAH, “Portrait of a Medieval Patron: The Collection and Patronage of Clementia of Hungary” (Brown, S. Bonde)
RAMIREZ-WEAVER, ERIC, “Carolingian Innovation and Observation in the Paintings and State Catalogs of Madrid, Biblioteca Nacional, Ms. 3307” (Ifa/Nyu, J. Alexander)
ROBERTS, ANGELA, “Late Medieval Donor Portraiture in Venice and Verona” (Queen’s, Kingston, J. Osborne)
SCHOWALTER, KATHLEEN, “Capetian Queens and Their Books: Art, Ideology, and Dynastic Continuity in Medieval France, 1200–1328” (Johns Hopkins, D. Weiss)
SCIACCA, CHRISTINE, “The Gradual and Sacramentary of Hainricus Sacrista (Pierpont Morgan Library, Ms. 711) and the Liturgy of Weingarten Abbey” (Columbia, S. Murray, H. Klein)
SCIBILIA, ANTHONY, “Perspective Before Perspective” (Columbia, S. Murray)
SPIRO, ANNA LEE, “The Facade of San Zeno in Verona: A Banner Worthy of Defense” (Columbia, J. Beck)
STEWART, CHARLES A., “Development of Medieval Dome Churches in France” (Indiana, Bloomington, W. Kleinbauer)
SULLIVAN, TIMOTHY, “Interactions Between Codex and Panel” (Yale, C. Wood)
TALLON, ANDREW J., “Experiments in Early Gothic Structure: The Flying Buttress” (Columbia, S. Murray)
VAN LIEFFERINGE, STEFAAN, “The Choir of Notre-Dame of Paris: The Sacred, the Practical, and the Mathematical” (Columbia, S. Murray)
WALDROP, GREGORY, “Sight Unseen: Priests and Visual Representation in Early Renaissance Italy” (UC Berkeley, L. Partridge)
WEMM, KEITH, “The Emperor, the Bishop, and the Archdeacon: The Significance of Art in the Episcopal Renovation of Trier” (Florida State, C. Hahn)
Egyptian/Ancient Near Eastern Art
AKER, JULIDE, “Rhetoric of Transgression: Assurbanipal’s Babylonian Policy and Transformations in the Visual Domain” (Harvard, I. Winter)BELCHER, ELLEN, “Late Neolithic Figurines From Northern Mesopotamia: A Comparative Analysis” (Columbia, N. Kampen)
CALVERT, AMY, “Changing Dress, Changing Roles: The Evolution of Royal Regalia in the New Kingdom” (Ifa/Nyu, D. O’connor)
JUDAS, BETH ANN, “Late Bronze Age Aegean Ceramics in the Nile Valley: an Analysis of Idea and Practice in the Archaeological Record” (Pennsylvania, P. Betancourt, J. Wegner)
MARTIN, S. REBECCA, “Hellenization and the Levant: Material Evidence of the Process of Acculturation” (UC Berkeley, A. Stewart)
PIOK-ZANON, CORNELIE, “The Queen Also Builds: Architecture, Gender, and Dynasty in Hellenistic Pergamon” (Pittsburgh, A.Weis)
TUTTLE, CHRISTOPHER, “Life in Miniature: Figurines as a Study in the Socio-Religious Culture of Petra and the Nabataean Kingdom” (Brown, M. Joukowsky)
XIN, WU, “Central Asia in the Achaemenid Context” (Pennsylvania, H. Pittman)
ZIMMERMAN, MICHAEL, “The Hellenistic and Roman Pottery From the Village of ’ Araq El-Emir, Jordan: A Typological and Contextual Analysis” (Brown, M. Joukowsky)
Eighteenth-Century Art
CAFFEY, MARK, “Subjecting History: Benjamin West, History Painting and the Heroics of Empire in Eighteenth-Century Britain” (UT Austin, S. Rather, J. Leoshko)CAMPBELL, KRISTIN E., “Taste and Nation: Spaces of Viewing in Britain, 1770–1895” (Queen’s, Kingston, J. Brooke, J. Helland)
CAMPBELL, EVA, “A Sign of the Times: Representations of Racialization in Eighteenth Century English Trade Cards” (Victoria, A. Wright)
CHUA, KEVIN, “Grueze and Sensibility’s Materialism 1759–1769” (UC Berkeley, D. Grimaldo Grigsby)
DUBIN, NINA, “Futures and Ruins: The Painting of Hubert Robert” (UC Berkeley, D. Grimaldo Grigsby)
FREUND, AMY, “Revolutionary Likenesses: Portraiture and Politics in France, 1789–1804” (UC Berkeley, D. Grimaldo Grigsby)
JONES, JENNIFER, “A Discourse On Drawings: Salon Culture and the Graphic Arts in Eighteenth-Century Paris” (Columbia, D. Rosand)
KING GILBERT, KRISTIN L., “Pedagogical Innovations at the French Academy in Rome Under the Direction of Charles Natoire (1752–1775)” (Iowa, D. Johnson)
MCLANE, PRESTON, “Alessandro Magnasco and the Painterly Picaresque” (Florida State, R. Neuman)
MITCHELL, ELIZABETH, “Mechanical Reproduction: Pregnancy and the Idea of Creativity in William Hogarth’s Printmaking” (UC Santa Barbara, A. Bermingham)
ROMAN, MONICA, “Eighteenth-Century French Genre Painting in the Public Sphere” (Victoria, R. Wrigley)
SASKA, HOPE, “Theatricality and the Popular Print in Eighteenth-Century England” (Brown, K. D. Kriz)
SMENTEK, KRISTEL, “Collecting in the Age of Enlightenment: Pierre-Jean Mariette and the Universal History of Art” (Delaware, N. Kallmyer)
Film/Video
BLACKBURN, MARCIA, “A Social Architectonics of Science Fiction Film Design” (SUNY Binghamton, T. Mcdonough)BOUMAN, MARGOT, “Fata Morgana: Matrices of Video and Site” (Rochester, D. Crimp)
CHUNG, FRANCIS, “Perspicuous Representations: Ordinary Language in Conceptual Art and Cinema” (UC Berkeley, W. Davis)
CZACH, LIZ, “Careless Rapture: Artifacts and Archives of the Home Movie” (Rochester, S. Willis)
DELPY, FABIENNE, “Eizö: Theory and Practice of the ‘camera-Based Image’ in Japan, 1960–1975” (Stanford, S. Bukatman)
HUMPHREY, DAN, “Projected Affects/Constructed Subjects: Considering the Male American Spectator of ‘foreign’ Feature Films” (Rochester, D. Crimp)
KAIZEN, WILLIAM, “The Immediate: Video Art, C. 1970” (Columbia, B. Buchloh)
MAKARAH, O. FUNMILAYO, “Power to the People: Media Activism, Pedagogy, Representation, and Urban Youth” (Rochester, S. Willis)
MIZOGUCHI, AKIKO, “The Construction of Lesbian Sexuality in Contemporary Japan in Relation to Yaoi Fictions and ‘gay Boom’ Cinema” (Rochester, D. Crimp)
MULLER, GABRIELA, “Abstraction On the Move: The Medium of the German Absolute Film” (Stanford, S. Bukatman)
NEIL, JONATHAN, “‘consecutive Matters,’ Or the Dependence of Late 1960s Sculpture On the Filmic Model” (Columbia, B. Buchloh, R. Krauss)
PROCTOR, JACOB, “Between Object and Experience: Video Art and Broadcast Television in the United States 1967–1977” (Harvard, Y-A. Bois)
TSENG, LI-LIN, “Melodrama as Modernity in Early Chinese Cinema: A Case Study in the Works of Zheng Zhengqiu and His Shanghai Contemporaries, 1922–1937” (Uiuc, J. Fineberg)
WILLIAMS, MICHAEL, “Playing Perverse: Being-In-The-Filmic-World” (Rochester, T. Dipiero)
WILSON, SIONA, “Narrative Turn: The Filmic Mode in Feminist Art Practices of the 1970s, North America and Britain” (Columbia, B. Buchloh, C. Kiaer)
Greek/Roman Art
BARE, CEIL, “Achilles and the Roman Aristocrat: The Ambrosian Iliad as a Social Statement in the Late Antique Period” (Florida State, C. Hahn)BUSBY, KIMBERLY, “The Temple Terracottas of Etruscan Orvieto: The Power of Cult in Pre-Roman Italy” (Uiuc, E. Hostetter)
CASSIBRY, KIMBERLY, “Enarrabile Textum: Roman Monumental Arches and the Margins of Commemoration” (UC Berkeley, C. Hallett)
CLINE, LEA, “The Altars of Rome Reconsidered” (UT Austin, P. Davies, J. Clarke)
DOHERTY, KEITH, “Spatial Dynamics in Roman Landscape Paintings” (Boston, F. Kleiner)
GOULET, CRISPIN CORRADO, “A Study of Deity Assimilation in Sculptural Representations of Male Children From the Roman Imperial Era” (Brown, R. Winkes)
GROSS, ROBERT, “Hellenistic Royal Portraits On Gems” (Rutgers, J. Kenfield)
GRUPICO, THERESA, “Urban Planning and Temple Design at Selinus (Selinunte, Sicily): Temple E” (Rutgers, J. Kenfield)
HARDIMAN, CRAIG, “The Nature of Hellenistic Domestic Sculpture in Its Cultural and Spatial Contexts” (Ohio State, M. Fullerton)
HEUSER, JENNIFER LEDIG, “Visual Epic: Roman Images of the Trojan Cycle” (Harvard, G. F. Pinney)
HUNT, GLORIA PARK, “Foundation Rituals and the Culture of Building in Ancient Greece” (Unc Chapel Hill, D. Haggis)
HUSSER, ZEHAVI, “The Socio-Political Role of Jupiter in Official Roman State Religion and Ideology in Italy During the Imperial Period From Augustus to the Antonines” (Princeton, H. Meyer)
IBARRA, ALVARO, “Legions in Mourning: Reconstructing Communities in the Roman Provinces” (UT Austin, J. Clarke, P. Davies)
MARTIN, S. REBECCA, “Hellenization and the Levant: Material Evidence of the Process of Acculturation” (UC Berkeley, A. Stewart)
MARTINEZ, VICTOR M., “Etrusco-Italic Herclè: A Study in the Formation of Image, Cult, and Regional Identity” (Uiuc, E. Hostetter)
MOLHOLT, REBECCA M., “On Stepping Stones: The Historical Experience of Roman Mosaics” (Columbia, R. Brilliant, N. Kampen)
POE, ALISON, “The Frescoes of the Hypogaeum of the Aurelii in Rome” (Rutgers, A. Harvey)
POPE, SPENCER, “The Fourth Century City of Palike, Sicily” (Brown, R. Holloway)
ROLAND, SARAH, “Corinth and the Birth of Figural Representation in Greek Monumental Architecture” (Columbia, C. Marconi, N. Kampen)
SANDHOFF, BRIDGET K., “Androgyny in Etruscan Art and Culture” (Iowa, R. De Puma)
SEAMAN, KRISTEN, “Rhetoric and Innovation in the Art of the Hellenistic Courts” (UC Berkeley, A. Stewart)
SEGAL, PHOEBE C., “Soaring Votives: Anathemata in Archaic and Classical Greek Sanctuaries” (Columbia, C. Marconi, R. Brilliant)
THOMPSON, JOANNE, “Images of Vesta and the Vestal Virgins in Roman State Religion and Imperial Policy of the First and Second Centuries A.D.” (Yale, D. Kleiner)
TRONCHIN, FRANCESCA, “An Eclectic Locus Artis: the Casa Di Octavius” (Boston, F. Kleiner)
VALLADARES, HRICA, “Imago Amoris: The Poetics of Desire in Roman Painting” (Columbia, R. Brilliant, N. Kampen)
VONDIPPE, ROGER, “The Origins and Development of Continuous Narrative in Roman Art, 300 BCE–200 Ce” (USC, J. Pollini)
WALCEK, ERIN, “Terracotta Sculpture in Early Iron-Age Greece” (Missouri, S. Langdon)
WALSH, JUSTIN, “Trade, Demography, and Daily Life: Domestic Assemblages From Fifth-Century BCE Morgantina, Sicily” (Virginia, M. Bell Iii)
WARDLE, MARIANNE, “Naked and Unashamed: A Study of the Aphrodite Anadyomene in the Greco-Roman World” (Duke, S. Dillon)
WILLIAMS, CHRISTOPHER, “The Material Culture of Roman Egypt” (Missouri, K. W. Slane)
Japanese/Korean Art
AASLID COVACI, IVE, “Images of Dreams and Visions in Pre-Modern Japanese Art” (Yale, M. Yiengpruksawan)BUCKLAND, ROSINA, “The Politics of Style: Orthodox Painting in Japan, 1850s–1890s” (Ifa/Nyu, M. Trede)
DELPY, FABIENNE, “Eizö: Theory and Practice of the ‘camera-Based Image’ in Japan, 1960–1975” (Stanford, S. Bukatman)
FOWLER, LIZ, “The Rookwood Sage: Kataro Shirayamadani and American Japonism, 1883–1913” (Minnesota, G. Weisberg)
FRASER, KAREN, “Picturing Japan: Commercial Photography in the Meiji Era” (Stanford, M. Takeuchi)
GUNJI, NAOKO, “Amidaji: Mortuary Art, Architecture, and Rites of Emperor Antoku’s Temple” (Pittsburgh, K. Gerhart)
HAHN, CHRISTINE, “The Cold War in Korean Art: Painting, Photography, and the Development of the National Museum in South Korea, 1957–1962” (Chicago, M. Ward)
HAN, JIN, “Modernization and Nationalism: The Rise of Social Realism in South Korea (1980–1988)” (CUNY, H. Senie)
HIRASAWA, CAROLINE, “Hellbent On Heaven: Female Damnation and Salvation in Tateyama’s Mandalas” (Stanford, M. Takeuchi)
HOLMBERG, RYAN, “Paper Megaphone: Garo and the Artistic Undoing of Tokyo” (Yale, M. Yiengpruksawan)
KIM, SUNG LIM, “Art and Culture of the Nineteenth-Century Korean Middle Class Artists: Jo Hui-Ryong and His Circle of Friends” (UC Berkeley, P. Berger)
LEE SOYOUNG, “Influence and Reception: Ceramics and Culture From Southern Korea to Western Japan” (Columbia, M. Murase)
LEE, HYEWON, “Politics and Public Sculpture in Seoul, Korea” (Missouri, J. Klein)
LOH, JOSEPH, “When Worlds Collide: Art, Cartography, and Spatial Imagination in Early Modern Japan” (Columbia, R. Harrist)
MACK, KAREN, “The Dissemination and Popularization of Fudo Imagery From the Ninth to Fourteenth Century in Japan” (Kansas, S. Fowler, M. Haufler)
MUELLER, LAURA, “Entertaining Virtue: Gender, Personification, and the Naturalization of Confucianism in Edo Print Culture” (Wisconsin, Madison, Q. Phillips)
NINOMIYA, MASUMI, “Nationalizing Art, Constructing Asia: Okakura Kakuzo and Nationalism in Asian Art History” (Unc Chapel Hill, C. Mavor)
SAKOMURA, TOMOKO, “Pictured Words and Codified Seasons: Visual Representations of Waka Poetry in Sixteenth- and Seventeenth-Century Japan” (Columbia, M. Mccormick, R. Harrist)
SHIRAI, YOKO, “Senbutsu: Figured Clay Tiles, Buddhism, and Political Developments On the Japanese Islands, C. 650–794 BCE” (UCLA, D. Mccallum)
SNOW, HILARY K., “Edo Period (1603–1868) Votive Paintings: Production and Viewing Practices of Temple Ema” (Stanford, M. Takeuchi)
SPURGEON, JANET LEE, “Constructing the Classical Japanese Past: History Paintings of the Meiji Period” (Wisconsin, Madison, Q. Phillips)
SUZUKI, YUI, “The Medicine Master: Yakushi Buddha Images in Heian Japan (794–1185)” (UCLA, D. Mccallum)
SZOSTAK, JOHN DONALD, “The Kokugakai and Nihonga Painting Reform, 1900–1930” (Washington, C. Bogel)
TAKAMATSU, MARI, “Painting, Theater, and Visual Experience in Early Modern Japan (1596–1644)” (Ifa/Nyu, J. Hay)
TEZUKA, MIWAKO, “Towards a Postwar Japanese Avant-Garde: The Experimental Workshop (1951–1958) and the High Red Center (1963–1964)” (Columbia, B. Buchloh)
TSUCHIKANE, YASUKO, “Embellishing Buddhist Temples in Modern Japan: Murals and Sliding Door Paintings By Dômoto Inshô (1891–1975)” (Columbia, M. Mccormick)
TSURUYA, MAYU, “War Campaign Documentary Painting: Japan’s National Imagery of the ‘holy War’ (1937–1945)” (Pittsburgh, T. Rimer)
VOLK, ALICIA, “The Japanese Expressionist: Yorozu Tetsugorô (1885–1927) and the Language of Modern Art” (Yale, M. Yiengpruksawan)
WILLIAMS, GRATIA, “Takuma Eiga and 14th Century Buddhist Painting” (Columbia, M. Murase)
WU, XIAOJIN, “Beyond Decoration: The Forms, Meanings and Functions of the Ink Bird-And-Flower Screens in Muromachi Japan” (Princeton, Y. Shimizu)
YAMAMOTO, SHARON, “Visual Culture at Imperial Buddhist Convents and Its Significance For Understanding ‘women’s Art’ in Japan” (UC Berkeley, G. Levine)
YANG, EUHNEE, “On Kawara’s Nomadic Mind: Autobiography of a Citizen of the World” (CUNY, A. Chave)
ZITTERBART, SUE, “The Kumando Mandala: The World of Nature, Gods and Man” (Pittsburgh, K. Gerhart)
Latin American/Caribbean Art
AZEVEDO, FERNANDO, “The Nineteenth-Century Rio De Janeiro of Marc Ferrez: A Case Study of Uses and Transformations of the Sense of Place in the Age of Photography” (CUNY, G. Batchen)BARTEET, C. CODY, “Colonial Contradictions in the Casa De Montejo and Mèrida: Space, Society, and Self-Representation at the Edge of Viceregal Mexico” (SUNY Binghamton, C. Burroughs)
BERESNEVICIUS, LINDA K., “The Ritual Arts of Cuba’s Palo Monte Religion” (Iowa, C. Roy)
BRANNEN, LAURA, “Two Millennia of Powerful Women in the Art of Ancient Costa Rica and Nicaragua: Greater Nicoyan Ceramic Effigies C. 500 BCE–1500 Ce” (Emory, R. Stone-Miller)
BREAULT, EMILY, “Mirror and Image in Colonial Peru” (Columbia, D. Freedberg, E. Pasztory)
BUONO, AMY, “Plumed Identities and Feathered Performances: Tupi Interculture in Early-Modern Brazil and Europe” (UC Santa Barbara, J. Peterson)
CLEVELAND, KIMBERLY L., “New Directions in Black Brazilian Art History” (Iowa, C. Roy)
CORDERO, KAREN, “The Invention of Popular Art: A Paradigm For the Construction of Mexican Visual Culture, 1915–1940” (Yale, M. Miller)
CORDOVA, JAMES, “Mexico’s Crowned Virgins: American Identity Formation and the Fabrication of Body, Gender, and Sanctity in ‘crowned Nun’ Portraiture From New Spain” (Tulane, E. Boone)
DESVERNINE REED, SARA, “Havana: A Study in Interiors, Identities and Ideologies” (Delaware, B. Herman)
DONOVAN, CELESTE, “Maria Izquierdo and Modern Mexican Religious Culture, 1940–1947” (CUNY, K. Manthorne)
ELPHICK, NENITA PONCE DE LEON, “Facing Power: Peruvian Portraits From the Conquest to Independence” (Harvard, T. Cummins)
FORT, MEGAN, “Archibald and Alexander Robertson and the Colombian Academy of Painting, New York, 1791–1841” (CUNY, S. Webster)
HAJOVSKY, PATRICK, “On the Lips of Others: Fame and the Transformation of Moctezuma’s Image” (Chicago, T. Cummins)
HOGUE, MARIANNE, “La Malinche as an Icon of Mestizaje and National Identity in the Murals of Orozco, Rivera, and Siqueiros” (Virginia Commonwealth, H. Risatti)
JAMES, ERICA, “What Good Are Roots If You Can’t Take Them With You? Caribbean Art in the Global Imaginary” (Duke, R. Powell)
JUNKER, KRIS, “Honey at the Crossroads: Women and Afro-Cuban Ritual Arts, 1899–1969” (Columbia, N. Kampen, Z. Strother)
LEPAGE, ANDREA, “Art and Spirituality: The Franciscans and Their Fine Arts Colegio De San Andrès in Colonial Quito, Ecuador” (Brown, C. W. Zerner)
LUBOWSKI, ALICIA, “Humboldt and the Visual Representtion of South America” (Ifa/Nyu, E. Sullivan)
MALAGON, MARIA, “The Presence of the Uncanny in the Work of Beatriz Gonzalez, Oscar Munoz, and Doris Salcedo” (UT Austin, J. Barnitz)
POZZI-HARRIS, ANA, “Euphoric Inventions: Argentine Constructivist Trends and the Cultural Politics of Peronism, 1940–1960” (UT Austin, J. Barnitz)
RODRIGUEZ, VICTOR M., “Mimicry in Latin American Art and the Rhetoric of Modernist Art History” (Rochester, D. Crimp)
SOLARI, AMARA, “Ritualizing the Maya Landscape: The Transformation of Religious Ideologies in Pre- and Post-Contact Izamal, Yucatan” (UC Santa Barbara, J. Peterson)
STANFIELD-MAZZI, MAYA, “The Replication of Miraculous Statues in Colonial Peru: The Virgin of Pomata and Christ of the Earthquakes” (UCLA, C. Klein)
TARVER, GINA, “The Emergence of Conceptualism in Colombia (1970–1981)” (UT Austin, J. Barnitz)
THOMPSON, ALLISON, “Arriving at the Caribbean: Constructing Visual Representations of Transatlantic and Transcultural Experience” (SUNY Stony Brook, B. Frank)
WATSON, ELIZABETH, “Debating Montevideo: The Views of Julio Vilamajô and Joaquin Torres Garcìa, 1930–1949” (CUNY, R. Bletter)
WOLFE, EDITH, “Lasar Segall and Brazil’s Politics of Difference (1924–1945)” (UT Austin, J. Barnitz)
Native American Art
BAGG, SHANNON K., “Artists, Art Historians, and the Value of Contemporary Inuit Art” (Queen’s, Kingston, L. Jessup)CARO, MARIO A., “The Native as Image: Art History and the Representation of the American Native” (Rochester, J. Berlo, M. Holly)
DUBREUIL, CHISIATO (KITTY), “The Art of British Columbia’s Gitksan People: The Revival of Lost Traditions at ‘ksan” (Victoria, A. Walsh)
DUEKER, CHRISTOPHER, “Alex Janvier: The Politics of Figuration and Abstraction in Post-War Canadian Native Art” (Columbia, E. Hutchinson)
GLINSMANN, DAWN, “From Gannyaa to Edenshaw: Changes in Haida Spruce Root Hats From 1774 to 1910” (Washington, R. Wright)
VORANO, NORMAN D., “The Culture of Inuit Art: Museums, Modernism, and the Popular Imaginary in the Mid Twentieth Century” (Rochester, J. Berlo)
Nineteenth-Century Art
ALSDORF, BRIDGET, “The French Group Portrait From Courbet to Degas” (UC Berkeley, T. J. Clark)ANDERSON, CATHERINE, “Embodiments of Empire: Figuring Race in Late Victorian Painting” (Brown, K. D. Kriz)
BARKER, SEAN, “A Positive Aberrance: Henri De Toulouse-Lautrec’s Disreputable Women” (Kansas, M. Kessler)
BECKER, COLLEEN, “Acts of Representation: The Inception and Early Development of Käthe Kollwitz’s Career” (Columbia, A. Higonnet)
BEWLEY, MICHELE, “A Coign of Vantage: Sir Lawrence Alma-Tadema and the Solaces of Modern London” (SUNY Binghamton, O. Vazquez)
BLANKENSHIP, ETHAN, “Paris, Mexico: Dèsirè Charnay’s Photographic Spaces” (Columbia, J. Crary)
BOYD, JANE, “Alfred Sisley and the Mapping of Modernity: Engineering, Cartography, and Representations of Landscape in Late Nineteenth-Century France” (Delaware, N. Athanassoglou-Kallmyer)
BRIGGS, JO, “Media Empires: Artistic Reactions to the Boer War (1899–1902) in the Visual Culture of Munich, Paris, and London” (Yale, T. Barringer)
BROOKER, ROBERT E., JR., “The Arrival of the Italo-Gothic Style in Castile During the Nineteenth Century Via Manuscripts” (Brown, C. W. Zerner)
BUCKNER, CYNTHIA, “The Etching Revival in Late-Nineteenth Century America and Its Role in Aesthetic Education” (CUNY, S. Webster)
BURNS, NANCY, “Studio Painting: Portraying the French Atelier in the Later Nineteenth Century” (Brown, K. S. Champa)
BURDAN, AMANDA C., “Amèricaines in Paris: The Role of Women Artists in the Formation of America’s Cultural Identity, 1865–1880” (Brown, K. D. Kriz)
CADERO-GILLETTE, JENNIFER, “Collecting Art and Constructing History: The Recovery of Medieval Panel Painting C. 1800” (Harvard, J. Koerner)
CAMPBELL, KRISTIN E., “Taste and Nation: Spaces of Viewing in Britain, 1770–1895” (Queen’s, Kingston, J. Brooke, J. Helland)
CARLSON, ELIZABETH, “City of Mirrors: Spectacle and Surveillance in Nineteenth-Century Paris” (Minnesota, J. Blocker)
CHILDS, ADRIENNE, “The Black Exotic: Representing Africans in Nineteenth-Century Orientalist Art” (Maryland, College Park, J. Hargrove)
COFFMAN, PETER, “Gothic Revival Architecture in Atlantic Canada” (Queen’s, Kingston, P. Du Prey)
COOKE, VICTORIA, “Shifting Patterns of Representations: French Orientalist Painting, 1828–1881” (Delaware, N. Athanassoglou-Kallmyer)
COYLE, LAURA, “The Still-Life Paintings of Vincent Van Gogh and Their Context” (Princeton, J. Wilmerding)
CROSSMAN, COLETTE, “Art as Salvation: Reconsidering Religion in the Work of Edward Burne-Jones” (Maryland, College Park, W. Pressly)
DANDONA, JESSICA, “Ornament and Empire in the Making of French Modernity” (UC Berkeley, D. Grimaldo Grigsby)
DOMBROWSKI, ANDRÉ, “Nervous Modernism: The Intemperate Art of Early Cèzanne” (UC Berkeley, T. J. Clark)
FOWLER, LIZ, “The Rookwood Sage: Kataro Shirayamadani and American Japonism, 1883–1913” (Minnesota, G. Weisberg)
FREUND, AMY, “Revolutionary Likenesses: Portraiture and Politics in France, 1789–1804” (UC Berkeley, D. Grimaldo Grigsby)
GALVEZ, PAUL, “The Landscape-As-Body in Modernist Painting” (Columbia, J. Crary)
GOODIN, ALEXIS, “British Artists and the Representation of Egypt, 1838–1902” (Brown, K. D. Kriz)
GRAYBILL, LELA, “Vulnerable Bodies: Violent Spectacle in Early Post-Enlightenment Europe” (Stanford, M. Marrinan)
GWINN, MARY, “Reading as Revelation: Odilon Redon’s Albums On Flaubert’s ‘temptation of St. Antony’ ” (Rutgers, C. Yanni)
HALKIN, TALYA, “Jacques Joseph Tissot, a Reassessment: 1860–1895” (Columbia, J. Crary)
HANSON, DEBRA, “Gender, Genre, and Domesticity: Thomas Eakins’ Home Scenes of the 1870s” (Virginia Commonwealth, R. Hobbs)
HARKNESS, KRISTEN, “‘In a Certain Land’ : Fairy Tales and National Identity in Fin-De-Siècle Russian Art” (Pittsburgh, B. Mccloskey)
HENDRICKSON, LAURA, “Art Aspiring to the Condition of Music, 1850–1900: English Avant-Gardism and the Case of Wagner” (Brown, K. D. Kriz)
HOWIE, ELIZABETH, “The Courtly Erotics of the Photograph: Photography and the Nineteenth-Century Theorization of Courtly Love” (Unc Chapel Hill, C. Mavor)
HYDE, KIMBERLY, “Louis C. Tiffany and the Business of Art” (Case Western Reserve, H. Adams)
JOHNSON, KRISTINA, “The Orientalism of Thèodore Chassèriau” (Delaware, N. Athanassoglou-Kallmyer)
KELLER, COREY ELISE, “The Look of Knowledge: Photographic Imagery and the Discourses of Science, 1839–1895” (Stanford, M. Marrinan)
KENDALL, STEVEN, “Towards a Modern Classicism: Frederick Leighton, the French Academy, and the Anglicized Nude” (UC Santa Barbara, A. Bermingham)
KULLY, DEBORAH, “Morality, Architecture, and the French Interior (1860–1890)” (MIT, E. Naginski)
LAMPE, ISSA, “David in Brussels: Painting the Subject of Exile” (Harvard, E. Lajer-Burcharth)
LEADER, KAREN, “L’ Èsthetique Du Rire: Caricature of the Paris Art World in the Nineteenth Century (1830–1900)” (Ifa/Nyu, L. Nochlin)
LEE, JUNGSIL, “The Intersection Between Nationalism and Religion in the Public Sculptures of Auguste Rodin in the French Third Republic” (Maryland, College Park, J. Hargrove)
LEMONEDES, HEATHER, “Paul Gauguin’s Volpini Suite” (CUNY, P. Mainardi)
LORD, JILL, “Improving the Public: Cultural and Typological Change in Nineteenth-Century Libraries” (CUNY, K. Murphy)
LUBOWSKI, ALICIA, “Humboldt and the Visual Representation of South America” (Ifa/Nyu, E. Sullivan)
MACNAYR, LINDA C., “Politics and Gender in Portraits of Princess Charlotte of Belgium, Vicereine of Lombardy-Venetia, and Empress of Mexico” (Queen’s, Kingston, J. Helland)
MAIMON, VERED, “Herschel and Talbot: On the Conception of the Photographic as an Epistemological Site in the Early Nineteenth-Century in England” (Columbia, J. Crary)
MARSHALL, DARLENE, “The Character of the Home: The Domestic Interior in American Painting, 1860–1900” (Penn State, C. Zabel, S. Rich)
MAURO, HAYES PETER, “Art, Science, and Social Representation in the United States, 1830–1890” (CUNY, K. Manthorne)
MCCANN, CARMEN, “Status Viatoris: a New Spectacularization of Death in French Paintings and Prints From the Bourbon Restoration” (Penn State, N. Locke)
MEDNICK, THOR, “What Is Lost Without: Nationalism, Symbolism, and the Reincarnation of Danish Art in the Nineteenth Century” (Indiana, Bloomington, M. Facos)
MEIERS, SARAH H., “William Morris’s Green Dining Room: The Experience of an Arts-And-Crafts Interior” (Queen’s, Kingston, J. Helland)
NEDD, ANDREW, “Defending Russia: Russian History and Pictorial Narratives of the ‘patriotic War,’ 1812–1912” (USC, J. Bowlt)
O’REILLY, HOPE BUCHHOLTZ, “Imagining Ireland: Victorian Pictures and Perceptions of the Irish, 1850–1895” (CUNY, J. Roos)
OBERTER, RACHEL, “Channeling Art: Spiritualism and the Visual Imagination in Britain, 1850–1914” (Yale, T. Barringer)
ORFILA, JORGELINA, “John Rewald’s Cèzanne: Art History in the 1930s” (Maryland, College Park, J. Hargrove)
PARKINSON, KAMILLA T., “Philip John Bainbrigge (1817–1881) and the ‘group of 1838’ ” (Queen’s, Kingston, L. Jessup)
PEDERSEN, LINDSEY, “Gender, Empire and ‘indian-Ness’ in Visual Representations of the Sepoy Revolt, 1857–1900” (UC Santa Barbara, A. Bermingham)
POTVIN, JOHN, “‘The New Chivalry’ : Representation of Male Bodies, Labour, Sexuality and Domestic Ideology in British Aestheticism” (Queen’s, Kingston, J. Helland)
PUGLIESE, GINAMARIE, “Gendering a Generation: Constructions of Childhood in England’s Nineteenth-Century Juvenile Periodicals” (SUNY Binghamton, O. Vazquez)
REYMOND, RHONDA, “For Glory and For Beauty: Richard Morris Hunt, George W. Vanderbilt, and All Souls’ Church” (Georgia, J. Simon)
RILKE, CHRISTINA, “The Consumption of Fine Arts in Germany, 1848–1889: Private Collections and Public Institutions” (Columbia, A. Higonnet)
ROBINSON, MICHELLE, “The Precondition of Landscape: Tropes and Meaning in Rustic Landscapes of J. M. W. Turner and John Constable” (Kansas, J. Pultz)
ROSS, SUSAN, “The Career of Anne-Louis Girodet-Trioson and the Prehistory of Romanticism in France” (Johns Hopkins, M. Fried)
RUIZ-GÓMEZ, NATASHA, “Morceaux D’amphithéâtre: Science and the Fragment in Rodin’s Sculpture” (Pennsylvania, C. Poggi)
SICHERMAN, DARA, “Book Illustration in Fin-De-Siècle France” (CUNY, J. Roos)
SMITH, KIMBERLEY, “Imperial Encounter: Nineteenth-Century French Representations of Egypt and Algeria: Three Case Studies” (UT Austin, M. Charlesworth)
STELMACKOWICH, CINDY, “The Languages of a Bodily Interior: Nineteenth-Century Anatomical Atlases in the Spaces of Art, Science, and the Museum” (SUNY Binghamton, J. Tagg)
STEWART, LEE, “Likeness and Identity: Painted and Photographic Portraiture in France 1830–1880” (Columbia, R. Brilliant)
STRAUSSMAN-PFLANZER, EVE, “Felsine Pittrici: the Women Artists of Early Modern Bologna” (Ifa/Nyu, L. Nochlin)
SYME, ALISON, “Hedgewhores, Wagtails, Cockatrices, Whipsters: John Singer Sargent and His Coterie of Nature’s Artful Dodgers” (Harvard, Y-A. Bois)
TAYLOR LERNER, JILLIAN, “Panoramic Guides to Paris, 1830–1849: Social Cartography and Quotidian Representation” (Columbia,