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College Art Association
CAA LA Conference

Art Journal

Art Journal, Vol. 62, No. 2, Fall 2003

In This Issue
Patricia C. Phillips
3

Close Encounters
Paranormal Portfolio
Thematic Investigation: Photography and the Paranormal
4

Mark Alice Durant
The Blur of the Otherworldly
6

Louis Kaplan
Where the Paranoid Meets the Paranormal: Speculations on Spirit Photography
18

Karl Schoonover
Ectoplasms, Evanescence, and Photography
30

Alison Ferris
Disembodied Spirits: Spirit Photography and Rachel Whiteread's Ghost
44

Jane D. Marsching
Orbs, Blobs, and Glows: Astronauts, UFOs, and Photography
56

Projects
Moira Roth
Rachel Marker and Her Book of Shadows
66

Shimon Attie
From The Writing on the Wall, Berlin, 1992–93: Projections in Berlin's Jewish Quarter
74

Marco Maggi and Linda Weintraub
Constructing and Demolishing: Manual to Settle Sediments
84

Reviews
James Elkins on Iconoclash: Beyond the Image Wars in Science, Religion, and Art, ed. Bruno Latour and Peter Weibel
104

David Brody on Anthony W. Lee, Picturing Chinatown: Art and Orientalism in San Francisco

Francine Weiss on Kirsten Swinth, Painting Professionals: Women Artists and the Development of Modern American Art, 1870–1930, and Erica E. Hirshler, A Studio of Her Own: Women Artists in Boston, 1870–1940

Saul Ostrow on Beauty Matters, ed. Peg Zeglin Brand, Elaine Scarry, On Beauty and Being Just, Joanna Frueh, Monster/Beauty: Building the Body of Love, and Jeremy Gilbert-Rolfe, Beauty and the Contemporary Sublime


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The College Art Association supports all practitioners and interpreters of visual art and culture, including artists and scholars, who join together to cultivate the ongoing understanding of art as a fundamental form of human expression. Representing its members’ professional needs, CAA is committed to the highest professional and ethical standards of scholarship, creativity, connoisseurship, criticism, and teaching.