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Art Journal

Art Journal, Fall 2004, Table of Contents

In This Issue
Patricia C. Phillips
Art and Risk
3

Features
Alejandro Anreus
The Road to Dystopia: The Paintings of Antonia Eiriz
4

Branislav Jakovljevic
Unframe Malevich!—Ineffability and Sublimity in Suprematism
18

Artist Project
Eve Andrée Laramée
Netherzone: A Psychogeographical Farce
32

Features
Carrie Lambert
Other Solutions
48

Patricia C. Phillips
A Parallax Practice: A Conversation with Elizabeth Diller and Ricardo Scofidio
62

Laura Roulet
Ana Mendieta and Carl Andre: Duet of Leaf and Stone
80

Reviews
Benjamin Lima
Robert Plunket, Walker Evans: Florida, Andrei Codrescu, Walker Evans: Cuba, Andrei Codrescu, Walker Evans: Signs, Virginia-Lee Webb, Perfect Documents: Walker Evans and African Art, 1935, Clark Worswick and Belinda Rathbone, Walker Evans: The Lost Work, Jeff L. Rosenheim, Walker Evans: Polaroids, Luc Sante, Walker Evans, Maria Morris Hambourg, Jeff L. Rosenheim, Douglas Eklund, and Mia Fineman, Walker Evans, and Jeff L. Rosenheim and Douglas Eklund, Unclassified: A Walker Evans Anthology
102

Paul Galvez
Carol Armstrong, Manet Manette

Sarah Rogers
Veil: Veiling, Representation, and Contemporary Art, ed. David A. Bailey and Gilane Tawadros; Jeffrey Thompson on Gordon Matta-Clark, ed. Corinne Diserens

Karen Fraser
Anne Wilkes Tucker, Dana Friis-Hansen, Kaneko Ryûichi, and Takeba Joe, The History of Japanese Photography


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The College Art Association supports all practitioners and interpreters of visual art and culture, including artists and scholars, who join together to cultivate the ongoing understanding of art as a fundamental form of human expression. Representing its members’ professional needs, CAA is committed to the highest professional and ethical standards of scholarship, creativity, connoisseurship, criticism, and teaching.