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Art Journal

Art Journal, Fall 2005, Table of Contents

In This Issue
Patricia C. Phillips
Something to Talk About
3

Artist Project
Barbara Bloom
Commemorative Stamps, Art Journal 1929–2005
4

Features
Patricia C. Phillips
The Aesthetics of Witnessing: A Conversation with Alfredo Jaar
6

David Levi Strauss and Daniel Joseph Martinez
Teaching After the End
28

Thematic Investigation
Johanna Burton and Lisa Pasquariello
“Ask Somebody Else Something Else”: Analyzing the Artist Interview
46

Gwen Allen
Against Criticism: The Artist Interview in Avalanche Magazine, 1970–76
50

Suzanne Hudson
Robert Ryman, Retrospective
62

Tim Griffin
Method Acting: The Artist-Interviewer Conversation
70

Rhea Anastas
A Response
78

Features
Chris Gilbert, Carlos Basualdo, T. J. Demos, and Gregory Sholette
“Dark Matter into Light”: A Round-Table Discussion
84

Ana Finel Honigman
Good Artist/Bad Artist: An Interview with Ellen Harvey
102

Reviews
Kelly Dennis on Laura Grindstaff, The Money Shot: Trash, Class, and the Making of TV Talk Shows
119

Monica Amor on Lynn Zelevansky, ed., Beyond Geometry: Experiments in Form, 1940s–70s, and Ann Goldstein and Lisa Mark, eds., A Minimal Future? Art as Object 1958–1968

Jon Beasley-Murray on Nelly Richard, The Insubordination of Signs: Political Change, Cultural Transformation, and Poetics of the Crisis, Nelly Richard, Masculine/Feminine: Practices of Difference(s), and Nelly Richard, Cultural Residues: Chile in Transition

Jill Dawsey on Ken Ehrlich and Brandon LaBelle, eds., Surface Tension: Problematics of Site.


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The College Art Association supports all practitioners and interpreters of visual art and culture, including artists and scholars, who join together to cultivate the ongoing understanding of art as a fundamental form of human expression. Representing its members’ professional needs, CAA is committed to the highest professional and ethical standards of scholarship, creativity, connoisseurship, criticism, and teaching.