Art Journal
Art Journal, Fall 2006
In This Issue
Remediations—Re-viewing Art
5
Features
Alien Durations: Tehching Hsieh, 1978–99
6
The Role of the University Art Museum and Gallery
20
Thematic Investigation: Forty Years of Video Art
Grayscale Video and the Shift to Color
40
Video: From Technology to Medium
54
"A demo tape on how to play video on the violin"
70
The Temporalities of Video: Extendedness Revisited
82
Features
Homer Simpson as Oustider Artist, or How I Learned to Accept Ambivalence (Maybe)
100
Reviews
PAUL WOOD on Maria Gough, The Artist as Producer: Russion Constructivism in Revoltion, and Christina Kiar, Imagine No Possessions: The Socialist Objects of Russian Constructivism; SARAH ROGERS on Rebecca L. Stein and Ted Swedenberg, eds. Palestine, Israel, and the Politics of Popular Culture; Maria Fernandez on Brian Massumi, Parables for the Vitual: Movement, Affect, Sensation ; and IFTIKHAR DADI on Tapati Guha-Thakurtra, Monuments, Objects, Histories: Institutions of Art in Colonial and Post-Colonial India
112
Artist’s Project
WarCrawl
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The College Art Association supports all practitioners and interpreters of visual art and culture, including artists and scholars, who join together to cultivate the ongoing understanding of art as a fundamental form of human expression. Representing its members’ professional needs, CAA is committed to the highest professional and ethical standards of scholarship, creativity, connoisseurship, criticism, and teaching.