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College Art Association


Art Journal

Art Journal, Spring 1999, Vol. 58, No. 1

In This Issue
Guest edited by Pamela Wye
Rethinking Studio Art Education

Program-Wide Initiatives
Kate Morrison Catterall and Helen Maria Nugent
W.A.R.P.: A Radical Solution to Teaching Foundations
4

Carol Becker
The Art of Crossing the Street
10

G. Roy Levin
Art Education as Cultural Practice
16

Traditional Genres
Olivia Gude
Color Coding
21

Jean Robertson and Craig McDaniel
Resuscitating Painting
27

Richard Roth
The Crit
32

Linda Weintraub
The Studio Potential of the University Art Gallery
36

Leslie Bostrom and Marlene Malik
Re–Viewing the Nude
42

New Genres
Carolee Schneemann
Dream/Space/Object . . . Death/Mother/Bird
49

Charles R. Garoian
Performance Art as Critical Pedagogy in Studio Art Education
57

Andrea Zemel
Fine Arts 349: Community Collaborative and Public Art
63

Timothy Allen Jackson
Ontological Shifts in Studio Art Education: Emergent Pedagogical Models
68

Susan E. McKenna
Theory and Practice: Revisiting Critical Pedagogy in Studio Art Education
74

Gaye Green
New Genre Public Art Education
80

Assignments
Sue Spaid
In the Spirit of Felix Gonzalez-Torres
84

Winifrid McNeill
Telling the Truth: Perspective, Memory, and Narrative
86

Patricia Wood
Swap Meet: A Cross-Cultural Lens Project
87

Susanna Heller
The Thumbnail: A Project for Teaching a Visual Shorthand
88

Margery Amdur
Rituals That Rewrite One's Rules
90

Saul Ostrow
Formal Notes and Abstract Thinking
92

Reviews
Robert Storr
Florence Rubenfeld, Clement Greenberg: A Life
93

Holly J. Barnet
Latin American anthologies

James Scarborough
Gabrielle Münter

Stephen Eisenman
Theodor W. Adorno, Aesthetic Theory,

Sue Taylor
Books on prints

Johanna Drucker
Art and the digital revolution

Phyllis Tuchman
Mark Rothko

Henry Sayre
Amelia Jones, Body Art/Performing the Subject; Kathy O'Dell, Contract with the Skin: Masochism, Performance Art, and the 1970s

Anthony W. Lee
Leonard Folgarait, Mural Painting and Social Revolution in Mexico, 1920–1940: Art of the New Order

Ingrid Schaffner
Jo Anna Isaak, Feminism and Contemporary Art: The Revolutionary Power of Women's Laughter


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The College Art Association supports all practitioners and interpreters of visual art and culture, including artists and scholars, who join together to cultivate the ongoing understanding of art as a fundamental form of human expression. Representing its members’ professional needs, CAA is committed to the highest professional and ethical standards of scholarship, creativity, connoisseurship, criticism, and teaching.