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College Art Association
CAA LA Conference

Art Journal

Art Journal, Vol. 63, No. 1, Spring 2004

In This Issue
Patricia C. Phillips
Aesthetic Practices
3

Features
Janine Mileaf
Between You and Me: Man Ray's "Object to be Destroyed"
4

Jordana Mendelson
Joan Miró's "Drawing-Collage," August 8, 1933: The "Intellectual Obscenities" of Postcards
24

Project
Nato Thompson
Strategic Visuality: A Project by Four Artists/Researchers
30

Trevor Paglen
Recording California's Carceral Landscapes
41

The Speculative Archive
Addendum: as though there is nothing else on the drawing board
46

J. Morgan Puett with Jorge Colombo
The Grafter's Shack
50

Center for Tactical Magic
Are We in the Dark Ages?
58

Interviews
Joseph Nechvatal
Origins of Virtualism: An Interview with Frank Popper
62

Ana Finel Honigman
What the Structure Defines: An Interview with Kutlug Ataman
78

Reviews
Joanna Frueh on Singular Women: Writing the Artist, ed. Kristen Frederickson and Sarah E. Webb, and Marsha Meskimmon, Women Making Art: History, Subjectivity, Aesthetics
87

Michael Darling on Ross K. Elfline, Roy McMakin: A Door Meant as Adornment, and Constantin Boym, Curious Boym: Design Works

Marie Clifford on Marcia Brennan, Painting Gender, Constructing Theory: The Alfred Stieglitz Circle and American Formalist Aesthetics

Christopher Tradowsky on Douglas Crimp, Melancholia and Moralism: Essays on AIDS and Queer Politics

Hearne Pardee on Geoffrey Dorfman, Out of the Picture: Milton Resnick and the New York School.


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The College Art Association supports all practitioners and interpreters of visual art and culture, including artists and scholars, who join together to cultivate the ongoing understanding of art as a fundamental form of human expression. Representing its members’ professional needs, CAA is committed to the highest professional and ethical standards of scholarship, creativity, connoisseurship, criticism, and teaching.