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Art Journal

Art Journal, Spring 2006

In This Issue
Patricia C. Phillips
Positionings
5

Features
David Raskin
The Shiny Illusionism of Krauss and Judd
6

Derek Conrad Murray and Soraya Murray
Uneasy Bedfellows: Canonical Art Theory and the Politics of Identity
22

Artists’ Project
Helaine Posner
Lilla LoCurto and William Outcault: Self-Portraits for a New Millennium
40

Forum: Eco-tistical Art
Linda Weintraub; Patricia C. Phillips on Beaumont; Stephanie Smith on Suzanne Lacy and Susan Leibovitz Steinman; DeWitt Godfrey on Maureen Brennan; Victoria Vesna on Mel Chin; Linda Weintraub on R. Buckminster Fuller; Ann Rosenthal on Billy X. Curmano; Deborah J. Haynes on Ruth Wallen and Beverly Naidus; Kanta Kochhar-Lindgren on Jennifer Monson; David Burns on Eve Andrée Laramée; Hannah Higgins on Kinji Akagawa; Sam Bower on Facilitating Environmental Art; Linda Weintraub on Eco-Art in Practice
54

Features
Andrew E. Hershberger
Bordering on Cultural Vision(s): Jay Dusard's Collaboration with the Border Art Workshop/Taller de Arte Fronterizo
82

Christian S. G. Katti
Mediating Political “Things,” and the Forked Tongue of Modern Culture: A Conversation with Bruno Latour
94

Reviews
CHARLES HARRISON on Hal Foster, Rosalind Krauss, Yve-Alain Bois, and Benjamin H. D. Buchloh, Art since 1900: Modernism, Antimodernism, Postmodernism; TIMOTHY BARRINGER on David Getsy, Body Doubles: Sculpture in Britain, 1877–1905, and Sue Malvern, Modern Art, Britain, and the Great War: Witnessing, Testimony, and Remembrance; COURTNEY GILBERT on Diana C. du Pont, ed., Risking the Abstract: Mexican Modernism and the Art of Gunther Gerzso, with essays by Luis-Martìn Lozano, Cuauhtémoc Medina, and Eduardo de la Vega Alfaro; and ROBERT SLIFKIN on Jennifer L. Roberts, Mirror-Travels: Robert Smithson and History, and Ron Graziani, Robert Smithson and the American Landscape
116


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The College Art Association supports all practitioners and interpreters of visual art and culture, including artists and scholars, who join together to cultivate the ongoing understanding of art as a fundamental form of human expression. Representing its members’ professional needs, CAA is committed to the highest professional and ethical standards of scholarship, creativity, connoisseurship, criticism, and teaching.