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College Art Association
CAA LA Conference

Art Journal

Art Journal, Spring 2007

In This Issue
Patricia C. Phillips
The Exquisite and Urgent Importance of Art
5

Features
Matthew Gehring
Words of Art
8

Rachel Weiss
Visions, Valves, and Vestiges: The Curdled Victories of the Bienal de La Habana
10

Robert Blackson
Once More . . With Feeling: Reenactment in Contemporary Art and Culture
28

Thematic Investigation: Alternate Modes of Distribution
Organized by Gwen Allen and Cherise Smith

Gwen Allen and Cherise Smith
Publishing Art: Alternative Distribution in Print
41

Cherise Smith
Re-member the Audience: Adrian Piper’s Mythic Being Advertisements
46

Arnold J. Kemp
Trueblack
59

David E. Little
Colab Takes a Piece, History Takes It Back: Collectivity and New York Alternative Spaces
60

Slop Art co-laborers Adriane Herman and Brian Reeves, with Rent-an-Art-Historian’s Chris Thompson, PHD
Special Corporate Self-Aggrandizement Section
75

Gwen Allen
Interview with Seth Price
79

Seth Price
Excerpts from Title Variable
79

Features
Barbara J. Bloemink, Brooke Hodge, Ellen Lupton, and Matilda McQuaid, with Patricia C. Phillips
Emerging Issues in Contemporary Design: A Roundtable
92

Sarah Oppenheimer
555-1171
112

Reviews

Stephen Melville on J. M. Bernstein, Against Voluptuous Bodies: Late Modernism and the Meaning of Painting; Ikem Stanley Okoye on Annie E. Coombes, History after Apartheid: Visual Culture and Public Memory in a Democratic South Africa; and Courtney J. Martin on David A. Bailey, Ian Baucom, and Sonia Boyce, eds., Shades of Black: Assembling Black Arts in 1980s Britain

113

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The College Art Association supports all practitioners and interpreters of visual art and culture, including artists and scholars, who join together to cultivate the ongoing understanding of art as a fundamental form of human expression. Representing its members’ professional needs, CAA is committed to the highest professional and ethical standards of scholarship, creativity, connoisseurship, criticism, and teaching.