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Art Journal, Summer 2004, Table of Contents

In This Issue
Patricia C. Phillips
Questions of Influence: Influence of Questions
3

Feature
Derek Conrad Murray
Hip-Hop vs. High Art: Notes on Race as Spectacle
4

Thematic Investigation
James Meyer and Toni Ross
Aesthetic/Anti-Aesthetic: An Introduction
20

Arthur C. Danto
Kalliphobia in Contemporary Art
24

Alexander Alberro
Beauty Knows No Pain
36

Margaret Iversen
Readymade, Found Object, Photograph
44

Anna Dezeuze
Tactile Dematerialization, Sensory Politics: Hélio Oiticica’s Parangolés
58

Interview
Jeanne Siegel
Eva Hesse’s Influence Today? Conversations with Three Contemporary Artists
72

Reviews
Yevgeniy Fiks
Primary Documents: A Sourcebook for Eastern and Central European Art since the 1950s, ed. Laura Hoptman and Tomáš Pospiszyl, and Impossible Histories: Historic Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918–1991, ed. Dubravka Djuri
89

Mary Leclère
Ann Reynolds, Robert Smithson: Learning from New Jersey and Elsewhere

John Peffer
The Short Century: Independence and Liberation Movements in Africa 1945–1994, ed. Okwui Enwezor

Michael Lobel
The Andy Warhol Catalogue Raisonné, Volume 1: Paintings and Sculpture 1961–1963, ed. Georg Frei and Neil Printz

Kate Mondloch
Digital Media Revisited: Theoretical and Conceptual Innovation in Digital Domains, ed. Gunnar Liestøl, Andrew Morrison, and Terje Rasmussen

Víctor Alejandro Sorell
Gary D. Keller et al., Contemporary Chicana and Chicano Art: Artists, Works, Culture, and Education


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The College Art Association supports all practitioners and interpreters of visual art and culture, including artists and scholars, who join together to cultivate the ongoing understanding of art as a fundamental form of human expression. Representing its members’ professional needs, CAA is committed to the highest professional and ethical standards of scholarship, creativity, connoisseurship, criticism, and teaching.