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Art Journal

Art Journal, Winter 2004, Table of Contents

In This Issue
Patricia C. Phillips
Unsettled Imaginations
3

Feature
Raymond Spiteri
Envisioning Surrealism in Histoire de l’œil and La femme 100 têtes
4

Artist Project
Sze Tsung Leong
History Images
19

Christopher Phillips
Drastic Urbanization: The Photographs of Sze Tsung Leong
20

Features
Jeremy Braddock
Neurotic Cities: Barnes in Philadelphia
46

Kimberly Camp
Response to Jeremy Braddock
62

Barbara Jaffee
Jackson Pollock’s Industrial Expressionism
68

Alison Mairi Syme
Love among the Ruins: David Cannon Dashiell’s Queer Mysteries
80

Julia Robinson
The Sculpture of Indeterminacy: Alison Knowles’s Beans and Variations
96

Carol Becker
Amazwi Abesifazane (Voices of Women)
116

Reviews
Jill H. Casid
Camp: Queer Aesthetics and the Performing Subject
135

A Reader, ed. Fabio Cleto

Sylvester Okwunodu Ogbechie
Africas: The Artist and the City; A Journey and an Exhibition, and Georges Adéagbo: Archeology of Motivations; Rewriting History, ed. Silvia Eiblmayr

Kent Mitchell Minturn
Kazimir Malevich: The White Rectangle; Writings on Film, ed., Oksana Bulgakowa and Margarita Tupitsyn, Malevich and Film


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The College Art Association supports all practitioners and interpreters of visual art and culture, including artists and scholars, who join together to cultivate the ongoing understanding of art as a fundamental form of human expression. Representing its members’ professional needs, CAA is committed to the highest professional and ethical standards of scholarship, creativity, connoisseurship, criticism, and teaching.