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Art Journal

Art Journal, Winter 2005, Table of Contents

In This Issue
Patricia C. Phillips
Reconciliations: New Views and Re-views
3

Artist Project
Mary Lum
64 Scenes (with an essay by Steven Nelson)
4

Features
Roxana Marcoci
Perceptions at Play: Giacometti through Contemporary Eyes
6

Rebecca M. Brown
P.T. Reddy, Neo-Tantrism, and Modern Art in India
26

Dialogue: Art and Labor
Jessica Stockholder and Joe Scanlan
Art and Labor: Some Introductory Ideas
50

Chris Hanson and Hendrika Sonnenberg
Where Are the Drugs?
52

Hirsch Perlman
A Wastrel’s Progress and the Worm’s Retreat
64

Artist Portfolio
Angela Dalle Vacche
Scrolls, Boxes, and Trees: Manuela Filiaci’s Work
70

Forum on Latin American Art Criticism
Robin Greeley
Modernism: What El Norte Can Learn from Latin America
82

Alejandro Anreus
Jose Gómez Sicre and the “Idea” of Latin American Art

Francisco Alambert
1001 Words for Mário Pedrosa

Florencia Bazzano-Nelson
Marta Traba: Internationalism or Regional Resistance?

Andrea Giunta
Jorge Romero Brest and the Coordinates of Aesthetic Modernism in Latin America

Holly Barnet-Sánchez
Tomás Ybarra-Frausto and Amalia Mesa-Bains: A Critical Discourse from Within

Features
Mark A. Cheetham
Matting the Monochrome: Malevich, Klein, and Now
94

Nana Last
Systematic Inexhaustion
110

Reviews
Raymond Spiteri on Gérard Durozoi, History of the Surrealist Movement, Jennifer Mundy, ed., Surrealism: Desire Unbound, and Michael Richardson and Krzysztof Fijalkowski, eds., Surrealism Against the Current: Tracts and Declarations; Gregory Sholette on Andrew Hemingway, Artists on the Left: American Artists and the Communist Movement, 1926–1956; Adrian Kohn on Donald Judd, Complete Writings, 1959–1975; and Soraya Murray on Paul D. Miller, a.k.a. Dj Spooky that Subliminal Kid, Rhythm Science
122


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The College Art Association supports all practitioners and interpreters of visual art and culture, including artists and scholars, who join together to cultivate the ongoing understanding of art as a fundamental form of human expression. Representing its members’ professional needs, CAA is committed to the highest professional and ethical standards of scholarship, creativity, connoisseurship, criticism, and teaching.