Art Journal

Art Journal, Winter 2006

In This Issue

Patricia C. Phillips

On Locations

Features

Simone Osthoff

Elsewhere in Contemporary Art: Topologies of Artists’ Works, Writings, and Archives

Marquard Smith

Journeys, Documenting, Indexing, Archives, and Practice-Based Research: A Conversation with susan pui san lok

Forum: Publishing Paradigms in Art History

Catherine M. Soussloff

Publishing Paradigms in Art History

Michael Ann Holly, Mark ledbury, Douglas Armato, Susan Bielstein, Andrew Brown, Roger Conover, Vivian Constantinopoulos, Stephanie Fay, Herman Pabbruwe, Catherine M. Soussloff, and Ken Wissoker

Art History and Its Publishers

Murtha Baca and William Tronzo

Art History and the Digital World

Features

David Clarke

The Watery Turn in Contemporary Chinese Art

Carol Becker

Gandhi’s Body and Further Representations of War and Peace

Susan Lacy and Pilar Riano-Alcala

Medellin, Colombia: Reinhabiting Memory

Garth James

Thoughts on Graduate Studio Education

113

Reviews

FRANCES K. POHL on ed. Alejandro Anreus, Diana L. Linden, Johnathan Weinberg, The Social and the Real: Political Art of the 1930s in Western Hemisphere; MICHELE HUNTINGFORD CRAIG on Elizabeth Harney, In Senghor’s Shadow: Art, politics, and the Avant-Garde in Senegal, 1960–1995; and AMY LYFORD on Masayo Duus, The Life of Isamu Noguchi: Journey without Borders

117

275 Seventh Avenue, 18th Floor, New York, NY 10001 | T: 212-691-1051 | F: 212-627-2381 | nyoffice@collegeart.org

The College Art Association supports all practitioners and interpreters of visual art and culture, including artists and scholars, who join together to cultivate the ongoing understanding of art as a fundamental form of human expression. Representing its members’ professional needs, CAA is committed to the highest professional and ethical standards of scholarship, creativity, connoisseurship, criticism, and teaching.