Art Journal

Art Journal, Winter 2007

In This Issue

Judith F. Rodenbeck

Blindsight and Microblindness

Features

Jane Blocker

Blink: The Viewer as Blind Man in Installation Art

Una Chung

What. Comes. After.: An Introduction to Lin + Lam’s Unidentified Vietnam

Lin + Lam

Unidentified Vietnamm

Kirsi Peltomäki

Affect and Spectatorial Agency: Viewing Institutional Critique in the 1970s

Gordon Hughes

Game Face: Douglas Huebler and the Voiding of Photographic Portraiture

Astrid Schmetterling

Archival Obsessions: Arnold Dreyblatt’s Memory Work

Andrea D. Fitzpatrick

The Movement of Vulnerability: Images of Falling and September 11

Reviews

Ken Allan on Cécile Whiting, Pop L.A.: Art and the City in the 1960s; Monica Amor on Nadja Rottner and Peter Weibel, eds., Gego 1957–1988: Thinking the Line, and Mari Carmen Ramírez, Catherine de Zegher, Robert Storr, and Josefina Manrique, Gego: Between Transparency and the Invisible; Godfre Leung on Alexander Alberro and Sabeth Buchmann, eds., Art after Conceptual Art, and John C. Welchman, ed., Institutional Critique and After; Derek Conrad Murray on Darby English, How to See a Work of Art in Total Darkness

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The College Art Association supports all practitioners and interpreters of visual art and culture, including artists and scholars, who join together to cultivate the ongoing understanding of art as a fundamental form of human expression. Representing its members’ professional needs, CAA is committed to the highest professional and ethical standards of scholarship, creativity, connoisseurship, criticism, and teaching.