Skip Navigation

College Art Association
CAA LA Conference

Awards

Charles Rufus Morey Book Award

Past Award Recipients

2003 Jonathan M. Bloom for Paper Before Print: The History and Impact of Paper in the Islamic World (Yale University Press, 2001)
Committee: Fred S. Kleiner, Boston University, Chair; Babette Bohn, Texas Christian University; Faya Causey, National Gallery of Art; Edward J. Sullivan, New York University

2002 Dale Kent for Cosimo de' Medici and the Florentine Renaissance: The Patron's Oeuvre (Yale University Press, 2000)
Committee: Fred S. Kleiner, Boston University, Chair; Catherine B. Asher, University of Minnesota, Minneapolis, Babette Bohn, Texas Christian University, Richard Shiff, University of Texas, Austin

2001 Leonard Barkan for Unearthing the Past:Archaeology and Aesthetics in the Making of Renaissance Culture
Committee: Linda C. Hults, The College of Wooster, Chair; Catherine Asher, University of Minnesota, Minneapolis; Fred Kleiner, Boston University; Richard Shiff, University of Texas at Austin

2000 Jeffrey F. Hamburger for The Visual and the Visionary: Art and Female Spirituality in Late Medieval Germany
Committee: Susan L. Huntington, The Ohio State University, Chair; Linda Hults, College of Wooster; Fred Kleiner, Boston University; Richard Shiff, University of Texas, Austin

1999 Marvin Trachtenberg for Dominion of the Eye: Urbanism, Art, and Power in Early Modern Florence
Committee: Susan Huntington, The Ohio State University, chair; Linda Hults, College of Wooster; John Pinto, Princeton University; Martica Sawin, independent scholar

1998 Elizabeth Cropper and Charles Dempsey for Nicolas Poussin: Friendship and Love of Painting
Committee: Larry Silver, University of Pennsylvania, chair; Susan Huntington, The Ohio State University; John Pinto, Princeton University; Martica Sawin, independent scholar

1997 Suzanne Preston Blier for African Vodun: Art, Psychology, and Power
Committee: Larry A. Silver, Northwestern University, chair; AndreŽ Hayum, Fordham University; Renata Holod, University of Pennsylvania

1996 W.J.T. Mitchell for Picture Theory: Essays on Verbal and Visual Representation
Committee: Larry A. Silver, Northwestern University, chair; Anne Markham Schultz, Brown University; Margaret Olin, Art Institute of Chicago; Stephanie Barron, Los Angeles County Museum of Art

1995 Jeanette Favrot Peterson for The Paradise Garden Murals of Malinalco: Utopia and Empire in Sixteenth-Century Mexico (The University of Texas Press)
Committee: Whitney Davis, Northwestern University, chair; Stephanie Barron, Los Angeles County Museum of Art; Margaret Olin, School of the Art Institute of Chicago; and Anne Markham Schulz, Brown University

1994 John Shearman for Only Connect: Art and the Spectator in the Italian Renaissance (Princeton University Press)
Committee: Whitney Davis, Northwestern University, chair; Jack Brown, Art Institute of Chicago; Margaret Olin, School of the Art Institute of Chicago; and Anne Markham Schulz, Brown University

1993 Carol Armstrong for Odd Man Out: Readings of the Work and Reputation of Edgar Degas (University of Chicago Press)
Committee: Whitney Davis, Northwestern University, chair; Jack Brown, Art Institute of Chicago; James Marrow, Princeton University

1992 Richard R. Brettell for Pissaro and Pontoise: The Painter in a Landscape (Yale University Press)
Committee: Paula Harper, University of Miami, chair; Jack Brown, Art Institute of Chicago; AndrŽe Hayum, University of Delaware, Newark

1991 AndrŽe Hayum for The Isenheim Altarpiece: God's Medicine and the Painter's Vision (Princeton University Press) Kenneth Silver for Esprit de Corps: The Art of the Parisian Avant-Garde and the First World War, 1914-1925 (Princeton University Press)
Committee: Debra Pincus, University of British Columbia, chair; Patricia Mainardi, Brooklyn College and the Graduate Center CUNY; Gary Radke, Syracuse University

1990 Svetlana Alpers for Rembrandt's Enterprise: The Studio and the Market
Committee: Richard Brilliant, Columbia University, chair; Irene Bierman, University of California, Los Angeles; Susan Nelson, University of Indiana, Bloomington

1989 Patricia Mainardi for Art and Politics of the Second Empire: The Universal Expositions of 1855 and 1867
Committee: Kathryn Linduff, University of Pittsburgh, chair; David Cast, Bryn Mawr College; Jack Flam, C.U.N.Y. Graduate Center

1988 Jack Flam, Matisse: The Man and His Art, 1869-1918
Committee: Alessandra Comini, Southern Methodist University, chair; Svetlana Alpers, University of California, Berkeley; Charles Parkhurst, Williams College

1987 Thomas E. Crow for Painters and Public Life in Eighteenth-Century Paris
Committee: Linda Seidel, University of Chicago; Linda Henderson, University of Texas, Austin

1986 Peter Fergusson for Architecture of Solitude: Cistercian Abbeys in Twelfth-Century England
Committee: Ilene Forsyth, chair; Marianne Martin; Juergen Schulz 1985 Lorenz E. A. Eitner for Gericault: His Life and Work
Committee: Marilyn Aronberg Lavin, chair; Jaroslav Folda; Irene Winter

1984 James Cahill for The Compelling Image: Nature and Style in Seventeenth-Century Chinese Painting
Committee: Meredith Lillich, chair; Herschel Chipp; John Walsh, Jr.

1983 Lucy Freeman Sandler and Moshe Barash, eds., for Art the Ape of Nature: Studies in Honor of H.W. Janson
Committee: A. Richard Turner, chair; Carol F. Lewine; Richard Shiff

1982 Richard Krautheimer for Rome: The Profile of a City
Committee: John Shearman, chair; Svetlana Alpers; Tom Mathews

1981 Fred Licht for Goya: The Origins of the Modern Temper in Art
Committee: John Wilmerding, chair; Harrie A. Vanderstappen; Gillian Wilson; Henri Zerner

1980 Award not presented
Committee: Alessandra Comini, chair; Wayne Dynes; John R. Martin

1979 Anne Coffin Hanson for Manet and the Modern Tradition
Committee: Alessandra Comini, chair; Wayne Dynes; John R. Martin

1978 Kurt Weitzmann for The Monastery of Saint Catherine at Mt. Sinai, the Icons, Volume I: From the Sixth to the Tenth Century
Committee: Egbert Haverkamp-Begemann, chair; Alessandra Comini; Leopold Ettlinger; Egon Verheyan

1977 Marilyn Aronberg Lavin for Seventeenth Century Barberini Documents and Inventories
Committee: Egbert Haverkamp-Begemann, chair; Alessandra Comini; Leopold Ettlinger; Egon Verheyan

1976 Alessandra Comini for Egon Schiele's Portraits and Millard Meiss for The Limbourges and Their Contemporaries
Committee: Oleg Grabar, chair; James Cahill; Egbert Haverkamp-Begemann

1975 Award not presented

1974 Ilene H. Forsyth for The Throne of Wisdom and John Rupert Martin for The Decorations for the Pompa Introitus Ferdinandi
Committee: Donald Posner, chair; Jean Boggs, Millard Meiss

1973 Donald Posner for Annibale Caracci
Committee: Phyllis Bober; Lorenz Eitner; Walter Cahn

1972 Seymour Slive for Frans Hals
1971 Germaine Seligman for Roger de la Fresnaye
1970 Paul A. Underwood for The Kariye Djami
1969 Richard Offner for The Corpus of the Florentine Paintings
1968 Erwin Panofsky for Tomb Sculpture
1967 Sydney J. Freedberg for Andrea Del Sarto
1966 George Kubler for The Art and Architecture of Ancient America
1965 James S. Ackerman for The Architecture of Michelangelo
1964 Erwin Panofsky for Renaissance and Renascences in Western Art
1963 No information available
1962 Henry Russell Hitchcock for Architecture, 19th and 20th Centuries
1961 H.W. Janson for Sculpture of Donatello
1960 Richard Kutheim for Lorenzo Ghiberti
1959 Vincent Scully for The Shingle Style
1958 Henry Russell Hitchcock for Early Victorian Architecture
1957 Erwin Panofsky for Early Netherlandish Painting
1956 H.W. Janson for Apes and Ape Lore in the Middle Ages and the Renaissance

Privacy Policy | Refund Policy | Website Requirements | RSS

Copyright © 2008 College Art Association.

275 Seventh Avenue, 18th Floor, New York, NY 10001 | T: 212-691-1051 | F: 212-627-2381 | nyoffice@collegeart.org

The College Art Association supports all practitioners and interpreters of visual art and culture, including artists and scholars, who join together to cultivate the ongoing understanding of art as a fundamental form of human expression. Representing its members’ professional needs, CAA is committed to the highest professional and ethical standards of scholarship, creativity, connoisseurship, criticism, and teaching.