US and Canadian Dissertations, 2004
Dissertations in Progess By Subject
African Art (Sub-Saharan)
BORTOLOT, ALEXANDER, “Negotiating Masculinity: Male Initiation and Associated Arts of the Makonde Peoples” (Columbia, N. Kampen)BRIDGES, NICHOLE, “Contact, Commentary, and Commodity: Nineteenth-Century Ivory Tusk Sculptures From the Loango Coast, Congo” (Wisconsin, Madison, H. Drewal)
CIOLA, ANN M., “Identity and Community Solidarity: Counter-Spectacle, Power, and Resistance in the Mass Funeral of the ‘Guguleteu Seven,’ March 15, 1986” (SUNY Binghamton, K. Barzman)
CLEVELAND, KIMBERLY L., “New Directions in Black Brazilian Art History” (Iowa, S. Adams)
CLUNIS, SARAH A., “Readymade Diaspora: Cultural Icons Rectified and Assisted” (Iowa, C. Roy)
FIRSTENBERG, LAURI, “Postcoloniality, Performance, and Photographic Portraiture” (Harvard, S. P. Blier)
HOLLOWAY, ANITA, “Animal Symbolism in Ewe Textiles” (Virginia Commonwealth, B. Lawal)
KART, SUSAN, “Sculpting the Psyche: Sokari Douglas Camp, Moustapha Dimè and Renèe Stout On the Body, Identity and Politics in ‘African’ Art” (Columbia, C. Kiaer, E. Hutchinson)
MARTIN, MARY R., “International Legislation to Protect Cultural Patrimony of African Art” (Iowa, C. Roy)
ONYILE, ONYILE BASSEY, “Ekpu Oro: Spirits of the Living Dead as an Expression of Oron Worldview, 1894–1940” (SUNY Binghamton, N. Nzegwu)
ROSS, EMMA, “Aesthetic Experience and Expression: Representation of Dan Women in the Cote D’Ivoire” (Yale, R. Thompson)
SALAMI, GITTI, “Yakurr Visual Expression in the Context of the Political Economy of Nigeria” (Iowa, C. Roy)
VAN DYKE, KRISTINA, “To See and Be Seen in Mali: A New Look at the Visible in Africa” (Harvard, S. Blier)
Architectural History/Historic Preservation
AL TAL, RAED, “Structures of Authority: A Political Account of Architectural and Urban Programs in Jordan (1970–1999)” (SUNY Binghamton, N. Um)ALLISON, LARA, “The Bauhaus in Chicago, 1937–1955” (Columbia, H. Ballon)
ANDERSON, ERIC, “From the Caribbean Hut to the English House: Domestic Architecture in German Theory, 1851–1904” (Columbia, B. Bergdoll, M. Mcleod, G. Wright)
ANGELL BROWN, MARISA, “Social Icon: the Architecture and Image of Public Housing in Postwar America” (Yale, S. Isenstadt)
ARIOLI, KRISTIN, “Cardinal Raffaele Riario (1477–1521) and the Dynamics of Renaissance Patronage” (USC, E. Howe)
BALL, JEFFREY, “The Missouri State Capitol: Architecture, Mural Painting, and Sculptural Decoration” (Missouri, O. Overby)
BARRETT, JENNIFER, “The Power of the Ordinary: Contextualism, Regionalism, and ‘The Everyday’ in the Architecture of Alison and Peter Smithson” (Delaware, A. Gibson)
BARTEET, C. CODY, “Colonial Contradictions in the Casa De Montejo and Mèrida: Space, Society, and Self-Representation at the Edge of Viceregal Mexico” (SUNY Binghamton, C. Burroughs)
BATUMAN, BULENT, “Spaces of Counter-Hegemony: Turkish Architects and Planners as Political Agents in the 1970s” (SUNY Binghamton, T. Mcdonough)
COFFMAN, PETER, “Gothic Revival Architecture in Atlantic Canada” (Queen’s, Kingston, P. Du Prey)
DAVIS, BLAIR HIXSON, “The Drawings of Charles Percier” (UC Santa Barbara, E. B. Robertson)
DILLON, JENNIFER, “Modernity, Sanitation, and the Public Bath: Berlin, 1896–1933, as Archetype” (Duke, A. Wharton)
EGGEBEEN, JANNA, “The American Air Passenger Terminal and Modernity” (CUNY, R. Bletter)
GOLLANNEK, ERIC, “Colonial Exchange and Visions of Empire in Britain and Its Colonies” (Delaware, B. Herman)
GUTSCHOW, KAI K., “The Culture of Criticism: Adolf Behne and the Development of a Modern German Architecture 1910–1918” (Columbia, R. Middleton, B. Bergdoll, M. Mcleod)
HAMILTON, JEFFREY, “Adapting the City to Meet Rural Desires: the English Urban Landscape as Surrogate Country House” (Delaware, D. Stillman)
HAUGHEY, PATRICK, “The Presidential Library: Archive, Afterlife, and the National Imagination” (MIT, M. Jarzombek)
HENDERSON, AMY, “Furnishing the Republican Court: Building and Decorating Philadelphia Homes, 1790–1800” (Delaware, B. Herman)
HOLST, NANCY, “A Wise Woman Buildeth Her Home” (Delaware, B. Herman)
HUNTING, MARY ANNE, “Edward Durell Stone: Perception and Criticism” (CUNY, K. Murphy)
HURTT, DEBORAH D., “Rivalry and Representation: Regionalist Architecture and the Road to the 1937 Paris Exposition” (Virginia, R. Wilson)
JAMES, STEPHEN B., “Louis Kahn in India: Negotiating an Iconography of Memory” (Virginia, R. Wilson)
KAUKAS HAVENHAND, LUCINDA, “Creating a Modern Gesamtkunstwerk: Interior Design 1930–1960” (Virginia Commonwealth, R. Hobbs)
KELLER, WILLIAM, “Urban Architecture For Community and Spectacle: the Roofed Arena in the United States, 1890-1969” (Delaware, B. Herman)
KIM, GRACE E., “Adalberto Libera’s Unit Di Abitazione Orizzontali: Modernization in Housing Typology” (Washington, M. Clausen)
KIM, IL, “The Cult of Light in Fifteenth-Century Italian Renaissance Architecture” (Columbia, J. Connors)
KLEE, JEFFREY, “The Five Orders of Beacon Hill” (Delaware, B. Herman)
KOVAL, LINDSAY M., “Architectural Patronage and Liberal Religion at New York’s Riverside Church” (Columbia, S. Murray)
KULI, VLADIMIR, “Land of the In-Between: Modern Architecture and Politics in Socialist Yugoslavia 1948–1980” (UT Austin, D. Udovicki-Selb, A. Alofsin).
LEIBOWITZ, RACHEL, “Gazing at Window Rock: the Landscape Legacy of the New Deal in the Capital of the Navajo Nation” (UIUC, D. Harris)
MANSON, ANDREW, “Architecture, Archaeology, and Urbanism in ‘la Grande Roma’ : the Via Dell’impero and the Palazzo Del Littorio Competition” (Columbia, N. Kampen, M. Mcleod)
MARSHALL, JESSICA, “Architecture and Popular Religion: French Pilgrimage Churches of the Nineteenth and Twentieth Centuries” (Columbia, B. Bergdoll)
MAULSBY, LUCY, “Architecture and Urbanism in Fascist Italy: Milan 1926–40” (Columbia, R. Middleton)
MEADOWS, B. TED, “Monuments and Memory: Three American World War I Memorials in Context” (Kansas, C. Eldredge, D. Cateforis)
MEKINDA, JONATHAN, “Reconstruction and Revolution: The Re-Invention of Modernism in Italy, 1945–1955” (Pennsylvania, D. Brownlee)
MENEFEE, ELLEN, “Live the Dream: The Rhetoric of the Furnished Model Home in Late Twentieth and Early Twenty-First Century America” (Delaware, B. Herman)
MICHAILIDIS, MELANIE, “Landmarks of the Persian Renaissance: Monumental Funerary Architecture in Iran and Central Asia, Tenth-Eleventh Centuries” (MIT, N. Rabbat)
MIMS, MARTINA, “August Endell’s Exploration of the Relationship of the Modern Observer and Form” (Columbia, B. Bergdoll)
MYERS, TRACY, “Modern Architecture For Education in the Post-War Era: Public School Buildings By the Architects Collaborative (Tac) and the Development of American Modernism, 1946–1995” (Delaware, D. Stillman)
NOWICKI, SUSAN, “Montclair, New Jersey: The Development of a Suburban Town and Its Architecture” (CUNY, K. Murphy)
OLGREN-LEBLOND, KELLY, “Reading Expressionist Architecture: The German Avant-Garde and ‘paper Architecture,’ 1914–1924” (USC, K. Lang)
PARKER, TIMOTHY, “The Modern Church in Rome: Architecture, Theology, and Community, 1945–80” (UT Austin, C. Long, D. Udovicki-Selb)
PARNELL, TRACI, “Gilding the Black Box: Showmanship and Revivalism in 1920s American Movie Palace Architecture” (Rutgers, C. Yanni)
PASSANTI, FRANCESCO, “Le Corbusier at the Salon D’automne of 1922” (Columbia, R. Middleton)
PENICK, MONICA, “The Forgotten Generation: House Beautiful’s Pace Setter House Program and the Popularization of Organic Modernism in Postwar America, 1945–1965” (UT Austin, A. Alofsin)
PHILLIPS, RUTH ANNE, “Pre-Columbian Appropriation: Ancient American Influence in U.S. Architecture, 1910–1940” (CUNY, J. Sund)
PUGH, EMILY, “The Berlin Wall and the Urban Space and Experience of East and West Berlin, 1961–1989” (CUNY, K. Murphy)
REMMEL, RACHEL, “The Influence of School Buildings: Boston Public School Architecture, 1800–1860” (Chicago, K. Taylor)
REYMOND, RHONDA, “For Glory and For Beauty: Richard Morris Hunt, George W. Vanderbilt, and All Souls’ Church” (Georgia, J. Simon)
ROGERS, KAREN L., “Checkerboard: Complexities of the Grid and the Making of Place in the American Southwest” (SUNY Binghamton, C. Burroughs)
SANDLER, DANIELA, “Incarnate Politics: National Identity, History, and Architectural Heritage in Postwar Berlin” (Rochester, A. Nader)
SANDLIN, JULIANNE PARSE, “Religious Orders and Catholic Reform: Parisian Churches During the Reign of Louis Xiii” (Florida State, R. Neuman)
SKELTON, KIMBERLEY, “Planning Anew: The English Country House and Social Identity in the 1650s” (Yale, S. Isenstadt)
SMITH, DANIELLA, “Hotel Design in British Mandate Palestine: Alliance of Modernism, Tourism, and National Agenda” (The Bard Graduate Center, A. Ogata)
STEWART, CHARLES A., “Development of Medieval Dome Churches in France” (Indiana, Bloomington, W. Kleinbauer)
SURDU, ROBERT C. A., “Wholesome Architecture and the Rise of the Tourist State in Early-Twentieth-Century Canada” (Queen’s, Kingston, L. Jessup)
SWAN, CHRISTOPHER, “An Alternative Modernism: The Pacific Northwest Architecture of John Yeon” (Yale, E. Cooke Jr.)
SZCZESNY-ADAMS, CHRISTY, “The Professional Architect On the Frontier: Edward Townsend Mix” (Virginia, R. Wilson)
TARANDJIEVA, TEODORA, “The Church of St. John Aleitourgetos in Nesebar (Ancient Mesembria) and Its Role in Late Byzantine Architecture in Bulgaria” (Indiana, Bloomington, W. Kleinbauer)
VAN DEN HURK, JEROEN, “Early Dutch Neo-Gothic Architecture, 1772–1840” (Delaware, B. Herman)
WILLIS, CAROL, “Futuricity: American Visionary Urbanism in the 1920s” (Columbia, B. Bergdoll)
WORTHAM, B. D., “Mythologies of an Everyday Landscape: Henry Ford at the Wayside Inn Farm, 1923–1945” (MIT, M. Jarzombek)
YUREKLI, ZEYNEP, “The Architecture of the Ottoman Halvetis in Anatolia and the Balkans: A Study On the Politics of Sufi Architecture in the Classical Age” (Harvard, G. Necipoglu)
Art of the Middle East/North Africa
AKBARNIA, LADAN, “‘Chinoiserie’ in Iran and Central Asia: The Creation of Artistic Ideals and Cultural Memory Under the Mongol Patrons” (Harvard, G. Necipoglu, D. Roxburgh)AL TAL, RAED, “Structures of Authority: A Political Account of Architectural and Urban Programs in Jordan (1970–1999)” (SUNY Binghamton, N. Um)
BATUMAN, BULENT, “Spaces of Counter-Hegemony: Turkish Architects and Planners as Political Agents in the 1970s” (SUNY Binghamton, T. Mcdonough)
CICHOCKI, NINA, “The Life Story of the Cemberlitas Hamam: From Bath to Tourist Attraction” (Minnesota, C. Asher)
DOWNS, JOAN, “The Topography and Iconography of Death in Christian North Africa” (Michigan, T. Thomas)
EIMEN, ALISA, “Museum and Mosque: Identity Construction in Twentieth-Century Tehran” (Minnesota, C. Asher)
EL SANDOUBY, ALIA’A, “Remembering the Ahl Al-Bayt: The Shrines of the Family of the Prophet in Cairo and Damascus” (UCLA, I. Bierman)
FETVACI, EMINE, “Viziers to Eunuchs: Transitions in Ottoman Manuscript Patronage, 1574–1617” (Harvard, G. Necipoglu)
GRUBER, CHRISTIANE, “The Prophet Muhammad’s Ascension (Mi’raj) in Islamic Art and Literature, Fourteenth to Seventeenth Centuries” (Pennsylvania, R. Holod)
MICHAILIDIS, MELANIE, “Landmarks of the Persian Renaissance: Monumental Funerary Architecture in Iran and Central Asia, Tenth to Eleventh Centuries” (MIT, N. Rabbat)
NATIF, MIKA, “Mughal Illustrated Manuscripts of the Anvar-I Suhaili By Mawlana Kamal Al-Din Husain-Wa’iz Al Kashifi” (Ifa/Nyu, P. Soucek)
ROGERS, SARAH, “Art as History in Postwar Lebanon” (MIT, N. Rabbat)
SCHENK, KRA, “The Dura Synagogue Frescoes: Priestly Patronage and the Image of the Temple” (Johns Hopkins, H. Maguire)
SMITH, SHARON C., “Planned Grandeur: A Comparative Study of Urban Expansion in Early Modern Italy and Mamluk Egypt” (SUNY Binghamton, C. Burroughs)
TEECE, DENISE, “Vessels of Verse, Ships of Song: Persian ‘safina’ Manuscripts and Their Significance” (Ifa/Nyu, P. Soucek)
YUREKLI, ZEYNEP, “The Architecture of the Ottoman Halvetis in Anatolia and the Balkans: A Study On the Politics of Sufi Architecture in the Classical Age” (Harvard, G. Necipoglu)
Art of the United States
ABBOTT, JANET, “The Barnett Aden Gallery of Washington, D.C.: 1943–1969” (Penn State, J. H. Robinson)ADDONIZIO, SHARI, “Charismatic Masters, Serious Young Men, and Angels Under White Umbrellas: The Summer Art Schools at Magnolia, Shinnecock, and Provincetown” (Florida State, K. Bearor)
ANDERSON, REED, “An Epic of the American Farm: James Ormsbee Chapin and the Marvin Paintings” (Kansas, C. Eldredge)
ARCHIAS, S. ELISE, “The Body as a Material C. 1970: Yvonne Rainer, Vito Acconci, and Adrian Piper” (UC Berkeley, A. Wagner)
ATKINS, ASHLEY, “Winslow Homer and Aestheticism in the United States” (Rutgers, W. Bellion)
BAKER, KELLY, “A Southern Sense of Place: The Vernacular Landscape in the Photography of William Christenberry, Carrie Mae Weems, and Sally Mann” (CUNY, G. Batchen)
BALL, JEFFREY, “The Missouri State Capitol: Architecture, Mural Painting, and Sculptural Decoration” (Missouri, O. Overby)
BAXTER BELL, ADRIENNE, “The Metaphysical Paintings of George Inness” (Columbia, D. Rosand)
BERSHAD, DEBORAH, “The New York City Hall Portrait Collection: 1790–1830” (CUNY, S. Webster)
BOETTCHER, GRAHAM, “Domestic Violence: Familial and Political Conflict in the Work of Emanuel Leutze” (Yale, A. Nemerov)
BORTEL, ELLEN, “George Ohr: His Life, Work, and Influence On Contemporary Ceramics” (Case Western Reserve, H. Adams)
BROWN, MIKELL, “The Photographer’s Wife: Genre-Blurring in Emmet Gowin’s Photographs of Edith and the Dialectics of Looking” (Virginia Commonwealth, R. Hobbs)
BURDAN, AMANDA C., “Amèricaines in Paris: The Role of Women Artists in the Formation of America’s Cultural Identity, 1865–1880” (Brown, K. D. Kriz)
BURGESS, REBEKAH, “Collecting Agency: Turn-Of-The-Century Lowell, Massachusetts, Workers Return the Camera’s Gaze” (Boston, K. Sichel)
BURT, SARAH, “Joseph Worchester and the Church of the New Jerusalem: Creating a Bay-Area Aesthetic” (Kansas, C. Eldredge)
CARR, DENNIS, “Early Furnituremaking in the Narragansett Bay, 1636–1740” (Yale, E. Cooke Jr.)
CLAYTON, LISA, “Shaping Struggle: Heroic Themes in African American Art, 1929–1959” (Virginia Commonwealth, B. Lawal)
COLAIZZI, VITTORIO, “Robert Ryman, Minimalism and Painting” (Virginia Commonwealth, R. Hobbs)
COPELAND, HUEY, “Bound to Appear: Site, Subjection, and the Disfiguration of Slavery in Multicultural America” (UC Berkeley, A. Wagner)
COWIE, ROBIN, “Blazing Sun: Childe Hassam and the Forces of Sunlight in American Impressionism” (Yale, A. Nemerov)
COYLE, HEATHER CAMPBELL, “Having Fun With Art: Pranks, Performances, and Parody in American Art Schools, 1890–1915” (Delaware, M. Leja)
CURTISS, KIMBERLY, “Making Red Skins White: The Construction of Racial and Cultural Identity Through Paintings and Photographs of the Native American, 1800–1900” (Rutgers, W. Bellion)
DAUGHERTY, ELLEN, “Lifting the Veil of Ignorance: Images of Racial Uplift in American Public Monuments” (University of Virginia, M. Mcinnis)
DAVIS, MEREDITH, “Fool’s Gold: American Trompe L’oeil and the Gilded Age” (Columbia, J. Crary)
DE ARMENDI, NICOLE, “Shifting Perception: Labyrinths and the Rise of Phenomenology in American Art of the 1960s and 1970s” (Virginia Commonwealth, R. Hobbs)
DEMING, DIANE, “Wasteland Poetics On the Western Frontier: Visualizing the Environment of the Great Basin” (Delaware, A. Gibson)
DOOLEY, MICHAEL C., “Citizen Bird: American Ornithological Art of the Progressive Era and the Beginnings of the Bird Conservation Movement” (Iowa, J. Kinsey)
DURHAM, DENNIS, “N.E. Thing Co. in Vancouver (1965–1978): Defining Conceptual Art On the Periphery” (Virginia Commonwealth, R. Hobbs)
EGAN, SHANNON, “An American Art: Edward S. Curtis and the North American Indian, 1907–1930” (Johns Hopkins, B. Doherty)
ELLIS, AMY, “’Not a Mere Leaf-Painter’ : Thomas Cole and the Figure” (Columbia, J. Crary, E. Hutchinson)
EVANS, YATES, “Doors and Windows: Eastern Philosophy and Western Aesthetics in the Art of Ray Johnson” (Virginia Commonwealth, R. Hobbs)
GASTON, DEBORAH, “Immigration, Ethnicity, and the Early Drawings of Joseph Stella, 1896–1924” (Delaware, W. Homer)
GEIGER, MELISSA, “A Socio-Historical Critique of Robert Rauschenberg’s Electronic Works of the Sixties” (Penn State, S. Rich)
GILBERT, CHRISTOPHER, “American Art and Language During the Period of the Fox (1974–1976)” (Virginia Commonwealth, R. Hobbs)
GILLESPIE, SARAH KATIE, “Samuel F. B. Morse and the Daguerreotype: Art and Science in American Culture, 1835–1855” (CUNY, K. Manthorne)
GLAHN, PHILIP, “Estrangement and Politicization: Bertolt Brecht and Postwar American Art” (CUNY, R. Golan)
GLICK, PAULA F., “Paul Sample: Regionalist Artist” (Columbia, J. Beck)
GREENHILL, JENNIFER, “‘The Plague of Jocularity’ : Art, Humor, and the American Social Body, 1863–1906” (Yale, A. Nemerov)
GROVES, LAURA, “Lilly Martin Spencer and Popular Prints” (Maryland, College Park, S. Promey)
GRUDIN, ANTHONY, “Television Dreams: Warhol’s Style and the Ambivalence of Emulation” (UC Berkeley, T. J. Clark)
HACK, BRIAN, “Lorado Taft, George Grey Barnard, and the Promise of Monumental Symbolist Sculpture in Early Twentieth-Century America” (CUNY, S. Webster)
HAGOOD, MARTHA, “Representing the Truth: Realism, Sensationalism, and the Progressive Era Picture Press, 1902-1913” (Delaware, W. Homer)
HANSON, DEBRA, “Gender, Genre, and Domesticity: Thomas Eakins’ Home Scenes of the 1870s” (Virginia Commonwealth, R. Hobbs)
HARTLEY, CODY, “Cultural Cornerstones: Museums as Foundational Civic Institutions in the Western United States (1893–1945)” (UC Santa Barbara, E. B. Robertson)
HAUGHEY, PATRICK, “The Presidential Library: Archive, Afterlife, and the National Imagination” (MIT, M. Jarzombek)
HAXALL, DANIEL, “Politics, Form, and Identity in Abstract Expressionist Collage” (Penn State, S. Rich)
HENRY, BETTINA RICCIO, “Lights, Camera, Art: John Baldessari, Ed Ruscha, and Hollywood Film” (CUNY, H. Senie)
HIGGINBOTHAM, CARMENITA, “Saturday Night at the Savoy: Blackness and the Urban Spectacle in the Art of Reginald Marsh” (Michigan, R. Zurier)
HUBENTHAL, JOHN, “A Life in the Newspapers: The American Press and George Grosz” (Virginia Commonwealth, H. Risatti)
HUCKINS, PAMELA, “Furnishing the Northern Frontier: The Sacred Decoration of the California Mission Churches” (Ifa/Nyu, J. Brown)
HULT-LEWIS, CHRISTINE, “Industrial Aesthetics: The Mining Photographs of Carleton Watkins, 1851–1891” (Boston, K. Sichel)
HYDE, KIMBERLY, “Louis C. Tiffany and the Business of Art” (Case Western Reserve, H. Adams)
IKEGAMI, HIROKO, “1964: Robert Rauschenberg and the Beginnings of Globalization in Modern Art” (Yale, A. Nemerov)
JARMAN, BAIRD, “Edwin Austin Abbey and the Quest of the Holy Grail” (Yale, J. Prown)
JONES, PENNY, “Figural Trees: American Artists and Forest Debate in the Nineteenth Century” (Columbia, E. Hutchinson)
JUNG, EUN YOUNG, “From Sculpture to Situations: Critical Issues in Dan Flavin’s Fluorescent Light Installations of the 1960s” (Uiuc, J. Fineberg)
KAPS, NANNI, “Similarities of Form and Concept in American and German Nineteenth-Century Landscape Painting” (Columbia, B. Novak)
KARPINSKAIA, NATALIA, “Landscape Art and Landscape Attitudes in Russia and America” (Columbia, B. Novak)
KELLY, SARAH, “Camera’s Lens and Mind’s Eye: Whistler and the Science of Art” (Columbia, D. Rosand)
KIEFER, EVELYN, “The Birth and Death of the American Dining Room: an Evolution From the Colonial Hall to Frank Lloyd Wright’s Dining Rooms and Beyond” (Case Western Reserve, H. Adams)
KIENHOLZ, KATHLEEN, “The Art Colonies at Cape Ann, 1890–1920” (CUNY, K. Murphy)
KILBANE, NORA, “A Tug From the Jug: Drink and Drinking in Nineteenth-Century American Genre Painting” (Ohio State, B. Groseclose)
KING, JENNIFIER, “Michael Asher and the Art of Infrastructure: Space, Cities, Institutions” (Princeton, H. Foster)
KJAER, LISE, “Awakening the Spiritual: James Turrell and Quaker Practice” (CUNY, H. Senie)
KNOX, PAGE, “Scribner’s Monthly/The Century: A Vehicle of Aesthetic Thought in Late Nineteenth-Century America” (Columbia, E. Hutchinson)
KOH, DONG-YEON, “Larry Rivers and Frank O’hara: Reframing Male Subjectivity” (CUNY, A. Chave)
KURTZ, AMY, “Old Worlds and New: Edward Lamson Henry (1814–1919), Conservative Genre Painting” (Yale, J. Prown)
LAMUNIERE, MICHELLE, “The Social Museum at Harvard: Francis Greenwood Peabody and Early Twentieth-Century Social Reform Photography in Context” (Boston, K. Sichel)
LAWTON, SAADIA, “Representing the Representative: Visual Binaries of the Wedgwood Slave Medallion, 1787–1887” (Wisconsin, Madison, A. Andrzejewski)
LEE, KEE-LEE, “Sur Vampyr: Theresa Hak, Kyang Cha, and the Cultural Para-Sites of the Korean Diaspora” (Unc Chapel Hill, C. Mavor)
LEVINE, CARY, “Pay For Your Pleasures: Mike Kelley, Raymond Pettibon, Paul Mccarthy” (CUNY, R. Golan)
LONGWELL, ALICIA, “John Graham and the Quest For an American Art in the 1920s and 1930s” (CUNY, K. Manthorne)
MARSHALL, DARLENE, “The Character of the Home: The Domestic Interior in American Painting, 1860–1900” (Penn State, C. Zabel, S. Rich)
MARSHALL, JENNIFER J., “The Stuff of Modern Life: Materiality and Thingness in the Museum of Modern Art’s Machine Art Show, 1934” (UCLA, C. Whiting, M. Kwon)
MAURO, HAYES PETER, “Art, Science, and Social Representation in the United States, 1830–1890” (CUNY, K. Manthorne)
MAY, JESSICA, “Off the Clock: Walker Evans and the Crisis of American Capital, 1930–1946” (UC Berkeley, M. M. Lovell)
MCCARROLL, STACEY, “Intimate Images: The Public and the Private in Twentieth-Century American Photography” (Boston, C. Jones)
MESCHUTT, DAVID, “Portraiture of James Monroe (1758–1831)” (Delaware, W. Bellion)
MILLER, MARK PARKER, “Claiming and Denying Sophistication: Grant Wood’s Art and Responses to It: 1930–1942” (Delaware, A. Gibson)
MONAHAN, ANNE, “Form and Content: Politics and Figuration in American Art of the 1960s” (Delaware, A. Gibson)
MOSS, DOROTHY, “Recasting the Copy: Original Paintings and Reproductions at the Dawn of American Mass Culture, C. 1900” (Delaware, M. Leja)
MURPHY, JESSICA, “Agnes Ernst Meyer, Katharine Rhoades, and Marion Beckett: Artist and Patrons in the Stieglitz Circle” (Delaware, A. Gibson)
MURPHY, JONI, “Coyote Tales: Stereotypes, Politics, and Humor in the Art of Jaune Quick-To-See Smith” (Kansas, D. Cateforis)
MURPHY, KEVIN M., “The Economics of Style: The Business Practices of American Artists and the Structure of the Market, 1850–1910” (UC Santa Barbara, E. B. Robertson)
NELSON, ANDREA, “Reading Montage: The Photography Books of Làszlò Moholy-Nagy and Walker Evans” (Minnesota, J. Blocker)
NEWMAN, SARAH, “Excavating New York: George Bellows’s Landscapes of Modernity” (UC Berkeley, M. M. Lovell)
NOWICKI, SUSAN, “Montclair, New Jersey: The Development of a Suburban Town and Its Architecture” (CUNY, K. Murphy)
PEABODY, REBECCA, “Imagining Race: Kara Walker’s Silhouettes” (Yale, H. Carby, R. Thompson)
PERCHUK, ANDREW, “Mapping the Surface: Art and Modernism in Los Angeles, 1962–1972” (Yale, C. Wood)
PERRY, WEENA, “America in Ruins: Photography and the Making of National Meanings” (SUNY Stony Brook, M. Bogart)
PHILLIPS, RUTH ANNE, “Pre-Columbian Appropriation: Ancient American Influence in U.S. Architecture, 1910–1940” (CUNY, J. Sund)
POOR, NATASHA, “Dirty Art: Transgressing Domesticity and the Body in 1950s United States Art” (CUNY, A. Chave)
PULTZ, JANET, “Christian Abrahamsen (1887–1983), Norwegian-American Portrait Painter” (Missouri, O. Overby)
RAU, PAULA, “Chance Encounters: John Cage’s Late Visual Works” (Virginia Commonwealth, H. Risatti)
REASON, AKELA, “Beyond Realism: History in the Art of Thomas Eakins” (Maryland, College Park, S. Promey)
REECE-HUGHES, SHIRLEY, “The Art of David Bates” (Kansas, C. Eldredge)
REYMOND, RHONDA, “For Glory and For Beauty: Richard Morris Hunt, George W. Vanderbilt, and All Souls’ Church” (Georgia, J. Simon)
REYNOLDS, REBECCA, “Anna Hyatt Huntington as a Case Study For the Influence of the Culture of Science On Art in the Nineteenth and Twentieth Centuries” (Boston, P. Hills)
ROBERTS, ELLEN, “Japanese Art and the American Aesthetic Interior, 1870–1900” (Boston, P. Hills, K. Morgan)
ROETHKE, LEIGH, “A Passion For Spain: Españolismo in American Visual Culture” (Minnesota, K. A. Marling)
ROGERS, KAREN L., “Checkerboard: Complexities of the Grid and the Making of Place in the American Southwest” (SUNY Binghamton, C. Burroughs)
RUNDQUIST, LEISA, “Firestorms and Conflagrations: The Inflamed Cosmology of Henry Darger” (Unc Chapel Hill, C. Mavor)
SAILOR, RACHEL M., “Meaningful Places: Nineteenth-Century Photography and the Local Landscapes of the American West” (Iowa, J. Kinsey)
SAMUEL, ANNE, “Rethinking Vision in the American Renaissance Murals of Edwin Howland Blashfield” (Delaware, M. Leja)
SCOLARI, PAUL, “Indian Warriors and Pioneer Mothers: American Identity and the Closing of the Frontier in Public Monuments, 1890–1930” (Pittsburgh, K. Savage)
SENF, REBECCA, “Intimate Places: Ansel Adams’s Photographs in the American West and Southwest, 1916–1936” (Boston, K. Sichel)
SHEEHAN, TANYA, “Doctor Photo: The Cultural Authority of Portrait Photography as Medicine in Nineteenth-Century America” (Brown, K. Kriz)
SHERRY, KAREN, “Exposing the ‘natural’ Woman: Female Bodies in American Visual Culture, 1785–1830” (Delaware, M. Leja)
SIDDONS, LOUISE, “The Future of the American Race: Theorizing Reproduction in Print Media, 1925–1940” (Stanford, W. Corn)
SINNETT, GRETCHEN, “Envisioning Female Adolescence: Rites of Passage in Late Nineteenth-Century Painting and Photography” (Pennsylvania, E. Johns)
SIVARD, SUSAN, “The Volcano in European and American Art, 1770–1865” (Columbia, B. Novak)
SLIFKIN, ROBERT, “Out of Time: Philip Guston’s 1970 Marlborough Show” (Yale, A. Nemerov)
SMITH, CAROLINE, “American Artists’ Frames: Paintings, Environments, and Viewers” (UC Santa Barbara, E. B. Robertson)
SMITH, DANIELLA, “Hotel Design in British Mandate Palestine: Alliance of Modernism, Tourism, and National Agenda” (The Bard Graduate Center, A. Ogata)
SMITH, JERRY, “Auto-America: The Automobile and American Art, C. 1900–1950” (Kansas, C. Eldredge)
SNOOK, SARAH, “The Development of the American Art Market in Antebellum New York” (Columbia, D. Rosand)
TOWNS, ELIZABETH, “Wondrous Creatures: The Hummingbird and Orchid Paintings of Martin Johnson Heade” (Unc Chapel Hill, C. Mavor)
TRAVIS, AMBER, “Theatres of War, Torture, and Duress: Leon Golub’s Mercenaries, Interrogations, and White Squads 1979–87” (Northwestern, S. Eisenman)
TWA, LINDSAY, “Troubling Island: The Imagining and Imaging of Haiti By African-American Artists” (Unc Chapel Hill, M. Harris)
VINCENTI, MARISSA, “Our Spiritual Strivings: Gurdjieffian Philosophy, Spiritualism and Politics in the Art of Aaron Douglas” (Duke, R. Powell)
WAGNER, ANN PRENTICE, “‘Living On Paper’ : Georgia O’keeffe and the Culture of Drawing and Watercolor in the Stieglitz Circle” (Maryland, College Park, S. Promey)
WAGNER, SARAH, “Zen and the Artists of the Eighth Street Club” (CUNY, A. Chave)
WATSON, SAMUEL, “Childhood’s End: Representing the American Child, 1940–1970” (Kansas, C. Eldredge)
WILK, DEBORAH, “Jewish Identity in American Art: Immigration in New York City at the Turn of the Century” (Kansas, C. Eldredge)
WILLIAMS, THOMAS, “Pop Art, Affluence, and the Politics of Taste” (SUNY Stony Brook, J. Katz)
WORTHAM, B. D., “Mythologies of an Everyday Landscape: Henry Ford at the Wayside Inn Farm, 1923–1945” (MIT, M. Jarzombek)
ZARRO, JENNIFER, “Images of the American City: Maps, Prints, and Magazine Views, 1780–1800” (Rutgers, W. Bellion)
Chinese Art
AUYEUNG, POYIN, “Critical Spatial Responses to Urban Redevelopment in Beijing and Shanghai: Art in Public Spaces, 1978–1998” (CUNY, R. Bletter)BENINGSON, SUSAN, “Shaping Sacred Space: Early Buddhist Caves and Their Interaction With Ritual Architecture and Artistic Programs of Tombs in Fifth Century China” (Columbia, R. Harrist)
BRASH, CAROL, “Representations of Gardens Under the Ming” (Minnesota, R. Poor)
CHANG, HAN-YUN, “He Tianjian and the Traditional Painting Revival Movement” (UC Santa Barbara, P. Sturman)
CHANG, QING, “Feilaifeng and the Flowering of Chinese Buddhist Sculpture From Tenth to Fourteenth Centuries” (Kansas, M. Haufler)
CHIU, LI-LI, “The Image of Lohans Crossing the Water and Its Social and Historical Context in Ming Dynasty Popular Culture” (Kansas, M. Haufler)
CHU, YANGMING, “Gentrification of Women in Early Tang Paintings” (Columbia, R. Harrist)
EARNSHAW, CONNIE V., “Ming Illustrations of Bai Juyi’s Tang Poem Pipa Xing” (Washington, J. Silbergeld)
FENG, JIREN, “Imperial Song Architecture: Treatises, Buildings, Literature and Art” (Brown, M. Bickford)
GIUFFRIDA, NOELLE, “Representing Zhenwu [The Perfected Warrior] in Late Imperial China” (Kansas, M. Haufler)
HAN, HYONJEONG, “He Tianjian (1891–1977) and the Defense of Guohua” (UC Santa Barbara, P. Sturman)
HSU, MIAO-LIN, “Chu Bronze Mirrors: Guardians of the Grave” (Pittsburgh, K. Linduff)
HUANG, BINGYI, “Reading Mawangdui” (Yale, D. Sensabaugh)
HUANG, YUN-JU MICHELLE, “Dunhuang Cave #446: The Embodiment of Hua-Yen Buddhism” (Wisconsin, Madison, J. Murray)
KIM, SUNKYUNG, “Buddhist Image and Text at Anyang Caves During the Late Sixth Century” (Duke, S. Abe)
KINDALL, ELIZABETH, “Functions of Late-Ming Dynasty Paintings of Monasteries” (Kansas, S. Fowler)
KYAN, WINSTON, “The Body and the Family: Filial Piety and Buddhist Art in Late Medieval China” (Chicago, W. Hung)
LAI, YU-CHIH, “Reveal the Hidden: Ren Bonian’s Appropriation of Japanese Elements in Art” (Yale, R. Barnhart)
LAU, CHAK KWONG, “Ding Jing (1695–1765): Art, Hangzhou, and the Foundation of the Xiling Identity” (UC Santa Barbara, P. Sturman)
LEE, MARION, “Women, Men, and Morality: Paintings and Prints By Fei Xiaolou (1801/02–50)” (Stanford, R. Vinograd)
LIANG, SAMUEL Y., “Ephemeral Households, Splintered City: Mapping Leisure in the Sojourners’ Shanghai, 1870–1900” (SUNY Binghamton, T. Mcdonough)
LIU, BO, “When Paintings Speak For the Owners: Political Expressions in Song Dynasty Fan Paintings” (Michigan, M. Powers)
LIU, DAVID, “The Prehistory of the Middle and Lower Changjiang Region” (Princeton, R. Bagley)
LO, HUI-CHI, “From Prince to Emperor: Aixinjueluo Yinzhenis (1678–1735) Political Deployment of Art in Early Qing Dynasty” (Stanford, R. Vinograd)
LU, LING-EN, “Agricultural Themes in Temple Wall Paintings in the Ming Dynasty (1368–1644)” (Kansas, M. Haufler)
MA, YA-CHEN, “Making the Image of a Metropolis: Local and Imperial Interactions in Representing Eighteenth-Century Suzhou” (Stanford, R. Vinograd)
MAO, YILING, “Women’s Painting in Seventeenth-Century China: Persona, Performance, and the Construction of Female Aesthetics” (Columbia, R. Harrist)
MARTIN, HUI WANG, “Guangsheng Monastery: The Study of Its Art and Architecture From a Ming Perspective” (Kansas, M. Haufler)
OWEN, ELIZABETH, “Love Lost: Qian Zuan (C. 1235–C. 1307) and Images of Emperor Ming Huang and Yang Guifei” (Yale, R. Barnhart)
PARK, JAE-SUK, “The Rustic Image and Cult of Su Shi: ‘su Shi Wearing Bamboo Hat and Clogs’ ” (Wisconsin, Madison, J. Murray)
RASMUSSEN, KENNETH, “Wang Shen (Born C. 1048) and Landscape Painting Among the Elite in Northern Song China, 1069–1120” (Yale, R. Barnhart)
SHIN, SEOJEONG, “Illustrations of Taiping Prefecture (1648): an Early Printed Album of Landscapes By the Scholar-Painter Xiao Yuncong (1596–1673)” (Maryland, College Park, J. Kuo)
WANG, HAICHENG, “Writing and Civilization in Early Bronze Age China: A Comparative Study” (Princeton, R. Bagley)
WANG, MEIQIN, “Transformation and Construction: Exhibiting Chinese Contemporary National Art in 2003” (SUNY Binghamton, N. Um)
WETHERELL, ANN, “Shen Zhou (1427–1509) and the Rise of Literati Flower and Bird Painting in the Ming Dynasty” (Oregon, C. Lachman)
YAO, ERICA, “Systems of Display at the Qing Dynasty Court: Visual Culture in Eighteenth-Century China” (Stanford, R. Vinograd)
YU, SHUISHAN, “Chang’an Avenue and the Radical Redefinition of China’s National Identity in the Twentieth Century” (Washington, M. Clausen)
ZHANG, RUI, “Feng Xiaogang and Chinese Popular Cinema After 1989” (Ohio State, R. Green)
Contemporary Art
ADAMS, VIRGINIA, “Illusion and Disillusionment in the Works of Gerhard Richter and Jeff Wall: Picturing (Post)Modern Life” (Maryland, College Park, S. Mansbach)ADAN, ELIZABETH, “Matter, Presence, Image: The Work of Ritual in Contemporary Feminist Art” (UC Santa Barbara, A. Solomon-Godeau)
ALLAN, KEN, “Conceptual Art Magazine Projects and Their Precedents” (Toronto, E. Legge)
AUYEUNG, POYIN, “Critical Spatial Responses to Urban Redevelopment in Beijing and Shanghai: Art in Public Spaces, 1978–1998” (CUNY, R. Bletter)
BLAIS, CATHERINE, “‘Installing’ the Museum: When Artist/Curators Re-Create the Museum and Its Discourses” (Boston, C. Jones)
BOUMAN, MARGOT, “Fata Morgana: Matrices of Video and Site” (Rochester, D. Crimp)
DUMETT, MARI, “Corporate Imaginations: The Fluxus Collective in the Age of Multi-National Capitalism” (Boston, C. Jones)
EVANS, KIM, “The Geography of Feminist Art Criticism: A Genealogical History of Feminist Discourses On Art, 1971–1981” (SUNY Binghamton, J. Tagg)
FEIBELMAN, BECK, “Real Life After ‘the Death of the Author’ : Celebrity and Identity in the Media” (Pennsylvania, C. Poggi)
FREDRICKSON, LAUREL, “The Liberatory Art and Politics of Jean-Jacques Lebel and Kate Millett” (Duke, K. Stiles)
GLAHN, PHILIP, “Estrangement and Politicization: Bertolt Brecht and Postwar American Art” (CUNY, R. Golan)
HAGE, EMILY, “New York and European Dada Art Journals, 1916–1926: International Venues of Exchange” (Pennsylvania, C. Poggi)
HAMILTON, JAIMEY, “Strategies of Excess: The Postwar Assemblage of Alberto Burri, Robert Rauschenberg, and Arman” (Boston, C. Jones)
HENSON, DENNIS, “Beyond Warhol’s 15 Minutes: Pop Art, Pop Music, ‘the Media’ and Fame” (Missouri, J. Klein)
HOLMES, KRISTY, “The Gendered Nation: The Work of Joyce Wieland 1964–1976” (Queen’s, Kingston, L. Jessup, S. Lord)
HOSEIN, LISE, “The Weight of Being Human: Animals as Surrogate Bodies in Contemporary Art” (Toronto, M. Cheetham)
HOUSER, CRAIG, “Recontextualizing Robert Gober” (CUNY, A. Chave)
JAROSI, SUSAN, “Art and Trauma Since 1950, a Holographic Model” (Duke, K. Stiles)
JOHNSON BIDLER, TIFFANY, “Tracing Genealogies: The Question of Inheritance in Early and Contemporary American Art” (Minnesota, J. Blocker)
KOH, DONG-YEON, “Larry Rivers and Frank O’hara: Reframing Male Subjectivity” (CUNY, A. Chave)
LECLRE, MARY, “Siting Art Criticism 1965–1975” (Virginia, H. Singerman)
LEE, ANDREA, “Visioning the Sacred: Expressions of Spirituality By Contemporary Women Artists” (Missouri, Kansas City, M. Southwell-Wahlman)
LGER, MARC, “Visuality, Subjectivity and Social Space in Critical Public Art” (Rochester, J. Saab)
LEVINE, CARY, “Pay For Your Pleasures: Mike Kelley, Raymond Pettibon, Paul Mccarthy” (CUNY, R. Golan)
MCELREAVY, TIMOTHY S., “Object Relations: Repeating and Working Through Minimalism and Postminimalism in the 1980s and 1990s” (Stanford, P. Lee)
MILKOVA, LILIANA, “The Photographic Other: Soviet Underground Art From the 1970s–1980s” (Pennsylvania, C. Poggi)
PALMER, KATE, “Archive/Atlas/Album: The Photographic Records of Christian Boltanski, Dinh Q. Lê, and Gerhard Richter” (Boston, C. Jones) {Diss}
PUGH, EMILY, “The Berlin Wall and the Urban Space and Experience of East and West Berlin, 1961–1989” (CUNY, K. Murphy)
QIN, ZHAO-KAI, “Transnational Modernities: Artistic Interactions Between China and the West 1979–1999” (Cornell, L. Meixner)
RATH, AMANDA, “Mutable Signs: De/Con/Struction in Indonesian Experimental Art” (Cornell, K. Mcgowan)
RICHARDSON, MARGARET, “Re-Constructing Tradition and Modernity: The Theories and Art Projects of K. G. Subramanyan” (Virginia Commonwealth, H. Risatti)
ROBERTSON, KIRSTY, “This Is What Democracy Looks Like: Visual Culture and Protest in Canada, 1988–2003” (Queen’s, Kingston, L. Jessup)
ROBINSON, JEN, “Reading Between the Lines: The Art and Language Movement” (University of New Mexico, D. Craven)
ROGERS, SARAH, “Art as History in Postwar Lebanon” (MIT, N. Rabbat)
ROMAINE, JAMES, “The Art of Tim Rollins and K.O.S.: 25 Years of Art, Education, and Community” (CUNY, H. Senie)
ROSENBERG, LELA C., “The Virgin and the Murderess: Reflecting On the Sensation Sensation” (Duke, K. Stiles)
RUIZ-GÓMEZ, NATASHA, “Morceaux D’Amphithéâtre: Science and the Fragment in Rodin’s Sculpture” (Pennsylvania, C. Poggi)
STECK, STUART, “Veiling the Subject: Ellsworth Kelly and the Discourses of Modernism” (Boston, C. Jones)
THEODORE, MOLLEEN, “Walter De Maria’s Work: Patronage, Reception and Aura” (CUNY, A. Chave)
TINTI, MARY, “Dimensions of Flight: A Study of Contemporary Sculpture in Airports of the United States and Canada” (Rutgers, J. Marter)
TSENG, LI-LIN, “Melodrama as Modernity in Early Chinese Cinema: A Case Study in the Works of Zheng Zhengqiu and His Shanghai Contemporaries, 1922–1937” (Uiuc, J. Fineberg)
WANG, MEIQIN, “Transformation and Construction: Exhibiting Chinese Contemporary National Art in 2003” (SUNY Binghamton, N. Um)
WARNOCK, MOLLY, “Painting Blind: Simon Hantai’s Technique-Based Paintings” (Johns Hopkins, B. Doherty)
WOLFSKILL, PHOEBE, “Constituting the Elusive City: Documentation and Fantasy in the Work of Archibald Motley, Jr. and Reginald Marsh” (Uiuc, J. Fineberg)
Critical Theory/Visual Studies/Gender Studies
BAGG, SHANNON K., “Artists, Art Historians, and the Value of Contemporary Inuit Art” (Queen’s, Kingston, L. Jessup)BAUM, RACHEL, “Andy Warhol: The Crisis of Modernist Subjectivity in Abstraction” (Harvard, N. Bryson)
BROWER, MATTHEW, “Animal Traces: Early North American Animal Photography” (Rochester, L. Cartwright, J. Saab)
BUBENIK, ANDREA, “The Reception of Albrecht Dürer (1528–1700): The Practices of Art, Science and Collecting” (Queen’s, Kingston, C. Hoeniger and V. Manuth)
CARLSON, ELIZABETH, “City of Mirrors: Spectacle and Surveillance in Nineteenth-Century Paris” (Minnesota, J. Blocker)
CARO, MARIO A., “The Native as Image: Art History and the Representation of the American Native” (Rochester, J. Berlo, M. Holly)
CONTRERAS DE BERENFELD, MARIA CELINA, “Cesare Brandi’s Teoria Del Restauro and the Practice of Restoration” (Queen’s, Kingston, C. Hoeniger)
CRONAN, TODD, “The Despair of the Physical: Materialism in George Santayana, Wallace Stevens, and Henri Matisse, 1900–1950” (UC Berkeley, W. Davis)
CURZON, LUCY, “Modernity’s Revision: Culture and National Identity in Postwar Britain” (Rochester, P. Duro, J. Saab)
CZACH, LIZ, “Careless Rapture: Artifacts and Archives of the Home Movie” (Rochester, S. Willis)
DAWSEY, JILL, “Secrets From the Streets: Women, Art, and Urban Space, 1966–1980” (Stanford, P. Lee)
DE SOUZA, C. ROBERTO, “And Love Will Live Forever: The Narrative Structure of the Fotonovela” (UC Santa Barbara, U. Keller)
EMERLING, JOHN, “The Gesture of Collecting: Walter Benjamin and Contemporary Aesthetics” (UCLA, D. Preziosi)
EVANS, KIM, “The Geography of Feminist Art Criticism: A Genealogical History of Feminist Discourses On Art, 1971–1981” (SUNY Binghamton, J. Tagg)
FIRSTENBERG, LAURI, “Postcoloniality, Performance, and Photographic Portraiture” (Harvard, S. P. Blier)
GASPARAVICIUS, GEDIMINAS, “The Emergence of Neo-Avantgardes in Central Europe in 1975–1995” (SUNY Stony Brook, D. Kuspit)
HOLMES, KRISTY, “The Gendered Nation: The Work of Joyce Wieland 1964–1976” (Queen’s, Kingston, L. Jessup)
HORIUCHI, LYNNE, “Dislocations and Relocations: The Built Environments of Japanese American Internment” (UC Santa Barbara, E. B. Robertson)
HOWIE, ELIZABETH, “The Courtly Erotics of the Photograph: Photography and the Nineteenth-Century Theorization of Courtly Love” (Unc Chapel Hill, C. Mavor)
HUMPHREY, DAN, “Projected Affects/Constructed Subjects: Considering the Male American Spectator of ‘foreign’ Feature Films” (Rochester, D. Crimp)
JOHNSON BIDLER, TIFFANY, “Tracing Genealogies: The Question of Inheritance in Early and Contemporary American Art” (Minnesota, J. Blocker)
LANGLOIS, LISA, “Exhibiting Japan: Gender and National Identity at the World’s Columbian Exposition of 1893” (Michigan, P. Simons)
LEE, ANDREA, “Visioning the Sacred: Expressions of Spirituality By Contemporary Women Artists” (Missouri, Columbia-Kansas City, M. Southwell-Wahlman)
LGER, MARC, “Visuality, Subjectivity and Social Space in Critical Public Art” (Rochester, J. Saab)
MACNAYR, LINDA C., “Politics and Gender in Portraits of Princess Charlotte of Belgium, Vicereine of Lombardy-Venetia, and Empress of Mexico” (Queen’s, Kingston, J. Helland)
MCAULIFFE, MICHAEL, “Connoisseurship in the Twentieth Century: The Jànos Scholz Collection of Italian Old Master Drawings—A Case Study” (Columbia, D. Rosand)
MCELREAVY, TIMOTHY S., “Object Relations: Repeating and Working Through Minimalism and Postminimalism in the 1980s and 1990s” (Stanford, P. Lee)
MIZOGUCHI, AKIKO, “The Construction of Lesbian Sexuality in Contemporary Japan in Relation to Yaoi Fictions and ‘gay Boom’ Cinema” (Rochester, D. Crimp)
MUIR, KIM H. S., “Wounded Masterpieces: Restoring Severely Damaged Works of Art” (Queen’s, Kingston, C. Hoeniger)
OLIVER, LISA, “The Logic of Advertising: Foucault, Visual Culture and the Production of Subjectivity” (Brown, H. Vanel)
PARKINSON, KAMILLA T., “Philip John Bainbrigge (1817–1881) and the ‘group of 1838’ ” (Queen’s, Kingston, L. Jessup)
PERRY, WEENS, “America in Ruins: Photography and the Making of National Meanings” (SUNY Stony Brook, M. Bogart)
PERSINGER, CYNTHIA, “The Politics of Style: Meyer Schapiro and the Methods of Art History” (Pittsburgh, B. Mccloskey)
POTVIN, JOHN, “‘The New Chivalry’ : Representation of Male Bodies, Labour, Sexuality and Domestic Ideology in British Aestheticism” (Queen’s, Kingston, J. Helland)
REYMOND, RHONDA, “For Glory and For Beauty: Richard Morris Hunt, George W. Vanderbilt, and All Souls’ Church” (Georgia, J. Simon)
RICCIARDELLI, LUCIA, “Packaging the Past For the Spectator: The Status of the Photographic Image in Contemporary Documentary Practice” (UC Santa Barbara, A. Solomon-Godeau)
ROBERTSON, KIRSTY, “This Is What Democracy Looks Like: Visual Culture and Protest in Canada, 1988–2003” (Queen’s, Kingston, L. Jessup)
RODRIGUEZ, VICTOR M., “Mimicry in Latin American Art and the Rhetoric of Modernist Art History” (Rochester, D. Crimp)
ROGERS, DENISE, “Becoming Black Woman: Eldzier Cortor’s Visualization of the Black Female Body” (UC Irvine, J. Wilson)
ROGERS, JENNIFER, “Walking After Midnight: Mythic Monstrousness, Menstruation, and the Female Werewolf” (UC Irvine, A. Lippit)
SANDLER, DANIELA, “Incarnate Politics: National Identity, History, and Architectural Heritage in Postwar Berlin” (Rochester, A. Nader)
SMITH, T’AI, “Weaving Work at the Bauhaus: The Gender and Engendering of a Medium” (Rochester, D. Crimp)
SOCCIO, LISA, “Nothing’s Shocking: On the Persistence of Avant-Gardism in Alternative Music” (Rochester, J. Wolff)
THOMPSON, ALLISON, “Arriving at the Caribbean: Constructing Visual Representations of Transatlantic and Transcultural Experience” (SUNY Stony Brook, B. Frank)
VORANO, NORMAN D., “The Culture of Inuit Art: Museums, Modernism, and the Popular Imaginary in the Mid Twentieth Century” (Rochester, J. Berlo)
WANG, MEIQIN, “Transformation and Construction: Exhibiting Chinese Contemporary National Art in 2003” (SUNY Binghamton, N. Um)
WILLIAMS, MICHAEL, “Playing Perverse: Being-In-The-Filmic-World” (Rochester, T. Dipiero)
ZEIDLER, SEBASTIAN, “Carl Einstein’s History and Theory of Art” (Columbia, B. Buchloh, R. Krauss)
ZUROMSKIS, CATHERINE, “Private Images, Public Contexts: Snapshot Photography in the Public Sphere” (Rochester, D. Crimp)
Decorative Arts/Textiles/Design History
ATKINS, JACQUELINE, “Wearing Propaganda: Civilian Textiles On the Home Front in Japan, America and Great Britain, 1931–1945” (The Bard Graduate Center, K. Ames, P. Kirkham)BORTEL, ELLEN, “George Ohr: His Life, Work, and Influence On Contemporary Ceramics” (Case Western Reserve, H. Adams)
CARR, DENNIS, “Early Furnituremaking in the Narragansett Bay, 1636–1740” (Yale, E. Cooke Jr.)
DANDONA, JESSICA, “Ornament and Empire in the Making of French Modernity” (UC Berkeley, D. Grimaldo Grigsby)
DONNELLY, BRIAN T., “Graphic Design in Canada Since 1945” (Queen’s, Kingston, L. Jessup)
FISHER, ELLEN, “Mary Mcfadden, Fashion Designer” (The Bard Graduate Center, P. Kirkham)
FLEMING, ELIZABETH, “Redesigning the Decorative Arts: The Production and Promotion of Postmodern Objects” (Yale, E. Cooke Jr.)
FOWLER, LIZ, “The Rookwood Sage: Kataro Shirayamadani and American Japonism, 1883–1913” (Minnesota, G. Weisberg)
FULGHUM HEINTZ, MARY, “The Transitive Form: Textiles as Transmitters of Power in the Middle Ages” (Harvard, I. Kalavrezou)
HESS, HEATHER, “The Wiener Werkstaette and Its Critics” (Rutgers, J. Sharp)
HOLLOWAY, ANITA, “Animal Symbolism in Ewe Textiles” (Virginia Commonwealth, B. Lawal)
IVERSON, STEPHANIE DAY, “Elegant Solutions and Sybaritic Delights: The Design and Work of Bonnie Cashin, C. 1923–1985” (The Bard Graduate Center, P. Kirkham)
KAUKAS HAVENHAND, LUCINDA, “Creating a Modern Gesamtkunstwerk: Interior Design 1930–1960” (Virginia Commonwealth, R. Hobbs)
KIEFER, EVELYN, “The Birth and Death of the American Dining Room: an Evolution From the Colonial Hall to Frank Lloyd Wright’s Dining Rooms and Beyond” (Case Western Reserve, H. Adams)
KULLY, DEBORAH, “Morality, Architecture, and the French Interior (1860–1890)” (MIT, E. Naginski)
LANDFORD JOY, CATHERINE, “Reflecting Refinement: The Making and Meaning of Silver Metal in Antebellum Boston, 1800–1875” (Yale, E. Cooke Jr.)
LASSER, ETHAN, “The Figure in the Grain: Furniture, Mercantilism and the Imagination in Boston, 1660–1800” (Yale, E. Cooke Jr.)
MATHIAS, CATHERINE A., “Textiles in Seventeenth-Century Colonial Portraiture” (Queen’s, Kingston, A. Murray, V. Manuth)
MCCORMICK, HEATHER JANE, “Woodcarvers in the City of New York: A Study in Craft Change, 1820–1880” (The Bard Graduate Center, P. Kirkham)
MEIERS, SARAH H., “William Morris’s Green Dining Room: The Experience of an Arts-And-Crafts Interior” (Queen’s, Kingston, J. Helland)
MYZELEV, ALLA, “Art, Craft, Commodity: Peasant Craft Revival in Russia and England, 1880–1914” (Queen’s, Kingston, J. Helland)
ORTIZ-HOLMES, AMY, “Tramp Art: Cultural Expression, Visual Splendor” (Wisconsin, Madison, A. Smart Martin)
SHALES, EZRA, “Applied Art in the Newark Library and Museum, 1902–1929: Commerce and Citizenship in an ‘engine of Culture’ ” (The Bard Graduate Center, K. Ames, A. Ogata)
SHINN, MASAKO, “The Commercial, Social, and Cultural Basis of the Proliferation of Japanese Design Elements in Late Nineteenth-Century American Industrial Art: The Case of the Silver Industry” (The Bard Graduate Center, K. Ames)
SMITH, DANIELLA, “Hotel Design in British Mandate Palestine: Alliance of Modernism, Tourism, and National Agenda” (The Bard Graduate Center, A. Ogata)
SMITH, T’AI, “Weaving Work at the Bauhaus: The Gender and Engendering of a Medium” (Rochester, D. Crimp)
TALBOT, LEE, “Women, Textiles, and Upper-Class Domestic Environments in Late Choson-Dynasty Korea” (The Bard Graduate Center, F. Louis)
TOLINI, MICHELLE, “Fashioning Early Cinema: Dress and Representation in American Film, 1910–1930” (The Bard Graduate Center, P. Kirkham)
YAMAMORI, YUMIKO, “The A. A. Vantine Japanese Handcrafts For the American Consumer, 1895–1920” (The Bard Graduate Center, F. Louis)
Digital Media/Animation
CROCKETT, TOBEY, “Towards a Theory of Fun: an Aesthetics of Play and Empathy in 3d Virtual Worlds” (UC Irvine, A. Lippit)Drawings/Prints/Photography/Works On Paper
AZEVEDO, FERNANDO, “The Nineteenth-Century Rio De Janeiro of Marc Ferrez: A Case Study of Uses and Transformations of the Sense of Place in the Age of Photography” (CUNY, G. Batchen)BAKER, KELLY, “A Southern Sense of Place: The Vernacular Landscape in the Photography of William Christenberry, Carrie Mae Weems, and Sally Mann” (CUNY, G. Batchen)
BREAZEALE, WILLIAM, “Sketchbook and Zibaldone: Studies in the Theory and Practice of Disegno in Sixteenth-Century Italy” (Maryland, College Park, Colantuono)
BROWER, MATTHEW, “Animal Traces: Early North American Animal Photography” (Rochester, L. Cartwright, J. Saab)
BURGESS, REBEKAH, “Collecting Agency: Turn-Of-The-Century Lowell, Massachusetts, Workers Return the Camera’s Gaze” (Boston, K. Sichel)
COLEMAN, DAVID LAWRENCE, “Matter of Fact Or Truth: The Photographs and Theories of Henry Peach Robinson” (UT Austin, M. Charlesworth)
FINCH, ELIZABETH, “Languages of Vision: Gyorgy Kepes and His ‘new Landscape’ of Art and Science, 1944–1972” (CUNY, G. Batchen)
FOWLER, AMY, “Exposè Reporting On the Belgian Congo: Prints, Drawings, and Photographs From the Congo Reform Movement, 1884–1908” (Kansas, S. Goddard)
FRASER, KAREN, “Picturing Japan: Commercial Photography in the Meiji Era” (Stanford, M. Takeuchi)
GILLESPIE, SARAH KATIE, “Samuel F. B. Morse and the Daguerreotype: Art and Science in American Culture, 1835–1855” (CUNY, K. Manthorne)
GROSS, FREDERICK, “Fairy Tales For Grown-Ups: Diane Arbus’s Social Gallery” (CUNY, G. Batchen)
GROVES, LAURA, “Lilly Martin Spencer and Popular Prints” (Maryland, College Park, S. Promey)
HAMILL, SARAH, “Sculpture’s Frame: On the Photography of David Smith, 1931–1965” (UC Berkeley, A. Wagner)
HENRY, BETTINA RICCIO, “Lights, Camera, Art: John Baldessari, Ed Ruscha, and Hollywood Film” (CUNY, H. Senie)
HICKMAN, CAROLINE MESROBIAN, “Clare Leighton (1898–1989): A Wood Engraver’s Impressions of Agrarian Life in England and the American South” (Unc Chapel Hill, A. Marks)
HULT-LEWIS, CHRISTINE, “Industrial Aesthetics: The Mining Photographs of Carleton Watkins, 1851–1891” (Boston, K. Sichel)
KARR SCHMIDT, SUZANNE, “Art—A User’s Guide: Interactive and Sculptural Printmaking in the Renaissance” (Yale, C. Wood)
KELLER, COREY ELISE, “The Look of Knowledge: Photographic Imagery and the Discourses of Science, 1839–1895” (Stanford, M. Marrinan)
KNAPPE, BRETT, “Hope and Innovation: The Photography of Barbara Morgan” (Kansas, J. Pultz)
LAMUNIERE, MICHELLE, “The Social Museum at Harvard: Francis Greenwood Peabody and Early Twentieth-Century Social Reform Photography in Context” (Boston, K. Sichel)
MAIMON, VERED, “Herschel and Talbot: On the Conception of the Photographic as an Epistemological Site in the Early Nineteenth-Century in England” (Columbia, J. Crary)
MAY, JESSICA, “Off the Clock: Walker Evans and the Crisis of American Capital, 1930–1946” (UC Berkeley, M. M. Lovell)
MCCANN, CARMEN, “Status Viatoris: a New Spectacularization of Death in French Paintings and Prints From the Bourbon Restoration” (Penn State, N. Locke)
MCCARROLL, STACEY, “Intimate Images: The Public and the Private in Twentieth-Century American Photography” (Boston, C. Jones)
MCKENNA, MAUREEN, “Anne Brigman, California Pictorialist Photographer” (Delaware, W. Homer)
NELSON, ANDREA, “Reading Montage: The Photography Books of Làszlò Moholy-Nagy and Walker Evans” (Minnesota, J. Blocker)
NOONAN, JENNIFER, “Romancing the Stone: Desire in Conceptual Prints of the 1960s and 1970s” (Penn State, S. Rich)
PALMER, KATE, “Archive/Atlas/Album: The Photographic Records of Christian Boltanski, Dinh Q. Lê, and Gerhard Richter” (Boston, C. Jones)
ROTH, LYNETTE, “‘Neue Sachlichkeit’ in Cologne: August Sander and the Cologne Progressives” (Johns Hopkins, B. Doherty)
SASKA, HOPE, “Theatricality and the Popular Print in Eighteenth-Century England” (Brown, K. D. Kriz)
SENF, REBECCA, “Intimate Places: Ansel Adams’s Photographs in the American West and Southwest, 1916–1936” (Boston, K. Sichel)
SHEEHAN, TANYA, “Doctor Photo: The Cultural Authority of Portrait Photography as Medicine in Nineteenth-Century America” (Brown, K. D. Kriz)
SIDDONS, LOUISE, “The Future of the American Race: Theorizing Reproduction in Print Media, 1925–1940” (Stanford, W. Corn)
SNOW, RACHEL, “Incidental Tourists: Vernacular Photo-Travel Books, 1920–1940” (CUNY, G. Batchen)
STEER, LINDA M., “Appropriated Photographs in French Surrealist Reviews, 1924–1939” (SUNY Binghamton, J. Tagg)
WAGNER, ANN PRENTICE, “‘Living On Paper’ : Georgia O’keeffe and the Culture of Drawing and Watercolor in the Stieglitz Circle” (Maryland, College Park, S. Promey)
WEISSMAN, TERRI, “Super Sight: The Realisms of Berenice Abbott” (Columbia, B. Buchloh)
WERSCHKUL, HILDA, “Modernism Into Memory: The Drawings of Eva Hesse” (Columbia, D. Rosand, B. Buchloh)
YAKIMOSKI, NANCY, “To Lure and Secure the Voyeur: Staged Ficto-Narratives in Contemporary Canadian Art Photography” (Victoria, A. Antliff)
YOUNG, LISA JAYE, “All Consuming: Weimar Photography and the Aesthetics of Americanization, 1923–1933” (CUNY, G. Batchen)
ZUROMSKIS, CATHERINE, “Private Images, Public Contexts: Snapshot Photography in the Public Sphere” (Rochester, D. Crimp)
Early Christian/Byzantine Art
ANGELOVA, DILIANA, “Imaging the Christian Empress: The Iconography of Female Imperial Authority; Its Religious and Political Origins From the First to the Sixth Century” (Harvard, I. Kalavrezou)BOGDANOVIC, JELENA, “To Κιβωριον: The Framing of Sacred Space in the Byzantine Tradition” (Princeton, S. Ćurčić)
CLARK, TRAVIS, “Imaging the Cosmos: The Iconography and Meaning of the Cosmograms in The Christian Topography By Cosmas Indicopleustes” (Temple University, E. Bolman)
DALGIC, ORGU, “Late Antique Floor Mosaics of Constantinople Before the Great Palace” (Ifa/Nyu, T. Mathews)
DOWNS, JOAN, “The Topography and Iconography of Death in Christian North Africa” (Michigan, T. Thomas)
GITTINGS, ELIZABETH, “The Ideology and Aesthetics of Architecture in the Early Christian Mosaics of the Rotunda in Thessaloniki” (Harvard, I. Kalavrezou)
KLIMA, ALICE, “A Study of Roudnice Abbey” (Brown, S. Bonde)
LEWIS, TONYA, “Popular Image Veneration in Late and Post-Byzantine Paintings” (Johns Hopkins, H. Maguire)
MARINIS, VASILEIOS, “The Monastery Tou Libos: Architecture, Sculpture, and Liturgical Planning in Middle and Late Byzantine Constantinople” (Uiuc, R. Ousterhout)
RATLIFF, BRANDIE, “Image and Relic at Byzantine Pilgrimage Sites” (Columbia, S. Murray, H. Klein)
SCHENK, KRA, “The Dura Synagogue Frescoes: Priestly Patronage and the Image of the Temple” (Johns Hopkins, H. Maguire)
SCHILB, HENRY D., “Byzantine Identity and Its Patrons: Embroidered Epitaphioi and Aeres of the Palaiologan and Post-Byzantine Periods” (Indiana, Bloomington, W. Kleinbauer)
TARANDJIEVA, TEODORA, “The Church of St. John Aleitourgetos in Nesebar (Ancient Mesembria) and Its Role in Late Byzantine Architecture in Bulgaria” (Indiana, Bloomington, W. Kleinbauer)
Early Medieval/Romanesque/Gothic Art
ABEND-DAVID, ILANA, “The Heribert Shrine” (SUNY Binghamton, B. Abou-El-Haj)ATAOGUZ, J. KIRSTEN, “Cultivating the Monastic Ideal: Imitation and Emulation at the Monastic Church of Saint John in Müstair” (Harvard, J. Hamburger, I. Kalavrezou)
BAUER-SMITH, CHARLOTTE, “Visual Constructions of Corporate Identity and Exempla For the University of Paris, 1200–1500” (Uiuc, A. Hedeman)
BORLAND, JENNIFER, “Unstable Women: Transgression and Corporeal Experience in Twelfth-Century Visual Culture” (Stanford, S. Lewis)
BRADBURY, CARLEE ANN, “Imaging and Imagining the Jew in Medieval England” (Uiuc, A. Hedeman)
BRUHN, HEATHER, “Late Gothic Architectural Monstrances in the Rhineland” (Penn State, E. B. Smith)
CANEJO, CYNTHIA, “Transforming Early Gothic Form: The Cistercian Abbey of Pontigny and Northern Burgundian Architecture” (UC Santa Barbara, C. E. Armi)
CANNING, JONATHAN, “The Stone-Cage Chantry Chapel and the Architecture of Perpetual Commemoration in Late Medieval England” (Columbia, S. Murray)
COLLINS, KRISTEN M., “Redeemer, Mother, and Ruler: Images of the Virgin in Ottonian Germany” (UT Austin, J. Holladay)
DE APPOLONIA, GIOVANNA, “Profane and Sacred Justice: The Symbolism of the Romanesque Column-Bearing Lion From Northern Italy” (Boston, D. Kahn)
DEWSNAP, TERENCE FRANCIS, JR., “The Romanesque Cathedral of Saint Mary at Lincoln and the Image of Reform” (Columbia, S. Murray)
DIMITROVA, KATE, “The Passion of Christ in Late Medieval Tapestries” (Pittsburgh, A. Stones)
EGAN, HEATHER, “Containing the Sacred: Enamel Phylacteries, Relics, and Twelfth-Century Theology in the Meuse Valley” (Johns Hopkins, H. Kessler)
ELLIOTT, GILLIAN, “Alsatian Sculpture in the Aftermath of the Investiture Controversy (1130–1190)” (UT Austin, J. Holladay)
EVALDS, VALIJA, “Regularis Concordia: The Development of the Monastic Cloister in England” (Yale, W. Cahn)
FOSTER-CAMPBELL, MEGAN H., “Reading Pilgrimage: Pilgrims’ Badges in Late Medieval Devotional Texts” (Uiuc, A. Hedeman)
FULGHUM HEINTZ, MARY, “The Transitive Form: Textiles as Transmitters of Power in the Middle Ages” (Harvard, I. Kalavrezou)
GATTI, EVAN, “Developing an Iconography of the Episcopacy: Liturgical Portraiture and Episcopal Politics in Late Tenth- and Early Eleventh-Century Manuscripts” (Unc Chapel Hill, D. Verkerk)
GERRY, KATHRYN, “The Alexis Quire and Its Role Within the Saint Albans Psalter” (Johns Hopkins, H. Kessler)
GESINK CORNELISSE, MELANIE, “Counterfeit Portraits and Authentic Likeness: Ways of Imaging Sacred Figures in Late Medieval Germany” (UT Austin, J. Smith)
GREENWOOD, JILL VESSELY, “The Romanesque Duomo in Sovana, Italy: Context, Iconography, and Style” (Kansas, M. Stokstad)
GROSSMAN, MAX, “Architecture and Ideology in the Sienese Contado From the Age of Frederick Ii to the Fall of the Nine” (Columbia, S. Murray)
HADLEY, MARGARET, “The Yale Missal, Beinecke Library, Ms. 425” (Yale, W. Cahn)
HEATH, ANNE, “Framing Medieval Devotion: The Display of Relics in the Abbey Church of Saint-Germain and the Cathedral of Saint-Etienne, Auxerre, 1200–1400” (Brown, S. Bonde)
JOYNER, DANIELLE, “A Timely History: Images and Texts in the Hortus Deliciarum” (Harvard, J. Hamburger)
KARR SCHMIDT, SUZANNE, “Art—A User’s Guide: Interactive and Sculptural Printmaking in the Renaissance” (Yale, C. Wood)
KIBBEY, DOUGLAS MARSHALL, “Historical Assemblage and the Aggregate Object in the Later Middle Ages” (Yale, C. Wood)
KILLIAN, KYLE, “Landscapes of Saint-Pierre D’orbais: The Anthropology of Medieval Monastic Architecture” (Columbia, S. Murray)
KINGSLEY, JENNIFER, “The Bishop and the Book: Art, Ideology and Collecting in Medieval Germany” (Johns Hopkins, H. Kessler)
KIRKWOOD, KEVANNE, “On Inventive Scribes and Visual Literacy in Western Books: The Bobbio Orosius and the Earliest Medieval Manuscripts From Bobbio” (Delaware, D. Kinney)
KUMLER, ADEN, “Visual Translation, Visible Theology: Illuminated Devotional Compendia in Late Medieval France and England” (Harvard, J. Hamburger)
LACHAT, ISABELLE, “Offering the Sacred Word: The Gospels of S. Maria Ad Martyres (Trier, Stadtbibliothek, Cod. 23) and Carolingian Court Taste in the Early Ninth Century” (Delaware, L. Nees)
LAKEY, CHRIS, “Relief in Perspective: Italian Sculpture and the Rise of Optical Aesthetics” (UC Berkeley, J. Jung)
LAROCCO, ELIZABETH, “Miracula Sanctae Virginis: Marian Miracle Illustration in the Thirteenth-Century Manuscripts of Gautier De Coinci’s Les Miracles De Notre Dame” (Yale, W. Cahn)
LOCKE, ALISON, “Visuality and Experience in the Twelfth-Century Church of Castel Sant’elia, Near Nepi Vt” (Yale, M. Georgopoulou)
MAHONEY, LISA, “Re-Presenting the Past: The Histoire Ancienne Jusqu’a Cesar in the Context of the Crusades” (Johns Hopkins, D. Weiss)
MCKIERNAN GONZALEZ, EILEEN, “Monastery and Monarchy: The Foundation and Patronage of Santa Maria La Real De Las Hueleas and Santa Maria La Real De Sigena” (UT Austin, J. Holladay)
MOEBUS-BERGERON, SUSANNE, “The Adaptation and Application of Goldsmith Techniques in Medieval Manuscripts From the Early Eleventh- to the Mid Thirteenth-Century” (Boston, D. Kahn)
MORROW, KARA, “‘Ears and Eyes and Mouth and Heart His Soul and His Senses’ : The Visual St. Stephen Narrative as the Essence of Ecclesiastical Authority” (Florida State, C. Hahn)
MUNDIS, MARTHA, “Christine De Pizan’s ‘livre D’epitre D’othea a Hector’ at the Intersection of Image and Text” (Kansas, M. Stokstad)
NEVINS, TERESA, “Viewing Revelation: Text and Image in Ninth-Century Apocalypse Manuscripts” (Delaware, L. Nees)
O’BRIEN, MAUREEN, “Art and Text in the Vienna Genesis” (Unc Chapel Hill, D. Verkerk)
PAC, TERESA, “Churches at the Edge: A Comparative Study of Acculturation at the Baltic Shore in the Middle Ages” (SUNY Binghamton, C. Burroughs)
PRESCHER, AMY, “Saxon Convent Architecture: The Diocese of Halberstadt in the High Middle Ages” (Yale, W. Cahn)
PROCTOR-TIFFANY, MARIAH, “Portrait of a Medieval Patron: The Collection and Patronage of Clementia of Hungary” (Brown, S. Bonde)
RAMIREZ-WEAVER, ERIC, “Carolingian Innovation and Observation in the Paintings and State Catalogs of Madrid, Biblioteca Nacional, Ms. 3307” (Ifa/Nyu, J. Alexander)
ROBERTS, ANGELA, “Late Medieval Donor Portraiture in Venice and Verona” (Queen’s, Kingston, J. Osborne)
SCHOWALTER, KATHLEEN, “Capetian Queens and Their Books: Art, Ideology, and Dynastic Continuity in Medieval France, 1200–1328” (Johns Hopkins, D. Weiss)
SCIACCA, CHRISTINE, “The Gradual and Sacramentary of Hainricus Sacrista (Pierpont Morgan Library, Ms. 711) and the Liturgy of Weingarten Abbey” (Columbia, S. Murray, H. Klein)
SCIBILIA, ANTHONY, “Perspective Before Perspective” (Columbia, S. Murray)
SPIRO, ANNA LEE, “The Facade of San Zeno in Verona: A Banner Worthy of Defense” (Columbia, J. Beck)
STEWART, CHARLES A., “Development of Medieval Dome Churches in France” (Indiana, Bloomington, W. Kleinbauer)
SULLIVAN, TIMOTHY, “Interactions Between Codex and Panel” (Yale, C. Wood)
TALLON, ANDREW J., “Experiments in Early Gothic Structure: The Flying Buttress” (Columbia, S. Murray)
VAN LIEFFERINGE, STEFAAN, “The Choir of Notre-Dame of Paris: The Sacred, the Practical, and the Mathematical” (Columbia, S. Murray)
WALDROP, GREGORY, “Sight Unseen: Priests and Visual Representation in Early Renaissance Italy” (UC Berkeley, L. Partridge)
WEMM, KEITH, “The Emperor, the Bishop, and the Archdeacon: The Significance of Art in the Episcopal Renovation of Trier” (Florida State, C. Hahn)
Egyptian/Ancient Near Eastern Art
AKER, JULIDE, “Rhetoric of Transgression: Assurbanipal’s Babylonian Policy and Transformations in the Visual Domain” (Harvard, I. Winter)BELCHER, ELLEN, “Late Neolithic Figurines From Northern Mesopotamia: A Comparative Analysis” (Columbia, N. Kampen)
CALVERT, AMY, “Changing Dress, Changing Roles: The Evolution of Royal Regalia in the New Kingdom” (Ifa/Nyu, D. O’connor)
JUDAS, BETH ANN, “Late Bronze Age Aegean Ceramics in the Nile Valley: an Analysis of Idea and Practice in the Archaeological Record” (Pennsylvania, P. Betancourt, J. Wegner)
MARTIN, S. REBECCA, “Hellenization and the Levant: Material Evidence of the Process of Acculturation” (UC Berkeley, A. Stewart)
PIOK-ZANON, CORNELIE, “The Queen Also Builds: Architecture, Gender, and Dynasty in Hellenistic Pergamon” (Pittsburgh, A.Weis)
TUTTLE, CHRISTOPHER, “Life in Miniature: Figurines as a Study in the Socio-Religious Culture of Petra and the Nabataean Kingdom” (Brown, M. Joukowsky)
XIN, WU, “Central Asia in the Achaemenid Context” (Pennsylvania, H. Pittman)
ZIMMERMAN, MICHAEL, “The Hellenistic and Roman Pottery From the Village of ’ Araq El-Emir, Jordan: A Typological and Contextual Analysis” (Brown, M. Joukowsky)
Eighteenth-Century Art
CAFFEY, MARK, “Subjecting History: Benjamin West, History Painting and the Heroics of Empire in Eighteenth-Century Britain” (UT Austin, S. Rather, J. Leoshko)CAMPBELL, KRISTIN E., “Taste and Nation: Spaces of Viewing in Britain, 1770–1895” (Queen’s, Kingston, J. Brooke, J. Helland)
CAMPBELL, EVA, “A Sign of the Times: Representations of Racialization in Eighteenth Century English Trade Cards” (Victoria, A. Wright)
CHUA, KEVIN, “Grueze and Sensibility’s Materialism 1759–1769” (UC Berkeley, D. Grimaldo Grigsby)
DUBIN, NINA, “Futures and Ruins: The Painting of Hubert Robert” (UC Berkeley, D. Grimaldo Grigsby)
FREUND, AMY, “Revolutionary Likenesses: Portraiture and Politics in France, 1789–1804” (UC Berkeley, D. Grimaldo Grigsby)
JONES, JENNIFER, “A Discourse On Drawings: Salon Culture and the Graphic Arts in Eighteenth-Century Paris” (Columbia, D. Rosand)
KING GILBERT, KRISTIN L., “Pedagogical Innovations at the French Academy in Rome Under the Direction of Charles Natoire (1752–1775)” (Iowa, D. Johnson)
MCLANE, PRESTON, “Alessandro Magnasco and the Painterly Picaresque” (Florida State, R. Neuman)
MITCHELL, ELIZABETH, “Mechanical Reproduction: Pregnancy and the Idea of Creativity in William Hogarth’s Printmaking” (UC Santa Barbara, A. Bermingham)
ROMAN, MONICA, “Eighteenth-Century French Genre Painting in the Public Sphere” (Victoria, R. Wrigley)
SASKA, HOPE, “Theatricality and the Popular Print in Eighteenth-Century England” (Brown, K. D. Kriz)
SMENTEK, KRISTEL, “Collecting in the Age of Enlightenment: Pierre-Jean Mariette and the Universal History of Art” (Delaware, N. Kallmyer)
Film/Video
BLACKBURN, MARCIA, “A Social Architectonics of Science Fiction Film Design” (SUNY Binghamton, T. Mcdonough)BOUMAN, MARGOT, “Fata Morgana: Matrices of Video and Site” (Rochester, D. Crimp)
CHUNG, FRANCIS, “Perspicuous Representations: Ordinary Language in Conceptual Art and Cinema” (UC Berkeley, W. Davis)
CZACH, LIZ, “Careless Rapture: Artifacts and Archives of the Home Movie” (Rochester, S. Willis)
DELPY, FABIENNE, “Eizö: Theory and Practice of the ‘camera-Based Image’ in Japan, 1960–1975” (Stanford, S. Bukatman)
HUMPHREY, DAN, “Projected Affects/Constructed Subjects: Considering the Male American Spectator of ‘foreign’ Feature Films” (Rochester, D. Crimp)
KAIZEN, WILLIAM, “The Immediate: Video Art, C. 1970” (Columbia, B. Buchloh)
MAKARAH, O. FUNMILAYO, “Power to the People: Media Activism, Pedagogy, Representation, and Urban Youth” (Rochester, S. Willis)
MIZOGUCHI, AKIKO, “The Construction of Lesbian Sexuality in Contemporary Japan in Relation to Yaoi Fictions and ‘gay Boom’ Cinema” (Rochester, D. Crimp)
MULLER, GABRIELA, “Abstraction On the Move: The Medium of the German Absolute Film” (Stanford, S. Bukatman)
NEIL, JONATHAN, “‘consecutive Matters,’ Or the Dependence of Late 1960s Sculpture On the Filmic Model” (Columbia, B. Buchloh, R. Krauss)
PROCTOR, JACOB, “Between Object and Experience: Video Art and Broadcast Television in the United States 1967–1977” (Harvard, Y-A. Bois)
TSENG, LI-LIN, “Melodrama as Modernity in Early Chinese Cinema: A Case Study in the Works of Zheng Zhengqiu and His Shanghai Contemporaries, 1922–1937” (Uiuc, J. Fineberg)
WILLIAMS, MICHAEL, “Playing Perverse: Being-In-The-Filmic-World” (Rochester, T. Dipiero)
WILSON, SIONA, “Narrative Turn: The Filmic Mode in Feminist Art Practices of the 1970s, North America and Britain” (Columbia, B. Buchloh, C. Kiaer)
Greek/Roman Art
BARE, CEIL, “Achilles and the Roman Aristocrat: The Ambrosian Iliad as a Social Statement in the Late Antique Period” (Florida State, C. Hahn)BUSBY, KIMBERLY, “The Temple Terracottas of Etruscan Orvieto: The Power of Cult in Pre-Roman Italy” (Uiuc, E. Hostetter)
CASSIBRY, KIMBERLY, “Enarrabile Textum: Roman Monumental Arches and the Margins of Commemoration” (UC Berkeley, C. Hallett)
CLINE, LEA, “The Altars of Rome Reconsidered” (UT Austin, P. Davies, J. Clarke)
DOHERTY, KEITH, “Spatial Dynamics in Roman Landscape Paintings” (Boston, F. Kleiner)
GOULET, CRISPIN CORRADO, “A Study of Deity Assimilation in Sculptural Representations of Male Children From the Roman Imperial Era” (Brown, R. Winkes)
GROSS, ROBERT, “Hellenistic Royal Portraits On Gems” (Rutgers, J. Kenfield)
GRUPICO, THERESA, “Urban Planning and Temple Design at Selinus (Selinunte, Sicily): Temple E” (Rutgers, J. Kenfield)
HARDIMAN, CRAIG, “The Nature of Hellenistic Domestic Sculpture in Its Cultural and Spatial Contexts” (Ohio State, M. Fullerton)
HEUSER, JENNIFER LEDIG, “Visual Epic: Roman Images of the Trojan Cycle” (Harvard, G. F. Pinney)
HUNT, GLORIA PARK, “Foundation Rituals and the Culture of Building in Ancient Greece” (Unc Chapel Hill, D. Haggis)
HUSSER, ZEHAVI, “The Socio-Political Role of Jupiter in Official Roman State Religion and Ideology in Italy During the Imperial Period From Augustus to the Antonines” (Princeton, H. Meyer)
IBARRA, ALVARO, “Legions in Mourning: Reconstructing Communities in the Roman Provinces” (UT Austin, J. Clarke, P. Davies)
MARTIN, S. REBECCA, “Hellenization and the Levant: Material Evidence of the Process of Acculturation” (UC Berkeley, A. Stewart)
MARTINEZ, VICTOR M., “Etrusco-Italic Herclè: A Study in the Formation of Image, Cult, and Regional Identity” (Uiuc, E. Hostetter)
MOLHOLT, REBECCA M., “On Stepping Stones: The Historical Experience of Roman Mosaics” (Columbia, R. Brilliant, N. Kampen)
POE, ALISON, “The Frescoes of the Hypogaeum of the Aurelii in Rome” (Rutgers, A. Harvey)
POPE, SPENCER, “The Fourth Century City of Palike, Sicily” (Brown, R. Holloway)
ROLAND, SARAH, “Corinth and the Birth of Figural Representation in Greek Monumental Architecture” (Columbia, C. Marconi, N. Kampen)
SANDHOFF, BRIDGET K., “Androgyny in Etruscan Art and Culture” (Iowa, R. De Puma)
SEAMAN, KRISTEN, “Rhetoric and Innovation in the Art of the Hellenistic Courts” (UC Berkeley, A. Stewart)
SEGAL, PHOEBE C., “Soaring Votives: Anathemata in Archaic and Classical Greek Sanctuaries” (Columbia, C. Marconi, R. Brilliant)
THOMPSON, JOANNE, “Images of Vesta and the Vestal Virgins in Roman State Religion and Imperial Policy of the First and Second Centuries A.D.” (Yale, D. Kleiner)
TRONCHIN, FRANCESCA, “An Eclectic Locus Artis: the Casa Di Octavius” (Boston, F. Kleiner)
VALLADARES, HRICA, “Imago Amoris: The Poetics of Desire in Roman Painting” (Columbia, R. Brilliant, N. Kampen)
VONDIPPE, ROGER, “The Origins and Development of Continuous Narrative in Roman Art, 300 BCE–200 Ce” (USC, J. Pollini)
WALCEK, ERIN, “Terracotta Sculpture in Early Iron-Age Greece” (Missouri, S. Langdon)
WALSH, JUSTIN, “Trade, Demography, and Daily Life: Domestic Assemblages From Fifth-Century BCE Morgantina, Sicily” (Virginia, M. Bell Iii)
WARDLE, MARIANNE, “Naked and Unashamed: A Study of the Aphrodite Anadyomene in the Greco-Roman World” (Duke, S. Dillon)
WILLIAMS, CHRISTOPHER, “The Material Culture of Roman Egypt” (Missouri, K. W. Slane)
Japanese/Korean Art
AASLID COVACI, IVE, “Images of Dreams and Visions in Pre-Modern Japanese Art” (Yale, M. Yiengpruksawan)BUCKLAND, ROSINA, “The Politics of Style: Orthodox Painting in Japan, 1850s–1890s” (Ifa/Nyu, M. Trede)
DELPY, FABIENNE, “Eizö: Theory and Practice of the ‘camera-Based Image’ in Japan, 1960–1975” (Stanford, S. Bukatman)
FOWLER, LIZ, “The Rookwood Sage: Kataro Shirayamadani and American Japonism, 1883–1913” (Minnesota, G. Weisberg)
FRASER, KAREN, “Picturing Japan: Commercial Photography in the Meiji Era” (Stanford, M. Takeuchi)
GUNJI, NAOKO, “Amidaji: Mortuary Art, Architecture, and Rites of Emperor Antoku’s Temple” (Pittsburgh, K. Gerhart)
HAHN, CHRISTINE, “The Cold War in Korean Art: Painting, Photography, and the Development of the National Museum in South Korea, 1957–1962” (Chicago, M. Ward)
HAN, JIN, “Modernization and Nationalism: The Rise of Social Realism in South Korea (1980–1988)” (CUNY, H. Senie)
HIRASAWA, CAROLINE, “Hellbent On Heaven: Female Damnation and Salvation in Tateyama’s Mandalas” (Stanford, M. Takeuchi)
HOLMBERG, RYAN, “Paper Megaphone: Garo and the Artistic Undoing of Tokyo” (Yale, M. Yiengpruksawan)
KIM, SUNG LIM, “Art and Culture of the Nineteenth-Century Korean Middle Class Artists: Jo Hui-Ryong and His Circle of Friends” (UC Berkeley, P. Berger)
LEE SOYOUNG, “Influence and Reception: Ceramics and Culture From Southern Korea to Western Japan” (Columbia, M. Murase)
LEE, HYEWON, “Politics and Public Sculpture in Seoul, Korea” (Missouri, J. Klein)
LOH, JOSEPH, “When Worlds Collide: Art, Cartography, and Spatial Imagination in Early Modern Japan” (Columbia, R. Harrist)
MACK, KAREN, “The Dissemination and Popularization of Fudo Imagery From the Ninth to Fourteenth Century in Japan” (Kansas, S. Fowler, M. Haufler)
MUELLER, LAURA, “Entertaining Virtue: Gender, Personification, and the Naturalization of Confucianism in Edo Print Culture” (Wisconsin, Madison, Q. Phillips)
NINOMIYA, MASUMI, “Nationalizing Art, Constructing Asia: Okakura Kakuzo and Nationalism in Asian Art History” (Unc Chapel Hill, C. Mavor)
SAKOMURA, TOMOKO, “Pictured Words and Codified Seasons: Visual Representations of Waka Poetry in Sixteenth- and Seventeenth-Century Japan” (Columbia, M. Mccormick, R. Harrist)
SHIRAI, YOKO, “Senbutsu: Figured Clay Tiles, Buddhism, and Political Developments On the Japanese Islands, C. 650–794 BCE” (UCLA, D. Mccallum)
SNOW, HILARY K., “Edo Period (1603–1868) Votive Paintings: Production and Viewing Practices of Temple Ema” (Stanford, M. Takeuchi)
SPURGEON, JANET LEE, “Constructing the Classical Japanese Past: History Paintings of the Meiji Period” (Wisconsin, Madison, Q. Phillips)
SUZUKI, YUI, “The Medicine Master: Yakushi Buddha Images in Heian Japan (794–1185)” (UCLA, D. Mccallum)
SZOSTAK, JOHN DONALD, “The Kokugakai and Nihonga Painting Reform, 1900–1930” (Washington, C. Bogel)
TAKAMATSU, MARI, “Painting, Theater, and Visual Experience in Early Modern Japan (1596–1644)” (Ifa/Nyu, J. Hay)
TEZUKA, MIWAKO, “Towards a Postwar Japanese Avant-Garde: The Experimental Workshop (1951–1958) and the High Red Center (1963–1964)” (Columbia, B. Buchloh)
TSUCHIKANE, YASUKO, “Embellishing Buddhist Temples in Modern Japan: Murals and Sliding Door Paintings By Dômoto Inshô (1891–1975)” (Columbia, M. Mccormick)
TSURUYA, MAYU, “War Campaign Documentary Painting: Japan’s National Imagery of the ‘holy War’ (1937–1945)” (Pittsburgh, T. Rimer)
VOLK, ALICIA, “The Japanese Expressionist: Yorozu Tetsugorô (1885–1927) and the Language of Modern Art” (Yale, M. Yiengpruksawan)
WILLIAMS, GRATIA, “Takuma Eiga and 14th Century Buddhist Painting” (Columbia, M. Murase)
WU, XIAOJIN, “Beyond Decoration: The Forms, Meanings and Functions of the Ink Bird-And-Flower Screens in Muromachi Japan” (Princeton, Y. Shimizu)
YAMAMOTO, SHARON, “Visual Culture at Imperial Buddhist Convents and Its Significance For Understanding ‘women’s Art’ in Japan” (UC Berkeley, G. Levine)
YANG, EUHNEE, “On Kawara’s Nomadic Mind: Autobiography of a Citizen of the World” (CUNY, A. Chave)
ZITTERBART, SUE, “The Kumando Mandala: The World of Nature, Gods and Man” (Pittsburgh, K. Gerhart)
Latin American/Caribbean Art
AZEVEDO, FERNANDO, “The Nineteenth-Century Rio De Janeiro of Marc Ferrez: A Case Study of Uses and Transformations of the Sense of Place in the Age of Photography” (CUNY, G. Batchen)BARTEET, C. CODY, “Colonial Contradictions in the Casa De Montejo and Mèrida: Space, Society, and Self-Representation at the Edge of Viceregal Mexico” (SUNY Binghamton, C. Burroughs)
BERESNEVICIUS, LINDA K., “The Ritual Arts of Cuba’s Palo Monte Religion” (Iowa, C. Roy)
BRANNEN, LAURA, “Two Millennia of Powerful Women in the Art of Ancient Costa Rica and Nicaragua: Greater Nicoyan Ceramic Effigies C. 500 BCE–1500 Ce” (Emory, R. Stone-Miller)
BREAULT, EMILY, “Mirror and Image in Colonial Peru” (Columbia, D. Freedberg, E. Pasztory)
BUONO, AMY, “Plumed Identities and Feathered Performances: Tupi Interculture in Early-Modern Brazil and Europe” (UC Santa Barbara, J. Peterson)
CLEVELAND, KIMBERLY L., “New Directions in Black Brazilian Art History” (Iowa, C. Roy)
CORDERO, KAREN, “The Invention of Popular Art: A Paradigm For the Construction of Mexican Visual Culture, 1915–1940” (Yale, M. Miller)
CORDOVA, JAMES, “Mexico’s Crowned Virgins: American Identity Formation and the Fabrication of Body, Gender, and Sanctity in ‘crowned Nun’ Portraiture From New Spain” (Tulane, E. Boone)
DESVERNINE REED, SARA, “Havana: A Study in Interiors, Identities and Ideologies” (Delaware, B. Herman)
DONOVAN, CELESTE, “Maria Izquierdo and Modern Mexican Religious Culture, 1940–1947” (CUNY, K. Manthorne)
ELPHICK, NENITA PONCE DE LEON, “Facing Power: Peruvian Portraits From the Conquest to Independence” (Harvard, T. Cummins)
FORT, MEGAN, “Archibald and Alexander Robertson and the Colombian Academy of Painting, New York, 1791–1841” (CUNY, S. Webster)
HAJOVSKY, PATRICK, “On the Lips of Others: Fame and the Transformation of Moctezuma’s Image” (Chicago, T. Cummins)
HOGUE, MARIANNE, “La Malinche as an Icon of Mestizaje and National Identity in the Murals of Orozco, Rivera, and Siqueiros” (Virginia Commonwealth, H. Risatti)
JAMES, ERICA, “What Good Are Roots If You Can’t Take Them With You? Caribbean Art in the Global Imaginary” (Duke, R. Powell)
JUNKER, KRIS, “Honey at the Crossroads: Women and Afro-Cuban Ritual Arts, 1899–1969” (Columbia, N. Kampen, Z. Strother)
LEPAGE, ANDREA, “Art and Spirituality: The Franciscans and Their Fine Arts Colegio De San Andrès in Colonial Quito, Ecuador” (Brown, C. W. Zerner)
LUBOWSKI, ALICIA, “Humboldt and the Visual Representtion of South America” (Ifa/Nyu, E. Sullivan)
MALAGON, MARIA, “The Presence of the Uncanny in the Work of Beatriz Gonzalez, Oscar Munoz, and Doris Salcedo” (UT Austin, J. Barnitz)
POZZI-HARRIS, ANA, “Euphoric Inventions: Argentine Constructivist Trends and the Cultural Politics of Peronism, 1940–1960” (UT Austin, J. Barnitz)
RODRIGUEZ, VICTOR M., “Mimicry in Latin American Art and the Rhetoric of Modernist Art History” (Rochester, D. Crimp)
SOLARI, AMARA, “Ritualizing the Maya Landscape: The Transformation of Religious Ideologies in Pre- and Post-Contact Izamal, Yucatan” (UC Santa Barbara, J. Peterson)
STANFIELD-MAZZI, MAYA, “The Replication of Miraculous Statues in Colonial Peru: The Virgin of Pomata and Christ of the Earthquakes” (UCLA, C. Klein)
TARVER, GINA, “The Emergence of Conceptualism in Colombia (1970–1981)” (UT Austin, J. Barnitz)
THOMPSON, ALLISON, “Arriving at the Caribbean: Constructing Visual Representations of Transatlantic and Transcultural Experience” (SUNY Stony Brook, B. Frank)
WATSON, ELIZABETH, “Debating Montevideo: The Views of Julio Vilamajô and Joaquin Torres Garcìa, 1930–1949” (CUNY, R. Bletter)
WOLFE, EDITH, “Lasar Segall and Brazil’s Politics of Difference (1924–1945)” (UT Austin, J. Barnitz)
Native American Art
BAGG, SHANNON K., “Artists, Art Historians, and the Value of Contemporary Inuit Art” (Queen’s, Kingston, L. Jessup)CARO, MARIO A., “The Native as Image: Art History and the Representation of the American Native” (Rochester, J. Berlo, M. Holly)
DUBREUIL, CHISIATO (KITTY), “The Art of British Columbia’s Gitksan People: The Revival of Lost Traditions at ‘ksan” (Victoria, A. Walsh)
DUEKER, CHRISTOPHER, “Alex Janvier: The Politics of Figuration and Abstraction in Post-War Canadian Native Art” (Columbia, E. Hutchinson)
GLINSMANN, DAWN, “From Gannyaa to Edenshaw: Changes in Haida Spruce Root Hats From 1774 to 1910” (Washington, R. Wright)
VORANO, NORMAN D., “The Culture of Inuit Art: Museums, Modernism, and the Popular Imaginary in the Mid Twentieth Century” (Rochester, J. Berlo)
Nineteenth-Century Art
ALSDORF, BRIDGET, “The French Group Portrait From Courbet to Degas” (UC Berkeley, T. J. Clark)ANDERSON, CATHERINE, “Embodiments of Empire: Figuring Race in Late Victorian Painting” (Brown, K. D. Kriz)
BARKER, SEAN, “A Positive Aberrance: Henri De Toulouse-Lautrec’s Disreputable Women” (Kansas, M. Kessler)
BECKER, COLLEEN, “Acts of Representation: The Inception and Early Development of Käthe Kollwitz’s Career” (Columbia, A. Higonnet)
BEWLEY, MICHELE, “A Coign of Vantage: Sir Lawrence Alma-Tadema and the Solaces of Modern London” (SUNY Binghamton, O. Vazquez)
BLANKENSHIP, ETHAN, “Paris, Mexico: Dèsirè Charnay’s Photographic Spaces” (Columbia, J. Crary)
BOYD, JANE, “Alfred Sisley and the Mapping of Modernity: Engineering, Cartography, and Representations of Landscape in Late Nineteenth-Century France” (Delaware, N. Athanassoglou-Kallmyer)
BRIGGS, JO, “Media Empires: Artistic Reactions to the Boer War (1899–1902) in the Visual Culture of Munich, Paris, and London” (Yale, T. Barringer)
BROOKER, ROBERT E., JR., “The Arrival of the Italo-Gothic Style in Castile During the Nineteenth Century Via Manuscripts” (Brown, C. W. Zerner)
BUCKNER, CYNTHIA, “The Etching Revival in Late-Nineteenth Century America and Its Role in Aesthetic Education” (CUNY, S. Webster)
BURNS, NANCY, “Studio Painting: Portraying the French Atelier in the Later Nineteenth Century” (Brown, K. S. Champa)
BURDAN, AMANDA C., “Amèricaines in Paris: The Role of Women Artists in the Formation of America’s Cultural Identity, 1865–1880” (Brown, K. D. Kriz)
CADERO-GILLETTE, JENNIFER, “Collecting Art and Constructing History: The Recovery of Medieval Panel Painting C. 1800” (Harvard, J. Koerner)
CAMPBELL, KRISTIN E., “Taste and Nation: Spaces of Viewing in Britain, 1770–1895” (Queen’s, Kingston, J. Brooke, J. Helland)
CARLSON, ELIZABETH, “City of Mirrors: Spectacle and Surveillance in Nineteenth-Century Paris” (Minnesota, J. Blocker)
CHILDS, ADRIENNE, “The Black Exotic: Representing Africans in Nineteenth-Century Orientalist Art” (Maryland, College Park, J. Hargrove)
COFFMAN, PETER, “Gothic Revival Architecture in Atlantic Canada” (Queen’s, Kingston, P. Du Prey)
COOKE, VICTORIA, “Shifting Patterns of Representations: French Orientalist Painting, 1828–1881” (Delaware, N. Athanassoglou-Kallmyer)
COYLE, LAURA, “The Still-Life Paintings of Vincent Van Gogh and Their Context” (Princeton, J. Wilmerding)
CROSSMAN, COLETTE, “Art as Salvation: Reconsidering Religion in the Work of Edward Burne-Jones” (Maryland, College Park, W. Pressly)
DANDONA, JESSICA, “Ornament and Empire in the Making of French Modernity” (UC Berkeley, D. Grimaldo Grigsby)
DOMBROWSKI, ANDRÉ, “Nervous Modernism: The Intemperate Art of Early Cèzanne” (UC Berkeley, T. J. Clark)
FOWLER, LIZ, “The Rookwood Sage: Kataro Shirayamadani and American Japonism, 1883–1913” (Minnesota, G. Weisberg)
FREUND, AMY, “Revolutionary Likenesses: Portraiture and Politics in France, 1789–1804” (UC Berkeley, D. Grimaldo Grigsby)
GALVEZ, PAUL, “The Landscape-As-Body in Modernist Painting” (Columbia, J. Crary)
GOODIN, ALEXIS, “British Artists and the Representation of Egypt, 1838–1902” (Brown, K. D. Kriz)
GRAYBILL, LELA, “Vulnerable Bodies: Violent Spectacle in Early Post-Enlightenment Europe” (Stanford, M. Marrinan)
GWINN, MARY, “Reading as Revelation: Odilon Redon’s Albums On Flaubert’s ‘temptation of St. Antony’ ” (Rutgers, C. Yanni)
HALKIN, TALYA, “Jacques Joseph Tissot, a Reassessment: 1860–1895” (Columbia, J. Crary)
HANSON, DEBRA, “Gender, Genre, and Domesticity: Thomas Eakins’ Home Scenes of the 1870s” (Virginia Commonwealth, R. Hobbs)
HARKNESS, KRISTEN, “‘In a Certain Land’ : Fairy Tales and National Identity in Fin-De-Siècle Russian Art” (Pittsburgh, B. Mccloskey)
HENDRICKSON, LAURA, “Art Aspiring to the Condition of Music, 1850–1900: English Avant-Gardism and the Case of Wagner” (Brown, K. D. Kriz)
HOWIE, ELIZABETH, “The Courtly Erotics of the Photograph: Photography and the Nineteenth-Century Theorization of Courtly Love” (Unc Chapel Hill, C. Mavor)
HYDE, KIMBERLY, “Louis C. Tiffany and the Business of Art” (Case Western Reserve, H. Adams)
JOHNSON, KRISTINA, “The Orientalism of Thèodore Chassèriau” (Delaware, N. Athanassoglou-Kallmyer)
KELLER, COREY ELISE, “The Look of Knowledge: Photographic Imagery and the Discourses of Science, 1839–1895” (Stanford, M. Marrinan)
KENDALL, STEVEN, “Towards a Modern Classicism: Frederick Leighton, the French Academy, and the Anglicized Nude” (UC Santa Barbara, A. Bermingham)
KULLY, DEBORAH, “Morality, Architecture, and the French Interior (1860–1890)” (MIT, E. Naginski)
LAMPE, ISSA, “David in Brussels: Painting the Subject of Exile” (Harvard, E. Lajer-Burcharth)
LEADER, KAREN, “L’ Èsthetique Du Rire: Caricature of the Paris Art World in the Nineteenth Century (1830–1900)” (Ifa/Nyu, L. Nochlin)
LEE, JUNGSIL, “The Intersection Between Nationalism and Religion in the Public Sculptures of Auguste Rodin in the French Third Republic” (Maryland, College Park, J. Hargrove)
LEMONEDES, HEATHER, “Paul Gauguin’s Volpini Suite” (CUNY, P. Mainardi)
LORD, JILL, “Improving the Public: Cultural and Typological Change in Nineteenth-Century Libraries” (CUNY, K. Murphy)
LUBOWSKI, ALICIA, “Humboldt and the Visual Representation of South America” (Ifa/Nyu, E. Sullivan)
MACNAYR, LINDA C., “Politics and Gender in Portraits of Princess Charlotte of Belgium, Vicereine of Lombardy-Venetia, and Empress of Mexico” (Queen’s, Kingston, J. Helland)
MAIMON, VERED, “Herschel and Talbot: On the Conception of the Photographic as an Epistemological Site in the Early Nineteenth-Century in England” (Columbia, J. Crary)
MARSHALL, DARLENE, “The Character of the Home: The Domestic Interior in American Painting, 1860–1900” (Penn State, C. Zabel, S. Rich)
MAURO, HAYES PETER, “Art, Science, and Social Representation in the United States, 1830–1890” (CUNY, K. Manthorne)
MCCANN, CARMEN, “Status Viatoris: a New Spectacularization of Death in French Paintings and Prints From the Bourbon Restoration” (Penn State, N. Locke)
MEDNICK, THOR, “What Is Lost Without: Nationalism, Symbolism, and the Reincarnation of Danish Art in the Nineteenth Century” (Indiana, Bloomington, M. Facos)
MEIERS, SARAH H., “William Morris’s Green Dining Room: The Experience of an Arts-And-Crafts Interior” (Queen’s, Kingston, J. Helland)
NEDD, ANDREW, “Defending Russia: Russian History and Pictorial Narratives of the ‘patriotic War,’ 1812–1912” (USC, J. Bowlt)
O’REILLY, HOPE BUCHHOLTZ, “Imagining Ireland: Victorian Pictures and Perceptions of the Irish, 1850–1895” (CUNY, J. Roos)
OBERTER, RACHEL, “Channeling Art: Spiritualism and the Visual Imagination in Britain, 1850–1914” (Yale, T. Barringer)
ORFILA, JORGELINA, “John Rewald’s Cèzanne: Art History in the 1930s” (Maryland, College Park, J. Hargrove)
PARKINSON, KAMILLA T., “Philip John Bainbrigge (1817–1881) and the ‘group of 1838’ ” (Queen’s, Kingston, L. Jessup)
PEDERSEN, LINDSEY, “Gender, Empire and ‘indian-Ness’ in Visual Representations of the Sepoy Revolt, 1857–1900” (UC Santa Barbara, A. Bermingham)
POTVIN, JOHN, “‘The New Chivalry’ : Representation of Male Bodies, Labour, Sexuality and Domestic Ideology in British Aestheticism” (Queen’s, Kingston, J. Helland)
PUGLIESE, GINAMARIE, “Gendering a Generation: Constructions of Childhood in England’s Nineteenth-Century Juvenile Periodicals” (SUNY Binghamton, O. Vazquez)
REYMOND, RHONDA, “For Glory and For Beauty: Richard Morris Hunt, George W. Vanderbilt, and All Souls’ Church” (Georgia, J. Simon)
RILKE, CHRISTINA, “The Consumption of Fine Arts in Germany, 1848–1889: Private Collections and Public Institutions” (Columbia, A. Higonnet)
ROBINSON, MICHELLE, “The Precondition of Landscape: Tropes and Meaning in Rustic Landscapes of J. M. W. Turner and John Constable” (Kansas, J. Pultz)
ROSS, SUSAN, “The Career of Anne-Louis Girodet-Trioson and the Prehistory of Romanticism in France” (Johns Hopkins, M. Fried)
RUIZ-GÓMEZ, NATASHA, “Morceaux D’amphithéâtre: Science and the Fragment in Rodin’s Sculpture” (Pennsylvania, C. Poggi)
SICHERMAN, DARA, “Book Illustration in Fin-De-Siècle France” (CUNY, J. Roos)
SMITH, KIMBERLEY, “Imperial Encounter: Nineteenth-Century French Representations of Egypt and Algeria: Three Case Studies” (UT Austin, M. Charlesworth)
STELMACKOWICH, CINDY, “The Languages of a Bodily Interior: Nineteenth-Century Anatomical Atlases in the Spaces of Art, Science, and the Museum” (SUNY Binghamton, J. Tagg)
STEWART, LEE, “Likeness and Identity: Painted and Photographic Portraiture in France 1830–1880” (Columbia, R. Brilliant)
STRAUSSMAN-PFLANZER, EVE, “Felsine Pittrici: the Women Artists of Early Modern Bologna” (Ifa/Nyu, L. Nochlin)
SYME, ALISON, “Hedgewhores, Wagtails, Cockatrices, Whipsters: John Singer Sargent and His Coterie of Nature’s Artful Dodgers” (Harvard, Y-A. Bois)
TAYLOR LERNER, JILLIAN, “Panoramic Guides to Paris, 1830–1849: Social Cartography and Quotidian Representation” (Columbia, J. Crary, A. Higonnet)
VENDELIN, CARMEN, “The Decay of Gender in Symbolist and Decadent Art C. 1885–1905” (Rutgers, J. Spector)
VINZ, KATHERINE, “The Social Imagination of a Painter of the Mind: Antoine Wiertz (1806–1865)” (Kansas, S. Goddard)
ZALEWSKI, LEANNE, “The Rise and Fall of Academic Art: Bouguereau, Cabanel, Gèrôme, and Meissonier in Paris and New York” (CUNY, P. Mainardi)
Oceanic/Australian Art
KLARR, CAROLINE, “Painting Paradise For a Post-Colonial Pacific: The Fijian Frescoes of Jean Charlot” (Florida State, J. Teilhet-Fisk, K. Josserand)SCOTHORN, HILARY, “Form, Function, and Foreign Influence: A Comprehensive Survey of Samoan Bark Cloth From 1830–1930” (Florida State, K. Bearor)
YAMASHITA, VELMA JEAN, “The Commercialization of Belauan Storyboards” (Washington, R. Bravmann)
Outsider/Folk Art
JARA, JEFF, “A Fine Tradition: Folk Art and the Development of Modernist American Art, 1900–1940” (Delaware, A. Gibson, M. Leja)Performance Studies/Installation/ Environmental Art
HART, DAVID, “Memory and the Installation Art of Maria Magdalena Campos-Pons” (Unc Chapel Hill, M. Harris)JUNG, EUN YOUNG, “From Sculpture to Situations: Critical Issues in Dan Flavin’s Fluorescent Light Installations of the 1960s” (Uiuc, J. Fineberg)
Pre-Columbian Art
BANKS, JOYCE LYNN, “Attire and Accouterment as Signifiers of Meaning: an Iconographic Analysis of Jama-Coaque Figurative Sculptures” (UT Austin, S. Bourget)BARNES, WILLIAM, “Icons of Empire: The Art and History of Aztec Royal Presentation” (Tulane, E. Boone)
BERNATZ, MICHELE, “The Concept of Divinity in Maya Art: Defining God L” (UT Austin, J. Guernsey, N. Grube)
BRADLEY, ROBERT, “The Architecture of Kuelap” (Columbia, E. Pasztory)
BRANNEN, LAURA, “Two Millennia of Powerful Women in the Art of Ancient Costa Rica and Nicaragua: Greater Nicoyan Ceramic Effigies C. 500 BCE–1500 Ce” (Emory, R. Stone-Miller)
BRITTENHAM, CLAUDIA, “The Cacaxtla Paintings” (Yale, M. Miller)
CARRASCO, MICHAEL, “Of How They Appeased the Hearts of Their Gods: Art, Ritual, and Divinity in Two Classic Maya Polities” (UT Austin, J. Guernsey, D. Stuart)
CASH, CRISTIN, “Teotihuacan Symbolism in Classic Maya Art” (UT Austin, J. Guernsey)
DESAI, PRAJNA, “The Body of History: Constructing Palenque’s Palace, Ad 654–783” (Yale, M. Miller)
FRASSANI, ALESSIA, “Art and Identity in Colonial Oaxaca: Dominicans, Spaniards, and the Mixtecs at the Convento of Yanhuitlan” (CUNY, E. Quinones-Keber)
HURT, LEE ANNE, “Iconography of Posture in Inca Ritual Space: Machu Pichu” (Virginia Commonwealth, J. Farmer)
JORDAN, KEITH, “Stone Trees Transplanted? Central Mexican Stelae and the Question of Maya Influence” (CUNY, E. Quinones-Keber)
JUST, BRYAN, “The Social Discourse of Style: Ninth-Century Maya Sculpture of the Upper Pasion Region” (Tulane, E. Boone)
MATUSIK, TARYN, “The Image Breakers: Sculptural Mutilation Among the Olmec and Maya” (Columbia, E. Pasztory)
MORN, ELIZABETH, “The Sacred as Everyday: Food and Ritual in Aztec Art” (CUNY, E. Quinones-Keber)
NIEVES, ANA, “Symbols and Meaning in Nasca Art: Interpretations of South Coast Iconography in the Context of Andean Mythology and Ethnography” (UT Austin, S. Bourget)
O’NEIL, MEGAN, “Making Visible History: Picturing the Past in Ancient Maya Sculpture” (Yale, M. Miller)
POPE, ELIZABETH, “Mythologically Significant Structures in the Aztec, Maya and Mixtec: The Manifestation of Sacred Time and Space” (UT Austin, J. Guernsey)
ROBB, MATTHEW, “The Construction of Civic Identity at Teotihuacan” (Yale, M. Miller)
SPENCER, KAYLEE, “Towards an Understanding of Elite Late Classic Maya Representation at Palenque, Mexico” (UT Austin, J. Guernsey)
STANFIELD-MAZZI, MAYA, “The Replication of Miraculous Statues in Colonial Peru: The Virgin of Pomata and Christ of the Earthquakes” (UCLA, C. Klein)
STEINBACH, PENNY, “Sacrificing the Jaguar Baby: Understanding a Classic Maya Myth On Codex-Style Ceramics” (UT Austin, D. Stuart, J. Guernsey)
TERRY, JAMES, “Signifying Architecture: Maya Architecture of Chicanno and the Central Yucatán” (Yale, M. Miller)
WINN, PAULA, “Ecuador Effigy Mortars: Ritual and Tradition in Ancient Andean Sculpture” (Virginia Commonwealth, J. Farmer)
Prehistoric Art
BELCHER, ELLEN, “Late Neolithic Figurines From Northern Mesopotamia: A Comparative Analysis” (Columbia, N. Kampen)JUDAS, BETH ANN, “Late Bronze Age Aegean Ceramics in the Nile Valley: an Analysis of Idea and Practice in the Archaeological Record” (Pennsylvania, P. Betancourt, J. Wegner)
WALCEK, ERIN, “Terracotta Sculpture in Early Iron-Age Greece” (Missouri, S. Langdon)
Renaissance/Baroque Art
ANDERSON, ELISSA, “Re-Forming Mary in Seventeenth-Century Dutch Prints” (Kansas, L. Stone-Ferrier)ANDERSON, LAURA, “Artistic Exchange and Collaboration in Early Modern Haarlem” (Penn State, C. Houghton)
ARIOLI, KRISTIN, “Cardinal Raffaele Riario (1477–1521) and the Dynamics of Renaissance Patronage” (USC, E. Howe)
ATKINS, CHRISTOPHER, “The Master’s Touch: Frans Hals’s Rough Manner” (Rutgers, M. Westermann)
AVERETT, MATTHEW, “Bernini’s Fountains at the Piazza Barberini” (Missouri, K. Eggener)
BALDASSO, RENZO, “Between Nature and Mathematics: The Role of Visual Representation in the Early Stages of the Scientific Revolution” (Columbia, D. Freedberg)
BARRY, FABIO, “Painting in Stone: The Symbolic Identity of Coloured Marbles From Antiquity Until the Age of Enlightenment” (Columbia, J. Connors)
BARTEET, C. CODY, “Colonial Contradictions in the Casa De Montejo and Mèrida: Space, Society, and Self-Representation at the Edge of Viceregal Mexico” (SUNY Binghamton, C. Burroughs)
BAUTISTA, PRESTON, “Manifesting Masculinities in Central Italian Renaissance Art: Michelangelo’s David, Artistic Theory, and Representations of the Male Body” (CUNY, J. Saslow)
BENSOUSSAN, NICOLE, “Fashioning a Second Rome: Primaticcio at Fontainebleau and the ’all’antica’ Project” (Yale, C. Wood)
BIRD, J. J., “Curiosity and the Ideal: Anatomical Investigations and the Gendered Imagination in Sixteenth-Century Florence” (Bryn Mawr, D. Cast)
BOEHMAN, JESSICA, “Ercole Ferrata’s High Roman-Baroque Sculptor’s Studio” (Pennsylvania, M. Cole)
BREAZEALE, WILLIAM, “Sketchbook and Zibaldone: Studies in the Theory and Practice of Disegno in Sixteenth-Century Italy” (Maryland, College Park, A. Colantuono)
BUBENIK, ANDREA, “The Reception of Albrecht Dürer (1528–1700): The Practices of Art, Science and Collecting” (Queen’s, Kingston, C. Hoeniger, V. Manuth)
BULLEN, DIANA, “The Visual Culture of Charity and the Italian Foundling Hospital, 1400–1600” (Michigan, M. Holles, P. Simons)
BURGESS-WILLIAMS, ALLYSON, “Le Donne, I Cavalier, L’arme, Gli Amori: Aspects of Artistic Patronage at the Court of Alfonso I D’este, 1505–1534” (UCLA, J. Woods-Marsden)
BUSKIRK, JESSICA, “Intimacy and Anticipation: The Male Subject in Late Fifteenth Century Personal Devotional Portraits” (UC Berkeley, E. Honig)
BYRON, DAVID, “The Visual and Social Strategies of German Propaganda Broadsheets, 1608–1621” (Yale, C. Wood)
CADERO-GILLETTE, JENNIFER, “Collecting Art and Constructing History: The Recovery of Medieval Panel Painting C. 1800” (Harvard, J. Koerner)
CALLAHAN, MEGHAN, “The Politics of Architecture: Suor Domenica Da Paradiso and Her Convent of La Crocetta in Post-Savonarolan Florence” (Rutgers, S. Mcham)
CARROLL, ELIZABETH, “Bartolomeo Montagna and the Production of the Sacra Conversazione Altarpiece: an Examination of Artistic and Civic Identity in Early Sixteenth-Century Vicenza” (Indiana, Bloomington, B. Cole)
CASPER, ANDREW, “El Greco and Italy: Art, Theory, and the Religious Image of the Late Cinquecento” (Pennsylvania, M. Cole)
CHENG, SANDRA, “Il Bello Dal Deforme: Caricature and Comic Drawings in Seventeenth-Century Italy” (Delaware, D. Stone)
CHURCHILL, DEREK, “Replication in the Early Netherlandish Tradition: Dieric Bouts and His Copyists” (Yale, C. Wood)
COLN MENDOZA, ILENIA, “El Cristo Yacente: Polychrome Sculptures of the Supine Christ in Baroque Spain” (Penn State, J. C. Porter)
COMPTON, REBEKAH, “Cultural Persuasion: The Currency of Venus in Sixteenth-Century Florence” (UC Berkeley, L. Partridge)
CONTRERAS DE BERENFELD, MARIA CELINA, “Cesare Brandi’s Teoria Del Restauro and the Practice of Restoration” (Queen’s, Kingston, C. Hoeniger)
CRAWFORD-PARKER, SARAH, “Refashioning Female Identity: Women’s Roles in Seventeenth-Century Dutch Historiated Portraits” (Kansas, L. Stone-Ferrier)
CROIZAT, YASSANA, “Fashioning Femininity: Beauty, Absolution, and the Rhetoric of Gender at Fontainebleau (1528–1547)” (Ifa/Nyu, C. Eisler)
DAVID, MARGARET DIANE, “Francesco Mochi, Sculptor (1580–1654)” (Columbia, J. Connors)
DE CAVI, SABINA, “Spain in Naples: Building, Sculpting, and Painting For the Viceroys (1585–1621)” (Columbia, J. Connors)
DENNIS, KIMBERLY, “Reconstructing the Counter-Reformation: Women Architectural Patrons in Rome and the Case of Camilla Peretti” (Unc Chapel Hill, M. Sheriff)
DEPALMA, JOHN-MARK, “Renaissance/Baroque Art and Architecture” (Brown, Catherine Zerner)
DERSTINE, ANDRIA, “The French Academy in Rome, 1666–1737: Art, Society, Politics and Relations With the Accademia Di San Luca” (Institute of Fine Arts/Nyu, D. Posner)
DEWITT, LLOYD, “Jan Lievens in London, Antwerp, and Amsterdam” (Maryland, College Park, A. K. Wheelock)
DIEBEL, SARAH, “The Structure of Memory in Italian Renaissance Art” (Rutgers, R. Goffen)
DIFURIA, ARTHUR, “The Ars Rhetorica of Maerten Van Heemskerck’s Architectural Imagery” (Delaware, L. Pellecchia)
DILLMAN, CYNTHIA, “The Self in Relation: Van Dyck’s English Double Portraits” (UC Berkeley, E. Honig)
DOW, DOUGLAS, “Confraternal Piety and Corporate Patronage: The Art and Oratory of the Compagnia Di San Giovanni Battista Dello Scalzo, Florence” (Penn State, B. Curran)
EDWARDS, KAREN, “Rethinking the Reinstallation of the Studiolo of Francesco I De’ Medici in the Palazzo Vecchio” (Case Western Reserve, E. Olszewski)
EL-HANANY, EFRAT, “Beating the Devil: Images of the ‘madonna Del Soccorso’ in Italian Renaissance Art” (Indiana, Bloomington, B. Cole)
ESTEVEZ, LISANDRA, “The Image of the Painter in the Age of Calderon De La Barca (1600–1681)” (Rutgers, C. Puglisi)
ETHERIDGE, CHRISTOPHER, “Rough Trade: Realism and the Labour of Painting C. 1600” (Harvard, H. Zerner)
FINKEL, JENNIFER, “Michelangelo at San Lorenzo: The Tragedy of the Façade” (Case Western Reserve, E. Olszewski)
FLETCHER, FRANCIS, “Mantegna and the Tradition of Fictive Relief Sculpture in Italian Renaissance Painting” (Rutgers, S. Mcham)
FRANK, MARY, “Women of a Certain Age: Images of Old Women in the Art of Cinquecento Venice” (Princeton, P. Brown)
FREDERICK, AMY REED, “Rembrandt’s Etched Sketches and Seventeenth-Century Print Culture” (Case Western Reserve, C. Scallen)
GARDONIO-FOAT, CASEY, “Seventeenth-Century Professional Women Artists in Spain and Portugal” (Ifa/Nyu, J. Brown)
GIMNEZ, ALEJANDRA, “Castiglione, Portraiture, and Perfomance in the Court of Philip Ii” (Temple, T. Cooper)
GIUFFRE, JOSEPH, “Giulio Romano in Raphael’s Stanze” (Rutgers, R. Goffen)
GLAZER, JOSHUA, “The Silver Altar of San Giovanni in Florence” (Ifa/Nyu, M. Trachtenberg)
GOULDING, CHRISTINE, “Man Made: Agnolo Bronzino’s Male Portraits, 1530–1560” (Rutgers, R. Goffen)
GUEST, EMMA, “Virgil’s Eclogues in Italian Renaissance Art” (Rutgers, S. Mcham)
HALE, MEREDITH, “Romeyn De Hooghe and the Birth of Political Satire” (Columbia, S. Schama, D. Freedberg)
HAVENSTEIN, KEN, “Choreographing the City: Socio-Political Implications of Ambrogio Lorenzetti’s Dance Motif Included in the Good Government Fresco, Palazzo Pubblico, Siena” (SUNY Binghamton, C. Burroughs)
HORTON, HEATHER, “The Problem of Theory, Practice and Authorship in Alberti” (Ifa/Nyu, M. Trachtenberg)
HUCKINS, PAMELA, “Furnishing the Northern Frontier: The Sacred Decoration of the California Mission Churches” (Ifa/Nyu, J. Brown)
HUNTER, MATTHEW, “Robert Hooke Fecit: Making and Knowing in Restoration England” (Chicago, J. Snyder)
IAROCCI, BERNICE, “The Santissima Annunziata of Florence and the Reception of Sacred Images During the Counter-Reformation Period” (Toronto, P. Sohm)
ILCHMAN, FREDERICK, “Tintoretto’s Judgment: Artistic Ambition in Counter-Reformation Venice” (Columbia, D. Rosand)
JOHNSTON, BARBARA, “Influences On the Iconography of ‘la Vie De La Magdalene’ By Godefroy and the Life of Louis of Savoy” (Florida State, R. Neuman)
KARAFEL, LORRAINE, “Mythology and Metamorphoses: Woven Grotesques For the Vatican Palace” (Ifa/Nyu, C. Eisler)
KARENTZOS, LOUKAS, “Court and Countryside: Central Italian Villas of the Mid Sixteenth Century” (Princeton, J. Pinto)
KARR, SUZANNE, “Art: User’s Guide, Interactive and Sculptural Printmaking in the Renaissance” (Yale, C. Wood)
KATA, L., “Zurbaran’s Single Figure Saints in Spain and Latin America” (Bryn Mawr, G. Mckim-Smith)
KAY, NANCY CHUTE, “The Sacred Public Sculptures of Counter-Reformation Antwerp” (Brown, J. Muller)
KIM, IL, “The Cult of Light in Fifteenth-Century Italian Renaissance Architecture” (Columbia, J. Connors)
KIRKLAND-IVES, MITZI, “Narrative Performance and Devotional Experience in the Art of Hans Memling” (UC Santa Barbara, M. Meadow)
KLEINBUB, CHRISTIAN, “Vision and the Visionary in Raphael” (Columbia, D. Rosand)
LEHMAN, GEOFF, “Perspective and the Renaissance Landscape” (Columbia, D. Rosand)
LENTZ, LAMAR, “The Most Perfect Painter: Pieter Bruegel and Abraham Ortelius” (UT Austin, J. Smith)
LEVY, MADELEINE, “Between Dialogo D’amore and Gesta D’amore: the Renaissance Discourse On Love and the Female Nude” (Indiana, Bloomington, G. Knox)
LOCKER, JESSE, “Artistic Theory in Spanish Naples, 1610–1656” (Johns Hopkins, C. Dempsey)
MAIER, JESSICA, “Imaging Rome: The Bufalini Plan of 1551 and Renaissance Visions of the Eternal City” (Columbia, D. Rosand)
MATHIAS, CATHERINE A., “Textiles in Seventeenth-Century Colonial Portraiture” (Queen’s, Kingston, A. Murray)
MCCALL, TIMOTHY, “Networks of Power in Quattrocento Emilia and Lombardy: Pier Maria Rossi’s Patronage of Art” (Michigan, P. Simons)
MCINTOSH, LAURENTIA, “Seventeenth-Century Dutch Still-Life Painter Maria Van Oosterwych” (Wisconsin, Madison, J. Hutchison)
MCLANE, PRESTON, “Alessandro Magnasco and the Painterly Picaresque” (Florida State, R. Neuman)
MINTEL, M. J. M., “Cangiante and Shot-Silk: Material Influence On Artistic Practice in Renaissance Italy” (Bryn Mawr, D. Cast)
MOORE, CHELSEY, “Perino Del Vaga and the Inheritance of Raphael: Imaging the Court in an Age of Reform” (Johns Hopkins, C. Dempsey)
MORFORD, MICHAEL, “Carving For a Future: Baccio Bandinelli Securing Medici Patronage Through His Mutual Fulfilling Propagandistic Hercules and Cacus” (Case Western Reserve, E. Olszewski)
MORSE, MARGARET, “The Arts of Domestic Devotion in Renaissance Italy: The Case of Venice” (Maryland, College Park, A. Colantuono)
NALEZYTY, SUSAN, “Il Collezionismo Poetico: Cardinal Pietro Bembo and the Formation of Collecting Practices in Venice and Rome in the Early Sixteenth Century” (Temple, T. Cooper)
NEILSON, CHRISTINA, “Theory and Practice in Andrea Del Verrocchio’s Bottega” (Johns Hopkins, C. Dempsey)
O’LEARY, HEATHER, “‘Viva Bacco E Viva Amore’ : Bacchic Imagery in the Renaissance” (Columbia, D. Rosand)
OLSON-RUDENKO, JENNIFER, “Francisco De Zurbaran’s Paintings For the Calced and Discalced Mercedarians in Seville” (Penn State, J. C. Porter)
ONAFUWA, OBAYEMI, “Bruegel’s Vernacular Bodies” (Columbia, D. Freedberg)
ONUF, ALEXANDRA, “Local Terrains: The Small Landscape Prints and the Depiction of the Countryside in Early Modern Antwerp” (Columbia, D. Freedberg)
PARK, SOO-YEON, “Crucifixion With the Virgin Mary and Saint John” (Wisconsin, Madison, J. Hutchison)
PAUL, TANYA, “The Power of the Seemingly Real: Artistry and Meaning in Seventeenth-Century Dutch Still-Life Painting” (Virginia, L. Goedde)
PEDERSON, JILL, “Leonardo’s Circle: Studies in Painting and Court Culture in Renaissance Milan, 1480–1500” (Johns Hopkins, C. Dempsey)
PETERS, EMILY J., “‘Den Gheheelen Loop Des Weerelts (The Whole Cycle of the World)’ : Printed Processions and the Theater of Identity in Antwerp During the Dutch Revolt” (UC Santa Barbara, M. Meadow)
PILASKI, KATHARINA, “The Munich Kunstkammer: Art, Nature, and the Representation of Knowledge in Courtly Contexts” (UC Santa Barbara, M. Meadow)
POKPHANH, ROBERTA, “The Proceeds of Prosperity: Images of Money Management and Exchange in Dutch Genre Painting in the Middle of the Seventeenth Century” (Kansas, L. Stone-Ferrier)
POOLE, KATHERINE, “The Art of Conquest: Medici Patronage in Florence, Pisa and Siena, 1537–1609” (Rutgers, S. Mcham)
PRASAD, SHILPA, “Genre and Theater in the Work of Guercino” (Johns Hopkins, E. Cropper)
REJAIE, AZAR, “Renaissance Self-Portrayal: Embedded Self-Portraits, Artistic Identity and Vasari’s Program in Both Editions of the Lives” (Pittsburgh, D.Wilkins)
ROBEY, JESSICA, “In Pursuit of a Civil Order: The Civitates Orbis Terrarum, the Microcosmic Collection, and the Circle of Abraham Ortelius and Joris Hoefnagel” (UC Santa Barbara, M. Meadow)
RODRIQUEZ-NEGRON, IRAIDA, “Queens of the Spanish Golden Age: Iconography and Patronage of Isabella of Bourbon (1603–1644) and Mariana of Austria (1635–1696)” (Ifa/Nyu, J. Brown)
ROMAN, DULCE, “Rubens and the Emergence of High Baroque Style in Spanish Painting” (Columbia, D. Freedberg)
SANDLIN, JULIANNE PARSE, “Religious Orders and Catholic Reform: Parisian Churches in the Reign of Louis Xiii” (Florida State, R. Neuman)
SAVOY, DANIEL, “The Aquatic Scenography of Architecture and Ritual in Renaissance Venice” (Ifa/Nyu, M. Trachtenberg)
SCHAUDIES, IRENE, “Proverbs, Fables, and Folklore: The Genre Painting of Jacob Jordaens” (Brown, E. Lincoln)
SCHWEIGERT, SCOTT, “Preserving the Papacy: Urban Viii’s Matilda Projects” (Penn State, J. C. Porter)
SEAMAN, NATASHA, “Archaism, Devotion, and the Critique of Caravaggio in the Religious Paintings of Hendrick Terbrugghen” (Boston, M. Zell)
SKELTON, KIMBERLEY, “Planning Anew: The English Country House and Social Identity in the 1650s” (Yale, S. Isenstadt)
SLOMINSKI, SUZAN, “Bernini’s Tomb of Urban Viii in St. Peter’s: A Study of Art and Papal Power in the Context of the Counter-Reformation” (Rutgers, T. Marder)
SMITH, JAMIE, “Ecce in Manibus Meis Descripsi Te: Passion Imagery of the Word in Northern Art of the Fifteenth Century” (Johns Hopkins, W. Melion)
SMITH, SHARON C., “Planned Grandeur: A Comparative Study of Urban Expansion in Early Modern Italy and Mamluk Egypt” (SUNY Binghamton, C. Burroughs)
SPELLMAN, MARY ALICE, “Rembrandt’s Humor” (Kansas, L. Stone-Ferrier)
STERMOLE, KRYSTINA K., “The League of Cambrai and Venetian Art” (Queen’s, Kingston, D. Mctavish)
STREULE, WENDY, “Objects of Desire: The Production and Consumption of Erotic Images in Seventeenth-Century Holland” (Rutgers, M. Westermann)
STRUHAL, EVA, “Lorenzo Lippi: Poet and Painter of the Florentine Seicento” (Johns Hopkins, C. Dempsey)
TAL, GUY, “Imago Maleficarum: Witchcraft in Italian Art and Culture, C. 1520–1650” (Indiana, Bloomington, B. Cole)
TERRY, ALLIE, “Politics On the Cloister Walls: Fra Angelico and His Humanist Observers at San Marco” (Chicago, C. Cohen, I. Rowland)
THOMAS, ROBIN, II, “Charles of Bourbon’s Naples: Architecture and Politics” (Columbia, J. Connors)
WALDROP, GREGORY, “Sight Unseen: Priests and Visual Representation in Early Renaissance Italy” (UC Berkeley, L. Partridge)
WAMSLER, CAROLINE A., “Picturing Heaven: The Trecento Decoration of the Sala Del Maggior Consiglio in Venice” (Columbia, D. Rosand)
WEHMEIER, JENNIFER M., “Pictorial Reflections of the Imperial Presence, 1520–1524” (UCLA, J.Woods-Marsden)
WHITE, VERONICA, “Senio Illudere: the Development of the Capriccio in Italian Baroque Graphic Art” (Columbia, D. Freedberg, D. Rosand)
WHITTEMORE, LEILA, “Theory, Practice, and the Architectural Imagination: Filarete’s Treatise On Architecture and Early Sforza Urbanism, 1450–1464” (Columbia, J. Connors)
WOODALL, DENA, “Sharing Space: Double Portraiture in Sixteenth-Century Italy” (Case Western Reserve, E. Olszewski)
ZALAMEA, PATRICIA, “Visualizing Myth, Love, and Identity: Diana and Actaeon in Sixteenth-Century Court Imagery” (Rutgers, C. Puglisi)
ZILLMAN, MOLLY, “Magdalene Van De Passe, Geertruydt Roghman, and the Example of Seventeenth-Century Netherlandish Female Printmakers” (Delaware, P. Chapman)
South/Southeast Asian Art
AHMAD, IZMER, “Painting and the Body in Modern Malay Paintings in Malaysia” (Victoria, A. Wright)ALI, ATTEQA, “Handle W/Care: The Making of an Art History and a Nation in Pakistian” (UT Austin, J. Leoshko)
BECKER, CATHERINE, “Artistic Production and Ritual Performance at Amaravati and Other Stupas of Andhra Pradesh” (UC Berkeley, J. Williams)
GAMACHE, GENEVIEVE, “Overcoming Barriers: Identity and Traditionalism in Contemporary Thai Art” (Victoria, A. Wright)
GANEM, JACQUELINE, “Traces of the Prophet: A Study of Eighteenth-Century Qadam Rasul Shrines in the Indian Subcontinent” (Virginia, D. Ehnbom)
JOFFEE, JENNIFER, “Art, Architecture, and Politics in Mewar (Rajasthan, India), 1628–1710” (Minnesota, C. Asher)
KERIN, MELISSA, “Re/Presenting Devotion: Analysis of Nako’s Buddhist Wall Paintings” (Pennsylvania, M. Meister)
KIM, HAWON, “The Nineteenth-Century Jain Pilgrimage Site of Satrunjaya, Gujarat” (Minnesota, F. Asher)
KIM, JINAH, “Unorthodox Practice: Rethinking the Cult of Illustrated Buddhist Books” (UC Berkeley, J. Williams)
MASTELLER, KIMBERLY, “Kalachuri Mandala: A Study of the Temple Construction, Iconography, and Royal Identity in Central India” (Ohio State, S. Huntington)
MILLAR, EVE, “Weaving Networks Internationally, Institutionalizing Them Locally: Chitralekha Tagore and the Keeping of the Tagore Legacy” (Victoria, A. Wright)
NINOMIYA, MASUMI, “Nationalizing Art, Constructing Asia: Okakura Kakuzo and Nationalism in Asian Art History” (Unc Chapel Hill, C. Mavor)
OLSON, MARSHA, “Jesus, Mary, and All the Saints: Indo-Portuguese Ivory Statuettes and Their Role as Mission Art in Seventeenth- to Eighteenth-Century Goa” (Minnesota, C. Asher)
OWEN, LISA, “Beyond Buddhist and Brahmanical Activity: The Place of the Jaina Rock-Cut Excavations at Ellora” (UT Austin, J. Leoshko)
PHILLIPS, KRISTY, “Exhibiting the Nation: Politics and Identity in the National Museum of India” (Minnesota, C. Asher)
RATH, AMANDA, “Mutable Signs: De/Con/Struction in Indonesian Experimental Art” (Cornell, K. Mcgowan)
RICHARDSON, MARGARET, “Re-Constructing Tradition and Modernity: The Theories and Art Projects of K. G. Subramanyan” (Virginia Commonwealth, H. Risatti)
SORNIN, ALEXIS, “Architectural Culture in Early Modern India: Jaipur and the Mughal Building Workshops” (Harvard, G. Necipoglu)
STEIN, DEBORAH, “The Hegemony of Heritage: Ritual and the Record in Stone at Tenth-Century Temples in Medapata” (UC Berkeley, A. Dundes)
Twentieth-Century Art
ABBOTT, JANET, “The Barnett Aden Gallery of Washington, D.C.: 1943–1969” (Penn State, J. H. Robinson)ADAMS, CATHERINE M., “Annette Messager: Post-1968 French Avante-Garde in the Feminine” (Iowa, C. Adcock)
ADAMS, VIRGINIA, “Illusion and Disillusionment in the Works of Gerhard Richter and Jeff Wall: Picturing (Post)Modern Life” (Maryland, College Park, S. Mansbach)
AGUIRRE, MARIANA, “Artistic Collaboraton in Fascist Italy: Ardengo Soffici and Giorgio Morandi” (Brown, K. S. Champa)
ALI, ATTEQA, “Handle W/Care: The Making of an Art History and a Nation in Pakistian” (UT Austin, J. Leoshko)
ALLEN, MELISSA S. B., “Donald Judd: Critic, Artist, Architect” (Iowa, W. Tomasini, D. Raskin)
ARCHIAS, S. ELISE, “The Body as a Material C. 1970: Yvonne Rainer, Vito Acconci, and Adrian Piper” (UC Berkeley, A. Wagner)
ATWOOD GIBSON, JESS, “Postwar Spectacles: The Zero Group” (Yale, C. Mehring, D. Joselit)
AUSTIN, NANCY, “Industrialization and the Language of Art and Design” (Brown, D. Neumann)
BANAI, NOIT, “Hybrid Objects—Specific Sites: The New Order of Things, France 1958–1962” (Columbia, B. Buchloh)
BARRETT, JENNIFER, “The Power of the Ordinary: Contextualism, Regionalism, and ‘the Everyday’ in the Architecture of Alison and Peter Smithson” (Delaware, A. Gibson)
BARRON-DUNCAN, RACHAEL, “Fashioning Surrealism: The Making of Radical Couture, 1925–1938” (Yale, C. Mehring)
BAUDIN, HELMA, “Art and Totalitarianism: Three German Artists Under Hitler’s Regime” (CUNY, R. Long)
BAUM, KELLY, “The Politics of Pleasure: Gender, Desire, and Détournement in the Art of the Situationist International, 1957–1972” (Delaware, A. Gibson)
BAUM, RACHEL, “Andy Warhol: The Crisis of Modernist Subjectivity in Abstraction” (Harvard, N. Bryson)
BENNETT, CHRISTOPHER, “Boetti and Pascali: Two Case Studies (1965–1970), Revisiting Arte Povera After the Fall of the Berlin Wall” (Michigan, A. Potts)
BERKOWITZ, ELLIE, “Innovation Through Appropriation Or an Alternative to Separatism: The Use of Commercial Imagery By Chicano Artists, 1960–1990” (UT Austin, A. Malagamba, A. Reynolds)
BETHKE, JENNIFER, “From Futurism to Neoclassicism: The Debate Over Tradition in Italian Modernism” (UC Berkeley, T. J. Clark)
BROWN, MIKELL, “The Photographer’s Wife: Genre Blurring in Emmet Gowin’s Photographs of Edith and the Dialectics of Looking” (Virginia Commonwealth, R. Hobbs)
BRYZGEL, AMY, “Negotiating Identity: A Case Study of Four Artists in Russia, Latvia, and Poland After the Thaw 1970–2000” (Rutgers, J. Sharp)
BUSH, DIANA, “The Dialectical Object: John Heartfield 1915–1938” (Columbia, B. Buchloh)
BUTLER, KAREN K., “Jean Fautrier and the Representation of Resistance in Postwar France” (Columbia, B. Buchloh)
BUTLER-PALMER, CAROLYN, “Interfaces: The Pop, Politics, and Portraiture of David Neel and Andy Warhol” (Pittsburgh, K. Savage, T. Smith)
CABANAS, KAIRA, “Performing the Real: Art in France 1957–1962” (Princeton, H. Foster)
CAMPBELL, SHANE C., “John Baldessari” (Iowa, C. Adcock)
CARLINO, JUSTIN, “Native American Art as Sources For American Sculpture After 1940” (Rutgers, J. Marter)
CAVALLERO, JANET, “Photography and the Mass Subject in Fascist Italy” (Columbia, B. Buchloh)
CHANCEY, JILL, “Elaine De Kooning: Negotiating the Masculinity of Abstract Expressionism” (Kansas, D. Cateforis)
CHIONG, KATHRYN, “Lawrence Weiner: Words/Matter” (Columbia, B. Buchloh, R. Krauss)
CHLENOVA, MASHA, “The Swan Song of the Russian Avant-Garde: The Transformations of the Avant-Garde in Soviet Public Culture, 1928–1932” (Columbia, C. Kiaer, B. Buchloh)
CHUNG, FRANCIS, “Perspicuous Representations: Ordinary Language in Conceptual Art and Cinema” (UC Berkeley, W. Davis)
CLAYTON, LISA, “Shaping Struggle: Heroic Themes in African American Art, 1929–1959” (Virginia Commonwealth, B. Lawal)
COLAIZZI, VITTORIO, “Robert Ryman, Minimalism, and Painting” (Virginia Commonwealth, R. Hobbs)
COUSINS, CHARLOTTE, “The Shaping of Constantin Brancusi: Formalism and ‘influence’ in the Early Twentieth Century” (UT Austin, R. Shiff, J. Leoshko)
COZZOLINO, ROBERT, “Every Picture Should Be a Prayer: A Critical Study of Ivan Albright” (Wisconsin, Madison, B. Buenger)
CRONAN, TODD, “The Despair of the Physical: Materialism in George Santayana, Wallace Stevens, and Henri Matisse, 1900–1950” (UC Berkeley, W. Davis)
CURLEY, JOHN J., “Blurred Ideologies: Cold War Visuality and the Art of Andy Warhol and Gerhard Richter, 1950–1968” (Yale, D. Joselit, C. Mehring)
CURZON, LUCY, “Modernity’s Revision: Culture and National Identity in Postwar Britain” (Rochester, P. Duro, J. Saab)
CUSHWA, ANNE J., “Fèlix Gonzalez-Torres” (Iowa, C. Adcock)
DAVIS, CAITLIN S., “Lee Miller: A Critical Analysis of Her War Photography” (Rutgers, J. Marter)
DAWSEY, JILL, “Secrets From the Streets: Women, Art, and Urban Space, 1966–1980” (Stanford, P. Lee)
DE ARMENDI, NICOLE, “Shifting Perception: Labyrinths and the Rise of Phenomenology in American Art of the 1960s and 1970s” (Virginia Commonwealth, R. Hobbs)
DEFAY, CHRISTOPHER, “Art, Enterprise, Collaboration: Richard Serra and the Art of Technology Program” (Michigan, A. Potts)
DEEB, ELYSE, “Studies in American Art: Women Sculpting in the 1960s” (Brown, H. Vanel)
DEYASI, MARCO, “Indochina in French Art and Culture, 1889–1937” (Duke, P. Leighten)
DIAZ, EVA, “Chance and Design: Experimental Art at Black Mountain College” (Princeton, H. Foster)
DONNELLY, BRIAN T., “Graphic Design in Canada Since 1945” (Queen’s, Kingston, L. Jessup)
DUMBADZE, ALEXANDER, “Graphic Language: Reading, Writing, and Representation in Contemporary Art From 1965 to the Present” (UT Austin, R. Shiff)
DUMETT, MARI, “Corporate Imaginations: The Fluxus Collective in the Age of Multinational Capitalism” (Boston, C. Jones)
DURHAM, DENNIS, “N.E. Thing Co. in Vancouver (1965–1978): Defining Conceptual Art On the Periphery” (Virginia Commonwealth, R. Hobbs)
EDELMAN, ALIZA, “Abstract Expressionism and Women Artists: A Gendered Reading of the 1950s” (Rutgers, J. Marter)
EIMEN, ALISA, “Museum and Mosque: Identity Construction in Twentieth-Century Tehran” (Minnesota, C. Asher)
EISMAN, APRIL, “Bernhard Heisig and the Cultural Politics of East German Art” (Pittsburgh, B. Mccloskey)
EVANS, YATES, “Doors and Windows: Eastern Philosophy and Western Aesthetics in the Art of Ray Johnson” (Virginia Commonwealth, R. Hobbs)
FINCH, ELIZABETH, “Languages of Vision: Gyorgy Kepes and His ‘new Landscape’ of Art and Science, 1944–1972” (CUNY, G. Batchen)
FLOYD, KATHRYN M., “The Documenta: A History and Analysis” (Iowa, C. Adcock)
GASPARAVICIUS, GEDIMINAS, “The Emergence of Neo-Avantgardes in Central Europe in 1975–1995” (SUNY Stony Brook, D. Kuspit)
GASTON, DEBORAH, “Immigration, Ethnicity, and the Early Drawings of Joseph Stella, 1896–1924” (Delaware, W. Homer)
GEIGER, MELISSA, “A Socio-Historical Critique of Robert Rauschenberg’s Electronic Works of the Sixties” (Penn State, S. Rich)
GIESKES, METTE, “Games, Systems, and Structuralist Politics in European and American Art, 1960–1975” (UT Austin, R. Shiff)
GILBERT, CHRISTOPHER, “American Art and Language During the Period of the Fox (1974–1976)” (Virginia Commonwealth, R. Hobbs)
GILDERHUS, KIRSTEN, “Karl Hubbuch: Drawings and Graphic Works, 1927–1930” (Wisconsin, Madison, B. Buenger)
GILMAN, AMY, “Organizing Art: Information Theory and Conceptual Art: A Case Study of the Xeroxbook Exhibition” (Case Western Reserve, E. Landau)
GILMAN, CLAIRE, “Arte Povera’s Theatrical Impulse: Italian Art of the 1960s and 70s” (Columbia, B. Buchloh, R. Krauss)
GOPINATH, GABRIELLE, “Ray Johnson and the U.S. Mail” (Yale, D. Joselit)
GRUDIN, ANTHONY, “Television Dreams: Warhol’s Style and the Ambivalence of Emulation” (UC Berkeley, T. J. Clark)
HABOECK, ALMUT, “Viennese Actionism: Theorizing a Movement” (Iowa, C. Adcock)
HACK, BRIAN, “Lorado Taft, George Grey Barnard, and the Promise of Monumental Symbolist Sculpture in Early Twentieth-Century America” (CUNY, S. Webster)
HAMILL, SARAH, “Sculpture’s Frame: On the Photography of David Smith, 1931–1965” (UC Berkeley, A. Wagner)
HAMILTON, JAIMEY, “Strategies of Excess: The Postwar Assemblage of Alberto Burri, Robert Rauschenberg, and Arman” (Boston, C. Jones)
HART, DAVID, “Memory and the Installation Art of Maria Magdalena Campos-Pons” (Unc Chapel Hill, M. Harris)
HARWOOD, JOHN, “The Redesign of Design: Multi-National Corporations, Computers and Design Logic, 1945–1976” (Columbia, B. Bergdoll)
HAXALL, DANIEL, “Politics, Form, and Identity in Abstract Expressionist Collage” (Penn State, S. Rich)
HEUER, ELIZABETH, “Going Postal: Surrealism and the Discourses of Mail Art” (Florida State, K. Bearor)
HICKMAN, CAROLINE MESROBIAN, “Clare Leighton (1898–1989): A Wood Engraver’s Impressions of Agrarian Life in England and the American South” (Unc Chapel Hill, A. Marks)
HILL, JOE, “Biennials On the Brink: New International Contemporary Art Festivals, 1984–2004” (Ifa/Nyu, R. Storr)
HILLMAN, SUSANNE, “Experiments in Art and Technology (E.A.T.)” (Rutgers, J. Marter)
HINDERLITER, BETH, “The Space of Painting: Kurt Schwitters and El Lissitzky” (Columbia, B. Buchloh, R. Krauss)
HOGUE, MARIANNE, “La Malinche as an Icon of Mestizaje and National Identity in the Murals of Orozco, Rivera, and Siqueiros” (Virginia Commonwealth, H. Risatti)
HUBENTHAL, JOHN, “A Life in the Newspapers: The American Press and George Grosz” (Virginia Commonwealth, H. Risatti)
HUDSON, SUZANNE, “Robert Ryman: Painting Pragmatism” (Princeton, H. Foster)
IKEGAMI, HIROKO, “1964: Robert Rauschenberg and the Beginnings of Globalization in Modern Art” (Yale, A. Nemerov)
JAMES, LINDA, “The Decadent Dandyism of the Work of Yves Klein” (Wisconsin, Madison, B. Buenger).
JARA, JEFF, “A Fine Tradition: Folk Art and the Development of Modernist American Art, 1900–1940” (Delaware, A. Gibson, M. Leja)
JOZEFACKA, ANNA, “Rebuilding of Warsaw: Architecture, Urban Planning, and Ideology in Postwar Poland (1945–1970)” (Ifa/Nyu, J-L. Cohen)
JUNG, EUN YOUNG, “From Sculpture to Situations: Critical Issues in Dan Flavin’s Fluorescent Light Installations of the 1960s” (Uiuc, J. Fineberg)
KAIZEN, WILLIAM, “The Immediate: Video Art, C. 1970” (Columbia, B. Buchloh)
KAWALKO, KAROLINA, “Geometric Abstraction Before and Behind the Iron Curtain” (CUNY, R. Golan)
KING, JENNIFIER, “Michael Asher and the Art of Infrastructure: Space, Cities, Institutions” (Princeton, H. Foster)
KOHN, ADRIAN, “Seeing Los Angeles Minimalism, 1958–1972” (UT Austin, R. Shiff)
KUDRIAVTSEVA, EKATERINA, “Art as Politics: The Afterlife of Kazimir Malevich’s Black Square” (USC, N. Troy)
KURCZYNSKI, KAREN, “Intimate Banalities to Extreme Aesthetics: Asger Jorn, 1940–1963” (Ifa/Nyu, R. Lubar)
LAWRENCE, JAMES, “Abdication in a Artistic Democracy: Meaning in the Work of Barnett Newman and Donald Judd, 1950–1970 (And Thereafter)” (UT Austin, R. Shiff)
LEDEZMA, JUAN, “Gustav Klutsis, El Lissitzky, and the October Group: Montage and the Post-History of the Constructivist Object in Russia’s ‘reconstruction Period’ (1928–1932)” (Columbia, C. Kiaer, B. Buchloh)
LEE, HYEWON, “Politics and Public Sculpture in Seoul, Korea” (Missouri, J. Klein)
LEE, KEE-LEE, “Sur Vampyr: Theresa Hak Kyang Cha and the Cultural Para-Sites of the Korean Diaspora” (Unc Chapel Hill, C. Mavor)
LEICHTNAM, CHRISTOPHER, “The Lyric in Painting” (Michigan, H. Lay)
LEIMER, ANN, “The Performance of the Sacred: The Concept of Journey in Codex Delilah” (UT Austin, A. Malagamba)
LEVIN, JULIE, “The Early Career of Allan Rohan Crite (1930–1950)” (UT Austin, L. Henderson)
MANSOOR, JALEH, “Marshall Plan Modernism: The Matrix of Fifties Abstraction” (Columbia, B. Buchloh, R. Krauss)
MARIE, ANNIKA, “The Most Radical Act: Working Toward a Materialist Aesthetic in Theodor Adorno, Harold Rosenberg, Barnett Newman, and Ad Reinhardt” (UT Austin, A. Reynolds, R. Shiff)
MATHEWS, HEATHER, “Refiguring Memory in Postwar German Painting” (UT Austin, A. Reynolds)
MCCORMICK, SETH, “Subject Divisions: Agency and Aesthetics in the Art of Jasper Johns” (Columbia, B. Buchloh, R. Krauss)
MCGRAIL, MICHAEL JUSTIN, “Category Killers, Power Centres, and Warehouse Clubs: The Architectural Geography of New Retail in British Columbia’s Georgia Basin” (Victoria, C. Thomas)
MILLETT, ANN, “Spectacular Spectacles: The Disabled Body On Display in Contemporary Art” (Unc Chapel Hill, C. Mavor)
MINTURN, KENT, “Contre-Histoire: The Postwar Art and Writings of Jean Dubuffet” (Columbia, B. Buchloh, R. Krauss)
MITZEN, ANNE, “Gender, Modernism, and Regionalism: The Promotion of Künstlerinnen in the Rhineland, 1900–1933” (Brown, H. Vanel)
NECOL, JANE, “Matisse and His Books: Transcending Limits” (Columbia, D. Rosand)
NEDD, ANDREW, “Defending Russia: Russian History and Pictorial Narratives of the ‘patriotic War,’ 1812–1912” (USC, J. Bowlt)
NELSON, ANDREA, “Reading Montage: The Photography Books of Làszlò Moholy-Nagy and Walker Evans” (Minnesota, J. Blocker)
NEWMAN, SARAH, “Excavating New York: George Bellows’s Landscapes of Modernity,” (UC Berkeley, M.M.Lovell)
NIGRO, CAROL, “Cy Twombly’s Italian Journey: Histories and Myths For a Modern Era” (Delaware, A. Gibson)
NOONAN, JENNIFER, “Romancing the Stone: Desire in Conceptual Prints of the 1960s and 1970s” (Penn State, S. Rich)
OBLER, BIBIANA, “Intimate Collaborations: Kandinsky and Muenter, Taeuber and Arp” (UC Berkeley, T. J. Clark)
OLGREN-LEBLOND, KELLY, “Reading Expressionist Architecture: The German Avant-Garde and ‘paper Architecture,’ 1914–1924” (USC, K. Lang)
PATRICK-STERNIN, MARGARET, “The Female Figure in the Art of the 1980s” (Rutgers, J. Marter)
PEPPER, IAN, “On the Difference Between Serialism and Seriality in the Visual Arts After 1945” (Columbia, R. Krauss)
PHILLIPS, KRISTY, “Exhibiting the Nation: Politics and Identity in the National Museum of India” (Minnesota, C. Asher)
PRICE, JUSTINE, “Critical Distinctions: Attitudes Towards American Abstraction, 1936–1952” (UT Austin, R. Shiff)
PROCTOR, JACOB, “Between Object and Experience: Video Art and Broadcast Television in the United States, 1967–1977” (Harvard, Y-A. Bois)
RAMIREZ, YASMIN, “Nuyorican Vanguards: Political Actions, Poetic Visions” (CUNY, K. Manthorne)
QIN, ZHAO-KAI, “Transnational Modernities: Artistic Interactions Between China and the West, 1979–1999” (Cornell, L. Meixner)
RAU, PAULA, “Chance Encounters: John Cage’s Late Visual Works” (Virginia Commonwealth, H. Risatti)
REEVES, TERESA BRAMLETTE, “Cowboys and Indianers: The American West in German Art of the Twentieth Century” (Georgia, E. Firestone)
RIPPNER, SAMANTHA, “Vija Celmins in Context: Paintings, Drawings, and Prints 1964–1994” (CUNY, M. Hadler)
ROBERTS, SARAH REHM, “Englishness, Abstraction, and Surrealism: Modern Art in England, 1932–1936” (Brown, H. Vanel)
ROBINSON, KATIE, “Raising and Lowering Brows: Norman Rockwell and Jackson Pollock in the Cultural Context of America, 1945–1962” (UT Austin, R. Shiff)
ROETHKE, LEIGH, “A Passion For Spain: Españolismo in American Visual Culture” (Minnesota, K. A. Marling)
ROGAN, CLARE, “Freundinnen and Mannweiber: Constructing Female Homoeroticism and the Figure of the Lesbian in German Art and Visual Culture, 1900–1933” (Brown, K. D. Kriz)
ROMPILLA, DENISE, “From Hiroshima to the Hydrogen Bomb: American Artists Witness the Birth of the Atomic Age” (Rutgers, J. Marter)
ROTH, LYNETTE, “‘Neue Sachlichkeit’ in Cologne: August Sander and the Cologne Progressives” (Johns Hopkins, B. Doherty)
ROTTNER, NADJA, “Claes Oldenburg, 1959–1966: The Violence of Sensation” (Columbia, B. Buchloh, R. Krauss)
RUNDQUIST, LEISA, “Firestorms and Conflagrations: The Inflamed Cosmology of Henry Darger” (Unc Chapel Hill, C. Mavor)
SCHREYACH, MICHAEL, “Towards Pragmatic Painting: Reflexivity in Hans Hofmann and Jackson Pollock” (UC Berkeley, W. Davis)
SCHWARTZ, MALKA, “The Space of Production: Brooklyn and the Creation of an Urban Industrial Landscape” (Ifa/Nyu, J-L. Cohen)
SCHWARTZ, STEPHANIE, “A Frontier Town Still: Cuban Urban Planning, 1925–1930” (Columbia, H. Ballon)
SCOTT, SASCHA, “Constructing the American Southwest: Paintings of New Mexico and Popular Culture, 1898–1942” (Rutgers, J. Marter)
SLIFKIN, ROBERT, “Out of Time: Philip Guston’s 1970 Marlborough Show” (Yale, A. Nemerov)
SMITH, T’AI, “Weaving Work at the Bauhaus: The Gender and Engendering of a Medium” (Rochester, D. Crimp)
SNOW, RACHEL, “Incidental Tourists: Vernacular Photo-Travel Books, 1920–1940” (CUNY, G. Batchen)
SOCCIO, LISA, “Nothing’s Shocking: On the Persistence of Avant-Gardism in Alternative Music” (Rochester, J. Wolff)
SRYPZAK, JOANN, “Sporting Modernity: German Artists and the Athletic Body, 1918–1945” (Wisconsin, Madison, B. Buenger)
STECK, STUART, “Veiling the Subject: Ellsworth Kelly and the Discourses of Modernism” (Boston, C. Jones)
STEER, LINDA M., “Appropriated Photographs in French Surrealist Reviews, 1924–1939” (SUNY Binghamton, J. Tagg)
STRYKER, ERIC M., “Reconstruction, Conflict, and Art in Postwar London: Four Case Studies, 1945–1962” (Yale, T. Barringer)
STUHLMAN, JONATHAN, “Navigating a Constantly Shifting Terrain: Yves Tanguy and Surrealism” (University of Virginia, M. Affron)
SURDU, ROBERT C. A., “Wholesome Architecture and the Rise of the Tourist State in Early-Twentieth-Century Canada” (Queen’s, Kingston, L. Jessup)
SUSIK, ABIGAIL, “Exhibiting the Outmoded: Surrealist Collage Novels By Louis Aragon, Max Ernst, and Andrè Breton” (Columbia, B. Buchloh, R. Krauss)
THOMAS, BRAGAN, “Naked Fascism? Body Politics and the Male Nude in German Sculpture of the Third Reich” (Ifa/Nyu, R. Lubar)
TOMLIN, PATRICK, “Spectacular Visions: Op Art, 1964–1968” (Northwestern, C. Lambert-Beatty)
TRAVIS, AMBER, “Theatres of War, Torture, and Duress: Leon Golub’s Mercenaries, Interrogations, and White Squads, 1979–1987” (Northwestern, S. Eisenman)
TSENG, LI-LIN, “Melodrama as Modernity in Early Chinese Cinema: A Case Study in the Works of Zheng Zhengqiu and His Shanghai Contemporaries, 1922–1937” (Uiuc, J. Fineberg)
TWA, LINDSAY, “Troubling Island: The Imagining and Imaging of Haiti By African-American Artists” (Unc Chapel Hill, M. Harris)
VAN HOESEN, BRETT M., “Crossing Borders: German Propaganda and the Arts During the 1920s ‘rhineland Controversy’ ” (Iowa, C. Adcock, S. Foster)
VANARRAGON, ELIZABETH J., “The Photo League: Views of Urban Experience in the 1930s and 1940s” (Iowa, C. Adcock)
WALKER, LANITRA, “Pictures That Satisfy: Modernist Discourses and the Politics of Race, Gender, and Nation in the Art of Irma Stern (1894–1966)” (Duke, R. Powell)
WANG, MEIQIN, “Transformation and Construction: Exhibiting Chinese Contemporary National Art in 2003” (SUNY Binghamton, N. Um)
WARNOCK, MOLLY, “Painting Blind: Simon Hantai’s Technique-Based Paintings” (Johns Hopkins, B. Doherty)
WEISSMAN, TERRI, “Super Sight: The Realisms of Berenice Abbott” (Columbia, B. Buchloh)
WELLER, REBECCA, “The Los Angeles Look: Light, Space, and Phenomenology, 1962–1974” (Delaware, A. Gibson)
WERSCHKUL, HILDA, “Modernism Into Memory: The Drawings of Eva Hesse” (Columbia, D. Rosand, B. Buchloh)
WEXLER KATSNELSON, ANNA, “Aesopian Tales Or What Happened After 1927: The Late Russian Avant-Garde, Painting, Film” (Harvard, Y-A. Bois)
WILLIAMS, THOMAS, “Pop Art, Affluence, and the Politics of Taste” (SUNY Stony Brook, J. Katz)
WILSON, SIONA, “Narrative Turn: The Filmic Mode in Feminist Art Practices of the 1970s, North America and Britain” (Columbia, B. Buchloh, C. Kiaer)
WOLFSKILL, PHOEBE, “Constituting the Elusive City: Documentation and Fantasy in the Work of Archibald Motley, Jr. and Reginald Marsh” (Uiuc, J. Fineberg)
YOUNG, LISA JAYE, “All Consuming: Weimar Photography and the Aesthetics of Americanization, 1923–33” (CUNY, G. Batchen)
ZEIDLER, SEBASTIAN, “Carl Einstein’s History and Theory of Art” (Columbia, B. Buchloh, R. Krauss)
Dissertations Completed By Subject
African Art (Sub-Saharan)
COOKSEY, SUSAN E., “Iron Staffs in the Crossroads: Divination Arts in Toussiana, a Southwest Burkina Faso Community” (Iowa, C. Roy)DELANCEY, MARK, “The King and His Palace: Architecture, Movement and Secrecy in Northern Cameroon” (Harvard, S. P. Blier)
MARTINEZ-RUIZ, BARBARO, “Kongo Machinery: Graphic Writing and Other Narratives of the Sign” (Yale, R. Thompson)
OKEKE, CHIKA O., “Nigerian Art in the Independence Decade, 1957–1967” (Emory, S. Kasfir)
Architectural History/Historic Preservation
BASSNETT, SARAH, “Visible Cities: Photography, Visual Discourse, and City Planning in Early Twentieth-Century Toronto and Montreal” (SUNY Binghamton, J. Tagg)BAVUSO, FRANCESCA, “The Gravity of Memory: Recollection and Forgetting at the Bibliothèque Impèriale of Napolèon Iii” (UC Irvine, J. Herbert)
BEISCHER, THOMAS G., “Great Expectations: Provisional Modernism and the Reception of J. J. P. Oud” (MIT, M. Jarzombek)
CLANCY, BRIAN, “An Architectural History of Grand Opera Houses: Constructing Cultural Identity in Urban America From 1850 to the Depression” (Rutgers, C. Yanni)
DUNN-MORTON, JULIE, “Art Patronage in St. Louis, 1840–1920: From Private Homes to a Public Museum” (Delaware, W. Craven)
ERTEN, ERDEM, “In Pursuit of Cultural Continuity: The Architectural Review 1947–1971” (MIT, M. Jarzombek)
FERGUSON, CHERYL, “Upscale Suburban Architecture and Development in Dallas and Houston, Texas, 1890–1930” (Delaware, D. Stillman)
JAMESON, KATHLEEN, “Society Matrons, Working Girls, Fair Maidens, and New Women: Frances Benjamin Johnston” (Delaware, M. Leja)
JOHNSON, AMY, “Model Housing For the Poor: Turn-Of-The-Century Tenement House Reform and the Boston Cooperative Building Company” (Delaware, B. Herman)
KARMON, DAVID, “The Protection of Ancient Monuments in Renaissance Rome” (Harvard, J. Ackerman)
LORANCE, LORETTA, “Building Values: Buckminster Fuller’s Dymaxion House in Context” (CUNY, R. Bletter)
MASON, PAUL, “The Light of Progress: Electric Light at Chicago’s 1933–34 Century of Progress International Exposition: A Symbol of American Modernity” (Wisconsin, Madison, N. Menocal)
MENDELSON, VALERIE, “A Citadel Behind Walls? the House of the Amateur in Late Nineteenth-Century France” (CUNY, J. Roos)
NERO, IRENE, “Techno-Morphism of Frank Gehry at the Guggenheim Museum in Bilbao, Spain” (Florida State, L. Weingarden)
NEWTON, MARYANNE WOODRUFF, “Selected Problems in Aegean and Near Eastern Dendrochronology” (Cornell, P. Kuniholm)
SABATINO, MICHELANGELO, “Italian Modern Architecture and the Vernacular Tradition: The Aesthetics of Morality” (Toronto, A. Payne)
SCANLAN-TELLER, AUDREY, “Bishops, Abbots, Kings, and Crosses: Twelfth-Century Irish High Crosses in Munster as Monuments of Ecclesiastical Reform” (Delaware, L. Nees)
SPENCER, SUZANNE, “Housing On Trial: The Museum of Modern Art and the Campaign For Modern Housing in the United States, 1932–1952” (Emory, J. Rohrer)
TAYLOR, GEOFFREY, “Euclid’s Bacolo and Tholos’ Compasso: Architectural Survey in the Scholz and Goldschmidt Scrapbooks” (Harvard, J. Silvetti)
ZUGAY, BRIAN C. R., “The ‘new Era’ in Church Building: Progressive Strategies For Ecclesiastical Architecture in Early Twentieth-Century America” (Brown, D. Neumann)
Art of the Middle East/North Africa
BERLEKAMP, PERSIS, “Wonder and Its Images in Medieval Islamic Culture” (Harvard, G. Necipoglu)DASKALAKIS, ANNIE-CHRISTINE, “Damascus Eighteenth- and Nineteenth-Century Houses in the Ablag-Ajami Style of Decoration: Local and International Significance” (Ifa/Nyu, P. Soucek)
KENNEY, ELLEN, “Power and Patronage in Mamluk Syria: The Architecture and Urban Works of Tankiz Al-Nasiri, 1312–1340” (Ifa/Nyu, P. Soucek)
KERNER, JACLYNNE, “Art in the Name of Science: Illustrated Manuscripts of the Kitab Al-Diryag” (Ifa/Nyu, P. Soucek)
NEWTON, MARYANNE WOODRUFF, “Selected Problems in Aegean and Near Eastern Dendrochronology” (Cornell, P. Kuniholm)
ROBERSON, JENNIFER, “The Mosque: Community and Identity in Late 20th Century Morocco and Spain” (Minnesota, C. Asher)
TURNBULL, RICHARD, “The Muradiye Tomb Complex in Bursa and the Development of the Ottoman Funerary Tradition” (Ifa/Nyu, P. Soucek)
WAGNER, STEPHEN, “Silken Parchments: Design, Context, Patronage, and Function of Textile-Inspired Pages in Ottonian and Salian Manuscripts” (Delaware, L. Nees)
Art of the United States
CHRIST, JOHN X., “Painting a Theoretical World: Stuart Davis and the Politics of Common Experience in the 1930s” (MIT, M. Leja, D. Friedman)CLARK, ROBIN, “Artist-Proposed Museums: Polemical Projects By Claes Oldenburg, Robert Smithson, and Gordon Matta-Clark, 1965–1978” (CUNY, A. Chave)
D’ANGELO, GINA, “Francis David Millet (1846–1912): Life and Works” (CUNY, K. Murphy)
DAVIS, MELODY, “Doubling the Vision: Women and Narrative Stereography, the United States, 1870–1910” (CUNY, R. Long)
DOYLE, KATHERINE RANGOON, “John B. Flannagan (1895–1942): A Reexamination of His Life and Work” (CUNY, G. Levin)
ELTON, MARTHA, “Bertram Hartman (1882–1960), an Early Modernist From Kansas” (Kansas, C. Eldredge)
FIORINO-IANNACE, GIOVANNA, “American Genre Painters in Venice: 1877–1893” (CUNY, K. Manthorne)
GOLD, SUSANNA, “Imaging Memory: Re-Presentations of the Civil War at the 1876 Centennial Exhibition” (Pennsylvania, E. Johns)
GOLEC, MICHAEL J., “Andy Warhol and New Realism” (Northwestern, W. Davis)
HOSS, MARY LOUISE, “The Female Collegian in Black and White: Institutional Photography of Women Students 1895–1915” (Boston, K. Sichel)
JOHNSTON, MATTHEW, “Surveying the Nation in Time: Landscape in Nineteenth-Century Print Culture” (Chicago, M. Ward)
KIM, JINA, “Invitation to the Other: the Reframing of ‘american’ Art and National Identity and the 1993 Whitney Biennial in New York and Seoul” (SUNY Binghamton, J. Tagg)
KUNZ, JOY, “Bodies of Work: New York School Abstract Expressionists’ Images of Men and Women, 1940–1960” (UC Santa Barbara, E. B. Robertson)
LYMAN, LAUREL, “The Influence of Japonisme On the American Impressionists and Their Circle, 1893–1915” (CUNY, K. Murphy)
MARTIS, SUSAN, “Famous and Forgotten: Rodin and Three American Contemporaries” (Case Western Reserve, H. Adams)
O’HARE, MARY-KATE, “Fashioning Manhood: John Singer Sargent and the Construction of Masculinity at the Turn of the Century” (Rutgers, W. Bellion)
OBA, MITSUTOSHI, “Eclectic Symbolism: The Interplay of Japonisme and Classicism in the Folding Screens By Thomas Wilmer Dewing, 1896–1900” (CUNY, K. Manthorne)
RHOR, SYLVIA, “Education America: Murals in Chicago Public Schools, 1905–1943” (University of Pittsburgh, B. Mccloskey)
SHAPIRO, EMILY DANA, “Machine Crafted: The Image of the Artisan in American Genre Painting, 1877–1908” (Stanford, W. Corn)
SHIELDS, SCOTT, “Legends of Bohemia: The Monterey Peninsula and Its Early Art Colony, 1875–1907” (Kansas, C. Eldredge)
SLOAN, E. DONALD, “‘Why Not Revolution’ : The John Reed Club and Visual Culture” (Kansas, C. Eldredge)
SOLAN, VICTORIA JANE, “‘Built For Health’ : American Architecture and the Healthy House, 1850–1930” (Yale, C. Anderson)
SOLON, DEBORAH, “The Life and Work of Alson Skinner Clark” (CUNY, K. Murphy)
STERN, WILLIAM, “Being Queer, Seeing Queer: A Gay Body of Work” (UC Santa Barbara, E. B. Robertson)
STREB, JENNIFER, “Minna Citron: A Socio-Historical Study of an Artist’s Feminist Social Realism in the 1930s” (Penn State, S. Rich)
URADOMO, STACEY, “Legacies: Family Memories, and Identity in the Work of Roger Shimomura, Tomie Arai, and Lynne Yamamoto” (USC, R. Meyer, N. Troy)
WINKENWEDER, BRIAN, “Signature Styles, Art Historical Agonism, and Robert Morris’s Language Games” (SUNY Stony Brook, D. Kuspit)
WOLFE, MELISSA, “Identity, Power, and History in the Solomon D. Butcher Photographic Archive (1886–1892)” (Ohio State, B. Groseclose)
Chinese Art
BERLINER, NANCY, “Yin Yu Tang, the Architecture and Daily Life of a Chinese House” (Harvard, E. Lajer-Burcharth)CHANG, CHIN-SUNG, “Mountains and Rivers, Pure and Splendid: Wang Hui (1632–1717) and the Making of Landscape Panoramas in Early Qing China” (Yale, R. Barnhart)
CHEN, HUI-HUNG, “Missionaries and Images: Jesuit Visual Culture in Sixteenth- to Seventeenth-Century China” (Brown, J. Muller)
HSU, HSIN-MEI AGNES, “Pictorial Eulogies in Three Eastern Han Tombs” (Pennsylvania, N. Steinhardt)
LEE, HYUN-SOOK, “The Longmen Guyang Cave: Sculpture and Calligraphy of the Northern Wei (386–534)” (Pennsylvania, N. Steinhardt)
LEE, SONYA, “Nirvana Imagery in Medieval Chinese Art” (Chicago, H. Wu)
LINGLEY, KATE, “Widows, Monks, Magistrates, and Concubines: Social Dimensions of Sixth-Century Buddhist Art Patronage” (Chicago, H. Wu)
NAKATANI, HAJIME, “Bodies and Signs in Medieval China” (Chicago, H. Wu)
PLUTH, LISA, “Xumishan Grotto 105 and the Iconography of Tang Dynasty Dizang” (Kansas, A. Mcnair)
WU, XIAOLONG, “Bronze Industry, Stylistic Tradition, and Cultural Identity in Ancient China: Bronze Artifacts of the Zhongshan State, Warring States Period (476–221 BCE)” (Pittsburgh, K. Linduff)
YEN, SHOU-CHIH ISAAC, “Xu Wei’s Zahua: a Study of Genres” (Yale, D. Sensabaugh)
YONG, YING, “Ancient Chinese Marriage and Statecraft in a Zhou Vassal State: Elite Female Burials of the Jin State” (Pittsburgh, K. Linduff)
YU, JIANG, “Statecraft and Cemetery in Early Dynastic China: Yu Funerary Arts in the Zhou” (Pittsburgh, K. Linduff)
Contemporary Art
ALDERSON, JULIA LOUISE, “Nancy Holt and the Sculptural Lens” (Rutgers, J. Marter)ALLAN, KEN, “Conceptual Art Magazine Projects and Their Precedents” (Toronto, E. Legge)
ANASTAS, RHEA, “The Whole Artist: Dan Graham and Robert Smithson, Works and Writings, 1965–69” (CUNY, A. Chave)
ATKINS, SHARON MATT, “Art Appropriation and Identity Since 1980” (Rutgers, J. Marter)
BYRNE, DEBRA, “Feminine Identities and the Structuring of Postmodern Portraiture” (Missouri, J. Klein)
CALIRMAN, CLAUDIA, “Brazilian Art Between 1968 and 1974: Art Under Dictatorship” (CUNY, K. Manthorne)
DAIGLE, CLAIRE, “Reading Barthes/Writing Twombly” (CUNY, A. Chave)
FRIZZELL, DEBORAH, “Nancy Spero’s Installations and Institutional Incursions, 1987–2001: Dialogues Within the Museum, and Elsewhere” (CUNY, S. Webster)
KUMAR, NAVJOTIKA, “Epic Landscape: Richard Misrach’s Desert Cantos” (Cornell, H. Foster)
SMITH, CHERISE, “En-Acting ‘others’ : Ethnic, Gender, and Racial Performance in Works By Eleanor Antin, Adrian Piper, and Anna Deavere Smith” (Stanford, W. Corn)
TEPFER, ELLEN, “The Spaces of Everyday Life: Claes Oldenburg, 1959–1969” (CUNY, R. Golan)
URADOMO, STACEY, “Legacies: Family Memories, and Identity in the Work of Roger Shimomura, Tomie Arai, and Lynne Yamamoto” (USC, R. Meyer, N. Troy)
WINKENWEDER, BRIAN, “Signature Styles, Art-Historical Agonism, and Robert Morris’s Language Games” (SUNY Stony Brook, D. Kuspit)
Critical Theory/Visual Studies/Gender Studies
Bowen, Dore, “Danger Box: Fluxphotography and Martin Heidegger’s Phenomenology” (Rochester, M. Holly, D. Crimp)BURGER, STACY SCHULTZ, “The Female Body in Performance: Themes of Beauty, Body Image, Identity, and Violence” (Rutgers, J. Marter)
BYRNE, DEBRA, “Feminine Identities and the Structuring of Postmodern Portraiture” (Missouri, J. Klein)
CHEASLEY, ELAINE, “Decoration and Desire: Women of the Home Arts Movement, 1884–1915” (Queen’s, Kingston, J. Helland)
DAIGLE, CLAIRE, “Reading Barthes/Writing Twombly” (CUNY, A. Chave)
FINN, LISA, “Risky Subjects: Constructions and Categorizations of Women in Health Care” (Rochester, L. Cartwright, D. Crimp)
HALLAM, JENNIFER LYNNE, “Re-Presenting Women in Early Stuart England: Gender Ideology, Personal Politics, and the Portrait Arts” (Pennsylvania, L. Silver)
HERZOG, AMY, “Dreams of Differences and Songs of the Same: The Image of Time in Musical Film” (Rochester, D. Rodowick, L. Cartwright, D. Crimp)
JAMESON, KATHLEEN, “Society Matrons, Working Girls, Fair Maidens, and New Women: Frances Benjamin Johnston” (Delaware, M. Leja)
LANGLOIS, LISA, “Exhibiting Japan: Gender and National Identity at the World’s Columbian Exposition of 1893” (Michigan, P. Simons)
LIEN, FU-CHIA WEN, “The Body Politics of Decoration and Handicraft: Re-Visioning 1970s Feminist Art” (CUNY, M. Hadler)
LUTZ, ERIC, “The Architect’s Eye: R. M. Schindler and His Photography” (UC Santa Barbara, U. Keller)
RAYFIELD, ELIZABETH, “‘Her Apparent Admiration and the Intensity of Her Gaze’ : Race, Class, and Gender and the Stereoscopic Viewing Experience” (UC Irvine, F. T. Rony)
REYNOLDS, MATTHEW, “Soft Focus: Glamour and the Hollywood Redevelopment Project” (Rochester, D. Crimp)
SCHERTZ, PETER, “Marsyas Contended: The Figure of Marsyas in Roman Art, Politics, and Religion” (USC, J. Pollini)
SCHUMACHER, BETT, “Helen Frankenthaler’s Modernism: Embodiment and Pictorial Ambiguity, 1950–1965” (Johns Hopkins, B. Doherty)
SPEER, GEORGE V., “Binding Frankenstein: Reclaiming the Self in the Visual Culture of the Machine Age” (Washington, St. Louis, A. Miller)
WAHL, KIMBERLEY A., “Fashioning the Female Artistic Self: Aesthetic Dress in Nineteenth-Century British Visual Culture” (Queen’s, Kingston, V. Jirat-Wasiutynski)
WARNER, PAMELA, “Word and Image in the Art Criticism of the Goncourt Brothers” (Delaware, N. Athanassoglou-Kallmyer)
WILLICK, DAMON, “Conceptualizing Kienholz: Reconsidering Ed Kienholz in Contemporary Art” (UCLA, D. Preziosi)
Decorative Arts/Textiles/Design History
LOUGHREY, STACEY, “Design, Empire, and Aesthetics in Britain, 1745–1851” (USC, K. Lang)LIEN, FU-CHIA WEN, “The Body Politics of Decoration and Handicraft: Re-Visioning 1970s Feminist Art” (CUNY, M. Hadler)
OBA, MITSUTOSHI, “Eclectic Symbolism: The Interplay of Japonisme and Classicism in the Folding Screens By Thomas Wilmer Dewing, 1896–1900” (CUNY, K. Manthorne)
Digital Media/Animation
BOULDIN, JOANNA, “The Animated and the Actual: Towards a Theory of Animation, Live-Action, and Everyday Life” (UC Irvine, A. Lippit)Drawings/Prints/Photography/Works On Paper
BACCI-MELCHER, FRANCESCA, “Impressions in Light: Photographs of Sculptures By Medardo Rosso (1858–1928)” (Rochester, J. Spector)BASSNETT, SARAH, “Visible Cities: Photography, Visual Discourse, and City Planning in Early Twentieth-Century Toronto and Montreal” (SUNY Binghamton, J. Tagg)
DAVIS, MELODY, “Doubling the Vision: Women and Narrative Stereography, the United States, 1870–1910” (CUNY, R. Long)
DUGANNE, ERINA DEIRDRE, “Looking In/Looking Out: The Intersection of Race, Subjectivity, and Feelings in 1950s and 1960s U.S. Photography” (UT Austin, A. Reynolds)
HOSS, MARY LOUISE, “The Female Collegian in Black and White: Institutional Photography of Women Students 1895–1915” (Boston, K. Sichel)
HOSTETLER, LISA, “Photography and Everyday Life: The Case of Louis Faurer 1937–1955” (Princeton, P. Bunnell)
ROCCO, VANESSA, “Pictorialism to Film and Foto: German Photography Exhibitions From 1909–1929” (CUNY, R. Long)
TAYLOR, GEOFFREY, “Euclidís Bacolo and Tholos’ Compasso: Architectural Survey in the Scholz and Goldschmidt Scrapbooks” (Harvard, J. Silvetti)
WELCH, JOHN, “Aristocratizing the Community: Roger Fenton and British Photography in the 1850s” (Princeton, P. Bunnell)
Early Christian/Byzantine Art
KOTSIS, KRISZTA, “‘your Body, O Empress, Is a Treasure of Marvelous Qualities’ : Representations of Middle-Byzantine Empresses (780–1081)” (Washington, A. Kartsonis)PARPULOV, GEORGI, “Toward a History of Byzantine Psalters” (Chicago, R. Nelson)
TULEK, FUSUN, “Later Roman and Early Byzantine Floor Mosaics in Cilicia” (Uiuc, R. Ousterhout)
WALKER, ALICIA, “Beyond the Classical: Islamic Elements in Middle-Byzantine Secular Art” (Harvard, I. Kalavrezou)
Early Medieval/Romanesque/Gothic Art
Bessette, Lisa, “The Visualization of the Content of the Psalms in the Early Middle Ages” (Michigan, E. Sears)BISHOP, NANCY, “The Barberini Gospels” (Iowa, R. Bork)
BROWN, PETER SCOTT, “Portal, Sculpture, and Audience of the Romanesque Cathedral Sainte-Marie D’oloron” (Yale, W. Cahn)
CHAPMAN, TRACY, “Artistic Patronage and Women of the Royal House of France” (UT Austin, J. Holladay)
CHOI, KYUNG-HEE, “Illuminating Liturgy and Legend: The Missal of Saint-Denis (London, Victoria and Albert Museum Ms. L1346–1891) and the Royal Abbey in the Fourteenth Century” (Ifa/Nyu, J. Alexander)
COHEN, MEREDITH, “The Sainte-Chapelle and the Ideology of Royal Sovereignty” (Columbia, S. Murray)
DRISCOLL, ALICE ANN, “Alberto ‘sotio,’ 1187, and Spoleto: The Umbrian Painted Cross in Italian Medieval Art” (Unc Chapel Hill, J. Folda)
GERTSMAN, ELINA, “Debeo Saltare: Theology, Reception, and Performativity in the Medieval Dance of Death” (Boston, J. Cranston)
GOODSON, CAROLINE, “The Basilicas of Paschal I (817–824): Tradition and Transformation in Early Medieval Rome” (Columbia, S. Murray)
HUNT, ELIZABETH MOORE, “Illuminating the Borders of Northern French and Flemish Manuscripts, c. 1270–1310” (Missouri, A. R. Stanton)
HUNVALD, KATHERINE C., “The Warnebertus Reliquary: A Study in Early Medieval Metalwork” (Missouri, M. Rautman)
KLEINSMITH, NICOLE M., “Inside and Outside the Frame: an Integrated Reading of the Bayeux Tapestry and Its Borders” (Victoria, J. Osborne)
MADSEN, GAMBLE, “Medevial Visions of the Godhead: Peter Lombard’s Commentary On Psalm 10” (USC, C. Malone)
MCCURRACH, CATHERINE, “The Veneration of St. Benedict in Medieval Rome: Parish Architecture, Monumental Imagery, and Popular Devotion” (Michigan, E. Sears)
NIEDZIALKOWSKA, BEATA, “Ars Nova in Poland: Artistic and Cultural Relations Between Poland and Belgium in the Late Middle Ages” (Iowa, R. Bork)
SCANLAN-TELLER, AUDREY, “Bishops, Abbots, Kings, and Crosses: Twelfth-Century Irish High Crosses in Munster as Monuments of Ecclesiastical Reform” (Delaware, L. Nees)
THOMPSON, SARAH ELIZABETH, “Inventing ‘gothic’ : Notre-Dame D’ étampes and the Impact of Design Process On Architectural Change in the Isle-De-France 1130–1160” (UC Santa Barbara, C. E. Armi)
TRKULJA, JELENA, “Aesthetics and Symbolism of Late Byzantine Church Facades, 1204–1453” (Princeton, S. Ćurčić)
WAGNER, STEPHEN, “Silken Parchments: Design, Context, Patronage, and Function of Textile-Inspired Pages in Ottonian and Salian Manuscripts” (Delaware, L. Nees)
YAWN-BONGHI, LILA ELIZABETH, “The Illustrated Giant Bible of Perugia (Biblioteca Augusta, Ms. L. 59): A Manuscript and Its Creators in Eleventh-Century Central Italy” (Unc Chapel Hill, J. Folda)
Egyptian/Ancient Near Eastern Art
CANEPA, MATTHEW, “The Two Eyes of the Earth: Competition and Exchange in the Art of Ritual of Kingship Between Rome and Sasanian Iran” (Chicago, R. Nelson)NEWTON, MARYANNE WOODRUFF, “Selected Problems in Aegean and Near Eastern Dendrochronology” (Cornell, P. Kuniholm)
Eighteenth-Century Art
DERSTINE, ANDRIA, “The French Academy in Rome, 1666–1737: Art, Society, Politics, and Relations With the Accademia Di San Luca” (Ifa/Nyu, D. Posner)FASSL, JOHANNA, “Sacred Eloquence: Giambattista Tiepolo and the Rhetoric of the Altarpiece” (Columbia, D. Rosand)
LECA, BENEDICT, “Constructions of Patrimony: The Interpretive Prints After Claude-Joseph Vernet’s Ports of France” (Brown, K. D. Kriz)
LOUGHREY, STACEY, “Design, Empire, and Aesthetics in Britain, 1745–1851” (USC, K. Lang)
MACDONALD, HEATHER, “Landscapes of Ambition: Painting and Political Culture in Joseph Vernet’s Ports De France” (UC Berkeley, D. Grimaldo Grigsby)
SALZMAN, MARY, “Decoration as Knowledge: The Early Eighteenth-Century French Genre Scene, Rococo Ornament, and France’s Emerging Public Sphere” (Stanford, M. Marrinan)
Film/Video
HERZOG, AMY, “Dreams of Differences and Songs of the Same: The Image of Time in Musical Film” (Rochester, D. Rodowick, L. Cartwright, D. Crimp)PRUNES, MARIANO, “Contemporary Italian Cinema: Films of Persistence” (Yale, N. Steimatsky)
REYNOLDS, MATTHEW, “Soft Focus: Glamour and the Hollywood Redevelopment Project” (Rochester, D. Crimp)
Greek/Roman Art
KONTES, ZO, “Social Articulation in the Early Bronze Age of the Central Mediterranean” (Brown, R. Holloway)LEATHERMAN, ANGELA, “The Italian Geometric Pottery: Workshops and Interactions” (Brown, R. Holloway)
LOVETTE GUICHARD, CELESTE, “Travels and Traversals in Hellenistic Architecture” (Columbia, R. Brilliant, N. Kampen)
MARLOWE, ELIZABETH, “‘That Customary Magnificense Which Is Your Due’ : Constantine and the Symbolic Capital of Rome” (Columbia, R. Brilliant, N. Kampen)
MORTON, THOMAS J., “The Impact of Luxury: The Forum of Meninx; an Architectural Reconstruction” (Pennsylvania, L. Haselberger)
SCHERTZ, PETER, “Marsyas Contended: The Figure of Marsyas in Roman Art, Politics, and Religion” (USC, J. Pollini)
Japanese/Korean Art
KATZ, JANICE, “Collecting and Patronage of Art in Seventeenth Century Japan: The Maeda Daimyo” (Princeton, Y. Shimizu)MAEDA, TAMAKI, “Tomioka Tessai’s Narrative Landscape: Rethinking Sino-Japanese Traditions” (Washington, C. Bogel)
TAKENAKA-O’BRIEN, AKIKO, “The Aesthetics of Mass Persuasion: War and Architecture Sites in Tokyo, 1868–1945” (Yale, M. Yiengpruksawan)
TIAMPO, MING, “Gutai and Informel: Post-War Art in Japan and France 1945–1965” (Northwestern, S. E. Fraser)
TSENG, ALICE, “Art in Place: The Display of Japan at the Imperial Museums, 1872–1909” (Harvard, E. Wang)
Latin American/Caribbean Art
CALIRMAN, CLAUDIA, “Brazilian Art Between 1968 and 1974: Art Under Dictatorship” (CUNY, K. Manthorne)FRAUNHAR, ALISON, “Visualizing Race: The Mulata and Cuban Identity in Popular Culture” (UC Santa Barbara, S. Chattopadhay)
GREET, MICHELE, “Painting the Indian Nation: Pictorial Indigenism as a Modernist Strategy in Ecuadorian Art, 1920–1960” (Ifa/Nyu, E. Sullivan, R. Lubar)
WILLIAMS, LYNEISE, “Sacudiendo De Los Espirtus Adormecidos (Awakening of Sleeping Spirits): The Art of Pedro Figari (1861–1938)” (Yale, R. Thompson)
Native American Art
Minich, FRANCES JOHANNA, “Hopewell Stone Carvers: Reinterpreting the Roles of Artist and Patron” (Virginia Commonwealth, J. Farmer)VIGIL, JENNIFER C., “Drawing Past, Present, and Future: The Legacy of the Plains Indian Graphic Tradition in the Works of Arthur Amiotte” (Iowa, C. Roy)
Nineteenth-Century Art
ALBINSON, A. CASSANDRA, “Peeresses in Paint: Portraits of Aristocratic Women and the Question of Representation 1837–1901” (Yale, T. Barringer)BAUER, JENNIFER, “Brilliant Phantasy: The Art of Margaret Macdonald Mackintosh” (Unc Chapel Hill, C. Mavor)
CHEASLEY, ELAINE, “Decoration and Desire: Women of the Home Arts Movement, 1884–1915” (Queen’s, Kingston, J. Helland)
COLLER, BARBARA, “Domesticity and Anxiety: Artists’ Portraits of Their Parents in France, C. 1840–1885” (CUNY, J. Roos)
D’ANGELO, GINA, “Francis David Millet (1846–1912): Life and Works” (CUNY, K. Murphy)
DOYLE, MARGARET, “The Urban Romantic: Caspar David Friedrich and the City” (CUNY, R. Bletter)
FIORINO-IANNACE, GIOVANNA, “American Genre Painters in Venice: 1877–1893” (CUNY, K. Manthorne)
GOLD, SUSANNA, “Imaging Memory: Re-Presentations of the Civil War at the 1876 Centennial Exhibition” (Pennsylvania, E. Johns)
GRINDSTAFF, BEVERLY, “Designing the Mensch Als Kunstwerk: Kant, Hygiene, and the Aesthetics of Health in Wilhelmine Germany” (UCLA, A. Boime)
HARKETT, DANIEL E., “The Consumption of History Painting in Restoration France” (Brown, K. S. Champa)
JAMESON, KATHLEEN, “Society Matrons, Working Girls, Fair Maidens, and New Women: Frances Benjamin Johnston” (Delaware, M. Leja)
LEONARD, ANNE, “Picturing Listening in the Late Nineteenth Century” (Harvard, H. Zerner)
LOUGHREY, STACEY, “Design, Empire, and Aesthetics in Britain, 1745–1851” (USC, K. Lang)
LUCY, MARTHA, “The Evolutionary Body: Refiguring the Nude in Post-Darwinian French Art” (Ifa/Nyu, L. Nochlin)
MACDUFFEE, ALLISON, “Camille Pissarro: Modernism, Anarchism, and the Representation of the ‘the People,’ 1888–1903” (Michigan, H. Lay)
MARTIS, SUSAN, “Famous and Forgotten: Rodin and His American Contemporaries” (Case Western Reserve, H. Adams)
MCKEOWN, BILL, “‘England’s Giorgione’ : Charles H. Shannon and Venetianism in Late Victorian England” (Florida State, L. Weingarden)
MENDELSON, VALERIE, “A Citadel Behind Walls? the House of the Amateur in Late Nineteenth-Century France” (CUNY, J. Roos)
MLADENOVIC, IVANA, “John Ruskin: The Medieval Mission” (UCLA, A. Boime)
MOONEY, JANE ROBERTS, “Capturing the Urphänomen: Odilon Redon, Goethe, and the Morphology of the Symbol” (Unc Chapel Hill, M. Sheriff)
O’NEILL, MORNA ELIZABETH, “Art Reborn: Painting, Politics, and Decoration in the Work of Walter Crane, 1870–1900” (Yale, T. Barringer)
SOLON, DEBORAH, “The Life and Work of Alson Skinner Clark” (CUNY, K. Murphy)
WAHL, KIMBERLEY A., “Fashioning the Female Artistic Self: Aesthetic Dress in Nineteenth-Century British Visual Culture” (Queen’s, Kingston, V. Jirat-Wasiutynski)
WARNER, PAMELA, “Word and Image in the Art Criticism of the Goncourt Brothers” (Delaware, N. Athanassoglou-Kallmyer)
WEEKS, EMILY, “The ‘reality Effect’ : The Orientalist Paintings of John Frederick Lewis (1805–1876)” (Yale, T. Barringer)
WIEBER, SABINE, “Designing the Nation: Neo-Northern Renaissance Interiors and the Politics of Identity in Late Nineteenth-Century Germany, 1876–1888” (Chicago, R. Heller)
YORK, KAREN S., “American Portrait Cameo Cutting: an Alternate Apprenticeship in Relief Sculpture, 1830–1870” (Indiana, Bloomington, M. Facos)
Performance Studies/Installation/ Environmental Art
Anastas, Rhea, “The Whole Artist: Dan Graham and Robert Smithson, Works and Writings, 1965–69” (CUNY, A. Chave)CLARK, ROBIN, “Artist-Proposed Museums: Polemical Projects By Claes Oldenburg, Robert Smithson, and Gordon Matta-Clark, 1965–78” (CUNY, A. Chave)
FRIZZELL, DEBORAH, “Nancy Spero’s Installations and Institutional Incursions, 1987–2001: Dialogues Within the Museum, and Elsewhere” (CUNY, S. Webster)
ROCCO, VANESSA, “Pictorialism to Film and Foto: German Photography Exhibitions From 1909–1929” (CUNY, R. Long)
SMITH, CHERISE, “En-Acting ‘others’ : Ethnic, Gender, and Racial Performance in Works By Eleanor Antin, Adrian Piper, and Anna Deavere Smith” (Stanford, W. Corn)
Pre-Columbian Art
Ahlfeldt, Jennifer, “On Reconstructing and Performing Ancient Maya Architecture: Structure 22, Copan, Honduras (Ad 715)” (Columbia, E. Pasztory)CASSIDY, ANNE, “Divination By Image: The Borgia Group of Pre-Hispanic Mexican Manuscripts” (Columbia, E. Pasztory)
MANDELL, ELISA, “The Birth of Angels: Posthumous Portraits of Infants and Children in Mexican Art” (UCLA, C. Klein)
MAGALONI-KERPEL, DIANA, “Images of the Beginning: The Painted Story of the Conquest of Mexico in Book Xll of the Florentine Codex” (Yale, M. Miller)
MINICH, FRANCES JOHANNA, “Hopewell Stone Carvers: Reinterpreting the Roles of Artist and Patron” (Virginia Commonwealth, J. Farmer)
ROBERTSON, JANICE LYNN, “A Semiotic Analysis of Aztec Picture-Writing Based On the Place-Name Signs in the Codex Mendoza” (Columbia, R. Brilliant)
Prehistoric Art
Arvanitakis, Jan, “The Neopalatial-Final Palatial Transition at Kommos in South Central Crete: Evidence For Connections With Knossos and For the Extent of Mycenaean Influence in the Lm Ii-Iiia1 Ceramic Record” (Toronto, J. W. Shaw)KONTES, ZO, “Social Articulation in the Early Bronze Age of the Central Mediterranean” (Brown, R. Holloway)
Renaissance/Baroque Art
Aksamija, Nadja, “Between Humanism and the Counter-Reformation: Villa and Villeggiatura in Renaissance Ragusa” (Princeton, P. Brown)BACON, PAUL, “A Mirror of a Christian Prince: Frederick the Wise and Art Patronage at the Electoral Saxon Court, 1486–1525” (Wisconsin, Madison, J. Hutchison)
CHEN, HUI-HUNG, “Missionaries and Images: Jesuit Visual Culture in Sixteenth- to Seventeenth-Century China” (Brown, J. Muller)
DECKER, JOHN, “The Technology of Salvation and the Art of Geertgen Tot Sint Jans: Manifestations of Salvation Theology in Material Culture” (UC Santa Barbara, M. Meadow)
DENNINE, DUDLEY, “Henrietta Louisa Jeffreys: Oxford University and the Pomfret Benefaction of 1755; Vertu Made Visible” (Victoria, C. Gibson-Wood, P. Wood)
DERSTINE, ANDRIA, “The French Academy in Rome, 1666–1737: Art, Society, Politics, and Relations With the Accademia Di San Luca” (Ifa/Nyu, D. Posner)
ELIASON, LOIS MUNEMITSU, “The Virgin’s Sacred Belt and the Fifteenth-Century Artistic Commissions at Santo Stefano, Prato” (Rutgers, S. Mcham)
ERHARDT, MICHELLE A., “Two Faces of Mary: Franciscan Thought and Post-Plague Patronage in the Trecento Fresco Decoration of the Guidalotti-Rincuccini Chapel of Santa Croce, Florence” (Indiana, B. Cole)
HALLAM, JENNIFER LYNNE, “Re-Presenting Women in Early Stuart England: Gender Ideology, Personal Politics, and the Portrait Arts” (Pennsylvania, L. Silver)
HILDEBRECHT, DOUGLAS, “Otto Marseus Van Schrieck (1619/20–1678) and the Nature Piece: Art, Science, Religion, and the Seventeenth-Century Pursuit of Natural Knowledge” (Michigan, C. Brusati)
HOTTLE, ANDREW, “Peter Paul Rubens and the Dedicated Print: Strategies in the Marketing of an Early Modern Master” (Temple, C. Lawrence)
HUFFMAN, KRISTIN, “Alessandro Vittoria’s Sculpture, His Private Art Collection, and Social and Cultural Myths of Late Cinquecento Venice” (Unc Chapel Hill, M. Pardo)
HUGHES, JAMES CARLTON, “Politics, Religion, and the Lost Michelangelo” (Unc Chapel Hill, M. Pardo)
HUGHES, MEGHAN, “Facing the Fifteenth Century: The Portraits of Jan Van Eyck” (Ifa/Nyu, C. Eisler)
JABLONSKI, SUZANNE, “Acts of Violence: Rubens and the Hunt” (UC Berkeley, E. Honig)
JOHNSON, MICHAEL, “Bartolommeo Di Tommaso Da Foligno” (CUNY, M. Mallory)
KARMON, DAVID, “The Protection of Ancient Monuments in Renaissance Rome” (Harvard, J. Ackerman)
KOUDOUNARIS, PAUL, “Barbarians Within and Without” (UCLA, D. Kunzle)
LEJA, JAN, “Ferdinand Bol and Rembrandt: Authorship and Iconography in Drawings of Biblical Subjects, C. 1636–C. 1650” (Ifa/Nyu, E. Haverkamp-Begemann)
LEZOTTE, ANNETTE, “Decoration, Document Or Symbol? the Role of Art in Early Netherlandish Paintings of Domestic Interiors” (UT Austin, J. Smith)
MARINA, ARELI, “The Urbanistic Transformation of Parma in the Age of the Commune” (Ifa/Nyu, M. Trachtenberg)
MOERER, EMILY A., “Catherine of Siena and the Use of Images in the Creation of a Saint, 1347–1461” (Virginia, D. Summers, F. Fiorani, P. Barolsky)
PAUL, BENJAMIN, “The Plague, Turks, and Divine Wrath: Tintoretto’s Representation of the Apocalyptic Woman” (Harvard, J. Hamburger)
PERLMAN, JULIA, “Taking Aim at Amore: Michelangelo, Bronzino, and the Lexicon of Pictorial Ambiguity in Representations of Venus and Cupid” (Michigan, P. Simons)
POWELL, AMY, “Rogier Van Der Weyden’s Descent From the Cross (C. 1435)” (Harvard, J. Koerner)
RAFANELLI, LISA, “The Ambiguity of Touch: Saint Mary Magdalene and the ‘noli Me Tangere’ in Early Modern Italy” (Ifa/Nyu, K. Brandt)
REGAN, LISA, “Creating the Court Lady: Isabella D’este as Patron and Subject” (UC Berkeley, L. Partridge)
ROSEN, MARK, “The Cosmos in the Palace: The Palazzo Vecchio Guardaroba and the Culture of Cartography in Early Modern Florence, 1563–1589” (UC Berkeley, L. Partridge)
ROSS, ELIZABETH, “Picturing Knowledge and Experience in the Early Printed Book: Reuwich’s Illustrations For Breydenbach’s Peregrinatio in Terram Sanctam (1486)” (Harvard, J. Koerner)
RUSSELL-CORBETT, JANE P., “Painted Science: Convention and Change in Seventeenth-Century Netherlandish Paintings of Alchemists, Physicians, and Astronomers” (Queen’s, Kingston, V. Manuth)
TRIPPE, ROSEMARY, “The Hypnerotomachia Poliphili and the Image of Italian Humanism” (Johns Hopkins, C. Dempsey)
WALBERG, DEBORAH, “The Marian Miracle Paintings of Alessandro Varotari (Il Padovanino, 1588–1649): Popular Piety and Painted Proselytizing in Seventeenth-Century Venice” (Princeton, P. Brown)
WANG, AILEEN, “Michelangelo’s Self-Fashioning in Text and Image” (Rutgers, R. Goffen)
WILLIAMS, LINDA KRISTINE, “The Art of Love and Marriage in Fifteenth- and Sixteenth-Century Rome: Ritual, Objects, and Epithalamic Images” (Washington, J. Snow-Smith)
YOU, YAO-FEN, “Import/Exports: Antwerp Carved Altarpieces in the Rhineland C. 1500–30” (Michigan, C. Brusati)
South/Southeast Asian Art
BALUYUT, PEARLIE ROSE SALAVERIA, “Institutions and Icons of Patronage: Arts and Culture in the Philippines During the Marcos Years, 1965–1986” (UCLA, A. Boime)BROWN, ROXANNA M., “The Ming Gap and Shipwreck: Ceramics in Southeast Asia” (UCLA, R. Brown)
FOLEY, JENNIFER, “Sighting the Temple, Mapping the Sites, Citing the Classics: Art History as the Mission Civilisatrice in Cambodia, 1863–2003” (Cornell, K. Mcgowan)
LAVY, PAUL, “Viṣṇu and Harihara in the Art and Politics of Early Historic Southeast Asia” (UCLA, R. Brown)
SEARS, TAMARA, “Housing Asceticism: Tracing the Development of Mattamayra Aiva Monastic Architecture in Early Medieval Central India” (Pennsylvania, M. Meister)
Twentieth-Century Art
ALLAN, KEN, “Conceptual Art Magazine Projects and Their Precedents” (Toronto, E. Legge)BACCI-MELCHER, FRANCESCA, “Impressions in Light: Photographs of Sculptures By Medardo Rosso (1858–1928)” (Rochester, J. Spector)
BALUYUT, PEARLIE ROSE SALAVERIA, “Institutions and Icons of Patronage: Arts and Culture in the Philippines During the Marcos Years, 1965–1986” (UCLA, A. Boime)
BARTLETT, THOMASINE, “Vintage Drag: Female Impersonators Performing Resistance in Cold War New Orleans” (Tulane, M. Plante)
BAUER, JENNIFER, “Brilliant Phantasy: The Art of Margaret Macdonald Mackintosh” (Unc Chapel Hill, C. Mavor)
BEISCHER, THOMAS G., “Great Expectations: Provisional Modernism and the Reception of J. J. P. Oud” (MIT, M. Jarzombek)
BOWEN, DORE, “Danger Box: Fluxphotography and Martin Heidegger’s Phenomenology” (Rochester, M. Holly, D. Crimp)
BRYAN-WILSON, JULIA, “Art/Work: Minimalism, Conceptualism, and Artistic Labor in the Vietnam War Era, 1965–1975” (UC Berkeley, A. Wagner)
BUCHWALD, NANCY, “Anxious Embodiments: Revenants of American Jewish Masculinities in Barnett Newman’s Stations of the Cross” (Chicago, R. Heller)
CHRIST, JOHN X., “Painting a Theoretical World: Stuart Davis and the Politics of Common Experience in the 1930s” (MIT, M. Leja, D. Friedman)
CRONIN, J. KERI L., “Manufacturing National Park Nature: Photography, Ecology and the Wilderness Industry of Jasper National Park” (Queen’s, Kingston, L. Jessup)
DOYLE, KATHERINE RANGOON, “John B. Flannagan (1895–1942): A Reexamination of His Life and Work” (CUNY, G. Levin)
DUGANNE, ERINA DEIRDRE, “Looking In/Looking Out: The Intersection of Race, Subjectivity, and Feelings in 1950s and 1960s U.S. Photography” (UT Austin, A. Reynolds)
ERTEN, ERDEM, “In Pursuit of Cultural Continuity: The Architectural Review 1947–1971” (MIT, M. Jarzombek)
EVANS, SARAH, “Situating Cindy Sherman: Artistic Communities, Cultural Allegiances, and Critical Agendas, 1975–1984” (UC Berkeley, A. Wagner)
FRIEDMAN, JULIA P., “The Threshold Art of Alexei Remizov” (Brown, K. S. Champa)
GOLEC, MICHAEL J., “Andy Warhol and New Realism” (Northwestern, W. Davis)
GREET, MICHELE, “Painting the Indian Nation: Pictorial Indigenism as a Modernist Strategy in Ecuadorian Art, 1920–1960” (Ifa/Nyu, E. Sullivan, R. Lubar)
GRINDSTAFF, BEVERLY, “Designing the Mensch Als Kunstwerk: Kant, Hygiene, and the Aesthetics of Health in Wilhelmine Germany” (UCLA, A. Boime)
HUGHES, GORDON, “Resisting Abstraction: Cubism, Robert Delaunay, and the Crisis of Representation in Early Twentieth Century French Painting” (Princeton, H. Foster)
HUME, NAOMI, “Contested Cubisms: Transformations of the Czech Avant Garde, 1910–1914” (Chicago, R. Heller)
KUNARD, ANDREA L., “Promoting Culture Through Photography in the National Gallery of Canada and the Still Photography Division of the National Film Board of Canada” (Queen’s, Kingston, L. Jessup)
LAXTON, SUSAN, “Paris as Gameboard” (Columbia, R. Krauss)
LEPPANEN-GUERRA, ANALISA, “‘The Child Lost in the Garden of Time’ : Childhood and the Fourth Dimension in the Works of Joseph Cornell” (UC Irvine, D. Tashjian)
MANDELL, ELISA, “The Birth of Angels: Posthumous Portraits of Infants and Children in Mexican Art” (UCLA, C. Klein)
MCFADDEN, JANE PORTER, “Practices of Site: Walter De Maria and Robert Morris, 1960–1977” (UT Austin, R. Shiff)
MCSHANE, MEGAN, “Exquisite Corpse: The Surrealist Practice of Collective Drawing, 1925–1941” (Emory, C. Poling)
NASTICK, K. F., “Like a Fire That Consumes: Cy Twombly’s Fifty Days at Iliam” (Bryn Mawr, A. A. Donohue)
NECOL, JANE, “Matisse and His Books: Transcending Limits” (Columbia, D. Rosand)
NERO, IRENE, “Techno-Morphism of Frank Gehry at the Guggenheim Museum in Bilbao, Spain” (Florida State, L. Weingarden)
PALUCH-MISHUR, MICHELLE, “The Mutable Perspectives of Flight: Futurist Aeropittura and the ‘Golden Age’ of Aviation” (Wisconsin, Madison, B. Buenger)
PASQUARIELLO, LISA, “‘Good Reading’ : The Work of Ed Ruscha, 1958–1970” (Stanford, P. Lee)
RELYEA, LANE, “Model Citizens and Perfect Strangers: American Painting and Its Different Modes of Address, 1958–1965” (UT Austin, R. Shiff)
SCHOENTHAL, REBECCA YOUNG, “North Beach to Haight-Ashbury: Underground Artists and Community in 1950s San Francisco” (Virginia, H. Singerman)
SCHUMACHER, BETT, “Helen Frankenthaler’s Modernism: Embodiment and Pictorial Ambiguity, 1950–1965” (Johns Hopkins, B. Doherty)
SCHWARTZ, ALEXANDRA, “Designing Ed Ruscha: The Invention of the Los Angeles Artist, 1960–1980” (Michigan, E. Dimendberg)
STREB, JENNIFER, “Minna Citron: A Socio-Historical Study of an Artist’s Feminist Social Realism in the 1930s” (Penn State, S. Rich)
TEPFER, ELLEN, “The Spaces of Everyday Life: Claes Oldenburg, 1959–1969” (CUNY, R. Golan)
TIAMPO, MING, “Gutai and Informel: Post-War Art in Japan and France 1945–1965” (Northwestern, S. E. Fraser)
WILLICK, DAMON, “Conceptualizing Kienholz: Reconsidering Ed Kienholz in Contemporary Art” (UCLA, D. Preziosi) {Diss}
ZUGAY, BRIAN C. R., “The ‘New Era’ in Church Building: Progressive Strategies For Ecclesiastical Architecture in Early Twentieth-Century America” (Brown, D. Neumann)
