US and Canadian Dissertations, 2005

Dissertations in Progress by Subject

African Art (sub-Saharan)

BORTOLOT, ALEXANDER, “Negotiating Masculinity: Male Initiation and Associated Arts of the Makonde Peoples” (Columbia, N. Kampen)

BRIDGES, NICHOLE, “Contact, Commentary and Commodity: Nineteenth-Century Ivory Tusk Sculptures from the Loango Coast, Congo” (Wisconsin, Madison, H. Drewal)

CIOLA, ANN M., “Identity and Community Solidarity: Counter-Spectacle, Power and Resistance in the Mass Funeral of the ‘Guguleteu Seven,’ March 15, 1986” (SUNY Binghamton, K. Barzman)

CLEVELAND, KIMBERLY L., “New Directions in Black Brazilian Art History” (Iowa, S. Adams)

CLUNIS, SARAH A., “Readymade Diaspora: Cultural Icons Rectified and Assisted” (Iowa, C. Roy)

HOLLOWAY, ANITA, “Animal Symbolism in Ewe Textiles” (Virginia Commonwealth, B. Lawal)

KART, SUSAN, “Sculpting the Psyche: Sokari Douglas Camp, Moustapha Dimy and Renye Stout on the Body, Identity and Politics in ‘African’ Art” (Columbia, C. Kiaer, E. Hutchinson)

KELLER, CANDACE, “Visual Griots: A Social, Political and Cultural History of Individuals in Mali through the Photographer's Lens” (Indiana, Bloomington, P. McNaughton)

MALTZ-LECA, LEORA, “Landscape in a Postcolony: Re-Imagining Space, Place and Home in Democratic South Africa” (Harvard, E. Lajer-Burcharth, S. P. Blier)

MEIER, SANDY, “Local Cityscapes and Transcultural Imaginaries: Competing Architectures of Nineteenth- and Twentieth-Century Mombasa and Zanzibar” (Harvard, S. P. Blier)

MUHAMMAD, BAQIE B., “Contemporary East African Artists: The Fusion and Hybridization of Global and National Discourses in Modern Art in the Diaspora” (Indiana, Bloomington, P. McNaughton)

ROSS, EMMA, “Aesthetic Experience and Expression: Representation of Dan Women in the Cote d'Ivoire” (Yale, R. Thompson)

STRINGFELLOW, GREGORY, “The Origin, Development and Significance of the Female-Ancestor Masks among the Bapunu of Gabon” (Yale, R. Thompson)

Architectural History/Historic Preservation

ALLAIS, LUCIA, “Will to War, Will to Art: The Architectural Ethics and Aesthetics of Cultural Internationalism 1932-1960” (MIT, M. Jarzombek)

ALLISON, LARA, “The Bauhaus in Chicago, 1937-1955” (Columbia, H. Ballon)

AL TAL, RAED, “Structures of Authority: A Political Account of Architectural and Urban Programs in Jordan (1970-1999)” (SUNY Binghamton, N. Um)

ALVAREZ-GONZALEZ, MANUEL FERNANDO, “From Syndicalism to Imperialism: Josy Luis Sert and His Master Plans for Barcelona (1931-34) and Havana (1956-58)” (MIT, M. Jarzombek)

ANDERSON, ERIC, “The Design Theory of Jacob van Falke: Historicism and Cultural Transformation in Ringstrasse Vienna” (Columbia, B. Bergdoll, M. McLeod, G. Wright)

ANDERSON, SEAN, “In-Visible Colonies: Modern Architecture and Its Representation in Colonial Eritrea, 1890-1941” (UCLA, S. Nelson; UCB, M. Fuller)

ARIOLI, KRISTIN, “Cardinal Raffaele Riario and the Politics of Cultural Patronage in Renaissance Rome (1477-1521)” (USC, E. Howe)

BARRETT, CATHERINE, “Cordes and the First Bastides of France” (University of Washington, M. Clausen)

BARTEET, CODY, “Colonial Contradictions in the Casa de Montejo and Myrida: Space, Society, and Self-Representation at the Edge of Viceregal Mexico” (SUNY Binghamton, C. Burroughs)

BATUMAN, BULENT, “Spaces of Counter-Hegemony: Turkish Architects and Planners as Political Agents in the 1970s” (SUNY Binghamton, T. McDonough)

BLACKBURN, MARCIA, “A Social Architectonics of Science Fiction Film Design” (SUNY Binghamton, T. McDonough)

BROWN, MARISA ANGELL, “Imagined Communities: The Architecture and Image of Public Housing in America (1934-1974)” (Yale, S. Isenstadt)

|$$|ACCELIK, ZEYNEP, “Kinaesthetic Impulses: Space, Performance, and the Body in German Architecture, 1870-1914” (MIT, M. Jarzombek)

COFFMAN, PETER, “Gothic Revival Architecture in Atlantic Canada” (Queen's University, Kingston, P. du Prey)

COSTANZO, DENISE, “The Lessons of Rome: Architects at the American Academy, 1947-1966” (Penn State, C. Zabel)

DAVIS, BLAIR HIXSON, “The Drawings of Charles Percier” (UC Santa Barbara, R. Williams)

DILLON, JENNIFER, “Modernity, Sanitation, and the Public Bath: Berlin, 1896-1933, as Archetype” (Duke, A. Wharton)

DOW, DOUGLAS, “Confraternal Piety and Corporate Patronage: The Art and Oratory of the Compagnia di San Giovanni Battista dello Scalzo, Florence” (Penn State, B. Curran)

EGGEBEEN, JANNA, “The American Air Passenger Terminal and Modernity” (CUNY, R. Bletter)

FALETTI, RINA CATHLEEN, “Water, Architecture and Landscape in California and the American West” (UT Austin, M. Charlesworth and R. Shiff)

GOLLANNEK, ERIC, “Colonial Exchange and Visions of Empire in Britain and Its Colonies” (Delaware, B. Herman)

HAMILTON, JEFFREY, “Adapting the City to Meet Rural Desires: The English Urban Landscape as Surrogate Country House” (Delaware, D. Stillman)

HENDERSON, AMY, “Furnishing the Republican Court: Building and Decorating Philadelphia Homes, 1790-1800” (Delaware, B. Herman)

HOLST, NANCY, “A Wise Woman Buildeth Her Home” (Delaware, B. Herman)

HUMER, COLLEEN, “Adolf Loos: A Modern House for the Suburbs” (Toronto, A. Payne)

HUNTING, MARY ANNE, “Edward Durrell Stone: Perception and Criticism” (CUNY, K. Murphy)

KAKAR, SHALINI, “Fashioning the Divine: Bollywood Stars, Museum Temples and Cultural Politics in Contemporary India” (UC Santa Barbara, S. Chattopadhyay)

KAUKAS HAVENHAND, LUCINDA, “Creating a Modern Gesamtkunstwerk: Interior Design 1930-1960” (Virginia Commonwealth, R. Hobbs)

KEEN, ANN, “Redefining Modernism: Monumentality and Expressionism in Architecture of the Olympic Summer Games, 1960-1976” (Rutgers, C. Yanni)

KELLER, WILLIAM, “Urban Architecture for Community and Spectacle: The Roofed Arena in the United States, 1890-1969” (Delaware, D. Stillman)

KIESE, DARA, “Public Reception of the Dessau Bauhaus: 1925-1932” (CUNY, R. Long)

KIM, GRACE E., “Adalberto Libera's Unita di abitazione orizzontali: Modernization in Housing Typology” (University of Wahington, M. Clausen)

KLEE, JEFFREY, “The Five Orders of Beacon Hill” (Delaware, B. Herman)

KOVAL, LINDSAY M., “Architectural Patronage and Liberal Religion at New York's Riverside Church” (Columbia, S. Murray)

KRIEG, ANNIE, “In the Service of the Nation: Medieval and Neo-Medieval Architecture in the Contested Terrain of Breslau/Wroclaw, 1860-1960” (Pittsburgh, B. McCloskey)

LAMPRAKOS, MICHELE, “Conservation and Building Practice in a World Heritage City: The Case of Sana'a, Yemen” (MIT, N. Rabbat)

LIEBER, JEFFREY, “Waging Total Peace: Architecture and Aesthetics circa 1958-1963” (Michigan, A. Potts)

LUCE, KRISTINA, “Revolutions in Parallel: The Integration of Orthographic Projection and Computers into Architectural Design” (Michigan, L. Soo)

MANSON, ANDREW, “Architecture, Archaeology, and Urbanism in ‘La Grande Roma’: The Via dell'Impero and the Palazzo del Littorio Competition” (Columbia, N. Kampen, M. McLeod)

MARSHALL, JESSICA, “Architecture and Popular Religion: French Pilgrimage Churches of the Nineteenth and Twentieth Centuries” (Columbia, B. Bergdoll)

MAULSBY, LUCY, “Architecture and Urbanism in Fascist Italy: Milan 1926-40” (Columbia, R. Middleton)

MAXIM, JULIANA, “The New, the Old, the Modern: Architecture and Its Representation in Socialist Romania, 1955-1970” (MIT, S. Anderson)

MCATEE, CAMMIE, “Form and Formalism in American Architecture in the 1950s and ‘60s” (Harvard, N. Levine)

MEADOWS, B. TED, “Monuments and Memory: Three American World War I Memorials in Context” (Kansas, C. Eldredge, D. Cateforis)

MEKINDA, JONATHAN, “Reconstruction and Revolution: The Re-Invention of Modernism in Milan, 1945-1955” (Pennsylvania, D. Brownlee)

MENEFEE, ELLEN, “Live the Dream: The Rhetoric of the Furnished Model Home in Late 20th and Early 21st Century America” (Delaware, B. Herman)

MICHAILIDIS, MELANIE, “Landmarks of the Persian Renaissance: Monumental Funerary Architecture in Iran and Central Asia, 10-11th Centuries” (MIT, N. Rabbat)

MILL|$$|AGA BERNAD, MARTINA, “Student Housing à la brysilliene?” (Emory, J. Rohrer)

MIMS, MARTINA, “August Endell's Exploration of the Relationship of the Modern Observer and Form” (Columbia, B. Bergdoll)

MYERS, TRACY, “Modern Architecture for Education in the Post-War Era: Public School Buildings by the Architects Collaborative (TAC) and the Development of American Modernism, 1946-1995” (Delaware, D. Stillman)

NOWICKI, SUSAN, “Montclair, New Jersey: The Development of a Suburban Town and Its Architecture” (CUNY, K. Murphy)

OLGREN-LEBLOND, KELLI, “Reading Expressionist Architecture: The German Avant-Garde and ‘Paper Architecture,’ 1914-1924” (USC, K. Lang)

O'ROURKE, KATHRYN E., “Architecture and Nationalism in Revolutionary Mexico” (Pennsylvania, D. Brownlee)

OSAYIMWESE, ITOHAN, “The Broad and Narrow Path: Pietist, Colonial, Utopian Space in Germany and the Gold Coast” (Michigan, Ann Arbor, W. Glover)

OSMAN, MICHAEL, “Regulation in the Architecture of American Modernism, 1890-1920” (MIT, M. Jarzombek)

PARNELL, TRACI, “Gilding the Black Box: Showmanship and Revivalism in 1920's American Movie Palace Architecture” (Rutgers, C. Yanni)

PASSANTI, FRANCESCO, “Le Corbusier at the Salon d'Automne of 1922” (Columbia, R. Middleton)

PHILLIPS, RUTH ANNE, “Pre-Columbian Appropriation: Ancient American Influence in U.S. Architecture, 1910-1940” (CUNY, J. Sund)

PUGH, EMILY, “The Berlin Wall and the Urban Space and Experience of East and West Berlin, 1961-1989” (CUNY, K. Murphy)

SANDLER, DANIELA, “Incarnate Politics: National Identity, History, and Architectural Heritage in Postwar Berlin” (Rochester, A. Nader)

SANDLIN, JULIANNE PARSE, “Religious Orders and Catholic Reform: Parisian Churches during the Reign of Louis XIII” (Florida State, R. Neuman)

SHOUP, DANIEL, “Managing Many Pasts: The Present, Past, and Future of Greco-Roman Cities in Western Anatolia” (Michigan, E. Gazda)

SKELTON, KIMBERLEY, “Planning Anew: The English Country House and Social Identity in the 1650s” (Yale, S. Isenstadt)

STEPHENSON, ANNE, “Rebuilding Bungalows: The Historic Chicago, Bungalow Initiative” (Chicago, K. Taylor)

STEWART, CHARLES A., “Domes of Heaven: The Domed Basilicas of Cyprus” (Indiana, Bloomington, W. Kleinbauer)

SURDU, ROBERT C. A., “Wholesome Architecture and the Rise of the Tourist State in Early-Twentieth Century Canada” (Queen's University, Kingston, L. Jessup)

SWAN, CHRISTOPHER, “An Alternative Modernism: The Pacific Northwest Architecture of John Yeon” (Yale, E. Cooke Jr.)

TAPP, ERIKA, “Colonial Modernismo: The Architecture and Urbanism of Spanish Morocco” (Pennsylvania, R. Holod)

TARANDJIEVA, TEODORA, “The Church of St. John Aleitourgetos in Mesembria: A Study of Its Constantinopolitan Origins” (Indiana, Bloomington, W. Kleinbauer)

URBAN, FLORIAN, “The Invention of the Historic City—Building the Past in East Berlin 1970-1990” (MIT, M. Jarzombek)

VAN DEN HURK, JEROEN, “Early Dutch Neo-Gothic Architecture, 1772-1840” (Delaware, B. Herman)

WALKER, JULIA, “Capital Building: Anxiety and Authorship in Berlin's New Federal Architecture” (Pennsylvania, D. Brownlee)

WATSON, ELIZABETH, “Debating Montevideo: The Views of Julio Vilamajó and Joaquin Torres García, 1930-1949” (CUNY, R. Bletter)

WEISS, KIRSTEN, “Aesthetics of Banality: The Cultural Politics of Architectural Representation in Bernd and Hilla Becher, and Gerhard Richter” (MIT, C. Jones)

WHEELER, KATHERINE JEAN, “The Perception of Renaissance Architectural History at the Rise of Modernism: Great Britain, 1880-1940” (MIT, M. Jarzombek)

WILLIS, CAROL, “Futuricity: American Visionary Urbanism in the 1920s” (Columbia, B. Bergdoll)

WORTHAM, B.D., “Mythologies of an Everyday American Landscape: Henry Ford at the Wayside Inn” (MIT, M. Jarzombek)

YU, SHUISHAN, “To Achieve the Unachievable: Chang'an Avenue and the Modernization Process of Chinese Architecture” (University of Washington, M. Clausen)

Art of the Middle East/North Africa

ADAMJEE, QAMAR, “The Sultanate Chandayana: An Exemplar of Cultural and Artistic Interaction in 14th-16th Century India” (IFA/NYU, P. Soucek)

AKBARNIA, LADAN, “‘Chinoiserie’ in Iran and Central Asia: The Creation of Artistic Ideals and Cultural Memory under the Mongol Patrons” (Harvard, G. Necipoglu and D. Roxburgh)

AL TAL, RAED, “Structures of Authority: A Political Account of Architectural and Urban Programs in Jordan (1970-1999)” (SUNY Binghamton, N. Um)

BATUMAN, BULENT, “Spaces of Counter-Hegemony: Turkish Architects and Planners as Political Agents in the 1970s” (SUNY Binghamton, T. McDonough)

CHO, MIN YONG, “How Land Came into the Picture: Rendering History in Fourteenth-Century Iran” (Michigan, S. Babaie)

DADLANI, CHANCHAL, “Twilight in Delhi? Architecture and Urbanism in the Late Mughal Empire” (Harvard, G. Necipoglu)

DALAL, RADHA, “The Orient Express: Visual Culture, European Imperialism, and the Ottoman Empire” (Minnesota, C. Asher)

EIMEN, ALISA, “Museum and Mosque: Identity Construction in 20th Century Tehran” (Minnesota, C. Asher)

EL SANDOUBY, ALIA'A, “Remembering the Ahl al-Bayt: The Shrines of the Family of the Prophet in Cairo and Damascus” (UCLA, I. Bierman)

HOLMES, DENWOOD, “The Walls of the Well-Protected Domains: The Development of Ottoman Fortification 1400-1600” (Princeton, T. Leisten)

LAMPRAKOS, MICHELE, “Conservation and Building Practice in a World Heritage City: The Case of Sana'a, Yemen” (MIT, N. Rabbat)

LATIF, RIYAZ, “Marinid Madrasas in Fez and the Creation of Moroccan Identity” (Minnesota, C. Asher)

LEONI, FRANCESCA, “The Revenge of Ahriman: Images of dîvs in the Shahnameh from the 15th to the 17th Century” (Princeton, T. Leisten)

MICHAILIDIS, MELANIE, “Landmarks of the Persian Renaissance: Monumental Funerary Architecture in Iran and Central Asia, 10th-11th Centuries” (MIT, N. Rabbat)

MULDER, STEPHENNIE, “The Architecture of Co-Existence: Shi'ite Shrines and Sunni Patronage in the Medieval Levant” (Pennsylvania, R. Holod)

OLSON, MARSHA, “Jesus, Mary, and All the Saints: Indo-Portuguese Ivory Statuettes and Their Role as Mission Art in 17th-18th Century Goa” (Minnesota, C. Asher)

ROGERS, SARAH, “Art as History in Postwar Lebanon” (MIT, N. Rabbat)

SCHENK, KÄRA, “Returning the Zion: The Narrative of the Dura-Europos Synagogue Frescoes” (Johns Hopkins, H. Maguire)

SMITH, SHARON C., “Planned Grandeur: A Comparative Study of Urban Expansion in Early Modern Italy and Mamluk Egypt” (SUNY Binghamton, C. Burroughs)

SORNIN, ALEXIS, “Architectural Culture in Early Modern India: Jaipur and the Mughal Building Workshops” (Harvard, G. Necipoglu)

Art of the United States

ABBOTT, JANET, “The Barnett Aden Gallery: A Home for Diversity in a Segregated City” (Penn State, J. Robinson)

ADDONIZIO, SHARI, “Charismatic Masters, Serious Young Men, and Angels under White Umbrellas: The Summer Art Schools at Magnolia, Shinnecock, and Provincetown” (Florida State, K. Bearor)

ANDERSON, SHERMAN REED, “An Epic of the American Farm: James Ormsbee Chapin and the Marvin Paintings” (Kansas, C. Eldredge)

APPLEGATE, HEIDI, “Staging Modernism at the 1915 San Francisco Panama-Pacific International Exposition” (Columbia, E. Hutchinson)

ATKINS, ASHLEY, “Winslow Homer and Aestheticism in the United States” (Rutgers, W. Bellion)

BACKER, MATTHEW, “Designs on the Future: Popularizing Modernity in America through Futuristic Style, 1920-1940” (Indiana, Bloomington, S. Burns)

BALL, JEFFREY, “The Missouri State Capitol: Architecture, Mural Painting, and Sculptural Decoration” (Missouri, Kansas City, O. Overby)

BARRETT, ROSS, “Rendering Violence: Riots, Strikes, and Upheaval in Nineteenth-Century American Art and Visual Culture” (Boston, P. Hills)

BERKOWITZ, ELLIE PATRICIA, “Innovation through Appropriation as an Alternative to Separatism: The Use of Commercial Imagery by Chicano Artists, 1960-1990” (UT Austin, A. Malagamba)

BOETTCHER, GRAHAM, “Domestic Violence: Familial and Political Conflict in the Work of Emanuel Leutze” (Yale, A. Nemerov)

BOONE, JOBYL, “The Spectacle in the Art of the United States after 1967” (University of Delaware, A. Gibson)

BUCKNER, CINDY, “The Etching Revival in Late Nineteenth-Century America and Its Role in Aesthetic Education” (CUNY, S. Webster)

BUHLER, DOYLE L. “William Jacob Hays: Wildlife Painter in Nineteenth-Century New York” (Iowa, J. Kinsey)

BURGESS, LANA A., “Advancing American Art: Survival of an Idea” (Florida State, K. Bearor)

BURT, SARAH, “Joesph Worchester and the Church of the New Jerusalem: Creating a Bay-Area Aesthetic” (Kansas, C. Eldredge)

CARO, JULIE LEVIN, “The Early Career of Allan Rohan Crite (1930-1950)” (UT Austin, L. Henderson and C. Smith)

CHUNG, NOGIN, “Picturing American Women in the Postwar Period” (Minnesota, K. A. Marling)

COPELAND, HUEY, “Bound to Appear: Site, Subjection, and the Disfiguration of Slavery in Multicultural America” (UC Berkeley, A. Wagner)

COSTELLO, EILEEN ELIZABETH, “Between the Easel and the Mural: The Dissolution of Abstract Expressionist Painting into the Realm of Architecture” (UT Austin, R. Shiff)

COYLE, HEATHER CAMPBELL, “Having Fun with Art: Pranks, Performances, and Parody in American Art Schools, 1890-1915” (Delaware, M. Leja)

CURTISS, KIMBERLY, “Making Red Skins White: The Construction of Racial and Cultural Identity through Paintings and Photographs of the Native American, 1800-1900” (Rutgers, W. Bellion)

DASCH, ROWENA HOUGHTON, “Charles Bird King: Artist-Entrepreneur in Nineteenth-Century America” (UT Austin, S. Rather)

DE ARMENDI, NICOLE, “Shifting Perception: Labyrinths and the Rise of Phenomenology in American Art of the 1960s and 1970s” (Virginia Commonwealth, R. Hobbs)

DEMING, DIANE, “Wasteland Poetics on the Western Frontier: Visualizing the Environment of the Great Basin” (Delaware, A. Gibson)

DIAZ, EVA, “Chance and Design: Experimental Art at Black Mountain College” (Princeton, H. Foster)

DOLAN, JULIA, “‘I Will Take You into the Heart of Modern Industry’: Lewis Hine's Photographic Interpretation of the Machine Age” (Boston, K. Sichel)

DOOLEY, MICHAEL C., “Citizen Bird: American Ornithological Art of the Progressive Era and the Beginnings of the Bird Conservation Movement” (Iowa, J. Kinsey)

DOSSIN, CATHERINE JULIE MARIE, “The Decade without a Definition: Narratives of Art History and the 1980s” (UT Austin, R. Shiff and K. Arens)

DURHAM, DENNIS, “N.E. Thing Co. in Vancouver (1965-1978): Defining Conceptual Art on the Periphery” (Virginia Commonwealth, R. Hobbs)

EDWARDS, KATIE ROBINSON, “Raising and Lowering Brows: Jackson Pollock in the Cultural Context of 1940s America” (UT Austin, R. Shiff)

EGAN, SHANNON, “An American Art: Edward S. Curtis and the North American Indian, 1907-1930” (Johns Hopkins, B. Doherty)

ELLIS, AMY, “‘Not a Mere Leaf-Painter’: Thomas Cole and the Figure” (Columbia, J. Crary, E. Hutchinson)

EVANS, YATES, “Doors and Windows: Eastern Philosophy and Western Aesthetics in the Art of Ray Johnson” (Virginia Commonwealth, R. Hobbs)

FORT, MEGAN, “Archibald and Alexander Robertson and the Columbian Academy of Painting, New York, 1791-1841” (CUNY, S. Webster)

GASTON, DEBORAH, “Immigration, Ethnicity, and the Early Drawings of Joseph Stella, 1896-1924” (Delaware, W. Homer)

GEPHART, EMILY, “Symbolism, Modernism and the Work of Arthur B. Davies” (MIT, C. Jones)

GERHOLD, EMILY, “American Beauties: The Breast in American Art and Culture” (Virginia Commonwealth, E. Garberson)

GIESKES, METTE, “Games, Systems, and Structuralist Politics in European and American Art, 1960-1975” (UT Austin, R. Shiff)

GILBERT, CHRISTOPHER, “American Art and Language during the Period of the Fox (1974-1976)” (Virginia Commonwealth, R. Hobbs)

GILLESPIE, SARAH KATE, “Samuel F. B. Morse and the Daguerreotype: Art and Science in American Culture, 1835-1855” (CUNY, K. Manthorne)

GLAHN, PHILIP, “Estrangement and Politicization: Bertolt Brecht and Postwar American Art” (CUNY, R. Golan)

GLESMANN, AMANDA, “Living Histories: Photography and the Artistic Interior in Late Nineteenth-Century America” (Stanford, W. Corn)

GLICK, PAULA F., “Paul Sample: Regionalist Artist” (Columbia, J. Beck)

GOPINATH, GABRIELLE, “Ray Johnson and the U.S. Mail” (Yale, A. Nemerov)

GREEN, ROBIN C., “‘A Certain Slant of Light’: Exhilaration, Oppression, and the Forces of Sunlight in American Impressionism” (Yale, A. Nemerov)

GREENE, NIKKI, “The Rhythm of Glue, Grease and Grime: Body and Indexicality in the Works of Romare Bearden, David Hammons and Renye Stout” (Delaware, A. Gibson)

GREENHILL, JENNIFER, “‘the Plague of Jocularity’: Art, Humor, and the American Social Body, 1863-1906” (Yale, A. Nemerov)

GROVES, LAURA, “Lilly Martin Spencer and Popular Prints” (Maryland, S. Promey)

GUGLIELMO, ANTONIETTE, “Work-Bench of American Taste: Richard F. Bach, the Department of Industrial Relations, and Consumerism at the Metropolitan Museum of Art, 1917-1940” (UC Santa Barbara, E. B. Robertson)

HACK, BRIAN, “American Acropolis: George Grey Barnard's Monument to Democracy, 1918-1938” (CUNY, S. Webster)

HAGOOD, MARTHA, “Representing the Truth: Realism, Sensationalism, and the Progressive Era Picture Press, 1902-1913” (Delaware, W. Homer)

HAMILL, SARAH, “David Smith in Two Dimensions: Sculpture, Photography, and Space” (UC Berkeley, A. Wagner)

HATCH, KEVIN, “Looking for Bruce Conner: Assemblage, Films, Drawings, 1957-1967” (Princeton, H. Foster)

HAXALL, DANIEL, “Politics, Form, and Identity in Abstract Expressionist Collage” (Penn State, S. Rich)

HENSON, DENNIS, “Beyond Warhol's 15 Minutes: Pop Art, Pop Music, ‘the Media’ and Fame” (Missouri, Kansas City, J. Klein)

HEYRMAN, JOY, “Signature Drawing: Collecting Artists' ‘Autographs’ in Antebellum America” (Maryland, College Park, S. Promey)

HOLT, KEITH M., “Cruise Control: Filling Station, Gay Male Artists and Audiences” (UC Santa Barbara, E. B. Robertson)

HYDE, KIMBERLY, “Louis C. Tiffany and the Business of Art” (Case Western Reserve, H. Adams)

IKEGAMI, HIROKO, “1964: Robert Rauschenberg and the Beginnings of Globalization in Modern Art” (Yale, A. Nemerov)

IKEMOTO, WENDY, “Double Vision: Pendant Painting in Antebellum America” (Harvard, J. Roberts)

JARA, JEFF, “A Fine Tradition: Folk Art and the Development of Modernist American Art, 1900-1940” (Delaware, A. Gibson, M. Leja)

JONES, PENNY, “Figural Trees: American Artists and Forest Debate in the Nineteenth Century” (Columbia, E. Hutchinson)

JUNG, EUN YOUNG, “The Legacies of Marcel Duchamp and Vladimir Tatlin in Dan Flavin's Fluorescent Light Installation in the 1960s,” (UIUC, J. Fineberg)

KAPS, NANNI, “Similarities of Form and Concept in American and German 19th Century Landscape Painting” (Columbia, B. Novak)

KARPINSKAIA, NATALIA, “Landscape Art and Landscape Attitudes in Russia and America” (Columbia, B. Novak)

KELLY, SARAH, “Camera's Lens and Mind's Eye: Whistler and the Science of Art” (Columbia, D. Rosand)

KIEFER, EVELYN, “The Birth and Death of the American Dining Room: An Evolution from the Colonial Hall to Frank Lloyd Wright's Dining Rooms and Beyond” (Case Western Reserve, H. Adams)

KILBANE, NORA, “A Tug from the Jug: Drink and Drinking in 19th-Century American Genre Painting” (Ohio State, B. Groseclose)

KJAER, LISE, “Awakening the Spiritual: James Turrell and Quaker Practice” (CUNY, H. Senie)

KNAPPE, STEPHANIE, “Land of Lincoln: The Sixteenth President in Interwar Culture and Collective Memory” (Kansas, C. Eldredge)

KNOX, PAGE, “Scribner's Monthly/The Century: A Vehicle of Aesthetic Thought in Late-Nineteenth-Century America” (Columbia, E. Hutchinson)

KOH, DONG-YEON, “Larry Rivers and Frank O'Hara: Reframing Male Subjectivity” (CUNY, A. Chave)

KOHN, ADRIAN MICHAEL, “Seeing Los Angeles Minimalism 1958-1972” (UT Austin, R. Shiff)

KRESSER, KATIE, “Art as History, History as Art: John La Farge and the Problem of Representation, 1859-1910” (Harvard, J. Roberts)

KROIZ, LAUREN, “Modernizing ‘A Grey Race’: American Art during the Era of Exclusion (1882-1943)” (MIT, C. Jones)

KUEBLER-WOLF, ELIZABETH, “The Perfect Shadow of His Master: Proslavery in American Visual Culture, 1780-1920” (Indiana, Bloomington, S. Burns)

KURTZ, AMY, “Old Worlds and New: Edward Lamson Henry (1814-1919): Conservative Genre Painting” (Yale, J. Prown)

KUSSEROW, KARL, “Picturing Power: Portraiture and Its Uses in the New York Chamber of Commerce” (Yale, J. Prown)

LAMUNIERE, MICHELLE, “The Social Museum at Harvard: Francis Greenwood Peabody and Early Twentieth-Century Social Reform Photography in Context” (Boston, K. Sichel)

LASSER, ETHAN, “Figures in the Grain: Sentient Objects in Anglo-America, 1660-1800” (Yale, E. Cooke Jr.)

LAWRENCE, JAMES ALEXANDER, “Abdication in an Artistic Democracy: Meaning in the Work of Barnett Newman and Donald Judd, 1950-1970 (and Thereafter)” (UT Austin, R. Shiff)

LAWTON, SAADIA, “Representing the Representative: Visual Binaries of the Wedgwood Slave Medallion, 1787-1887” (Wisconsin, Madison, A. Andrzejewski)

LEE, KEE-LEE, “Sur Vampyr: Theresa Hak Kyang Cha and the Cultural Para-Sites of the Korean Diaspora” (UNC Chapel Hill, C. Mavor)

LESSING, LAUREN KEACH, “Presiding Divinities: American Ideal Sculpture in Nineteenth-Century Domestic Interiors” (Indiana, Bloomington, S. Burns)

LEVINE, CARY, “Pay for Your Pleasures: Mike Kelley, Raymond Pettibon, Paul McCarthy” (CUNY, R. Golan)

LONGWELL, ALICIA, “John Graham and the Quest for an American Art in the 1920s and 1930s” (CUNY, K. Manthorne)

MANN, CRAWFORD ALEXANDER, III, “When in Rome: Italian Travel and the Pursuit of the Ideal Male Body in Antebellum American Art” (Yale, A. Nemerov)

MARIE, ANNIKA, “The Most Radical Act: Working toward a Materialist Aesthetic in Theodor Adorno, Harold Rosenberg, Barnett Newman and Ad Reinhardt” (UT Austin, R. Shiff, A. Reynolds)

MAURO, HAYES PETE, “Bodies in Motion: Sport, Labor, and Athleticism in American Art and Culture, 1865-1918” (CUNY, K. Manthorne)

MAYER, STEPHANIE, “The Art of The Gift: Mount, Sully, Huntington, and the Antebellum Gift Book Industry” (Boston, P. Hills)

MCGUIRE, HEATHER, “John Baldessari: Blasted Allegories” (Virginia Commonwealth, R. Hobbs)

MILLER, MARK PARKER, “Claiming and Denying Sophistication: Grant Wood's Art and Responses to It: 1930-1942” (Delaware, A. Gibson)

MILLER, SARAH M., “Inventing ‘Documentary’ in American Photography, 1930-1945” (Chicago, J. Snyder)

MONAHAN, ANNE, “Form and Content—Politics and Figuration in American Art of the 1960's” (Delaware, A. Gibson)

MOSS, DOROTHY, “Recasting the Copy: Original Paintings and Reproductions at the Dawn of American Mass Culture, c. 1900” (Delaware, M. Leja)

MURAYAMA, NINA, “Furniture/Design and Minimalism: Richard Artschwager, Donald Judd, and Scott Burton” (CUNY, A. Chave)

MURPHY, JESSICA, “Portraiture and Feminine Identity in the Stieglitz Circle: Agnes Ernst Meyer, Katharine Rhoades, and Marion Beckett” (Delaware, M. Werth)

MURPHY, JONI, “Coyote Tales: Stereotypes, Politics, and Humor in the Art of Jaune Quick-to-See Smith” (Kansas, D. Cateforis)

MURPHY, MICHAEL, ‘White Collared’: Fashioning Masculinity in American Visual Culture” (Washington University, A. Miller)

NEIL, JONATHAN, “Carl Andre, Richard Serra, the Problem of Materials, and the Picture of Matter” (Columbia, B. Buchloh, R. Krauss)

NELSON, ANDREA, “Reading Montage: The Photography Books of László Moholy-Nagy and Walker Evans” (Minnesota, J. Blocker)

NIGRO, CAROL, “Cy Twombly's Italian Journey: Histories and Myths for a Modern Era” (Delaware, A. Gibson)

NOWICKI, SUSAN, “Montclair, New Jersey: The Development of a Suburban Town and Its Architecture” (CUNY, K. Murphy)

NYGARD, TRAVIS, “Visualizing Agriculture in Midwestern America and Canada, 1922-1945” (Pittsburgh, K. Savage)

OSHIMA, TETSUYA, “The Figure Reemerging: Jackson Pollock's Cut-Out Series, 1948-1956” (CUNY, G. Levin)

OSMAN, MICHAEL, “Regulation in the Architecture of American Modernism, 1890-1920” (MIT, M. Jarzombek)

PEABODY, REBECCA, “A Strategic Cut: Kara Walker's Art and Imagined Race in American Visual Culture” (Yale, R. Thompson, H. Carby)

PEARISO, CRAIG, “Re/Citing: Radical Activism in Late 1960s America” (SUNY Stony Brook, J. Katz)

PERCHUK, ANDREW, “Mapping the Surface: Art and Modernism in Los Angeles, 1962-1972” (C. Wood)

PHILLIPS, RUTH ANNE, “Pre-Columbian Appropriation: Ancient American Influence in U.S. Architecture, 1910-1940” (CUNY, J. Sund)

POOR, NATASHA, “Dirty Art: Transgressing Domesticity and the Body in 1950s United States Art” (CUNY, A. Chave)

PORTNOY, SCOTT, “Abstraction Reduced: The Monochrome in American Painting, 1949-1963” (Columbia, B. Buchloh)

POWERS, SARAH, “Images of Tension: The Urban and Rural Divide in the Work of Charles Sheeler, Edward Hopper and Thomas Hart Benton” (Delaware, A. Gibson and Pennsylvania, M. Leja)

PRICE, JUSTINE DANA, “Critical Distinctions: Attitudes towards American Abstraction, 1936-1952” (UT Austin, R. Shiff)

PULTZ, JANET, “Christian Abrahamsen (1887-1983), Norwegian-American Portrait Painter” (Missouri, Kansas City, O. Overby)

RAAB, JENNIFER, “Frederic Church and the Culture of Detail: Memory, Forgetting, and Landscape in Nineteenth-Century America” (Yale, A. Nemerov)

REECE-HUGHES, SHIRLEY, “The Art of David Bates” (Kansas, C. Eldredge)

REYMOND, RHONDA, “For Glory and for Beauty: Richard Morris Hunt, George Washington Vanderbilt, and All Souls' Church” (Georgia, J. Simon)

REYNOLDS, REBECCA L., “Sculpture Parks, Sculpture Gardens, and Site-Specific Practices in the U.S., 1965-1991” (Chicago, M. Ward)

ROEDER, KATHERINE, “Cultivating Dreamfulness: Fantasy, Longing, and Commodity Culture in the Work of Winsor McCay” (Delaware, M. Leja)

ROETHKE, LEIGH, “A Passion for Spain: Españolismo in American Visual Culture” (Minnesota, K. A. Marling)

ROSENBAUM, SARAH, “In the Public Domain: Public Art, Advanced Capitalism, and the Contemporary City” (Harvard, Y-A. Bois)

ROSS, ZACHARY, “The Eclectic Ideal: Edwin Austin Abbey's Murals at the Pennsylvania State Capitol, Harrisburg” (CUNY, S. Webster)

ROTTNER, NADJA, “Claes Oldenburg, 1959-1966: The Violence of Sensation” (Columbia, B. Buchloh, R. Krauss)

RUNDQUIST, LEISA, “Firestorms and Conflagrations: The Inflamed Cosmology of Henry Darger” (UNC Chapel Hill, C. Mavor)

SAILOR, RACHEL M., “Meaningful Places: Nineteenth Century Photography and the Local Landscapes of the American West” (Iowa, J. Kinsey)

SAMUEL, ANNE, “Rethinking Vision in the American Renaissance Murals of Edwin Howland Blashfield” (Delaware, M. Leja)

SCHULMAN, DANIEL, “African American Art and Artists in Chicago, 1893-1945” (IFA/NYU, R. Storr)

SEAN, ROWE, “Figuring the Landscape: Western Monuments and the Contested Terrain of American National Nostalgia” (UC Irvine, C. Whiting)

SENF, REBECCA, “Intimate Places: Ansel Adams's Photographs in the American West and Southwest, 1916-1936” (Boston, K. Sichel)

SHANE, ROBERT, “Hans Hofmann and Einfühlung” (SUNY Stony Brook, D. Kuspit)

SHERRY, KAREN, “Exposing the ‘Natural’ Woman: Female Bodies in American Visual Culture, 1785 to 1830” (Delaware, M. Leja)

SINNETT, GRETCHEN, “Rites of Passage: Envisioning Female Adolescence in Late 19th- and Early 20th-Century American Painting” (Pennsylvania, E. Johns, S. Sidlauskas)

SIVARD, SUSAN, “The Volcano in European and American Art, 1770-1865” (Columbia, B. Novak)

SLIFKIN, ROBERT, “Out of Time: Philip Guston's Marlborough Exhibition and the Refiguration of Post-War American Art” (Yale, A. Nemerov)

SMITH, CAROLINE, “American Artists' Frames: Paintings, Environments, and Viewers” (UC Santa Barbara, E. B. Robertson)

SMITH, JERRY, “Auto-America: The Automobile and American Art, ca. 1900-1950” (Kansas, C. Eldredge)

SMITH, LAURA, “The Art of Horace Poolaw, Kiowa, Photographer” (Indiana, Bloomington, S. Burns)

SMITH, PATRICIA SMITH, “‘God-gifted girls’: Women Illustrators, Gender, Class, and Commerce in American Visual Culture, 1885-1925” (Indiana, Bloomington, S. Burns)

SNOOK, SARAH, “The Development of the American Art Market in Antebellum New York” (Columbia, D. Rosand)

STRAHL-ALLEN, LISA, “Gender Construction and Manifestation in the Art of Elaine de Kooning” (Temple, G. Silk)

STAMEY, EMILY, “Pop, Place, and Personal Identity in the Art of Roger Shimomura” (Kansas, D. Cateforis, C. Eldredge)

THRUSH, NANETTE, “Tilting at History: Gothic Revival Tournaments in Early Victorian Great Britain and the Antebellum American South” (Indiana, Bloomington, S. Burns)

TOWNS, ELIZABETH, “Wondrous Creatures: The Hummingbird and Orchid Paintings of Martin Johnson Heade” (UNC Chapel Hill, C. Mavor)

TUITE, DIANA, “Methods for Modernism: Arthur Wesley Dow Intersects the Stieglitz Circle” (Princeton, J. Wilmerding)

TWA, LINDSAY, “Troubling Island: The Imagining and Imaging of Haiti by African-American Artists” (UNC Chapel Hill, M. Harris)

VAN HORN, JENNIFER, “The Object of Civility and the Art of Politeness in British America” (Virginia, M. McInnis)

VINCENTI, MARISSA, “Our Spiritual Strivings: Gurdjieffian Philosophy, Spiritualism and Politics in the Art of Aaron Douglas” (Duke, R. Powell)

WITT, SUSAN, “The Gendered Language of War: Visual Rhetoric and Cultural Power in Civil War America” (Stanford, B. Wolf)

WOLF, VANESSA, “Surplus Feeling: War and Remembrance in Lee Bontecou's Wall Reliefs, 1958-1966 (Yale, A. Nemerov)

WOLTZ, KATHERINE, “ Framing the New Republic: History Painting and Cultural Politics in the Early American Republic, 1786-1826” (Virginia, M. McInnis)

YOSHIDA, ATSUSHI, “Modern Eremites: Art and the Vocation of Withdrawal in Gilded Age America” (Washington University, A. Miller)

ZARRO, JENNIFER, “Images of the American City: Maps, Prints, and Magazine Views, 1780-1800” (Rutgers, W. Bellion)

ZYGMONT, BRYAN J., “Portraiture and Politics in New York City, 1790-1825: Stuart, Vanderlyn, Trumbull, and Jarvis” (Maryland, College Park, S. Promey)

Chinese Art

AUYEUNG, POYIN, “Critical Spatial Responses to Urban Redevelopment in Beijing and Shanghai: Art in Public Spaces, 1978-1998” (CUNY, R. Bletter)

BENINGSON, SUSAN, “Shaping Sacred Space: Early Buddhist Caves and Their Interaction with Ritual Architecture and Artistic Programs of Tombs in Fifth Century China” (Columbia, R. Harrist)

BRASH, CAROL, “Representations of Gardens under the Ming” (Minnesota, R. Poor)

CHANG, HAN-YUN, “He Tianjian (1891-1977) and the Defense of Guohua” (UC Santa Barbara, P. Sturman)

CHU, YANGMING, “Gentrification of Women in Early Tang Paintings” (Columbia, R. Harrist)

DAVIS, WALTER, “Wang Yiting and the Art of Sino-Japanese Exchange” (Ohio State, J. Andrews)

FENG, JIREN, “Imperial Northern Song Architecture: Treatises, Buildings, Literature and Art” (Brown, M. Bickford)

GIUFFRIDA, NOELLE, “Representing Zhenwu [the Perfected Warrior] in Late Imperial China” (Kansas, M. Haufler)

GREENWOOD, KEVIN, “Yonghegong: Art, Religion, and Politics in Beijing's ‘Lama Temple’” (Kansas, M. Haufler)

GUNJI, NAOKO, “Amidaji: Mortuary Art, Architecture, and Rites of Emperor Antoku's Temple” (Pittsburgh, K. Gerhard)

HAN, HYONJEONG KIM, “Longing to Travel: Art and Travel in 19th-Century China” (UC Santa Barbara, P. Sturman)

HONG, JEEHEE, “Performance Images of Mid-Imperial China (11th-13th Centuries): Death, Children, and Society” (Chicago, H. Wu)

HUANG, BINGYI, “Reading Mawangdui” (Yale, D. Sensabaugh)

HUANG, YUN-JU MICHELLE, “Dunhuang Cave #446: The Embodiment of Hua-Yen Buddhism” (Wisconsin, Madison, J. Murray)

HWANG, KAREN, “Visual Politics in Dunhuang during the Guiyijun Period, 851-1002” (Harvard, E. Wang)

KINDALL, ELIZABETH, “Functions of Late-Ming Dynasty Paintings of Monasteries” (Kansas, S. Fowler)

LAI, KUO-SHENG, “Learning New Painting from Japan and Maintaining National Pride in Early Twentieth Century China, with Focus on Chen Shizeng (1876-1923)” (Maryland, College Park, J. Kuo)

LAU, CHAK KWONG, “Ding Jing (1695-1765): Art, Hangzhou, and the Foundation of the Xiling Identity” (UC Santa Barbara, P. Sturman)

LIU, BO, “When Paintings Speak for the Owners: Political Expressions in Song Dynasty Fan Paintings” (Michigan, M. Powers)

LU, LING-EN, “Agricultural Themes in Temple Wall Paintings in the Ming Dynasty (1368-1644)” (Kansas, M. Haufler)

LULLO, SHERI, “Visual Constructions of Gender in Han Dynasty China” (Pittsburgh, K. Linduff)

MA, YA-CHEN, “Picturing Suzhou: Visual Politics in the Making of Cityscapes in Eighteenth-Century China” (Stanford, R. Vinograd)

MAO, YILING, “Women's Painting in 17th-Century China: Persona, Performance and the Construction of Female Aesthetics” (Columbia, R. Harrist)

MARTIN, HUI WANG, “Guangsheng Monastery: The Study of Its Art and Architecture from a Ming Perspective” (Kansas, M. Haufler)

PAKHOUTOVA, ELENA, “Reproducing the Sacred Places: The Eight Great Events of the Buddha's Life and Their Commemorative Stupas in the Medieval Art of Tibet” (Virginia, D. Wong)

PARK, JAE-SUK, “The Rustic Image and Cult of Su Shi: ‘su Shi Wearing Bamboo Hat and Clogs’” (Wisconsin, Madison, J. Murray)

PARK, JONG PHIL, “Ensnaring the Public Eye: Painting Manuals of Late Ming China (1550-1644) and the Negotiation of Taste” (Michigan, M. Powers)

RASMUSSEN, KENNETH, “Wang Shen (born ca. l048) and Landscape Painting among the Elite in Northern Song China, 1069-1120” (Yale, R. Barnhart)

SHIN, SEOJEONG, “Illustrations of Taiping Prefecture (1648): An Early Printed Album of Landscapes by the Scholar-Painter, Xiao Yuncong (1596-1673)” (Maryland, College Park, J. Kuo)

TOWNSEND, CYNTHIA HART, “A Contextual Study of Chinese Burial Figurines: Eastern Zhou through Northern and Southern Dynasties” (Chicago, H. Wu)

WALLACE, LESLIE, “Hunting and Immortality in the Eastern Han Tomb Reliefs of Shaanxi” (Pittsburgh, K. Linduff)

WANG, MEIQIN, “Transformation and Construction: Exhibiting Chinese Contemporary National Art in 2003” (SUNY Binghamton, N. Um)

WANG, MICHELLE, “Cave 14: Practices of Esoteric Buddhist Art at the Mogao Caves, Dunhuang” (Harvard, E. Wang)

WANG, YUDONG, “Half-length Figures and Religious Experience in Ancient China” (Chicago, H. Wu)

WU, JUI-MAN, “Art and Identity: Tombs of Elite Foreigners in China during the Northern Zhou Period (557-581 CE)” (Pittsburgh, K. Linduff)

YAO, ERICA, “Systems of Display at the Qing Dynasty Court: Visualizing Political Authority in Eighteenth-Century China” (Stanford, R. Vinograd)

Contemporary Art

ABBAMONTIAN, RAMELA, “Armenian-American Artists: Forging a Diasporic Identity in Los Angeles (1991-2005)” (UCLA, A. Boime)

ADAMS, VIRGINIA, “Illusion and Disillusionment in the Works of Gerhard Richter and Jeff Wall: Picturing (Post)modern Life” (Maryland, College Park, S. Mansbach)

ARCHIAS, S. ELISE, “The Body as a Material: the Early Performance Works of Carolee Schneemann, Yvonne Rainer, and Vito Acconci,” (UC Berkeley, A. Wagner)

AUYEUNG, POYIN, “Critical Spatial Responses to Urban Redevelopment in Beijing and Shanghai: Art in Public Spaces, 1978-1998” (CUNY, R. Bletter)

BEAUCHAMP-BYRD, MORA, “Hogarth's Progress: ‘Modern Moral Subjects’ in the Work of David Hockney, Lubaina Himid and Paula Rego” (Duke, R. Powell)

BOUMAN, MARGOT, “Fata Morgana: Matrices of Video and Site” (Rochester, D. Crimp)

BUIGUES, ANA, “Igor Stromajer: e-motional net.scapes” (Toronto, E. Legge)

BURGESS, LANA A., “Advancing American Art: Survival of an Idea” (Florida State, K. Bearor)

CAMPBELL, SHANE C., “John Baldessari” (Iowa, C. Adcock)

CARBONELL-COLL, GISELA M., “A Spaniard in New York: Salvador Dali and American Popular Culture, 1940-1948” (UIUC, J. Mendelson)

COPELAND, HUEY, “Bound to Appear: Site, Subjection, and the Disfiguration of Slavery in Multicultural America” (UC Berkeley, A. Wagner)

ELFLINE, ROSS, “Echo Chambers and Dream Houses: Mediated Architecture in the 1960s and 1970s” (UCLA, M. Kwon)

EVANS, KIM, “The Geography of Feminist Art Criticism: A Genealogical History of Feminist Discourses on Art, 1971-1981” (SUNY Binghamton, J. Tagg)

FARRELL, JENNIFER, “Buren before Buren: The Early Works of Daniel Buren” (CUNY, R. Golan)

FORTIN, SYLVIE, “Remaking Sixties Utopia: On the Chronotopy of Contemporary Moving-Image Installations and Global Exhibitions” (Duke, K. Stiles)

FREDRICKSON, LAUREL, “The Liberatory Art and Politics of Jean-Jacques Lebel and Kate Millett” (Duke, K. Stiles)

GLAHN, PHILIP, “Estrangement and Politicization: Bertolt Brecht and Postwar American Art” (CUNY, R. Golan)

HELD, ROBIN, “Lynn Hershman is not Roberta Breitmore; Roberta Breitmore is not Lynn Hershman: A Catalogue Raisonny” (University of Washington, P. Failing)

HEUER, ELIZABETH, “Going Postal: Surrealism and the Discourses of Mail Art” (Florida State, K. Bearor)

HOLMES, KRISTY, “The Gendered Nation: The Work of Joyce Wieland 1964-1976” (Queen's University, Kingston, L. Jessup, S. Lord)

HOSEIN, LISE, “The Weight of Being Human: Animals as Surrogate Bodies in Contemporary Art” (Toronto, M. Cheetham)

HOUSER, CRAIG, “Recontextualizing Robert Gober” (CUNY, A. Chave)

JOHNSON BIDLER, TIFFANY, “Tracing Genealogies: The Question of Inheritance in Early and Contemporary American Art” (Minnesota, J. Blocker)

KOH, DONG-YEON, “Larry Rivers and Frank O'Hara: Reframing Male Subjectivity” (CUNY, A. Chave)

LEGER, MARC, “Visuality, Subjectivity and Social Space in Critical Public Art” (Rochester, J. Saab)

LEVINE, CARY, “Pay for Your Pleasures: Mike Kelley, Raymond Pettibon, Paul McCarthy” (CUNY, R. Golan)

MALTZ-LECA, LEORA, “Landscape in a Postcolony: Re-Imagining Space, Place and Home in Democratic South Africa” (Harvard, E. Lajer-Burcharth, S. Preston-Blier)

MANGAWANG, MYA, “Sophie Calle: Her(e) but Not Her(e)” (Bryn Mawr, L. Saltzman)

MCCLURE, MICHAEL, “Medium's Collapse: Andy Warhol, Robert Gober, Matthew Barney and the Contemporary Object of Art” (Bryn Mawr, L. Saltzman)

MURRAY, SORAYA, “New Media Anxiety: Art History and the Problem of Modern Technology” (Cornell, S. Hassan)

NETTLETON, TARO, “Throw out the Books, Get out in the Streets: Subjectivity and Space in Underground Art in Japan in the 1960s” (Rochester, D. Crimp)

PHILLIPS, NATALIE E., “The Pop Apocalypse: Keith Haring's and Kenny Scharf's Remaking of Religion in Contemporary Art” (UC Irvine, C. Whiting)

PROCTOR, JACOB, “Collage and Found Footage in Postwar Experimental Film: Bruce Conner, Stan Vanderbeek, Ken Jacobs, Robert Breer” (Harvard, Y-A. Bois, B. Buchloh)

RAPP, KAREN M., “Not the Romantic West: Site-Specific Art, Globalization, and Contemporary Landscapes” (Stanford, P. Lee)

RATH, AMANDA, “Mutable Signs: De/Con/Struction in Indonesian Experimental Art” (Cornell, K. McGowan)

RICHTER, TILL, “Contemporary Art: Art Historical and Market Criteria” (UT Austin, R. Shiff)

ROBERTSON, KIRSTY, “This Is What Democracy Looks Like: Visual Culture and Protest in Canada, 1988-2003” (Queen's University, Kingston, L. Jessup)

ROGERS, SARAH, “Art as History in Postwar Lebanon” (MIT, N. Rabbat)

ROJAS-SOTELO, MIGUEL L., “Cultural Networks and Flow in Contemporary Art: Hubs, Links, and Vectors from South and East of Empire” (Pittsburgh, T. Smith)

ROMAINE, JAMES, “The Art of Tim Rollins and K.O.S.: 25 Years of Art, Education and Community” (CUNY, H. Senie)

ROSENBAUM, SARAH, “In the Public Domain: Public Art, Advanced Capitalism, and the Contemporary City” (Harvard, Y-A. Bois)

ROSENBERG, LELA C., “The Virgin and the Murderess: Reflecting on the Sensation Sensation” (Duke, K. Stiles)

SEPPI, LISA, “Metaphysics and Materiality: Landscape Painting and the Art of Kay Walkingstick” (UIUC, J. Fineberg)

SHEA, TUSA, “Countering Representation: Anarchy and Assemblage on the West Coast, 1950s-1970s” (University of Victoria, C. Thomas)

SMALL, IRENE, “Hylio Oiticica and the Morphology of Things” (Yale, K. Jones, D. Joselit)

TAUB, EMILY, “On Site-Specificity: A Genealogy” (Emory, J. Rohrer)

THEODORE, MOLLEEN, “Walter De Maria's Work: Patronage, Reception, and Aura” (CUNY, A. Chave)

THOMPSON, JEFFREY, “Photography and the Post-Medium Tradition: 1966-1970” (Emory, J. Meyer)

TINTI, MARY, “Dimensions of Flight: A Study of Contemporary Sculpture in Airports of the United States and Canada” (Rutgers, J. Marter)

VIGNEAULT, MARISSA, “The Formation of Memory, Trauma and Desire in the Art and Writing of Bracha Lichtenberg Ettinger” (Bryn Mawr, S. Z. Levine)

WANG, MEIQIN, “Transformation and Construction: Exhibiting Chinese Contemporary National Art in 2003” (SUNY Binghamton, N. Um)

WARNOCK, MOLLY, “Painting Blind: The Work of Simon Hantaï” (Johns Hopkins, M. Fried)

WEINTRAUB, MAX, “Bruce Nauman and the Crisis of Subjectivity” (Bryn Mawr, L. Saltzman)

WILLIAMS, GREGORY, “Irony and Obfuscation: The Unstable Production of Meaning in the Work of West German Artists from 1977 to the Present” (CUNY, R. Golan)

WILSON, PAUL, “The Global Aesthetics of Nostalgia: Nation and Longing in Contemporary Art” (Minnesota, J. Blocker)

WOLFSKILL, PHOEBE, “Constituting the Elusive City: Documentation and Fantasy in the Work of Archibald Motley, Jr. and Reginald Marsh” (UIUC, J. Fineberg)

WOO, FUNG-AH, “Longing for Nothing: On Kawara and Yoko Ono” (UCLA, M. Kwon)

WOODS, NICOLE L., “The Roving Affect: Art in the Age of Flux/Fusion” (UC Irvine, C. Whiting)

YAKIMOSKI, NANCY, “Contemporary Canadian Tableau Photography and Surveillance as a Spectatorship Position” (University of Victoria, A. Antliff)

YAMAMURA, MIDORI, “Yayoi Kusama: Biography and Cultural Confrontation” (CUNY, A. Chave)

YATES ATKINS, GILLIAN, “Installation Art in Canadian Public Spaces” (Toronto, M. Cheetham)

Critical Theory/Gender Studies/Visual Studies

BAGG, SHANNON K., “Artists, Art Historians, and the Value of Contemporary Inuit Art” (Queen's University, Kingston, L. Jessup)

BIBLE, ANN VOLLMANN, “The Art of Dailiness: Gabriele Münter's Self-Representations” (MIT, M. Jarzombek)

BIEDERMEN, LEGIER, “Re-engineering the Experience of Art: ‘New’ Media and Discourses of Repetition in Times of Political Crisis” (UCLA, D. Preziosi)

BRUCKNER, RENE THOREAU, “The Art of Disappearance: Duration, Instantaneity, and the Conception of Cinema” (UC Irvine, A. Lippit)

BUBENIK, ANDREA, “The Reception of Albrecht Dürer (1528-1700): The Practices of Art, Science and Collecting” (Queen's University, Kingston, C. Hoeniger, V. Manuth)

CARLSON, ELIZABETH, “City of Mirrors: Spectacle and Surveillance in 19th-Century Paris” (Minnesota, J. Blocker)

CARO, MARIO A., “The Native as Image: Art History and the Representation of the American Native” (Rochester, J. Berlo, D. Crimp, M. Holly)

CHENG, JOYCE, “Ethnology, Art Criticism, Avant-Garde Epistemology of Form” (Chicago, R. Heller)

CONTRERAS DE BERENFELD, MARIA CELINA, “Cesare Brandi's Teoria del Restauro and the Practice of Restoration” (Queen's University, Kingston, C. Hoeniger)

CRONAN, TODD, “The Despair of the Physical: Matisse, Santayana and the Philosophical Temper of Modernism” (UC Berkeley, W. Davis)

CURZON, LUCY, “Replacing Modernism: Visual Culture and National Identity in Britain 1930-1960” (Rochester, P. Duro, J. Saab)

CZACH, LIZ, “Careless Rapture: Artifacts and Archives of the Home Movie” (Rochester, S. Willis)

DE LA ROSA, GABRIELLA, “Picturing the Colonial Enlightenment: Race, Identity and Difference in French Visual Culture, 1682-1804” (Harvard, E. Lajer-Burcharth)

DOHERTY, JOHN KEITH, “Narrative and Spatial Structure of Roman Landscape Paintings” (Boston, F. Kleiner)

EKARDT, PHILIPP, “Eher ein Rüsche am Kleid: The Untimely Image in, before, and after Benjamin, Broodthaers, Richter, Kluge” (Yale, D. Joselit)

EMERLING, JOHN, “The Gesture of Collecting: Walter Benjamin and Contemporary Aesthetics” (UCLA, D. Preziosi)

EVANS, KIM, “The Geography of Feminist Art Criticism: A Genealogical History of Feminist Discourses on Art, 1971-1981” (SUNY Binghamton, J. Tagg)

GILBERTSON, LEANNE, “Out of Place in Time: Women Performing Art in Warhol's Factory and Judson Memorial Church” (Rochester, D. Crimp)

HAUGHEY, PATRICK, “The Presidential Library: Archive, Afterlife, and the National Imagination” (MIT, M. Jarzombek)

HOLMES, KRISTY, “The Gendered Nation: The Work of Joyce Wieland 1964-1976” (Queen's University, Kingston, L. Jessup)

HOWIE, ELIZABETH, “The Courtly Erotics of the Photograph: Photography and the 19th-Century Theorization of Courtly Love” (UNC Chapel Hill, C. Mavor)

HUEBNER, KARLA, “Eroticism, Identity, and Cultural Context: Toyen and the Czech Avant-Garde” (Pittsburgh, B. McCloskey)

HUMPHREY, DAN, “Subjective Others/Foreign Selves: Queer American Spectatorship and Swedish ‘Art’ Cinema” (Rochester, D. Crimp)

JOHNSON BIDLER, TIFFANY, “Tracing Genealogies: The Question of Inheritance in Early and Contemporary American Art” (Minnesota, J. Blocker)

JONES, JORDY, “The Ambiguous I: Photography, Gender, Self” (UC Irvine, C. Whiting)

LEGER, MARC, “Visuality, Subjectivity, and Social Space in Critical Public Art” (Rochester, J. Saab)

MACNAYR, LINDA C., “Politics and Gender in Portraits of Princess Charlotte of Belgium, Vicereine of Lombardy-Venetia, and Empress of Mexico” (Queen's University, Kingston, J. Helland)

MARTIN, MEREDITH, “Dairy Queens: Sexuality, Space, and Subjectivity in Pleasure Dairies from Catherine de' Medici to Marie-Antoinette” (Harvard, E. Lajer-Burcharth)

MCAULIFFE, MICHAEL, “Connoisseurship in the Twentieth Century: The János Scholz Collection of Italian Old Master Drawings—A Case Study” (Columbia, D. Rosand)

MCQUEEN, KATHLEEN, “The Aesthetics of Suffering: W. Eugene Smith (1918-1978), Shomei Tomatsu (b. 1930), and the Context of Visual Culture” (SUNY Stony Brook, D. Kuspit)

MIZOGUCHI, AKIKO, “The Construction of Lesbian Sexuality in Contemporary Japan in Relation to Yaoi Fictions” (Rochester, D. Crimp)

MUIR, KIM H. S., “Wounded Masterpieces: Restoring Severely Damaged Works of Art” (Queen's University, Kingston, C. Hoeniger)

MUZAFFAR, M. IJLAL, “The Periphery Within: Modern Architecture and the Making of the Third World” (MIT, M. Jarzombek)

NOLAN, LINDA, “Can You Handle It? The Tactile Reception of Sculpture in Early Modern Rome” (USC, T. Olson)

PEABODY, REBECCA, “A Strategic Cut: Kara Walker's Art and Imagined Race in American Visual Culture” (Yale, R. Thompson, H. Carby)

PERSINGER, CINDY, “The Politics of Style: Meyer Schapiro and the Methods of Art History” (Pittsburgh, B. McCloskey)

PHILLIPS, NATALIE E., “The Pop Apocalypse: Keith Haring's and Kenny Scharf's Remaking of Religion in Contemporary Art” (UC Irvine, C. Whiting)

ROBERTSON, KIRSTY, “This Is What Democracy Looks Like: Visual Culture and Protest in Canada, 1988-2003” (Queen's University, Kingston, L. Jessup)

RODRIGUEZ, VICTOR M., “Mimicry in Latin American Art and the Rhetoric of Modernist Art History” (Rochester, D. Crimp)

ROGERS, DENISE, “Becoming Black Woman: Eldzier Cortor's Visualization of the Black Female Body” (UC Irvine, J. Wilson)

ROGERS, JENNIFER, “Walking after Midnight: Mythic Monstrousness, Menstruation, and the Female Werewolf” (UC Irvine, A. Lippit)

ROYAL, SUZANNE, “Graphic Art in Weimar Berlin: The Case of Jeanne Mammen” (USC, K. Lang)

SANDLER, DANIELA, “Incarnate Politics: National Identity, History, and Architectural Heritage in Postwar Berlin” (Rochester, A. Nader)

SCANLON, PATRICIA SMITH, “‘God-gifted girls’: Women Illustrators, Gender, Class, and Commerce in American Visual Culture, 1885-1925” (Indiana, Bloomington, S. Burns)

SCHULD, DAWNA, “Nothing to Look At: Art as Situation and Its Neuropsychological Implications” (Chicago, B. Stafford)

SEAN, ROWE, “Figuring the Landscape: Western Monuments and the Contested Terrain of American National Nostalgia” (UC Irvine, C. Whiting)

SMITH, T'AI, “Weaving Work at the Bauhaus: The Gender and Engendering of a Medium” (Rochester, D. Crimp)

STRYKER, ERIC, “Reconstruction and Visual Culture in 1950s London” (Yale, T. Barringer)

SWENSON, KIRSTEN, “From Factory to Kitchen: Eva Hesse's Labors” (SUNY Stony Brook, J. Katz)

VORANO, NORMAN D., “The Culture of Inuit Art: Museums, Modernism and the Popular Imaginary in the Mid-Twentieth Century” (Rochester, J. Berlo)

WANG, MEIQIN, “Transformation and Construction: Exhibiting Chinese Contemporary National Art in 2003” (SUNY Binghamton, N. Um)

WILLIAMS, MICHAEL, “Beyond Death: Perversity, Relationality, Virtuality” (Rochester, T. DiPiero)

WILSON, PAUL, “The Global Aesthetics of Nostalgia: Nation and Longing in Contemporary Art” (Minnesota, J. Blocker)

WOODS, NICOLE L., “The Roving Affect: Art in the Age of Flux/Fusion” (UC Irvine, C. Whiting)

ZALMAN, SANDRA, “A Vernacular Vanguard Abroad: How America Minded Surrealism” (USC, N. Troy)

ZUROMSKIS, CATHERINE, “Private Images, Public Contexts: Snapshot Photography in the Public Sphere” (Rochester, D. Crimp)

Decorative Arts/Textiles/Design History

ATKINS, JACQUELINE, “Wearing Propaganda: Civilian Textiles on the Home Front in Japan, America and Great Britain, 1931-1945” (The Bard Graduate Center, K. Ames, P. Kirkham)

ATKINSON, ELAINE M., “Fantasy, Memory and Spirituality in Visual Culture in Britain, 1850-1910” (Queen's University, Kingston, J. Helland)

BORTEL, ELLEN, “George Ohr: His Life, Work, and Influence on Contemporary Ceramics” (Case Western Reserve, H. Adams)

CARR, DENNIS, “Early Furnituremaking in the Narragansett Basin, 1636-1740” (Yale, E. Cooke Jr.)

FISHER, ELLEN, “Mary McFadden, Fashion Designer” (The Bard Graduate Center, P. Kirkham)

FLEMING, ELIZABETH, “ReDesigning the Decorative Arts: The Production and Promotion of Postmodern Objects” (Yale, E. Cooke Jr.)

FULGHUM HEINTZ, MARY, “The Transitive Form: Textiles as Transmitters of Power in the Middle Ages” (Harvard, I. Kalavrezou)

HOLLOWAY, ANITA, “Animal Symbolism in Ewe Textiles” (Virginia Commonwealth, B. Lawal)

HOOPER-LANE, ELIZABETH, “Modernism, Domesticity, and Middle America” (Wisconsin, Madison, A. Martin)

IVERSON, STEPHANIE DAY, “Elegant Solutions and Sybaritic Delights: The Design and Work of Bonnie Cashin, ca. 1923-1985” (The Bard Graduate Center, P. Kirkham)

JOY, CATHERINE LANFORD, “Reflecting Refinement: The Making and Meaning of Silver Metal in Antebellum Boston, 1800-1875” (Yale, E. Cooke Jr.)

KAUKAS HAVENHAND, LUCINDA, “Creating a Modern Gesamtkunstwerk: Interior Design 1930-1960” (Virginia Commonwealth, R. Hobbs)

KIEFER, EVELYN, “The Birth and Death of the American Dining Room: An Evolution from the Colonial Hall to Frank Lloyd Wright's Dining Rooms and Beyond” (Case Western Reserve, H. Adams)

KULLY, DEBORAH, “Morality, Architecture, and the French Interior (1860-1890)” (MIT, E. Naginski)

LASSER, ETHAN, “Figures in the Grain: Sentient Objects in Anglo-America, 1660-1800” (Yale, Edward Cooke Jr.)

MAILE, MARGARET, “Theatre, Modernity, and Architectural Lighting Design in America” (The Bard Graduate Center, P. Kirkham, A. Ogata)

MATHIAS, CATHERINE A., “Textiles in Seventeenth-Century Colonial Portraiture” (Queen's University, Kingston, A. Murray, V. Manuth)

MCCORMICK, HEATHER JANE, “Woodcarvers in the City of New York: A Study in Craft Change, 1820-1880” (The Bard Graduate Center, P. Kirkham)

MEIERS, SARAH H., “William Morris's Green Dining Room: The Experience of an Arts-and-Crafts Interior” (Queen's University, Kingston, J. Helland)

MYZELEV, ALLA, “Art, Craft, Commodity: Peasant Craft Revival in Russia and England, 1880-1914” (Queen's University, Kingston, J. Helland)

ORTIZ-HOLMES, AMY, “Tramp Art: Cultural Expression, Visual Splendor” (Wisconsin, Madison, A. Smart Martin)

SCHMIDT-BACH, DEBRA, “Silver in Antebellum New York: The Working Partnership of Craftsman, Manufacturer, and Entrepreneur William Gale” (The Bard Graduate Center, K. Ames, P. Kirkham)

SHALES, EZRA, “Applied Art in the Newark Library and Museum, 1902-1929: Commerce and Citizenship in an ‘Engine of Culture’” (The Bard Graduate Center, K. Ames, A. Ogata)

SHINN, MASAKO, “The Commercial, Social, and Cultural Basis of the Proliferation of Japanese Design Elements in Late Nineteenth-Century American Industrial Art: The Case of the Silver Industry” (The Bard Graduate Center, K. Ames)

SMITH, DANIELLA, “Hotel Design in British Mandate Palestine: Alliance of Modernism, Tourism, and National Agenda” (The Bard Graduate Center, A. Ogata)

SMITH, T'AI, “Weaving Work at the Bauhaus: The Gender and Engendering of a Medium” (Rochester, D. Crimp)

TALBOT, LEE, “Women, Textiles, and Upper-Class Domestic Environments in Late Choson-Dynasty Korea” (The Bard Graduate Center, F. Louis)

TOLINI, MICHELLE, “Fashioning Early Cinema: Dress and Representation in American Film, 1910-1930” (The Bard Graduate Center, P. Kirkham)

TURNER, KELLY S., “The Narrativity of Dycor: The Interiors of Late Eighteenth-Century French Pleasure Pavilions” (UC Santa Barbara, A. Bermingham)

YAMAMORI, YUMIKO, “The A. A. Vantine Japanese Handcrafts for the American Consumer, 1895-1920” (The Bard Graduate Center, F. Louis)

Digital Media/Animation

CROCKETT, TOBEY, “Towards a Theory of Fun: An Aesthetics of Play and Empathy in 3D Virtual Worlds” (UC Irvine, A. Lippit)

Drawings/Prints/Photography/Works on Paper

BARKER, SEAN, “A Positive Aberrance: Henri de Toulouse-Lautrec's Disreputable Women” (Kansas, M. Kessler)

BUSSARD, KATHERINE, “Unfamiliar Street: The Photographs of Richard Avedon, Bruce Davidson, Martha Rosler, and Philip-Lorca diCorcia” (CUNY, G. Batchen)

CUTSHAW, STACEY, “Intimate Images: The Public and the Private in Twentieth-Century American Photography” (Boston, C. Jones)

DE SOUZA, C. ROBERTO, “And Love Will Live Forever: The Narrative Structure of the Fotonovela” (UC Santa Barbara, U. Keller)

DOLAN, JULIA, “‘I Will Take You into the Heart of Modern Industry’: Lewis Hine's Photographic Interpretation of the Machine Age” (Boston, K. Sichel)

ELCOTT, NOAM, “Cameraless Modernisms:Art, Media, Photograms” (Princeton, C. Armstrong)

FRASER, KAREN, “The Tomishige Studio and the Origin of Domestic Commercial Photography in Meiji Japan” (Stanford, M. Takeuchi)

GILLESPIE, SARAH KATE, “Samuel F. B. Morse and the Daguerreotype: Art and Science in American Culture, 1835-1855” (CUNY, K. Manthorne)

GLESMANN, AMANDA, “Living Histories: Photography and the Artistic Interior in Late Nineteenth-Century America” (Stanford, W. Corn)

HARPER, KATHERINE, “The Prints and Drawings of Hendrick Goudt: New Light on an Artist and Nobleman” (Boston, M. Zell)

HICKMAN, CAROLINE MESROBIAN, “Clare Leighton (1898-1989): A Wood Engraver's Impressions of Agrarian Life in England and the American South” (UNC Chapel Hill, A. Marks)

JENSEN, HEATHER, “Musing the Material: Women, Aesthetics, and Art Criticism in Napoleonic France” (Kansas, M. Kessler)

JONES, JORDY, “The Ambiguous I: Photography, Gender, Self” (UC Irvine, C. Whiting)

KARR SCHMIDT, SUZANNE, “Art—A User's Guide: Interactive and Sculptural Printmaking in the Renaissance” (Yale, C. Wood)

KELLER, CANDACE, “Visual Griots: A Social, Political and Cultural History of Individuals in Mali through the Photographer's Lens” (Indiana, Bloomington, P. McNaughton)

KELLER, COREY, “The Look of Knowledge: Photographic Images and the Discourses of Science, 1840-1900” (Stanford, M. Gough)

KNAPPE, BRETT, “Hope and Innovation: The Photography of Barbara Morgan” (Kansas, J. Pultz)

LAMUNIERE, MICHELLE, “The Social Museum at Harvard: Francis Greenwood Peabody and Early Twentieth-Century Social Reform Photography in Context” (Boston, K. Sichel)

MCCANN, CARMEN, “Status Viatoris: A New Spectacularization of Death in French Paintings and Prints from the Bourbon Restoration” (Penn State, N. Locke)

MCKENNA, MAUREEN, “Anne Brigman, California Pictorialist Photographer” (Delaware, W. Homer)

MCQUEEN, KATHLEEN, “The Aesthetics of Suffering: W. Eugene Smith (1918-1978), Shomei Tomatsu (b. 1930) and the Context of Visual Culture” (SUNY Stony Brook, D. Kuspit)

MICHAL, EILEEN M., “Halftone Reproduction and American Celebrity” (Chicago, J. Snyder)

MILLER, SARAH M., “Inventing ‘Documentary’ in American Photography, 1930-1945” (Chicago, J. Snyder)

MOORE, ALLISON, “Shifting Identities: Malian Photography, 1945-2005” (CUNY, G. Batchen)

NOONAN, JENNIFER, “Romancing the Stone: Printmaking and the Body in the 1960s and 1970s” (Penn State, S. Rich)

O'LEARY, THOMAS, “Tokyo Visions: Structuring Identity in Contemporary Japanese Photography” (USC, J. Reynolds)

PALMER, KATHERINE, “Archive/Atlas/Album: The Photographic Records of Christian Boltanski, Dinh Q. Lê, and Gerhard Richter” (Boston, C. Jones)

RICCIARDELLI, LUCIA, “Packaging the Past for the Spectator: The Status of the Photographic Image in Contemporary Documentary Practice” (UC Santa Barbara, S. Chattopadhyay)

ROTH, LYNETTE, “‘Neue Sachlichkeit’ in Cologne: August Sander and the Cologne Progressives” (Johns Hopkins, B. Doherty)

SASKA, HOPE, “Staging the Page: Theatricality of Eighteenth-Century British Print Satire” (Brown, K. D. Kriz)

SCANLON, PATRICIA SMITH, “‘God-gifted girls’” : Women Illustrators, Gender, Class, and Commerce in America Visual Culture, “1885-1925” (Indiana, S. Burns)

SENF, REBECCA, “Intimate Places: Ansel Adams's Photographs in the American West and Southwest, 1916-1936” (Boston, K. Sichel)

SICHERMAN, DARA, “Book Illustration in Fin-de-Siècle France” (CUNY, J. Roos)

SMITH, LAURA, “The Art of Horace Poolaw, Kiowa, Photographer” (Indiana, Bloomington, S. Burns)

SNOW, RACHEL, “Incidental Tourists: Vernacular Photo-Travel Books, 1920-1940” (CUNY, G. Batchen)

STEER, LINDA M., “Appropriated Photographs in French Surrealist Reviews, 1924-1939” (SUNY Binghamton, J. Tagg)

STETLER, PEPPER, “New Vision: Modernity and the Photo-Essay in the Weimar Republic, 1919-1929” (Delaware, M. Werth)

UREÑA, LESLIE, Lewis Hine at Ellis Island: The Photography of Immigration and Race, 1904-1926 (Northwestern, S. Eisenman)

VINZ, KATHERINE, “The Social Imagination of a Painter of the Mind: Antoine Wiertz (1806-1865)” (Kansas, S. Goddard)

WEISSMAN, TERRI, “Documentary Photography and Communicative Action: The Realisms of Berenice Abbott” (B. Buchloh)

WERSCHKUL, HILDA, “Modernism into Memory: The Drawings of Eva Hesse” (Columbia, D. Rosand, B. Buchloh)

WEST, ASHLEY, “Visualizing Knowledge: Prints and Paintings by Hans Burgkmair the Elder (1473-1531)” (Pennsylvania, L. Silver)

YOUNG, LISA JAYE, “All Consuming: Weimar Photography and the Aesthetics of Americanization, 1923-33” (CUNY, G. Batchen)

ZUROMSKIS, CATHERINE, “Private Images, Public Contexts: Snapshot Photography in the Public Sphere” (Rochester, D. Crimp)

Early Christian/Byzantine Art

ANGUELOVA, VESSELA, “Place as Spiritual Experience in Middle and Late Byzantine Art” (Penn State, A. Cutler)

ATAOGUZ, J. KIRSTEN, “The Apostolic Mission of the Monks at the Monastery of Saint John in Müstair, Switzerland” (Harvard, J. Hamburger, I. Kalavrezou)

CLARK, TRAVIS, “Imaging the Cosmos: The Christian Topography by Cosmas Indicopleustes” (Temple, E. Bolman)

COCHRANE, LAURA, “The Significance of Context for Four Anglo-Saxon Schematic Images of Creation” (Delaware, L. Nees)

DRPIC, IVAN, “Nous and Techne: Epigrams on Art in Late Byzantium” (Harvard, I. Kalavrezou)

FULGHUM HEINTZ, MARY, “The Transitive Form: Textiles as Transmitters of Power in the Middle Ages” (Harvard, I. Kalavrezou)

GANNAWAY, ETHAN, “The ‘Cubiculum Leonis’ in the Catacomb of Commodilla at Rome” (Missouri, Kansas City, M. Rautman)

GITTINGS, ELIZABETH, “The Ideology and Aesthetics of Architecture in the Early Christian Mosaics of the Rotunda in Thessaloniki” (Harvard, I. Kalavrezou)

KATZ, MELISSA, “Interior Motives: The Triptych Virgin in Medieval and Early Modern Iberia” (Brown. S. Bonde)

MARINIS, VASILEIOS, “The Monastery tou Libos: Architecture, Sculpture, and Liturgical Planning in Middle and Late Byzantine Constantinople” (UIUC, R. Ousterhout)

RATLIFF, BRANDIE, “Image and Relic at Byzantine Pilgrimage Sites” (Columbia, S. Murray, H. Klein)

SCHENK, K|$$|ADARA, “Returning the Zion: The Narrative of the Dura-Europos Synagogue Frescoes” (Johns Hopkins, H. Maguire)

SCHILB, HENRY D., “Byzantine Identity and Its Patrons: Embroidered Epitaphioi and Aeres of the Palaiologan and Post-Byzantine Periods” (Indiana, Bloomington, W. Kleinbauer)

STEWART, CHARLES, “Domes of Heaven: the Domed Basilicas of Cyprus” (Indiana, Bloomington, W. Kleinbauer)

TARANDJIEVA, TEODORA, “The Church of St. John Aleitourgetos in Mesembria: A Study of Its Constantinopolitan Origins” (Indiana, Bloomington, W. Kleinbauer)

Early Medieval/Romanesque/Gothic Art

CANNING, JONATHAN, “The Stone-Cage Chantry Chapel and the Architecture of Perpetual Commemoration in Late Medieval England” (Columbia, S. Murray)

BAUER-SMITH, CHARLOTTE, “Visual Constructions of Corporate Identity and Exempla for the University of Paris, 1200-1500” (UIUC, A. Hedeman)

BOEYE, KERRY, “Signs of Wisdom, Acts of Judgment: King Solomon in Medieval Visual Culture” (Chicago, L. Seidel)

BRADBURY, CARLEE ANN, “Imaging and Imagining the Jew in Medieval England” (UIUC, A. Hedeman)

BROMBERG, SARAH, “A Context and Reception History of the Illuminations in Nicholas of Lyra's Postilla Literalis Super Totam Bibliam” (Pittsburgh, A. Stones)

BRUHN, HEATHER MCCUNE, “Late Gothic Architectural Monstrances in the Rhineland” (Penn State, E. Smith)

CAMERLENGHI, NICOLA, “The Architectural History of the Basilica of San Paolo fuori le Mura in Rome from the Ninth to the Nineteenth Century” (Princeton, S. Curcic)

COLLINS, KRISTEN MARY, “Redeemer, Mother and Ruler: Images of the Virgin in Ottonian Germany” (UT Austin, J. Holladay)

DANIELSON, SIGRID, “The Golden Altar of Wolvinius in Sant'Ambrogio at Milan” (Indiana, Bloomington, W. Kleinbauer)

DE APPOLONIA, GIOVANNA, “Profane and Sacred Justice: The Symbolism of the Column-Bearing Lion from Northern Italy” (Boston, D. Kahn)

DIMITROVA, KATE, “The Passion of Christ in Late Medieval Tapestries Art” (Pittsburgh, M. A. Stones)

DOLAN, MARION, “The Illustrated Aratus Tradition during the Middle Ages” (Pittsburgh, M. A. Stones)

DOQUANG, MAILAN, “Rayonnant Funerary Chapels: Architectural Additions and Changing Contexts in French Gothic” (IFA/NYU, M. Trachtenberg)

EGAN, HEATHER, “Containing the Sacred: Enamel Phylacteries, Relics, and Twelfth-Century Theology in the Meuse Valley” (Johns Hopkins, H. Kessler)

EVALDS, VALIJA, “Regularis Concordia: The Development of the Monastic Cloister in England” (Yale, W. Cahn)

FLAHERTY, HEATHER, “The Place of the Speculum Humanae Salvationis in the Rise of Affective Piety in the Later Middle Ages” (Michigan, E. Sears)

FOSTER-CAMPBELL, MEGAN H., “Reading Pilgrimage: Pilgrims' Badges in Late Medieval Devotional Texts” (UIUC, A. Hedeman)

FUNK, CARLA, “Visualizing Identity: The Decoration and Transformation of the Palazzo Datini in Prato” (Emory, E. Pastan)

GEARHART, HEIDI, “Theophilus' On Diverse Arts: The Persona of the Artist and the Production of Art in the Twelfth Century” (Michigan, E. Sears)

GERRY, KATHRYN, “The Alexis Quire and Its Role within the Saint Albans Psalter” (Johns Hopkins, H. Kessler)

GEYMONAT, LUDOVICO, “The Parma Baptistery and Its Pictorial Program” (Princeton, S. Curcic)

GREENWOOD, JILL VESSELY, “The Romanesque Duomo in Sovana, Italy: Context, Iconography and Style” (Kansas, M. Stokstad)

GROSSMAN, MAX, “Architecture and Ideology in the Sienese Contado from the Age of Frederick II to the Fall of the Nine” (Columbia, S. Murray)

GUÉRIN, SARAH, “‘tears of Compunction’: French Gothic Ivories in Devotional Practice” (Toronto, A. Cohen)

HADLEY, MARGARET, “The Yale Missal, Beinecke Library, Ms. 425” (Yale, W. Cahn)

HANAN, MELANIE, “Romanesque Casket Reliquaries: Forms, Meanings, Development and Imagery” (IFA/NYU, J. Alexander)

JOYNER, DANIELLE, “A Timely History: Images and Texts in the Hortus Deliciarum” (Harvard, J. Hamburger)

KIBBEY, DOUGLAS MARSHALL, “Historical Assemblage and the Aggregate Object in the Later Middle Ages” (Yale, C. Wood)

KILLIAN, KYLE, “Landscapes of Saint-Pierre d'Orbais: The Anthropology of Medieval Monastic Architecture” (Columbia, S. Murray)

KINGSLEY, JENNIFER, “The Bishop and the Book: Art, Ideology and Collecting in Medieval Germany” (Johns Hopkins, H. Kessler)

KIRKWOOD, KEVANNE, “On Inventive Scribes and Visual Literacy in Western Books: The Bobbio Orosius and the Earliest Medieval Manuscripts from Bobbio” (Delaware, L. Nees)

KLIMA, ALICE, “The Augustinian Abbey at Roudnice on the Elbe, Bohemia: A New Space for Devotion and Ecclesiastical Power” (Brown, S. Bonde)

KRALIK, CHRISTINE, “Structuring Lay Devotional Experience: Illuminations of the Three Living and the Three Dead in Late Medieval Manuscripts” (Toronto, J. Caskey)

KRIEG, ANNIE, “In the Service of the Nation: Medieval and Neo-Medieval Architecture in the Contested Terrain of Breslau/Wroclaw, 1860-1960” (Pittsburgh, B. McCloskey)

KUMLER, ADEN, “Visual Translation, Visible Theology: Illuminated Devotional Compendia in Late Medieval France and England” (Harvard, J. Hamburger)

LACHAT, ISABELLE, “Offering the Sacred Word: The Gospels of S. Maria ad Martyres (Trier, Stadtbibliothek, cod. 23) and Carolingian Court Taste in the Early Ninth Century” (Delaware, L. Nees)

LAKEY, CHRISTOPHER, “Relief in Perspective: Italian Medieval Sculpture and the Rise of Optical Aesthetics” (UC Berkeley, J. Jung)

LAROCCO-BOYCE, ELIZABETH, “Miracula Sanctae Virginis: Marian Miracle Illustration in the Thirteenth-Century Manuscripts of Gautier de Coinci's Les Miracles de Notre Dame” (Yale, W. Cahn)

LAW, AMITY, “Generating Identity through Plan and Architecture: Barcelona Cathedral, Gothic Drawing and the Crown of Aragon” (Columbia, S. Murray, H. Klein)

LESON, RICHARD, “Picturing the Life of David in the Thirteenth Century: Artifice, Patronage, and Devotion” (Johns Hopkins, H. Kessler)

LOCKE, ALISON, “Visuality and Experience in the Twelfth-Century Church of Castel Sant'Elia, near Nepi” (Yale, M. Georgopoulou)

MAHONEY, LISA, “Re-presenting the Past: The Histoire Ancienne jusquà Cysar in the Context of the Crusades” (Johns Hopkins, D. Weiss)

MCDONALD, TERRY, “Trondheim Cathedral: Contemporary Projections in a Medieval Edifice” (SUNY Binghamton, B. Abou-El-Haj)

MORROW, KARA, “‘Ears and eyes and mouth and heart…his soul and his senses’: The Visual St. Stephen Narrative as the Essence of Ecclesiastical Authority” (Florida State, C. Hahn)

MUNDIS, MARTHA, “Christine de Pizan's ‘Livre d'Epitre d'othea a Hector’ at the Intersection of Image and Text” (Kansas, M. Stokstad)

NEVINS, TERESA, “Viewing Revelation: Text and Image in Ninth-Century Apocalypse Manuscripts” (Delaware, L. Nees)

O'BRIEN, MAUREEN, “Art and Text in the Vienna Genesis” (UNC Chapel Hill, D. Verkerk)

PAYNE, STEPHANIE, “Forming Friendship and Fraternity in Byzantine Monasticism: Illustrating The Romance of Barlaam and Joasaph from the Eleventh to Thirteenth Centuries” (UT Austin, G. Peers)

PRESCHER, AMY, “Saxon Convent Architecture: The Diocese of Halberstadt in the High Middle Ages” (Yale, W. Cahn)

PROCTOR-TIFFANY, MARIAH, “Portrait of a Medieval Patron: The Inventory and Gift Giving of Clymence of Hungary” (Brown, S. Bonde)

ROBERTS, ANGELA, “Late Medieval Donor Portraiture in Venice and Verona” (Queen's University, Kingston, J. Osborne)

SCIACCA, CHRISTINE, “The Gradual and Sacramentary of Hainricus Sacrista (Pierpont Morgan Library, M. 711) and the Liturgy of Weingarten Abbey” (Columbia, S. Murray, H. Klein)

SCIBILIA, ANTHONY, “Perspective before Perspective” (Columbia, S. Murray)

SPIRO, ANNA LEE, “The Façade of San Zeno in Verona: A Banner Worthy of Defense” (Columbia, J. Beck)

SPONSLER, JESSICA, “Contextualizing the Iconography of the Christological Cycle in the Gerona Beatus” (UNC Chapel Hill, D. Verkerk)

SULLIVAN, TIMOTHY, “Interactions between Codex and Panel” (Yale, C. Wood)

TADE-SPRING, JESSICA, “Decorative Preoccupation: A Look at Burgundian Romanesque Architecture and Sculpture” (UC Santa Barbara, E. Armi)

TALLON, ANDREW J., “Experiments in Early Gothic Structure: The Flying Buttress” (Columbia, S. Murray)

TOMLINSON, SALLY, “‘Whispering Demons’ on the Irish High Crosses” (UNC Chapel Hill, D. Verkerk)

VAN LIEFFERINGE, STEFAAN, “The Choir of Notre-Dame of Paris in Light of 12th-Century Mathematics and Exegeses: An Inquiry into Written Sources for Early Gothic Design” (Columbia, S. Murray)

WALDROP, GREGORY, “Sight Unseen: Priests and Visual Representation in Early Quattrocento Siena” (UC Berkeley, L. Partridge)

WEBB, KAREN, “Medieval Diagrams, Architectural Structures, and Their Relationships: Case Studies” (Pittsburgh, M. A. Stones)

WEMM, KEITH, “The Emperor, the Bishop, and the Archdeacon: The Significance of Art in the Episcopal Renovation of Trier” (Florida State, C. Hahn)

Egyptian/Ancient Near Eastern Art

AKER, JULIDE, “Rhetoric of Transgression: Assurbanipal's Babylonian Policy and Transformations in the Visual Domain” (Harvard, I. Winter)

AMERI, MARTA, “Middle Asian Interaction Spheres at the Turn of the Second Millennium B.C.: The View from Gilund, Rajastan, India” (IFA/NYU, D. P. Hansen)

ANDRIOTI, MARIA, “Pious Visitors: A Study of the Sculptures of Cypriot Type Found in the Eastern Mediterranean of the Archaic and Classical Periods” (Princeton, W. Childs)

BELCHER, ELLEN, “Late Neolithic Figurines from Northern Mesopotamia: A Comparative Analysis” (Columbia, N. Kampen)

GANSELL, AMY, “Women of Ivory as Embodiments of Ideal Feminine Beauty in the Ancient Near East during the First Millennium BCE” (Harvard, I. Winter)

JUDAS, BETH ANN, “Late Bronze Age Aegean Ceramics in the Nile Valley: An Analysis of Idea and Practice as Represented in the Archaeological Record” (Pennsylvania, J. Wegner)

KHATCHADOURIAN, LORI, “Beyond Dynasties: The Archaeology of Politics on the Armenian Highland ca. 600-200 BC” (Michigan, N. Yoffe, S. Alcock)

MARTIN, S. REBECCA, “Hellenization and the Levant: Material Evidence of the Process of Acculturation” (UC Berkeley, A. Stewart)

Eighteenth-Century Art

BEAUCHAMP-BYRD, MORA, “Hogarth's Progress: ‘Modern Moral Subjects’ in the Work of David Hockney, Lubaina Himid and Paula Rego” (Duke, R. Powell)

BOEDO, SHARON LINDAHL, “Reception and Membership at the Academie Royale de Peinture et de Sculpture, 1648–1793“ (Cornell, E. Dotson)

CAFFEY, STEPHEN MARK, “An Heroics of Empire: Anglophone History Painting 1756-1805” (UT Austin, J. Leoshko, S. Rather)

CAMPBELL, KRISTIN E., “Taste and Nation: Spaces of Viewing in Britain, 1770-1895” (Queen's University, Kingston, J. Brooke, J. Helland)

DE LA ROSA, GABRIELLA, “Picturing the Colonial Enlightenment: Race, Identity and Difference in French Visual Culture, 1682-1804” (Harvard, E. Lajer-Burcharth)

GRAYBILL, LELA, “The Wound and the Weapon: The Visual Culture of Violence in the Age of Reform, 1757-1832” (Stanford, M. Marrinan)

HOLTZMAN, DEBORAH, “From Greek Myth to Oriental Fantasy: Staging the Bath in French Art from the Rococo to Orientalism” (UNC Chapel Hill, M. Sheriff)

JONES, JENNIFER, “A Discourse on Drawings: Salon Culture and the Graphic Arts in Eighteenth-Century Paris” (Columbia, D. Rosand)

MARCEREAU DEGALAN, AIMEE, “Dangerous Beauty: Painted Canvases and Painted Faces in Eighteenth-Century Britain” (Case Western Reserve, A. Helmreich)

MARTIN, MEREDITH, “Dairy Queens: Sexuality, Space, and Subjectivity in Pleasure Dairies from Catherine de' Medici to Marie-Antoinette” (Harvard, E. Lajer-Burcharth)

MCREYNOLDS, DAN, “Policing the Palladian Canon: Redefining the Palladian Legacy in Eighteenth-Century Venice” (Princeton, J. Pinto)

MITCHELL, ELIZABETH, “Mechanical Reproduction: Pregnancy and the Idea of Creativity in William Hogarth's Printmaking” (UC Santa Barbara, A. Bermingham)

PIOTROWSKA, ANNA, “Le Premier de son temps: Carle Vanloo (1705-1765) and the Dynamics of Eighteenth-Century French History” (IFA/NYU, C. Bailey, M. Westermann)

RUDY, ELIZABETH, “Pierre-Paul Prud'hon and the Problem of Allegory circa 1800” (Harvard, H. Zerner)

SASKA, HOPE, “Theatricality and the Popular Print in Eighteenth-Century England” (Brown, K. D. Kriz)

SMENTEK, KRISTEL, “Collecting in the Age of Enlightenment: Pierre-Jean Mariette and the Universal History of Art” (Delaware, N. Kallmyer)

WHEDON, PAMELA, “Sensing Watteau” (UNC Chapel Hill, M. Sheriff)

WHYTE, RYAN, “The Evolution of the Petit Sujet in the Ancien Regime” (Toronto, W. McAllister Johnson)

Film/Video

ADLER, FABIENNE D., “Eizo: Theory and Practice of the ‘Camera-Based' Image in Japan, 1960-1975” (Stanford, S. Bukatman)

BLACKBURN, MARCIA, “A Social Architectonics of Science Fiction Film Design” (SUNY Binghamton, T. McDonough)

BOUMAN, MARGOT, “Fata Morgana: Matrices of Video and Site” (Rochester, D. Crimp)

CHUNG, FRANCIS, “The Grammar of Pedagogy: Teaching and Learning in Art and Cinema, 1965-1980” (UC Berkeley, W. Davis)

CZACH, LIZ, “Careless Rapture: Artifacts and Archives of the Home Movie” (Rochester, S. Willis)

HUMPHREY, DAN, “Subjective Others/Foreign Selves: Queer American Spectatorship and Swedish ‘Art’ Cinema” (Rochester, D. Crimp)

LI-LIN RSENG, “Melodrama as Modernity in Early Chinese Cinema: A Case Study in the Works of Zheng Zhengqiu and His Shanghai Contemporaries, 1922-1937” (UIUC, J. Fineberg)

LUKE, MEGAN, “Kurt Schwitters' Stolen Goods: Collage, Poetry, and Commerce” (Harvard, Y-A. Bois, B. Buchloh)

MULLER, GABRIELA, “Abstraction on the Move: The Medium of the German Absolute Film” (Stanford, S. Bukatman)

PROCTOR, JACOB, “Collage and Found Footage in Postwar Experimental Film: Bruce Conner, Stan Vanderbeek, Ken Jacobs, Robert Breer” (Harvard, Y-A. Bois, B. Buchloh)

PYTLINSKI, DEANNE, “Utopian Visions: Women in Early Video Art” (CUNY, A. Chave)

SHAFFER, MICHAEL, “Artists' Videos of the 1960s and 1970s” (Virginia Commonwealth, R. Hobbs)

Greek/Roman Art

AWAN, HEATHER, “Roman Sarcophagi and the Necropoleis at Aphrodisias” (IFA/NYU, K. Welch)

BALTHIS, ANDREA C., “Monumental Built Altars in East Greece and Western Anatolia in the Hellenistic Period” (Emory, B. Wescoat)

BARE, CEIL, “Achilles and the Roman Aristocrat: The Ambrosian Iliad as a Social Statement in the Late Antique Period” (Florida State, C. Hahn)

BLACK, ERIN L., “Centre and Periphery: Artistic Interactions between the Column of Trajan in Rome, Italy and the Tropaeum Traiani at Adamklissi, Rom” (Emory, E. Varner)

BUSBY, KIMBERLY, “The Temple Terracottas of Etruscan Orvieto: The Power of Cult in Pre-Roman Italy” (UIUC, E. Hostetter)

BUTTON, SETH, “Landscape Archaeology and Social Change on the Islands of the Dalmatian Coast, Croatia, c. 5000 BCE-600 CE” (Michigan, J. Cherry)

CAKMAK, LISA, “Romance, Resistance, and Attic Vase Painting: Rethinking Aspects of Rape in Ancient Greece” (Michigan, S. Herbert, M. Cool Root)

CASSIBRY, KIMBERLY, “Honor and Expectation: Negotiating Empire on the Triumphal Arches of the Severan Dynasty, 193-217 CE” (UC Berkeley, C. Hallett)

CIEJKA, JASON, “The Chapels, Altars, and Tombs of Carlo Rainaldi (1611-1691)” (Emory, S. McPhee)

CLINE, LEA KIMBERLY, “The Altars of Rome Reconsidered: Rome's Sacred Furniture, from Evander to Constantine” (UT Austin, J. Clarke, P. Davies)

DEY, HENDRIK, “The Aurelian Wall and the Refashioning of Imperial Rome AD 271-855” (Michigan, T. Thomas, P. Squatriti)

DOHERTY, JOHN KEITH, “Narrative and Spatial Structure of Roman Landscape Paintings” (Boston, F. Kleiner)

FARO, ELISSA, “Ritual, Dedications, and Participant Action: Towards a Reinterpretation of Minoan Peak Sanctuaries” (Michigan, J. Cherry)

FLATTA, AMANDA, “The Inception of Cybele in Greece: Cult and Image” (Wisconsin, Madison, N. Cahill)

GRIFFITH, KYLE, “The Influence of African Caravan Routes and the Animal Trade from the Ancient World on the Art of the Italian Renaissance” (University of Washington, J. Snow-Smith)

GRUPICO, THERESA, “Urban Planning and Temple Design at Selinus (Selinunte, Sicily): Temple E” (Rutgers, J. Kenfield)

HEUSER, JENNIFER LEDIG, “Visual Epic: Roman Images of the Trojan Cycle” (Harvard, G. F. Pinney)

HRYCHUK, ANNE, “The Roman Arch Studies: Metropolitan Origins, Urban Settings, and Provincial Reception, West and East (2nd Century BCE-2nd Century CE)” (IFA/NYU, K. Welch)

HUNT, GLORIA PARK, “Foundation Rituals and the Culture of Building in Ancient Greece” (UNC Chapel Hill, D. Haggis)

IBARRA, ALVARO, “Legions in Mourning: Re-Constructing Communities in the Roman Provinces” (UT Austin, J. Clarke, P. Davies)

JOHNSON, KAREN, “Materializing Childhood: A Multidisciplinary Approach to the Study of Children in the Roman World” (Michigan, S. Alcock, T. Wilfong)

JONES, ASHLEY, “‘Lord, Protect the Wearer:’ Late-Antique Numismatic Jewelry and the Image of the Emperor as Talismanic Device” (Yale, D. Kleiner)

LEVINE, RACHEL, “Dreaming the Divine: Epiphany, Ritual and Architecture; Healing Sanctuaries of Antiquity” (Toronto, M. C. Miller)

LYON, CATHERINE, “Embellished Spaces: Value and Display on Neopalatial Crete” (Michigan, J. Cherry, L. Nevett)

MANGIERI, ANTHONY F., “Virgin Sacrifice in Greek and Roman Art” (Emory, B. Wescoat)

MARTIN, S. REBECCA, “Hellenization and the Levant: Material Evidence of the Process of Acculturation” (UC Berkeley, A. Stewart)

MARTINEZ, VICTOR, “Etrusco-Italic Herclè: A Study in the Formation of Image, Cult, and Regional Identity”

MCFADDEN, SUSANNA, “Courtly Places, Sacred Spaces: The Social and Political Significance of Monumental Wall Painting in Late Antiquity” (Pennsylvania, A. Kuttner)

MOLHOLT, REBECCA M., “On Stepping Stones: The Historical Experience of Roman Mosaics” (Columbia, R. Brilliant, N. Kampen)

NG, DIANA, “The Manipulation of Memory in the Public Buildings and Decorative Programs in Roman Asia Minor” (Michigan, E. Gazda)

OSSI, ADRIAN, “The Roman Arch in Asia Minor: A Form with Meaning?” (Michigan, E. Gazda)

OZTURK, ONUR, “Becoming Roma(n): Roman Imperial Cult and the Transformation of Urban Centers in Greek Cities” (UT Austin, J. Clarke, P. Davies)

PALINKAS, JENNIFER, “Sacred Gates: Propyla and Propylaia in Greek Sanctuaries” (Emory, B. Wescoat)

PAUMEN, VANESSA, “Constructing Rulership: The Architectural Expression of Emperor Ideology in Rome under Domitian and Trajan” (UT Austin, J. Clarke, P. Davies)

PELLEGRINI, ROBERT E., “Tombs and the Street: Onsite Architectural and Site-Planning Analyses of Roman Late Republican and Augustan Age Funerary Monuments and Street of Tombs Necropoli in Europe and Ancient Asia Minor” (UC Santa Barbara, F. Yegul)

PIOK-ZANON, CORNELIE, “The Sanctuary of Demeter at Pergamon: The Third-Century Attalids and the Creation of a Hellenistic Capital” (Pittsburgh, A. Weis)

PIXLEY, KIMBERLEY-ANNE, “Banausic Labour in Attic Vase Painting” (Toronto, M.C. Miller)

POE, ALISON, “The Frescoes of the Hypogaeum of the Aurelii in Rome” (Rutgers, A. Harvey)

POLYZOIS, ARISTOMENES, “The Movement of Aegean Wine, Olive Oil and Unguents in the Late Bronze Age Eastern Mediterranean” (Toronto, J.W. Shaw)

POWERS, JESSIE, “Patrons, Houses and Viewers in Pompeii: Reconsidering the House of the Gilded Cupids” (Michigan, E. Gazda)

ROLAND, SARAH, “Corinth and the Birth of Figural Representation in Greek Monumental Architecture” (Columbia, C. Marconi, N. Kampen)

ROUSSEAU, VANESSA, “Ethnicity and Eschatology in 4th Century BCE Burial Assemblages in Greek Macedonia and Thrace” (Wisconsin, Madison, N. Cahill)

RUBIN, BEN, “Augustus, the True King of Kings: The Roman Imperial Cult in Asia Minor (25 BC-68 AD)” (Michigan, M. Cool Root)

SEAMAN, KRISTEN, “Rhetoric and Innovation in the Art of the Hellenistic Courts” (UC Berkeley, A. Stewart)

SEGAL, PHOEBE C., “Soaring Votives: Anathemata in Archaic and Classical Greek Sanctuaries” (Columbia, C. Marconi, R. Brilliant)

SMITH, CHRISTINE, “Controlling Miasma: The Evidence for Cults of Greek Craftspeople from the Archaic through the Hellenistic Periods” (Washington University, S. Rotroff)

SOWDER, AMY, “Greek Bronze Hydriai” (Emory, B. Wescoat)

SOYOZ, UFUK, “Ritual Space in Temples of Asklepios: A Case Study of the Asklepieion at Pergamon” (UT Austin, J. Clarke, P. Davies)

STINSON, PHILIP, “The Civil Basilica at Aphrodisias and the Architectural Development of the Asiatic Basilica” (IFA/NYU, C. Ratty, K. Welch)

TAUB, EMILY, “On Site-Specificity: A Genealogy” (Emory, J. Meyer)

VALLADARES, HERICA, “Imago Amoris: The Poetics of Desire in Roman Painting” (Columbia, R. Brilliant, N. Kampen)

VONDIPPE, ROGER, “The Origins and Development of Continuous Narrative in Roman Art, 300 BCE-200 AD” (USC, J. Pollini)

WALCEK AVERETT, ERIN, “Terracotta Sculpture in Early Iron Age Greece” (Missouri, Kansas City, S. Langdon)

WARDLE, MARIANNE, “Naked and Unashamed: A Study of the Aphrodite Anadyomene in the Greco-Roman World” (Duke, S. Dillon)

WILLIAMS, CHRISTOPER, “The Material Culture of Roman Egypt” (Missouri, Kansas City, K. W. Slane)

Japanese/Korean Art

ADLER, FABIENNE D, “Eizo: Theory and Practice of the ‘Camera-Based' Image in Japan, 1960-1975” (Stanford, S. Bukatman)

BEJARANO, SHALMIT, “Paintings of Rice Cultivation in the Four Seasons: Ideologies and Representation” (Pittsburgh, K. Gerhard)

COVACI, IVE AASLID, “Images of Dreams and Visions in Pre-Modern Japanese Art” (Yale, M. Yiengpruksawan)

FOXWELL, CHELSEA, “Kano Hogai (1828-1888) and the Making of Modern Japanese Painting” (Columbia, M. McCormick)

FRASER, KAREN, “The Tomishige Studio and the Origin of Domestic Commercial Photography in Meiji Japan” (Stanford, M. Takeuchi)

HOLMBERG, RYAN, “Mega Paperphone: Garo Manga of the 1960s” (Yale, M. Yiengpruksawan)

KIM, SUNG-LIM, “Art and Culture of the 19th-Century Jungin (Middle People) in Korea: Focusing on Jo Hui-ryong and the Byeoko-sa” (UC Berkeley, P. Berger)

LAI, KUO-SHENG, “Learning New Painting from Japan and Maintaining National Pride in Early Twentieth Century China, with Focus on Chen Shizeng (1876-1923)” (Maryland, College Park, J. Kuo)

LEE SOYOUNG, “Influence and Reception: Ceramics and Culture from Southern Korea to Western Japan” (Columbia, M. Murase)

LOH, JOSEPH, “When Worlds Collide: Art, Cartography, and Spatial Imagination in Early Modern Japan” (Columbia, R. Harrist)

MACK, KAREN, “The Dissemination and Popularization of Fudo Imagery from the 9th to 14th Century in Japan” (Kansas, S. Fowler, M. Haufler)

MUELLER, LAURA, “Entertaining Virtue: Gender, Personification, and the Naturalization of Confucianism in Edo Print Culture” (Wisconsin, Madison, Q. Phillips)

NETTLETON, TARO, “Throw out the Books, Get out in the Streets: Subjectivity and Space in Underground Art in Japan in the 1960s” (Rochester, D. Crimp)

NINOMIYA, MASUMI, “Nationalizing Art, Constructing Asia: Okakura Kakuzo and Nationalism in Asian Art History” (UNC Chapel Hill, C. Mavor)

O'LEARY, THOMAS, “Tokyo Visions: Structuring Identity in Contemporary Japanese Photography” (USC, J. Reynolds)

SAKOMURA, TOMOKO, “Pictured Words and Codified Seasons: Visual Representations of Waka Poetry in Sixteenth and Seventeenth Century Japan” (Columbia, M. McCormick, R. Harrist)

SHIRAI, YOKO, “Senbutsu: Figured Clay Tiles, Buddhism, and Political Developments on the Japanese Islands, ca. 650-794 C.E.” (UCLA, D. McCallum)

SNOW, HILARY K., “Edo Period Votive Paintings: Production and Viewing Practices of Temple Oema” (Stanford, M. Takeuchi)

SPURGEON, JANET LEE, “Constructing the Classical Japanese Past: History Paintings of the Meiji Period” (Wisconsin, Madison, Q. Phillips)

TSUCHIKANE, YASUKO, “Embellishing Buddhist Temples in Modern Japan: Murals and Sliding Door Paintings by Domoto Insho (1891-1975)” (Columbia, M. McCormick)

WILLIAMS, GRATIA, “Takuma Eiga: A Revisionist Analysis of a Fourteenth-Century Buddhist Painter” (Columbia, M. Murase)

ZITTERBART, SUE, “The Kumando Mandala: The World of Nature, Gods, and Man” (Pittsburgh, K. Linduff)

Latin American/Caribbean Art

ALDANA, ERIN DENISE, “Urban Interventions: 3Nós3 and the City of São Paolo, 1979-1982” (UT Austin, J. Barnitz, A. Reynolds)

BARTEET, C. CODY, “Colonial Contradictions in the Casa de Montejo and Myrida: Space, Society, and Self-Representation at the Edge of Viceregal Mexico” (SUNY Binghamton, C. Burroughs)

BREAULT, EMILY, “The Mirrored Churches of Cuzco: A Colonial History of Reflection” (Columbia, D. Freedberg, E. Pasztory)

BUONO, AMY, “Plumed Identities and Feathered Performances: Tupi Interculture in Early-Modern Brazil and Europe” (UC Santa Barbara, J. Peterson)

CORDERO, KAREN, “The Invention of Popular Art: A Paradigm for the Construction of Mexican Visual Culture, 1915-1940” (Yale, M. Miller)

CORDOVA, JAMES, “Mexico's Crowned Virgins: American Identity Formation and the Fabrication of Body, Gender, and Sanctity in ‘Crowned Nun’ Portraiture from New Spain” (Tulane, E. Boone)

DEPALMA, JOHN-MARK, “Jesuit Architecture” (Brown, C. Zerner)

DESVERNINE REED, SARA, “Havana: A Study in Interiors, Identities and Ideologies” (Delaware, B. Herman)

DONOVAN, CELESTE, “María Izquierdo and Modern Mexican Religious Culture, 1940-1947” (CUNY, K. Manthorne)

ELPHICK, NENITA PONCE DE LEON, “Facing Power: Peruvian Portraits from the Conquest to Independence” (Harvard, T. Cummins)

ENGEL, EMILY, “Facing Boundaries: Representation of Colonial Identity in the Limeño and Porteño Rococo” (UC Santa Barbara, J. Peterson)

FIDELIS, GAUDENCIO, “The Reception and Legibility of Contemporary Brazilian Art in the United States (1990-2005)” (SUNY Binghamton, A. D'souza)

GONZALEZ, CRISTINA, “Landscapes of Conversion: Franciscan Politics and Sacred Objects in Late Colonial Mexico” (Chicago, T. Cummins)

HERNANDEZ, ORLANDO, “Angels in the Americas: Paintings of Apocryphal Angels in Spain and the American Viceroyalties” (CUNY, E. Quiñones-Keber)

HOGUE, MARIANNE, “La Malinche as an Icon of Mestizaje and National Identity in the Murals of Orozco, Rivera, and Siqueiros” (Virginia Commonwealth, H. Risatti)

JAMES, ERICA, “What Good Are Roots if You Can't Take Them with You? Caribbean Art in the Global Imaginary” (Duke, R. Powell)

JUNCKER, KRIS, “Honey at the Crossroads: Women and Afro-Cuban Ritual Arts, 1899- 1969” (Columbia, N. Kampen, Z. Strother)

LEPAGE, ANDREA, “The Arts of the Franciscan Colegio de San Andrys in Quito: A Process of Cultural (Re)formation” (Brown, C.W. Zerner)

MALAGON, MARIA MARGARITA, “Art as Indexical Presence in Times of Violence: The Work of Three Colombian Artists—Beatriz Gonzalez, Oscar Munoz, and Doris Salcedo—in the 1990s” (UT Austin, J. Barnitz, A. Reynolds)

MONTGOMERY, HARPER, “New Venues, New Audiences: Avant-Garde Exhibitions in Mexico City, Buenos Aires and São Paolo during the 1920s” (Chicago, M. Ward)

MORASCH TAYLOR, SARAH, “Artistic Collaboration in Colonial Oaxaca: The Presence of Prehispanic and Peninsular Traditions at the Dominican Monastery of Cuilapan” (Bryn Mawr, G. McKim-Smith)

NELSON, ADELE, “The São Paolo Biennial and Latin American Artistic Exchange, 1951-1969” (IFA/NYU, R. Storr, E. Sullivan)

NOEL, SAMANTHA, “Carnival Is Woman! Gender, Performativity and Power in the Trinidad Carnival” (Duke, R. Powell)

O'ROURKE, KATHRYN E., “Architecture and Nationalism in Revolutionary Mexico” (Pennsylvania, D. Brownlee)

OSPINA, DANA, “Writ Large: Instances of Kinetic Public Art in Brazil, Argentina, and Venezuela, 1965-1975” (Stanford, P. Lee)

POZZI-HARRIS, ANA JORGELINA, “Peronism and Abstract Art in Argentina, 1943-1945” (UT Austin, J. Barnitz)

QUILES, DANIEL, “Toward a Counterpublic Sphere: Argentine Conceptual Art, 1966-1976” (CUNY, R. Golan)

REYES, ANA MARIA, “Art at the Limits of Modernization: The Artistic Production of Beatriz González 1962-1978” (Chicago, M. Ward)

RODRIGUEZ, VICTOR M., “Mimicry in Latin American Art and the Rhetoric of Modernist Art History” (Rochester, D. Crimp)

SHTROMBERG, ELENA, “Conceptual Encounters: Art and Information, Brazil (1968-1978)” (UCLA, C. Villaseñor-Black)

SMALL, IRENE, “Hylio Oiticica and the Morphology of Things” (Yale, K. Jones, D. Joselit)

SOLARI, AMARA, “Ritualizing the Maya Landscape: The Transformation of Religious Ideologies in Pre- and Post-Contact Izamal, Yucatan” (UC Santa Barbara, J. Peterson)

STANFIELD-MAZZI, MAYA, “The Replication of Ritual in Colonial Peru: The Virgin of Pomata and Christ of the Earthquakes” (UCLA, C. Klein)

STROMBERG, ELENA, “Conceptual Encounters: Art and Information, Brazil (1968-1978)” (UCLA, C. Villaseñor-Black)

TARVER, GINA MARIA, “The Emergence of Conceptualism in Colombia (1970-1981)” (UT Austin, J. Barnitz)

WATSON, ELIZABETH, “Debating Montevideo: The Views of Julio Vilamajó and Joaquin Torres García, 1930-1949” (CUNY, R. Bletter)

WINN, PAULA, “Ecuador Effigy Mortars: Ritual and Tradition in Ancient Andean Sculpture” (Virginia Commonwealth, J. Farmer)

Native American Art

BAGG, SHANNON K., “Artists, Art Historians, and the Value of Contemporary Inuit Art” (Queen's University, Kingston, L. Jessup)

BUNN-MARCUSE, KATHRYN, “Precious Metals: Northwest Coast Engraved Silver and Gold Jewelry” (University of Washington, R. Wright)

BUTLER-PALMER, CAROLYN, “Renegotiating the Legacies of Pablo Picasso and Charlie James: The Art of David Neel, 1985-1999” (Pittsburgh, T. Smith)

CARO, MARIO A., “The Native as Image: Art History and the Representation of the American Native” (Rochester, J. Berlo, D. Crimp, and M. Holly)

DUEKER, CHRISTOPHER, “Alex Janvier: Narrativity, Mnemonics, and Oral Tradition in Private and Public Spheres” (Columbia, E. Hutchinson)

GLINSMANN, DAWN, “Northern Northwest Coast Spruce Root Hats” (University of Washington, R. Wright)

VORANO, NORMAN D., “The Culture of Inuit Art: Museums, Modernism and the Popular Imaginary in the Mid Twentieth Century” (Rochester, J. Berlo)

Nineteenth-Century Art

ALSDORF, BRIDGET, “The Anxious Art of Association: French Group Portraiture, 1850-1885” (UC Berkeley, T. J. Clark)

ANDERSON, CATHERINE, “Embodiments of Empire: Figuring Race in Late Victorian Painting” (Brown, K. D. Kriz)

ATKINSON, ELAINE M., “Fantasy, Memory and Spirituality in Visual Culture in Britain, 1850-1910” (Queen's University, Kingston, J. Helland)

BARK, JULIANNA, “Jean-Etienne Liotard (1702-1789): The Artist in International Perspective” (IFA/NYU, R. Rosenblum)

BARRETT, ROSS, “Rendering Violence: Riots, Strikes, and Upheaval in Nineteenth-Century American Art and Visual Culture” (Boston, P. Hills)

BECKER, COLLEEN, “Acts of Representation: The Inception and Early Development of Käthe Kollwitz's Career” (Columbia, A. Higonnet)

BEGGS, MARGO, “Harriet Hosmer (1830 to 1908): The 'sister Arts,’ Modernity, and the ‘American Sculptress’” (Toronto, M. Gotlieb)

BEWLEY, MICHELE, “A Coign of Vantage: Sir Lawrence Alma-Tadema and the Spaces of Modern London” (SUNY Binghamton, O. Vazquez)

BLANKENSHIP, ETHAN, “Paris, Mexico: Dysiry Charnay's Photographic Spaces” (Columbia, J. Crary)

BOYD, JANE E., “The Mapping of Modernity: Impressionist Landscapes, Engineering, and Transportation Imagery in Nineteenth-Century France” (Delaware, N. Athanassoglou-Kallmyer)

BRIGGS, JO, “Visual Culture and the Boer War, 1876-1914” (Yale, T. Barringer)

BUCKNER, CINDY, “The Etching Revival in Late Nineteenth-Century America and Its Role in Aesthetic Education” (CUNY, S. Webster)

CADERO-GILLETTE, JENNIFER, “Collecting Art and Constructing History: The Recovery of Medieval Panel Painting circa 1800” (Harvard, J. Koerner)

CAMPBELL, KRISTIN E., “Taste and Nation: Spaces of Viewing in Britain, 1770-1895” (Queen's University, Kingston, J. Brooke, J. Helland)

CARLSON, ELIZABETH, “City of Mirrors: Spectacle and Surveillance in 19th-Century Paris” (Minnesota, J. Blocker)

COFFMAN, PETER, “Gothic Revival Architecture in Atlantic Canada” (Queen's University, Kingston, P. du Prey)

COLE, SUSANNA, “Space out of Time: Landscape and Modernity in Nineteenth-Century England” (Columbia, J. Crary)

COOKE, VICTORIA, “Shifting Patterns of Representations: French Orientalist Painting, 1828-1881” (Delaware, N. Athanassoglou-Kallmyer)

CROSSMAN, COLETTE, “Art as Salvation: Reconsidering Religion in the Work of Edward Burne-Jones” (Maryland, W. Pressly)

DASCH, ROWENA HOUGHTON, “Charles Bird King: Artist-Entrepreneur in Nineteenth-Century America” (UT Austin, S. Rather)

DE YOUNG, JUSTINE, “Women in Black: Fashion, Modernity, and Modernism in Paris, 1860-1890” (Northwestern, S. Clayson)

DOMBROWSKI, ANDRE, “Nervous Modernism: The Intemperate, Early Art of Paul Cyzanne” (UC Berkeley, T. J. Clark)

EMMER, JANALEE, “Reflections of the Mirror: Self-Representation by Women Artists in Nineteenth-Century France” (Penn State, N. Locke)

FOWLER, LIZ, “The Rookwood Sage: Kataro Shirayamadani and American Japonism, 1883-1913” (Minnesota, G. Weisberg)

GALVEZ, PAUL, “The Landscape-as-Body in Modernist Painting” (Columbia, J. Crary)

GERHOLD, EMILY, “American Beauties: The Breast in American Art and Culture” (Virginia Commonwealth, E. Garberson)

GOODIN, ALEXIS, “British Artists and the Representation of Egypt, 1838-1902” (Brown, K. D. Kriz)

GRAYBILL, LELA, “The Wound and the Weapon: The Visual Culture of Violence in the Age of Reform, 1757-1832” (Stanford, M. Marrinan)

HABLE, REBECCA, “William Richard Lethaby and the Central School of Arts and Crafts in London” (Bryn Mawr, C. Hertel, B. Lane)

HALKIN, TALYA, “Jacques Joseph Tissot, a Reassessment: 1860-1895” (Columbia, J. Crary)

HENDRICKSON, LAURA, “Against Photography: Art and the Idea of Music in England” (Brown, K. D. Kriz)

HOWIE, ELIZABETH, “The Courtly Erotics of the Photograph: Photography and the 19th-Century Theorization of Courtly Love” (UNC Chapel Hill, C. Mavor)

HUEMER, CHRISTIAN, “The Rise of the Modern Art Dealer in Nineteenth-Century Paris: On the Political Economy of Symbolic Goods” (CUNY, P. Mainardi)

HYDE, KIMBERLY, “Louis C. Tiffany and the Business of Art” (Case Western Reserve, H. Adams)

HYLTON, JENNIFER SHERLOCK, “The Seurat Effect” (UT Austin, R. Shiff)

JOHNSON, KRISTINA, “The Orientalism of Thyodore Chassyriau” (Delaware, N. Athanassoglou-Kallmyer)

KENDALL, STEVEN, “Towards a Modern Classicism: Frederick Leighton, the French Academy, and the Anglicized Nude” (UC Santa Barbara, A. Bermingham)

KOKKONEN, LARS, “John Martin (1789-1854) and the Mechanics of Making Art in a Commercial Nation” (CUNY, P. Mainardi)

KORKOW, CORY, “Queenship and the Creation of British National Identity in Victorian Painting” (Virginia, C. Johns)

KRESSER, KATIE, “Art as History, History as Art: John La Farge and the Problem of Representation, 1859-1910” (Harvard, J. Roberts)

KULLY, DEBORAH, “Morality, Architecture, and the French Interior (1860-1890)” (MIT, E. Naginski)

LAMPE, ISSA, “Painting History Ex Patria: Empire, Exile and Memory in the Late Narrative Paintings of Jacques-Louis David” (Harvard, E. Lajer-Burcharth)

LEE, JUNGSIL, “The Intersection between Nationalism and Religion in the Public Sculptures of Auguste Rodin in the French Third Republic” (Maryland, College Park, J. Hargrove)

LEICHTNAM, CHRISTOPHER, “The Lyric in Painting” (Michigan, H. Lay)

LEMONEDES, HEATHER, “Paul Gauguin's Volpini Suite” (CUNY, P. Mainardi)

LERNER, JILLIAN, “Panoramic Guides to Paris, 1830-49: Social Cartography and Quotidian Representation” (Columbia, J. Crary, A. Higonnet)

LESSING, LAUREN KEACH, “Presiding Divinities: American Ideal Sculpture in Nineteenth-Century Domestic Interiors” (Indiana, Bloomington, S. Burns)

LIPPERT, SARAH, “Theory, Practice, and Competition in the Visual Arts: The Fortunes of the Paragone in French and British Nineteenth-Century Art” (Penn State, B. Curran)

LORD, JILL, “Improving the Public: Cultural and Typological Change in Nineteenth-Century Libraries” (CUNY, K. Murphy)

MACNAYR, LINDA C., “Politics and Gender in Portraits of Princess Charlotte of Belgium, Vicereine of Lombardy-Venetia and Empress of Mexico” (Queen's University, Kingston, J. Helland)

MAIMON, VERED, “Talbot and Herschel: On the Conception of Photography in Early Nineteenth-Century England” (Columbia, J. Crary)

MCCANN, CARMEN, “Status Viatoris: A New Spectacularization of Death in French Paintings and Prints from the Bourbon Restoration” (Penn State, N. Locke)

MEDNICK, THOR, “What Is Lost Without: Nationalism, Symbolism, and the Reincarnation of Danish Art in the Nineteenth Century” (Indiana, Bloomington, M. Facos)

MEIERS, SARAH H., “William Morris's Green Dining Room: The Experience of an Arts-and-Crafts Interior” (Queen's University, Kingston, J. Helland)

MUSTO, JEAN-MARIE, “The Writing of Romanesque Art History and the Reconfiguration of Geographical Identity in Nineteenth Century Germany” (Bryn Mawr, D. Kinney, C. Hertel)

OBERTER, RACHEL, “Channeling Art: Spiritualism and the Visual Imagination in Britain, 1850-1914” (Yale, T. Barringer)

O'HALLORAN, DIERDRE, “Goya's Second and Third of May (1808) and Theater” (Bryn Mawr, G. McKim-Smith)

PEDERSEN, LINDSEY, “Gender, Empire and ‘Indian-ness’ in Visual Representations of the Sepoy Revolt, 1857-1900” (UC Santa Barbara, A. Bermingham)

PLOTEK, ARIEL, “Allegory in the Age of Realism: Monumental Sculpture in France from 1848-1880” (IFA/NYU, L. Nochlin)

PUGLIESE, GINAMARIE, “Gendering a Generation: Constructions of Childhood in England's Nineteenth-Century Juvenile Periodicals” (SUNY Binghamton, O. Vazquez)

RAAB, JENNIFER, “Frederic Church and the Culture of Detail: Memory, Forgetting, and Landscape in Nineteenth-Century America” (Yale, A. Nemerov)

RILKE, CHRISTINA, “The Consumption of Fine Arts in Germany, 1848-1889: Private Collections and Public Institutions” (Columbia, A. Higonnet)

ROBINSON, MICHELLE, “The Precondition of Landscape: Tropes and Meaning in Rustic Landscapes of J. M. W. Turner and John Constable” (Kansas, J. Pultz)

ROSS, SUSAN, “The Career of Anne-Louis Girodet-Trioson and the Prehistory of Romanticism in France” (Johns Hopkins, M. Fried)

RUIZ-GOMEZ, NATASHA, “Morceaux d'Amphithyâtre: Science and the Sculpture of Auguste Rodin” (Pennsylvania, C. Poggi)

SESHADRI, SHALINI, “Evangelical Imperialism: Holman Hunt and Religious Painting in the Middle East” (Northwestern, S. Eisenmann)

SICHERMAN, DARA, “Book Illustration in Fin-de-Siècle France” (CUNY, J. Roos)

SINGLETERRY, SUZANNE, “Whistler and France” (Temple, T. Dolan)

STELMACKOWICH, CINDY, “The Languages of a Bodily Interior: Nineteenth-Century Anatomical Atlases in the Spaces of Art, Science and the Museum” (SUNY Binghamton, J. Tagg)

STEWART, LEE, “Likeness and Identity: Painted and Photographic Portraiture in France 1830-1880” (Columbia, R. Brilliant)

THRUSH, NANETTE, “Tilting at History: Gothic Revival Tournaments in Early Victorian Great Britain and the Antebellum American South” (Indiana, Bloomington, S. Burns)

TOWLE, RIANE, “Spaces of Japonisme: Home, Studio, and Garden and the Art of Whistler, Van Gogh, and Monet” (Washington University, E. Childs)

VENDELIN, CARMEN, “The Decay of Gender in Symbolist and Decadent Art circa 1885-1905” (Rutgers, S. Sidlauskas)

VINSON, HEATHER, “Dance and Disjuncture: Reading (Spatial) Practices in Degas's Classroom Images and the Garnier Palace, 1871-1885” (Michigan, H. Lay)

WHEELER, KATHERINE JEAN, “The Perception of Renaissance Architectural History at the Rise of Modernism: Great Britain, 1880-1940” (MIT, M. Jarzombek)

WHEELES, DANA, “Imagining the Renaissance: Art, Historiography and the Nineteenth Century” (Virginia, P. Barolsky)

WILDE, TAMARA L., “Virgins and Vixens: Women, Musical Instruments, and Identity in Gilded Age Art” (Iowa, J. Kinsey)

WITT, SUSAN, “The Gendered Language of War: Visual Rhetoric and Cultural Power in Civil War America” (Stanford, B. Wolf)

WOLK, ANDREA, “A Material Empire: Art as Secular Ministry in the Work of Edward Burne-Jones” (Yale, T. Barringer)

ZALEWSKI, LEANNE, “The Rise and Fall of Academic Art: Bouguereau, Cabanel, Gyrôme, and Meissonier in Paris and New York” (CUNY, P. Mainardi)

Oceanic/Australian Art

SCOTHORN, HILARY, “Form, Function, and Foreign Influence: A Comprehensive Survey of Samoan Bark Cloth from 1830-1930” (Florida State, K. Bearor)

WAGELIE, JENNIFER, “The Institutional History of Maori Art in the United States from the Early Nineteenth Century to the Present” (CUNY, G. Corbin)

YAMASHITA, VELMA JEAN, “The Commercialization of Belauan Storyboards” (Washington, R. Bravmann)

Performance Studies/Installation/Environmental Art

GILBERTSON, LEANNE, “Out of Place in Time: Women Performing Art in Warhol's Factory and Judson Memorial Church” (Rochester, D. Crimp)

HELD, ROBIN, “Lynn Hershman is not Roberta Breitmore; Roberta Breitmore is not Lynn Hershman: A Catalogue Raisonny” (University of Washington, P. Failing)

KUO, MICHELLE, “To Avoid the Waste of a Cultural Revolution: Experiments in Art and Technology (E.A.T.), 1966-1979” (Harvard, Y-A. Bois)

LIMA, BENJAMIN, “Wolf Vostell's Dycollage and the Forms of Destruction, 1958-1972” (Yale, D. Joselit)

MALONE, MEREDITH, “Nouveau Ryalisme: Performative Exhibition Strategies and the Everyday in Post-World War II France” (Pennsylvania, C. Poggi)

WENTRACK, KATHLEEN, “The Female Body in Conflict: U.S. and European Feminist Performance Art, 1968-1979, Carolee Schneemann, Valie Export, and Ulrike Rosenbach” (CUNY, A. Chave)

YATES ATKINS, GILLIAN, “Installation Art in Canadian Public Spaces” (Toronto, M. Cheetham)

Pre-Columbian Art

BANKS, JOYCE LYNN, “Attire and Accouterment as Signifiers of Meaning: An Iconographic Analysis of Jama-Coaque Figurative Sculptures” (UT Austin, S. Bourget, M. Beyersdorff)

BARNES, WILLIAM, “Icons of Empire: The Art and History of Aztec Royal Presentation” (Tulane, E. Boone)

BERNATZ, MICHELE MAE, “The Concept of Divinity in Maya Art: Defining God L” (UT Austin, D. Stuart, J. Guernsey)

BRANNEN, LAURA, “Two Millennia of Powerful Women in the Art of Ancient Costa Rica and Nicaragua: Greater Nicoyan Ceramic Effigies c. 500 BCE-1500 CE” (Emory, R. Stone-Miller)

BRITTENHAM, CLAUDIA, “The Cacaxtla Paintings” (Yale, M. Miller)

DESAI, PRAJNA, “The Body of History: Constructing Palenque's Palace, AD 654-783” (Yale, M. Miller)

FRASSANI, ALESSIA, “Art and Identity in Colonial Oaxaca. Dominicans, Spaniards, and the Mixtecs at the Convento of Yanhuitlan” (CUNY, E. Quiñones-Keber)

HERNANDEZ, ORLANDO, “Angels in the Americas: Paintings of Apocryphal Angels in Spain and the American Viceroyalties” (CUNY, E. Quiñones-Keber)

JONES, KIMBERLY LYNN, “The ‘Fine River’: Ritual Canals in Ancient Peru” (UT Austin, S. Bourget)

JORDAN, KEITH, “Stone Trees Transplanted? Central Mexican Stelae and the Question of Maya Influence” (CUNY, E. Quiñones-Keber)

JUST, BRYAN, “The Social Discourse of Style: Ninth-Century Maya Sculpture of the Upper Pasión Region” (Tulane, E. Boone)

MACHADO, JOHN LOUIS, JR., “The Murals of Las Higueras, Vera Cruz, Mexico” (UT Austin, J. Guernsey)

MATUSIK, TARYN, “The Image Breakers: Sculptural Mutilation among the Olmec and Maya” (Columbia, E. Pasztory)

MORAN, ELIZABETH, “The Sacred as Everyday: Food and Ritual in Aztec Art” (CUNY, E. Quiñones-Keber)

NIEVES, ANA CECILIA, “Between the River and the Pampa: A Contextual Approach to the Rock Art of the Nasca Valley” (Grande River System, Department of Ica, Peru; UT Austin, S. Bourget, T. Grieder)

PHILLIPS, RUTH ANNE, “Pre-Columbian Appropriation: Ancient American Influence in U.S. Architecture, 1910-1940” (CUNY, J. Sund)

POPE, ELIZABETH IRENE, “Mythologically Significant Structures in the Aztec, Maya and Mixtec: The Manifestation of Sacred Time and Space” (UT Austin, J. Guernsey)

ROBB, MATTHEW, “The Construction of Civic Identity at Teotihuacan” (Yale, M. Miller)

ROCHAIX, FERNANDO, “Prestige and Power: Darien Pendants from Ancient Colombia, Panama and Costa Rica” (UT Austin, S. Bourget)

SPENCER, KAYLEE RAE, “Toward an Understanding of Elite Late Classic Maya Representations at Palenque, Mexico” (UT Austin, J. Guernsey)

STANFIELD-MAZZI, MAYA, “The Replication of Ritual in Colonial Peru: The Virgin of Pomata and Christ of the Earthquakes” (UCLA, C. Klein)

STEINBACH, PENNY JANICE, “Sacrificing the Jaguar Baby: Understanding a Classic Maya Myth on Codex-Style Ceramics” (UT Austin, D. Stuart, J. Guernsey)

TERRY, JAMES, “Signifying Architecture: Maya Architecture of Chicanná and the Central Yucatán” (Yale, M. Miller)

WERNESS, MALINE DIANE, “Chocholá Style Ceramics” (UT Austin, D. Stuart)

WIERSEMA, JULIET, “Moche Architectural Vessels: Representing Architecture in Pre-Hispanic Peru,” (Maryland, College Park, J. Pillsbury)

WINN, PAULA, “Ecuador Effigy Mortars: Ritual and Tradition in Ancient Andean Sculpture” (Virginia Commonwealth, J. Farmer)

Prehistoric Art

FERRENCE, SUSAN C., “Lasithi before the New Palaces: A Crossroads in the Early Development of Minoan Art” (Temple, P. Betancourt)

LANGFORD VERSTEGEN, LOUISE, “Early and Middle Minoan Pottery of the Hagios Charalambos Cave, Crete” (Temple, P. Betancourt)

MARTINEZ, VICTOR, “Etrusco-Italic Herclè: A Study in the Formation of Image, Cult, and Regional Identity” (UIUC, E. Hostetter)

SANDHOFF, BRIDGET K., “Androgyny in Etruscan Art and Culture” (Iowa, R. De Puma)

STAMOS, ANTONIA, “Through the Looking Glass: Applications of Ground Penetrating Radar in Archaeology” (Temple, P. Betancourt)

Renaissance/Baroque Art

ANDERSON, ELISSA, “Re-forming Mary in Seventeenth-Century Dutch Prints” (Kansas, L. Stone-Ferrier)

ANDERSON, LAURA, “Artistic Exchange and Collaboration in Early Modern Haarlem” (Penn State, C. Houghton)

ARIOLI, KRISTIN, “Cardinal Raffaele Riario and the Politics of Cultural Patronage in Renaissance Rome (1477-1521)” (USC, E. Howe)

ATKINS, CHRISTOPHER, “The Master's Touch: Frans Hals's Rough Manner” (Rutgers, M. Westermann)

AVERETT, MATTHEW, “Bernini at the Piazza Barberini: Politics and Patronage in the Rome of Urban VIII” (Missouri, Kansas City, K. Eggener)

BALDASSO, RENZO, “Between Nature and Mathematics: The Role of Visual Representation in the Early Stages of the Scientific Revolution” (Columbia, D. Freedberg)

BARRY, FABIO, “Painting in Stone: The Symbolic Identity of Colored Marbles from Antiquity until the Age of Enlightenment” (Columbia, J. Connors)

BARTEET, C. CODY, “Colonial Contradictions in the Casa de Montejo and Myrida: Space, Society, and Self-Representation at the Edge of Viceregal Mexico” (SUNY Binghamton, C. Burroughs)

BAUTISTA, PRESTON, “Manifesting Masculinities in Central Italian Renaissance Art: Michelangelo's David, Artistic Theory, and Representations of the Male Body” (CUNY, J. Saslow)

BENSOUSSAN, NICOLE, “Fashioning a Second Rome: Primaticcio at Fontainebleau and the All'Antica Project” (Yale, C. Wood)

BIRD, JENNIFER, “Curiosity and the Ideal: Anatomical Investigation and the Gendered Imagination in Sixteenth-Century Florentine Art” (Bryn Mawr, D. Cast)

BRACKEN, WILLIAM, “Rembrandt in the 1630s: Dialogues and Competitive Environment” (IFA/NYU, E. Sluijter, M. Westermann)

BUBENIK, ANDREA, “The Reception of Albrecht Dürer (1528-1700): The Practices of Art, Science and Collecting” (Queen's University, Kingston, C. Hoeniger, V. Manuth)

BULLEN, DIANA, “The Visual Culture of the Central Italian Foundling Hospital, 1400-1600” (Michigan, M. Holmes)

BUSKIRK, JESSICA, “Intimacy and Anticipation: The Male Subject in Fifteenth-Century Personal Devotional Portraits” (UC Berkeley, E. Honig)

BYRON, DAVID, “The Visual and Social Strategies of German Propaganda Broadsheets, 1608-1621” (Yale, C. Wood)

CAMERLENGHI, NICOLA, “The Architectural History of the Basilica of San Paolo fuori le Mura in Rome from the Ninth to the Nineteenth Century” (Princeton, S. Curcic)

CARSON, REBEKAH, “Andrea Riccio's Della Torre Tomb Monument and Antiquarianism in Padua and Verona” (Toronto, A. Nagel)

CASPER, ANDREW, “El Greco and Italy: Art, Theory, and the Religious Image of the Late Cinquecento” (Pennsylvania, M. Cole)

CHENG, SANDRA, “Il bello dal deforme: Caricature and Comic Drawings in Seventeenth-Century Italy” (Delaware, D. Stone)

CHRISTIAN, MICHELLE MOSELEY, “Seventeenth-Century Netherlandish Genre-Portraits” (Kansas, L. Stone-Ferrier)

CHURCHILL, DEREK, “Replication in the Early Netherlandish Tradition: Dieric Bouts and His Copyists” (Yale, C. Wood)

CIEJKA, JASON, “The Chapels, Altars, and Tombs of Carlo Rainaldi (1611-1691) (Emory, S. McPhee)

COLÓN MENDOZA, ILENIA, “El Cristo Yacente: Polychrome Sculptures of the Supine Christ in Baroque Spain” (Penn State, J. Porter, B. Curran)

COMPTON, REBEKAH, “A Cultural Icon: The Currency of Venus in Sixteenth-Century Florence” (UC Berkeley, L. Partridge)

CONTRERAS DE BERENFELD, MARIA CELINA, “Cesare Brandi's Teoria del Restauro and the Practice of Restoration” (Queen's University, Kingston, C. Hoeniger)

COSTA, PATRIZIA, “The Sala delle Asse in the Sforza Castle in Milan” (Pittsburgh, A. Sutherland Harris, D. Wilkins)

COUTRÉ, JACQUELYN, “Jan Lievens, Ambition, ‘Influence’ and Originality in the Seventeenth-Century Netherlands” (IFA/NYU, M. Westermann)

CRAWFORD-PARKER, SARAH, “Refashioning Female Identity: Women's Roles in Seventeenth-Century Dutch Historiated Portraits” (Kansas, L. Stone-Ferrier)

DAIMAN, MARINA, “Copying, Inventing, and Recycling in Rubens” (IFA/NYU, M. Westermann)

DAVID, MARGARET DIANE, “Francesco Mochi, Sculptor (1580-1654)” (Columbia, J. Connors)

DAVIES, GREGORY, “Playing with Fire. Caricature and Its Epistemology in Baroque Italy” (Toronto, P. Sohm)

DE CAVI, SABINA, “Spain in Naples: Building, Sculpting and Painting for the Viceroys (1585-1621)” (Columbia, J. Connors)

DEPALMA, JOHN-MARK, “Jesuit Architecture” (Brown, C. Zerner)

DIFURIA, ARTHUR, “The Ars Rhetorica of Maerten van Heemskerck's Architectural Imagery” (Delaware, L. Pellecchia)

DOW, DOUGLAS, “Confraternal Piety and Corporate Patronage: The Art and Oratory of the Compagnia di San Giovanni Battista dello Scalzo, Florence” (Penn State, B. Curran)

EDWARDS, KAREN, “Rethinking the Reinstallation of the Studiolo of Francesco l de' Medici in the Palazzo Vecchio” (Case Western Reserve, E. Olszewski)

EL-HANANY, EFRAT, “Beating the Devil: Images of the Madonna del Soccorso in Italian Renaissance Art” (Indiana, Bloomington, B. Cole)

ELLIOT BEATTY, SUSAN, “Alexander VII, Bernini, and the Cappella del Voto in Siena” (Toronto, E. Levy)

ESTEVEZ, LISANDRA, “The Image of the Painter in the Age of Calderón de la Barca (1600-1681)” (Rutgers, C. Puglisi)

ETHERIDGE, CHRISTOPHER BLAIR, “Con risolutione di mano formate: Francesco Villamena and the Art of Engraving in CounterReformation Rome” (Harvard, H. Zerner)

FLETCHER, FRANCIS, “Mantegna and the Tradition of Fictive Relief Sculpture in Italian Renaissance Painting” (Rutgers, S. McHam)

FREDERICK, AMY REED, “Rembrandt's Etched Sketches and Seventeenth-Century Print Culture” (Case Western Reserve, C. Scallen)

FUGIKAWA, MAYU, “The Holy Girdle, Pilgrimage, and the Decoration of Prato Cathedral” (Washington University, W. Wallace)

GIMÉNEZ-BERGER, ALEJANDRA, “Castiglione, Portraiture, and Performance at the Court of Philip II of Spain” (Temple, T. Cooper)

GIRNIUS, RIMA, “Rembrandt's Spaces” (Bryn Mawr, C. Hertel)

GIUFFRE, JOSEPH, “Giulio Romano in Raphael's Stanze” (Rutgers, S. McHam)

GOULDING, CHRISTINE, “Man Made: Agnolo Bronzino's Male Portraits, 1530-1560” (Rutgers, R. Goffen)

GREGG, RYAN, “Vasari's City Views in the Palazzo Vecchio: Cartographic and Historiographic Methods for the Enhancement of Truth in History” (Johns Hopkins, S. Campbell)

GRIFFITH, KYLE, “The Influence of African Caravan Routes and the Animal Trade from the Ancient World on the Art of the Italian Renaissance” (University of Washington, J. Snow-Smith)

GRUBOROVIC, ZLATAN, “Bronzino and the Style(s) of Mannerism” (Bryn Mawr, D. Cast)

GYLLENHAAL, MARTHA, “Rembrandt's Artful Use of Statues: New Insights into His Studio Practices and Working Methods” (Temple, M. Hall)

HALE, MEREDITH, “Romeyn de Hooghe and the Birth of Political Satire” (Columbia, S. Schama, D. Freedberg)

HARPER, KATHERINE, “The Prints and Drawings of Hendrick Goudt: New Light on an Artist and Nobleman” (Boston, M. Zell)

HAVENSTEIN, KEN, “Choreographing the City: Socio-Political Implications of Ambrogio Lorenzetti's Dance Motif Included in the Good Government Fresco, Palazzo Pubblico, Siena” (SUNY Binghamton, C. Burroughs)

HENRY, CHRISCINDA, “Figuring Social Identity and Sexuality in North Italian Genre Painting, 1515-1540” (Chicago, C. Cohen)

HERSHEY, EVELYN, “Painting and Patronage in Counter-Reformation Rome: A Reassessment of the Oeuvre of Jacopino del Conte” (Penn State, B. Curran)

HILLARD, CAROLINE, “Ancient Etruria and the Art of Medici Propaganda” (Washington University, W. Wallace)

HO, ANGELA, “Rethinking Repetition: Constructing Value in Dutch Genre Painting, 1650s to 1670s” (Michigan, C. Brusati)

HOARE, ALEX, “‘Amico verO’: Salvator Rosa, Friendship, and the Formation of an Artist's Identity” (Toronto, P. Sohm)

HUNTER, MATTHEW, “Robert Hooke Fecit: Making and Knowing in Restoration London” (Chicago, J. Snyder)

IAROCCI, BERNICE, “The Santissima Annunziata of Florence and the Reception of Sacred Images during the Counter-Reformation Period” (Toronto, P. Sohm)

ILCHMAN, FREDERICK, “Tintoretto's Judgment: Artistic Ambition in Counter-Reformation Venice” (Columbia, D. Rosand)

ISARD, KATHERINE, “Scritti secondo Vitruvio: Vincenzo Scamozzi and Reading as Architectural Praxis in Sixteenth-Century Italy” (Columbia, D. Rosand)

JOHNSTON, BARBARA, “Influences on the Iconography of ‘La Vie de la Magdalene’ by Godefroy and the Life of Louis of Savoy” (Florida State, R. Neuman)

JOHNSTON-KEANE, KATHY, “Caravaggio's ‘theatricality’: Catholic Reform, Early Italian Drama, and the Visual Arts as Memory Theater” (Pittsburgh, A. Sutherland Harris)

KAMERON, JULIA, “The Sculpted Altarpiece in Late Medieval and Renaissance Siena: Form, Function, and Ideology” (Rutgers, S. McHam)

KAWASE, YUSUKE, “Jusepe de Ribera and His Workshop in Naples, 1616-1652: Its Function and Practice” (IFA/NYU, J. Brown)

KAY, NANCY CHUTE, “The Sacred Public Sculptures of Counter Reformation Antwerp” (Brown, J. Muller)

KEATING, JESSICA F., “Between Machina and Anima: Early Modern Automata” (Northwestern, C. Swan)

KIM, DAVID, “Artifex Viator: Artistic Travel and Geography in Renaissance Italy” (Harvard, F. Fehrenbach)

KIM, IL, “The Cult of Light in Fifteenth-Century Italian Renaissance Architecture” (Columbia, J. Connors)

KIM, SOHEE, “Jacques Le Moyne De Morgues (ca. 1533-1588) and the Origins of Seventeenth-Century Netherlandish Flower Still-Lifes” (Maryland, College Park, A. Wheelock)

KLEINBUB, CHRISTIAN, “Vision and the Visionary in Raphael” (Columbia, D. Rosand)

KLINE, JONATHAN, “Typology and Syncretism in the Art of the Italian Renaissance” (Temple, M. Hall)

KOREY, ALEXANDRA M., “Putti, Pleasure and Pedagogy in Sixteenth-Century Italian Prints and Decorative Arts” (Chicago, C. Cohen)

KUBEL, FRANCINE, “Desire and Decorum in the Religious Paintings of Alessandro Allori” (UC Santa Barbara, R. Williams)

LEHMAN, GEOFF, “Perspective and the Renaissance Landscape” (Columbia, D. Rosand)

LENTZ, EDWIN LAMAR, “Imaging Knowledge in the Art of Breugel and Ortelius” (UT Austin, J. Chipps Smith)

LLOYD, KAREN, “Grafted Lineages, Crafted Identities: Altieri Patronage and the Complexity of Kinship in Early Modern Rome” (Rutgers, T. Marder)

LOCKER, JESSE, “‘the Hands of Aurora’: Artemisia Gentileschi and Her Contemporaries” (Johns Hopkins, C. Dempsey)

MACLAREN, SHELLEY J., “The Word Made Flesh: Word and Image in Francesco da Barberino's Documenti d'Amore” (Emory, J. Campbell)

MAGRETA, TODD, “Circa 1625: Dutch Painting and Politics at a Crossroads” (CUNY, P. Mainardi)

MAIER, JESSICA, “Imago Romae: Renaissance Visions of the Eternal City” (Columbia, D. Rosand)

MANGONE, CAROLINA, “Bernini/Michelangelo: Michelangelo as Exemplum in the Work and Biographies of Gianlorenzo Bernini” (Toronto, E. Levy)

MARKEY, LIA, “The Collection and Representation of the Americas in Early Modern Italy” (Chicago, C. Cohen, R. Zorach, C. Bargellini)

MATHIAS, CATHERINE A., “Textiles in Seventeenth-Century Colonial Portraiture” (Queen's University, Kingston, A. Murray)

MCINTOSH, LAURENTIA, “Seventeenth-Century Dutch Still-Life Painter Maria van Oosterwych” (Wisconsin, Madison, J. Hutchison)

MCLANE, PRESTON, “Alessandro Magnasco and the Painterly Picaresque” (Florida State, R. Neuman)

MINTEL, MELISSA, “Cangiante and Shot Silk: Material Influence on Artistic Practice in Central Italy from 1200 to 1550” (Bryn Mawr, D. Cast)

MOORE, CHELSEY, “Perino del Vaga and the Inheritance of Raphael: Imaging the Court in an Age of Reform” (Johns Hopkins, C. Dempsey)

MORFORD, MICHAEL, “Carving for a Future: Baccio Bandinelli Securing Medici Patronage through His Mutually Fulfilling and Propagandistic Hercules and Cacus” (Case Western Reserve, E. Olszewski)

MURAOKA, ANNE, “Canon Reformulation in the Age of Counter-Reformation: The Lombard-Roman Confluence” (Temple, M. Hall)

MURPHY, LISA, “Geertgen tot Sint Jans' Working Methods and Contributions to Early Dutch Painting” (Indiana, Bloomington, M. Faries)

NALEZYTY, SUSAN, “Il collezionismo poetico: Cardinal Pietro Bembo and the Formation of Collecting Practices in Venice and Rome in the Early Sixteenth Century” (Temple, T. Cooper)

NEILSON, CHRISTINA, “Theory and Practice in Andrea del Verrocchio's Bottega” (Johns Hopkins, C. Dempsey)

NEUMANN, ELISABETH, “Imagining European Community: Continental Allegories in the Netherlands, 1560-1600” (Toronto, E. M. Kavaler)

NOGRADY, ELIZABETH, “The ‘Netherlandish Academy’ and the Formation of Artistic Identity in the Seventeenth Century: Goltzius, Bloemaert, Rembrandt” (IFA/NYU, M. Westermann)

NOLAN, LINDA, “Can You Handle It? The Tactile Reception of Sculpture in Early Modern Rome” (USC, T. Olson)

NOLIN, HEATHER, “Political Authority and Religious Reform: Artistic Commissions at San Giorgio in Braida, Verona, 1400-1600” (Rutgers, S. McHam)

ODDE, LAURENT, “La Nouvelle Artymise: Catherine de' Medici, Queen of France and Patron of the Arts” (CUNY, J. Saslow)

O'LEARY, HEATHER, “‘Viva Bacco e Viva Amore’: Bacchic Imagery in the Renaissance” (Columbia, D. Rosand)

OLSON-RUDENKO, JENNIFER, “Francisco de Zurbarán's Paintings for the Calced and Discalced Mercedarians in Seville” (Penn State, B. Curran)

ONAFUWA, OBAYEMI, “Bruegel's Vernacular Bodies” (Columbia, D. Freedberg)

ONUF, ALEXANDRA, “Local Engagements: Hieronymus Cock and the Small Landscape Prints” (Columbia, D. Freedberg)

PARK, SOO-YEON, “Crucifixion with the Virgin Mary and Saint John” (Wisconsin, Madison, J. Hutchison)

PAUL, TANYA, “Still Life and Self-Consciousness: The Paintings and Development of Willem van Aelst” (Virginia, L. Goedde)

PEDERSON, JILL, “Leonardo's Circle: Studies in Painting and Court Culture in Renaissance Milan, 1480-1500” (Johns Hopkins, C. Dempsey)

PILASKI, KATHARINA, “The Munich Kunstkammer: Art, Nature, and the Representation of Knowledge in Courtly Contexts” (UC Santa Barbara, M. Meadow)

POKPHANH, ROBERTA, “The Proceeds of Prosperity: Images of Money Management and Exchange in Dutch Genre Painting in the Middle of the Seventeenth Century” (Kansas, L. Stone-Ferrier)

POOLE, KATHERINE, “The Art of Conquest: Medici Patronage in Florence, Pisa and Siena, 1537-1609” (Rutgers, S. McHam)

POSKA, OLIVIA, “Adriaen van de Venne's Speaking Pictures: Patronage, Pictorial Literacy, and Workshop Practice in an Age of Print” (Michigan, C. Brusati)

PRASAD, SHILPA, “Genre and Theater in the Work of Guercino” (Johns Hopkins, E. Cropper)

PRITCHARD, SHANNON, “Giambologna's Counter-Reformation Narrative Relief Cycles: A Study of Cross-Cultural Exchange in Sixteenth-Century Florence” (Georgia, S. Zuraw)

RAWLINGS, KANDICE, “Liminal Messages: The Cartellino in Italian Renaissance Painting” (Rutgers, S. McHam)

RICHARDS, SANDRA, “The Displaced Altarpieces of the Medici Collections” (Toronto, A. Nagel)

RIHOUET, PASCALE, “Rituals and Images: Confraternity Banners in Renaissance Umbria” (Brown, E. Lincoln)

ROBERTS, SEAN, “Cartography between Cultures: Francesco Berlinghieri's Geographia of 1482” (Michigan, P. Simons)

ROMAN, DULCE, “Rubens and the Emergence of High Baroque Style in Spanish Painting” (Columbia, D. Freedberg)

ROSSI, NASSIM, “Depicting the Sultan: Conflict and Representation in Renaissance Portraits of the Other” (Columbia, D. Rosand)

RUTHERGLEN, SUSANNAH, “Cabinet Pictures of Renaissance Venice” (Princeton, P. Brown)

SANCHO, VICTORIA, “Rubens, Imitation, and the Construction of Individual Style” (Columbia, D. Freedberg, D. Rosand)

SANDLIN, JULIANNE PARSE, “Religious Orders and Catholic Reform: Parisian Churches during the Reign of Louis XIII” (Florida State, R. Neuman)

SCHAUDIES, IRENE, “Proverbs, Fables, and Folklore: The Genre Painting of Jacob Jordaens” (Brown, E. Lincoln)

SCHILLER, NOEL, “The Art of Laughter: Society, Civility, and Viewing Practices in the Netherlands 1600-1640” (Michigan, C. Brusati)

SCHMIDT, SUZANNE KARR, “Art—A User's Guide: Interactive and Sculptural Printmaking in the Renaissance” (Yale, C. Wood)

SCHNEIDER, LINDSEY, “The Late Career of Pietro da Cortona and Roman Baroque Painting after 1650” (IFA/NYU, S. McPhee, M. Westermann)

SCHWEIGERT, SCOTT, “Preserving the Papacy: Urban VIII's Matilda Projects” (Penn State, J. C. Porter)

SEAMAN, NATASHA, “The Religious Paintings of Hendrick Terbrugghen and the Counter Reformation Image in the Northern Netherlands” (Boston, M. Zell)

SHAY MILLEA, MARY, “Objects of Desire: The Many Faces of Petrarch's Laura” (Rutgers, S. McHam)

SHEEN, JULIE, “Models of Virtue: Images and Saint-Making in Colonial Puebla (1640-1800)” (IFA/NYU, J. Brown)

SHENOUDA, MONICA, “Imagining Alexandria in Renaissance Venice” (Virginia, C. Brothers)

SLOMINSKI-FORD, SUZAN, “Bernini's Tomb of Urban VIII in St. Peter's: A Study of Art and Papal Power in the Context of the Counter-Reformation” (Rutgers, T. Marder)

SMARTWOOD, ANNA, “Antonella da Messina in Venetian Art and History” (Princeton, P. Brown)

SMITH, JAMIE, “Zo moet gij het schild dragen, Dat God kleurde met zijn rood bloed: Jan van Eyck's Critical Principles of Oil Painting and Their Middle Dutch Antecedents” (Johns Hopkins, W. Melion)

SMITH, SHARON C., “Planned Grandeur: A Comparative Study of Urban Expansion in Early Modern Italy and Mamluk Egypt” (SUNY Binghamton, C. Burroughs)

SPELLMAN, MARY ALICE, “Rembrandt's Humor” (Kansas, L. Stone-Ferrier)

STERMOLE, KRYSTINA K., “The League of Cambrai and Venetian Art” (Queen's University, Kingston, D. McTavish)

STREULE, WENDY, “Objects of Desire: The Production and Consumption of Erotic Images in 17th C. Holland” (Rutgers, C. Puglisi)

STRUHAL, EVA, “Lorenzo Lippi—Poet and Painter of the Florentine Seicento” (Johns Hopkins, C. Dempsey)

SUFFERN, ERIKA, “Domesticity Made Small: Miniaturization in Dutch Art, 1650-1720” (Delaware, P. Chapman)

SWARTWOOD, ANNA, “Antonello da Messina in Venetian Art and History” (Princeton, P. Brown)

SWITZER, SARA, “Correggio and the Sacred Image” (Columbia, D. Rosand, D. Freedberg)

TAL, GUY, “Imago Maleficarum: Witchcraft in Italian Art and Culture, ca. 1520-1650” (Indiana, Bloomington, B. Cole)

THOMAS, ROBIN, II, “Charles of Bourbon's Naples: Architecture and Politics” (Columbia, J. Connors)

TILNEY, BARRETT, “Littoral Meanings: The Seashore and Its Denizens in Dutch Art, Life and Literature in the Golden Age” (Virginia, L. Goedde)

VUSICH, JANNETTE, “Divinus Amor Extasim Facit: Fra Bartolommeo and Mysticism” (Johns Hopkins, S. Campbell)

WALDROP, GREGORY, “Sight Unseen: Priests and Visual Representation in Early Quattrocento Siena” (UC Berkeley, L. Partridge)

WAMSLER, CAROLINE A., “Picturing Heaven: The Trecento Pictorial Program of the Sala del Maggior Consiglio in Venice” (Columbia, D. Rosand)

WATERMAN, JOSHUA, “Intersections of Literature and the Visual Arts in the Silesian Baroque” (Princeton, T. Kaufmann)

WATKINS, CATHERINE, “Rembrandt's 1654 Life of Christ Prints: Experimentation, Tradition, and the Question of Series” (Case Western Reserve, C. Scallen)

WEBB, JENNIFER, “The Making of the Montefeltro: Art, Architecture and Urbanism under Federico da Montefeltro and Battista Sforza” (Bryn Mawr, D. Cast)

WEHMEIER, JENNIFER, “Pictorial Reflections of the Imperial Presence in Renaissance Italy, 1520-1540” (UCLA, J. Woods-Marsden)

WEST, ASHLEY, “Visualizing Knowledge: Prints and Paintings by Hans Burgkmair the Elder (1473-1531)” (Pennsylvania, L. Silver)

WHEELES, DANA, “Imagining the Renaissance: Art, Historiography and the Nineteenth Century” (Virginia, P. Barolsky)

WHITE, VERONICA, “‘senio Illudere’: The Development of the Capriccio in Italian Baroque Graphic Art” (Columbia, D. Freedberg, D. Rosand)

WHITTEMORE, LEILA, “Theory, Practice and the Architectural Imagination: Filarete's Treatise on Architecture and Early Sforza Urbanism, 1450-1464” (Columbia, J. Connors)

WOODALL, DENA, “Sharing Space: Double Portraiture in Sixteenth-Century Italy” (Case Western Reserve, E. Olszewski)

ZALAMEA, PATRICIA, “Visualizing Myth, Love, and Identity: Diana and Actaeon in Sixteenth-Century Court Imagery” (Rutgers, C. Puglisi)

ZILLMAN, MOLLY, “Magdalene van de Passe, Geertruydt Roghman, and the Example of Seventeenth-Century Netherlandish Female Printmakers” (Delaware, P. Chapman)

South/Southeast Asian Art

ADAMJEE, QAMAR, “The Sultanate Chandayana: An Exemplar of Cultural and Artistic Interaction in Fourteenth- to Sixteenth-Century India” (IFA/NYU, P. Soucek)

AHMAD, IZMER, “Mark-Making and Malay Subjectivity: A Study on Modern Malaysian Painting” (University of Victoria, A. Wright)

ALI, ATTEQA, “Handle with Care: The Making of an Art History and a Nation in Pakistan” (UT Austin, J. Leosko, A. Reynolds)

BECKER, CATHERINE, “Artistic Production and Ritual Performance at Amaravati and Other Buddhist Stupas of Andhra Pradesh” (UC Berkeley, J. Williams)

EFURD, DAVID, “Early Buddhist Caves in Western India: An Examination of Monasticism and the Remains at Rock-Cut Sites” (Ohio State, S. Huntington)

GAMACHE, GENEVIERE, “Adjarn Chalermchai at Wat Rong Khun: Post-Modern Expression of a Rural Buddhist Temple in Thailand” (University of Victoria, A. Wright)

HINGORANI, ALKA, “Making Faces: Of Gods and God-Makers in the Kullu Valley” (UC Berkeley, J. Williams)

KIM, BO-KYUNG, “Borobudur and Loro Jonggrong: The Co-existence of Buddhism and Hinduism in Central Java, Indonesia” (UCLA, R. Brown)

KIM, HAWON, “The 19th-Century Jain Pilgrimage Site of Satrunjaya, Gujarat” (Minnesota, F. Asher)

KIM, JINAH, “Unorthodox Practice: Rethinking the Cult of Illustrated Buddhist Books” (UC Berkeley, J. Williams)

LEE, EUN-SU, “On Defining Buddhist Art in Bengal: The Dhaka Region” (UT Austin, J. Leoshko)

MASTELLER, KIMBERLY, “Kalachuri Mandala: A Study of the Temple Construction, Iconography, and Royal Identity in Central India” (Ohio State, S. Huntington)

MILLAR, EVE, “Weaving Networks Internationally—Institutionalizing Them Locally: Art and the Tagores in the Early 21st Century” (University of Victoria, A. Wright)

NINOMIYA, MASUMI, “Nationalizing Art, Constructing Asia: Okakura Kakuzo and Nationalism in Asian Art History” (UNC Chapel Hill, C. Mavor)

OWEN, LISA NADINE, “Beyond Buddhist and Brahmanical Activity: The Place of the Jaina Rock-Cut Excavations at Ellora” (UT Austin, J. Leoshko)

PHILLIPS, KRISTY, “Exhibiting the Nation: Politics and Identity in the National Museum of India” (Minnesota, C. Asher)

RATH, AMANDA, “Mutable Signs: De/Con/Struction in Indonesian Experimental Art” (Cornell, K. McGowan)

WARAICH, SALEEMA, “The Ramifications of Ramparts: Mughal Forts and Nationalist Discourse in Pakistan and India” (UCLA, R. Brown)

Twentieth-Century Art

ABBOTT, JANET, “The Barnett Aden Gallery: A Home for Diversity in a Segregated City” (Penn State, J. Robinson)

ADAMS, CATHERINE M., “Annette Messager: Post-1968 French Avant-Garde in the Feminine” (Iowa, C. Adcock)

ADAMS, VIRGINIA, “Illusion and Disillusionment in the Works of Gerhard Richter and Jeff Wall: Picturing (Post)modern Life” (Maryland, College Park, S. Mansbach)

AGUIRRE, MARIANA, “Artistic Collaboration in Fascist Italy: Ardengo Soffici and Giorgio Morandi” (Brown, H. Vanel)

ALDANA, ERIN DENISE, “Urban Interventions: 3Nós3 and the City of São Paolo, 1979-1982” (UT Austin, J. Barnitz, A. Reynolds)

ALI, ATTEQA, “Handle with Care: The Making of an Art History and a Nation in Pakistan” (UT Austin, J. Leosko and A. Reynolds)

ALLAIS, LUCIA, “Will to War, Will to Art: The Architectural Ethics and Aesthetics of Cultural Internationalism 1932-1960” (MIT, M. Jarzombek)

ALVAREZ-GONZALEZ, MANUEL FERNANDO, “From Syndicalism to Imperialism: Josy Luis Sert and His Master Plans for Barcelona (1931-34) and Havana (1956-58)” (MIT, M. Jarzombek)

ARCHIAS, S. ELISE, “The Body as a Material: The Early Performance Works of Carolee Schneemann, Yvonne Rainer, and Vito Acconci” (UC Berkeley, A. Wagner)

ATWOOD GIBSON, JESS, “Postwar Spectacles: The Zero Group” (Yale, C. Mehring, D. Joselit)

AUSTIN, NANCY, “Industrialization and the Language of Art and Design” (Brown, D. Neumann)

BACKER, MATTHEW, “Designs on the Future: Popularizing Modernity in America through Futuristic Style, 1920-1940” (Indiana, Bloomington, S. Burns)

BANAI, NOIT, “Hybrid Objects—Specific Sites: The New Order of Things, France 1958-1962” (Columbia, B. Buchloh)

BARRETT, JENNIFER, “The Power of the Ordinary: Contextualism, Regionalism, and ‘the everyday’ in the Architecture of Alison and Peter Smithson” (Delaware, A. Gibson)

BARRON-DUNCAN, RACHAEL, “Fashioning Surrealism: The Making of Radical Couture, 1925-1938” (Yale, C. Mehring)

BELASCO, DANIEL, “Women Who Made It: Pioneering Sculpture in the 1940s and 50s” (IFA/NYU, L. Nochlin)

BENNETT, CHRIS, “Boetti and Pascali, Two Case Studies (1965-70): Revisiting Arte Povera after the Fall of the Berlin Wall” (Michigan, A. Potts)

BERKOWITZ, ELLIE PATRICIA, “Innovation through Appropriation as an Alternative to Separatism: The Use of Commercial Imagery by Chicano Artists, 1960-1990” (UT Austin, A. Malagamba)

BIBLE, ANN VOLLMANN, “The Art of Dailiness: Gabriele Münter's Self-Representations” (MIT, M. Jarzombek)

BOLAND, LYNN, “Dissonance in Modern Music and Art” (UT Austin, L. Henderson)

BRYZGEL, AMY, “Negotiating Identity: A Case Study of Four Artists in Russia, Latvia, and Poland after the Thaw 1970-2000” (Rutgers, J. Sharp)

BURTON, JOHANNA, “Source Hunting: Refinding the Object of 1980s Appropriation” (Princeton, H. Foster)

BUSH, DIANA, “The Dialectical Object: John Heartfield 1915-1938” (Columbia, B. Buchloh)

BUTLER, KAREN K., “Jean Fautrier and the Representation of Resistance in Postwar France” (Columbia, B. Buchloh)

CARBONELL-COLL, GISELA M., “A Spaniard in New York: Salvador Dali and American Popular Culture 1940-1948” (UIUC, J. Mendelson)

CARO, JULIE LEVIN, “The Early Career of Allan Rohan Crite (1930-1950)” (UT Austin, L. Henderson, C. Smith)

CARRASCO, MARIA CAROLINA, “Art Hopes, Art Values: Evolution of the Genre of the Multiple since 1964” (IFA/NYU, R. Storr)

CAVALLERO, JANET, “Photography and the Mass Subject in Fascist Italy” (Columbia, B. Buchloh)

|$$|ACCELIK, ZEYNEP, “Kinaesthetic Impulses: Space, Performance, and the Body in German Architecture, 1870-1914” (MIT, M. Jarzombek)

CHANCEY, JILL, “Elaine de Kooning: Negotiating the Masculinity of Abstract Expressionism” (Kansas, D. Cateforis)

CHENG, JOYCE, “Ethnology, Art Criticism, Avant-Garde Epistemology of Form” (Chicago, R. Heller)

CHIONG, KATHRYN, “Lawrence Weiner: Words/Matter” (Columbia, B. Buchloh, R. Krauss)

CHLENOVA, MASHA, “The Swan Song of the Russian Avant-Garde: The Transformations of the Avant-Garde in Soviet Public Culture, 1928-1932” (Columbia, C. Kiaer, B. Buchloh)

CHUNG, FRANCIS, “The Grammar of Pedagogy: Teaching and Learning in Art and Cinema, 1965-1980” (UC Berkeley, W. Davis)

CHUNG, NOGIN, “Picturing American Women in the Postwar Period” (Minnesota, K. A. Marling)

COSTANZO, DENISE, “The Lessons of Rome: Architects at the American Academy, 1947-1966” (Penn State, C. Zabel)

COSTELLO, EILEEN ELIZABETH, “Between the Easel and the Mural: The Dissolution of Abstract Expressionist Painting into the Realm of Architecture” (UT Austin, R. Shiff)

COUSINS, CHARLOTTE JANE, “The Shaping of Constantin Brancusi: Formalism and ‘Influence’ in the Early 20th Century” (UT Austin, R. Shiff, J. Leoshko)

COZZOLINO, ROBERT, “Every Picture Should Be a Prayer: A Critical Study of Ivan Albright” (Wisconsin, Madison, B. Buenger)

CRONAN, TODD, “The Despair of the Physical: Matisse, Santayana, and the Philosophical Temper of Modernism” (UC Berkeley, W. Davis)

CURLEY, JOHN J., “Blurred Ideologies: Cold War Visuality and the Art of Andy Warhol and Gerhard Richter, 1950-1968” (Yale, D. Joselit, C. Mehring)

CURZON, LUCY, “Replacing Modernism: Visual Culture and National Identity in Britain 1930-1960” (Rochester, P. Duro, J. Saab)

CUTHBERT, NANCY, “The Fountain Sculptures of George Tsutakawa: Shaping Metal, Water and Urban Public Space” (University of Victoria, C. Thomas)

CUTSHAW, STACEY, “Intimate Images: The Public and the Private in Twentieth-Century American Photography” (Boston, C. Jones)

DE ARMENDI, NICOLE, “Shifting Perception: Labyrinths and the Rise of Phenomenology in American Art of the 1960s and 1970s” (Virginia Commonwealth, R. Hobbs)

DEYASI, MARCO, “Indochina in French Art and Culture, 1889-1937” (Duke, P. Leighten)

DIAZ, EVA, “Chance and Design: Experimental Art at Black Mountain College” (Princeton, H. Foster)

DONOVAN, CELESTE, “María Izquierdo and Modern Mexican Religious Culture, 1940-1947” (CUNY, K. Manthorne)

DOSSIN, CATHERINE JULIE MARIE, “The Decade without a Definition: Narratives of Art History and the 1980s” (UT Austin, R. Shiff, K. Arens)

DUDLEY, HELEN M., “Fascist Regionalisms: The Cultural Politics of Stropaese in Inter-war Italy” (Emory, C. Poling)

DURAN, ADRIAN, “The Widows of War: Painting and Politics in Venice 1945-65: The Work of Emilio Vedova” (Delaware, A. Gibson)

DURHAM, DENNIS, “N.E. Thing Co. in Vancouver (1965-1978): Defining Conceptual Art on the Periphery” (Virginia Commonwealth, R. Hobbs)

EDELMAN, ALIZA, “Abstract Expressionism and Women Artists: A Gendered Reading of the 1950's” (Rutgers, J. Marter)

EDWARDS, KATIE ROBINSON, “Raising and Lowering Brows: Jackson Pollock in the Cultural Context of 1940s America” (UT Austin, R. Shiff)

EIMEN, ALISA, “Museum and Mosque: Identity Construction in 20th-Century Tehran” (Minnesota, C. Asher)

EISMAN, APRIL, “Bernhard Heisig and the Cultural Politics of ‘East German’ Art” (Pittsburgh, B. McCloskey)

EKARDT, PHILIPP, “Eher ein Rüsche am Kleid: The Untimely Image in, before, and after Benjamin, Broodthaers, Richter, Kluge” (Yale, D. Joselit)

ELCOTT, NOAM, “Cameraless Modernisms: Art, Media, Photograms” (Princeton, C. Armstrong)

EMMELHAINZ, IRMGARD, “Interventions in the Name of the Other: Genet and Godard in Palestine and with the Black Panthers” (Toronto, L. Kaplan)

EVANS, YATES, “Doors and Windows: Eastern Philosophy and Western Aesthetics in the Art of Ray Johnson” (Virginia Commonwealth, R. Hobbs)

FALETTI, RINA CATHLEEN, “Water, Architecture, and Landscape in California and the American West” (UT Austin, M. Charlesworth, R. Shiff)

FARRELL, JENNIFER, “Buren before Buren: The Early Works of Daniel Buren” (CUNY, R. Golan)

FIDELIS, GAUDENCIO, “The Reception and Legibility of Contemporary Brazilian Art in the United States (1990-2005)” (SUNY Binghamton, A. D'souza)

FILIPPONE, CHRISTINE, “Science, Technology, Utopias: Contemporary Women Artists and the Subversion of Patriarchy” (Rutgers, J. Marter)

FLOYD, KATHRYN M., “The Documenta: A History and Analysis” (Iowa, C. Adcock)

GASTON, DEBORAH, “Immigration, Ethnicity, and the Early Drawings of Joseph Stella, 1896-1924” (Delaware, W. Homer)

GEORAS, CHLOE, “Museum in a Tank: Re-Imperilizations at the Musye des Arts d'Afrique et d'Ocyanie” (SUNY Binghamton, C. Burroughs)

GEPHART, EMILY, “Symbolism, Modernism, and the Work of Arthur B. Davies” (MIT, C. Jones)

GIESKES, METTE, “Games, Systems, and Structuralist Politics in European and American Art, 1960-1975” (UT Austin, R. Shiff)

GILBERT, CHRISTOPHER, “American Art and Language during the Period of the Fox (1974-1976)” (Virginia Commonwealth, R. Hobbs)

GILDERHUS, KIRSTEN, “Karl Hubbuch: Drawings and Graphic Works, 1927-1930” (Wisconsin, Madison, B. Buenger)

GILMAN, CLAIRE, “Arte Povera's Theatrical Impulse: Italian Art of the 1960's and 70's” (Columbia, B. Buchloh, R. Krauss)

GOPINATH, GABRIELLE, “Ray Johnson and the U.S. Mail” (Yale, A. Nemerov)

GREENE, NIKKI, “The Rhythm of Glue, Grease, and Grime: Body and Indexicality in the Works of Romare Bearden, David Hammons, and Renye Stout” (Delaware, A. Gibson)

HABOECK, ALMUT, “Viennese Actionism: Theorizing a Movement” (Iowa, C. Adcock)

HAMILL, SARAH, “David Smith in Two Dimensions: Sculpture, Photography, and Space” (UC Berkeley, A. Wagner)

HARWOOD, JOHN, “The Redesign of Design: Multi-National Corporations, Computers and Design Logic, 1945-1976” (Columbia, B. Bergdoll)

HATCH, KEVIN, “Looking for Bruce Conner: Assemblage, Films, Drawings, 1957-1967” (Princeton, H. Foster)

HAUGHEY, PATRICK, “The Presidential Library: Archive, Afterlife and the National Imagination” (MIT, M. Jarzombek)

HAXALL, DANIEL, “Politics, Form, and Identity in Abstract Expressionist Collage” (Penn State, S. Rich)

HENSON, DENNIS, “Beyond Warhol's 15 Minutes: Pop Art, Pop Music, ‘the Media’ and Fame” (Missouri, Kansas City, J. Klein)

HEUER, ELIZABETH, “Going Postal: Surrealism and the Discourses of Mail Art” (Florida State, K. Bearor)

HICKMAN, CAROLINE MESROBIAN, “Clare Leighton (1898-1989): A Wood Engraver's Impressions of Agrarian Life in England and the American South” (UNC Chapel Hill, A. Marks)

HILLMAN, SUSANNE, “Experiments in Art and Technology (E.A.T.)” (Rutgers, J. Marter)

HINDERLITER, BETH, “The Space of Painting: Kurt Schwitters and El Lissitzky” (Columbia, B. Buchloh, R. Krauss)

HOGUE, MARIANNE, “La Malinche as an Icon of Mestizaje and National Identity in the Murals of Orozco, Rivera, and Siqueiros” (Virginia Commonwealth, H. Risatti)

HORWITZ, ELIZABETH, “Purity Is a Myth: The Countercultural Practices of Hylio Oiticica” (Michigan, A. Potts)

HUEBNER, KARLA, “Eroticism, Identity, and Cultural Context: Toyen and the Czech Avant-Garde” (Pittsburgh, B. McCloskey)

HYLTON, JENNIFER SHERLOCK, “The Seurat Effect” (UT Austin, R. Shiff)

JAMES, LINDA, “The Decadent Dandyism of the Work of Yves Klein” (Wisconsin, Madison, B. Buenger)

JARA, JEFF, “A Fine Tradition: Folk Art and the Development of Modernist American Art, 1900-1940” (Delaware, A. Gibson, M. Leja)

JORDAN, SHARON, “Sexual Ambiguity in the Paintings of Ernst Ludwig Kirchner” (CUNY, R. Long)

JUNG, EUN YOUNG, “The Legacies of Marcel Duchamp and Vladimir Tatlin in Dan Flavin's Fluorescent Light Installation in the 1960s,” (UIUC, J. Fineberg)

KAIZEN, WILLIAM, “The Immediate: Video Art, Circa 1970” (Columbia, B. Buchloh)

KAWALKO, KAROLINA “Geometric Abstraction before and behind the Iron Curtain” (CUNY, R. Golan, R. Long)

KIESE, DARA, “Public Reception of the Dessau Bauhaus: 1925-1932” (CUNY, R. Long)

KOH, DONG-YEON, “Larry Rivers and Frank O'Hara: Reframing Male Subjectivity” (CUNY, A. Chave)

KOHN, ADRIAN MICHAEL, “Seeing Los Angeles Minimalism 1958-1972” (UT Austin, R. Shiff)

KROIZ, LAUREN, “Modernizing ‘A Grey Race’: American Art during the Era of Exclusion (1882-1943)” (MIT, C. Jones)

KUDRIAVTSEVA, EKATERINA, “The Afterlife of Kazimir Malevich's Black Square” (USC, N. Troy)

KUO, MICHELLE, “To Avoid the Waste of a Cultural Revolution: Experiments in Art and Technology (E.A.T.), 1966-1979” (Harvard, Y-A. Bois)

KURTOVIC, NIKOLINA, “Presidential Photography in Socialist Yugoslavia: National and International Perspectives” (Toronto, E. Legge)

LAMUNIERE, MICHELLE, “The Social Museum at Harvard: Francis Greenwood Peabody and Early Twentieth-Century Social Reform Photography in Context” (Boston, K. Sichel)

LAWRENCE, JAMES ALEXANDER, “Abdication in an Artistic Democracy: Meaning in the Work of Barnett Newman and Donald Judd, 1950-1970 (and Thereafter)” (UT Austin, R. Shiff)

LEDEZMA, JUAN, “Gustav Klutsis, El Lissitzky and the October Group: Montage and the Post-History of the Constructivist Object in Russia's ‘Reconstruction Period' (1928-1932)” (Columbia, C. Kiaer, B. Buchloh)

LEE, HYEWON, “The Cult of Rodin: The Spread of Auguste Rodin's Reputation in Northeast Asia” (Missouri, Kansas City, J. Klein)

LEE, KEE-LEE, “Sur Vampyr: Theresa Hak Kyang Cha and the Cultural Para-Sites of the Korean Diaspora” (UNC Chapel Hill, C. Mavor)

LEE, YULIN, “Architectural Responses to Contemporary Art: Four Cases of Contemporary Art Museums in Japan in the 1990s” (IFA/NYU, J. Hay, J-L. Cohen)

LI-LIN TSENG, “Melodrama as Modernity in Early Chinese Cinema: A Case Study in the Works of Zheng Zhengqiu and His Shanghai Contemporaries, 1922-1937” (UIUC, J. Fineberg)

LIMA, BENJAMIN, “Wolf Vostell's Dycollage and the Forms of Destruction, 1958-1972” (Yale, D. Joselit)

LLEEUWRIK, LINDA, “Blue Riders of the Apocalypse: Kandinsky and Marc in the German Apocalyptic Tradition” (Bryn Mawr, C. Hertel)

LUKE, MEGAN, “Kurt Schwitters' Stolen Goods: Collage, Poetry, and Commerce” (Harvard, Y-A. Bois, B. Buchloh)

MALAGON, MARIA MARGARITA, “Art as Indexical Presence in Times of Violence: The Work of Three Colombian Artists—Beatriz Gonzalez, Oscar Muñoz, and Doris Salcedo—in the 1990s” (UT Austin, J. Barnitz, A. Reynolds)

MALONE, MEREDITH, “Nouveau Ryalisme: Performative Exhibition Strategies and the Everyday in Post-World War II France” (Pennsylvania, C. Poggi)

MANGINI, ELIZABETH, “Arte Povera 1962-1972: An Argument for an Italian Avant Garde” (CUNY, R. Golan)

MANSOOR, JALEH, “Marshall Plan Monochromes: The Matrix of Fifties Abstraction” (Columbia, B. Buchloh, R. Krauss)

MARIE, ANNIKA, “The Most Radical Act: Working toward a Materialist Aesthetic in Theodor Adorno, Harold Rosenberg, Barnett Newman, and Ad Reinhardt” (UT Austin, R. Shiff, A. Reynolds)

MATHEWS, HEATHER ELIZABETH, “Making Histories: The Exhibition of Postwar Art and the Interpretation of the Past in Divided Germany, 1950-1959” (UT Austin, A. Reynolds)

MAXIM, JULIANA, “The New, the Old, the Modern: Architecture and Its Representation in Socialist Romania, 1955-1970” (MIT, S. Anderson)

MCCORMICK, SETH, “Subject Divisions: Agency and Aesthetics in the Art of Jasper Johns” (Columbia, B. Buchloh, R. Krauss)

MCDONALD, TERRY, “Trondheim Cathedral: Contemporary Projections in a Medieval Edifice” (SUNY Binghamton, B. Abou-El-Haj)

MCGRAIL, JUSTIN, “Mega-Malls, Category Killers, and Theme Centres: The Architectural and Social Transformation of the Canadian Retail Landscape since 1980” (University of Victoria, C. Thomas)

MCGUIRE, HEATHER, “John Baldessari: Blasted Allegories” (Virginia Commonwealth, R. Hobbs)

MCQUEEN, KATHLEEN, “The Aesthetics of Suffering: W. Eugene Smith (1918-1978), Shomei Tomatsu (b. 1930), and the Context of Visual Culture” (SUNY Stony Brook, D. Kuspit)

MERJIAN, ARA, “Urban Untimely: Giorgio de Chirico and the Metaphysical City” (UC Berkeley, T. J. Clark)

MILKOVA, LILIANA, “Neither-Nor: ‘sots Art’ and the Use of Photography in Soviet Underground Art, 1970-1985” (Pennsylvania, C. Poggi)

MINTURN, KENT, “Contre-Histoire: The Postwar Art and Writings of Jean Dubuffet” (Columbia, B. Buchloh, R. Krauss)

MITZEN, ANNE, “Gender, Modernism, and Regionalism: The Promotion and Reception of Künstlerinnen in the Rhineland, 1890-1925” (Brown, H. Vanel)

MONAHAN, ANNE, “Form and Content—Politics and Figuration in American Art of the 1960's” (Delaware, A. Gibson)

MONTGOMERY, HARPER, “New Venues, New Audiences: Avant-Garde Exhibitions in Mexico City, Buenos Aires and São Paolo during the 1920s” (Chicago, M. Ward)

MOSEMAN, ELEANOR, “Expressing Cubism: Ernst Ludwig Kirchner's ‘Berlin Style’ and Its Affinities with the Painting of Bohumil Kubista” (Bryn Mawr, C. Hertel)

MULLER, GABRIELA, “Abstraction on the Move: The Medium of the German Absolute Film” (Stanford, S. Bukatman)

MURACHANIAN, JEAN, “Lyon Tutundjian: Trauma, Identity, and Modern Art in the Aftermath of Genocide” (UCLA, A. Boime)

MURAYAMA, NINA, “Furniture/Design and Minimalism: Richard Artschwager, Donald Judd, and Scott Burton” (CUNY, A. Chave)

MUZAFFAR, M. IJLAL, “The Periphery Within: Modern Architecture and the Making of the Third World” (MIT, M. Jarzombek)

NECOL, JANE, “Matisse and His Books: Transcending Limits” (Columbia, D. Rosand)

NEIL, JONATHAN, “Carl Andre, Richard Serra, the Problem of Materials, and the Picture of Matter” (Columbia, B. Buchloh, R. Krauss)

NELSON, ADELE, “The São Paolo Biennial and Latin American Artistic Exchange, 1951-1969” (IFA/NYU, R. Storr, E. Sullivan)

NELSON, ANDREA, “Reading Montage: The Photography Books of László Moholy-Nagy and Walker Evans” (Minnesota, J. Blocker)

NIGRO, CAROL, “Cy Twombly's Italian Journey: Histories and Myths for a Modern Era” (Delaware, A. Gibson)

NOONAN, JENNIFER, “Romancing the Stone: Printmaking and the Body in the 1960s and 1970s” (Penn State, S. Rich)

OBLER, BIBANA, “Intimate Collaboration: Kandinsky and Muenter, Taeuber and Arp” (UC Berkeley, T. J. Clark)

OLDS, KIRSTEN, “Radical Collectivities: North American Artists' Groups, 1965-1978” (Michigan, A. Potts)

O'LEARY, THOMAS, “Tokyo Visions: Structuring Identity in Contemporary Japanese Photography” (USC, J. Reynolds)

OLGREN-LEBLOND, KELLI, “Reading Expressionist Architecture: The German Avant-Garde and ‘Paper Architecture,’ 1914-1924” (USC, K. Lang)

OSHIMA, TETSUYA, “The Figure Reemerging: Jackson Pollock's Cut-Out Series, 1948-1956” (CUNY, G. Levin)

OSPINA, DANA, “Writ Large: Instances of Kinetic Public Art in Brazil, Argentina, and Venezuela, 1965-1975” (Stanford, P. Lee)

PALMER, KATHERINE, “Archive/Atlas/Album: The Photographic Records of Christian Boltanski, Dinh Q. Lê, and Gerhard Richter” (Boston, C. Jones)

PEABODY, REBECCA, “A Strategic Cut: Kara Walker's Art and Imagined Race in American Visual Culture” (Yale, R. Thompson, H. Carby)

PEARISO, CRAIG, “Re/Citing: Radical Activism in Late-1960s America” (SUNY Stony Brook, J. Katz)

PEPPER, IAN, “On the Difference between Serialism and Seriality in the Visual Arts after 1945” (Columbia, R. Krauss)

PHILLIPS, KRISTY, “Exhibiting the Nation: Politics and Identity in the National Museum of India” (Minnesota, C. Asher)

POBOCHA, PAULINA, “Tadeusz Kantor: Painting and Theater, 1939-1990” (IFA/NYU, R. Storr)

PORTNOY, SCOTT, “Abstraction Reduced: The Monochrome in American Painting, 1949-1963” (Columbia, B. Buchloh)

POZZI-HARRIS, ANA JORGELINA, “Peronism and Abstract Art in Argentina, 1943-1945” (UT Austin, J. Barnitz)

PRICE, JUSTINE DANA, “Critical Distinctions: Attitudes towards American Abstraction, 1936-1952” (UT Austin, R. Shiff)

PROCTOR, JACOB, “Collage and Found Footage in Postwar Experimental Film: Bruce Conner, Stan Vanderbeek, Ken Jacobs, Robert Breer” (Harvard, Y-A. Bois, B. Buchloh)

PYTLINSKI, DEANNE, “Utopian Visions: Women in Early Video Art” (CUNY, A. Chave)

QIN, ZHAO-KAI, “Transnational Modernities: Artistic Interactions between China and the West 1979-1999” (Cornell, L. Meixner)

QUILES, DANIEL, “Toward a Counterpublic Sphere: Argentine Conceptual Art, 1966-1976” (CUNY, R. Golan)

REEVES, TERESA, “Cowboys and Indianers: The American West in the Art of Twentieth-Century Germany” (Georgia, E. Firestone)

REYNOLDS, REBECCA L., “Sculpture Parks, Sculpture Gardens, and Site-Specific Practices in the U.S., 1965-1991” (Chicago, M. Ward)

RICHTER, TILL, “Contemporary Art: Art Historical and Market Criteria” (UT Austin, R. Shiff)

RIPPNER, SAMANTHA, “Vija Celmins in Context: Paintings, Drawings and Prints 1964-1994” (CUNY, M. Hadler)

ROBERTS, SARAH, “Abstraction and Modern Englishness in London, 1936” (Brown, K. D. Kriz)

ROBINSON, JULIA, “In the Event of George Brecht: Chance Encounters of the Readymade, Cage, Fluxus, and Conceptual Art” (Princeton, H. Foster)

ROETHKE, LEIGH, “A Passion for Spain: Españolismo in American Visual Culture” (Minnesota, K. A. Marling)

ROMBERG, KRISTIN, “Gan's Constructivism” (Columbia, C. Kiaer)

ROMPILLA, DENISE, “From Hiroshima to the Hydrogen Bomb: American Artists Witness the Birth of the Atomic Age” (Rutgers, J. Marter)

ROTH, LYNETTE, “‘Neue Sachlichkeit’ in Cologne: August Sander and the Cologne Progressives” (Johns Hopkins, B. Doherty)

ROTTNER, NADJA, “Claes Oldenburg, 1959-1966: The Violence of Sensation” (Columbia, B. Buchloh, R. Krauss)

ROYAL, SUZANNE, “Graphic Art in Weimar Berlin: The Case of Jeanne Mammen” (USC, K. Lang)

RUNDQUIST, LEISA, “Firestorms and Conflagrations: The Inflamed Cosmology of Henry Darger” (UNC Chapel Hill, C. Mavor)

SALETNIK, JEFFREY, “Pedagogy, Modernism, and Media Specificity: The Bauhaus, John Cage, and Fluxus” (Chicago, R. Heller)

SCHULD, DAWNA, “Nothing to Look At: Art as Situation and Its Neuropsychological Implications” (Chicago, B. Stafford)

SCHULMAN, DANIEL, “African American Art and Artists in Chicago, 1893-1945” (IFA/NYU, R. Storr)

SCHWARTZ, STEPHANIE, “A Frontier Town Still: Cuban Urban Planning, 1925-1930” (Columbia, H. Ballon)

SCOTT, SASCHA, “Modernism on the Move: New York-New Mexico Artistic Exchange, 1914-1942” (Rutgers, J. Marter)

SENF, REBECCA, “Intimate Places: Ansel Adams's Photographs in the American West and Southwest, 1916-1936” (Boston, K. Sichel)

SEPPI, LISA, “Metaphysics and Materiality: Landscape Painting and the Art of Kay Walkingstick” (UIUC, J. Fineberg)

SHAFFER, MICHAEL, “Artists' Videos of the 1960s and 1970s” (Virginia Commonwealth, R. Hobbs)

SHANE, ROBERT, “Hans Hofmann and Einfühlung” (SUNY Stony Brook, D. Kuspit)

SHELBY, KAREN, “Conflicted Nationalism and World War I: Belgian Memory and Memorial Design” (CUNY, H. Senie)

SLIFKIN, ROBERT, “Out of Time: Philip Guston's Marlborough Exhibition and the Refiguration of Post-War American Art” (Yale, A. Nemerov)

SMITH, T'AI, “Weaving Work at the Bauhaus: The Gender and Engendering of a Medium” (Rochester, D. Crimp)

SNOW, RACHEL, “Incidental Tourists: Vernacular Photo-Travel Books, 1920-1940” (CUNY, G. Batchen)

SOCCIO, LISA, “Nothing's Shocking: On the Persistence of Avant-Gardism in Alternative Music” (Rochester, D. Crimp, J. Wolff)

SRYPZAK, JOANN, “Sporting Modernity: German Artists and the Athletic Body, 1918-1945” (Wisconsin, Madison, B. Buenger)

STEER, LINDA M., “Appropriated Photographs in French Surrealist Reviews, 1924-1939” (SUNY Binghamton, J. Tagg)

STETLER, PEPPER, “New Vision: Modernity and the Photo-Essay in the Weimar Republic, 1919-1929” (Delaware, M. Werth)

STRAHL-ALLEN, LISA, “Gender Construction and Manifestation in the Art of Elaine de Kooning” (Temple, G. Silk)

STRYKER, ERIC M., “Reconstruction, Conflict, and Art in Postwar London, Four Case Studies 1945-1962” (Yale, T. Barringer)

STUHLMAN, JONATHAN, “Navigating a Constantly Shifting Terrain: Yves Tanguy and Surrealism” (Virginia, M. Affron)

SUDUL, JENNIFER, “The Early Works of Niki de Saint Phalle” (IFA/NYU, R. Storr)

SURDU, ROBERT C. A., “Wholesome Architecture and the Rise of the Tourist State in Early-Twentieth Century Canada” (Queen's University, Kingston, L. Jessup)

SUSIK, ABIGAIL, “‘Dream Kitsch’: Encountering the Outmoded in the Surrealist Collage Novel” (Columbia, B. Buchloh, R. Krauss)

SWENSON, KIRSTEN, “From Factory to Kitchen: Eva Hesse's Labors” (SUNY Stony Brook, J. Katz)

TARVER, GINA MARIA, “The Emergence of Conceptualism in Colombia (1970-1981)” (UT Austin, J. Barnitz)

TOTEVA, MAIA TODOROVA, “Language Art in the Twentieth Century: Eastern European and North American Strategies” (UT Austin, R. Shiff)

TWA, LINDSAY, “Troubling Island: The Imagining and Imaging of Haiti by African-American Artists” (UNC Chapel Hill, M. Harris)

URBAN, FLORIAN, “The Invention of the Historic City—Building the Past in East Berlin 1970-1990” (MIT, M. Jarzombek)

VAN HOESEN, BRETT M., “Crossing Borders: German Propaganda and the Arts during the 1920's ‘Rhineland Controversy’” (Iowa, C. Adcock)

VANARRAGON, ELIZABETH J., “The Photo League: Views of Urban Experience in the 1930's and 1940's” (Iowa, C. Adcock)

WALKER, LANITRA, “Pictures that Satisfy: Modernist Discourses and the Politics of Race, Gender, and Nation in the Art of Irma Stern (1894-1966)” (Duke, R. Powell)

WANG, MEIQIN, “Transformation and Construction: Exhibiting Chinese Contemporary National Art in 2003” (SUNY Binghamton, N. Um)

WARNOCK, MOLLY, “Painting Blind: The Work of Simon Hantaï” (Johns Hopkins, M. Fried)

WEBSTER, MARIA, “Photographic Portraiture, from a Woman's Point of View: The Case of Madame Yevonde” (USC, R. Meyer)

WEISS, KIRSTEN, “Aesthetics of Banality: The Cultural Politics of Architectural Representation in Bernd and Hilla Becher, and Gerhard Richter” (MIT, C. Jones)

WEISSMAN, TERRI, “Documentary Photography and Communicative Action: The Realisms of Berenice Abbott” (B. Buchloh)

WELLER, REBECCA, “The Los Angeles Look: Light, Space, and Phenomenology, 1962-1974” (Delaware, A. Gibson)

WENDT, PAN, “The Group Clothing Works of James Lee Byars, Michelangelo Pistoletto and Franz Erhard Walther, 1968-70” (Yale, D. Joselit)

WENTRACK, KATHLEEN, “The Female Body in Conflict: U.S. and European Feminist Performance Art, 1968-1979, Carolee Schneemann, Valie Export, and Ulrike Rosenbach” (CUNY, A. Chave)

WERSCHKUL, HILDA, “Modernism into Memory: The Drawings of Eva Hesse” (Columbia, D. Rosand, B. Buchloh)

WEXLER KATSNELSON, ANNA, “Aesopian Tales or What Happened after 1927: The Late Russian Avant-Garde, Painting, Film” (Harvard, Y-A. Bois)

WOLF, VANESSA, “Surplus Feeling: War and Remembrance in Lee Bontecou's Wall Reliefs, 1958-1966” (Yale, A. Nemerov)

WOLFSKILL, PHOEBE, “Constituting the Elusive City: Documentation and Fantasy in the Work of Archibald Motley, Jr. and Reginald Marsh” (UIUC, J. Fineberg)

WORTHAM, B. D., “Mythologies of an Everyday American Landscape: Henry Ford at the Wayside Inn” (MIT, M. Jarzombek)

YOUNG, LISA JAYE, “All Consuming: Weimar Photography and the Aesthetics of Americanization, 1923-33” (CUNY, G. Batchen)

ZALMAN, SANDRA, “A Vernacular Vanguard Abroad: How America Minded Surrealism” (USC, N. Troy)

Dissertations Completed by Subject

African Art (sub-Saharan)

ONYILE, ONYILE BASSEY, “Ekpu Oro: Spirits of the Living Dead as an Expression of Oron World View, 1894-1940” (SUNY Binghamton, N. Nzegwu)

PALUMBO, MEREDITH, “Alienation, Consciousness, and Reclaiming: The Trajectory of the Visual Arts in Namibia Nation Building” (Indiana, Bloomington, J. Kennedy)

SALAMI, GITTI, “Ordinarily Extraordinary: Yakurr Priest-Chiefs' Ritual Performances and the Leboku Festival” (Iowa, C. Roy)

STEPHENSON, JESSICA T., “History, Memory, Identity: Contemporary Art by Khoisan Artists in Southern Africa” (Emory, S. Kasfir)

VAN DYKE, KRISTINA, “The Oral-Visual Nexus: Rethiking Visuality in Mali” (Harvard, S. P. Blier)

Architectural History/Historic Preservation

ANDERSON, GLAIRE, “The Suburban Villa (munya) and Court Culture in Umayyad Cordoba (756-976 CE)” (MIT, N. Rabbat)

APELLIAN, COLLETTE, “Negotiating the City: Conserving Fez, Morocco, during the French Protectorate (1912-1956)” (UCLA, I. Bierman)

GRIGOR, TALINN, “Cultivat(ing) Modernities: the Society for National Heritage, Political Propaganda, and Public Architecture in Twentieth-Century Iran” (MIT, S. Anderson, A. Dutta)

GUTSCHOW, KAI, “The Culture of Criticism: Adolf Behne and the Development of Modern Architecture in Germany, 1910-1914” (Columbia, R. Middleton)

HARMANSAH, OMUR, “Spatial Narratives, Commemorative Practices and the Building Project: New Urban Foundations in Upper Syro-Mesopotamia during the Early Iron Age” (Pennsylvania, H. Pittman)

ROGERS, KAREN L., “Checkerboard Grids: Principles and Practices of Spatial Order in the Americas and the Making of Place in New Mexico” (SUNY Binghamton, C. Burroughs)

TOHME, LARA, “Out of Antiquity: Umayyad Baths in Context” (MIT, N. Rabbat)

WUELLNER, MARGARITA JERABEK, “Adolf Loos in Central European Culture” (UCLA, A. Vidler)

YAHYA, MAHA, “Unnamed Modernisms: National Ideologies and Historical Imaginaries in Beirut's Urban Architecture” (MIT, M. Jarzombek and P. Khoury)

ZIMMERMAN, CLAIRE, “Modernism, Media, Abstraction: Mies van der Rohe's Photographic Architecture in Barcelona and Brno (1927-31)” (CUNY, R. Bletter)

Art of the Middle East/North Africa

ANDERSON, GLAIRE, “The Suburban Villa (munya) and Court Culture in Umayyad Cordoba (756-976 CE)” (MIT, N. Rabbat)

APELLIAN, COLLETTE, “Negotiating the City: Conserving Fez, Morocco during the French Protectorate (1912-1956)” (UCLA, I. Bierman)

CICHOCKI, NINA, “The Life Story of the Cemberlitas Hamam: From Bath to Tourist Attraction” (Minnesota, C. Asher)

FETVACI, EMINE, “Viziers to Eunuchs: Transitions in Ottoman Manuscript Patronage, 1566-1617” (Harvard, G. Necipoglu)

TOHME, LARA, “Out of Antiquity: Umayyad Baths in Context” (MIT, N. Rabbat)

WU, XIN, “Central Asia in the Context of the Achaemenid Persian Empire” (ca. 6th to 4th Centuries B.C.)” (Pennsylvania, H. Pittman)

YAHYA, MAHA, “Unnamed Modernisms: National Ideologies and Historical Imaginaries in Beirut's Urban Architecture” (MIT, M. Jarzombek, P. Khoury)

YUREKLI, ZEYNEP, “Bektashi Architecture and the Turcoman Forces in Classical Ottoman Society” (Harvard, G. Necipoglu)

Art of the United States

ADDEO, DEBORAH, “The New York City Hall Portrait Collection: 1790-1830” (CUNY, S. Webster)

BELL, ADRIENNE BAXTER, “George Inness: Painting Philosophy” (Columbia, D. Rosand, B. Novak)

BROWN, MIKELL, “The Photographer's Wife: Emmet Gowin's Photographs of Edith” (Virginia Commonwealth, R. Hobbs)

BURDAN, AMANDA C., “Amyricaines in Paris: The Role of Women Artists in the Formation of America's Cultural Identity, 1865-1880” (Brown, K. D. Kriz)

COLAIZZI, VITTORIO, “Robert Ryman, Painting as Actuality: 1953-1969” (Virginia Commonwealth, R. Hobbs)

DAVIS, MEREDITH, “Fool's Gold: American Trompe l'Oeil and the Gilded Age” (Columbia, J. Crary)

DUMBADZE, ALEXANDER BLAIR, “How Images Became Texts in Contemporary American Art” (UT Austin, R. Shiff)

ELLSWORTH, KIRSTIN LYNNE, “Icons on the American Landscape in the 1960s: Mapping the Culture of Car and Road” (Indiana, J. Kennedy)

EVANS, CARLTON, “Sight/Nonsite: Robert Smithson's Dialectics of Vision” (Stanford, S. Bukatman)

GEIGER, MELISSA, “Robert Rauschenberg's Oracle, Soundings, and Carnal Clocks: A Socio-Historical Critique” (Penn State, J. Porter)

HANSON, DEBRA, “Thomas Eakins's Home Scenes of the 1870s” (Virginia Commonwealth, R. Hobbs)

HARTLEY, CODY, “Art in an Arid Climate: The Museum of New Mexico and the Cultivation of the Arts in Santa Fe” (UC Santa Barbara, E. B. Robertson)

HIGGINBOTHAM, CARMENITA D., “Saturday Night at the Savoy: Blackness and the Urban Spectacle in the Art of Reginald Marsh” (Michigan, R. Zurier)

HOLE, HEATHER, “America as Landscape: Marsden Hartley and New Mexico: 1918-1924” (Princeton, J. Wilmerding)

HUBENTHAL, JOHN, “A Life in the Newspapers: The American Press and George Grosz” (Virginia Commonwealth, H. Risatti)

JARMAN, BAIRD EUSTIS, “Galahad in the Gilded Age: Edwin Austin Abbey's ‘the Quest of the Holy Grail“ and the Campaign for Civic Virtue” (Yale, J. Prown)

JOHNSON, SARAH, “Zen and Artists of the Eighth Street Club: Ibram Lassaw and Hasegawa Saburo” (CUNY, A. Chave)

LEMMEY, KAREN, “Henry Kirke Brown and the Development of American Public Sculpture in New York City, 1846-1876” (CUNY, S. Webster)

MARSHALL, DARLENE, “The Character of the Home: The Domestic Interior in American Painting, 1862-1893” (Penn State, S. Rich, C. Zabel)

MESCHUTT, DAVID, “Portraiture of James Monroe (1758-1831)” (Delaware, W. Bellion)

METRICK, LENORE, “Collecting Objects/Excluding People: Chinese Subjects and the American Art Discourse, 1870-1900” (Chicago, R. Heller, W. Doniger, W. Hung)

MOODY, MEREDITH, “Ruby C. Williams and Howard Finster: Creating a Unique Touching Experience through Visionary Art” (SUNY Stony Brook, D. Kuspit)

NEWMAN, SARAH, “Excavating New York: George Bellows's Landscapes of Modernity” (UC Berkeley, M. Lovell)

ORCUTT, KIMBERLY, “‘Revising History’: Creating a Canon of American Art at the Centennial Exhibition” (CUNY, S. Webster)

RAMIREZ, YASMIN, “Nuyorican Vanguards, Political Actions, Poetic Visions: A History of Puerto Rican Artists in New York, 1964-1984” (CUNY, K. Manthorne)

RAU, PAULA, “John Cage: Prints, Drawings and Watercolors, 1978-1992” (Virginia Commonwealth, H. Risatti)

RAYNSFORD, ANTHONY, “Sites of Lost Dwelling: The Figure of the Archaic City in the Discourses of Urban Design, 1938-1970” (Chicago, K. Taylor, W. J. T. Mitchell, D. Cuff)

RICHARDSON, R. SARAH, “Modernism Meets the Farm: Precisionist Paintings and Photographs of Vernacular Architecture, 1915-1940” (CUNY, S. Webster)

ROGERS, KAREN L., “Checkerboard Grids: Principles and Practices of Spatial Order in the Americas and the Making of Place in New Mexico” (SUNY Binghamton, C. Burroughs)

SCHREYACH, MICHAEL, “Towards Pragmatic Painting: Jackson Pollock's Reflexive Potential” (UC Berkeley, W. Davis)

SHEEHAN, TANYA, “Doctor Photo: The Cultural Authority of Portrait Photography as Medicine in Nineteenth-Century America” (Brown, K. D. Kriz)

SIDDONS, LOUISE, “The Future of the American Race: Reproducing the Racialized Nation in Print Media, 1925-1940” (Stanford, W. Corn)

SPEER, GEORGE, “Binding Frankenstein: Reclaiming the Self in the Visual Culture of the Machine Age” (Washington University, A. Miller)

SYME, ALISON, “Hedgewhores, Wagtails, Cockatrices, Whipsters: John Singer Sargent and His Coterie of Nature's Artful Dodgers” (Harvard, E. Lajer-Burcharth)

URADOMO, STACEY, “Legacies, Family Memories, and Identity in the Work of Roger Shimomura, Tomie Arai and Lynne Yamamoto” (USC, R. Meyer, N. Troy)

WAGNER, ANN PRENTICE, “‘Living on Paper’: Georgia O'Keeffe and the Culture of Drawing and Watercolor in the Stieglitz Circle” (Maryland, College Park, S. Promey)

WATSON, SAMUEL, “Childhood's End: Representing American Youth, Circa 1940-1970” (Kansas, C. Eldredge)

WILK, DEBORAH, “The Representation of Immigrants in American Art and Architecture in New York City, ca. 1850-1920” (Kansas, C. Eldredge)

WOLFE, MELISSA, “‘Proving Up’ on a Claim in Custer County, Nebraska: Identity, Power, and History in the Solomon Butcher Photographic Archive 1886-1892” (Ohio State, B. Groseclose)

Chinese Art

CHANG, QING, “Feilaifeng and the Flowering of Chinese Buddhist Art from the Tenth to Fourteenth Centuries” (Kansas, M. Haufler)

CHIU, LI-LI, “The Depictions of Lohans' Journey across the Water: The Complex Water-Crossing Symbolism and the Popular Culture in the Ming Dynasty (1368-1644)” (Kansas, M. Haufler)

DAL LAGO, FRANCESCA, “Between High and Low: Modernism, Continuity, and Moral Mission in Chinese Printmaking Practices, 1930-1945” (IFA/NYU, J. Hay)

FOONG, PING, “Monumental and Intimate Landscape by Guo Xi” (Princeton, W. Fong, J. Silbergeld)

FURNISS, INGRID, “Strings, Winds, and Drums in China during Eastern Zhou and Han (770 B.C.E.-220 A.D.): An Archaeological Perspective” (Princeton, R. Bagley)

HUANG, BINGYI, “From Chu to Western Han: Re-reading Mawangdui” (Yale, D. Sensabaugh)

KIM, SUNKYUNG, “Decline of the Law, Death of the Monk: Buddhist Text and Images in the Anyang Caves of Late Sixth Century China” (Duke, S. Abe)

KYAN, WINSTON, “The Body and the Family: Filial Piety and Buddhist Art in Late Medieval China (ca. 8th to 10th c. CE)” (Chicago, H. Wu, L. Seidel, D. Harper)

LAI, YU-CHIH, “Surreptitious Appropriation: Ren Bonian (1840-1895) and Japanese Culture in Shanghai, 1842-1895” (Yale, R. Barnhart)

LEE, MARION, “Women, Men and Morality: Paintings and Prints by Fei Xiaolou (1801/2-50)” (Stanford, R. Vinograd)

LIANG, SAMUEL Y., “Ephemeral Households, Splintered City: Mapping Leisure in the Sojourners' Shanghai, 1870-1900” (SUNY Binghamton, T. McDonough)

NEMROFF, LAUREN, “The Figure Paintings of Tang Yin (1470-1524)” (IFA/NYU, J. Hay)

OWEN, ELIZABETH M., “Love Lost: Qian Xuan (ca. 1235-ca. 1307) and Images of Emperor Ming Huang and Yang Guifei” (Yale, R. Barnhart)

PODULKE, GEORGIANA, “The Ink-Bamboos of Wen Yü-k'o: The Creative Moment and the Chinese Cultural Tradition” (Minnesota, R. Poor)

WANG, CHUNG-LAN, “Gong Xian (1619- 1689): A Seventeenth-Century Nanjing Intellectual and His Aesthetic World” (Yale, R. Barnhart)

YANG, SHIN-YI, “Socialism, Globalism, and Playful Sabotage: Their Representation and Purposes in the Works of Four Contemporary Chinese Artists: Xu Bing, Zhang Peili, Yang Zhenzhong, and Xu Zhen” (Cornell, J. Bernstock)

ZHANG, RUI, “Feng Xiaogang and Chinese Cinema after 1989” (Ohio State, R. Green)

ZHOU, YAN, “The Centrality of Culture in Art: The Contemporary Challenge to Chinese Artists, Particularly Wenda Gu” (Ohio State, S. Melville)

Contemporary Art

ADAN, ELIZABETH, “Matter, Presence, Image: The Work of Ritual in Contemporary Feminist Art” (UC Santa Barbara, A. Solomon-Godeau)

BARKUN, DEBORAH, “Arts, AIDS, and Collective Identity: Configuring General Idea's Collective Body, 1969-2000” (Bryn Mawr, L. Saltzman)

BUDZINSKI, SCOTT, “Narcissistic Moments in German Art” (SUNY Stony Brook, D. Kuspit)

CAESAR, CATHERINE, “Towards a History of Feminist Conceptual Art: The Work of Martha Rosler, Eleanor Antin, and Adrian Piper, 1968-1977” (Emory, J. Meyer)

EVANS, CARLTON, “Sight/Nonsite: Robert Smithson's Dialectics of Vision” (Stanford, S. Bukatman)

FIRSTENBERG, LAURI, “Against the Archive: Toward Indeterminacy and the Internationalization of Contemporary Art” (Harvard, S. P. Blier)

FITZPATRICK, ANDREA, “Approaching the Dying and the Dead: An Analysis of Contemporary Lens-Based Artworks and the Potential for Ethical Intersubjectivity” (McGill, C. Ross)

JAROSI, SUSAN, “Art and Trauma since 1950, A Holographic Model” (Duke, K. Stiles)

LAVIGNE, JULIE, “L'art fyministe et la traversye de la pornographie: Érotisme et intersubjectivity chez Carolee Schneemann, Pipilotti Rist, Annie Sprinkle et Marlene Dumas” (McGill, C. Ross)

MONDLOCH, KATE, “Thinking through the Screen: Media Installation, Its Spectator and the Screen” (UCLA, M. Kwon)

MURRAY, DEREK, “Canon as Constellation: Identity and Canon Formation in American Art Historical Discourses” (Cornell, S. Hassan)

SCARBOROUGH, KETTI, “Modern Primitive Body Art: The Cutting Edge of Queer Performance” (Bryn Mawr, S. Z. Levine)

SMITH, CHERISE, “En-Acting Others: Ethnic, Gender, and Racial Performance in Works by Eleanor Antin, Adrian Piper, and Anna Deavere Smith” (Stanford, W. Corn)

URADOMO, STACEY, “Legacies, Family Memories, and Identity in the Work of Roger Shimomura, Tomie Arai and Lynne Yamamoto” (USC, R. Meyer, N. Troy)

ZHOU, YAN, “The Centrality of Culture in Art: The Contemporary Challenge to Chinese Artists, Particularly Wenda Gu” (Ohio State, S.Melville)

Critical Theory/Gender Studies/Visual Studies

BAUM, KELLY, “The Politics of Pleasure: Gender, Desire, and Detournement in the Art of the Situationist International, 1957-1972” (Delaware, A. Gibson)

HORIUCHI, LYNNE, “Dislocations and Relocations: The Built Environments of Japanese American Internment” (UC Santa Barbara, E. B. Robertson)

LAVIGNE, JULIE, “L'art fyministe et la traversye de la pornographie: Érotisme et intersubjectivity chez Carolee Schneemann, Pipilotti Rist, Annie Sprinkle et Marlene Dumas” (McGill, C. Ross)

PARKINSON, KAMILLA T., “Philip John Bainbrigge (1817-1881) and the ‘Group of 1838’” (Queen's University Kingston, L. Jessup)

POTVIN, JOHN, “‘the New Chivalry’: Representation of Male Bodies, Labour, Sexuality and Domestic Ideology in British Aestheticism” (Queen's University, Kingston, J. Helland)

SCHERTZ, PETER, “Marsyas Contended: The Figure of Marsyas in Roman Art, Politics, and Religion” (USC, J. Pollini)

WILSON, SIONA, “Filmic Mode: Feminist Art Practices and the Avant-Garde in North America and Britain during the 1970s” (Columbia, B. Buchloh, C. Kiaer)

ZEIDLER, SEBASTIAN, “Defense of the Real: Carl Einstein's History and Theory of Art” (Columbia, B. Buchloh, R. Krauss)

Decorative Arts/Textiles/Design History

DONNELLY, BRIAN T., “Graphic Design in Canada since 1945” (Queen's University, Kingston, L. Jessup)

HESS, HEATHER, “The Wiener Werkstaette and Its Critics” (Rutgers, J. Sharp)

FOWLER, LIZ, “The Rookwood Sage: Kataro Shirayamadani and American Japonism, 1883-1913” (Minnesota, G. Weisberg)

Drawings/Prints/Photography/Works on Paper

COLEMAN, DAVID LAWRENCE, “Pleasant Fictions: Henry Peach Robinson's Composition Photography” (UT Austin, M. Charlesworth)

DAVIS, CAITLIN S., “Lee Miller: Photographer of War” (Rutgers, J. Marter)

ELLENBOGEN, JOSH, “Photography and the Imperceptible: Bertillon, Galton, Marey” (Chicago, J. Snyder, M. Ward, T. Gunning)

FINCH, ELIZABETH, “Languages of Vision: Gyorgy Kepes and the ‘New Landscape’ of Art and Science” (CUNY, G. Batchen)

FOWLER, AMY, “The Visual Rhetoric of Colonization: Human Rights and Strategies of Protest in the Congo Free State” (Kansas, S. Goddard)

GROSS, FREDERICK, “Fairy Tales for Grown-Ups: Diane Arbus's Social Panorama” (CUNY, G. Batchen)

MANCHANDA, CATHARINA, “Reconsidering the Object of Photography: German Artists, Curators and Critics in Light of ‘Documenta 5’” (CUNY, R. Golan)

SIDDONS, LOUISE, “The Future of the American Race: Reproducing the Racialized Nation in Print Media, 1925-1940” (Stanford, W. Corn)

WOLFE, MELISSA, “‘Proving Up’ on a Claim in Custer County Nebraska: Identity, Power, and History in the Solomon Butcher Photographic Archive 1886-1892” (Ohio State, B. Groseclose)

Early Christian/Byzantine Art

BAKIRTIZS, NIKOLAS, “Hagios Ioannis Prodromos Monastery on Mount Menoikeion: Byzantine Monastic Practice, Sacred Topography, and Architecture” (Princeton, S. Curcic)

TULEK, FUSUN, “Later Roman and Early Byzantine Floor Mosaics in Cilicia” (UIUC, R. Ousterhout)

VOLAN, ANGELA, “Last Judgments and Last Emperors: Illustrating Apocalyptic History in Late- and Post-Byzantine Art” (Chicago, R. Nelson, L. Seidel, C. Fisher)

Early Medieval/Romanesque/Gothic Art

BESSETTE, LISA, “The Visualization of the Content of the Psalms in the Early Middle Ages” (Michigan, E. Sears)

CANEJO, CYNTHIA, “Transforming Early Gothic Form: The Cistercian Abbey of Pontigny and Northern Burgundian Architecture” (UC Santa Barbara, C. E. Armi)

DEWSNAP, TERENCE FRANCIS, JR., “The Romanesque Cathedral of St. Mary at Lincoln and the Image of Reform” (Columbia, S. Murray)

ELLIOTT, GILLIAN BORN, “Regnum Et Sacerdotium in Alsatian Romanesque Sculpture: Hohenstaufen Politics in the Aftermath of the Investiture Controversy (1130-1235)” (UT Austin, J. Holladay)

FLORA, HOLLY, “Imaging Gender, Poverty, and Spirituality in the Trecento: The Meditationes Vitae Christi” (IFA/NYU, J. Alexander)

GATTI, EVAN, “Developing an Iconography of the Episcopacy: Liturgical Portraiture and Episcopal Politics in Late Tenth and Early Eleventh-Century Manuscripts” (UNC Chapel Hill, D. Verkerk)

HEATH, ANNE, “Architecture, Ritual, and Identity in the Cathedral Saint-Etienne and the Abbey of Saint-Germain in Auxerre, France” (Brown, S. Bonde)

HIRSCHBICHLER, MONIKA, “Monuments of a Syncretic Society: Wall Painting in the Latin Lordschip of Athens, Greece (1204-1311)” (Maryland, College Park, S. Gerstel)

LEO, DOMENIC, “Authorial Presence in the Illuminated Mchaut Manuscripts” (IFA/NYU, J. Alexander)

MCCURRACH, CATHERINE, “The Veneration of St. Benedict in Medieval Rome: Parish Architecture, Monumental Imagery, and Popular Devotion” (Michigan, E. Sears)

MCKIERNAN GONZALEZ, EILEEN PATRICIA, “Monastery and Monarchy: The Foundation and Patronage of Santa Maria La Real De Las Huelgas and Santa Maria La Real De Sigena” (UT Austin, J. Holladay)

PAC, TERESA, “Churches at the Edge: A Comparative Study of Christianization Processes along the Baltic Sea in the Middle Ages: Gdansk and Novgorod” (SUNY Binghamton, C. Burroughs)

SCHOWALTER, KATHLEEN, “Capetian Women and Their Books: Art, Ideology, and Dynastic Continuity in Medieval France” (Johns Hopkins, D. Weiss)

THOMPSON, SARAH ELIZABETH, “The Idea of Gothic at Saint-Denis: Medieval Design Process and the Impetus for Architectural Change in 12th Century Ile de France, 1130-1160” (UC Santa Barbara, C. E. Armi)

Egyptian/Ancient Near Eastern Art

ANDERSON, BJORN, “Constructing Nabataea: Identity, Ideology, and Connectivity” (Michigan, M. Cool Root, T. Gagos)

EVANS, JEAN, “Redefining the Sculpture of Early Dynastic Mesopotamia” (IFA/NYU, D. P. Hansen)

GATES, JENNIFER, “Traveling the Desert Edge: The Ptolemaic Roadways and Regional Economy of Egypt's Eastern Desert in the Fourth through First Centuries BCE” (Michigan, S. Alcock, S. Herbert)

HARMANSAH, OMUR, “Spatial Narratives, Commemorative Practices and the Building Project: New Urban Foundations in Upper Syro-Mesopotamia during the Early Iron Age” (Pennsylvania, H. Pittman)

SCOTT, SARAH JARMER, “Figure, Symbol, and Sign: Semiotics and Function of Early Dynastic I Cylinder Seal Imagery from Ur” (Pennsylvania, H. Pittman)

WILBURN, DREW, “Materia Magica: The Archaeology of Magic in Egypt, Cyprus and Spain” (Michigan, S. Alcock, T. Gagos)

WU, XIN, “Central Asia in the Context of the Achaemenid Persian Empire” (ca. 6th to 4th Centuries B.C.)” (Pennsylvania, H. Pittman)

Eighteenth-Century Art

CHUA, KEVIN, “Sentimental Affliction: Jean-Baptiste Greuze and the Waning of Sensibility, 1761-69” (UC Berkeley, D. Grigsby)

FREUND, AMY, “Revolutionary Likenesses: Portraiture and Politics in France, 1789-1804” (UC Berkeley, D. Grigsby)

GILBERT, KRISTIN KING, “Pedagogical Innovation and Reform at the Acadymie de France à Rome during the Directorate of Charles-Joseph Natoire (1752-1775)” (Iowa, D. Johnson)

SEYDL, JON L., “The Sacred Heart of Jesus: Art and Religion in Eighteenth-Century Italy” (Pennsylvania, M. Campbell) (completed 2003)

Film/Video

ARSLAN, SAVAS, “Hollywood alla Turca: A History of the Popular Cinema in Turkey” (Ohio State, R. Green)

MONDLOCH, KATE, “Thinking through the Screen: Media Installation, Its Spectator and the Screen” (UCLA, M. Kwon)

ZHANG, RUI, “Feng Xiaogang and Chinese Cinema after 1989” (Ohio State, R. Green)

Greek/Roman Art

COLANTONI, ELIZABETH, “Sacred Sites and Religion in Early Rome, Eight to Third Centuries BC” (Michigan, E. Gazda)

COSTAKI, LEDA, “The intra muros Road System of Ancient Athens” (Toronto, M. C. Miller)

DUMSER, ELISHA ANN, “The Architecture of Maxentius: A Study in Architectural Design and Urban Planning in Early Fourth-Century Rome” (Pennsylvania, L. Haselberger)

FLYNT, SHANNON, “The Military Vici of Noricum” (Missouri, M. Rautman)

GAIFMAN, MILETTE, “Beyond Mimesis in Greek Religious Art: Aniconism in the Archaic and Classical Periods” (Princeton, W. Childs)

HARDIMAN, CRAIG, “The Nature of Hellenistic Domestic Sculpture in Its Cultural and Spatial Contexts” (Ohio State, M. Fullerton)

KAROGLOU, KYRIAKI, “Attic Votive Plaques: A Study on Their Iconography and Function” (Princeton, W. Childs)

LONGFELLOW, BRENDA, “Imperial Patronage and Urban Display of Roman Monumental Fountains and Nymphaea” (Michigan, E. Gazda)

MEYER, MARTINA, “Tragic Imagery in a Domestic Context: Fifth-Century Relief Plaques from Melos” (Toronto, M. C. Miller)

MURATOV, MAYA, “From the Mediterranean to the Bosporos: Terracotta Figurines with Articulated Limbs” (IFA/NYU, G. Kopcke)

PAGGI, MADDALENA, “Four Praenistine Cistas and the Society and Workshops of Praeneste” (IFA/NYU, L. Bonfante)

RAYMOND, AMY, “Miletus in the Middle Bronze Age and Minoan Presence in the Eastern Aegean” (Toronto, J. W. Shaw)

SCHERTZ, PETER, “Marsyas Contended: The Figure of Marsyas in Roman Art, Politics, and Religion” (USC, J. Pollini)

SHARPE, HEATHER, “From Hieron and Oikos: The Religious and Secular Use of Hellenistic and Greek Imperial Bronze Statuettes” (Indiana, Bloomington, W. Rudolph)

STEPHENSON, JOHN W., “A Social History of Late Roman Villas in Spain and Portugal” (Emory, E. Varner)

THOMPSON, JOANNE ELIZABETH, “Images of Vesta and the Vestal Virgins in Roman State Religion and Imperial Policy of the First and Second Centuries AD” (Yale, D. Kleiner)

TRONCHIN, FRANCESCA, “An Eclectic Lotus Artis: The Casa di Octavius Quartio at Pompeii” (Boston, F. Kleiner)

Japanese/Korean Art

CARR, KEVIN, “The Lives of Shotoku: Narrative Art and Ritual in Medieval Japan” (Princeton, Y. Shimizu)

FUKUOKA, MAKI, “Between Seeing and Knowing: Shifting Standards of Accuracy and the Concept of Shashin in Japan, 1830-1872” (Chicago, T. Gunning, J. Snyder, T. Najita)

HAN, JIN, “Modernization and Nationalism: The Rise of Social Realism in South Korea (1980-1988)” (CUNY, H. Senie)

SUZUKI, YUI, “The Medicine Master: Yakushi Buddha Icons and Devotional Practices in Heian Japan” (UCLA, D. McCallum)

SZOSTAK, JOHN, “The Kokuga Sosaku Kyokai and Kyoto Nihonga Reform in the Meiji, Taisho and Early Showa Years (1900-1928)” (Washington, C. Bogel)

TEZUKA, MIWAKO, “Jikken Kobo (Experimental Workshop): Avant-Garde Experiments in Japanese Art of the 1950s” (Columbia, B. Buchloh, M. McCormick)

THOMSEN, HANS, “The Visual Salon: Ito Jakuchu and the Rokuonji Temple Ensemble of 1759” (Princeton, J. Silbergeld)

VOLK, ALICIA, “The Japanese Expressionist: Yorozu Tetsugoro (1885-1927) and the Language of Modern Art” (Yale, M. Yiengpruksawan)

WATTLES, MIRIAM, “The Life and Afterlives of Hanabusa Itcho (1652-1724)” (IFA/NYU, J. Hay)

Latin American/Caribbean Art

BROOKS-SHIREY, HEATHER, “Empowering Spaces: Candomble Art in Sacred and Secular Contexts in Salvador da Bahia, Brazil” (Indiana, P. McNaughton

CONNORS MCQUADE, MARGARET, “Loza Poblana: The Emergence of a Mexican Ceramic Tradition” (CUNY, E. Quiñones Keber)

FERNANDEZ, CARMEN, “Images and Memory: The Construction of Collective Identities in Seventeenth-Century Quito” (Chicago, T. Cummins, L. Voigt, L. Seidel)

FRAUNHAR, ALISON, “Re-visioning the Mulata in Cuban Visual Culture, 1880-2000” (UC Santa Barbara, S. Chattopadhay)

HERNANDEZ, RAY, “Reframing Viceregal Painting in Nineteenth-Century Mexico: Politics, the Academy of San Carlos, and Colonial Art History” (Chicago, T. Cummins, S. Widdifield, M. Ward)

HERREN, ANGELA, “Portraying the Mexican Past: A Comparison of Sixteenth-Century Pictorial Accounts of Origin in Codex Azcatitlan, Codex Boturini, and Codex Aubin” (CUNY, E. Quiñones Keber)

HURT, LEE ANNE, “The Huacas of Machu Pichu: Inca Stations for the Communion between Humanity and Nature” (Virginia Commonwealth, J. Farmer)

LEIMER, ANN MARIE, “Performing the Sacred: The Concept of Journey in Codex Delilah” (UT Austin, A. Malagamba)

RAMIREZ, YASMIN, “Nuyorican Vanguards, Political Actions, Poetic Visions: A History of Puerto Rican Artists in New York, 1964-1984” (CUNY, K. Manthorne)

SANABRAIS, SOFIA, “The Biombo or Folding Screen: Examining the Impact of Japan on Artistic Production and the Globalization of Taste in Seventeenth-Century New Spain” (IFA/NYU, J. Brown)

WOLFE, EDITH ANGELICA GIBSON, “Melancholy Encounter: Lasar Segall and Brazilian Modernism, 1927-1933” (UT Austin, J. Barnitz)

Native American Art

VALLILEE, DAVID, “Of Body and Blood: A Cross-Cultural Comparison of Texts and Images of Mexica and Lakota Ceremonies” (CUNY, E. Quiñones Keber)

Nineteenth-Century Art

ADDEO, DEBORAH, “The New York City Hall Portrait Collection: 1790-1830” (CUNY, S. Webster)

BALDUCCI, TEMMA, “Jean Byraud and the Politics of the Parisian Boulevard in the Early Third Republic” (Kansas, M. Kessler)

BAXTER BELL, ADRIENNE, “George Inness: Painting Philosophy” (Columbia, D. Rosand, B. Novak)

BINGAMAN, AMY, “I Cannot Paint You but I Love You: Portraiture and the Pre-Raphaelite Search for the Ideal; Elizabeth Siddall, Dante Gabriel Rossetti, Jane Burden, and William Morris” (Chicago, E. Helsinger, L. Berlant, R. Heller)

BRUNSON, JAMES, “‘the Moor's Last Sigh’: Boabdil and the Black Image in American Orientalism, 1816-1893” (Chicago, W. J. T. Mitchell, D. English, B. Brown)

CHUNG, YEON SHIM, “Ultra-Sauvage, Ultra-Moderne: Paul Gauguin's Ceramics and Sculpture” (IFA/NYU, L. Nochlin)

COLEMAN, DAVID LAWRENCE, “Pleasant Fictions: Henry Peach Robinson's Composition Photography” (UT Austin, M. Charlesworth)

DAVIS, MEREDITH, “Fool's Gold: American Trompe l'Oeil and the Gilded Age” (Columbia, J. Crary)

FERGUSON, SHARON, “Sawrey Gilpin, R.A. (1733-1807): British Animal Painting in the Age of Sentiment” (IFA/NYU, R. Rosenblum)

FREUND, AMY, “Revolutionary Likenesses: Portraiture and Politics in France, 1789-1804” (UC Berkeley, D. Grigsby)

GREENE, VIVIEN, “Italian Divisionism in the 1890s: The Forging of a Modern Identity” (CUNY, P. Mainardi)

GWINN, MARY S., “Reading as Revelation: Odilon Redon's Three Lithographic Albums on Gustave Flaubert's Novel The Temptation of St. Antony” (Rutgers, C. Yanni)

HANSON, DEBRA, “Thomas Eakins's Home Scenes of the 1870s” (Virginia Commonwealth, R. Hobbs)

HERNANDEZ, RAY, “Reframing Viceregal Painting in Nineteenth-Century Mexico: Politics, the Academy of San Carlos, and Colonial Art History” (Chicago, T. Cummins, S. Widdifield, M. Ward)

JARMAN, BAIRD EUSTIS, “Galahad in the Gilded Age: Edwin Austin Abbey's ‘the Quest of the Holy Grail“ and the Campaign for Civic Virtue” (Yale, J. Prown)

LEMMEY, KAREN, “Henry Kirke Brown and the Development of American Public Sculpture in New York City, 1846-1876” (CUNY, S. Webster)

LINDHEIM, RACHEL, “Re-presenting Sappho: The Classical Tradition in Nineteenth-Century French Painting” (Chicago, M. Ward, J. Snyder, J. Goldstein)

MARSHALL, DARLENE, “The Character of the Home: The Domestic Interior in American Painting, 1862-1893” (Penn State, S. Rich, C. Zabel)

MCCOLGAN, DENISE SARAH, “The Sacred Spring of Nature: Gustav Klimt's Landscape Paintings and Nietzschean Tragic Vision” (Yale, C. Wood)

MCCURDY, MELINDA, “History and Human Experience in the Art of David Wilkie, 1806-1835” (UC Santa Barbara, A. Bermingham)

MURPHY, KEVIN M., “The Economics of Style: The Business Practices of American Artists and the Structure of the Market, 1850-1910” (UC Santa Barbara, E. B. Robertson)

NEDD, ANDREW, “Defending Russia: Russian History and Pictorial Narratives of the ‘Patriotic War,’ 1812-1912” (USC, J. Bowlt)

ORCUTT, KIMBERLY, “‘Revising History’: Creating a Canon of American Art at the Centennial Exhibition” (CUNY, S. Webster)

PARADIS, HOLLY, “Sacred and Secular Images of Monasticism, Sainthood and Martyrdom in the Art of Edouard Manet” (Pittsburgh, A. Sheon)

PARKINSON, KAMILLA, T., “Philip John Bainbrigge” (1817-1881) and the ‘Group of 1838’” (Queen's University, Kingston, L. Jessup)

PETERS, EMILY J., “Den gheheelen loop des weerelts” (The Whole Course of the World): Printed Processions and the Theater of Identity in Antwerp during the Dutch Revolt” (UC Santa Barbara, M. Meadow)

PIERRE, CATERINA, “‘Genius Has No Sex’: The Sculpture of Adèle d'Affry, the Duchess Castiglione Colonna, a.k.a. Marcello (1836-1879)” (CUNY, P. Mainardi)

POTVIN, JOHN, “‘the New Chivalry’: Representation of Male Bodies, Labour, Sexuality and Domestic Ideology in British Aestheticism” (Queen's University, Kingston, J. Helland)

YOUNG, MARNIN, “After Courbet: Realism and the Specter of History, 1871-1889” (UC Berkeley, T. J. Clark)

ZEHNDER, AMANDA, “Conversations with the Other: Episodes and Intersections in the Careers of Mary Cassatt and Edgar Degas” (Bryn Mawr, S. Z. Levine)

Oceanic/Australian Art

CAGLAYAN, EMILY, “The Sacred Revealed: An Iconographic Study of the Berndt Collection of Arnhem Land Bark Paintings at the American Museum of Natural History” (CUNY, G. Corbin)

KLARR, CAROLINE, “Painting Paradise for a Post-Colonial Pacific: The Fijian Frescoes of Jean Charlot” (Florida State, J. Teilhet-Fisk, K. Josserand)

Outsider/Folk Art

MOODY, MEREDITH, “Ruby C. Williams and Howard Finster: Creating a Unique Touching Experience through Visionary Art” (SUNY Stony Brook, D. Kuspit)

Performance Studies/ Installation/ Environmental Art

BELLOW, JULIET, “Clothing the Corps: How the Avant-Garde and the Ballets Russes Fashioned the Modern Body” (Pennsylvania, C. Poggi, S. Sidlauskas)

SMITH, CHERISE, “En-Acting Others: Ethnic, Gender, and Racial Performance in Works by Eleanor Antin, Adrian Piper, and Anna Deavere Smith” (Stanford, W. Corn)

Pre-Columbian Art

BRADLEY, ROBERT, “The Architecture of Kuelap” (Columbia, E. Pasztory)

CARRASCO, MICHAEL DAVID, “The Mask Flange Iconographic Complex: The Art, Ritual, and History of a Maya Sacred Image” (UT Austin, J. Guernsey, D. Stuart)

CASH, CRISTIN LOREN, “Locating the Place and Meaning of the Talud-Tablero Architectural Style in the Early Classic Maya Built Environment” (UT Austin, J. Guernsey)

GUZMAN, EULOGIO, “Sculpting Imperialism? The Diverse Expression of Local Cults and Corporate Identity in the 'two-Tufted' Figure at the Templo Mayor” (UCLA, C. Klein)

HURT, LEE ANNE, “The Huacas of Machu Pichu: Inca Stations for the Communion Between Humanity and Nature” (Virginia Commonwealth, J. Farmer)

O'NEIL, MEGAN, “Making Visible History: Engaging Ancient Maya Sculpture” (Yale, M. Miller)

VALLILEE, DAVID, “Of Body and Blood: A Cross-Cultural Comparison of Texts and Images of Mexica and Lakota Ceremonies” (CUNY, E. Quiñones Keber)

Renaissance/Baroque Art

BROOKER, ROBERT E., JR., “The Impact of Manuscript Illumination on the Evolution of Artistic Style from the Franco-Gothic to the Italo-Gothic in Castile during the XIVth Century” (Brown, C. W. Zerner)

CALLAHAN, MEGHAN, “The Politics of Architecture: Suor Domenica da Paradiso and Her Convent of la Crocetta in Post-Savonarolan Florence” (Rutgers, S. McHam)

DECKER, JOHN, “The Technology of Salvation and the Art of Geertgen tot Sint Jans: Manifestations of Salvation Theology in Material Culture” (UC Santa Barbara, M. Meadow)

DENNIS, KIMBERLY, “Reconstructing the Counter Reformation: Women Architectural Patrons in Rome and the Case of Camilla Peretti” (UNC Chapel Hill, M. Sheriff)

DEPRANO, MARIA KATHLEEN, “The Artworks Honoring Giovanna degli Albizzi: Lorenzo Tornabuoni, the Humanism of Poliziano, and the Art of Niccolo Fiorentino and Domenico Ghirlandai” (UCLA, J. Woods-Marsden)

DIEBEL, SARAH E., “The Structure of Memory in Italian Renaissance Art” (Rutgers, R. Goffen)

FINKEL, JENNIFER, “Michelangelo at San Lorenzo: The Tragedy of the Façade” (Case Western Reserve, E. Olszewski)

FLANIGAN, THERESA, “The Ponte Vecchio: Building an Urbanized Bridge in Early Modern Florence” (IFA/NYU, M. Trachtenberg)

FOURNIER, MARY, “Drawing as Gift: Jacopo Bellini's Drawing Album in Ottoman Istanbul” (UNC Chapel Hill, M. Sheriff)

GUEST, EMMA T. K., “The Illustration of Virgil's Bucolics and Its Influence in Italian Renaissance Art” (Rutgers, S. McHam)

GUILE, CAROLYN, “According to the Polish Sky and Customs: Theories of Architecture and Art in Early Modern Poland” (Princeton, T. Kaufmann)

HARWELL, GREGORY, “aurea condet saecule Imperial Habsburg Medals from the Coronation of Frederick III (1452) until the Succession of Maxmilian I (1494): Art and Legitimacy between Feudalism and Absolutism” (Princeton, T. Kaufmann)

KIRKLAND-IVES, MITZI, “Narrative Performance and Devotional Experience in the Art of Hans Memling” (UC Santa Barbara, M. Meadow)

LEITCH, STEPHANIE, “Better than the Prodigies: The Prints of Hans Burgkmair, Jürg Breu, and the Marvels of the New World” (Chicago, L. Seidel, R. Zorach, T. Cummins)

MCCALL, TIMOTHY, “Networks of Power: The Art Patronage of Pier Maria Rossi of Parma” (Michigan, P. Simons)

PINCUS, LISA, “Experiment in Seventeenth-Century Dutch Painting: The Art of Carel Fabritius” (Chicago, L. Seidel, C. Brusati, B. Stafford)

ROBEY, JESSICA, “In Pursuit of a Civil Order: The Civitates Orbis Terrarum, the Microcosmic Collection, and the Circle of Abraham Ortelius and Joris Hoefnagel” (UC Santa Barbara, M. Meadow)

SANABRAIS, SOFIA, “The Biombo or Folding Screen: Examining the Impact of Japan on Artistic Production and the Globalization of Taste in Seventeenth-Century New Spain” (IFA/NYU, J. Brown)

SENKEVITCH, TATIANA, “The Printmaker's Perspectives: Abraham Bosse and the Pedagogic Debates at the Acadymie de Peinture et de Sculpture, 1648-1661” (Michigan, C. Brusati)

TERRY, ALLIE, “Politics on the Cloister Wall: Fra Angelico and His Humanist Observers at San Marco” (Chicago, C. Cohen, I. Rowland, R. Nelson)

TOFFOLO, FRANCESCA, “Art and the Conventional Life in Renaissance Venice: The Monastery Church of Santa Caterina De' Sacchi” (Princeton, P. Brown)

WILLIAMS, ALLYSON BURGESS, “‘Le Donne, I Cavalier, L'Arme, Gli Amori’: Artistic Patronage at the Court of Alfonso I d'Este, Duke of Ferrara” (UCLA, J. Woods-Marsden)

YOU, YAO-FEN, “Import/Export: A Case Study of Brabantine Altarpieces in the Rhineland, 1500-1530” (Michigan, C. Brusati)

South/Southeast Asian Art

BANERJI, DEBASHISH, “Locating Abanindranath Tagore: Local, National, and Transnational Concern in a Turn-of-the-Century Indian Artist” (UCLA, R. Brown)

JOFFEE, JENNIFER, “Art, Architecture, and Politics in Mewar (Rajasthan, India), 1628-1710” (Minnesota, C. Asher)

RICHARDSON, MARGARET, “Re-Constructing Tradition and Modernity: The Theories and Art Projects of K. G. Subramanyan” (Virginia Commonwealth, H. Risatti)

WOOD, LEELA ADITI, “The Buddha and the Shape of Belief: Indic Visual Jatakamalas” (Michigan, L. Gomez, M. Powers)

Twentieth-Century Art

ALLAN, KEN, “Conceptual Art Magazine Projects and Their Precedents” (Toronto, E. Legge)

ALLAN, KEN, “Making the Scene: Assemblage, Pop Art, and Locality in 1960s Los Angeles” (Chicago, M. Ward, T. Mitchell, D. Nelson)

ALLEN, MELISSA S. G., “Donald Judd and the Marfa Objective” (Iowa, W. Tomasini, D. Raskin)

BADER, GRAHAM, “Roy Lichtenstein, Pop, and the Face of Painting in the 1960s” (Harvard, Y-A. Bois)

BAUM, KELLY, “The Politics of Pleasure: Gender, Desire, and Detournement in the Art of the Situationist International, 1957-1972” (Delaware, A. Gibson)

BAUM, RACHEL LEAH, “Andy Warhol 1962-65: The Crisis of Modernist Subjectivity in Abstraction” (Harvard, N. Bryson)

BELLOW, JULIET, “Clothing the Corps: How the Avant-Garde and the Ballets Russes Fashioned the Modern Body” (Pennsylvania, C. Poggi, S. Sidlauskas

BETHKE, JENNIFER, “From Futurism to Neoclassicism: Temporality in Italian Modernism, 1916-1925” (UC Berkeley, T. J. Clark)

BROWN, MIKELL, “The Photographer's Wife: Emmet Gowin's Photographs of Edith” (Virginia Commonwealth, R. Hobbs)

BUDZINSKI, SCOTT, “Narcissistic Moments in German Art” (SUNY Stony Brook, D. Kuspit)

CARLINO, JUSTIN, “Perceptions of Native American Art: American Sculpture and Earthworks” (Rutgers, J. Marter)

CASEY, KATHRYN, “Color and Alienation: Matisse's Theory of Art” (Bryn Mawr, S. Z. Levine)

COLAIZZI, VITTORIO, “Robert Ryman, Painting as Actuality: 1953-1969” (Virginia Commonwealth, R. Hobbs)

CUSHWA, ANNE, “Untitled (A Dissertation for Felix Gonzalez-Torres)” (Iowa, C. Adcock)

DAVIS, CAITLIN S., “Lee Miller: Photographer of War” (Rutgers, J. Marter)

DEEB, ELYSE, “The Architecture of Reception: Sculpture and Gender in the 1950s and 1960s” (Brown, H. Vanel)

DE FAY, CHRISTOPHER, “Art, Enterprise, and Collaboration: Richard Serra, Robert Irwin, James Turrell, and Claes Oldenburg at the Art and Technology Program of the Los Angeles County Museum of Art, 1967-1971” (Michigan, A. Potts)

DONNELLY, BRIAN T., “Graphic Design in Canada since 1945” (Queen's University, Kingston, L. Jessup)

DUMBADZE, ALEXANDER BLAIR, “How Images Became Texts in Contemporary American Art” (UT Austin, R. Shiff)

ELLSWORTH, KIRSTIN, “Icons on the American Landscape in the 1960s: Mapping the Culture of Car and Road” (Indiana, Bloomington, J. Kennedy)

FEDDERS, KRISTEN, “Pop Art at the 1964-1965 New York World's Fair” (Pennsylvania, C. Poggi)

GEIGER, MELISSA, “Robert Rauschenberg's Oracle, Soundings, and Carnal Clocks: A Socio-Historical Critique” (Penn State, J. Porter)

GILMAN, AMY, “Organizing Art: Information Theory and Conceptual Art—A Case Study of the Xeroxbook Exhibition” (Case Western Reserve, E. Landau)

GODBEY, EMILY, “Rubbernecking and the Business of Disaster” (Chicago, J. Snyder, T. Gunning, B. Brown)

GRIGOR, TALINN, “Cultivat(ing) Modernities: The Society for National Heritage, Political Propaganda, and Public Architecture in Twentieth-Century Iran” (MIT, S. Anderson, A. Dutta)

HAGE, EMILY, “New York and European Dada Art Journals, 1916-1926: International Venues of Exchange” (Pennsylvania, C. Poggi)

HAMILTON, JAIMEY, “Strategies of Excess: The Postwar Assemblages of Alberto Burri, Robert Rauschenberg, and Arman” (Boston, C. Jones)

HAN, JIN, “Modernization and Nationalism: The Rise of Social Realism in South Korea (1980-1988)” (CUNY, H. Senie)

HART, DAVID, “Memory and the Installation Art of María Magdalena Campos-Pons” (UNC Chapel Hill, M. Harris)

HIGGINBOTHAM, CARMENITA D., “Saturday Night at the Savoy: Blackness and the Urban Spectacle in the Art of Reginald Marsh” (Michigan, R. Zurier)

HUBENTHAL, JOHN, “A Life in the Newspapers: The American Press and George Grosz” (Virginia Commonwealth, H. Risatti)

JOHNSON, SARAH, “Zen and Artists of the Eighth Street Club: Ibram Lassaw and Hasegawa Saburo” (CUNY, A. Chave)

KURCHANOVA, NATASHA, “Against Utopia: Osip Brik and the Genesis of Productivism” (CUNY, R. Long)

KURCZYNSKI, KAREN, “Beyond Expressionism: Asger Jorn and the European Avant-Garde, 1941-1961” (IFA/NYU, R. Lubar)

LANGE, ALEXANDRA, “Tower Typewriter and Trademark: Architects, Designers, and the Corporate Utopia” (IFA/NYU, J-L. Cohen)

MANCHANDA, CATHARINA, “Reconsidering the Object of Photography: German Artists, Curators, and Critics in Light of ‘Documenta 5’” (CUNY, R. Golan)

MARSHALL, JENNIFER JANE, “The Stuff of Modern Life: Materiality and Thingness in the Museum of Modern Art's Machine Art Show, 1934” (UCLA, M. Kwon, C. Whiting)

MILLETT, ANN, “Spectacular Spectacles: The Disabled Body on Display in Contemporary Art” (UNC Chapel Hill, C. Mavor)

NEWMAN, SARAH, “Excavating New York: George Bellows's Landscapes of Modernity” (UC Berkeley, M. Lovell)

NUGENT, JEANNE ANNE, “Family Album and Shadow Archive: Gerhard Richter's East, West, and All German Painting, 1949-1966” (Pennsylvania, C. Poggi)

RAMIREZ, YASMIN, “Nuyorican Vanguards, Political Actions, Poetic Visions: A History of Puerto Rican Artists in New York, 1964-1984” (CUNY, K. Manthorne)

RAU, PAULA, “John Cage: Prints, Drawings and Watercolors, 1978-1992” (Virginia Commonwealth, H. Risatti)

RICHARDSON, MARGARET, “The Formation of K. G. Subramanyan's ‘Polymorphic Vision’ of Art in Twentieth-Century India” (Virginia Commonwealth, H. Risatti)

ROGAN, CLARE, “Desiring Women: Constructing the Lesbian and Female Homoeroticism in German Art and Visual Culture, 1900-1933” (Brown, K. D. Kriz)

ROMBA, KATHERINE, “Technik und Kultur: The German Architectural Discourse on Iron, 1890-1918” (IFA/NYU, J-L. Cohen)

SCHREYACH, MICHAEL, “Towards Pragmatic Painting: Jackson Pollock's Reflexive Potential” (UC Berkeley, W. Davis)

SERDARI, THOMAI, “Albert Mayer, Architect and City Planner: The Case for One Total Professional” (IFA/NYU, J-L. Cohen)

SPEER, GEORGE. “Binding Frankenstein: Reclaiming the Self in the Visual Culture of the Machine Age” (Washington, A. Miller)

SUDHALTER, ADRIAN, “Johannes Baader and the Demise of Wilhelmine Culture: Architecture, Dada, and Social Critique, 1875-1920” (IFA/NYU, R. Lubar)

TEZUKA, MIWAKO, “Jikken Kobo (Experimental Workshop): Avant-Garde Experiments in Japanese Art of the 1950s” (Columbia, B. Buchloh, M. McCormick)

WILSON, SIONA, “Filmic Mode: Feminist Art Practices and the Avant-Garde in North America and Britain during the 1970s” (Columbia, B. Buchloh, C. Kiaer)

WOLFE, EDITH ANGELICA GIBSON, “Melancholy Encounter: Lasar Segall and Brazilian Modernism, 1927-1933” (UT Austin, J. Barnitz)

ZEIDLER, SEBASTIAN, “Defense of the Real: Carl Einstein's History and Theory of Art” (Columbia, B. Buchloh, R. Krauss)

ZULLO, DOUGLAS, “Jiri Kolar in Exile: Ubeity and Identity in Two Views of Prague” (Ohio State, M. Mudrak)

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African Art (sub-Saharan)

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Art of the Middle East/North Africa

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Twentieth-Century Art

Dissertations Completed by Subject

African Art (sub-Saharan)

Architectural History/Historic Preservation

Art of the Middle East/North Africa

Art of the United States

Chinese Art

Contemporary Art

Critical Theory/Gender Studies/Visual Studies

Decorative Arts/Textiles/Design History

Drawings/Prints/Photography/Works on Paper

Early Christian/Byzantine Art

Early Medieval/Romanesque/Gothic Art

Egyptian/Ancient Near Eastern Art

Eighteenth-Century Art

Film/Video

Greek/Roman Art

Japanese/Korean Art

Latin American/Caribbean Art

Native American Art

Nineteenth-Century Art

Oceanic/Australian Art

Outsider/Folk Art

Performance Studies/ Installation/ Environmental Art

Pre-Columbian Art

Renaissance/Baroque Art

South/Southeast Asian Art

Twentieth-Century Art