US and Canadian Dissertations, 2006

Dissertations in Progress by Subject

African Art (sub–Saharan)

BORTOLOT, ALEXANDER, “Appearance versus Reality: The Representational Turn in Twentieth-Century Makonde Masks and Performance” (Columbia, N. Kampen)

BRIDGES, NICHOLE, “Contact, Commentary, and Commodity: Nineteenth-Century Ivory Tusk Sculptures from the Loango Coast, Congo” (Wisconsin, Madison, H. Drewal)

CLEVELAND, KIMBERLY L., “New Center, Old Periphery: Race, Identity, and Influence in Afro–Brazilian Art” (Iowa, S. Adams)

FROMONT, CÉCILE, “Christian Icons, Kongo Symbols: Defining Form, Religion and Meaning in Early Modern Central Africa” (Harvard, S. P. Blier, T. Cummins)

GEORAS, CHLOÉ S., “Mutations of Empire: From the musée permanent des Colonies to the musée des arts d’Afrique et d’Océanie” (SUNY Binghamton, T. McDonough)

HOLLOWAY, ANITA, “Animal Symbolism in Ewe Textiles” (Virginia Commonwealth, B. Lawal)

IMO, IMEH, “Daughters of Seclusion, Investigation of Mbopa, the Ceremonial Fattening of Girls in Ibibioland, Nigeria” (Yale, R. Thompson)

KART, SUSAN, “Sculpting the Psyche: Sokari Douglas Camp, Moustapha Dimé and Renée Stout on the Body, Identity and Politics in ‘African’ Art” (Columbia, E. Hutchinson, B. Lawal)

KELLER, CANDACE, “Visual Griots: A Social, Political and Cultural History of Individuals in Mali through the Photographer’s Lens” (Indiana, Bloomington, P. McNaughton)

MEIER, SANDY (PRITA), “Local Cityscapes and Transcultural Imaginaries: Competing Architectures of Nineteenth- and Twentieth- Century Mombasa and Zanzibar” (Harvard, S. P. Blier)

MUHAMMED, BAQIE B., “Contemporary East African Artists: The Fusion and Hybridization of Global and National Discourses in Modern Art in the Diaspora” (Indiana, Bloomington, P. McNaughton)

PERRILL, ELIZABETH, “Potters in the Marketplace: South African Ceramic Urbanization, 1910s to the Present” (Indiana, Bloomington, P. McNaughton)

SNODDY, DANIELLE M., “Charting the Emergence of Identity Narratives in Post–Apartheid South African Art: Protectionist Sensibilities, Internationalization, and the Johannesburg Biennales” (Iowa, S. Adams)

WERTS, JULIA KIM, “Visions of Empire: Visual Culture in Twentieth–Century Imperial Ethiopia” (Cornell, S. Hassan)

Architectural History/Historic Preservation

ALLAIS, LUCIA, “Will to War, Will to Art: The Architectural Ethics and Aesthetics of Cultural Internationalism, 1932–1960” (MIT, M. Jarzombek)

ALLISON, LARA, “The Bauhaus in Chicago, 1937–1955” (Columbia, H. Ballon)

ÁLVAREZ–GONZÁLEZ, MANUEL FERNANDO, “From Syndicalism to Imperialism: José Luis Sert and His Master Plans for Barcelona (1931–1934) and Havana (1956–1958)” (MIT, M. Jarzombek)

ANABLE, AUBREY, “Converging Anxieties: Digital Media, Cinema, and the City” (Rochester, S. Willis)

ANDERSON, ERIC, “The Design Theory of Jacob von Falke: Historicism and Cultural Transformation in Ringstrasse Vienna” (Columbia, B. Bergdoll, M. McLeod, G. Wright)

ANDERSON, RICHARD, “After Constructivism: History, Theory, and Modernity in Soviet Architecture, 1932–1941” (Columbia, B. Bergdoll)

ARIOLI, KRISTIN, “Cardinal Raffaele Riario and the Politics of Cultural Patronage in Renaissance Rome (1477–1521)” (USC, E. Howe)

BAGHDADY, OMAR, “Mid–Twentieth Century Modernism and the Architecture Profession in Egypt” (Michigan, W. Glover)

BARRETT, CATHERINE, “Cordes and the First Bastides of France” (Washington, M. Clausen)

BARRETT, JENNIFER, “The Power of the Ordinary: Contextualism, Regionalism, and ‘the Everyday’ in the Architecture of Alison and Peter Smithson” (Delaware, A. Gibson)

BARTEET, C. CODY, “Colonial Contradictions in the Casa de Montejo and Mérida: Space, Society, and Self-Representation at the Edge of Viceregal Mexico” (SUNY Binghamton, T. McDonough)

BAWEJA, VANDANA, “Otto Koenigsberger and Tropical Architecture: From Princely Mysore to Post Colonial London” (Michigan, R. Fishman)

BLACKBURN, MARCIA, “A Social Architectonics of Science Fiction Film Design” (SUNY Binghamton, P. Smart)

BROWN, MARISA ANGELL, “Imagined Communities: The Architecture of Public Housing in America” (Yale, S. Isenstadt)

ELIK, ZEYNEP, “Kinaesthetic Impulses: Space, Performance, and the Body in German Architecture, 1870–1914” (MIT, M. Jarzombek)

CHUTE, MAHLON W. L., “Mississippi of the West: Urban Planning, Tourism and Violence in the Las Vegas Valley, 1930–1970” (UC Santa Barbara, S. Chattopadhyay)

COSTANZO, DENISE, “The Lessons of Rome: Architects at the American Academy, 1947–1966” (Penn State, C. Zabel)

D’ANNIBALLE, MARIA, “Urban Space in Fascist Italy: Contested Grounds for Mass Spectacle, Tourism, and Celebration of the Historic Past. The Case of Verona” (Pittsburgh, B. McCloskey)

DAVIS, BLAIR HIXSON, “The Drawings of Charles Percier” (UC Santa Barbara, R. Williams)

DILLON, JENNIFER, “Modernity, Sanitation, and the Public Bath: Berlin, 1896–1933, as Archetype” (Duke, A. Wharton)

EGGEBEEN, JANNA, “The American Air Passenger Terminal and Modernity” (CUNY, R. Bletter)

EGGLER–GEROZISSIS, MARIANNE, “‘A Decorator in the Best Sense’: Mies van der Rohe and the Articulation of the German Modernist Interior” (CUNY, R. Bletter)

EKICI, DIDEM, “The Impact of the Lifestyle Reform on Modern Architectural Discourse in Twentieth–Century Germany” (Michigan, A. Herscher, L. Soo)

ERDIM, BURAK, “Postwar Encounters: The Foundation of the Middle East Technical University and the U.S.–Turkish Educational and Architectural Exchanges from 1950 to 1964” (Virginia, D. Upton)

FALETTI, RINA CATHLEEN, “Water, Architecture and Landscape in California and the American West” (UT Austin, M. Charlesworth, R. Shiff)

FISHER, ALISON, “The Type, the Model and the System: Public Housing and Urban Experiment in France, 1952–1978” (Northwestern, D. Van Zanten)

FRIEDBERG, EVA J., “Lawrence Halprin’s Urban Plazas (1960–1976): The Take Part Workshops, the Creative Process and Public Space” (UC Irvine, E. Dimendberg)

GOLLANNEK, ERIC, “Colonial Exchange and Visions of Empire in Britain and Its Colonies” (Delaware, B. Herman)

HALDEMAN DAVIS, ELAINE, “Paradise Built: Thatched Hut Resorts in the Contemporary Tourist Landscape” (UIC, S. Robinson)

HARRIS, TERESA, “Transforming the German City: The Kampffmeyer Family and the German Garden City Association” (Columbia, B. Bergdoll)

HAUGHEY, PATRICK, “Archival Obligation, Public Access, and the Coming of the Presidential Library” (MIT, M. Jarzombek)

HENDERSON, AMY, “Furnishing the Republican Court: Building and Decorating Philadelphia Homes, 1790–1800” (Delaware, B. Herman)

HENNEBURY, DEIRDRE L. CHRISTIANSON, “Inside and Outside the Museum Walls: City, Architecture, Object” (Michigan, R. Fishman)

HOLST, NANCY, “‘A Wise Woman Buildeth Her Home’” (Delaware, B. Herman)

HUNTING, MARY ANNE, “Edward Durrell Stone: Perception and Criticism” (CUNY, K. Murphy)

ISRAEL, JANNA, “The Picture of Poverty: Cristoforo Moro at San Giobbe, Venice” (MIT, D. Friedman)

KAKAR, SHALINI, “Fashioning the Divine: Bollywood Stars, Museum Temples, and Cultural Politics in Contemporary India” (UC Santa Barbara, S. Chattopadhyay)

KARAKA, DENIZ, “Clay Pipes, Marble Surfaces: The Topographies of Water Supply and Waste Disposal in the Outskirts of the Ottoman Capital, 1715–1790” (SUNY Binghamton, N. Um)

KAUKAS HAVENHAND, LUCINDA, “Creating a Modern Gesamtkunstwerk: Interior Design 1930–1960” (Virginia Commonwealth, R. Hobbs)

KEEN, ANN, “Redefining Modernism: Monumentality and Expressionism in Architecture of the Olympic Summer Games, 1960–1976” (Rutgers, C. Yanni)

KELLER, WILLIAM, “Urban Architecture for Community and Spectacle: The Roofed Arena in the United States, 1890–1969” (Delaware, D. Stillman)

KELLOGG–KRIEG, ANNAH, “In the Service of the Nation(s): Medieval and Neo–Medieval Architecture in the Contested Terrain of Wroc|flaw/Breslau, 1860–Present” (Pittsburgh, B. McCloskey)

KILIN, KIVAN, “Constructing Women for the Republic: The Spatial Politics of Gender in 1930s Ankara” (Temple, T. McDonough)

KIM, GRACE E., “Adalberto Libera’s Unita di abitazione orizzontali: Modernization in Housing Typology” (Washington, M. Clausen)

KLEE, JEFFREY, “The Five Orders of Beacon Hill” (Delaware, B. Herman)

KOVAL, LINDSAY M., “Architectural Patronage and Liberal Religion at New York’s Riverside Church” (Columbia, S. Murray)

LEE, MIN, “The Tyranny of the Straight Line: Mapping and Constructing Paris, 1791–1889” (Northwestern, D. Van Zanten)

LIEBER, JEFFREY, “Waging Total Peace: Architecture and Aesthetics circa 1958–1963” (Michigan, A. Potts)

LUCE, KRISTINA, “Revolutions in Parallel: The Rise and Fall of Drawing within Architectural Design” (Michigan, D. Herwitz, M. McCullough)

MALLAMPATI, HIMA, “Acquiring Antiquity: Plunder, Provenance, and Politics in American Museums” (Michigan, IPCAA, E. Gazda)

MANSON, ANDREW, “Architecture, Archaeology, and Urbanism in ‘LaGrande Roma’: The Via dell’Impero and the Palazzo del Littorio Competition” (Columbia, N. Kampen, M. McLeod)

MARSHALL, JESSICA, “Architecture and Popular Religion: French Pilgrimage Churches of the Nineteenth and Twentieth Centuries” (Columbia, B. Bergdoll)

MAULSBY, LUCY, “Architecture and Urbanism in Fascist Italy: Milan 1926–1940” (Columbia, R. Middleton)

MCATEE, CAMMIE, “Form and Formalism in American Architecture in the 1950s and ’60s” (Harvard, N. Levine)

MCDONALD, TERRY, “Trondheim Cathedral: Contemporary Projections in a Medieval Edifice” (SUNY Binghamton, B. Abou–El–Haj)

MEADOWS, B. TED, “Monuments and Memory: Three American World War I Memorials in Context” (Kansas, C. Eldredge, D. Cateforis)

MEKINDA, JONATHAN, “Reconstruction and Revolution: The Re–Invention of Modernism in Milan, 1945–1955” (Pennsylvania, D. Brownlee)

MICHAEL, VINCENT L., “Motives in Historic District Preservation: Community Control and Professional Practice” (UIC, R. Bruegmann)

MICHAILIDIS, MELANIE, “Landmarks of the Persian Renaissance: Monumental Funerary Architecture in Iran and Central Asia, Tenth–Eleventh Centuries” (MIT, N. Rabbat)

MILLÀ BERNAD, MARTINA, “Student Housing à la brésiliene?” (Emory, J. Rohrer)

MIMS, MARTINA, “August Endell’s Exploration of the Relationship of the Modern Observer and Form” (Columbia, B. Bergdoll)

MONTGOMERY, LEANNE, “The Carolingian Cathedral at Cologne: Form and Context” (Indiana, Bloomington, W. E. Kleinbauer)

MYERS, TRACY, “Modern Architecture for Education in the Post–War Era: Public School Buildings by the Architects Collaborative (TAC) and the Development of American Modernism, 1946–1995” (Delaware, D. Stillman)

NARATH, ALBERT, “Rediscovering the Baroque: Architecture, History, and Politics in Austria and Germany” (Columbia, B. Bergdoll)

NOWICKI, SUSAN, “Montclair, New Jersey: The Development of a Suburban Town and Its Architecture” (CUNY, K. Murphy)

OLGREN–LEBLOND, KELLI, “Reading Expressionist Architecture: The German Avant–Garde and ‘Paper Architecture,’ 1914–1924” (USC, K. Lang)

OSAYIMWESE, ITOHAN, “Colonialism at the Center: German Colonial Architecture and the Reform Movement, 1884–1914” (Michigan, W. Glover)

OSMAN, MICHAEL, “Regulation in the Architecture of American Modernism, 1890–1920” (MIT, M. Jarzombek)

OZKAN, DERYA, “Learning from Istanbul: The Politics of Everyday Spatial Practices and the Production of Metropolitan Space” (Rochester, R. Haidu)

PARKER, JENNIFER, “The Architectural Patronage of the Third Marquess of Bute” (Columbia, B. Bergdoll)

PARNELL, TRACI, “Gilding the Black Box: Showmanship and Revivalism in 1920’s American Movie Palace Architecture” (Rutgers, C. Yanni)

PASSANTI, FRANCESCO, “Le Corbusier at the Salon d’Automne of 1922” (Columbia, R. Middleton)

PHILLIPS, RUTH ANNE, “‘Pre–Columbian Revival’: Problems and Characteristics of a U.S. Architectural Style, 1910–1940” (CUNY, J. Sund)

PILAT, STEPHANIE, “Reimagining Italy: The Neighborhoods of Ina–Casa in the Postwar Period” (Michigan, L. Soo)

PUGH, EMILY, “The Berlin Wall and the Urban Space and Experience of East and West Berlin, 1961–1989” (CUNY, K. Murphy)

ROSKAM, COLE, “Building the ‘Model’ Settlement: Modern Architectural Development in Shanghai, 1842–1943” (Harvard, N. Levine)

SALGIRLI, SAYGIN, “From Thirteenth–Century Toulouse to Fifteenth–Century Serres: A Comparative Study of Dissent, Authority, Architecture, and Space” (SUNY Binghamton, B. Abou–El–Haj)

SANDLIN, JULIANNE PARSE, “Religious Orders and Catholic Reform: Parisian Churches during the Reign of Louis XIII” (FSU, R. Neuman)

SHENOUDA, MONICA, “Imagining Alexandria in Renaissance Venice” (Virginia, C. Brothers)

SHOUP, DANIEL, “Managing Many Pasts: Stewardship and the Future of Classical Sites in Western Turkey” (Michigan, IPCAA, E. Gazda)

SIENKEWICZ, JULIA A., “Citizenship by Design: The Creation of Identity through Art, Architecture, and Landscape in the Early Republic” (UIUC, P. Kruty)

SKELTON, KIMBERLEY, “Planning Anew: The English Country House and Social Identity in the 1650s” (Yale, S. Isenstadt)

SMITH, SHARON C., “Planned Grandeur: A Comparative Study of Urban Expansion in Early Modern Italy and Mamluk Egypt” (SUNY Binghamton, B. Abou–El–Haj)

SRIDHARAN, SHRIYA, “Continuing Tradition: Locating the Ritual and Visual Practices of Contemporary Srirangam within Historical and Global Networks” (SUNY Binghamton, N. Um)

STEPHENSON, ANNE, “Rebuilding Bungalows: Home Improvement and the Historic Chicago Bungalow Initiative” (Chicago, K. Taylor)

STEWART, CHARLES A., “Domes of Heaven: The Domed Basilicas of Cyprus” (Indiana, Bloomington, W. E. Kleinbauer)

SWAN, CHRISTOPHER, “An Alternative Modernism: The Pacific Northwest Architecture of John Yeon” (Yale, E. Cooke Jr.)

TAPP, ERIKA, “Colonial Modernismo: The Architecture and Urbanism of Spanish Morocco” (Pennsylvania, R. Holod, D. Brownlee)

UDDIN, LISA. “Breeding Grounds: American Zoos and the Public Display of Endangered Species” (Rochester, J. Saab)

VALLYE, ANNA, “The Mid–Century Artist–Intellectual in America: Josef Albers, Walter Gropius, Gyorgy Kepes” (Columbia, B. Bergdoll, R. Martin, J. Ockman)

WALKER, JULIA, “Capital Building: Anxiety and Authorship in Berlin’s Second Gründerzeit” (Pennsylvania, D. Brownlee)

WEISS, KIRSTEN, “Aesthetics of Banality: The Cultural Politics of Architectural Representation in Bernd and Hilla Becher, and Gerhard Richter” (MIT, C. Jones)

WHEELER, KATHERINE JEAN, “The Perception of Renaissance Architectural History at the Rise of Modernism: Great Britain, 1880–1940” (MIT, M. Jarzombek)

WILLIS, CAROL, “Futuricity: American Visionary Urbanism in the 1920s” (Columbia, B. Bergdoll)

Art of the Middle East/North Africa

AKBARNIA, LADAN. “‘Khita’i’: Cultural Memory and the Creation of a Mongol Visual Idiom in Iran and Central Asia (1256–1353)” (Harvard, D. Roxburgh, G. Necipoglu)

AKIN, ESRA, “Mustafa Ali’s ‘Deeds of the Artists’: A Translation of a Sixteenth–Century Ottoman Biographical Dictionary of Eminent Calligraphers and Painters” (Ohio State, H. Crane)

CHO, MIN YONG, “How Land Came into the Picture: Rendering History in Fourteenth–Century Iran” (Michigan, S. Babaie)

DALAL, RADHA, “The Orient Express: Visual Culture, European Imperialism, and the Ottoman Empire” (Minnesota, C. Asher)

EL SANDOUBY, ALIA’A, “Remembering the Ahl al–Bayt: The Shrines of the Family of the Prophet in Cairo and Damascus” (UCLA, I. Bierman). Scheduled for completion in Spring 2007

HOLMES, DENWOOD, “The Walls of the Well–Protected Domains: The Development of Ottoman Fortification 1400–1600” (Princeton, T. Leisten)

KAHLAOUI, TAREK, “The Depiction of the Mediterranean in Late Islamic Cartography: From the Thirteenth to the Sixteenth Centuries” (Pennsylvania, R. Holod)

KHOSROWJAH, HOSSEIN, “Unthinking the National Imaginary: The Singular Cinema of Abbas Kiarostami” (Rochester, S. Willis)

LATIF, RIYAZ, “Marinid Madrasas in Fez and the Creation of Moroccan Identity” (Minnesota, C. Asher)

LEONI, FRANCESCA, “The Revenge of Ahriman: Images of dîvs in the Shâhnâmeh from the Fifteenth to the Seventeenth Century” (Princeton, T. Leisten)

MICHAILIDIS, MELANIE, “Landmarks of the Persian Renaissance: Monumental Funerary Architecture in Iran and Central Asia, Tenth–Eleventh Centuries” (MIT, N. Rabbat)

MULDER, STEPHENNIE, “The Architecture of Coexistence: Shi’ite Shrines and Sunni Patronage in the Medieval Levant” (Pennsylvania, R. Holod)

ROGERS, SARAH, “Postwar Art and the Historical Roots of Beirut’s Cosmopolitanism” (MIT, N. Rabbat)

SALGIRLI, SAYGIN, “From Thirteenth–Century Toulouse to Fifteenth–Century Serres: A Comparative Study of Dissent, Authority, Architecture, and Space” (SUNY Binghamton, B. Abou–El–Haj)

SARDAR, MARIKA, “Golconda through Time: A Mirror of the Evolving Deccan” (IFA/NYU, P. Soucek)

SCHEIWILLER, STACI GEM, “Entangled Legacies: Qajar Images in Contemporary Iranian Photography” (UC Santa Barbara, N. N. Khoury)

SMITH, SHARON C., “Planned Grandeur: A Comparative Study of Urban Expansion in Early Modern Italy and Mamluk Egypt” (SUNY Binghamton, B. Abou–El–Haj)

TEECE, DENISE, “Vessels of Verse, Ships of Song: Persian ‘Safina’ Manuscripts and Their Significance” (IFA/NYU, P. Soucek)

Art of the United States

ABBOTT, JANET, “The Barnett Aden Gallery: A Home for Diversity in a Segregated City” (Penn State, J. Robinson)

ANDERSON, SHERMAN REED, “An Epic of the American Farm: James Ormsbee Chapin and the Marvin Paintings” (Kansas, C. Eldredge)

ANDERSON, VIRGINIA, “‘A State of Anxious Uncertainty’: The Critical Reception of Jasper Johns” (Boston, C. Jones)

APPLEGATE, HEIDI, “Staging Modernism at the 1915 San Francisco World’s Fair” (Columbia, E. Hutchinson)

ASHE, LISA FRYE, “Scale, Size, and the Spaces of American Painting, 1948–1968” (Virginia, H. Singerman)

ATKINS, ASHLEY, “Winslow Homer and Aestheticism in the United States” (Rutgers, W. Bellion)

BACKER, MATTHEW, “Building a Brave New World: The Future Made Present at Chicago’s Century of Progress Exposition, 1933–34” (Indiana, Bloomington, S. Burns)

BAILLY, AUSTEN BARRON, “Painting the American Historical Epic: Thomas Hart Benton and Race, 1919–36” (UC Santa Barbara, E. Bruce Robertson)

BALL, JEFFREY, “The Missouri State Capitol: Architecture, Mural Painting, and Sculptural Decoration” (Missouri, O. Overby)

BARRETT, ROSS, “Rendering Violence: Riots, Strikes, and Upheaval in Nineteenth–Century American Art and Visual Culture” (Boston, P. Hills)

BEGGS, MARGO, “Harriet Hosmer (1830–1908): Fame, Photography, and the American Sculptress” (Toronto, M. Gotlieb, M. Cheetham, E. Legge)

BILBO, REBECCA, “The Art Academy of Cincinnati: A Social, Cultural and Institutional History” (Indiana, Bloomington, S. Burns)

BOONE, JOBYL, “The Spectacle in the Art of the United States after 1967” (University of Delaware, A. Gibson)

BROOKS, LERONN, “An Art of Resistance: The Legacy of Hale Woodruff (1900–80)” (CUNY, K. Manthorne)

BUCKNER, CINDY, “The Etching Revival in Late Nineteenth–Century America and Its Role in Aesthetic Education” (CUNY, S. Webster)

BURGESS, LANA A., “Advancing American Art: Survival of an Idea” (FSU, K. Bearor)

CAMPBELL, KATHRYN, “Imaging Russia during the Cold War: Photographs in Life Magazine, 1945–1962” (Virginia Commonwealth, R. Hobbs)

CANTOR, KAREN, “The Life and Work of Boris Artzybasheff” (SUNY Stony Brook, M. Bogart)

CARO, JULIE LEVIN, “The Early Career of Allan Rohan Crite (1930–50)” (UT Austin, L. Henderson, C. Smith)

CHUNG, NOGIN, “Picturing American Women in the Postwar Period” (Minnesota, K. A. Marling)

CLANCY, JONATHAN, “Transcendentalism and the Crisis of Self in American Art and Culture, 1840–1930” (CUNY, K. Manthorne)

COSTELLO, EILEEN ELIZABETH, “Between the Easel and the Mural: The Dissolution of Abstract Expressionist Painting into the Realm of Architecture” (UT Austin, R. Shiff)

COYLE, HEATHER CAMPBELL, “Having Fun with Art: Pranks, Performances, and Parody in American Art Schools, 1890–1915” (Delaware, M. Leja, M. Werth)

CURTISS, KIMBERLY, “Painting Skin: The Construction of Racial Identity through Representations of American Indians in Jacksonian America, ca. 1828–1848” (Rutgers, W. Bellion)

DASCH, ROWENA HOUGHTON, “‘Now Exhibiting’: Charles Bird King’s Picture Gallery, Fashioning Taste and Nation 1824–1861” (UT Austin, S. Rather)

DE ARMENDI, NICOLE, “Shifting Perception: Labyrinths and the Rise of Phenomenology in American Art of the 1960s and 1970s” (Virginia Commonwealth, R. Hobbs)

DIAZ, EVA, “Chance and Design: Experimental Art at Black Mountain College” (Princeton, H. Foster)

DOLAN, JULIA, “‘I Will Take You into the Heart of Modern Industry’: Lewis Hine’s Photographic Interpretation of the Machine Age” (Boston, K. Sichel)

DOOLEY, MICHAEL C., “Citizen Bird: American Ornithological Art of the Progressive Era and the Beginnings of the Bird Conservation Movement” (Iowa, J. Kinsey)

DOSSIN, CATHERINE JULIE MARIE, “‘I Like America and America Likes Me’: Artistic Exchanges between France, Germany and the United States, 1945–89” (UT Austin, R. Shiff, K. Arens)

ELLIOTT, KATHERINE L., “Constructing National Identity: Nineteenth and Early Twentieth–century Representations of First Contacts” (Iowa, J. Kinsey)

ELLIS, AMY, “‘Not a Mere Leaf–Painter’: Thomas Cole and the Figure” (Columbia, J. Crary, E. Hutchinson)

EVANS, YATES, “Doors and Windows: Eastern Philosophy and Western Aesthetics in the Art of Ray Johnson” (Virginia Commonwealth, R. Hobbs)

FALETTI, RINA CATHLEEN, “Water, Architecture and Landscape in California and the American West” (UT Austin, M. Charlesworth, R. Shiff)

FLEMING, TULIZA, “Thomas Satterwhite Noble: Reconstructed Rebel” (Maryland, S. Promey)

FOUTCH, ELLERY, “Arresting Beauty: Perfectionism in Peale’s Butterflies, Sandow’s Body, and Blaschka’s Flowers” (Pennsylvania, M. Leja)

GEORGE, ANGELA, “‘The Old New World’: Unearthing Mesoamerican Antiquity in the Art and Culture of the United States, 1839–1893” (Maryland, S. Promey)

GEPHART, EMILY, “Symbolism, Modernism and the Work of Arthur B. Davies” (MIT, C. Jones)

GERHOLD, EMILY, “American Beauties: The Breast in Nineteenth–Century American Art and Culture” (Virginia Commonwealth, E. Garberson)

GILBERT, CHRISTOPHER, “American Art and Language during the Period of the Fox (1974–76)” (Virginia Commonwealth, R. Hobbs)

GLAHN, PHILIP, “Estrangement and Politicization: Bertolt Brecht and Postwar American Art” (CUNY, R. Golan)

GLENN, KIMBERLY L., “Charles Dawson and the Chicago Renaissance: Art, Racial Pride, and Identity” (Iowa, B. Mooney)

GLICK, PAULA F., “Paul Sample: Life and Career” (Columbia, J. Beck)

GREEN, MIDORI, “Sec’s Appeal: The Secretary in American Popular Culture, 1900–64” (University of Minnesota, K. Solomonson)

GREEN, ROBIN COWIE, “‘A Certain Slant of Light’: Exhilaration, Oppression, and the Forces of Sunlight in American Impressionism” (Yale, A. Nemerov)

GREENE, NIKKI, “The Rhythm of Glue, Grease and Grime: Body and Indexicality in the Works of Romare Bearden, David Hammons and Renée Stout” (Delaware, A. Gibson)

GREENHALGH, ADAM, “Risky Business: Change and Contingency in American Art, 1876–1907” (Maryland, F. Kelly)

GREENHILL, JENNIFER A., “‘The Plague of Jocularity’: Contesting Humor in American Art and Culture, 1863–93” (Yale, A. Nemerov)

GUGLIELMO, ANTONIETTE M., “Work–Bench of American Taste: Richard F. Bach, Industrial Art Exhibitions, and Consumerism at the Metropolitan Museum of Art in the Interwar Years” (UC Santa Barbara, E. Bruce Robertson)

HACK, BRIAN, “Lorado Taft, George Grey Barnard and the Promise of Monumental Symbolist Sculpture in Early Twentieth–Century America” (CUNY, S. Webster)

HAGOOD, MARTHA, “Representing the Truth: Realism, Sensationalism, and the Progressive Era Picture Press, 1902–1913” (Delaware, B. Herman)

HATCH, KEVIN, “Looking for Bruce Conner: Assemblage, Films, Drawings, 1957–67” (Princeton, H. Foster)

HAXALL, DANIEL, “Politics, Form, and Identity in Abstract Expressionist Collage” (Penn State, S. Rich)

HELLSTEIN, VALERIE, “Abstract Expressionism and the Possibility of Transcendence” (SUNY Stony Brook, M. Bogart)

HEYRMAN, JOY, “Signature Drawings: Collecting Artists’ ‘Autographs’ in Antebellum America” (Maryland, S. Promey)

HUERTA, MONICA, “Is It Real?” (Michigan, R. Zurier)

HYDE, KIMBERLEY, “Louis C. Tiffany and the Business of Art” (Case Western Reserve, H. Adams)

IKEGAMI, HIROKO, “1964: Robert Rauschenberg and the Beginnings of Globalization in Modern Art” (Yale, A. Nemerov)

IKEMOTO, WENDY, “Double Vision: Pendant Painting in Antebellum America” (Harvard, J. Roberts)

JENSEN, KIRSTEN M., “The ‘American Salon’: Cultural Ambition, American Art, and the Inter–State Industrial Expositions in Chicago, 1859–1893” (CUNY, S. Webster)

JONES, PENNY, “Figural Trees: American Artists and Forest Debate in the Nineteenth Century” (Columbia, E. Hutchinson)

JORDAN, GUY, “The Aesthetics of Intoxication in Antebellum American Art and Culture” (Maryland, S. Promey)

KAISERLIAN, MICHELLE, “Artistic Responses to The Rubaiyat of Omar Khayyam in Great Britain and the United States, ca. 1900–40” (Indiana, Bloomington, M. Facos)

KAPS, NANNI, “Similarities of Form and Concept in American and German 19th–Century Landscape Painting” (Columbia, B. Novak)

KARPINSKAIA, NATALIA, “Landscape Art and Landscape Attitudes in Russia and America” (Columbia, B. Novak)

KATZ, ROBERTA GRAY, “Mediated by Text: The Literary Paintings of Thomas Cole” (UIC, D. Sokol)

KELLY, SARAH, “Camera’s Lens and Mind’s Eye: Whistler and the Science of Art” (Columbia, D. Rosand)

KIEFER, EVELYN, “The Birth and Death of the American Dining Room: An Evolution from the Colonial Hall to Frank Lloyd Wright’s Dining Rooms and Beyond” (Case Western Reserve, H. Adams)

KING, JENNIFIER, “Michael Asher and the Art of Infrastructure: Space, Cities, Institutions” (Princeton, H. Foster)

KJAER, LISE, “Awakening the Spiritual: James Turrell and Quaker Practice” (CUNY, H. Senie)

KNAPPE, STEPHANIE, “Land of Lincoln: The Sixteenth President in Interwar Culture and Collective Memory” (Kansas, C. Eldredge)

KNOX, PAGE, “Scribner’s Monthly/The Century: A Vehicle of Aesthetic Thought in Late–Nineteenth–Century America” (Columbia, E. Hutchinson)

KOHN, ADRIAN MICHAEL, “Seeing Los Angeles Minimalism 1958–72” (UT Austin, R. Shiff)

KROIZ, LAUREN, “Modernizing ‘A Grey Race’: New Immigrants, New Media, and the Stieglitz Circle (1891–1924)” (MIT, C. Jones)

KURTZ, AMY, “Old Worlds and New: Edward Lamson Henry (1814–1919), Conservative Genre Painting” (Yale, J. Prown)

LAMUNIERE, MICHELLE, “The Social Museum at Harvard: Francis Greenwood Peabody and Early Twentieth–Century Social Reform Photography in Context” (Boston, K. Sichel)

LASSER, ETHAN, “Figures in the Grain: The Stakes of Furniture in Anglo–America, 1660–1800” (Yale, E. Cooke Jr.)

LAWTON, SAADIA, “Representing the Representative: Visual Binaries of the Wedgwood Slave Medallion, 1787–1887” (Wisconsin, Madison, A. Andrzejewski)

LEE, KEE–LEE, “Sur Vampyr: Theresa Hak Kyang Cha and the Cultural Para–Sites of the Korean Diaspora” (UNC Chapel Hill, C. Mavor)

LOECHLE, ANNE M., “Ye Intruders Beware: Masculinity, Vicarious Adventure and Fantastical Pirates in the Golden Age of Illustration and Beyond” (Indiana, Bloomington, S. Burns)

LONGWELL, ALICIA, “John Graham and the Quest for an American Art in the 1920s and 1930s” (CUNY, K. Manthorne)

MANN, CRAWFORD ALEXANDER, III, “When in Rome: Italian Travel and the Pursuit of the Ideal Male Body in Antebellum American Art” (Yale, A. Nemerov)

MARLEY, ANNA, “Rooms with a View: Landscape Representation in Early National Domestic Interiors” (Delaware, W. Bellion)

MAYER, STEPHANIE, “The Art of The Gift: Mount, Sully, Huntington, and the Antebellum Gift Book Industry” (Boston, P. Hills)

MAZOW, ALISSA WALLS, “Plantae, Animalia, Fungi: Transformations of Natural History in Contemporary American Art” (Penn State. S. Rich)

MCATEE, CAMMIE, “Form and Formalism in American Architecture in the 1950s and ’60s” (Harvard, N. Levine)

MCGUIRE, HEATHER, “John Baldessari: Blasted Allegories” (Virginia Commonwealth, R. Hobbs)

MICHAEL, VINCENT L., “Motives in Historic District Preservation: Community Control and Professional Practice” (UIC, R. Bruegmann)

MILLER, MARK PARKER, “Claiming and Denying Sophistication: Grant Wood’s Art and Responses to It: 1930–1942” (Delaware, A. Gibson)

MILLER, SARAH M., “Inventing ‘Documentary’ in American Photography, 1930–1945” (Chicago, J. Snyder)

MOCELLA LIAKOS, BARBARANNE E., “The Civil War and Collective Memory: Remembering the American Conflict in Paintings and Prints, 1870–1900” (Iowa, J. Kinsey)

MOSS, DOROTHY, “Recasting the Copy: Original Paintings and Reproductions at the Dawn of American Mass Culture, ca. 1900” (Delaware, M. Leja, M. Werth)

MURPHY, JESSICA, “Portraiture and Feminine Identity in the Stieglitz Circle: Agnes Ernst Meyer, Katharine Rhoades, and Marion Beckett” (Delaware, M. Werth)

MURPHY, JONI, “Coyote Tales: Stereotypes, Politics, and Humor in the Art of Jaune Quick–to–See Smith” (Kansas, D. Cateforis)

NAEEM, ASMA, “‘The Imagery of the Ear’: The Visual Culture of Sound and Sound Technologies in American Art, 1848–1948” (Maryland, S. Promey)

NAPOLITANO, LAURA GROVES, “Growing Pains: Lilly Martin Spencer’s Images of Children, 1845–1870” (Maryland, S. Promey)

NELSON, ANDREA, “Reading Montage: The Photography Books of László Moholy–Nagy and Walker Evans” (Minnesota, J. Blocker)

NOWICKI, SUSAN, “Montclair, New Jersey: The Development of a Suburban Town and Its Architecture” (CUNY, K. Murphy)

OSMAN, MICHAEL, “Regulation in the Architecture of American Modernism, 1890–1920” (MIT, M. Jarzombek)

PEIFFER, PRUDENCE, “Routine Extremism: Ad Reinhardt and Modern Art” (Harvard, Y–A. Bois)

PENNISI, MEGHAN, “Dutch Flower Still–Life Painting in Middelburg, ca. 1600–20” (Northwestern, C. Swan)

PERRY, WEENA, “America in Ruins: Photography and the Making of National Meanings” (SUNY Stony Brook, M. Bogart)

POOR, NATASHA, “Dirty Art: Transgressing Domesticity and the Body in 1950s United States Art” (CUNY, A. Chave)

POWERS, SARAH, “Images of Tension: City and Country in the work of Charles Sheeler, Edward Hopper and Thomas Hart Benton” (Delaware, A. Gibson, M. Leja)

PRICE, JUSTINE DANA, “Critical Distinctions: Attitudes towards American Abstraction, 1936–52” (UT Austin, R. Shiff)

PRICE, MARSHALL, “John Ferren and the Development of Abstraction” (CUNY, K. Manthorne)

PULTZ, JANET, “Christian Abrahamsen (1887– 1983), Norwegian–American Portrait Painter” (Missouri, O. Overby)

RAAB, JENNIFER, “Frederic Church and the Culture of Detail: Memory, Forgetting, and Landscape in Nineteenth–Century America” (Yale, A. Nemerov)

REYNOLDS, REBECCA, “Preserving Her Nature: The Animal and Figurative Sculpture of Anna Hyatt Huntington” (Boston, P. Hills)

REYNOLDS, REBECCA L., “Sculpture Parks, Sculpture Gardens, and Site–Specific Practices in the U.S., 1965–1991” (Chicago, M. Ward)

RICHARDS, ELIZABETH, “Fabrics in Modern and Contemporary American Art: Unraveling Threads of Discourse” (Cornell, J. Bernstock)

ROBERTS, ELLEN, “Japanese Art and the American Aesthetic Interior, 1870–1900” (Boston, P. Hills)

ROEDER, KATHERINE, “Cultivating Dreamfulness: Fantasy, Longing, and Commodity Culture in the Work of Winsor McCay” (Delaware, M. Leja, M. Werth)

ROETHKE, LEIGH, “A Passion for Spain: Españolismo in American Visual Culture” (Minnesota, K. A. Marling)

ROSENBAUM, SARAH, “In the Public Domain: Public Art, Advanced Capitalism, and the Contemporary City” (Harvard, Y–A. Bois)

ROSS, ZACHARY, “The Eclectic Ideal: Edwin Austin Abbey’s Murals at the Pennsylvania State Capitol, Harrisburg” (CUNY, S. Webster)

ROTTNER, NADJA, “Claes Oldenburg, 1959–1966: The Violence of Sensation” (Columbia, J. Rajchman, R. Krauss, B. Joseph)

RUNDQUIST, LEISA, “Firestorms and Conflagrations: The Inflamed Cosmology of Henry Darger” (UNC Chapel Hill, C. Mavor)

SAILOR, RACHEL M., “Meaningful Places: Nineteenth Century Photography and the Local Landscapes of the American West” (Iowa, J. Kinsey)

SAMET, JENNIFER, “Undercurrents: Figurative Painting in New York, 1960–80” (CUNY, P. Mainardi)

SAMUEL, ANNE, “Rethinking Vision in the American Renaissance Murals of Edwin Howland Blashfield” (Delaware, M. Leja, M. Werth)

SCANLON, PATRICIA S., “‘God–gifted girls’: Women Illustrators, Gender, Class and Commerce in American Visual Culture, 1885–1925” (Indiana, Bloomington, S. Burns)

SEAN, ROWE, “Figuring the Landscape: Western Monuments and the Contested Terrain of American National Nostalgia” (UC Irvine, C. Whiting)

SENF, REBECCA, “Intimate Places: Ansel Adams’s Photographs in the American West and Southwest, 1916–1936” (Boston, K. Sichel)

SHERRY, KAREN, “Exposing the ‘Natural’ Woman: Female Bodies in American Visual Culture, 1785 to 1830” (Delaware, M. Leja)

SIVARD, SUSAN, “The Volcano in European and American Art, 1770–1865” (Columbia, B. Novak)

SLIFKIN, ROBERT, “Philip Guston’s ‘Return to Figuration’ and the Crisis in the Humanities” (Yale, A. Nemerov)

SMITH, JERRY, “Auto–America: The Automobile and American Art, ca. 1900–1950” (Kansas, C. Eldredge)

SMITH, LAURA, “The Art of Horace Poolaw, Kiowa Photographer” (Indiana, Bloomington, S. Burns)

SNOOK, SARAH, “The Development of the American Art Market in Antebellum New York” (Columbia, D. Rosand)

STAMEY, EMILY, “Pop, Place, and Personal Identity in the Art of Roger Shimomura” (Kansas, D. Cateforis, C. Eldredge)

STECK, STUART, “Veiling the Subject: Ellsworth Kelly and the Discourses of Modernism” (Boston, C. Jones)

TALBOTT, JENNIFER, “Avis Mortis: Ornithology and Modern American Art” (Kansas, C. Eldredge)

THRUSH, NANETTE, “Tilting at History: Gothic Revival Tournaments in Early Victorian Great Britain and the Antebellum American South” (Indiana, Bloomington, S. Burns)

TOTEVA, MAIA TODOROVA, “Language Use in Conceptual Art: Eastern European and North American Strategies” (UT Austin, R. Shiff)

TRAVIS, AMBER, “Theatres of War, Torture and Duress: Leon Golub’s Mercenaries, Interrogations, and White Squads: 1979–87” (Northwestern, S. Eisenman)

TUITE, DIANA, “Methods for Modernism: Arthur Wesley Dow Intersects the Stieglitz Circle” (Princeton, J. Wilmerding)

UREÑA, LESLIE, “Lewis Hine at Ellis Island: The Photography of Immigration and Race, 1904–1926” (Northwestern, S. Eisenman)

VAN HORN, JENNIFER, “The Object of Civility and the Art of Politeness in British America, 1740–1780” (Virginia, M. McInnis)

VINCENTI, MARISSA, “Our Spiritual Strivings: Gurdjieffian Philosophy, Spiritualism and Politics in the Art of Aaron Douglas” (Duke, R. Powell)

WALZ, JONATHAN F., “Abstract Portraiture and the American Avant–garde, 1912–27” (Maryland, S. Promey)

WILDE, TAMARA L., “Virgins and Vixens: Women, Musical Instruments, and Identity in Gilded Age Art” (Iowa, J. Kinsey)

WILLIAMS, TOM, “Pop Art, Youth Culture and Social Change in the 1960s” (SUNY Stony Brook, J. Katz, M. Bogart)

WOLF, VANESSA, “Surplus Feeling: War and Remembrance in Lee Bontecou’s Wall Reliefs, 1958–66” (Yale, A. Nemerov)

YAMAMORI, YUMIKO, “The A. A. Vantine and Company: Japanese Handcrafts for the American Consumer, 1895–1920” (Bard CUNY, K. Ames, A. Ogata)

YOSHIDA, ATSUSHI, “Modern Eremites: Art and the Vocation of Withdrawal in Gilded Age America” (Washington, A. Miller)

ZARRO, JENNIFER, “Views of Philadelphia and the Culture of Geography, 1780–1800: Maps, Magazine Engravings, and William Birch” (Rutgers, W. Bellion)

ZUNDO, MARY ELIZABETH, “Mapping Destiny: Cartography and Nineteenth–Century American Art of the Frontier” (UIUC, D. O’Brien)

Chinese Art

AUYEUNG, POYIN, “Critical Spatial Responses to Urban Redevelopment in Beijing and Shanghai: Art in Public Spaces, 1978–98” (CUNY, R. Bletter)

BENINGSON, SUSAN, “Shaping Sacred Space: Early Buddhist Caves and Their Interaction with Ritual Architecture and Artistic Programs of Tombs in Fifth Century China” (Columbia, R. Harrist)

BRASH, CAROL, “Representations of Gardens during the Ming Dynasty: Keeping the Past Present” (Minnesota, R. Poor)

CHAFFIN, CORTNEY, “Chu Sculpture of the Spring and Autumn and Warring States Periods: The Significance and Origins of Bizarre Antlered Creatures” (Pennsylvania, N. Steinhardt)

CHANG, HAN–YUN, “He Tianjian (1891–1977) and Defense of Guohua” (UC Santa Barbara, P. Sturman)

CHEN, LI–WEI, “Writing and Rulership in Eighth–Century China: Emeror Xuanzong (r. 712–756) and the Politics of Calligraphic Style” (Columbia, R. Harrist Jr.)

CHU, YANGMING, “Gentrification of Women in Early Tang Paintings” (Columbia, R. Harrist)

CHUA, YING, “Defining Chinese Modernity: The Art and Theory of Xu Beihong (1895– 1953)” (Ohio State, J. Andrews)

DAVIS, WALTER, “Wang Yiting and the Art of Sino–Japanese Exchange” (Ohio State, J. Andrews)

GIUFFRIDA, NOELLE, “Representing Zhenwu [the Perfected Warrior] in Late Imperial China” (Kansas, M. Haufler)

GREENWOOD, KEVIN, “Yonghegong: Art, Religion and Politics in Beijing’s ‘Lama Temple’” (Kansas, M. Haufler)

HAN, JIAYAO, “Ritual Bronzes of the Liyu Model: Commercialization, Gift–giving and Production in the Late Bronze Age State of Jin” (Pittsburgh, K. Linduff)

HONG, JEEHEE, “Theatricalizing Death: Performance Images of Mid–Imperial China (11th–13th Centuries)” (Chicago, H. Wu)

HUANG, YUN–JU MICHELLE, “Dunhuang Cave #446: The Embodiment of Hua–yen Buddhism” (Wisconsin, Madison, J. Murray)

HUNG, LINGYU, “From the Sacred to the Secular? A Case Study of Social Complexity and the Yangshao Pottery Tradition in NW China” (Washington, G. Bennett)

HWANG, KAREN, “Visual Politics in Dunhuang during the Guiyijun Period, 851–1002” (Harvard, E. Wang)

KELLEY, SONJA, “Printmaking in Sichuan after 1949: Regionalism and the Formation of a New National Art in China” (Princeton, J. Silbergeld)

KWOK, ZOE, “Five Dynasties–Early Song Figure Painting” (Princeton, J. Silbergeld)

LARRIVÉ–BASS, SANDRINE, “Cross–Materiality in Environmental and Ritual Contexts: Bronze Surrogates in Late Bronze Age China, 1045–221 BCE” (Columbia, R. Harrist)

LIN, WEI, “The Sixth Dynasty Caves at Qixia: Style and Iconography” (Ohio State, J. Huntington)

LIU, BO, “When Paintings Speak for the Owners: Political Expressions in Song Dynasty Fan Paintings” (Michigan, M. Powers)

LIU, DAVID, “The Prehistory of the Middle and Lower Changjiang Region” (Princeton, R. Bagley)

LU, LING–EN, “Agricultural Themes in Temple Wall Paintings in the Ming Dynasty (1368–1644)” (Kansas, M. Haufler)

LULLO, SHERI, “The Construction of Beauty in Han Dynasty China” (Pittsburgh, K. Linduff)

MAO, YILING, “Women’s Painting in 17th–Century China: Persona, Performance, and the Construction of Female Aesthetics” (Columbia, R. Harrist)

MARTIN, HUI WANG, “Guangsheng Monastery: The Study of Its Art and Architecture from a Ming Perpective” (Kansas, M. Haufler)

MATTEINI, MICHELE, “Painting in the Age of Evidential Scholarship (kaozheng) Luo Ping’s Late Years (ca. 1770–99)” (IFA/NYU, J. Hay)

PAKHOUTOVA, ELENA, “Reproducing the Sacred Places: The Eight Great Events of the Buddha’s Life and Their Commemorative Stpas in the Medieval Art of Tibet” (Virginia, D. Wong)

PARK, JAE–SUK, “The Rustic Image and Cult of Su Shi: ‘Su Shi Wearing Bamboo Hat and Clogs’” (Wisconsin, Madison, J. Murray)

PARK, JONG PHIL, “Ensnaring the Public Eye: Painting Manuals of Late Ming China (1550–1644) and the Negotiation of Taste” (Michigan, M. Powers)

RASMUSSEN, KENNETH, “Wang Shen (born ca. 1048) and Landscape Painting among the Elite in Northern Song China, 1069–1120” (Yale, R. Barnhart)

SUTHERLAND, HEATHER, “Adaptation and Transmission in Early East Asian Funerary Arts: Goguryeo Four Spirits Tombs in Jian” (Pennsylvania, N. Steinhardt)

TOWNSEND, CYNTHIA HART, “A Contextual Study of Chinese Burial Figurines: Eastern Zhou through Northern and Southern Dynasties” (Chicago, H. Wu)

TUNSTALL, ALEXANDRA, “Woven Paintings: Tapestries in the Ming (1368–1644) and Qing (1644–1911) Dynasties” (Columbia, R. Harrist)

WALLACE, LESLIE, “Chasing the Beyond: Depictions of Hunting in Eastern Han Dynasty Tomb Reliefs from Shaanxi and Shanxi” (Pittsburgh, K. Linduff)

WANG, CHEN–SHAN, “The Kaiyuan Monastery: Architecture, Iconography, and Social Context” (Pennsylvania, N. Steinhardt)

WANG, HAICHENG, “Writing and Civilization in Early Bronze Age China: A Comparative Study” (Princeton, R. Bagley)

WANG, MEIQIN, “Confrontation and Complicity: Rethinking Official Art in Contemporary China” (SUNY Binghamton, N. Um)

WANG, MICHELLE, “Mandalas and the Transformation of Space during the Late Tang Dynasty” (Harvard, E. Wang)

WANG, YUDONG, “Half–length Figures and Religious Experience in Ancient China” (Chicago, H. Wu)

WU, JUI–MAN (MANDY), “Art and Identity: Elite Foreigner Tombs in Northern China during the Northern Zhou Dynasty (557–581)” (Pittsburgh, K. Linduff)

XUE, LEI, “Eulogy on Burying a Crane (Yiheming) and Mortuary Inscriptions in Medieval China” (Columbia, R. Harrist)

YU, HUI–CHUN, “Intersection of Past and Present: The Qianlong Emperor and His Ancient Bronzes” (Princeton, S. Naquin)

ZHANG, SHAOQIAN, “Visualized Nationalist Politics: Negotiation and Construction of Chinese Citizen in the Republican Period (1912–49)” (Northwestern, S. E. Fraser)

ZHU, TIANSHU, “The Iconology and Iconography of the Buddha Images at Qizil and Kumtura, Kucha Region, Xinjiang, China” (Ohio State, J. Huntington)

Contemporary Art

ADAMS, VIRGINIA, “Illusion and Disillusionment in the Works of Gerhard Richter and Jeff Wall: Picturing (Post) Modern Life” (Maryland, S. Mansbach)

AUYEUNG, POYIN, “Critical Spatial Responses to Urban Redevelopment in Beijing and Shanghai: Art in Public Spaces, 1978–98” (CUNY, R. Bletter)

BARI, MARTHA, “Mass Media Is the Message: Yoko Ono and John Lennon’s 1969 Year of Peace” (Maryland, R. Ater)

BEAUCHAMP–BYRD, MORA, “Hogarth’s Progress: ‘Modern Moral Subjects’ in the Work of David Hockney, Lubaina Himid, and Paula Rego” (Duke, R. Powell)

BOETZKES, AMANDA, “Beyond Perception: The Ethics of Contemporary Earth Art” (McGill, C. Ross)

BOUMAN, MARGOT, “Fata Morgana: Matrices of Video and Site” (Rochester, D. Crimp)

BURGESS, LANA A., “Advancing American Art: Survival of an Idea” (FSU, K. Bearor)

CHON, DORIS, “Narrating Shadows: W. G. Sebald’s Photographic Historiography” (UCLA, G. Baker, M. Kwon)

CONTRERAS DE BERENFELD, MARIA CELINA, “Cesare Brandi’s Teoria del Restauro and the Practice of Restoration” (Queen’s, Kingston, C. Hoeniger)

DURHAM, DENNIS, “Vancouver Conceptual Art from N.E.THING CO. to Jeff Wall: The Transformation of Art Practice through Pedagogy” (Virginia Commonwealth, R. Hobbs)

ELFLINE, ROSS, “Superstudio and the Staging of Architecture’s Disappearance” (UCLA, M. Kwon)

ESANU, OCTAVIAN, “The Aesthetics of Transition: Major Shifts in Eastern European Art of the Nineties” (Duke, K. Stiles)

EVANS, KIM, “The Geography of Feminist Art Criticism: A Genealogical History of Feminist Discourses on Art, 1971–1981” (SUNY Binghamton, J. Tagg)

FARRELL, JENNIFER, “An Emerging Institutional Critique” (CUNY, R. Golan)

FIDELIS, GAUDENCIO, “The Reception and Legibility of Contemporary Brazilian Art in the United States (1990–2005)” (SUNY Binghamton, A. D’Souza)

FILIPPONE, CHRISTINE, “Science, Technology and Utopias in the Work of Contemporary Women Artists” (Rutgers, J. Marter)

FORTIN, SYLVIE, “Remaking Sixties Utopia: On the Chronotopy of Contemporary Moving–Image Installations and Global Exhibitions” (Duke, K. Stiles)

FREDRICKSON, LAUREL, “Kate Millett and Jean–Jacques Lebel: Sexual Outlaws in the Intermedia Borderlands of Art and Politics” (Duke, K. Stiles)

GLAHN, PHILIP, “Estrangement and Politicization: Bertolt Brecht and Postwar American Art” (CUNY, R. Golan)

HELD, ROBIN, “Lynn Hershman Is Not Roberta Breitmore; Roberta Breitmore Is Not Lynn Hershman: A Catalogue Raisonné” (Washington, P. Failing)

HEUER, ELIZABETH, “Going Postal: Surrealism and the Discourses of Mail Art” (FSU, K. Bearor)

HOLMES, KRISTY, “The Gendered Nation: The Work of Joyce Wieland 1964–76” (Queen’s, Kingston, L. Jessup)

HOSEIN, LISE, “The Weight of Being Human: Animals as Surrogate Bodies in Contemporary Art” (Toronto, M. Cheetham)

JOHNSON BIDLER, TIFFANY, “Tracing Genealogies: The Question of Inheritance in Early and Contemporary American Art” (Minnesota, J. Blocker)

KABFLEISCH, ELIZABETH, “Home and Homeland: Feminist Ground in Native American Art” (Rochester, J. Berlo)

KELLER, CANDACE, “Visual Griots: A Social, Political and Cultural History of Individuals in Mali through the Photographer’s Lens” (Indiana, Bloomington, P. McNaughton)

KUO, MICHELLE, “To Avoid the Waste of a Cultural Revolution: Experiments in Art and Technology (E.A.T.), 1966–1979” (Harvard, Y–A. Bois, B. Buchloh)

LAURITUS, BETH, “Critical Identity: Rethinking Conceptual and Feminist Art Discourse, 1965–1980” (UCLA, M. Kwon)

LÉGER, MARC, “Visuality, Subjectivity and Social Space in Critical Public Art” (Rochester, J. Saab)

LIMA, BENJAMIN, “Wolf Vostell’s Décollage and the Forms of Destruction, 1958–72” (Yale, D. Joselit)

LOKANDWALA, ARSHIYA, “Global Cartographies: Investigating Art in the Age of Biennales and Large–Scale Exhibitions (1990–2006) (Cornell, S. Hassan) {diss}maltz leca, leora,

” William Kentridge: Plays on Process and Other Doubtful Games” (Harvard, E. Lajer–Burcharth)

MAZOW, ALISSA WALLS, “Plantae, Animalia, Fungi: Transformations of Natural History in Contemporary American Art” (Penn State, S. Rich)

MCCORMICK, SETH, “Jasper Johns 1954– 1958: Persecution and the Art of Painting” (Columbia, J. Crary)

MOORE, JORDANA E., “Jean–Michel Basquiat and the Language of Creativity” (UIUC, J. Fineberg)

MUHAMMED, BAQIE B., “Contemporary East African Artists: The Fusion and Hybridization of Global and National Discourses in Modern Art in the Diaspora” (Indiana, Bloomington, P. McNaughton)

MUIR, KIM H. S., “Wounded Masterpieces: Restoring Severely Damaged Works of Art” (Queen’s, Kingston, C. Hoeniger)

NETTLETON, TARO, “Throw Out the Books, Get Out in the Streets: Subjectivity and Space in Underground Art in Japan in the 1960s” (Rochester, D. Crimp)

PERRILL, ELIZABETH, “Potters in the Marketplace: South African Ceramic Urbanization, 1910s to the Present” (Indiana, Bloomington, P. McNaughton)

PHILLIPS, NATALIE E., “The Pop Apocalypse: Keith Haring’s and Kenny Scharf’s Remaking of Religion in Contemporary Art” (UC Irvine, C. Whiting)

PROCTOR, JACOB, “Collage and Found Footage in Postwar Experimental Film: Bruce Conner, Stan Vanderbeek, Ken Jacobs, Robert Breer” (Harvard, Y–A. Bois, B. Buchloh)

RATH, AMANDA, “Mutable Signs: De/Con/Struction in Indonesian Experimental Art” (Cornell, K. McGowan)

RICHTER, MARIANNE, “Merged Identities: The Transformation of the Artist’s Persona, 1960–80” (UIC, P. Hales, H. Higgins)

RICHTER, TILL, “Contemporary Art: Art Historical and Market Criteria” (UT Austin, R. Shiff)

ROGERS, SARAH, “Postwar Art and the Historical Roots of Beirut’s Cosmopolitanism” (MIT, N. Rabbat)

ROJAS, MIGUEL, “Cultural Maps, Networks and Flow in Contemporary Art. A Case Study: Third World Art and the Havana Biennale” (Pittsburgh, T. Smith)

ROMAINE, JAMES, “The Art of Tim Rollins and K.O.S.: 25 Years of Art, Education and Community” (CUNY, H. Senie)

ROSENBAUM, SARAH, “In the Public Domain: Public Art, Advanced Capitalism, and the Contemporary City” (Harvard, Y–A. Bois)

ROSENBERG, LELA C., “The Virgin and the Murderess: Reflecting on the Sensation Sensation” (Duke, K. Stiles)

ROUTH, MITALI, “Ice Water Steam: Matthew Barney––From Sculpture, Performance and Film to Intermedia” (Duke, K. Stiles)

RUGG, WHITNEY, “Brian O’Doherty: Changing the Subject” (Chicago, D. English)

SAMET, JENNIFER, “Undercurrents: Figurative Painting in New York, 1960–80” (CUNY, P. Mainardi)

SCHEIWILLER, STACI GEM, “Entangled Legacies: Qajar Images in Contemporary Iranian Photography” (UC Santa Barbara, N. N. Khoury)

SCOTT, EMILY, “Wasteland Aesthetics: Art and the Postindustrial Landscape, 1962–72” (UCLA, M. Kwon)

SPICER, FRANK, “‘Just What Was It That Made Our Art So Different, So Appealing?’ Case Studies of the Critical Reception of American Avant–Garde Painting in London, 1950–64” (Case Western Reserve, E. Landau)

SUTTON, GLORIA, “The Experience Machine: Stan VanDerBeek’s ‘Movie–Drome’ and Expanded Cinema Practices of the 1960s” (UCLA, M. Kwon)

SYKES, CLAIRE, “‘Being–at–a–Loss’: Modalities of Experience in Contemporary Encounters with Art” (Rochester, P. Duro)

TAUB, EMILY, “On Site–Specificity: A Genealogy” (Emory, J. Meyer)

THEODORE, MOLLEEN, “Walter De Maria’s Work: Patronage, Reception and Aura” (CUNY, A. Chave)

TINTI, MARY, “The Contemporary Art of Travel: Locating Public Sculpture within American Airport Culture” (Rutgers, J. Marter)

TRADOWSKY, CHRISTOPHER, “After Sherrie Levine: Appropriation and the Art of Absolute Influence” (UCLA, M. Kwon)

TROTMAN, CHRISTOPHER, “Performance, Ritual and Multimedia in 1970s Body Art” (CUNY, A. Chave)

TSENG, LI–LIN, “Melodrama as Modernity in Early Chinese Cinema: A Case Study in the Works of Zheng Zhengqiu and His Shanghai Contemporaries, 1922–37” (UIUC, J. Fineberg)

VEITCH, MICHELLE H., “Theories of Space and Urban Regeneration” (Queen’s, Kingston, L. Jessup, C. Robertson)

VIGNEAULT, MARISSA, “The Formation of Memory, Trauma and Desire in the Art and Writing of Bracha Lichtenberg Ettinger” (Bryn Mawr, S. Levine)

WANG, MEIQIN, “Confrontation and Complicity: Rethinking Official Art in Contemporary China” (SUNY Binghamton, N. Um)

WARNOCK, MOLLY, “Painting Blind: The Work of Simon Hantaï” (Johns Hopkins, M. Fried)

WILSON, PAUL, “The Global Aesthetics of Nostalgia: Nation and Longing in Contemporary Art” (Minnesota, J. Blocker)

WOODS, NICOLE L., “The Roving Affect: Art in the Age of Flux / Fusion” (UC Irvine, C. Whiting)

WYMAN, JESSICA, “Starting with Performance: Absence, Object Relations and Historiography” (Queen’s, Kingston, C. Robertson)

YAMAMURA, MIDORI, “Yayoi Kusama: Biography and Cultural Confrontation” (CUNY, A. Chave)

YATES ATKINS, GILLIAN, “Installation Art in Canadian Public Spaces” (Toronto, M. Cheetham)

YOSHITAKE, MIKA, “Requiem for the Sun: The Art of Mono–ha and Bikyoto (1968–74)” (UCLA, G. Baker and M. Kwon)

Critical Theory/Gender Studies/Visual Studies

ANABLE, AUBREY, “Converging Anxieties: Digital Media, Cinema and the City” (Rochester, S. Willis)

ATKINSON, ELAINE M., “Fantasy, Memory and Spirituality in Visual Culture in Britain, 1850–1910” (Queen’s, Kingston, J. Helland)

BIBLE, ANN VOLLMANN, “The Art of Dailiness: Gabriele Münter’s Self–Representations” (MIT, M. Jarzombek)

BIEDERMEN, LEGIER, “Re–engineering the Experience of Art: ‘New’ Media and Discourses of Repetition in Times of Political Crisis” (UCLA, D. Preziosi)

BRUCKNER, RENÉ THOREAU, “The Art of Disappearance: Duration, Instantaneity, and the Conception of Cinema” (UC Irvine, A. Lippit)

CARO, MARIO A., “The Native as Image: Art History and the Representation of the American Native” (Rochester, J. Berlo, D. Crimp, M. Holly)

CHENG, JOYCE, “Fixed Ecstasy: The Mask and the Problematic of Expressivity in Avant–Garde Art Criticism and Ethnology 1914–1939” (Chicago, R. Heller)

CHUTE, MAHLON W. L., “Mississippi of the West: Urban Planning, Tourism and Violence in the Las Vegas Valley, 1930–70” (UC Santa Barbara, S. Chattopadhyay)

CZACH, LIZ, “Careless Rapture: Artifacts and Archives of the Home Movie” (Rochester, S. Willis)

DAVIES, LYELL, “New Realities for the Committed Documentary” (Rochester, S. Willis)

DE LA ROSA, GABRIELLA, “Picturing the Colonial Enlightenment: Race, Identity and Difference in French Visual Culture, 1682–1804” (Harvard, E. Lajer–Burcharth)

DUMETT, MARI, “Corporate Imaginations: The Fluxus Collective in the Age of Multinational Capitalism” (Boston, C. Jones)

EKARDT, PHILIPP, “‘Eher eine Rüsche am Kleid’: Real Time Images, from Benjamin to Gerhard Richter” (Yale, D. Joselit)

EMERLING, JOHN, “The Gesture of Collecting: Walter Benjamin and Contemporary Aesthetics” (UCLA, D. Preziosi)

EVANS, KIM, “The Geography of Feminist Art Criticism: A Genealogical History of Feminist Discourses on Art, 1971–81” (SUNY Binghamton, J. Tagg)

FRIEDBERG, EVA J., “Lawrence Halprin’s Urban Plazas (1960–76): The Take Part Workshops, the Creative Process and Public Space” (UC Irvine, E. Dimendberg)

GERHOLD, EMILY, “American Beauties: The Breast in Nineteenth–Century American Art and Culture” (Virginia Commonwealth, E. Garberson)

GILBERTSON, LEANNE, “Out of Place in Time: Women Performing Art in Warhol’s Factory and Judson Memorial Church” (Rochester, D. Crimp)

GREENE, SHELLEEN, “The ‘Black Body’ in Italian Cinema: The Legacy of Colonialism, Fascism, and Primitivist Aethetic on Racial Appropriation in Italian Cinema” (UC Irvine, F. T. Rony)

HAUGHEY, PATRICK, “Archival Obligation, Public Access, and the Coming of the Presidential Library” (MIT, M. Jarzombek)

HENNEBURY, DEIRDRE L. CHRISTIANSON, “Inside and Outside the Museum Walls: City, Architecture, Object” (Michigan, R. Fishman)

HOWIE, ELIZABETH, “The Courtly Erotics of the Photograph: Photography and the 19th–Century Theorization of Courtly Love” (UNC Chapel Hill, C. Mavor)

HUEBNER, KARLA, “Eroticism, Identity, and Cultural Context: Toyen and the Czech Avant–Garde” (Pittsburgh, B. McCloskey)

JOHNSON BIDLER, TIFFANY, “Tracing Genealogies: The Question of Inheritance in Early and Contemporary American Art” (Minnesota, J. Blocker)

JONES, JORDY, “The Ambiguous I: Photography, Gender, Self” (UC Irvine, C. Whiting)

KABFLEISCH, ELIZABETH. “Home and Homeland: Feminist Ground in Native American Art” (Rochester, J. Berlo)

KAKAR, SHALINI, “Fashioning the Divine: Religosity, Fandom and Cultural Politics in Contemporary India” (UC Santa Barbara, S. Chattopadhyay)

KARIMI, Z. PAMELA, “Exporting the American Dream: The United States and the Making of the Modern Iranian Home” (MIT, N. Rabbat)

KHOSROWJAH, HOSSEIN, “Unthinking the National Imaginary: The Singular Cinema of Abbas Kiarostami” (Rochester, S. Willis)

KILIN, KIVAN, “Constructing Women for the Republic: The Spatial Politics of Gender in 1930s Ankara” (SUNY Binghamton, T. McDonough

KIRSHTNER, KELLY, “Deadly Sound” (UC Irvine, P. Krapp)

LÉGER, MARC, “Visuality, Subjectivity, and Social Space in Critical Public Art” (Rochester, J. Saab)

LOECHLE, ANNE M., “Ye Intruders Beware: Masculinity, Vicarious Adventure and Fantastical Pirates in the Golden Age of Illustration and Beyond” (Indiana, Bloomington, S. Burns)

LULLO, SHERI, “The Construction of Beauty in Han Dynasty China” (Pittsburgh, K. Linduff)

MCAULIFFE, MICHAEL, “Connoisseurship in the Twentieth Century: The János Scholz Collection of Italian Old Master Drawings––A Case Study” (Columbia, D. Rosand)

MEDAKOVICH, MOLLY A., “Between Friends: The Politics of Female Camaraderie in the Genre Paintings of Marguerite Gérard” (UNC Chapel Hill, M. Sheriff)

MILLER, JENNIFER, “In the Flesh: The Burlesque Theater in American Art and Visual Culture” (USC, C. Holloway)

MIZOGUCHI, AKIKO, “The Construction of Lesbian Sexuality in Contemporary Japan in Relation to Yaoi Fictions” (Rochester, D. Crimp)

MURRAY, HEATHER M., “Globalized Bodies, National Borders: The Logic of Containment in Biometric Technology” (UC Irvine, V. Johnson)

MURRAY, XIOMRA, “Before the ‘Mellon Gallery’: Toward an American National Gallery of Art 1816–1937” (IFA/NYU, C. Eisler)

MUZAFFAR, M. IJLAL, “The Periphery Within: Modern Architecture and the Making of the Third World” (MIT, M. Jarzombek)

NIELSEN, KRISTINE, “The Removal, Modification or Preservation of East Berlin’s Political Monuments in the early 1990s” (Chicago, W. J. T. Mitchell)

O’BRIEN, JAMES, “Possibilities for Architectural Production under Capitalism” (MIT, M. Jarzombek)

OZKAN, DERYA, “Learning from Istanbul: The Politics of Everyday Spatial Practices and the Production of Metropolitan Space” (Rochester, R. Haidu)

PERSINGER, CYNTHIA, “The Politics of Style: Meyer Schapiro and the Methods of Art History” (Pittsburgh, B. McCloskey)

PHILLIPS, NATALIE E., “The Pop Apocalypse: Keith Haring’s and Kenny Scharf’s Remaking of Religion in Contemporary Art” (UC Irvine, C. Whiting)

RAZO WARDWELL, MARIANA, “The Enigma of Ichcateopan: A Messianic Archive of the Nation” (UC Irvine, F. Tobing Rony)

RICCIARDELLI, LUCIA, “Visual Culture and the Crisis of History: American Documentary Practice in the Postmodern Era” (UC Santa Barbara, S. Chattopadhyay)

RODRIGUEZ, VICTOR M., “Mimicry in Latin American Art and the Rhetoric of Modernist Art History” (Rochester, D. Crimp)

ROGERS, DENISE, “Becoming Black Woman: Eldzier Cortor’s Visualization of the Black Female Body” (UC Irvine, J. Wilson)

ROGERS, JENNIFER, “Walking after Midnight: Mythic Monstrousness, Menstruation, and the Female Werewolf” (UC Irvine, A. Lippit)

RUGG, WHITNEY, “Brian O’Doherty: Changing the Subject” (Chicago, D. English)

SCANLON, PATRICIA S., “‘God–Gifted girls’: Women Illustrators, Gender, Class and Commerce in American Visual Culture, 1885–1925” (Indiana, Bloomington, S. Burns)

SCHULD, DAWNA, “Nothing to Look At: Art as Situation and Its Neuropsychological Implications” (Chicago, B. Stafford)

SEAN, ROWE, “Figuring the Landscape: Western Monuments and the Contested Terrain of American National Nostalgia” (UC Irvine, C. Whiting)

SILVERS, HOLLY, “The Poitevin Low Road: Profanity in the Ecclesiastical Sculpture of Romanesque Saintonge” (Indiana, Bloomington, D. Reilly)

SRIDHARAN, SHRIYA, “Continuing Tradition: Locating the Ritual and Visual Practices of Contemporary Srirangam within Historical and Global Networks” (SUNY Binghamton, N. Um)

STRAHL–ALLEN, LISA, “Gender Construction and Manifestation in the Art of Elaine de Kooning” (Temple, G. Silk)

STRYKER, ERIC, “New Figuration: The City, Space, and the Body in British Art after 1945” (Yale, T. Barringer)

SYKES, CLAIRE, “Being–at–a–Loss: Modalities of Experience in Contemporary Encounters with Art” (Rochester, P. Duro)

TRADOWSKY, CHRISTOPHER, “After Sherrie Levine: Appropriation and the Art of Absolute Influence” (UCLA, M. Kwon)

TRENT, MARY S., “Collecting Apart: Mass Media and Private Space in 20th–Century American Collage” (UC Irvine, C. Whiting)

UDDIN, LISA, “” Breeding Grounds: American Zoos and the Public Display of Endangered Species” (Rochester, J. Saab)

VEITCH, MICHELLE H., “Theories of Space and Urban Regeneration” (Queen’s, Kingston, L. Jessup, C. Robertson)

VIGNEAULT, MARISSA, “The Formation of Memory, Trauma, and Desire in the Art and Writing of Bracha Lichtenberg Ettinger” (Bryn Mawr, S. Levine)

VORANO, NORMAN D., “The Culture of Inuit Art: Museums, Modernism, and the Popular Imaginary in the Mid–Twentieth Century” (Rochester, J. Berlo)

WANG, MEIQIN, “Confrontation and Complicity: Rethinking Official Art in Contemporary China” (SUNY Binghamton, N. Um)

WILSON, PAUL, “The Global Aesthetics of Nostalgia: Nation and Longing in Contemporary Art” (Minnesota, J. Blocker)

WOODS, NICOLE L., “The Roving Affect: Art in the Age of Flux / Fusion” (UC Irvine, C. Whiting)

WYMAN, JESSICA, “Starting with Performance: Absence, Object Relations, and Historiography” (Queen’s, Kingston, C. Robertson)

ZAKER, BAHAR, “Surrealism’s Aesthetic Turn: Memory and Visual Culture in Interwar France” (UC Irvine, Jim Herbert)

ZALMAN, SANDRA, “A Vernacular Vanguard Abroad: How America Minded Surrealism” (USC, N. Troy)

ZUTHER, SIMONE, “Franz Xaver Winterhalter and the Business of Portraying Women in Second Empire Paris” (Virginia Commonwealth, E. Garberson)

Decorative Arts/Textiles/Design History

ANDERSON, ERIC, “The Design Theory of Jacob von Falke: Historicism and Cultural Transformation in Ringstrasse Vienna” (Columbia, B. Bergdoll, M. McLeod, G. Wright)

BORTEL, E., “George Ohr: His Life, Work and Influence on Contemporary Ceramics” (Case Western Reserve, H. Adams)

CARR, DENNIS, “Early Furnituremaking in the Narragansett Basin, 1636–1740” (Yale, E. Cooke Jr.)

DIMITROVA, KATE, “Unraveling Christ’s Passion: Archbishop Dalmau de Mur’s Artistic Patronage and Flemish Tapestries in 15th–Century Spain” (Pittsburgh, M. A. Stones)

FELDMAN, NANCY, “Aumonieres, 13th–Century Embroidered Narratives” (Chicago, R. Zorach)

FINAMORE, MICHELLE TOLINI, “Fashioning Early Cinema: Dress and Representation in American Film, 1910–1930” (Bard CUNY, P. Kirkham)

FISHER, ELLEN, “Mary McFadden, Fashion Designer” (Bard CUNY, P. Kirkham, M. Majer)

FLEMING, ELIZABETH, “ReDesigning the Decorative Arts: The Production and Promotion of Postmodern Objects” (Yale, E. Cooke Jr.)

GEORGE, ANGELA, “‘The Old New World’: Unearthing Mesoamerican Antiquity in the Art and Culture of the United States, 1839–1893” (Maryland, S. Promey)

HANNAH, CAROLINE, “Between Art, Craft, and Design: Henry Varnum Poor and the Making of the Modern American Artist” (Bard CUNY, P. Kirkham)

HARWOOD, JOHN, “The Redesign of Design: Multi–National Corporations, Computers, and Design Logic, 1945–1976” (Columbia, B. Bergdoll)

HOLLOWAY, ANITA, “Animal Symbolism in Ewe Textiles” (Virginia Commonwealth, B. Lawal)

HOOPER–LANE, ELIZABETH, “Domestic Modernism in Middle America: Women in Their Post–War Homes” (Wisconsin, Madison, A. Martin)

JOY, CATHERINE LANFORD, “Reflecting Refinement: The Making and Meaning of Silver Metal in Antebellum Boston, 1800–75” (Yale, E. Cooke Jr.)

KAUKAS HAVENHAND, LUCINDA, “Creating a Modern Gesamtkunstwerk: Interior Design 1930–60” (Virginia Commonwealth, R. Hobbs)

KIEFER, EVELYN, “The Birth and Death of the American Dining Room: An Evolution from the Colonial Hall to Frank Lloyd Wright’s Dining Rooms and Beyond” (Case Western Reserve, H. Adams)

KULLY, DEBORAH, “Speculating on Architecture: Morality, the New Real Estate, and the Bourgeois Apartment Industry in Late Nineteenth–Century France” (MIT, E. Naginski)

LANIER, JESSICA, “The Grand Tours of Martha Coffin Derby: Travel, Collecting, and the Promotion of Culture in the Early Republic” (Bard CUNY, K. Ames)

LASSER, ETHAN, “Figures in the Grain: The Stakes of Furniture in Anglo–America, 1660–1800” (Yale, E. Cooke Jr.)

LICHTMAN, SARAH, “From Basement to Bandstand: The Private and Public Places of the American Teenager, 1945–1965” (Bard CUNY, P. Kirkham)

MEIERS, SARAH H., “William Morris’s Green Dining Room: The Experience of an Arts–and–Crafts Interior” (Queen’s, Kingston, J. Helland)

NIEKRASZ, CARMEN C., “Flemish Tapestry and Natural History, 1550–1600” (Northwestern, C. Swan)

ORTIZ–HOLMES, AMY, “Tramp Art: Cultural Expression, Visual Splendor” (Wisconsin, Madison, A. Smart Martin)

PERRILL, ELIZABETH, “Potters in the Marketplace: South African Ceramic Urbanization, 1910s to the Present” (Indiana, Bloomington, P. McNaughton)

SCHILB, HENRY D., “Byzantine Identity and Its Patrons: Embroidered Epitaphioi and Aeres of the Palaiologan and Post–Byzantine Periods” (Indiana, Bloomington, W. E. Kleinbauer)

SCHMIDT BACH, DEBRA, “Silver in Antebellum New York: The Working Partnerships of Craftsman, Manufacturer, and Entrepreneur William Gale” (Bard CUNY, K. Ames, P. Kirkham)

SHALES, EZRA, “John Cotton Dana and the Business of Enlightening Newark: Applied Art at the Newark Public Library and Museum, 1902–29” (Bard CUNY, K. Ames, P. Kirkham)

TUNSTALL, ALEXANDRA, “Woven Paintings: Tapestries in the Ming (1368–1644) and Qing (1644–1911) Dynasties” (Columbia, R. Harrist)

YAMAMORI, YUMIKO, “The A. A. Vantine and Company: Japanese Handcrafts for the American Consumer, 1895–1920” (Bard CUNY, K. Ames, A. Ogata)

Digital Media/Animation

BIEDERMEN, LEGIER, “Re–engineering the Experience of Art: ‘New’ Media and Discourses of Repetition in Times of Political Crisis” (UCLA, D. Preziosi)

MURRAY, HEATHER M., “Globalized Bodies, National Borders: The Logic of Containment in Biometric Technology” (UC Irvine, V. Johnson)

O’BRIEN, JAMES, “Possibilities for Architectural Production under Capitalism” (MIT, M. Jarzombek)

TRENT, MARY S., “Collecting Apart: Mass Media, and Private Space in 20th–Century American Collage” (UC Irvine, C. Whiting)

Drawings/Prints/Photography/Works on Paper

ACKERMAN, ADA, “Étude d’une genèse créatrice: L’apport des caricaturistes européens du XIXe siècle aux pratiques graphiques, cinématographiques et théoriques de Sergueï Eisenstein” (Université de Montréal, T. Porterfield, and Université de Paris X–Nanterre, S. Le Men)

BARBERIE, PETER, “Conventional Pictures: Charles Marville in the Bois de Boulogne” (Princeton, P. Bunnell)

BOUCHARD, ANNE–MARIE, “Figurer la société mourante. Cultures esthétiques et idéologiques de la propagande anarchiste illustrée en France, 1880–1914” (Université de Montréal, T. Porterfield)

CAMPBELL, KATHRYN, “Imaging Russia during the Cold War: Photographs in Life Magazine, 1945–62” (Virginia Commonwealth, R. Hobbs)

CAVALLERO, JANET, “Photography and the Creation and Control of the Masses in 1930s Fascist Italy” (Columbia, B. Buchloh)

CHON, DORIS, “Narrating Shadows: W. G. Sebald’s Photographic Historiography” (UCLA, G. Baker, M. Kwon)

CUTSHAW, STACEY, “Intimate Images: The Public and the Private in Twentieth–Century American Photography” (Boston, C. Jones)

DE SOUZA, C. ROBERTO, “And Love Will Live Forever: The Narrative Structure of the Fotonovela” (UC Santa Barbara, U. Keller)

DIACK, HEATHER, “Performing Documents: An Aporetic Approach to Conceptual Art and Photography, 1965–1980” (Toronto, L. Kaplan, M. Cheetham, E. Legge)

DOLAN, JULIA, “‘I Will Take You into the Heart of Modern Industry’: Lewis Hine’s Photographic Interpretation of the Machine Age” (Boston, K. Sichel)

ELCOTT, NOAM, “Cameraless Modernisms:Art, Media, Photograms” (Princeton, C. Armstrong)

ELIAS, CHAD, “Hysterical Documents: A History of Photography in the Middle East (1920–present)” (Northwestern, H. Feldman)

HARPER, KATHERINE, “The Prints and Drawings of Hendrick Goudt: New Light on an Artist and Nobleman” (Boston, M. Zell)

HICKMAN, CAROLINE MESROBIAN, “Clare Leighton (1898–1989): A Wood Engraver’s Impressions of Agrarian Life in England and the American South” (UNC Chapel Hill, A. Marks)

JONES, JORDY, “The Ambiguous I: Photography, Gender, Self” (UC Irvine, C. Whiting)

JONES, PENNY, “Figural Trees: American Artists and Forest Debate in the Nineteenth Century” (Columbia, E. Hutchinson)

KELLER, CANDACE, “Visual Griots: A Social, Political and Cultural History of Individuals in Mali through the Photographer’s Lens” (Indiana, Bloomington, P. McNaughton)

KNAPPE, BRETT, “Hope and Innovation: The Photography of Barbara Morgan” (Kansas, J. Pultz)

LAMUNIERE, MICHELLE, “The Social Museum at Harvard: Francis Greenwood Peabody and Early Twentieth–Century Social Reform Photography in Context” (Boston, K. Sichel)

LOECHLE, ANNE M., “Ye Intruders Beware: Masculinity, Vicarious Adventure and Fantastical Pirates in the Golden Age of Illustration and Beyond” (Indiana, Bloomington, S. Burns)

LUCE, KRISTINA, “Revolutions in Parallel: The Rise and Fall of Drawing within Architectural Design” (Michigan, D. Herwitz, M. McCullough)

MALTZ LECA, LEORA, “William Kentridge: Plays on Process and Other Doubtful Games” (Harvard, E. Lajer–Burcharth)

MCCANN, CARMEN, “Status Viatoris: A New Spectacularization of Death in French Paintings and Prints from the Bourbon Restoration” (Penn State, N. Locke)

MCQUEEN, KATHLEEN, “Blood Beauty: Photography and the Aesthetics of Witness” (SUNY Stony Brook, J. Monteyne)

MICHAL, EILEEN M., “Picture Loving: Halftone Reproduction and Celebrity in America 1880–1915” (Chicago, J. Snyder)

MILLER, SARAH M., “Inventing ‘Documentary’ in American Photography, 1930–1945” (Chicago, J. Snyder)

MOORE, ALLISON, “Shifting Identities: Malian Photography, 1945–2005” (CUNY, G. Batchen)

NOONAN, JENNIFER, “Romancing the Stone: Printmaking and the Body in the 1960s and 1970s” (Penn State, S. Rich)

PALMER ALBERS, KATHERINE, “Archive/Atlas/Album: The Photographic Records of Christian Boltanski, Dinh Q. Lê, and Gerhard Richter” (Boston, C. Jones)

PERRY, WEENA, “America in Ruins: Photography and the Making of National Meanings” (SUNY Stony Brook, M. Bogart)

QUICK, KATHY, “The Narrative Document: Lewis Hine and ‘Social Photography’ ” (Brown University, M. Doane)

ROTH, LYNETTE, “‘Neue Sachlichkeit’ in Cologne: August Sander and the Cologne Progressives” (Johns Hopkins, B. Doherty)

SANCHO, VICTORIA, “Rubens, Imitation, and the Construction of Individual Style” (Columbia, D. Freedberg, D. Rosand)

SASKA, HOPE, “Staging the Page: Theatricality of Eighteenth–Century British Print Satire” (Brown University, K. D. Kriz)

SCANLON, PATRICIA S., “‘God–gifted girls’: Women Illustrators, Gender, Class and Commerce in American Visual Culture, 1885–1925” (Indiana, Bloomington, S. Burns)

SENF, REBECCA, “Intimate Places: Ansel Adams’s Photographs in the American West and Southwest, 1916–1936” (Boston, K. Sichel)

SICHERMAN, DARA, “Book Illustration in Fin–de–Siècle France” (CUNY, J. Roos)

SMITH, LAURA, “The Art of Horace Poolaw, Kiowa Photographer” (Indiana, Bloomington, S. Burns)

STETLER, PEPPER, “Bound Vision: Reading the Photograph in the Book in Weimar Germany” (Delaware, M. Werth)

TEGROTENHUIS, MEREDITH A., “Stabilizing the City: Berenice Abbott’s Photographs and Urban Representation in the 1930s” (Northwestern, C. Lambert)

UREÑA, LESLIE, “Lewis Hine at Ellis Island: The Photography of Immigration and Race, 1904–1926” (Northwestern, S. Eisenman)

WEIL, MICHAEL, “Sowing the Seeds of a New Fine Art: Stieglitz, O’Keeffe and Photography in American Museums” (Case Western Reserve, E. Landau)

WEISS, MARTA, “British Staged Photography and the Victorian Album 1858–75” (Princeton, P. Bunnell)

YOON, RANGSOOK, “Albrecht Dürer as Printer of His Illustrated Books” (IFA/NYU, C. Eisler)

YOUNG, LISA JAYE, “All Consuming: Weimar Photography and the Aesthetics of Americanization, 1923–33” (CUNY, G. Batchen)

Early Christian/Byzantine Art

ANDERSON, BENJAMIN, “The Fixed Stars in Carolingian, Byzantine and Umayyad Art” (Bryn Mawr, D. Kinney)

ANGUELOVA, VESSELA, “Place as Spiritual Experience in Middle and Late Byzantine Art” (Penn State, A. Cutler)

BADAMO, HEATHER, “Among Byzantines and Muslims: Medieval Coptic Representations of Military Saints, ca. 650–1300 CE” (Michigan, T. Thomas)

BARE, CEIL, “Achilles and the Roman Aristocrat: The Ambrosian Iliad as a Social Statement in the Late Antique Period” (FSU, C. Hahn)

BOGDANOVIC, JELENA, “TO KIβ ΩPION. The Framing of Sacred Space in the Byzantine Tradition” (Princeton, S. Ćurčić)

CAMERLENGHI, NICOLA, “Unraveling the Palimpsest: The Basilica of San Paolo fuori le mura in Rome (9th to 19th Century)” (Princeton, S. Ćurčić)

CLARK, TRAVIS, “Imaging the Cosmos: The Christian Topography by Cosmas Indicopleustes” (Temple, E. Bolman)

DALGIC, ORGU, “Late Antique Floor Mosaics of Constantinople before the Great Palace” (IFA/NYU, T. Mathews)

DRPIC, IVAN, “Nous and Techne: Epigrams on Art in Late Byzantium” (Harvard, I. Kalavrezou)

FULGHUM HEINTZ, MARY, “The Transitive Form: Textiles as Transmitters of Power in the Middle Ages” (Harvard, I. Kalavrezou)

GANNAWAY, ETHAN, “The ‘Cubiculum Leonis’ in the Catacomb of Commodilla at Rome” (Missouri, M. Rautman)

GITTINGS, ELIZABETH, “The Ideology and Aesthetics of Architecture in the Early Christian Mosaics of the Rotunda in Thessaloniki” (Harvard, I. Kalavrezou)

MARSENGILL, KATHERINE, “Portrait and Icon: Between Reality and Holiness in Byzantium” (Princeton, S. Ćurčić)

METHRIC, TIMOTHY, “Art, Identity, and Coinage in 5th– and 6th–Century Thessaloniki” (Indiana, Bloomington, W. E. Kleinbauer)

MIHALJEVIC, MARINA, “Constantinopolitan Architecture of the Comnenian Era (1081–1180) and Its Impact on the Balkans” (Princeton, S. Ćurčić)

O’BRIEN, MAUREEN, “Art and Text in the Vienna Genesis” (UNC Chapel Hill, D. Verkerk, J. Folda)

PAYNE, STEPHANIE, “Forming Friendship and Fraternity in Byzantine Monasticism: Illustrating The Romance of Barlaam and Joasaph from the Eleventh to Thirteenth Centuries” (UT Austin, G. Peers)

RATLIFF, BRANDIE, “Image and Relic at Byzantine Pilgrimage Sites” (Columbia, S. Murray, H. Klein)

SCHENK, KÄRA, “Returning the Zion: The Narrative of the Dura–Europos Synagogue Frescoes” (Johns Hopkins, H. Maguire)

SCHILB, HENRY D., “Byzantine Identity and Its Patrons: Embroidered Epitaphioi and Aeres of the Palaiologan and Post–Byzantine Periods” (Indiana, Bloomington, W. E. Kleinbauer)

SPONSLER, JESSICA, “Contextualizing the Iconography of the Christological Cycle in the Gerona Beatus” (UNC Chapel Hill, D. Verkerk)

STEWART, CHARLES A., “Domes of Heaven: The Domed Basilicas of Cyprus” (Indiana, Bloomington, W. E. Kleinbauer)

Early Medieval/Romanesque/Gothic Art

ATAOGUZ, J. KIRSTEN, “The Apostolic Mission of the Monks at the Monastery of Saint John in Müstair, Switzerland” (Harvard, J. Hamburger, I. Kalavrezou)

BADAMO, HEATHER, “Among Byzantines and Muslims: Medieval Coptic Representations of Military Saints, ca. 650–1300 CE” (Michigan, T. Thomas)

BOEYE, KERRY, “Signs of Wisdom, Acts of Judgment: King Solomon in Medieval Visual Culture” (Chicago, L. Seidel)

BOGART, JILL, “Portraiture and Patron–Artist Relations in Late Medieval Europe” (Pittsburgh, M. A. Stones)

BRADBURY, CARLEE ANN, “Imaging and Imagining the Jew in Medieval England,” (UIUC, A. Hedeman)

BROMBERG, SARAH, “The Later Context and Reception History of the Illuminations in Nicholas of Lyra’s Postilla litteralis super totam bibliam” (Pittsburgh, M. A. Stones)

BRUCK, LAURA K., “Word into Deed: Text and Image in Thirteenth–Century Parisian Portable Bibles” (Northwestern, S. Hindman)

CAMERLENGHI, NICOLA, “Unraveling the Palimpsest: The Basilica of San Paolo fuori le mura in Rome (9th to 19th Century)” (Princeton, S. Ćurčić)

CANNING, JONATHAN, “The Stone–Cage Chantry Chapel and the Architecture of Perpetual Commemoration in Late Medieval England” (Columbia, S. Murray)

COCHRANE, LAURA, “‘Where there is No Time’: The Quadrivium and Images of Eternity in Eleventh–Cenury Anglo–Saxon Manuscripts” (Delaware, L. Nees)

COLLINS, KRISTEN MARY, “Redeemer, Mother, and Ruler: Images of the Virgin in Ottonian Germany” (UT Austin, J. Holladay)

CRITES, DANYA A., “From Mosque to Cathedral: The Social and Political Significations of Mudejar Architecture in Late Medieval Seville” (Iowa, R. Bork)

DANIELSON, SIGRID, “The Gold Altar of Sant’Ambrogio in Milan” (Indiana, Bloomington, W. E. Kleinbauer)

DE APPOLONIA, GIOVANNA, “Profane and Sacred Justice: The Symbolism of the Column–Bearing Lion from Northern Italy” (Boston, D. Kahn)

DIMITROVA, KATE, “Unraveling Christ’s Passion: Archbishop Dalmau de Mur’s Artistic Patronage and Flemish Tapestries in 15th–Century Spain” (Pittsburgh, M. A. Stones)

DOLAN, MARION, “The Illustrative Tradition of the Aratea Manuscripts in the Middle Ages” (Pittsburgh, M. A. Stones)

DONOVAN, ERIN KATHLEEN, “The Patronage of the Livre D’Eracles in the Burgundian Court of the 15th Century” (UIUC, A. Hedeman)

DOQUANG, MAILAN, “Rayonnant Funerary Chapels: Architectural Additions and Changing Contexts in French Gothic” (IFA/NYU, M. Trachtenberg)

EGAN, HEATHER, “Containing the Sacred: Enamel Phylacteries, Relics, and Twelfth–Centuary Theology in the Meuse Valley” (Johns Hopkins, H. Kessler)

FELDMAN, NANCY, “Aumonieres, 13th–Century Embroidered Narratives” (Chicago, R. Zorach)

FINCH, JULIA A., “The Implications of Medieval Literacy on Medieval Visual Culture” (Pittsburgh, M. A. Stones)

FLUKE, MEREDITH, “Building across the Sacred Landscape: The Romanesque Churches of Verona and Their Urban Context” (Columbia, S. Murray, H. Klein)

FOSTER–CAMPBELL, MEGAN H., “Reading Pilgrimage: Pilgrims’ Badges in Late Medieval Devotional Texts” (UIUC, A. Hedeman)

FOZI, SHIRIN, “The Body Recast and Revived in Romanesque Funerary Sculpture” (Harvard, J. Hamburger)

FUNK, CARLA, “Visualizing Identity: The Decoration and Transformation of the Palazzo Datini in Prato” (Emory, E. Pastan)

GEARHART, HEIDI, “Theophilus’ On Diverse Arts: The Persona of the Artist and the Production of Art in the Twelfth Century” (Michigan, E. Sears)

GERRY, KATHRYN, “The Alexis Quire in the St. Albans Psalter and the Monastic Community of St. Albans” (Johns Hopkins, H. Kessler)

GREEN, MEAGAN, “Friars in the City: Mendicant Architecture and Pious Practice in Medieval Verona” (Duke, C. Bruzelius)

GREENWOOD, JILL VESSELY, “The Romanesque Duomo in Sovana, Italy: Context Iconography and Style” (Kansas, M. Stokstad)

GUÉRIN, SARAH, “‘Tears of Compunction’: French Gothic Ivories in Devotional Practice” (Toronto, A. Cohen)

GUSTAFSON, ERIK, “Tradition and Renewal in the Thirteenth–Century Franciscan Architecture of Tuscany” (IFA/NYU, M. Trachtenberg)

HADLEY, MARGARET, “The Yale Missal, Beinecke Library, Ms. 425” (Yale, W. Cahn)

HANAN, MELANIE, “Romanesque Casket Reliquaries: Forms, Meanings, Development, and Imagery” (IFA/NYU, J. Alexander)

HINDIN, S. ADAM, “Knowledge, Memory, and Ethnic Commitment in Bohemian Visual Culture, 1198–1458” (Harvard, J. Hamburger)

JOLLIFFE, MELISSA, “The Role of the Choir Screen Images at Notre–Dame of Paris” (Emory, E. Pastan)

JOYNER, DANIELLE, “A Timely History: Images and Texts in the Hortus Deliciarum” (Harvard, J. Hamburger)

KATZ, MELISSA, “Interior Motives: The Triptych Virgin in Medieval and Early Modern Iberia” (Brown University. S. Bonde)

KIBBEY, DOUGLAS MARSHALL, “Historical Assemblage and the Aggregate Object in the Later Middle Ages” (Yale, C. Wood)

KILLIAN, KYLE, “The Landscapes of Saint–Pierre d’Orbais: An Anthropology of Medieval Monastic Architecture” (Columbia, S. Murray)

KIM, ROBIN, “Santa Sepulcro in Torres del Rio and Santa Maria in Eunate” (Bryn Mawr, D. Kinney)

KIRKWOOD, KEVANNE, “On Inventive Scribes and Visual Literacy in Western Books: The Bobbio Orosius and the Earliest Medieval Manuscripts from Bobbio” (Delaware, L. Nees)

KLIMA, ALICE, “A Study of Roudnice Abbey” (Brown University, S. Bonde)

KRALIK, CHRISTINE, “Structuring Lay Devotional Experience: Illuminations of the Three Living and the Three Dead in Late Medieval Manuscripts” (Toronto, J. Caskey)

KUMLER, ADEN, “Visual Translation, Visible Theology: Illuminated Devotional Compendia in Late Medieval France and England” (Harvard, J. Hamburger)

LACHAT, ISABELLE, “Offering the Sacred Word: The Gospels of S. Maria ad Martyres (Trier, Stadtbibliothek, cod. 23) and Carolingian Court Taste in the Early Ninth Century” (Delaware, L. Nees)

LAROCCO–BOYCE, ELIZABETH, “Miracula Sanctae Virginis: Marian Miracle Illustration in the Thirteenth–Century Manuscripts of Gautier de Coinci’s Les Miracles de Notre Dame” (Yale, W. Cahn)

LAW, AMITY, “Generating Identity through Plan and Architecture: Barcelona Cathedral, Gothic Drawing and the Crown of Aragon” (Columbia, S. Murray, H. Klein)

LESON, RICHARD, “Picturing the Life of David in the Thirteenth Century: Artifice, Patronage, and Devotion” (Johns Hopkins, H. Kessler)

LOCKE, ALISON, “Visuality and Experience in the Twelfth–Century Church of Castel Sant’Elia, near Nepi VT)” (Yale, M. Georgopoulou)

MAHONEY, LISA, “Re–presenting the Past: The Histoire ancienne jusqu’a Cesar in the Context of the Crusades” (Johns Hopkins, D. Weiss)

MARCHIORI, LAURA, “Venetian Art and the War of the League of Cambrai” (Queen’s, Kingston, J. Osborne)

MARTIN, KATHRYN, “From Hellraiser to Helgen: Scandinavian Saints in Medieval Art” (Pittsburgh, M. A. Stones)

MCDONALD, TERRY, “Trondheim Cathedral: Contemporary Projections in a Medieval Edifice” (SUNY Binghamton, B. Abou–El–Haj)

MOEBUS–BERGERON, SUSANNE, “The Adaptation and Application of Goldsmith Techniques in Medieval Manuscripts from the Early Eleventh to the Mid–Thirteenth Century” (Boston, D. Kahn)

MONTGOMERY, LEANNE, “The Carolingian Cathedral at Cologne: Form and Context” (Indiana, Bloomington, W. E. Kleinbauer)

MONTI, ELIZABETH, “The Patronage of the Avignon Anti–Pope Clement VII (1378–1396)” (IFA/NYU, J. Alexander)

MORROW, KARA, “‘Ears and eyes and mouth and heart his soul and his senses’: The Visual St. Stephen Narrative as the Essence of Ecclesiastical Authority” (FSU, C. Hahn)

MUNDIS, MARTHA, “Christine de Pizan’s ‘Livre d’Epitre d’othea a Hector’ at the Intersection of Image and Text” (Kansas, M. Stokstad)

NEVINS, TERESA, “Viewing Revelation: Text and Image in Ninth–Century Apocalypse Manuscripts” (Delaware, L. Nees)

PERRY, REBEKAH, “Norman and Saxon: Interpreting Late Eleventh– and Early Twelfth– Century English Religious Art in the Context of Post–Conquest Political, Ethnic, and Cultural Tensions” (Pittsburgh, M. A. Stones)

PRESCHER, AMY, “Saxon Convent Architecture: The Diocese of Halberstadt in the High Middle Ages” (Yale, W. Cahn)

PROCTOR–TIFFANY, MARIAH, “Portrait of a Medieval Patron: The Inventory and Gift Giving of Clémence of Hungary” (Brown University, S. Bonde)

RAMIREZ–WEAVER, ERIC, “Carolingian Innovation and Observation in the Paintings and Stat Catalogs of Madrid, Biblioteca Nacional, MS. 3307” (IFA/NYU, J. Alexander)

ROBERTS, ANGELA, “Late Medieval Donor Portraiture in Venice and Verona” (Queen’s, Kingston, J. Osborne)

RYDER, EDMUND, “Portable Mosaic Icons of the Late Byzantine Period (1261–1453)” (IFA/NYU, T. Mathews)

SALGIRLI, SAYGIN, “From Thirteenth–Century Toulouse to Fifteenth–Century Serres: A Comparative Study of Dissent, Authority, Architecture, and Space” (SUNY Binghamton, B. Abou–El–Haj)

SCIACCA, CHRISTINE, “The Gradual and Sacramentary of Hainricus Sacrista (Pierpont Morgan Library, M. 711): Liturgy, Devotion and Patronage at Weingarten Abbey” (Columbia, S. Murray, H. Klein)

SEASONWEIN, JOHANNA, “Sculptures of the The Virgo Lactans in Late Medieval France” (Columbia, S. Murray)

SILVERS, HOLLY, “The Poitevin Low Road: Profanity in the Ecclesiastical Sculpture of Romanesque Saintonge” (Indiana, Bloomington, D. Reilly)

SPIRO, ANNA LEE, “The Façade of San Zeno in Verona: A Banner Worthy of Defense” (Columbia, J. Beck)

SULLIVAN, TIMOTHY, “Interactions between Codex and Panel” (Yale, C. Wood)

TADE–SPRING, JESSICA, “Decorative Preoccupation: A Look at Burgundian Romanesque Architecture and Sculpture” (UC Santa Barbara, E. Armi)

TALLON, ANDREW J., “Experiments in Early Gothic Structure: The Flying Buttress” (Columbia, S. Murray)

TOMLINSON, SALLY, “Whispering Demons on the Irish High Crosses: Rethinking the Temptation of Saint Anthony” (UNC Chapel Hill, D. Verkerk)

WEBB, KAREN, “Medieval Diagrams, Architectural Structures, and Their Relationships: Case Studies” (Pittsburgh, M. A. Stones)

WEINRYB, ITTAI, “Temporal Past and Geographical Distance: The Problem of San Zeno in Verona” (Johns Hopkins, H. Kessler)

WHATLEY, LAURA J., “Jerusalem in England: Visions of the Holy Land in English Art, 1154–1377” (UIUC, A. Hedeman, R. Ousterhout)

Egyptian/Ancient Near Eastern Art

AKER, JULIDE, “Rhetoric of Transgression: Assurbanipal’s Babylonian Policy and Transformations in the Visual Domain” (Harvard, I. Winter)

ANDRIOTI, MARIA, “Pious Visitors: A Study of the Sculptures of Cypriot Type Found in the Eastern Mediterranean of the Archaic and Classical Periods” (Princeton, W. Childs)

BELCHER, ELLEN, “Embodying the Halaf: Fifth–Millennium Figurines from Northern Mesopotamia” (Columbia, N. Kampen)

CALVERT, AMY, “Changing Dress, Changing Roles: The Evolution of Royal Regalia in the New Kingdom” (IFA/NYU, D. O’Connor)

EPPIHIMER, MELISSA, “The Visual Legacy of Akkadian Kingship” (Harvard, I. Winter)

GANSELL, AMY, “Women of Ivory as Embodiments of Ideal Feminine Beauty in the Ancient Near East during the First Millennium BCE” (Harvard, I. Winter)

MARLAR, MICHELLE, “The Temple of Osiris at Abydos in the Late Period Dynasty XXX (380–343 B.C.) through the Roman Occupation of Egypt (30 B.C.)” (IFA/NYU, D. O’Connor)

ULLMANN, LEE, “The Conception of Space in the Art and Landscape of the Hittites” (Columbia, J. Smith, Z. Bahrani)

Eighteenth–Century Art

BARK, JULIANNA, “Jean–Etienne Liotard (1702–1789): The Artist in International Perspective” (IFA/NYU, R. Rosenblum)

BEAUCHAMP–BYRD, MORA, “Hogarth’s Progress: Modern Moral Subjects in the Work of David Hockney, Lubaina Himid, and Paula Rego” (Duke, R. Powell)

BELL, ESTHER, “Charles–Antoine Coypel: Painting and Performance in Eighteenth–Century France” (IFA/NYU, M. Westermann, M. Ledbury)

BROWN, HILLARY, “Shaping the Child: The Child Portrait Bust in Eighteenth–Century England and France” (USC, M. Baker)

CAFFEY, STEPHEN MARK, “An Heroics of Empire: Anglophone History Painting 1756–1805” (UT Austin, J. Leoshko, S. Rather)

CAMPBELL, KRISTIN E., “Taste and Nation: Spaces of Viewing in Britain, 1770–1895” (Queen’s, Kingston, J. Brooke, J. Helland)

DAVIS, BLAIR HIXSON, “The Drawings of Charles Percier” (UC Santa Barbara, R. Williams)

DE LA ROSA, GABRIELLA, “Picturing the Colonial Enlightenment: Race, Identity and Difference in French Visual Culture, 1682–1804” (Harvard, E. Lajer–Burcharth)

HOLTZMAN, DEBORAH, “From Greek Myth to Oriental Fantasy: Staging the Bath in French Art from the Rococo to Orientalism” (UNC Chapel Hill, M. Sheriff)

JONES, JENNIFER, “A Discourse on Drawings: P. J. Mariette and the Graphic Arts in Early Eighteenth–Century Paris” (Columbia, D. Rosand)

KRAUS, HEIDI E., “David and Architecture” (Iowa, D. Johnson)

LATOUR, BENOÎT, “Tableaux tirés du Peri Hypsous: antiques modèles du sublime dans la peinture d’histoire britannique du XVIIIe siècle” (Université de Montréal, T. Porterfield)

MARCEREAU DEGALAN, AIMEE, “Dangerous Beauty: Painted Canvases and Painted Faces in Eighteenth–Century Britain” (Case Western Reserve, A. Helmreich)

MCREYNOLDS, DAN, “Policing the Palladian Canon: Redefining the Palladian Legacy in Eighteenth–Century Venice” (Princeton, J. Pinto)

PIOTROWSKA, ANNA, “Le Premier de son temps: Carle Vanloo (1705–1765) and the Dynamics of 18th–Century French History” (IFA/NYU, C. Bailey, M. Westermann)

RUDY, ELIZABETH, “Pierre–Paul Prud’hon (1758–1823) and the Problem of Allegory” (Harvard, H. Zerner)

SASKA, HOPE, “Staging the Page: Theatricality and the Popular Print in Eighteenth–Century England” (Brown University, K. D. Kriz)

SMENTEK, KRISTEL, “Collecting in the Age of Enlightenment: Pierre–Jean Mariette and the Universal History of Art” (Delaware, N. Athanassoglou–Kallmyer)

STACY, CHRISTINA, “Veri Ritratti: Pietro Longhi and Genre Painting in Eighteenth–Century Venice” (Princeton, P. Brown)

STEPHENS, RACHEL E., “Renoir and the Rococo Revival” (Iowa, D. Johnson)

WHEDON, PAMELA, “Sensing Watteau: The Artist’s Musical Images as Preludes to the Age of Sensibility” (UNC Chapel Hill, M. Sheriff)

WHYTE, RYAN, “The Evolution of the Petit Sujet in the Ancien Regime” (University of Toronto, W. McAllister Johnson)

Film/Video

ANABLE, AUBREY, “Converging Anxieties: Digital Media, Cinema and the City” (Rochester, S. Willis)

BLACKBURN, MARCIA, “A Social Architectonics of Science Fiction Film Design” (SUNY Binghamton, P. Smart)

BOUMAN, MARGOT, “Fata Morgana: Matrices of Video and Site” (Rochester, D. Crimp)

BRUCKNER, RENÉ THOREAU, “The Art of Disappearance: Duration, Instantaneity, and the Conception of Cinema” (University of California, Irvine, A. Lippit)

CZACH, LIZ, “Careless Rapture: Artifacts and Archives of the Home Movie” (Rochester, S. Willis)

DAVIES, LYELL, “New Realities for the Committed Documentary” (Rochester, S. Willis)

GREENE, SHELLEEN, “The ‘Black Body’ in Italian Cinema: The Legacy of Colonialism, Fascism, and Primitivist Aethetic on Racial Appropriation in Italian Cinema” (UC Irvine, F. T. Rony)

KHOSROWJAH, HOSSEIN, “Unthinking the National Imaginary: The Singular Cinema of Abbas Kiarostami” (Rochester, S. Willis)

KIRSHTNER, KELLY, “Deadly Sound” (UC Irvine, P. Krapp)

LUKE, MEGAN, “Perverse Aesthetics and Stolen Goods: Kurt Schwitters in Exile” (Harvard, Y–A. Bois, B. Buchloh)

MARTIN, COURTNEY J., “Cyclones in the Metropole: British Art 1976–1989” (Yale, T. Barringer)

MCMANUS, WILLIAM, “‘When We Made Movies Just to Make Them’: Warhol’s Films and the Surface of the 1960s” (Princeton, H. Foster)

MULLER, GABRIELA, “Abstraction on the Move: The Medium of the German Absolute Film” (Stanford, S. Bukatman)

PROCTOR, JACOB, “Collage and Found Footage in Postwar Experimental Film: Bruce Conner, Stan Vanderbeek, Ken Jacobs, and Robert Breer” (Harvard, Y–A. Bois, B. Buchloh)

RICCIARDELLI, LUCIA, “Visual Culture and the Crisis of History: American Documentary Practice in the Postmodern Era” (UC Santa Barbara, S. Chattopadhyay)

SHAFFER, MICHAEL, “Dan Graham’s Video Installations of the 1970s” (Virginia Commonwealth, R. Hobbs)

STOB, JENNIFER, “Faux raccords: Lettrist, Situationist, and French New Wave Cinema” (Yale, D. Joselit, D. Andrew)

Greek/Roman

ANDRIOTI, MARIA, “Pious Visitors: A Study of the Sculptures of Cypriot Type Found in the Eastern Mediterranean of the Archaic and Classical Periods” (Princeton, W. Childs)

AWAN, HEATHER, “Roman Sarcophagi and the Necropoleis at Aphrodisias” (IFA/NYU, K. Welch)

BALTHIS, ANDREA C., “Monumental Built Altars in East Greece and Western Anatolia in the Hellenistic Period” (Emory, B. Wescoat)

BARE, CEIL, “Achilles and the Roman Aristocrat: The Ambrosian Iliad as a Social Statement in the Late Antique Period” (FSU, C. Hahn)

BLACK, ERIN L., “Centre and Periphery: Artistic Interactions between the Column of Trajan in Rome, Italy and the Tropaeum Traiani at Adamklissi, Romania” (Emory, E. Varner)

BUSBY, KIMBERLY, “The Temple Terracottas of Etruscan Orvieto: The Power of Cult in Pre–Roman Italy” (UIUC, E. Hostetter)

BUTTON, SETH, “Problems in the Comparison and Combination of Data from Archaeological Surface Surveys: Case Studies from Cyprus and Central Dalmatia” (Michigan, IPCAA, J. Cherry)

CAKMAK, LISA, “Romance, Resistance, and Attic Vase Painting: Rethinking Aspects of Rape in Ancient Greece” (Michigan, IPCAA, S. Herbert, M. Cool Root)

CASAGRANDE–KIM, ROBERTA, “Imperial Presence in Milan, Ravenna and Aquileia from Maximinus to Romulus Augustulus (235–476 CE): Developments and Chances in the Creation of an Urban Imperial Iconography” (Columbia, R. Brilliant)

CLINE, LEA KIMBERLY, “The Altars of Rome Reconsidered: Rome’s Sacred Furniture, from Evander to Constantine” (UT Austin, J. Clarke, P. Davies)

COLE, KEVIN, “Reading the Walls of Pompeii: The Forum Surroundings, Urban Development, and the Meaning of Space” (Virginia, J. Dobbins)

COLEMAN, PATRICK, “Appropriation and Innovation in Archaic Lakonian Art” (Rutgers, J. P. Small)

CRAVER, SCOTT, “Patterns of Complexity: An Analysis of High–Density Building Complexes at Pompeii and Herculaneum and Their Social, Economic, and Architectural Significance” (Virginia, J. Dobbins)

CRAWFORD, CATHERINE, “Embellished Spaces: Value and Display on Neopalatial Crete” (Michigan, IPCAA, J. Cherry, L. Nevett)

DESTAEBLER, PETER, “The City Wall of Aphrodisias” (IFA/NYU, C. Ratté)

DOHERTY, JOHN KEITH, “Narrative and Spatial Structure of Roman Landscape Paintings” (Boston, F. Kleiner)

DRAKAKI, ELENI, “Mycenean Stone Seals: Contexts and History” (IFA/NYU, G. Kopcke)

EARLE, JASON, “The Cycladic Islands in the Mycenaean Period” (IFA/NYU, G. Kopcke)

ELKINS, NATHAN, “Architectural Coin Types: Reflections of Roman Society” (Missouri, K. W. Slane)

FARO, ELISSA, “Group Identity and Participant Action: Towards a Reinterpretation of Minoan Extra–Urban Ritual Space” (Michigan, IPCAA, J. Cherry)

FLATTA, AMANDA, “The Inception of Cybele in Greece: Cult and Image” (Wisconsin, Madison, N. Cahill)

FOWLKES, BLAIR, “The Cults of Syrian–Phoenician Gods in the City of Rome: Archaeology, Topography and Connections to the Roman East” (IFA/NYU, K. Welch)

GOLDBERG, PATRICIA, “Ptolemaic Queens and Roman Empresses as Goddesses with Aspects of Tyche” (UCLA, S. Downey)

GRIFFITH, KYLE, “The Influence of African Caravan Routes and the Animal Trade from the Ancient World on the Art of the Italian Renaissance” (Washington, J. Snow–Smith)

GROSSMANN, RICHARD, “Ancestors and Exempla: Posthumous Imperial Portraiture and Roman Cultural Memory” (Yale, D. Kleiner)

GRUPICO, THERESA, “Correlations between Urban Planning and Temple Design in West Greece” (Rutgers, J. Kenfield)

HERRING, LYDIA, “Roman ‘Domestic’ Ritual outside the Household: A Reinterpretation?” (Michigan, IPCAA, E. Gazda)

HEUSER, JENNIFER LEDIG, “Visual Epic: Roman Images of the Trojan Cycle” (Harvard, G. F. Pinney)

HOLT, EMILY, “The Economy of Early Bronze Age Sardinia in an Aegean and European Context” (Michigan, IPCAA, J. O’Shea, S. Herbert)

HOPKINS, JOHN, “The Topographical Transformation of Archaic Rome: A New Interpretation of Architecture and Geography in the Early City” (UT Austin, J. Clarke, P. Davies)

HRYCHUK, ANNE, “The Roman Arch Studies: Metropolitan Origins, Urban Settings, and Provincial Reception, West and East (2nd Century BCE–2nd Century CE)” (IFA/NYU, K. Welch)

HUSSER, ZEHAVI, “Worshipping in Community: Jupiter and Roman Religion in the Early Imperial Period” (Princeton, H. Meyer)

IBARRA, ALVARO, “Legions in Mourning: Re–Constructing Communities in the Roman Provinces” (UT Austin, J. Clarke, P. Davies)

JONES, ASHLEY, “‘Lord, Protect the Wearer’: Late–Antique Numismatic Jewelry and the Image of the Emperor as Talismanic Device” (Yale, D. Kleiner)

KENNEDY–QUIGLEY, SHANNA, “Illuminating the Memphite Sarapieion” (UCLA, S. Downey)

KHATCHADOURIAN, LORI, “Beyond Dynasties: Toward an Archaeology of Practice on the Armenian Highland ca. 600–200 BC” (Michigan, IPCAA, N. Yoffe, S. Alcock)

KILKER, LAURIE, “Dining like Divinities: Evidence for Ritual and Marital Dining by Women in Ancient Greece” (Ohio State, M. Fullerton)

LEVINE, RACHEL, “Dreaming the Divine: Epiphany, Ritual and Architecture: Healing Sanctuaries of Antiquity” (Toronto, M. C. Miller)

MANGIERI, ANTHONY F., “The Virgin Sacrificed: Images of Iphigeneia and Polyxena in Greek and Roman Art” (Emory, B. Wescoat)

MARTÍNEZ, VICTOR, “Etrusco–Italic Herclè: A Study in the Formation of Image, Cult, and Regional Identity” (UIUC, E. Hostetter)

MCFADDEN, SUSANNA, “Courtly Places and Sacred Spaces: The Social and Political Significance of Monumental Wall Paintings in Late Antiquity” (Pennsylvania, A. Kuttner)

MOLHOLT, REBECCA M., “On Stepping Stones: The Historical Experience of Roman Mosaics” (Columbia, R. Brilliant, N. Kampen)

NANKOV, EMIL, “Studies in the Typography of Opountian Lokvis” (Cornell, A. Ramage)

NG, DIANA, “The Manipulation of Memory: Public Buildings and Decorative Programs in Roman Cities of Asia Minor” (Michigan, IPCAA, E. Gazda)

OSSI, ADRIAN, “Roman Honorific Arches in Greece and Asia Minor” (Michigan, IPCAA, E. Gazda)

OZTURK, ONUR, “Gods, Emperors and the City: The Urban Transformation of Roman Asia” (UT Austin, J. Clarke, P. Davies)

PALINKAS, JENNIFER, “Sacred Gates: Propyla and Propylaia in Greek Sanctuaries” (Emory, B. Wescoat)

PAUMEN, VANESSA, “Constructing Rulership: The Architectural Expression of Emperor Ideology in Rome under Domitian and Trajan” (UT Austin, J. Clarke, P. Davies)

PELLEGRINI, ROBERT E., “Tombs and the Street: Onsite Architectural and Site–Planning Analyses of Roman Late Republican and Augustan Age Funerary Monuments and Street of Tombs Necropoli in Europe and Ancient Asia Minor” (UC Santa Barbara, F. Yegul)

PIOK–ZANON, CORNELIE, “The Sanctuary of Demeter at Pergamon: The Third–Century Attalids and the Creation of a Hellenistic Capital” (Pittsburgh, A. Weis)

PIXLEY, KIMBERLEY–ANNE, “Banausic Labour in Attic Vase Painting” (Toronto, M. C. Miller)

POE, ALISON, “The Mausoleum (” Hypogaeum”) of the Aurelii in Rome: A Pagan or Mixed–Religion Collegium Tomb” (Rutgers, A. Harvey)

POLYZOIS, ARISTOMENES, “The Movement of Aegean Wine, Olive Oil and Unguents in the Late Bronze Age” (Toronto, J. W. Shaw)

REIF, JO–ANN, “Visual Idea vs. Musical Idea: Rhythm in Attic Vase Painting and Music Theory in Sixth– and Fifth–Century Athens” (Penn State, E. Walters)

ROLAND, SARAH, “Corinth and the Birth of Figural Representation in Greek Monumental Architecture” (Columbia, C. Marconi, N. Kampen)

ROUSSEAU, VANESSA, “Ethnicity and Eschatology in 4th Century BCE Burial Assemblages in Greek Macedonia and Thrace” (Wisconsin, Madison, N. Cahill)

RUBIN, BEN, “Augustus, the True King of Kings: The Roman Imperial Cult in Asia Minor (25 BC–68 AD)” (Michigan, IPCAA, M. Cool Root)

SANDHOFF, BRIDGET K., “Androgyny in Etruscan Art and Culture” (Iowa, R. De Puma, W. Tomasini)

SAPERSTEIN, PHILIP, “The Emergence of Ceramic Roofing Technology in Archaic Greek Architecture” (Cornell, A. Ramage)

SEGAL, PHOEBE C., “Soaring Votives: Anathemata in Archaic and Classical Greek Sanctuaries” (Columbia, C. Marconi, R. Brilliant)

SMITH, CHRISTINE, “Controlling Miasma: The Evidence for the Cults of Craftspeople from the Archaic through the Hellenistic Period” (Washington, S. Rotroff)

SOWDER, AMY, “Greek Bronze Hydriai” (Emory, B. Wescoat)

SOYOZ, UFUK, “Ritual Space in Temples of Asklepios: A Case Study of the Asklepieion at Pergamon” (UT Austin, J. Clarke, P. Davies)

STINSON, PHILIP, “The Civil Basilica at Aphrodisias and the Architectural Development of the Asiatic Basilica” (IFA/NYU, C. Ratté, K. Welch)

THOMPSON, ERIN, “Comic Myth on Greek Ritual Vases” (Columbia, D. Freedberg)

UBBELS, KRISTA, “Wild Women on Wares: An Examination of the Changes in the Image of the Attic Maenad” (Penn State, E. Walters)

VON DIPPE, ROGER, “The Origins and Development of Continuous Narrative in Roman Art, 300 BCE–200 AD” (USC, J. Pollini)

WALCEK AVERETT, ERIN, “Terracotta Sculpture in Early Iron Age Greece” (Missouri, S. Langdon)

WARDLE, MARIANNE, “Naked and Unashamed: A Study of the Aphrodite Anadyomene in the Greco–Roman World” (Duke, S. Dillon)

WILLIAMS, CHRISTOPHER, “Roman Egypt: Change amid Continuity in the Art and Architecture of an Eastern Imperial Province” (Missouri, K. W. Slane)

Japanese/Korean

BEJARANO, SHALMIT, “Pictures of Agriculture and Sericulture in the Four Seasons” (Pittsburgh, K. Gerhart)

BUCKLAND, ROSINA, “The Politics of Style: Orthodox Painting in Japan, 1850s–1890s” (IFA/NYU, M. Trede)

COVACI, IVE AASLID, “The Ishiyamadera engi and the Representation of Dreams in Pre–Modern Japanese Art” (Yale, M. Yiengpruksawan)

DAVIS, WALTER, “Wang Yiting and the Art of Sino–Japanese Exchange” (Ohio State, J. Andrews)

FOXWELL, CHELSEA, “Kano Hgai (1828–1888) and the Making of Modern Japanese Painting” (Columbia, M. McCormick)

GUNGI, NAOKO, “Amidaji: Mortuary Art, Architecture, Rites of Emperor Antoku’s Temple” (Pittsburgh, K. Gerhart)

HOLMBERG, RYAN, “Garo Manga, 1964– 1972” (Yale, M. Yiengpruksawan)

LEE, SOYOUNG, “Influence and Reception: Ceramics and Culture from Southern Korea to Western Japan” (Columbia, M. Murase)

LOH, JOSEPH, “When Worlds Collide: Art, Cartography, and Spatial Imagination in Early Modern Japan” (Columbia, R. Harrist)

MOON, VIRGINIA, “A Window into Modernity: The Korean National Treasure System and Korean Modern Art” (USC, M. Baker)

MORRISETTE, LISA, “Tagasode: Whose Sleeves?” (Pittsburgh, A. Weis)

MUELLER, LAURA, “Entertaining Virtue: Gender, Personification, and the Naturalization of Confucianism in Edo Print Culture” (Wisconsin, Madison, Q. Phillips)

NETTLETON, TARO, “Throw Out the Books, Get Out in the Streets: Subjectivity and Space in Underground Art in Japan in the 1960s” (Rochester, D. Crimp)

NINOMIYA, MASUMI, “Nationalizing Art, Constructing Asia: Okakura Kakuzo and India” (UNC Chapel Hill, C. Mavor)

O’LEARY, THOMAS, “Tokyo Visions: Structuring Identity in Contemporary Japanese Photography” (USC, J. Reynolds)

SAKOMURA, TOMOKO, “Pictured Words and Codified Seasons: Visualizations of Waka Poetry in Late Sixteenth– and Early Seventeenth–Century Japan” (Columbia, M. McCormick, R. Harrist)

SPURGEON, JANET LEE, “Constructing the Classical Japanese Past: History Paintings of the Meiji Period” (Wisconsin, Madison, Q. Phillips)

TAKAMATSU, MARI, “Painting, Theater, and Visual Experience in Early Modern Japan (1596–1644)” (IFA/NYU, J. Hay)

TSUCHIKANE, YASUKO, “Painting upon Buddhist Temples in Modern Japan: Murals and Sliding Door Paintings by Domto Insh (1891–1975)” (Columbia, M. McCormick)

WU, XIAOJIN, “Beyond Decoration: The Forms, Meanings and Functions of the Ink Bird–and–Flower Screens in Muromachi Japan” (Princeton, Y. Shimizu)

YOSHITAKE, MIKA, “Requiem for the Sun: The Art of Mono–ha and Bikyoto (1968–1974)” (UCLA, G. Baker, M. Kwon)

ZITTERBART, SUSAN, “In and Out of Time and Space: Kumano Mandara as Visual Constructs of Transcendent and Worldly Powers” (Pittsburgh, K. Gerhart)

Latin American/Caribbean Art

ALDANA, ERIN DENISE, “Urban Interventions: 3Nós3 and the City of São Paolo, 1979–1982” (UT Austin, J. Barnitz, A. Reynolds)

BARTEET, C. CODY, “Colonial Contradictions in the Casa de Montejo and Mérida: Space, Society, and Self–representation at the Edge of Viceregal Mexico” (SUNY Binghamton, T. McDonough)

BREAULT, EMILY, “The Mirror and the Mountain: Reflection and Light in the Colonial Churches of Cuzco, Peru” (Columbia, D. Freedberg, E. Pasztory)

BRICE, LESLIE, “Rezistans: Remembrance and Power in the Art of Haitian Vodo” (University of Maryland, S. Promey)

BRODSKY, ESTRELLITA, “Latin American Artists and Post–War Paris, 1950–70: Soto, Le Parc, and Clark” (IFA/NYU, R. Lubar, E. Sullivan)

BUONO, AMY, “Plumed Identities and Feathered Performances: Tupinambá Interculture in Early–Modern Brazil and Europe” (UC Santa Barbara, J. Peterson)

CORDERO, KAREN, “The Invention of Popular Art: A Paradigm for the Construction of Mexican Visual Culture, 1915–40” (Yale, M. Miller)

DEPALMA, JOHN–MARK, “Jesuit Architecture” (Brown University, C. W. Zerner)

DESVERNINE REED, SARA, “Havana: A Study in Interiors, Identities and Ideologies” (Delaware, B. Herman)

DONOVAN, CELESTE, “María Izquierdo and Modern Mexican Religious Culture, 1940–47” (CUNY, K. Manthorne)

ELPHICK, NENITA PONCE DE LEON, “Memory, Presence, and Power: The Social Life of Portraits in Peru” (Harvard, T. Cummins)

ENGEL, EMILY A., “Facing Boundaries: Representing Identity and Imperial Authority in the Late–Colonial Portraiture of South America” (UC Santa Barbara, J. Peterson)

FIDELIS, GAUDENCIO, “The Reception and Legibility of Contemporary Brazilian Art in the United States (1990–2005)” (SUNY Binghamton, A. D’Souza)

GAVILÁN, ANA ISABEL PÉREZ, “A Mexican Jerusalem: The Sanctuary of Jesus of Nazareth at Atotonilco” (SUNY Binghamton, J. Tagg)

GONZALEZ, CRISTINA, “Landscapes of Conversion: Franciscan Politics and Sacred Objects in Late Colonial Mexico” (Chicago, T. Cummins)

HERNANDEZ, ORLANDO, “Angels in the Americas: Paintings of Apocryphal Angels in Spain and the American Viceroyalties” (CUNY, E. Quiñones–Keber)

JAMES, ERICA, “What Good Are Roots If You Can’t Take Them with You? Caribbean Art in the Global Imaginary” (Duke, R. Powell)

LEPAGE, ANDREA, “The Arts of the Franciscan Colegio de San Andrés in Quito: A Process of Cultural (Re)formation” (Brown University, C. W. Zerner)

LÓPEZ–DURÁN, FABIOLA, “Eugenics in the Garden: Medicine, Architecture and Landscape from France to Latin America in the Early Twentieth Century” (MIT, A. Dutta)

LUBOWSKI, ALICIA, “Humboldt and the Visual Representtion of South America” (IFA/NYU, E. Sullivan)

MONTGOMERY, HARPER, “Attracting New Audiences and Insulting Old Ones: Avant–Garde Exhibitions in Mexico City and Buenos Aires, 1924–1929” (Chicago, M. Ward)

NOEL, SAMANTHA, “Carnival Is Woman!: Gender, Performativity and Power in the Trinidad Carnival” (Duke, R. Powell)

PANBEHCHI, MICHAEL, “History Painting and the Battles of Alexander Farnese in Colonial Latin America” (Virginia Commonwealth, M. Schreffler)

POZZI–HARRIS, ANA JORGELINA, “Peronism and Abstract Art in Argentina, 1943–1945” (UT Austin, J. Barnitz)

QUILES, DANIEL, “Toward a Counterpublic Sphere: Argentine Conceptual Art, 1966–1976” (CUNY, R. Golan)

REYES, ANA MARA, “Art at the Limits of Modernization: The Artistic Production of Beatriz González 1962–1978” (Chicago, M. Ward)

RODRIGUEZ, VICTOR M., “Mimicry in Latin American Art and the Rhetoric of Modernist Art History” (Rochester, D. Crimp)

ROJAS, ALEJANDRA, “Flora Incognita: Knowledge and the New World in Four Sixteenth Century Herbals” (Harvard, T. Cummins)

ROJAS, MIGUEL, “Cultural Maps, Networks and Flow in Contemporary Art. A Case Study: Third World Art and the Havana Biennale” (Pittsburgh, T. Smith)

SHTROMBERG, ELENA, “Conceptual Encounters: Art and Information, Brazil (1968–1978)” (UCLA, C. Villaseñor–Black)

SMALL, IRENE, “Hélio Oiticica and the Morphology of Things” (Yale, D. Joselit)

SOLARI, AMARA “Ritualizing the Maya Landscape: The Transformation of Religious Ideologies in Pre and Post–Contact Izamal, Yucatan” (UC Santa Barbara, J. Peterson)

TARVER, GINA MARIA MCDANIEL, “Isolated Iconoclasts and Ambitious Institutions: Early Colombian Conceptualism and its Antecedents, 1962–75” (UT Austin, J. Barnitz)

THOMPSON, ALLISON, “Arriving at the Caribbean: Constructing Visual Representations of Transatlantic and Transcultural Experience” (SUNY Stony Brook, B. Frank)

WINN, PAULA, “Ecuador Effigy Mortars: Ritual and Tradition in Ancient Andean Sculpture” (Virginia Commonwealth, J. Farmer)

Native American Art

BUNN–MARCUSE, KATHRYN, “Precious Metals: Engraved Jewelry of the Northwest Coast” (Washington, R. Wright)

CARO, MARIO A., “The Native as Image: Art History and the Representation of the American Native” (Rochester, J. Berlo, D. Crimp, M. Holly)

DUEKER, CHRISTOPHER, “Alex Janvier: Narrativity, Mnemonics, and Oral Tradition in Private and Public Spheres” (Columbia, E. Hutchinson)

KABFLEISCH, ELIZABETH, “Home and Homeland: Feminist Ground in Native American Art” (Rochester, J. Berlo)

SMITH, LAURA, “The Art of Horace Poolaw, Kiowa Photographer” (Indiana, Bloomington, S. Burns)

VORANO, NORMAN D., “The Culture of Inuit Art: Museums, Modernism and the Popular Imaginary in the Mid Twentieth Century” (Rochester, J. Berlo)

Nineteenth–Century Art

ALLAN, SCOTT, “Gustave Moreau and the Decadence of French History Painting” (Princeton, C. Armstrong)

ANDERSON, CATHERINE, “Embodiments of Empire: Figuring Race in Late Victorian Painting” (Brown University, K. D. Kriz)

ATKINSON, ELAINE M., “Fantasy, Memory and Spirituality in Visual Culture in Britain, 1850–1910” (Queen’s, Kingston, J. Helland)

BARKER, SEAN, “A Positive Aberrance: Henri de Toulouse–Lautrec’s Disreputable Women” (Kansas, M. Kessler)

BARRETT, ROSS, “Rendering Violence: Riots, Strikes, and Upheaval in Nineteenth–Century American Art and Visual Culture” (Boston, P. Hills)

BEAR, JORDAN, “Matters of Conviction: Early Photography and the Contest of Credulity in Britain” (Columbia, J. Crary, A. Higonnet)

BEAUCHEMIN, ANNE, “L’image cubiste. Du tableau comme univers singulier: une étude de l’autonomie esthétique et de la construction du sens” (McGill, T. Chang)

BECKER, COLLEEN, “Pictures and Wholes: Representations of the ‘Volk’ in German Visual Culture, 1890–1900” (Columbia, A. Higonnet)

BEGGS, MARGO, “Harriet Hosmer (1830–1908): Fame, Photography, and the American Sculptress” (Toronto, M. Gotlieb, M. Cheetham, E. Legge)

BILBO, REBECCA, “The Art Academy of Cincinnati: A Social, Cultural and Institutional History” (Indiana, Bloomington, S. Burns)

BLANKENSHIP, ETHAN, “Paris, Mexico: Désiré Charnay’s Photographic Spaces” (Columbia, J. Crary)

BOSTON, LEAH, “Political Vision: Art and Revolution in the Salons of Les XX (1884–1893)” (Northwestern, S. Eisenman)

BOYD, JANE E., “The Mapping of Modernity: Impressionist Landscapes, Engineering, and Transportation Imagery in Nineteenth–Century France” (Delaware, N. Athanassoglou–Kallmyer)

BRADLEY, NOELLE PAULSON, “Human/Animal: Anthropomorphic Animals in Paint and Print, ca. 1790–1850” (Washington U., E. Childs)

BRIGGS, JO, “Art, Protest, and Failure in Fin–de–Siècle Europe” (Yale, T. Barringer)

BUCKNER, CINDY, “The Etching Revival in Late Nineteenth–Century America and Its Role in Aesthetic Education” (CUNY, S. Webster)

BUHLER, DOYLE L., “Capturing the Game: The Artist–Sportsman and Animal Conservation in Mid–Nineteenth–Century American Hunting Imagery” (Iowa, J. Kinsey)

CADERO–GILLETTE, JENNIFER, “Collecting Art and Constructing History: The Recovery of Medieval Panel Painting Circa 1800” (Harvard, J. Koerner)

CAMPBELL, KRISTIN E., “Taste and Nation: Spaces of Viewing in Britain, 1770–1895” (Queen’s, Kingston, J. Brooke, J. Helland)

COLE, SUSANNA, “Space out of Time: Landscape and Modernity in Nineteenth–Century England” (Columbia, J. Crary)

COOKE, VICTORIA, “Shifting Patterns of Representations: French Orientalist Painting, 1828–1881” (Delaware, N. Athanassoglou–Kallmyer)

COYLE, LAURA, “The Still–Life Paintings of Vincent van Gogh and Their Context” (Princeton, J. Wilmerding)

DASCH, ROWENA HOUGHTON, “‘Now Exhibiting’: Charles Bird King’s Picture Gallery, Fashioning Taste and Nation 1824–1861” (UT Austin, S. Rather)

DE YOUNG, JUSTINE, “Women in Black: Fashion, Modernity, and Modernism in Paris, 1860–1890” (Northwestern, S. H. Clayson)

DESGAGNÉS, ALEXIS, “Que faire? Émancipation et lutte des classes dans l’iconographie révolutionnaire russe, 1861–1905” (Université de Montréal, T. Porterfield)

DEUSNER, MELODY, “A Network of Associations: Aesthetic Painting and Its Patrons, 1870–1914” (Delaware, N. Athanassoglou–Kallmyer)

DROZDEK, JENNI, “A Taste for Paris: The Modernist Dialogue between France and ‘Young Poland,’ 1890–1914 (Case Western Reserve, A. Helmreich)

ELLIOTT, KATHERINE L., “Constructing National Identity: Nineteenth– and Early Twentieth–Century Representations of First Contacts” (Iowa, J. Kinsey)

EMMER, JANALEE, “Reflections of the Self: Women Artists in Nineteenth–Century France” (Penn State, N. Locke)

EPSTEIN, JOHANNA, “The Role of Seventeenth–Century Dutch Art in the Formation of French Modernism 1848–1900” (IFA/NYU, L. Nochlin)

FERANDO, CHRISTINA, “Staging Neoclassicism” (Columbia, J. Crary, A. Higonnet)

FOA, MICHELLE, “Rethinking the Oeuvre: Georges Seurat’s Figure Paintings, Landscapes, and Drawings” (Princeton, C. Armstrong)

GALVEZ, PAUL, “The Landscape–as–Body in Modernist Painting” (Columbia, J. Crary)

GOODIN, ALEXIS, “British Artists and the Representation of Egypt, 1838–1902” (Brown University, K. D. Kriz)

HALKIN, TALYA, “Jacques Joseph Tissot, A Reassessment: 1860–1895” (Columbia, J. Crary)

HARKNESS, KRISTEN, “Designing Russianness: Empire, Nation and Gender in Fin–de–Siècle Russian Art” (Pittsburgh, B. McCloskey)

HENDRICKSON, LAURA, “Against Photography: Art and the Idea of Music in England” (Brown University, K. D. Kriz)

HORNSTEIN, KATIE, “Picturing War in France, 1815–1856” (Michigan, H. Lay)

HOWIE, ELIZABETH, “The Courtly Erotics of the Photograph: Photography and the 19th–Century Theorization of Courtly Love” (UNC Chapel Hill, C. Mavor)

HUEMER, CHRISTIAN, “The Rise of the Modern Art Dealer in Nineteenth–Century Paris: On the Political Economy of Symbolic Goods” (CUNY, P. Mainardi)

HYDE, KIMBERLEY, “Louis C. Tiffany and the Business of Art” (Case Western Reserve, H. Adams)

HYLTON, JENNIFER SHERLOCK, “The Seurat Effect” (UT Austin, R. Shiff)

JENSEN, HEATHER, “Musing the Material: Women, Aesthetics, and Art Criticism in Napoleonic France” (Kansas, M. Kessler)

JENSEN, KIRSTEN M., “The ‘American Salon’: Cultural Ambition, American Art and the Inter–State Industrial Expositions in Chicago, 1859–1893” (CUNY, S. Webster)

JOHNSON, KRISTINA, “The Orientalism of Théodore Chassériau” (Delaware, N. Athanassoglou–Kallmyer)

KATZ, ROBERTA GRAY, “Mediated by Text: The Literary Paintings of Thomas Cole” (UIC, D. Sokol)

KENDALL, STEVEN, “Classicism and Modernity: Frederic Leighton and the English Nude” (UC Santa Barbara, A. Bermingham)

KOKKONEN, LARS, “John Martin (1789–1854) and the Mechanics of Making Art in a Commercial Nation” (CUNY, P. Mainardi)

KORKOW, CORY, “Queenship and the Construction of National Identity in Nineteenth–Century British Visual Culture” (Virginia, C. Johns)

KRAUS, HEIDI E., “David and Architecture” (Iowa, D. Johnson)

KULLY, DEBORAH, “Speculating on Architecture: Morality, the New Real Estate, and the Bourgeois Apartment Industry in Late Nineteenth–Century France” (MIT, E. Naginski)

LACKMAN, JONATHAN, “Invective in French Art Criticism: 1840–1881” (IFA/NYU, L. Nochlin)

LEADER, KAREN, “L’esthétique du rire: Caricature of the Paris Art World in the Nineteenth Century (1830–1900)” (IFA/NYU, L. Nochlin)

LEE, JUNG–SIL, “The Intersection of Nationalism and Religion in the Public Sculpture of Auguste Rodin” (Maryland, J. Hargrove)

LE GALL, SHALINI, “Evangelical Imperialism: Holman Hunt and Religious Painting in the Middle East” (Northwestern, S. Eisenman)

LEICHTNAM, CHRISTOPHER, “The Lyric in Painting” (Michigan, H. Lay)

LIPPERT, SARAH, “Theory, Practice, and Competition in the Visual Arts: The Fortunes of the Paragone in French and British Nineteenth–Century Art” (Penn State, B. Curran)

LOECHLE, ANNE M., “Ye Intruders Beware: Masculinity, Vicarious Adventure and Fantastical Pirates in the Golden Age of Illustration and Beyond” (Indiana, Bloomington, S. Burns)

LORD, JILL, “Improving the Public: Cultural and Typological Change in Nineteenth–Century Libraries” (CUNY, K. Murphy)

LUBOWSKI, ALICIA, “Humboldt and the Visual Representtion of South America” (IFA/NYU, E. Sullivan)

MACNAYR, LINDA C., “Politics and Gender in Portraits of Princess Charlotte of Belgium, Vicereine of Lombardy–Venetia and Empress of Mexico” (Queen’s, Kingston, J. Helland)

MARTIN, ELIZABETH, “Contested Real Estate: Irish Landscape Painting, 1830–1890” (CUNY, J. Roos)

MCCANN, CARMEN, “Status Viatoris: A New Spectacularization of Death in French Paintings and Prints from the Bourbon Restoration” (Penn State, N. Locke)

MEDNICK, THOR, “‘What Is Lost Without’: Art and Nationalism in Nineteenth–Century Denmark” (Indiana, Bloomington, M. Facos)

MEIERS, SARAH H., “William Morris’s Green Dining Room: The Experience of an Arts–and–Crafts Interior” (Queen’s, Kingston, J. Helland)

MOREHEAD, ALLISON, “Creative Pathologies: French Experimental Psychology and Symbolist Avant–Gardes, 1889–1900” (Chicago, M. Ward)

NECOL, JANE, “Matisse and His Books: Transcending Limits” (Columbia, D. Rosand)

OBERTER, RACHEL, “Spiritualism and the Visual Imagination in Victorian Britain” (Yale, T. Barringer)

OSAYIMWESE, ITOHAN, “Colonialism at the Center: German Colonial Architecture and the Reform Movement, 1884–1914” (Michigan, W. Glover)

PEDERSEN, LINDSEY, “Gender, Empire and ‘Indian–ness’ in Visual Representations of the Sepoy Revolt, 1857–1900” (UC Santa Barbara, A. Bermingham)

PLOTEK, ARIEL, “Allegory in the Age of Realism: Monumental Sculpture in France from 1848–1880” (IFA/NYU, L. Nochlin)

PRESTON, DICKSON, “J. M. W. Turner’s Southern Coast and England and Wales Print Series” (U. of Washington, S. Casteras)

PUGLIESE, GINAMARIE, “Gendering a Generation: Constructions of Childhood in Englands’ Nineteenth–Century Juvenile Periodicals” (SUNY Binghamton, O. Vazquez)

QUIDEAU, FLORENCE, “Sculpted Portraiture and Caricature in the July Monarchy (1830–1848): David d’Angers, Dantan–Jeune, Daumier and Préault” (Rutgers, S. Sidlauskas)

RAAB, JENNIFER, “Frederic Church and the Culture of Detail: Memory, Forgetting, and Landscape in Nineteenth–Century America” (Yale, A. Nemerov)

RAHMLOW, KURT E., “Anterior Decorators: Van Gogh, Gauguin, and Avant–Garde Environments at Arles and Le Pouldu” (Iowa, D. Johnson)

RILKE, CHRISTINA, “The Consumption of Fine Arts in Germany, 1848–1889: Private Collections and Public Institutions” (Columbia, A. Higonnet)

ROSENBLATT, LEAH, “Hide and Seek: Édouard Manet’s Portraits of Women” (IFA/NYU, L. Nochlin)Z

ROSS, SUSAN, “The Career of Anne–Louis Girodet–Trioson and the Prehistory of Romanticism in France” (Johns Hopkins, M. Fried)

ROSSNER, RACHEL, “Balkanist Painting: Imagining Montenegro in Nineteenth–Century Europe” (Chicago, M. Ward)

RUDY, ELIZABETH, “Pierre–Paul Prud’hon (1758–1823) and the Problem of Allegory” (Harvard, H. Zerner)

SAMU, MARGARET, “The Female Nude in Nineteenth–Century Russian Art: Reception and Transformation of a French Theme” (IFA/NYU, L. Nochlin)

SCANLON, PATRICIA S., “‘God–gifted girls’: Women Illustrators, Gender, Class and Commerce in American Visual Culture, 1885–1925” (Indiana, Bloomington, S. Burns)

SCHNEIDER, ERIKA, “Starving for Recognition: The Representation of the Struggling Artist in America, 1810–1865” (Temple, G. Silk)

SICHERMAN, DARA, “Book Illustration in Fin–de–Siècle France” (CUNY, J. Roos)

STEIN, NATHANIEL, “London in the Viewer: British Stereoscopy and Urban Embodiments, 1830–1880” (Brown University, K. D. Kriz)

STELMACKOWICH, CINDY, “The Languages of a Bodily Interior: Nineteenth–Century Anatomical Atlases in the Spaces of Art, Science and the Museum” (SUNY Binghamton, J. Tagg)

STEPHENS, RACHEL E., “Renoir and the Rococo Revival” (Iowa, D. Johnson)

STEWART, LEE, “Likeness and Identity: Painted and Photographic Portraiture in France 1830–1880” (Columbia, R. Brilliant)

STRAUSSMAN–PFLANZER, EVE, “Felsine pittrici: The Women Artists of Early Modern Bologna” (IFA/NYU, L. Nochlin)

SUCHANEK, ISABEL, “‘The Innocent Eye’: Odilon Redon’s Late Work in Color” (Pennsylvania, C. Poggi)

THIMMESCH, DEBRA, “Women and Social Deviance in Late Nineteenth–Century French Visual Culture” (Kansas, M. Kessler)

THRUSH, NANETTE, “Tilting at History: Gothic Revival Tournaments in Early Victorian Great Britain and the Antebellum American South” (Indiana, Bloomington, S. Burns)

TOWLE, DIANE, “Spaces of Japonisme: Home, Studio, and Garden and the Art of Whistler, Van Gogh, and Monet” (Washington U., E. Childs)

VENDELIN, CARMEN, “Androgyny and Gender Ambiguity in the Parisian Journals Le Chat noir and Le Courrier français ca. 1882–1895” (Rutgers, S. Sidlauskas)

VINSON, HEATHER, “Dance and Disjuncture: Reading (Spatial) Practices in Degas’s Classroom Images and the Garnier Palace, 1871–1885” (Michigan, H. Lay)

VINZ, KATHERINE, “The Social Imagination of a Painter of the Mind: Antoine Wiertz (1806–1865)” (Kansas, S. Goddard)

WHEELER, KATHERINE JEAN, “The Perception of Renaissance Architectural History at the Rise of Modernism: Great Britain, 1880–1940” (MIT, M. Jarzombek)

WOLK, ANDREA, “A Material Empire: Art as Secular Ministry in the Work of Edward Burne–Jones” (Yale, T. Barringer)

ZALEWSKI, LEANNE, “The Rise and Fall of Academic Art: Bouguereau, Cabanel, Gérôme, and Meissonier in Paris and New York” (CUNY, P. Mainardi)

ZUNDO, MARY ELIZABETH, “Mapping Destiny: Cartography and Nineteenth–Century American Art of the Frontier” (UIUC, D. O’Brien)

ZUTHER, SIMONE, “Franz Xaver Winterhalter and the Business of Portraying Women in Second Empire Paris” (Virginia Commonwealth, E. Garberson)

Oceanic/Australian Art

GEORAS, CHLOÉ S., “Mutations of Empire: From the musee permanent des Colonies to the musee des arts d’Afrique et d’Oceanie” (SUNY Binghamton, T. McDonough)

SCOTHORN, HILARY, “Form, Function, and Foreign Influence: A Comprehensive Survey of Samoan Bark Cloth from 1830–1930” (FSU, K. Bearor)

YAMASHITA, VELMA JEAN, “The Commercialization of Belauan Storyboards” (University of Washington, R. Bravmann)

Performance Studies/Installation/Environmental Art

ALDANA, ERIN DENISE, “Urban Interventions: 3Nós3 and the City of São Paolo, 1979–82” (UT Austin, J. Barnitz, A. Reynolds)

GILBERTSON, LEANNE, “Out of Place in Time: Women Performing Art in Warhol’s Factory and Judson Memorial Church” (Rochester, D. Crimp)

HELD, ROBIN, “Lynn Hershman Is Not Roberta Breitmore; Roberta Breitmore Is Not Lynn Hershman: A Catalogue Raisonné” (University of Washington, P. Failing)

KUO, MICHELLE, “To Avoid the Waste of a Cultural Revolution: Experiments in Art and Technology (E.A.T.), 1966–1979” (Harvard, Y–A. Bois, B. Buchloh)

LAMUNIERE, MICHELLE, “The Social Museum at Harvard: Francis Greenwood Peabody and Early Twentieth–Century Social Reform Photography in Context” (Boston, K. Sichel)

LIMA, BENJAMIN, “Wolf Vostell’s Décollage and the Forms of Destruction, 1958–72” (Yale, D. Joselit)

RICE, KOLYA, “Restructuring the Triad: The Artist, the Word and the Audience in Early Performance Art” (University of Washington)

RICHTER, MARIANNE, “Merged Identities: The Transformation of the Artist’s Persona, 1960–1980” (UIC, P. Hales, H. Higgins)

SCHULD, DAWNA, “Nothing to Look At: Art as Situation and Its Neuropsychological Implications” (Chicago, B. Stafford)

SKURVIDAITE, SANDRA, “States of Self: Carolee Schneemann’s Works, 1962–1974” (SUNY Stony Brook, D. Kuspit)

TROTMAN, CHRISTOPHER, “Performance, Ritual, and Multimedia in 1970s Body Art” (CUNY, A. Chave)

Pre–Columbian Art

BANKS, JOYCE LYNN, “Attire and Accoutrement as Signifiers of Meaning: An Iconographic Analysis of Jama–Coaque Figurative Sculptures” (UT Austin, S. Bourget, M. Beyersdorff)

BRANNEN, LAURA, “Two Millennia of Powerful Women in the Art of Ancient Costa Rica and Nicaragua: Greater Nicoyan Ceramic Effigies ca. 500 BCE–1500 CE” (Emory, R. Stone–Miller)

BRITTENHAM, CLAUDIA, “The Cacaxtla Paintings” (Yale, M. Miller)

DESAI, PRAJNA, “The Body of History: Constructing Palenque’s Palace, AD 654–783 (Yale, M. Miller)

FRASSANI, ALESSIA,“Art and Identity in Colonial Oaxaca: Dominicans, Spaniards, and the Mixtecs at the Convento of Yanhuitlan” (CUNY, E. Quiñones–Keber)

JONES, KIMBERLY LYNN, “The ‘Fine River’: Ritual Canals in Ancient Peru” (UT Austin, S. Bourget)

JORDAN, KEITH, “Stone Trees Transplanted? Central Mexican Stelae and the Question of Maya Influence” (CUNY, E. Quiñones–Keber)

JUST, BRYAN, “The Visual Discourse of Ninth–Century Stelae at Machaquila and Seibal” (Tulane University, E. Boone)

MACHADO, JOHN LOUIS, JR., “The Murals of Las Higueras, Vera Cruz, Mexico” (UT Austin, J. Guernsey)

MATUSIK, TARYN, “The Image Breakers: Sculptural Mutilation among the Olmec and Maya” (Columbia, E. Pasztory)

MORÁN, ELIZABETH, “The Sacred as Everyday: Food and Ritual in Aztec Art” (CUNY, E. Quiñones–Keber)

NIEVES, ANA CECILIA, “Between the River and the Pampa: A Contextual Approach to the Rock Art of the Nasca Valley (Grande River System, Department of Ica, Peru)” (UT Austin, S. Bourget, T. Grieder)

PHILLIPS, RUTH ANNE, “‘Pre–Columbian Revival’: Problems and Characteristics of a U.S. Architectural Style, 1910–40” (CUNY, J. Sund)

RICHTER, KIM, “Huastec Sculpture and the Cult of the Feathered Serpent” (UCLA, C. Klein)

ROBB, MATTHEW, “The Construction of Civic Identity at Teotihuacan” (Yale, M. Miller)

ROCHAIX, FERNANDO, “Prestige and Power: Darien Pendants from Ancient Colombia, Panama, and Costa Rica” (UT Austin, S. Bourget)

SOLARI, AMARA “Ritualizing the Maya Landscape: The Transformation of Religious Ideologies in Pre and Post–Contact Izamal, Yucatan” (UC Santa Barbara, J. Peterson)

SPENCER, KAYLEE RAE, “Toward an Understanding of Elite, Late–Classic Maya Representations at Palenque, Mexico” (UT Austin, J. Guernsey)

STEINBACH, PENNY JANICE, “Sacrificing the Jaguar Baby: Understanding a Classic Maya Myth on Codex–Style Ceramics” (UT Austin, D. Stuart, J. Guernsey)

TERRY, JAMES, “Signifying Architecture: Maya Architecture of Chicanná and the Central Yucatán” (Yale, M. Miller)

WERNESS, MALINE DIANE, “Chocholá Ceramics and the Polities of Northwestern Yucatan” (UT Austin, D. Stuart)

WINN, PAULA, “Ecuador Effigy Mortars: Ritual and Tradition in Ancient Andean Sculpture” (Virginia Commonwealth, J. Farmer)

Prehistoric Art

FERRENCE, SUSAN CA., “Lasithi before the New Palaces: A Crossroads in the Early Development of Minoan Art” (Temple, P. Betancourt)

LANGFORD VERSTEGEN, LOUISE, “Early and Middle Minoan Pottery from a Secondary Burial” (Temple, P. Betancourt)

Renaissance/Baroque Art

ANDERSON, ELISSA, “Re–forming Mary in Seventeenth–Century Dutch Prints” (Kansas, L. Stone–Ferrier)

ANDERSON, LAURA, “Artistic Exchange and Collaboration in Early Modern Haarlem” (Penn State, C. Houghton)

ARIOLI, KRISTIN, “Cardinal Raffaele Riario and the Politics of Cultural Patronage in Renaissance Rome (1477–1521)” (USC, E. Howe)

BADIEE–BANTA, ANDALEEB, “Gioacchino Assereto and the International Artistic Culture of Genoa, 1600–1650” (IFA/NYU, J. Brown)

BAINES, LORENA, “Nicolaes de Bruyn and the Art of the Professional Engraver in the Seventeenth Century” (Delaware, P. Chapman)

BALDASSO, RENZO, “Between Nature and Mathematics: The Role of Visual Representation in the Early Stages of the Scientific Revolution” (Columbia, D. Freedberg)

BARRETT, KERRY, “The Artful Hand: Pieter Claesz Soutman’s Style in the Seventeenth–Century Netherlands” (IFA/NYU, M. Westermann, E.–H. Begemann)

BARRY, FABIO, “Painting in Stone: The Symbolic Identity of Coloured Marbles from Antiquity until the Age of Enlightenment” (Columbia, J. Connors)

BARTEET, C. CODY, “Colonial Contradictions in the Casa de Montejo and Mérida: Space, Society, and Self–Representation at the Edge of Viceregal Mexico” (SUNY Binghamton, T. McDonough)

BAUTISTA, PRESTON, “Manifesting Masculinities in Central Italian Renaissance Art: Michelangelo’s David, Artistic Theory, and Representations of the Male Body” (CUNY, J. Saslow)

BENAY, ERIN, “The Pursuit of Truth and the Doubting Thomas in the Art of Early Modern Italy” (Rutgers, C. Puglisi)

BENSOUSSAN, NICOLE, “Casting a Second Rome: Primaticcio’s Bronze Copies and the Fontainebleau Project” (Yale, C. Wood)

BOURLA, LISA, “Ludovico Cigoli, His Intellectual Milieu, and the Emergence of Baroque Art” (Pennsylvania, M. Cole)

BRACKEN, WILLIAM, “Rembrandt in the 1630s: Dialogues and Competitive Environment” (IFA/NYU, E. J. Sluijter, M. Westermann)

BUBENIK, ANDREA, “The Reception of Albrecht Dürer (1528–1700): The Practices of Art, Science and Collecting” (Queen’s, Kingston, C. Hoeniger, V. Manuth)

BULLEN, DIANA, “The Visual Culture of the Central Italian Foundling Hospital, 1400–1600” (Michigan, M. Holmes)

BYRON, DAVID, “The Visual and Social Strategies of German Propaganda Broadsheets, 1608–1621” (Yale, C. Wood)

CADERO–GILLETTE, JENNIFER, “Collecting Art and Constructing History: The Recovery of Medieval Panel Painting circa 1800” (Harvard, J. Koerner)

CARSON, REBEKAH, “Andrea Riccio’s Della Torre Tomb Monument and Antiquarianism in Padua and Verona” (Toronto, A. Nagel)

CARTWRIGHT, INGRID, “‘Satirical’ Self–Portraiture in Seventeenth–Century Dutch Art” (Maryland, A. Wheelock)

CASPER, ANDREW, “El Greco and Italy: Art, Theory, and the Religious Image of the Late Cinquecento” (Pennsylvania, M. Cole)

CHENG, SANDRA, “Il bello dal deforme: Caricature and Comic Drawings in Seventeenth–Century Italy” (Delaware, D. Stone)

CHRISTIAN, MICHELLE MOSELEY, “Seventeenth–Century Netherlandish Genre–Portraits” (Kansas, L. Stone–Ferrier)

CHURCHILL, DEREK, “Replication in the Early Netherlandish Tradition: Dieric Bouts and His Copyists” (Yale, C. Wood)

CIEJKA, JASON, “The Chapels, Altars, and Tombs of Carlo Rainaldi (1611–1691)” (Emory, S. McPhee)

COLÓN MENDOZA, ILENIA, “El Cristo Yacente: Polychrome Sculptures of the Supine Christ in Baroque Spain” (Penn State, J. Porter, B. Curran)

CONTRERAS DE BERENFELD, MARIA CELINA, “Cesare Brandi’s Teoria del Restauro and the Practice of Restoration” (Queen’s, Kingston, C. Hoeniger)

CORRETTI, CHRISTINE, “Benvenuto Cellini and the Loggia dei Lanzi: Configurations of the Body of State” (Case Western Reserve, E. Olszewski)

COUTRÉ, JACQUELYN, “Jan Lievens, Ambition, ‘Influence’ and Originality in the Seventeenth–Century Netherlands” (IFA/NYU, M. Westermann)

CROIZAT, YASSANA, “Fashioning Femininity: Beauty, Absolution, and the Rhetoric of Gender at Fontainebleau (1528–1547)” (IFA/NYU, C. Eisler)

DAIMAN, MARINA, “Copying, Inventing, and Recycling in Rubens” (IFA/NYU, M. Westermann)

DAVID, MARGARET DIANE, “Francesco Mochi, Sculptor (1580–1654)” (Columbia, J. Connors)

DAVIES, GREGORY, “Playing with Fire: Caricature and Its Epistemology in Baroque Italy” (Toronto, P. Sohm)

DE CAVI, SABINA, “Spain in Naples: Building, Sculpting and Painting for the Viceroys (1585–1621)” (Columbia, J. Connors)

DEPALMA, JOHN–MARK, “Jesuit Architecture” (Brown University, C. Zerner)

DIFURIA, ARTHUR, “Heemskerck’s Rome: Antiquity, Memory, and the Berlin Sketchbook” (Delaware, L. Pellecchia)

EDWARDS, KAREN, “Rethinking the Reinstallation of the Studiolo of Francesco l de’ Medici in the Palazzo Vecchio” (Case Western Reserve, E. Olszewski)

ELLIOT BEATTY, SUSAN, “Alexander VII, Bernini, and the Cappella del Voto in Siena” (Toronto, E. Levy)

ESTEVEZ, LISANDRA, “The Image of the Painter in the Age of Calderón de la Barca (1600–1681)” (Rutgers, C. Puglisi)

ETHERIDGE, CHRISTOPHER BLAIR, “Con risolutione di mano formate: Francesco Villamena and the Art of Engraving in Counter Reformation Rome” (Harvard, H. Zerner)

FLETCHER, FRANCIS, “Mantegna and the Tradition of Fictive Relief Sculpture in Italian Renaissance Painting” (Rutgers, S. McHam)

FORD, SUZAN, “Bernini’s Tomb of Urban VIII in St. Peter’s: A Study of Art and Papal Power in the Context of the Counter–Reformation” (Rutgers, T. Marder)

FREDERICK, AMY REED, “Rembrandt’s Etched Sketches and Seventeenth–Century Print Culture” (Case Western Reserve, C. Scallen)

FUJIKAWA, MAYU. “Pilgrimage to the Virgin’s Holy Girdle: Promotion, Money, and Art at Renaissance Prato” (Washington U., W. Wallace)

GARDONIO–FOAT, CASEY, “Seventeenth–Century Professional Women Artists in Spain and Portugal” (IFA/NYU, J. Brown)

GENONI, MIA, “Filarete in Word and Image: Works Realized and Imagined” (IFA/NYU, M. Trachtenberg)

GHADESSI, TOUBA, “Identity and Physical Deformity in Italian Court Portraits 1550–1650: Dwarves, Hirsutes, and Castrati” (Northwestern, L. Massey)

GIUFFRE, JOSEPH, “Giulio Romano in Raphael’s Stanze” (Rutgers, S. McHam)

GLASS, ROBERT, “Filarete and the Taste for the Antique in Mid–Fifteenth Century Rome” (Princeton, P. Brown, L. Barkan, J. Pinto)

GLAZER, JOSHUA, “The Silver Altar of San Giovanni in Florence” (IFA/NYU, M. Trachtenberg)

GREGG, RYAN, “Vasari’s City Views in the Palazzo Vecchio: Cartographic and Historiographic Methods for the Enhancement of Truth in History” (Johns Hopkins, S. Campbell)

GRIFFITH, KYLE, “The Influence of African Caravan Routes and the Animal Trade from the Ancient World on the Art of the Italian Renaissance” (U. of Washington, J. Snow–Smith)

GYLLENHAAL, MARTHA “Rembrandt’s Artful Use of Statues: New Insights into His Studio Practices and Working Methods” (Temple, M. Hall)

HARPER, KATHERINE, “The Prints and Drawings of Hendrick Goudt: New Light on an Artist and Nobleman” (Boston, M. Zell)

HAVENSTEIN, KEN, “Choreographing the City: Socio–Political Implications of Ambrogio Lorenzetti’s Dance Motif Included in the Good Government Fresco, Palazzo Pubblico, Siena” (SUNY Binghamton, C. Burroughs)

HENRY, CHRISCINDA, “The Invention of Erotic Genre Painting in Renaissance North Italy, 1510–1540” (Chicago, C. Cohen)

HILLARD, CAROLINE. “Ancient Etruria in Italian Renaissance Art and Imagination” (Washington U., W. Wallace)

HO, ANGELA, “Rethinking Repetition: Constructing Value in Dutch Genre Painting, 1650s to 1670s” (Michigan, C. Brusati)

HOARE, ALEX, “‘Amico vero’: Salvator Rosa, Friendship, and the Formation of an Artist’s Identity” (Toronto, P. Sohm, E. Levy, A. Nagel)

HORTON, HEATHER, “The Problem of Theory, Practice and Authorship in Alberti” (IFA/NYU, M. Trachtenberg)

HUCKINS, PAMELA, “Furnishing the Northern Frontier: The Sacred Decoration of the California Mission Churches” (IFA/NYU, J. Brown)

HUNTER, MATTHEW, “Robert Hooke Fecit: Making and Knowing in Restoration London” (Chicago, J. Snyder)

HUTSON, JAMES, “L’Idea della Bellezza and Stylistic Change in the Seventeenth Century” (Maryland, A. Colantuono)

IAROCCI, BERNICE, “The Santissima Annunziata of Florence and the Reception of Sacred Images during the Counter–Reformation Period” (Toronto, P. Sohm)

ILCHMAN, FREDERICK, “Tintoretto’s Judgment: Artistic Ambition in Counter–Reformation Venice” (Columbia, D. Rosand)

IMBREY, JAI, “Fictive Frame and Image in Northern Italian Quattrocento Painting” (IFA/NYU, C. Eisler)

ISARD, KATHERINE, “Scritti secondo Vitruvio: Vincenzo Scamozzi and Reading as Architectural Practice in Sixteenth–Century Italy” (Columbia, D. Rosand, F. Benelli)

ISRAEL, JANNA, “The Picture of Poverty: Christoforo Moro at San Giobbe, Venice” (MIT, D. Friedman)

JOHNSTON, BARBARA, “Influences on the Iconography of ‘La Vie de la Magdalene’ by Godefroy and the Life of Louis of Savoy” (FSU, R. Neuman)

JOHNSTON–KEANE, KATHY, “Caravaggio’s Drama: The Influence of Early Baroque Drama on the Paintings of Michelangelo Merisi” (Pittsburgh, A. Sutherland Harris)

KARAFEL, LORRAINE, “Mythology and Metamorphoses: Woven Grotesques for the Vatican Palace” (IFA/NYU, C. Eisler)

KARENTZOS, LOUKAS, “Court and Countryside: Central Italian Villas of the Mid–Sixteenth Century” (Princeton, J. Pinto)

KAWASE, YUSUKE, “Jusepe de Ribera and his Workshop in Naples, 1616–1652: Its Function and Practice” (IFA/NYU, J. Brown)

KAY, NANCY CHUTE, “The Sacred Public Sculptures of Counter Reformation Antwerp” (Brown University, J. Muller)

KEATING, JESSICA, “Between Machina and Anima: Early Modern Automata” (Northwestern, C. Swan)

KIM, DAVID, “Artifex Viator: Artistic Travel and Geography in Renaissance Italy” (Harvard, A. Payne)

KIM, IL, “The Cult of Light in Fifteenth–Century Italian Renaissance Architecture” (Columbia, J. Connors)

KIM, SOHEE, “Jacques Le Moyne De Morgues (ca. 1533–1588) and the Origins of Seventeenth–Century Netherlandish Flower Still Lifes” (Maryland, A. Wheelock)

KLINE, JONATHAN, “Typology and Syncretism in the Art of the Italian Renaissance” (Temple, M. Hall)

KOREY, ALEXANDRA M., “Putti, Pleasure and Pedagogy in Sixteenth–Century Italian Prints and Decorative Arts” (Chicago, C. Cohen)

KOTANI, NORIKO, “Jesuit Missions and Nanban Art” (Princeton, T. Kaufmann)

KUBEL, FRANCINE, “Desire and Decorum in the Religious Paintings of Alessandro Allori” (UC Santa Barbara, R. Williams)

KYLE, SARAH R., “Botanical Imagery and the Perception of Nature in Manuscripts from the Carrara and Visconti Courts, 1360–1405” (Emory, J. Campbell)

LEHMAN, GEOFF, “Perspective and the Renaissance Landscape” (Columbia, D. Rosand)

LENTZ, EDWIN LAMAR, “Imaging Knowledge in the Art of Breugel and Ortelius” (UT Austin, J. Chipps Smith)

LEOPARDI, LILIANA, “Carlo Crivelli and the Adriatic Renaissance” (IFA/NYU, C. Eisler)

LICHI, ANTHONY, “Artful Conversions: Renaissance Rhetorics of God and Profit” (Indiana, Bloomington, G. Knox, G. Maiorino)

LLOYD, KAREN, “Altieri Patronage and Adoption in Early Modern Rome (1670–1710)” (Rutgers, T. Marder)

LOCKER, JESSE, “‘The Hands of Aurora’: Artemisia Gentileschi and Her Contemporaries” (Johns Hopkins, C. Dempsey)

LONG, REBECCA, “Bartolomé Carducho and Italian Artists at the Spanish Court, 1580–1621” (IFA/NYU, J. Brown)

LUGLI, EMANUELE, “Pietre di paragone: The Production of Spatial Order in the Twelfth–Century Lombard City” (IFA/NYU, M. Trachtenberg)

MACLAREN, SHELLEY J., “The Word Made Flesh: Word and Image in Francesco da Barberino’s Documenti d’Amore” (Emory, J. Campbell)

MAGRETA, TODD, “Circa 1625: Dutch Painting and Politics at a Crossroads” (CUNY, P. Mainardi)

MANGONE, CAROLINA, “Bernini/Michelangelo: Michelangelo as Exemplum in the Work and Biographies of Gianlorenzo Bernini” (Toronto, E. Levy)

MARKEY, LIA, “The New World in Renaissance Italy: A Vicarious Conquest of Art and Nature at the Medici Court” (Chicago, C. Cohen)

MCINTOSH, LAURENTIA, “Seventeenth–Century Dutch Still–Life Painter Maria van Oosterwych” (Wisconsin, Madison, J. Hutchison)

MCMAHON, ELIZABETH, “Fra Bartolommeo’s Maniera: Painting and Devotion in Early Sixteenth Century Florence” (Virginia, F. Fiorani)

MOORE, CHELSEY, “Perino del Vaga and the Inheritance of Raphael: Imaging the Court in an Age of Reform” (Johns Hopkins, C. Dempsey)

MORAN, SARAH, “The Visual Culture of Flemish Beguinages, 1585–1700” (Brown University, J. Muller)

MORFORD, MICHAEL, “Carving for a Future: Baccio Bandinelli Securing Medici Patronage through His Mutually Fulfilling and Propagandistic Hercules and Cacus” (Case Western Reserve, E. Olszewski)

MURAOKA, ANNE, “Canon Reformulation in the Age of Counter–Reformation: The Lombard–Roman Confluence” (Temple, M. Hall)

NALEZYTY, SUSAN, “Il collezionismo poetico: Cardinal Pietro Bembo and the Formation of Collecting Practices in Venice and Rome in the Early Sixteenth Century” (Temple, T. Cooper)

NEAL TICE, LISA, “The Casino as Building Type: Form and Function of Late Sixteenth– and Early Seventeenth– Century Casini in Rome and Florence” (Rutgers, T. Marder)

NEILSON, CHRISTINA, “Verrocchio’s Factura: Making and Meaning in an Italian Renaissance Workshop” (Johns Hopkins, C. Dempsey)

NEUMANN, ELISABETH, “Imagining European Community: Continental Allegories of the Netherlands, 1560–1600” (Toronto, E. M. Kavaler)

NEVILLE, KRISTOFFER, “Nicodemus Tessin the Elder and German Artists in Sweden in the Age of the Thirty Years’ War” (Princeton, T. Kaufmann)

NGUYEN, KIM–LY, “Mimesis and Invention in an Age of Art Theory: Arcimboldo, Campi, Passarotti, and Caravaggio” (Columbia, D. Rosand, D. Freedberg)

NIEKRASZ, CARMEN C., “Flemish Tapestry and Natural History, 1550–1600” (Northwestern, C. Swan)

NOGRADY, ELIZABETH, “The ‘Netherlandish Academy’ and the Formation of Artistic Identity in the Seventeenth Century: Goltzius, Bloemaert, Rembrandt” (IFA/NYU, M. Westermann)

NOLAN, LINDA, “Can You Handle It? The Tactile Reception of Sculpture in Early Modern Rome” (USC, M. Baker)

NOLIN, HEATHER, “Venetian Authority and Religious Reform: Artistic Commissions at San Giorgio in Braida, Verona 1426–1668” (Rutgers, S. McHam)

NYGREN, CHRISTOPHER, “Becoming an Icon: Titian and the Imagery of Religious Meditation in Renaissance Venice” (Johns Hopkins, S. Campbell)

O’LEARY, HEATHER, “‘Viva Bacco e Viva Amore’: Bacchic Imagery in the Renaissance” (Columbia, D. Rosand)

ODDE, LAURENT, “La Nouvelle Artémise: Catherine de’ Medici, Queen of France and Patron of the Arts” (CUNY, J. Saslow)

OLSON–RUDENKO, JENNIFER, “Francisco de Zurbarán’s Paintings for the Calced and Discalced Mercedarians in Seville” (Penn State, B. Curran)

ONAFUWA, OBAYEMI, “Bruegel’s Vernacular Bodies” (Columbia, D. Freedberg)

PACKER, MICHELLE V., “Aenschouwer, siet how alle dingh verkeeret! Envisioning Change in the Seventeenth–Century Dutch Cityscape” (UC Santa Barbara, A. Jensen Adams)

PANBEHCHI, MICHAEL, “History Painting and the Battles of Alexander Farnese in Colonial Latin America” (Virginia Commonwealth, M. Schreffler)

PARK, SOO–YEON, “Crucifixion with the Virgin Mary and Saint John” (Wisconsin, Madison, J. Hutchison)

PAUL, TANYA, “‘Beschildert Met een Glans’: Still Life and Self Consciousness in the Art of Willem van Aelst” (Virginia, L. Goedde)

PEDERSON, JILL, “Leonardo’s Circle: Studies in Painting and Court Culture in Renaissance Milan, 1480–99” (Johns Hopkins, C. Dempsey)

PILASKI, KATHARINA, “The Munich Kunstkammer: Art, Nature, and the Representation of Knowledge in Courtly Contexts” (UC Santa Barbara, M. Meadow)

POKPHANH, ROBERTA, “The Proceeds of Prosperity: Images of Money Management and Exchange in Dutch Genre Painting in the Middle of the Seventeenth Century” (Kansas, L. Stone–Ferrier)

POOLE, KATHERINE, “The Art of Conquest: Medici Patronage in Florence, Pisa and Siena, 1537–1609” (Rutgers, S. McHam)

POSKA, OLIVIA, “Adriaen van de Venne’s Speaking Pictures: Patronage, Pictorial Literacy, and Workshop Practice in an Age of Print” (Michigan, C. Brusati)

PRASAD, SHILPA, “Genre and Theater in the Work of Guercino” (Johns Hopkins, E. Cropper)

PURVIS, ELIZABETH, “Terracotta Narrative Sculpture in Italy, 1450–1550” (Toronto, P. Sohm)

RAWLINGS, KANDICE, “Liminal Messages: The Cartellino in Italian Renaissance Painting” (Rutgers, S. McHam)

REYES, HECTOR, “Faire du Poussin: The Contest for Poussin in Aesthetic Theory and Painting (1665–1785)” (Northwestern, S. H. Clayson)

RICHARDS, SANDRA, “The Displaced Altarpieces of the Medici Collections” (Toronto, A. Nagel)

RIHOUET, PASCALE, “Rituals and Images: Confraternity Banners in Renaissance Umbria” (Brown University, E. Lincoln)

RODRIGUEZ–NEGRON, IRAIDA, “Queens of the Spanish Golden Age: Iconography and Patronage of Isabella of Bourbon (1603–1644) and Mariana of Austria (1635–1696)” (IFA/NYU, J. Brown)

ROMAN, DULCE, “Rubens and the Emergence of High Baroque Style in Spanish Painting” (Columbia, D. Freedberg)

ROSSI, NASSIM, “Depicting the Sultan: Conflict and Representation in Renaissance Portraits of the Other” (Columbia, D. Rosand)

RUTHERGLEN, SUSANNAH, “Cabinet Pictures of Renaissance Venice” (Princeton, P. Brown)

SANCHO, VICTORIA, “Rubens, Imitation, and the Construction of Individual Style” (Columbia, D. Freedberg, D. Rosand)

SANDLIN, JULIANNE PARSE, “Religious Orders and Catholic Reform: Parisian Churches during the Reign of Louis XIII” (FSU, R. Neuman)

SAVOY, DANIEL, “The Aquatic Scenography of Architecture and Ritual in Renaissance Venice” (IFA/NYU, M. Trachtenberg)

SCAPPINI, CHIARA, “History, Preservation, and Reconstruction in Siena: The Fonte Gaia from Renaissance to Modern Times” (Rutgers, T. Marder)

SCHAUDIES, IRENE, “Proverbs, Fables, and Folklore: The Genre Painting of Jacob Jordaens” (Brown University, E. Lincoln)

SCHMID, VANESSA, “Portraiture and Community in Amsterdam, 1650–1672” (IFA/NYU, E.–H. Begemann, M. Westermann)

SCHNEIDER, LINDSEY, “The Late Career of Pietro da Cortona and Roman Baroque Painting after 1650” (IFA/NYU, K. Christiansen/ J. Brown)

SHAY MILLEA, MARY, “Visualizing the Desired: The Petrarchan Lover Portrait in Renaissance Italy” (Rutgers, S. McHam)

SHEEN, JULIE, “Models of Virtue: Images and Saint–Making in Colonial Puebla (1640–1800)” (IFA/NYU, J. Brown)

SILVA, JOSEPH, “Thuscorum et Ligurum Securitati: Cosimo I’s Visual Program for the Naval Knighthood of Saint Stephen in Florence and Pisa” (Brown University. E. Lincoln)

SJOVOLL, THERESE, “The Roman Palace and Art Collection of Queen Christina of Sweden (1626–1689)” (Columbia, D. Freedberg, D. Rosand)

SLIWKA, JENNIFER, “Domenico Beccafumi: Politics, Cultural Identity and the ‘Bella Maniera’ at the End of the Sienese Republic” (Johns Hopkins, S. Campbell)

SMITH, JAMIE, “Zo moet gij het schild dragen, Dat God kleurde met zijn rood bloed: Jan van Eyck’s Critical Principles of Oil Painting and Their Middle Dutch Antecedents” (Johns Hopkins, W. Melion)

SMITH, SHARON C., “Planned Grandeur: A Comparative Study of Urban Expansion in Early Modern Italy and Mamluk Egypt” (SUNY Binghamton, C. Burroughs)

SOHN, SOOYUN, “Rembrandt after the Eighteenth Century” (Wisconsin, Madison, J. Hutchison)

STERMOLE, KRYSTINA K., “The League of Cambrai and Venetian Art” (Queen’s, Kingston, D. McTavish)

STEWART, JESSICA, “The Sketch as a Site of Artistic Invention in Late–Quattrocento Florence” (Virginia, F. Fiorani)

STREULE, WENDY, “Objects of Desire: The Production and Consumption of Erotic Images in 17th C. Holland” (Rutgers, C. Puglisi)

SUFFERN, ERIKA, “Domesticity Made Small: Miniaturization in Dutch Art, 1650–1720” (Delaware, P. Chapman)

SWARTWOOD, ANNA, “Antonello da Messina in Venetian Art and History’ (Princeton, P. Brown)

SWITZER, SARA, “Correggio and the Sacred Image” (Columbia, D. Rosand, D. Freedberg)

THOMAS, ROBIN, II, “Charles of Bourbon’s Naples: Architecture and Politics” (Columbia, J. Connors)

TILNEY, BARRETT, “Littoral Meanings: The Seashore in Dutch Art, Life, and Literature in the Golden Age” (Virginia, L. Goedde)

VUSICH, JANNETTE, “Divinus Amor Extasim Facit: Fra Bartolommeo and Mysticism” (Johns Hopkins, S. Campbell)

WATERMAN, JOSHUA, “Intersections of Literature and the Visual Arts in the Silesian Baroque” (Princeton, T. Kaufmann)

WATKINS, CATHERINE, “Rembrandt’s 1654 Life of Christ Prints: Experimentation, Tradition, and the Question of Series” (Case Western Reserve, C. Scallen)

WEHMEIER, JENNIFER, “Pictorial Reflections of the Imperial Presence in Renaissance Italy, 1520–40” (UCLA, J. Woods–Marsden)

WHITE, VERONICA, “‘Serio Illudere’: Baroque Invenzione and the Development of the Capriccio” (Columbia, D. Freedberg, D. Rosand)

WHITTEMORE, LEILA, “Theory, Practice and the Architectural Imagination: Filarete’s Treatise on Architecture and Early Sforza Urbanism, 1450–1464” (Columbia, J. Connors)

WOODALL, DENA, “” Sharing Space: Double Portraiture in Sixteenth–Century Italy” (Case Western Reserve, E. Olszewski)

WOUK, EDWARD H., “Frans Floris, the Italianate Tradition, and the Monumental Nude in the North” (Harvard, H. Zerner)

YOON, RANGSOOK, “Albrecht Dürer as Printer of His Illustrated Books” (IFA/NYU, C. Eisler)

ZALAMEA, PATRICIA, “Subject to Diana: Myth, Identity, and Artistic Origins in French Court Imagery” (Rutgers, C. Puglisi)

ZILLMAN, MOLLY, “Magdalene van de Passe, Geertruydt Roghman, and the Example of Seventeenth–Century Netherlandish Female Printmakers” (Delaware, P. Chapman)

South/Southeast Asian Art

ADAMJEE, QAMAR, “The Sultanate Chandayana: An Exemplar of Cultural and Artistic Interaction in 14th–16th Century India” (IFA/NYU, P. Soucek)

ALI, ATTEQA, “Handle with Care: The Making of an Art History and a Nation in Pakistan” (UT Austin, J. Leosko, A. Reynolds)

BELLI, MELIA, “Royal Umbrellas of Stone: Memory, Authority, and Public Identity in Rajput Funerary Architecture” (UCLA, I. Bierman–McKinney)

CAROTENUTO, GIANNA, “Domesticating the Harem: Re–Considering Colonial Indian Female Identity in the Zenana Photographs of Raja Deen Dayal” (UCLA, R. Brown)

CITRON, BETH, “The City as Canvas: Five Exemplary Artists and Bombay, ca. 1965–95” (Pennsylvania, M. Meister)

DADLANI, CHANCHAL, “Twilight in Delhi? Architecture and Urbanism in the Late Mughal Empire” (Harvard, G. Necipoglu)

EFURD, DAVID, “Early Buddhist Caves of the Western Deccan: An Analysis of Pre–Vakataka Rock–Cut Interiors and Their Remains” (Ohio State, S. Huntington)

HALL, REBECCA, “Of Merit and Ancestors: Buddhist Banners in Laos and Northern Thailand” (UCLA, R. Brown)

HOLT, AMY–RUTH, “Shiva’s Divine Play: Art and Literature at a South Indian Temple” (Ohio State, S. Huntington)

JAMES, SOUMYA, “Political Manipulation of Religious Imagery in Chola and Khmer Interactions: An Integrated Approach to Charting Past and Present Exchanges” (Cornell, K. McGowan)

KAKAR, SHALINI, “Fashioning the Divine: Bollywood Stars, Museum Temples, and Cultural Politics in Contemporary India” (UC Santa Barbara, S. Chattopadhyay)

KIM, BO–KYUNG, “Borobudur and Loro Jonggrong: The Co–Existence of Buddhism and Hinduism in Central Java, Indonesia” (UCLA, R. Brown)

KIM, HAWON, “Formation of Identity: The 19th–Century Jain Pilgrimage Site of Shatrunjaya” (Minnesota, F. Asher)

LEE, EUN–SU, “On Defining Buddhist Art in Bengal: The Dhaka Region” (UT Austin, J. Leoshko)

NINOMIYA, MASUMI, “Nationalizing Art, Constructing Asia: Okakura Kakuzo and India” (UNC Chapel Hill, C. Mavor)

OLSON, MARSHA, “Jesus, Mary, and All the Saints: Indo–Portuguese Ivory Statuettes and Their Role as Mission Art in 17th–18th Century Goa” (Minnesota, C. Asher)

RATH, AMANDA, “Mutable Signs: De/Con/Struction in Indonesian Experimental Art” (Cornell, K. McGowan)

SARDAR, MARIKA, “Golconda through Time: A Mirror of the Evolving Deccan” (IFA/NYU, P. Soucek)

SORNIN, ALEXIS, “Architectural Culture in Early Modern India: Jaipur and the Mughal Building Workshops” (Harvard, G. Necipoglu)

SRIDHARAN, SHRIYA, “Continuing Tradition: Locating the Ritual and Visual Practices of Contemporary Srirangam within Historical and Global Networks” (SUNY Binghamton, N. Um)

TWIST, REBECCA, “The Buddhist Brasses of Kashmir: An Iconographic and Stylistic Reassessment” (Ohio State, J. Huntington)

WARAICH, SALEEMA, “The Ramifications of Ramparts: The Mughal Forts of Lahore, Pakistan and Delhi, India” (UCLA, R. Brown)

Twentieth–Century Art

ABBAMONTIAN, RAMELA, “Armenian–American Artists: Forging a Diasporic Identity in Los Angeles” (UCLA, A. Boime)

ABBOTT, JANET, “The Barnett Aden Gallery: A Home for Diversity in a Segregated City” (Penn State, J. Robinson)

ADAMS, CATHERINE M., “Annette Messager: Post–1968 French Avante–Garde in the Feminine” (Iowa, C. Adcock)

ADAMS, VIRGINIA, “Illusion and Disillusionment in the Works of Gerhard Richter and Jeff Wall: Picturing (Post) Modern Life” (Maryland, S. Mansbach)

AGUIRRE, MARIANA, “Artistic Collaboration in Fascist Italy: Ardengo Soffici and Giorgio Morandi” (Brown University, H. Vanel)

ALDANA, ERIN DENISE, “Urban Interventions: 3Nós3 and the City of Sáo Paulo, 1979–82” (UT Austin, J. Barnitz, A. Reynolds)

ALI, ATTEQA, “Handle with Care: The Making of an Art History and a Nation in Pakistan” (UT Austin, J. Leosko and A. Reynolds)

ALLAIS, LUCIA, “Will to War, Will to Art: The Architectural Ethics and Aesthetics of Cultural Internationalism 1932–60” (MIT, M. Jarzombek)

ÁLVAREZ–GONZÁLEZ, MANUEL FERNANDO, “From Syndicalism to Imperialism: José Luis Sert and His Master Plans for Barcelona (1931–34) and Havana (1956–58)” (MIT, M. Jarzombek)

AMSELLEM, PATRICK, “Modernist Movements: A Contradiction Solved” (IFA/NYU, J. L. Cohen)

ANDERSON, VIRGINIA, “‘A State of Anxious Uncertainty’: The Critical Reception of Jasper Johns” (Boston, C. Jones)

ASHE, LISA FRYE, “Scale, Size, and the Spaces of American Painting, 1948–1968” (Virginia, H. Singerman)

ATWOOD GIBSON, JESS, “Postwar Spectacles: The Zero Group” (Yale, C. Mehring, D. Joselit)

AUSTIN, NANCY, “Industrialization and the Language of Art and Design” (Brown University, D. Neumann)

BACKER, MATTHEW, “Building a Brave New World: The Future Made Present at Chicago’s Century of Progress Exposition, 1933–34” (Indiana, Bloomington, S. Burns)

BAGHDADY, OMAR, “Mid–Twentieth Century Modernism and the Architecture Profession in Egypt” (Michigan, W. Glover)

BANAI, NOIT, “Public (Dis)Order: Yves Klein, 1945–62” (Columbia, J. Rajchman)

BARI, MARTHA. “Mass Media Is the Message: Yoko Ono and John Lennon’s 1969 Year of Peace” (Maryland, R. Ater)

BARRETT, JENNIFER, “The Power of the Ordinary: Contextualism, Regionalism, and ‘the Everyday’ in the Architecture of Alison and Peter Smithson” (Delaware, A. Gibson)

BARRON–DUNCAN, RACHAEL, “Fashioning Surrealism: the Making of Radical Couture, 1925–38” (Yale, C. Mehring)

BAWEJA, VANDANA, “Otto Koenigsberger and Tropical Architecture: From Princely Mysore to Post–colonial London” (Michigan, R. Fishman)

BELASCO, DANIEL, “Women Who Made It: Pioneering Sculpture in the 1940s and 50s” (IFA/NYU, L. Nochlin)

BENNETT, CHRIS, “Boetti and Pascali, Two Case Studies (1965–70): Revisiting Arte Povera after the Fall of the Berlin Wall” (Michigan, A. Potts)

BIBLE, ANN VOLLMANN, “The Art of Dailiness: Gabriele Münter’s Self–Representations” (MIT, M. Jarzombek)

BILBO, REBECCA, “The Art Academy of Cincinnati: A Social, Cultural and Institutional History” (Indiana, Bloomington, S. Burns)

BOLAND, LYNN, “Dissonance in Modern Music and Art” (UT Austin, L. Henderson)

BORTOLOT, ALEXANDER, “Appearance versus Reality: The Representational Turn in 20th Century Makonde Masks and Performance” (Columbia, N. Kampen)

BOURNEUF, ANNIE, “The Visible and the Legible: On Paul Klee’s Work and Reception, 1911–33” (Princeton, B. Doherty)

BROOKS, LERONN, “An Art of Resistance: The Legacy of Hale Woodruff (1900–80)” (CUNY, K. Manthorne)

BROWN, SIENNA, “The Lithographs of Robert Rauschenberg” (Emory, J. Meyer)

BRYZGEL, AMY, “New Avant–Gardes in East–Central Europe and Russia, 1987–99” (Rutgers, J. Sharp)

BURTON, JOHANNA, “” The Content of Context: Appropriation in American Art of the 1980s” (Princeton, H. Foster)

BUSH, DIANA, “The Dialectical Object: John Heartfield 1915–38” (Columbia, B. Buchloh)

CABANAS, KAIRA, “Performing the Real: Art in France 1957–62” (Princeton, H. Foster)

CANTOR, KAREN, “The Life and Work of Boris Artzybasheff” (SUNY Stony Brook, M. Bogart)

CARBONELL–COLL, GISELA M., “A Spaniard in New York: Salvador Dali and American Popular Culture, 1940–1948” (UIUC, J. Mendelson)

CARL, KATHERINE, “Aorist Avant–garde: South Eastern European Art from 1965–1980” (SUNY Stony Brook, D. Kuspit)

CARO, JULIE LEVIN, “The Early Career of Allan Rohan Crite (1930–50)” (UT Austin, L. Henderson, C. Smith)

CARRASCO, MARIA CAROLINA, “Art Hopes, Art Values: Evolution of the Genre of the Multiple since 1964” (IFA/NYU, R. Storr)

CAVALLERO, JANET, “Photography and the Creation and Control of the Masses in 1930s Fascist Italy” (Columbia, B. Buchloh)

ELIK, ZEYNEP, “Kinaesthetic Impulses: Space, Performance, and the Body in German Architecture, 1870–1914” (MIT, M. Jarzombek)

CHANG, ALISON W., “Making the Old New Again: The Female Nude in Edvard Munch’s Late Worth, 1912–44” (University of Pennsylvania, C. Poggi)

CHANG, CHRISTINA, “The End of Painting” (Michigan, A. Potts)

CHENG, JOYCE, “Fixed Ecstasy: The Mask and the Problematic of Expressivity in Avant–Garde Art Criticism and Ethnology 1914–39” (Chicago, R. Heller)

CHIONG, KATHRYN, “Lawrence Weiner: Words/Matter” (Columbia, B. Buchloh, R. Krauss)

CHLENOVA, MASHA, “On Display: Transformations of the Avant–Garde in Soviet Public Culture, 1928–33” (Columbia, C. Kiaer, B. Buchloh)

CHUA, YING “Defining Chinese Modernity: The Art and Theory of Xu Beihong (1895–1953) (Ohio State, J. Andrews)

CHUNG, NOGIN, “Picturing American Women in the Postwar Period” (Minnesota, K. A. Marling)

CHURNER, RACHEL, “Gesamtmerzwerk: Kurt Schwitters and the Total Work of Merz” (Columbia, R. Krauss)

COSTANZO, DENISE, “The Lessons of Rome: Architects at the American Academy, 1947–66” (Penn State, C. Zabel)

COSTELLO, EILEEN ELIZABETH, “Between the Easel and the Mural: The Dissolution of Abstract Expressionist Painting into the Realm of Architecture” (UT Austin, R. Shiff)

COUSINS, CHARLOTTE JANE, “The Shaping of Constantin Brancusi: Formalism and ‘Influence’ in the Early 20th Century” (UT Austin, R. Shiff and J. Leoshko)

CURLEY, JOHN J., “The Art That Came in from the Cold: Andy Warhol and Gerhard Richter, 1950–68” (Yale, D. Joselit, C. Mehring)

CUTSHAW, STACEY, “Intimate Images: The Public and the Private in Twentieth–Century American Photography” (Boston, C. Jones)

DE ARMENDI, NICOLE, “Shifting Perception: Labyrinths and the Rise of Phenomenology in American Art of the 1960s and 1970s” (Virginia Commonwealth, R. Hobbs)

DESGAGN|$$|AAES, ALEXIS, “Que faire? Émancipation et lutte des classes dans l’iconographie révolutionnaire russe, 1861–1905” (Université de Montréal, T. Porterfield)

DEYASI, MARCO, “Indochina in French Art and Culture, 1889–1937” (Duke, P. Leighten)

DIACK, HEATHER, “Performing Documents: An Aporetic Approach to Conceptual Art and Photography, 1965–80” (Toronto, L. Kaplan, M. Cheetham, E. Legge)

DIAZ, EVA, “Chance and Design: Experimental Art at Black Mountain College” (Princeton, H. Foster)

DONOVAN, CELESTE, “María Izquierdo and Modern Mexican Religious Culture, 1940–47” (CUNY, K. Manthorne)

DOSSIN, CATHERINE JULIE MARIE, “‘I Like America and America Likes Me’: Artistic Exchanges between France, Germany and the United States, 1945–89” (UT Austin, R. Shiff, K. Arens)

DROZDEK, JENNI, “A Taste for Paris: The Modernist Dialogue between France and ‘Young Poland,’ 1890–1914” (Case Western Reserve, A. Helmreich)

DUDLEY, HELEN M., “Fascist Regionalisms: The Cultural Politics of Stropaese in Inter–war Italy” (Emory, C. Poling)

DUMETT, MARI, “Corporate Imaginations: The Fluxus Collective in the Age of Multinational Capitalism” (Boston, C. Jones)

DURHAM, DENNIS, “Vancouver Conceptual Art from N.E.THING CO. to Jeff Wall: The Transformation of Art Practice through Pedagogy” (Virginia Commonwealth, R. Hobbs)

EGGLER–GEROZISSIS, MARIANNE, “‘A Decorator in the Best Sense’: Mies van der Rohe and the Articulation of the German Modernist Interior” (CUNY, R. Bletter)

EISMAN, APRIL, “Bernhard Heisig and the Cultural Politics of East German Art” (Pittsburgh, B. McCloskey)

EKARDT, PHILIPP, “‘Eher eine Rüsche am Kleid’: Real Time Images, from Benjamin to Gerhard Richter” (Yale, D. Joselit)

EKICI, DIDEM, “The Impact of the Lifestyle Reform on Modern Architectural Discourse in Twentieth–Century Germany” (Michigan, A. Herscher, L. Soo)

ELCOTT, NOAM, “Cameraless Modernisms: Art, Media, Photograms” (Princeton, C. Armstrong)

EVANS, YATES, “Doors and Windows: Eastern Philosophy and Western Aesthetics in the Art of Ray Johnson” (Virginia Commonwealth, R. Hobbs)

FARRELL, JENNIFER, “An Emerging Institutional Critique” (CUNY, R. Golan)

FIDELIS, GAUDENCIO, “The Reception and Legibility of Contemporary Brazilian Art in the United States (1990–2005)” (SUNY Binghamton, A. D’Souza)

GASPARAVICIUS, GEDIMINAS, “The Emergence of Neo–Avantgardes in Central Europe in 1975–95” (SUNY Stony Brook, D. Kuspit)

GEPHART, EMILY, “Symbolism, Modernism and the Work of Arthur B. Davies” (MIT, C. Jones)

GILBERT, CHRISTOPHER, “American Art and Language during the Period of the Fox (1974–76)” (Virginia Commonwealth University, R. Hobbs)

GILDERHUS, KIRSTEN, “Karl Hubbuch: Drawings and Graphic Works, 1927–30” (Wisconsin, Madison, B. Buenger)

GLASER, JESSICA, “The Pre–War Roots of Socialist Modernism in East German Design” (Pittsburgh, B. McCloskey)

GOPINATH, GABRIELLE, “Ray Johnson and the U.S. Mail” (Yale, A. Nemerov)

GREENE, NIKKI, “The Rhythm of Glue, Grease and Grime: Body and Indexicality in the Works of Romare Bearden, David Hammons, and Renée Stout” (Delaware, A. Gibson)

GU, YI, “The Interaction between Art Photography and the Chinese Traditional Painting:1920–40” (Brown University, H. Vanel)

HABOECK, ALMUT, “Viennese Actionism: Theorizing a Movement” (Iowa, C. Adcock)

HARRIS, LINDSAY, “Reframing the Vernacular: Photography, Architecture, and the Construction of Italian Modernism, 1936–51” (IFA/NYU, J–L Cohen, R. Storr)

HARWOOD, JOHN, “The Redesign of Design: Multi–National Corporations, Computers, and Design Logic, 1945–76” (Columbia, B. Bergdoll)

HATCH, KEVIN, “Looking for Bruce Conner: Assemblage, Films, Drawings, 1957–67” (Princeton, H. Foster)

HAXALL, DANIEL, “Politics, Form, and Identity in Abstract Expressionist Collage” (Penn State. S. Rich)

HELLSTEIN, VALERIE, “Abstract Expressionism and the Possibility of Transcendence” (SUNY Stony Brook, M. Bogart)

HENSON, DENNIS, “Beyond Warhol’s 15 Minutes: Pop Art, Pop Music, ‘The Media,’ and Fame” (Missouri, J. Klein)

HEUER, ELIZABETH, “Going Postal: Surrealism and the Discourses of Mail Art” (FSU, K. Bearor)

HICKMAN, CAROLINE MESROBIAN, “Clare Leighton (1898–1989): A Wood Engraver’s Impressions of Agrarian Life in England and the American South” (UNC Chapel Hill, A. Marks)

HILL, JOE, “Biennials on the Brink: New International Contemporary Art Festivals, 1984–2004” (IFA/NYU, R. Storr)

HILLMAN, SUSANNE, “Robert Rauschenberg, Robert Whitman and Billy Klüver: From Nine Evenings to Experiments in Art and Technology” (Rutgers, J. Marter)

HINDERLITER, BETH, “The Space of Painting: Kurt Schwitters and El Lissitzky” (Columbia, B. Buchloh, R. Krauss)

HOLMBERG, RYAN, “Garo Manga, 1964–72” (Yale, M. Yiengpruksawan)

HORWITZ, ELIZABETH, “Purity Is a Myth: The Countercultural Practices of Hélio Oiticica” (Michigan, A. Potts)

HUEBNER, KARLA, “Eroticism, Identity, and Cultural Context: Toyen and the Czech Avant–Garde” (Pittsburgh, B. McCloskey)

HYLTON, JENNIFER SHERLOCK, “The Seurat Effect” (UT Austin, R. Shiff)

JAMES, LINDA, “The Decadent Dandyism of the Work of Yves Klein” (Wisconsin, Madison, B. Buenger)

JARA, JEFF, “A Fine Tradition: Folk Art and the Development of Modernist American Art, 1900–40” (Delaware, A. Gibson, M. Leja)

JOHNSON, DANIELLE, “Salvador Dalí and René Magritte, 1928–36” (IFA/NYU, R. Lubar)

JONES, ZOE, “Futurist Bohemia in Paris: Dandyism, Eroticism, and Transgression in the Art of Gino Severini” (Duke, M. Antliff)

JORDAN, SHARON, “Sexual Ambiguity in the Paintings of Ernst Ludwig Kirchner” (CUNY, R. Long)

JOZEFACKA, ANNA, “Rebuilding of Warsaw: Architecture, Urban Planning and Ideology in Postwar Poland (1945–70)” (IFA/NYU, J–L. Cohen)

KABFLEISCH, ELIZABETH, “Home and Homeland: Feminist Ground in Native American Art” (Rochester, J. Berlo)

KAISERLIAN, MICHELLE, “Artistic Responses to The Rubáiyát of Omar Khayyám in Great Britain and the United States, ca. 1900–40” (Indiana, Bloomington, M. Facos)

KATSNELSON, ANNA WEXLER, “Red Aesop? The Visual Culture of Late Russian Avant–Garde” (Harvard, Y–A. Bois)

KAWALKO, KAROLINA, “Geometric Abstraction before and behind the Iron Curtain” (CUNY, R. Golan, R. Long)

KEE, JOAN, “Points, Lives, Encounters: The Paintings of Lee Ufan and Park Scubo” (IFA/NYU, J. Hay, R. Storr)

KELLOGG–KRIEG, ANNAH, “In the Service of the Nation(s): Medieval and Neo–Medieval Architecture in the Contested Terrain of Wroc|flaw/Breslau, 1860–Present” (Pittsburgh, B. McCloskey

KING, JENNIFER, “Michael Asher and the Art of Infrastructure: Space, Cities, Institutions” (Princeton, H. Foster)

KOHN, ADRIAN MICHAEL, “Seeing Los Angeles Minimalism 1958–72” (UT Austin, R. Shiff)

KROIZ, LAUREN, “Modernizing ‘A Grey Race’: New Immigrants, New Media, and the Stieglitz Circle (1891–1924)” (MIT, C. Jones)

KUDRIAVTSEVA, EKATERINA, “The Afterlife of Kazimir Malevich’s Black Square” (USC, N. Troy)

LAMUNIERE, MICHELLE, “The Social Museum at Harvard: Francis Greenwood Peabody and Early Twentieth–Century Social Reform Photography in Context” (Boston, K. Sichel)

LEDEZMA, JUAN, “Gustav Klutsis, El Lissitzky and the October Group: Montage and the Post–History of the Constructivist Object in Russia’s ‘Reconstruction Period’ (1928–32)” (Columbia, C. Kiaer, B. Buchloh)

LEE, KEE–LEE, “Sur Vampyr: Theresa Hak Kyang Cha and the Cultural Para–Sites of the Korean Diaspora” (UNC Chapel Hill, C. Mavor)

LEE, YULIN, “Architectural Responses to Contemporary Art: Four Cases of Contemporary Art Museums in Japan in the 1990s” (IFA/NYU, J. Hay, J–L. Cohen)

LIMA, BENJAMIN, “Wolf Vostell’s Décollage and the Forms of Destruction, 1958–72” (Yale, D. Joselit)

LISIEWICZ, MALGORZATA, “Mission Impossible? Zacheta National Gallery in the Era of Globalization” (Chicago, M. Ward)

LÓPEZ–DURÁN, FABIOLA, “Eugenics in the Garden: Medicine, Architecture, and Landscape from France to Latin American in the Early Twentieth Century” (MIT, A. Dutta)

LUKE, MEGAN, “Perverse Aesthetics and Stolen Goods: Kurt Schwitters in Exile” (Harvard, Y–A. Bois, B. Buchloh)

MANGINI, ELIZABETH, “Arte Povera 1962–72: An Argument for an Italian Avant Garde” (CUNY, R. Golan)

MANSOOR, JALEH, “Marshall Plan Monochromes: The Matrix of Fifties Abstraction” (Columbia, B. Buchloh, R. Krauss)

MARTIN, COURTNEY J., “Cyclones in the Metropole: British Art 1976–1989” (Yale, T. Barringer)

MCCORMICK, SETH, “Jasper Johns 1954–58: Persecution and the Art of Painting” (Columbia, J. Crary)

MCGUIRE, HEATHER, “John Baldessari: Blasted Allegories” (Virginia Commonwealth, R. Hobbs)

MCMANUS, WILLIAM, “‘When We Made Movies Just to Make Them’: Warhol’s Films and the Surface of the 1960s” (Princeton, H. Foster)

MCQUEEN, KATHLEEN, “Blood Beauty: Photography and the Aesthetics of Witness” (SUNY Stony Brook, J. Monteyne)

MILLER, JENNIFER, “In the Flesh: The Burlesque Theater in American Art and Visual Culture” (USC, C. Holloway)

MINIOUDAKI, KALLIOPI, “Women in Pop: Difference and Marginality” (IFA/NYU, L. Nochlin)

MINTURN, KENT, “Contre–Histoire: The Postwar Art and Writings of Jean Dubuffet” (Columbia, R. Krauss)

MITZEN, ANNE, “Gender, Modernism, and Regionalism: The Promotion and Reception of Künstlerinnen in the Rhineland, 1890–1925” (Brown University, H. Vanel)

MONAHAN ANNE, “Form and Content: Politics and Figuration in American Art of the 1960s” (Delaware, A. Gibson)

MONTGOMERY, HARPER, “Attracting New Audiences and Insulting Old Ones: Avant–Garde Exhibitions in Mexico City and Buenos Aires, 1924–29” (Chicago, M. Ward)

MOORE, JORDANA E., “Jean–Michel Basquiat and the Language of Creativity” (UIUC, J. Fineberg)

MOWRIS, PETER, “Surrealism and the Science of Mental Imagery and Hallucination” (UT Austin, L. Henderson)

MULLER, GABRIELA, “Abstraction on the Move: The Medium of the German Absolute Film” (Stanford, S. Bukatman)

MURACHANIAN, JEAN, “Léon Tutundjian: Trauma, Identity, and Modern Art in the Aftermath of Genocide” (UCLA, A. Boime)

MURAYAMA, NINA, “Furniture/Design and Minimalism: Richard Artschwager, Donald Judd, and Scott Burton” (CUNY, A. Chave)

MUZAFFAR, M. IJLAL, “The Periphery Within: Modern Architecture and the Making of the Third World” (MIT, M. Jarzombek)

NEELY, EVAN, “Cy Twombly and the Ethics of Painting” (Columbia, D. Freedberg, D. Rosand, B. Joseph)

NEIL, JONATHAN, “Carl Andre, Richard Serra, the Problem of Materials, and the Picture of Matter” (Columbia, B. Buchloh, R. Krauss)

NELSON, ADELE, “The São Paulo Biennial and Latin American Artistic Exchange, 1951–69” (IFA/NYU, R. Storr, E. Sullivan)

NELSON, ANDREA, “Reading Montage: The Photography Books of László Moholy–Nagy and Walker Evans” (Minnesota, J. Blocker)

NIGRO, CAROL, “Cy Twombly’s Italian Journey: Histories and Myths for a Modern Era” (Delaware, A. Gibson)

NOONAN, JENNIFER, “Romancing the Stone: Printmaking and the Body in the 1960s and 1970s” (Penn State, S. Rich)

OLDS, KIRSTEN, “Radical Collectivities: North American Artists’ Groups, 1965–78” (Michigan, A. Potts)

O’LEARY, THOMAS, “Tokyo Visions: Structuring Identity in Contemporary Japanese Photography” (USC, J. Reynolds)

OLGREN–LEBLOND, KELLI, “Reading Expressionist Architecture: The German Avant–Garde and ‘Paper Architecture,’ 1914–24” (USC, K. Lang)

ORENDUFF–BARTOS, LILLIAN, “Polish Symbolism in the European Context” (CUNY, E. Braun)

OSHIMA, TETSUYA, “The Figure Reemerging: Jackson Pollock’s Cut–Out Series, 1948–56” (CUNY, G. Levin)

PALMER ALBERS, KATHERINE, “Archive/Atlas/Album: The Photographic Records of Christian Boltanski, Dinh Q. Lê, and Gerhard Richter” (Boston, C. Jones)

PARSONS, SARA–JAYNE, “Liminal Britain: Place and Memory in British Photography since 1979” (UT Austin, M. Charlesworth)

PEIFFER, PRUDENCE, “Routine Extremism: Ad Reinhardt and Modern Art” (Harvard, Y–A. Bois)

PEPPER, IAN, “On the Difference between Serialism and Seriality in the Visual Arts after 1945” (Columbia, R. Krauss)

PERRILL, ELIZABETH, “Potters in the Marketplace: South African Ceramic Urbanization, 1910s to the Present” (Indiana, Bloomington, P. McNaughton)

PERRY, WEENA, “America in Ruins: Photography and the Making of National Meanings” (SUNY Stony Brook, M. Bogart)

PILAT, STEPHANIE, “Re–imagining Italy: The Neighborhoods of Ina–Casa in the Postwar Period” (Michigan, L. Soo)

PIRNIA, PORTIA EDWARDS, “Henri Matisse and the Decorative” (Ohio State, L. Florman)

POBOCHA, PAULINA, “Tadeusz Kantor: Painting and Theater, 1939–90” (IFA/NYU, R. Storr)

POOR, NATASHA, “Dirty Art: Transgressing Domesticity and the Body in 1950s United States Art” (CUNY, A. Chave)

PORTNOY, SCOTT, “Abstraction Reduced: The Monochrome in American Painting, 1949–63” (Columbia, B. Buchloh)

POZZI–HARRIS, ANA JORGELINA, “Peronism and Abstract Art in Argentina, 1943–45” (UT Austin, J. Barnitz)

PRICE, JUSTINE DANA, “Critical Distinctions: Attitudes towards American Abstraction, 1936–52” (UT Austin, R. Shiff)

PRICE, MARSHALL, “John Ferren and the Development of Abstraction” (CUNY, K. Manthorne)

PROCTOR, JACOB, “Collage and Found Footage in Postwar Experimental Film: Bruce Conner, Stan Vanderbeek, Ken Jacobs, Robert Breer” (Harvard, Y–A. Bois, B. Buchloh)

QUILES, DANIEL, “Toward a Counterpublic Sphere: Argentine Conceptual Art, 1966–76” (CUNY, R. Golan)

QIN, ZHAO–KAI, “Transnational Modernities: Artistic Interactions between China and the West 1979–99” (Cornell, L. Meixner)

REYNOLDS, REBECCA L., “Sculpture Parks, Sculpture Gardens, and Site–Specific Practices in the U.S., 1965–91” (Chicago, M. Ward)

RICHARDS, ELIZABETH, “Fabrics in Modern and Contemporary American Art: Unraveling Threads of Discourse” (Cornell, J. Bernstock)

RICHTER, TILL, “Contemporary Art: Art Historical and Market Criteria” (UT Austin, R. Shiff)

RIPPNER, SAMANTHA, “Vija Clemins in Context: Paintings, Drawings and Prints 1964–94” (CUNY, M. Hadler)

ROBERTS, SARAH REHM, “Englishness, Abstraction, and Surrealism: Modern Art in England, 1932–36” (Brown University, K. D. Kriz)

ROBINSON, JULIA, “In the Event of George Brecht: Chance Encounters of the Readymade, Cage, Fluxus and Conceptual Art” (Princeton, H. Foster)

ROETHKE, LEIGH, “A Passion for Spain: Españolismo in American Visual Culture” (Minnesota, K. A. Marling)

ROMBERG, KRISTIN, “Gan’s Constructivism” (Columbia, C. Kiaer)

ROMPILLA, DENISE, “From Hiroshima to the Hydrogen Bomb: American Artists Witness the Birth of the Atomic Age” (Rutgers, J. Marter)

ROOT, NICOLE, “The Inassimilable: Mike Kelley’s Poetics of the Low” (IFA/NYU, R. Storr)

ROTH, LYNETTE, “‘Neue Sachlichkeit’ in Cologne: August Sander and the Cologne Progressives” (Johns Hopkins, B. Doherty)

ROTTNER, NADJA, “Claes Oldenburg, 1959–66: The Violence of Sensation” (Columbia, J. Rajchman, R. Krauss, B. Joseph)

RUNDQUIST, LEISA, “Firestorms and Conflagrations: The Inflamed Cosmology of Henry Darger” (UNC Chapel Hill, C. Mavor)

SALETNIK, JEFFREY, “Pedagogy, Modernism, and Media Specificity: The Bauhaus, John Cage, and Fluxus” (Chicago, R. Heller)

SCANLON, PATRICIA S., “‘God–gifted girls’: Women Illustrators, Gender, Class and Commerce in American Visual Culture, 1885–1825” (Indiana, Bloomington, S. Burns)

SCHMIEDEKAMP, ASHLEY, “Picturing the Cosmos: Surrealism and Astronomy, 1920s–1940s” (UT Austin, L. Henderson)

SCHULMAN, DANIEL, “African American Art and Artists in Chicago, 1893–1945” (IFA/NYU, R. Storr)

SCHWARTZ SIMON, MALKA, “The Space of Production: Brooklyn and Creation of an Urban Industrial Landscape” (IFA/NYU, J–L. Cohen)

SCHWARTZ, STEPHANIE, “A Frontier Town Still: Cuban Urban Planning, 1925–30” (Columbia, B. Buchloh)

SCOTT, SASCHA, “Paintings of Pueblo Indians and the Politics of Preservation in the American Southwest” (Rutgers, J. Marter)

SENF, REBECCA, “Intimate Places: Ansel Adams’s Photographs in the American West and Southwest, 1916–36” (Boston, K. Sichel)

SHAFFER, MICHAEL, “Dan Graham’s Video Installations of the 1970s” (Virginia Commonwealth University, R. Hobbs)

SHANE, ROBERT RAND, “Hans Hofmann and Einfuhlung” (SUNY Stony Brook, D. Kuspit)

SHELBY, KAREN, “Conflicted Nationalism and World War I: Belgian Memory and Memorial Design” (CUNY, H. Senie)

SKURVIDAITE, SANDRA, “States of Self: Carolee Schneemann’s Works, 1962–74” (SUNY Stony Brook, D. Kuspit)

SLIFKIN, ROBERT, “Philip Guston’s ‘Return to Figuration’ and the Crisis in the Humanities” (Yale, A. Nemerov)

SMALL, IRENE, “Helio Oiticica and the Morphology of Things” (Yale, D. Joselit)

SMITH, LAURA, “The Art of Horace Poolaw, Kiowa Photographer” (Indiana, Bloomington, S. Burns)

SPICER, FRANK, “‘Just What Was It That Made Our Art So Different, So Appealing?’” Case Studies of the Critical Reception of American Avant–Garde Painting in London, 1950–64” (Case Western Reserve, E. Landau)

SRYPZAK, JOANN, “Sporting Modernity: German Artists and the Athletic Body, 1918–45” (Wisconsin, Madison, B. Buenger)

STANNERS, SARAH, “‘Going British and Being Modern’ in the Visual Art Systems of Canada and the United States” (Toronto, M. Cheetham, B. Fischer, D. Reid)

STECK, STUART, “Veiling the Subject: Ellsworth Kelly and the Discourses of Modernism” (Boston, C. Jones)

STETLER, PEPPER, “Bound Vision: Reading the Photograph in the Book in Weimar Germany” (Delaware, M. Werth)

STOB, JENNIFER, “Faux raccords: Lettrist, Situationist, and French New Wave Cinema” (Yale, D. Joselit, D. Andrew)

STOKIC, JOVANA, “The Body Beautiful: Women’s Self–Representations and the Shifting Currents of Feminism 1970–2000” (IFA/NYU, R. Lubar, L. Nochlin)

STRAHL–ALLEN, LISA, “Gender Construction and Manifestation in the Art of Elaine de Kooning” (Temple, G. Silk)

STRYKER, ERIC, “New Figuration: The City, Space and the Body in British Art after 1945” (Yale, T. Barringer)

SUDUL, JENNIFER, “The Early Works of Niki de Saint Phalle” (IFA/NYU, R. Storr)

SUSIK, ABIGAIL, “Dream Kitsch: Surrealism and the Outmoded” (Columbia, R. Krauss, D. Freedberg)

SWEET, LEAH, “Defining (Neo) Dada: German Art of the 1950s and 1960s” (IFA/NYU, R. Storr)

SYKES, CLAIRE, “Being–at–a–Loss: Modalities of Experience in Contemporary Encounters with Art” (Rochester. P. Duro)

TARVER, GINA MARIA MCDANIEL, “Isolated Iconoclasts and Ambitious Institutions: Early Colombian Conceptualism and Its Antecedents, 1962–75” (UT Austin, J. Barnitz)

TEGROTENHUIS, MEREDITH A., “Stabilizing the City: Berenice Abbott’s Photographs and Urban Representation in the 1930s” (Northwestern, C. Lambert)

THOMAS, BRAGAN, “Naked Fascism? Body Politics and the Male Nude in German Sculpture of the Third Reich” (IFA/NYU, R. Lubar)

THOMPSON, ALLISON, “Arriving at the Caribbean: Constructing Visual Representations of Transatlantic and Transcultural Experience” (SUNY Stony Brook, B. Frank)

TIERNEY, CRISTIN, “Domesticating Modern Art: Aspects of the Promotion of Modern Art in the United States, ca. 1905–36” (IFA/NYU, R. Lubar)

TOMLIN, PATRICK, “Spectacular Visions: Op Art, 1964–68” (Northwestern, C. Lambert)

TOTEVA, MAIA TODOROVA, “Language Use in Conceptual Art: Eastern European and North American Strategies” (UT Austin, R. Shiff)

TOTH, EDIT, “‘Collective Individuals’: The MA Circle and the Communist Revolution––Hungarian Art, Culture, and Politics, 1918–23” (Penn State, N. Locke)

TRAVIS, AMBER, “Theatres of War, Torture and Duress: Leon Golub’s Mercenaries, Interrogations, and White Squads: 1979–87” (Northwestern, S. Eisenman)

TSAI, JOYCE, “Painting after Photography: The Work of László Moholy–Nagy, 1921–37” (Johns Hopkins, M. Fried, K. Tuma)

TSENG, LI–LIN, “Melodrama as Modernity in Early Chinese Cinema: A Case Study in the Works of Zheng Zhengqiu and His Shanghai Contemporaries, 1922–37” (UIUC, J. Fineberg)

TWA, LINDSAY, “Troubling Island: The Imagining and Imaging of Haiti by African–American Artists” (UNC Chapel Hill, M. Harris)

VALLYE, ANNA, “The Mid–Century Artist–Intellectual in America: Josef Albers, Walter Gropius, Gyorgy Kepes” (Columbia, B. Bergdoll, R. Martin, J. Ockman)

VAN HOESEN, BRETT M., “Visualizing the Legacy of German Colonialism: The Intersection of Cultural Policies and Human Rights Politics during the Weimar Republic” (Iowa, C. Adcock)

WALKER, LANITRA, “Pictures That Satisfy: Modernist Discourses and the Politics of Race, Gender, and Nation in the Art of Irma Stern (1894–1966)” (Duke, R. Powell)

WALZ, JONATHAN F., “Abstract Portraiture and the American Avant–garde, 1912–27” (Maryland, S. Promey)

WANG, MEIQIN, “Confrontation and Complicity: Rethinking Official Art in Contemporary China” (SUNY Binghamton, N. Um)

WARNOCK, MOLLY, “Painting Blind: The Work of Simon Hantaï” (Johns Hopkins, M. Fried)

WEBSTER, MARIA, “Photographic Portraiture from a Woman’s Point of View: The Case of Madame Yevonde” (USC, R. Meyer)

WEIL, MICHAEL, “Sowing the Seeds of a New Fine Art: Stieglitz, O’Keeffe, and Photography in American Museums” (Case Western Reserve, E. Landau)

WEISS, KIRSTEN, “Aesthetics of Banality: The Cultural Politics of Architectural Representation in Bernd and Hilla Becher, and Gerhard Richter” (MIT, C. Jones)

WELLER, REBECCA, “The Los Angeles Look: Light, Space, and Phenomenology, 1962–74” (Delaware, A. Gibson)

WENDT, PAN, “Divided and Connected: The Group Clothing Works of James Lee Byars, Michelangelo Pistoletto, and Franz Erhard Walther, 1967–70” (Yale, D. Joselit, C. Mehring)

WIDRICH, MECHTILD, “Performing Monuments: Public Memory in the Work of Valie Export, Jochen Gerz, and Marina Abramovic” (MIT, C. Jones, M. Buskirk)

WILLIAMS, ALENA, “Movement in Vision” (Columbia, J. Crary)

WILLIAMS, TOM, “Pop Art, Youth Culture, and Social Change in the 1960s” (SUNY Stony Brook, J. Katz, M. Bogart)

WOLF, VANESSA, “Surplus Feeling: War and Remembrance in Lee Bontecou’s Wall Reliefs, 1958–66” (Yale, A. Nemerov)

YOUNG, LISA JAYE, “All Consuming: Weimar Photography and the Aesthetics of Americanization, 1923–33” (CUNY, G. Batchen)

ZAKER, BAHAR, “Surrealism’s Aesthetic Turn: Memory and Visual Culture in Interwar France” (UC Irvine, J. Herbert)

ZALMAN, SANDRA, “A Vernacular Vanguard Abroad: How America Minded Surrealism” (USC, N. Troy)<–ps;3>

Dissertations Completed by Subject Matter

African Art (sub–Saharan)

ANDERSON, SEAN, “In–Visible Colonies: Modern Architecture and Its Representation in Colonial Eritrea, 1890–1941” (UCLA, S. Nelson; UC Berkeley, M. Fuller)

CIOLA, ANN M., “Identity and Community Solidarity: Counter–Spectacle, Power and Resistance in the Mass Funeral of the ‘Guguleteu Seven’, March 15, 1986” (SUNY Binghamton, K. Barzman)

CLUNIS, SARAH A., “A Ready–Made Diaspora” (Iowa, C. Roy)

ONYILE, ONYILE BASSEY, “Ekpu Oro: Spirits of the Living Dead as an Expression of Oron Worldview, 1894–1940” (SUNY Binghamton, N. Nzegwu)

STRINGFELLOW, GREGORY, “The Origin, Development and Significance of the Female–Ancestor Masks among the Punu of Gabon” (Yale, R. Thompson)

Architectural History/Historic Preservation

ANDERSON, SEAN, “In–Visible Colonies: Modern Architecture and Its Representation in Colonial Eritrea, 1890–1941” (UCLA, S. Nelson; UC Berkeley, M. Fuller)

AVITTS, ELLEN, “Live the Dream: The Rhetoric of the Furnished Model Home in Late 20th– and Early 21st–Century America” (Delaware, B. Herman)

COFFMAN, PETER, “Gothic Revival Architecture in Atlantic Canada” (Queen’s, Kingston, P. du Prey)

DOW, DOUGLAS, “Confraternal Piety and Corporate Patronage: A Reconstruction of the Art and Oratory of the Compagnia di San Giovanni Battista dello Scalzo, Florence” (Penn State, B. Curran)

GROSSMAN, MAX ELIJAH, “Pro Honore Comunis Senensis et Pulchritudine Civitatis: Civic Architecture and Political Ideology in the Republic of Siena, 1270–1420” (Columbia, S. Murray, M. Trachtenberg)

HAMILTON, JEFFREY, “Adapting the City to Meet Rural Desires: The English Urban Landscape as Surrogate Country House” (Delaware, D. Stillman)

HAZARD, ERIN, “Realized Day–Dreams: Excursions to Authors’ Homes” (Chicago, K. Taylor)

LAMPRAKOS, MICHELE, “Conservation and Building Practice in a World Heritage City: The Case of Sana’a, Yemen” (MIT, N. Rabbat)

MAXIM, JULIANA, “The New, the Old, the Modern. Architecture and Its Representation in Socialist Romania, 1955–70” (MIT, S. Anderson)

REMMEL, RACHEL, “The Origins of the American School Building: Boston Public School Architecture, 1800–60” (Chicago, K. Taylor)

ROGERS, KAREN L., “Checkerboard Grids: Principles and Practices of Spatial Order in the Americas and the Making of Place in New Mexico” (SUNY Binghamton, C. Burroughs)

SANDLER, DANIELA, “Incarnate Politics: National Identity, History, and Architectural Heritage in Postwar Berlin” (Rochester, A. Nader)

SURDU, ROBERT C. A., “Wholesome Architecture and the Rise of the Tourist State in Early–Twentieth Century Canada” (Queen’s, Kingston, L. Jessup)

TARANDIEVA, TEODORA, “The Church of St. John Aleitourgetos in Mesembria: A Study of Its Constantinopolitan Origins” (Indiana, Bloomington, W. E. Kleinbauer)

URBAN, FLORIAN, “The Invention of the Historic City: Building the Past in East Berlin 1970–1990” (MIT, M. Jarzombek)

VAN DEN HURK, JEROEN, “Early Dutch Neo–Gothic Architecture, 1772–1840” (Delaware, B. Herman)

WORTHAM, B. D., “Mythologies of an Everyday American Landscape: Henry Ford at the Wayside Inn” (MIT, M. Jarzombek)

YU, SHUISHAN, “To Achieve the Unachievable: Beijing’s Chang’an Avenue and Chinese Modernization during the PRC Era” (U. of Washington, M. Clausen)

ZITRIDES, CHRISTINE, “Housing and Urban Transformation of Carthage, 400–700 CE” (UIUC, E. Hostetter)

Art of the United States

BERKOWITZ, ELLIE PATRICIA, “Innovation through Appropriation as an Alternative to Separatism: The Use of Commercial Imagery by Chicano Artists, 1960–90” (UT Austin, A. Malagamba)

BOETTCHER, GRAHAM, “Domestic Violence: Familial and Political Conflict in the Work of Emanuel Leutze” (Yale, A. Nemerov)

EDWARDS, KATIE ROBINSON, “Raising and Lowering Brows: Jackson Pollock in the Cultural Context of 1940s America” (UT Austin, R. Shiff)

EGAN, SHANNON, “An American Art: Edward S. Curtis and The North American Indian, 1907–30” (Johns Hopkins, B. Doherty)

FORT, MEGAN HOLLOWAY, “Archibald and Alexander Robertson and The Colombian Academy of Painting, New York, 1791–41” (CUNY, S. Webster)

GIESKES, METTE, “Games, Systems, and Structuralist Politics in European and American Art, 1960–75” (UT Austin, R. Shiff)

GILLESPIE, SARAH KATE, “Samuel F. B. Morse and the Daguerreotype: Art and Science in American Culture, 1835–55” (CUNY, K. Manthorne)

HAERTEL, NILZA, “Landscape and Nature in American Prints: Transformations in Form and Meaning in the Work of Contemporary Women Artists” (Indiana, Bloomington, S. Burns)

JUNG, EUN YOUNG, “The Legacies of Marcel Duchamp and Vladimir Tatlin in Dan Flavin’s Fluorescent Light Installation in the 1960s” (UIUC, J. Fineberg)

KILBANE, NORA C. “A Tug from the Jug: Drinking and Temperance in American Genre Painting, 1830–60” (Ohio State, B. Groseclose)

KOH, DONG–YEON, “Larry Rivers and Frank O’Hara: Reframing Male Sexualities” (CUNY, A. Chave)

KORENIC, LYNETTE, “The Decorative Fire of Susan S. Frackelton: China Painting, Art Pottery, and Book Illumination” (UC Santa Barbara, E. B. Robertson)

KRESSER, KATIE, “Art as History, History as Art: John La Farge and the Problem of Representation, 1859–10” (Harvard, J. Roberts)

KUSSEROW, KARL, “Picturing Power: Portraiture and Its Uses in the New York Chamber of Commerce” (Yale, A. Nemerov)

LAWRENCE, JAMES ALEXANDER, “Abdication in an Artistic Democracy: Meaning in the Work of Barnett Newman and Donald Judd, 1950–70 (and thereafter)” (UT Austin, R. Shiff)

LESSING, LAUREN K., “Presiding Divinities: American Ideal Sculpture in Nineteenth–Century Domestic Interiors” (Indiana, Bloomington, S. Burns)

LEVINE, CARY, “Pay for Your Pleasures: Mike Kelley, Raymond Pettibon, Paul McCarthy” (CUNY, R. Golan)

MARIE, ANNIKA, “The Most Radical Act: Working toward a Materialist Aesthetic in Theodor Adorno, Harold Rosenberg, Barnett Newman and Ad Reinhardt” (UT Austin, R. Shiff, A. Reynolds)

MAURO, HAYES PETE, “Made in the U.S.A.: Americanizing Aesthetics at Carlisle” (CUNY, K. Manthorne)

MURPHY, MICHAEL, “White Collared: Fashioning Masculinity in American Visual Culture” (Washington University, A. Miller) St Louis

OLDER, CAROLINE, “American Artists’ Frames: Paintings, Environments, and Viewers 1860–1920” (UC Santa Barbara, E. B. Robertson)

PEABODY, REBECCA, “A Strategic Cut: Kara Walker’s Art and Imagined Race in American Visual Culture” (Yale, R. Thompson, H. Carby)

PEARISO, CRAIG, “Re/Citing: Radical Activism in Late–1960s America” (SUNY Stony Brook, J. Katz, J. Rubin)

PERCHUK, ANDREW, “Mapping the Surface: Art and Modernism in Los Angeles, 1962–72” (Yale, C. Wood)

REECE–HUGHES, SHIRLEY, “Through the Eyes of an Expressionist: Southern Culture, Places, and Memories in the Art of David Bates” (Kansas, C. Eldredge)

REMMEL, RACHEL, “The Origins of the American School Building: Boston Public School Architecture, 1800–60” (Chicago, K. Taylor)

ROGERS, KAREN L., “Checkerboard Grids: Principles and Practices of Spatial Order in the Americas and the Making of Place in New Mexico” (SUNY Binghamton, C. Burroughs)

SINNETT, GRETCHEN, “Envisioning Female Adolescence: Rites of Passage in Late Nineteenth– and Early Twentieth–Century American Painting” (Pennsylvania, E. Johns)

TOWNS, ELIZABETH, “Wondrous Creatures: The Hummingbird and Orchid Paintings of Martin Johnson Heade” (UNC Chapel Hill, C. Mavor)

TWA, LINDSAY, “Troubling Island: The Imagining and Imaging of Haiti by African–American Artists” (UNC Chapel Hill, M. Harris)

ZYGMONT, BRYAN, “Portraiture and Politics in New York, 1790–1825: Stuart, Vanderlyn, Trumbull, and Jarvis” (Maryland, S. Promey)

Art of the Middle East/North Africa

BUSH, OLGA, “Architecture, Poetic Texts and Textiles in the Alhambra” (IFA/NYU, P. Soucek)

EIMEN, ALISA, “Museum and Mosque: The Shifting Identities of Modern Iran” (Minnesota, C. Asher)

LAMPRAKOS, MICHELE, “Conservation and Building Practice in a World Heritage City: The Case of Sana’a, Yemen” (MIT, N. Rabbat)

MASARWA, YUMNA, “From a Word of God to Archaeological Monuments: A Historical–Archaeological Study of the Umayyad Ribats of Palestine” (Princeton, T. Leisten)

NATIF, MIKA, “Explaining Early Mughal Painting: The Anvar–i–Suhayli Manuscripts” (IFA/NYU, P. Soucek)

SCHENK, KÄRA, “Returning the Zion: The Narrative of the Dura–Europos Synagogue Frescoes” (Johns Hopkins, H. Maguire)

Chinese Art

BECKMAN, JOY, “Layers of Being: Bodies, Objects, and Spaces in Warring States Burials” (Chicago, Wu H.)

FENG, JIREN, “Imperial Northern Song Architecture: Treatises, Buildings, Literature and Art” (Brown, M. Bickford)

KINDALL, ELIZABETH, “The Pilgrimage Paintings of Huang Xiangjian (1609–73) in the Ming–Qing Transition” (Kansas, S. Fowler)

KOON, YEEWAN, “Literati Iconoclasm: Violence and Estrangement in the Art of Su Renshan (1814–ca. 1850)” (IFA/NYU, J. Hay)

LAU CHAK, KWONG, “Ding Jing (1695–65): Art, Hangzhou, and the Foundation of the Xiling Identity” (UC Santa Barbara, P. Sturman)

LIANG, SAMUEL Y., “Ephemeral Households, Splintered City: Mapping Leisure in the Sojourners’ Shanghai, 1870–00” (SUNY Binghamton, T. McDonough)

LIN, WEI–CHENG, “Building a Sacred Mountain: Buddhist Monastic Architecture in Mt. Wutai during the Tang Dynast, 618–907 C.E.” (Chicago, Wu H.)

SHIN, SEOJEONG, “Illustrations of Taiping Prefecture (1648): A Printed Album of Landscapes by the Seventeenth–Century Literati Artist, Xiao Yuncong (1596–1673)” (Maryland, J. Kuo)

Contemporary Art

BUTLER–PALMER, CAROLYN, “I Won’t Play Primitive to Your Modern: The Art of David Neel (Kwagiutl), 1985–2000” (Pittsburgh, K. Savage, T. Smith)

HAERTEL, NILZA, “Landscape and Nature in American Prints: Transformations in Form and Meaning in the Work of Contemporary Women Artists” (Indiana, Bloomington, S. Burns)

JUNG, EUN YOUNG, “The Legacies of Marcel Duchamp and Vladimir Tatlin in Dan Flavin’s Fluorescent Light Installation in the 1960s,” (UIUC, J. Fineberg)

LEVINE, CARY, “Pay for Your Pleasures: Mike Kelley, Raymond Pettibon, Paul McCarthy” (CUNY, R. Golan)

MCCLURE, MICHAEL JAY, “Medium’s Collapse: Andy Warhol, Robert Gober, Matthew Barney and the Contemporary Object of Art” (Byrn Mawr, L. Saltzman)

MURRAY, SORAYA, “New Media Anxiety: Art History and the Problem of Modern Technology” (Cornell, S. Hassan)

ROBERTSON, KIRSTY, “This Is What Democracy Looks Like: Visual Culture and Protest in Canada, 1988–2003” (Queen’s, Kingston, L. Jessup)

SALEEBY–MULLIGAN, DEBORAH, “Painting the Irish Conflict: The Belfast Murals of Gerard Mo Kelly” (CUNY, K. Manthorne)

THOMPSON, JEFFREY, “From Minimalism to Magazines: Toward a Meta–Medium Practice in Mel Bochner and Robert Smithson’s ‘The Domain of the Great Bear’” (Emory, J. Meyer)

WANG, SHIPU, “Becoming American? Asian Identity Negotiated through the Art of Yasuo Kuniyoshi” (UC Santa Barbara, L. Monahan)

WEINTRAUB, MAX, “‘Suite Substitute’: The Nature of Representation in the Art of Bruce Nauman” (Byrn Mawr, L. Saltzman)

WILKERSON, MARGARET, “‘Making God’: Incarnation and Somatic Piety in the Art of Kiki Smith” (Maryland, J. Withers)

WILLIAMS, GREGORY H., “Laughter and Cultural Pessimism: The Joke in West German Art, 1974–1989” (CUNY, R. Golan)

WOLFSKILL, PHOEBE, “Constituting the Elusive City: Documentation and Fantasy in the Work of Archibald Motley, Jr. and Reginald Marsh” (UIUC, J. Fineberg)

WOO, JUNG–AH, “Longing for Nothing: On Kawara and Yoko Ono” (UCLA, M. Kwon)

Critical Theory/Gender Studies/Visual Studies

BAGG, SHANNON K., “Artists, Art Historians, and the Value of Contemporary Inuit Art” (Queen’s, Kingston, L. Jessup)

CARLSON, ELIZABETH, “City of Mirrors: Spectacle and Surveillance in 19th Century Paris” (Minnesota, J. Blocker)

CURZON, LUCY, “Replacing Modernism: Visual Culture and National Identity in Britain 1930–1960” (Rochester, P. Duro, J. Saab)

DINKAR, NIHARIKA, “Colonial Shadows: Indian Nationalism and the Negotiation of Enlightenment Vision” (SUNY Stony Brook, N. Mirzoeff, S. Goodarzi)

HAERTEL, NILZA, “Landscape and Nature in American Prints: Transformations in Form and Meaning in the Work of Contemporary Women Artists” (Indiana, Bloomington, S. Burns)

HUMPHREY, DAN, “Subjective Others/Foreign Selves: Queer American Spectatorship and Swedish ‘Art’ Cinema” (Rochester, D. Crimp)

KOH, DONG–YEON, “Larry Rivers and Frank O’Hara: Reframing Male Sexualities” (CUNY, A. Chave)

MARTIN, MEREDITH, “Dairy Queens: Sexuality, Space, and Subjectivity in Pleasure Dairies from Catherine de’ Medici to Marie–Antoinette” (Harvard, E. Lajer–Burcharth)

ROBERTSON, KIRSTY, “This Is What Democracy Looks Like: Visual Culture and Protest in Canada, 1988–2003” (Queen‘s, Kingston, L. Jessup)

ROYAL, SUZANNE, “Graphic Art in Weimar Berlin: The Case of Jeanne Mammen” (USC, K. Lang)

SANDLER, DANIELA, “Incarnate Politics: National Identity, History, and Architectural Heritage in Postwar Berlin” (Rochester, A. Nader)

SMITH, T’AI, “Weaving Work at the Bauhaus: The Gender and Engendering of a Medium” (Rochester, D. Crimp)

SWENSON, KIRSTEN, “Eva Hesse: From Woman as Machine to Mechanical Reproduction” (SUNY Stony Brook, J. Katz)

WILLIAMS, MICHAEL, “Beyond Death: Perversity, Relationality, Virtuality” (Rochester, T. DiPiero)

ZUROMSKIS, CATHERINE, “Private Images, Public Contexts: Snapshot Photography in the Public Sphere” (Rochester, D. Crimp)

Decorative Arts/Textiles/Design History

ATKINS, JACQUELINE, “Wearing Propaganda: Civilian Textiles on the Japanese Home Front 1931–45 with Reference to Britain and the United States” (Bard CUNY, K. Ames, P. Kirkham)

BRUHN, HEATHER MCCUNE, “Late Gothic Architectural Monstrances in the Rhineland, c. 1380–1480: Objects in Context” (Penn State, E. Smith)

MATHIAS, CATHERINE A., “Textiles in Seventeenth–Century Colonial Portraiture” (Queen’s, Kingston, A. Murray, V. Manuth)

MYZELEV, ALLA, “Art, Craft, Commodity: Peasant Craft Revival in Russia and England, 1880–1914” (Queen’s, Kingston, J. Helland)

SMITH, DANIELLA OHAD, “Hotel Design in Zionist Palestine: Modernism, Tourism, and Nationalism, 1917–1948” (Bard CUNY, A. Ogata)

Digital Media/Animation

CROCKETT, TOBEY, “The ‘Camera’ as Camera: New Subjectivities in 3D Virtual Worlds” (UC Irvine, A. Lippit)

GORDON, SARAH, “Sanctioning the Nude: Production and Reception of Edward Muybridge’s Animal Locomotion, 1887” (Northwestern, S. H. Clayson)

Drawings/Prints/Photography/Works on Paper

GILLESPIE, SARAH KATE, “Samuel F. B. Morse and the Daguerreotype: Art and Science in American Culture, 1835–1855” (CUNY, K. Manthorne)

HAERTEL, NILZA, “Landscape and Nature in American Prints: Transformations in Form and Meaning in the Work of Contemporary Women Artists” (Indiana, Bloomington, S. Burns)

KARR SCHMIDT, SUZANNE, “Art––A User’s Guide: Interactive and Sculptural Printmaking in the Renaissance” (Yale, C. Wood)

MAIMON, VERED, “Talbot and Herschel: Photography as a Site of Knowledge in Early Nineteenth–Century England” (Columbia, J. Crary)

SNOW, RACHEL, “Incidental Tourists: Vernacular Photo–Travel Books, 1920–40” (CUNY, G. Batchen)

SPIRA, FREYDA, “Originality as Repetition/Repetition as Originality: Daniel Hopfer (ca. 1470–1536) and the Reinvention of the Medium of Etching” (Pennsylvania, L. Silver)

WEISSMAN, TERRI, “Documentary Photography and Communicative Action: The Realisms of Berenice Abbott” (Columbia, B. Buchloh)

ZUROMSKIS, CATHERINE, “Private Images, Public Contexts: Snapshot Photography in the Public Sphere” (Rochester, D. Crimp)

Early Christian/Byzantine Art

ANGELOVA, DILIANA, “Gender and Imperial Authority in Rome and Early Byzantium, First to Sixth Centuries” (Harvard, I. Kalavrezou)

TARANDIEVA, TEODORA, “The Church of St. John Aleitourgetos in Mesembria: A Study of Its Constantinopolitan Origins” (Indiana, Bloomington, W. E. Kleinbauer)

ZITRIDES, CHRISTINE, “Housing and Urban Transformation of Carthage, 400–700 CE” (UIUC, E. Hostetter)

Early Medieval/Romanesque/Gothic Art

ANDREWS, CHRISTINE GEISLER, “The Boucicaut Workshop and the Commercial Production of Books of Hours in Early Fifteenth–Century Paris” (Northwestern, S. Hindman)

BAUER, CHARLOTTE, “Visual Constructions of Corporate Identity and Exempla for the University of Paris, 1200–1500” (UIUC, A. Hedeman)

BRUHN, HEATHER MCCUNE, “Late Gothic Architectural Monstrances in the Rhineland, c. 1380–1480: Objects in Context” (Penn State, E. Smith)

EVALDS, VALIJA, “The Cloister in the Landscape: Monastic Architecture in England to 1174” (Yale, W. Cahn)

FLAHERTY, HEATHER, “The Place of the Speculum Humanae Salvationis in the Rise of Affective Piety in the Later Middle Ages” (Michigan, E. Sears)

KINGSLEY, JENNIFER, “The Bishop and the Book: Art, Ideology and Collecting in Medieval Germany” (Johns Hopkins, H. Kessler)

GEYMONAT, LUDOVICO, “The Parma Baptistery and Its Pictorial Program” (Princeton, S. C caron upper case ur C caron lower case i)

HOBART, MICHELLE, “Sardinian Medieval Churches and Their Bacini: Architecture Embedded with Archaeology” (IFA/NYU, M. Trachtenberg)

PAC, TERESA, “Churches at the Edge: A Comparative Study of Christianization Processes along the Baltic Sea in the Middle Ages: Gdansk and Novgorod” (SUNY Binghamton, C. Burroughs)

RUSSAKOFF, ANNA, “Imaging the Miraculous Les Miracles de Notre Dame, Paris, BnF, n.acq.fr 24541” (IFA/NYU, J. Alexander)

VAN LIEFFERINGE, STEFAAN, “The Choir of Notre–Dame of Paris: An Inquiry into Twelfth–Century Mathematics and Early–Gothic Architecture” (Columbia, S. Murray)

WAMSLER, CAROLINE A., “Picturing Heaven: The Trecento Pictorial Program of the Sala del Maggior Consiglio in Venice” (Columbia, D. Rosand)

Egyptian/Ancient Near Eastern Art

FLENTYE, LAUREL, “The Decorated Elite Mastaba and Rock–Cut Tomb in the Eastern and GIS Cemeteries at Giza and Their Relationship to the Development of Art during the Fourth Dynasty” (IFA/NYU, D. O’Connor)

VISCHAK, DEBORAH, “Locality and Community in Old Kingdom Provincial Tombs: The Cemetery at Gubbet el Hawa” (IFA/NYU, D. O’Connor)

Eighteenth–Century Art

DEUPI, JILL J., “Cultural Identity in Bourbon Naples, 1734–99: Academies, Antiquities, and Rivalries with Rome” (Virginia, C. Johns)

HOISINGTON, RENA, “Maurice–Quentin de la Tour and the Triumph of Pastel Painting in Eighteenth–Century France” (IFA/NYU, M. Westermann)

MARTIN, MEREDITH, “Dairy Queens: Sexuality, Space, and Subjectivity in Pleasure Dairies from Catherine de’ Medici to Marie–Antoinette” (Harvard, E. Lajer–Burcharth)

MCLANE, PRESTON, “Alessandro Magnasco and the Painterly Picaresque” (Florida State, R. Neuman)

MITCHELL, ELIZABETH, “Mechanical Reproduction and the Mechanical Philosophy: The Idea of Originality in Eighteenth–Century British Printmaking” (UC Santa Barbara, A. Bermingham)

Film/Video

HUMPHREY, DAN, “Subjective Others/Foreign Selves: Queer American Spectatorship and Swedish ‘Art’ Cinema” (Rochester, D. Crimp)

RICCIO HENRY, BETTINA, “Lights, Camera, Art: John Baldessari, Ed Ruscha, and Hollywood Film” (CUNY, H. Senie)

Greek/Roman Art

DEY, HENDRIK, “The Aurelian Wall and the Refashioning of Imperial Rome A.D. 271–855” (Michigan, T. Thomas, P. Squatriti)

HOYT, SUE ALLEN, “Masters, Pupils, and Multiple Images in Greek Red–Figure Vase Painting ” (Ohio State, M. Fullerton)

HUNT, GLORIA R., “Foundation Rituals and the Culture of Building in Ancient Greece” (UNC Chapel Hill, D. Haggis)

JOHNSON, KAREN, “Materializing Childhood: An Historical Archaeology of Children in Roman Egypt” (U. of Michigan, S. Alcock, T. Wilfong)

KLAR PHILLIPS, LAURA, “The Architecture of the Roman Theater: Origins, Canonization and Dissemination” (IFA/NYU, K. Welch)

SCHERTZ, PETER, “Marsyas Contended: The Figure of Marsyas in Roman Art, Politics, and Religion” (USC, J. Pollini)

POWERS, JESSICA DAVIS, “Patrons, Houses and Viewers in Pompeii: Reconsidering the House of the Gilded Cupids” (Michigan, E. Gazda)

SHARPE, HEATHER, “From Heiron and Oikos: the Religious and Secular Use of Hellenistic and Greek Imperial Bronze Statuettes” (Indiana, Bloomington, W. Rudolf)

WALSH, JUSTIN B., “Trade, Demography and Daily Life: Domestic Assemblages from Fifth–Century BCE Morgantina (Sicily)” (Virginia, M. Bell)

Japanese/Korean Art

KUO–SHENG, LAI, “Learning New Painting from Japan and Maintaining National Pride in Early Twentieth–Century China, with Focus on Chen Shizeng (1876–1923)” (Maryland, J. Kuo)

MACK, KAREN, “The Function and Context of Fud Imagery from the Ninth to the Fourteenth Century in Japan” (Kansas, S. Fowler)

SHIRAI, YOKO, “Senbutsu: Figured Clay Tiles, Buddhism, and Political Developments on the Japanese Islands, ca. 650–794 CE” (UCLA, D. McCallum)

TSURUYA, MAYU, “War Campaign Record Painting: Japan’s National Imagery of the ‘Holy War’ (1937–1945)” (Pittsburgh, T. Rimer)

WILLIAMS, GRATIA CASSANDRA, “Takuma Eiga: A Revisionist Analysis of a Fourteenth–Century Buddhist Painter” (Columbia, M. Murase)

Latin American/Caribbean Art

HURT, LEE ANNE, “The Huacas of Machu Pichu: Inca Stations for the Communion of Humanity and Nature” (Virginia Commonwealth, J. Farmer)

JUNCKER, KRISTINE, “Honey at the Crossroads: Four Women and Afro–Cuban Ritual Arts, 1899–1969” (Columbia, N. Kampen, Z. Strother)

MALAGON, MARIA MARGARITA, “Art as Indexical Presence in Times of Violence: The Work of Three Colombian Artists––Beatriz Gonzalez, Oscar Munoz and Doris Salcedo––in the 1990s” (UT Austin, J. Barnitz, A. Reynolds)

SENOS, NUNO, “Franciscan Art and Architecture in Colonial Brazil (1650–1800)” (IFA/NYU, J. Brown)

STANFIELD–MAZZI, MAYA, “The Replication of Ritual in the Colonial Andes: Images of the Virgin of Pomata and Christ of the Earthquakes” (UCLA, C. Klein)

Native American

BAGG, SHANNON K., “Artists, Art Historians, and the Value of Contemporary Inuit Art” (Queen’s, Kingston, L. Jessup)

BUTLER–PALMER, CAROLYN, “I Won’t Play Primitive to Your Modern: The Art of David Neel (Kwagiutl), 1985–2000” (Pittsburgh, K. Savage, T. Smith)

GLINSMANN, DAWN, “Northern Northwest Coast Spruce Root Hats” (Washington, R. Wright)

Nineteenth–Century Art

CARLSON, ELIZABETH, “City of Mirrors: Spectacle and Surveillance in 19th Century Paris” (Minnesota, J. Blocker)

COFFMAN, PETER, “Gothic Revival Architecture in Atlantic Canada” (Queen’s, Kingston, P. du Prey)

CROSSMAN, COLETTE, “Art as Lived Religion: Edward Burne–Jones as Painter, Priest, Pilgrim, and Monk” (Maryland, W. Pressly)

FOWLER, ELIZABETH J., “The Rookwood Sage: Kataro Shirayamadani, Japanism, Art Nouveau, and American Art Pottery Movement, 1885–1912” (Minnesota, G. Weisberg)

HEGSTROM, DEBRA, “Gustav Stickley and American ‘Home–making’ in The Craftsman: Gender and Design Issues 1890–1915” (Minnesota, G. Weisberg)

LAMPE, ISSA, “Painting History Ex Patria: Empire, Exile and Memory in the Late Narrative Paintings of Jacques–Louis David” (Harvard, E. Lajer–Burcharth)

LEMONEDES, HEATHER, “Paul Gauguin’s Volpini Suite” (CUNY, P. Mainardi)

LERNER, JILLIAN TAYLOR, “Panoramic Literature: Marketing Illustrated Journalism in July Monarchy Paris” (Columbia, J. Crary, A. Higonnet)

LESSING, LAUREN K., “Presiding Divinities: American Ideal Sculpture in Nineteenth–Century Domestic Interiors” (Indiana, Bloomington, S. Burns)

MAIMON, VERED, “Talbot and Herschel: Photography as a Site of Knowledge in Early Nineteenth–Century England” (Columbia, J. Crary)

MICHAEL, CORA, “As Much as the Light: The Importance of Shadows in the Art of Camille Pissarro” (IFA/NYU, L. Nochlin)

ROBINSON, MICHELLE, “The Precondition of Landscape: Tropes and Meaning in the Rustic Landscapes of J. M. W. Turner and John Constable” (Kansas, J. Pultz)

RUIZ–GÓMEZ, NATASHA, “Morceaux d’Amphithéâtre: Science and the Sculpture of Auguste Rodin” (Pennsylvania, C. Poggi)

SINGLETARY, SUZANNE, “Whistler and France” (Temple, T. Dolan)

SRIVASTAVA, SEEMA, “Fashioning the Decorative Body in Late Nineteenth–Century English and French Painting: Artifice, Color and Style” (IFA/NYU, L. Nochlin)

STOCK, KAREN, “Bonnard, Vuillard, and Vallotton: Masculinity in Question” (IFA/NYU, L. Nochlin)

Oceanic/Australian Art

WAGELIE, JENNIFER, “The Institutional History of Maori Art in the United States from the Early Nineteenth Century to the Present” (CUNY, G. Corbin)

Outsider/Folk Art Performance Studies/Installation/Environmental Art

MALONE, MEREDITH, “Nouveau Réalisme: Performative Exhibition Strategies and the Everyday in Post–WWII France” (Pennsylvania, C. Poggi)

WENTRACK, KATHLEEN, “The Female Body in Conflict: U.S. and European Feminist Performance Art, 1963–79, Carolee Schneemann, Valie Export, and Ulrike Rosenbach” (CUNY, A. Chave)

Pre–Columbian Art

BERNATZ, MICHELE MAE, “The Concept of Divinity in Maya Art: Defining God L” (UT Austin, D. Stuart and J. Guernsey)

HURT, LEE ANNE, “The Huacas of Machu Pichu: Inca Stations for the Communion of Humanity and Nature” (Virginia Commonwealth, J. Farmer)

POPE, ELIZABETH IRENE, “Mythologically Significant Structures in the Aztec, Maya and Mixtec: The Manifestation of Sacred Time and Space” (UT Austin, J. Guernsey)

STANFIELD–MAZZI, MAYA, “The Replication of Ritual in the Colonial Andes: Images of the Virgin of Pomata and Christ of the Earthquakes” (UCLA, C. Klein)

Prehistoric Art

STAMOS, ANTONIA, “Through the Looking Glass: Applications of Ground Penetrating Radar in Archaeology” (Temple, P. Betancourt)

Renaissance/Baroque Art

ATKINS, CHRISTOPHER, “The Master’s Touch: Frans Hals’s Rough Manner” (Rutgers, M. Westermann)

AVERETT, MATTHEW, “Bernini at the Piazza Barberini: Politics and Patronage in the Rome of Urban VIII” (Missouri, Columbia, K. Eggener)

BANNER, LISA, “The Religious Patronage of the Duke of Lerma” (IFA/NYU, J. Brown)

CARROLL, ELIZABETH, “Bartolomeo Montagna and the Production of the Sacra Conversazione Altarpiece: An Examination of Civic and Artistic Identity in Early Sixteenth–Century Vicenza” (Indiana, Bloomington, B. Cole)

COSTA, PATRIZIA, “The Sala delle Asse in the Sforza Castle in Milan” (Pittsburgh, D. Wilkins, A. Sutherland Harris)

CRAWFORD–PARKER, SARAH, “Refashioning Female Identity: Women’s Roles in Seventeenth–Century Dutch Historiated Portraits” (Kansas, L. Stone–Ferrier)

DEWITT, LLOYD, “Evolution and Ambition in the Career of Jan Lievens (1607–74)” (Maryland, A. Wheelock)

DICKERSON, CLAUDE DOUGLAS, III “Bernini and Before: Modeled Sculpture in Rome, ca. 1600–25” (IFA/NYU, M. Westermann)

DOW, DOUGLAS, “Confraternal Piety and Corporate Patronage: A Reconstruction of the Art and Oratory of the Compagnia di San Giovanni Battista dello Scalzo, Florence” (Penn State, B. Curran)

EL–HANANY, EFRAT, “Beating the Devil: Images of the Madonna del Soccorso in Italian Renaissance Art” (Indiana, Bloomington, B. Cole)

FLANIGAN, THERESA, “The Ponte Vecchio: Building an Urbanized Bridge in Early Modern Florence” (IFA/NYU, M. Trachtenberg)

FRANK, MARY ENGEL, “Donne Attempate: Women of a Certain Age in Sixteenth–Century Venetian Art ” (Princeton, P. Brown)

GIMÉNEZ–BERGER, ALEJANDRA, “Castiglione, Portraiture, and Performance at the Court of Philip II of Spain” (Temple, T. Cooper)

HALE, MEREDITH, “Romeyn de Hooghe and the Birth of Political Satire” (Columbia, S. Schama, D. Freedberg)

JUNG, TANYA, “The Phenomenal Lives of Movable Christ Sculptures: A History in Three Parts” (Maryland, M. Gill)

KARR SCHMIDT, SUZANNE, “Art––A User’s Guide: Interactive and Sculptural Printmaking in the Renaissance” (Yale, C. Wood)

KLEINBUB, CHRISTIAN, “Vision and the Visionary in Raphael” (Columbia, D. Rosand)

MAIER, JESSICA, “Imago Romae: Renaissance Visions of the Eternal City” (Columbia, D. Rosand)

MCLANE, PRESTON, “Alessandro Magnasco and the Painterly Picaresque” (Florida State, R. Neuman)

MORRIS, AMY, “Lucas Moser’s St. Magdalene Altarpiece: Solving the Riddle of the Sphinx” (Indiana, Bloomington, M. Faries)

MORSE, MARGARET, “The Arts of Domestic Devotion in Renaissance Italy: The Case of Venice” (Maryland, A. Colantuono)

ONUF, ALEXANDRA, “Local Terrains: The Small Landscape Prints and the Depiction of the Countryside in Early Modern Antwerp” (Columbia, D. Freedberg)

PROKOP, ELLEN, “Fray Juan Andrés Rizi and the Commissions at San Millán de la Cogolla and the Cathedral of Burgos” (IFA/NYU, J. Brown)

REJAIE, AZAR, “Defining Artistic Identity in the Florentine Renaissance: Vasari, Embedded Self–Portraits and the Patron’s Role” (Pittsburgh, D. Wilkins)

ROBERTS, SEAN, “Cartography between Cultures: Francesco Berlinghieri’s Geographia of 1482” (Michigan, P. Simons)

ROBEY, JESSICA, “From the City Witnessed to the Community Dreamed: The Civitates Orbis Terrarum and the Circle of Abraham Ortelius and Joris Hoefnagel” (UC Santa Barbara, M. Meadow)

SCHILLER, NOEL, “The Art of Laughter: Society, Civility, and Viewing Practices in the Netherlands 1600–40” (Michigan, C. Brusati)

SCHRADER, STEPHANIE, “Jan Gossaert’s Art of Imitation: Fashioning Identity at the Burgundian Court” (UC Santa Barbara, M. Meadow)

SEAMAN, NATASHA, “Archaism and the Critique of Caravaggio in the Religious Paintings of Hendrick ter Brugghen (1588–1629)” (Boston, M. Zell)

SENOS, NUNO, “Franciscan Art and Architecture in Colonial Brazil (1650–1800)” (IFA/NYU, J. Brown)

SPELLMAN, MARY, “Rembrandt’s Humor: Satire, Burlesque, and Irony in Six Etchings” (Kansas, L. Stone–Ferrier)

SPIRA, FREYDA, “Originality as Repetition/Repetition as Originality: Daniel Hopfer (ca. 1470–1536) and the Reinvention of the Medium of Etching” (Pennsylvania, L. Silver)

STRUHAL, EVA, “Lorenzo Lippi––Poet and Painter of the Florentine Seicento” (Johns Hopkins, C. Dempsey)

TAL, GUY, “Witches on Top: Magic, Power and Imagination in the Art of Early Modern Italy” (Indiana, Bloomington, B. Cole)

TAYLOR, SARA MORASCH, “Art and Evangelization at the Sixteenth–Century Convento of Santiago Apóstol at Cuilapan, Mexico” (Byrn Mawr, G. McKim–Smith)

WEBB, JENNIFER D., “The Making of Montefeltro: Patronage of the Arts and Architecture during the Reign of Federico da Montefeltro and Battista Sforza” (Byrn Mawr, D. Cast)

WEST, ASHLEY, “Hans Burgkmair the Elder (1473–1531) and the Visualization of Knowledge” (Pennsylvania, L. Silver)

South/Southeast Asian Art

DINKAR, NIHARIKA, “Colonial Shadows: Indian Nationalism and the Negotiation of Enlightenment Vision” (SUNY Stony Brook, N. Mirzoeff, S. Goodarzi)

GANEM, JACQUELINE L., “Traces of the Prophet: A Study of Eighteenth–Century Qadam Rasul Shrines in the Indian Subcontinent” (Virginia, D. Ehnbom)

OWEN, LISA NADINE, “Beyond Buddhist and Brahmanical Activity: The Place of the Jaina Rock–Cut Excavations at Ellora” (UT Austin, J. Leoshko)

PHILLIPS, KRISTY, “A Museum for the Nation: Publics and Politics at the National Museum of India” (Minnesota, F. Asher)

Twentieth–Century Art

BERKOWITZ, ELLIE PATRICIA, “Innovation through Appropriation as an Alternative to Separatism: The Use of Commercial Imagery by Chicano Artists, 1960–90” (UT Austin, A. Malagamba)

BILLS, EMILY, “The Telephone Shapes Los Angeles: Communications and Built Space (1880–1950)” (IFA/NYU, J–L. Cohen)

BLAIS, CATHERINE, “‘Installing’ the Museum: When Artists/Curators Re–Create the Museum and Its Discourses” (Boston, C. Jones)

BUTLER, KAREN K., “Jean Fautrier’s Resistance: Painting, Politics and the French Avant–garde, 1930–55” (Columbia, B. Buchloh)

CHANCEY, JILL, “Elaine de Kooning: Negotiating the Masculinity of Abstract Expressionism” (Kansas, D. Cateforis)

COZZOLINO, ROBERT, “Every Picture Should Be a Prayer: A Critical Study of Ivan Albright” (Madison, Wisconsin, B. Buenger)

CURZON, LUCY, “Replacing Modernism: Visual Culture and National Identity in Britain 1930–60” (Rochester, P. Duro, J. Saab)

DURAN, ADRIAN, “Il Fronte Nuovo Delle Arti: Realism and Abstraction in Italian Painting at the Dawn of the Cold War, 1944–50” (Delaware, A. Gibson)

EDELMAN, ALIZA, “Abstract Expressionism and Women Artists: A Gendered Reading of the 1950’s” (Rutgers, J. Marter)

EDWARDS, KATIE ROBINSON, “Raising and Lowering Brows: Jackson Pollock in the Cultural Context of 1940s America” (UT Austin, R. Shiff)

FLOYD, KATHRYN M., “Between Change and Continuity: Documenta 1955–2005” (Iowa, C. Adcock)

GIESKES, METTE, “Games, Systems, and Structuralist Politics in European and American Art, 1960–1975” (UT Austin, R. Shiff)

GILMAN, CLAIRE, “Arte Povera’s Theater: Artiface and Anti–Modernism in Italian Art of the 1960s” (Columbia, B. Buchloh, R. Krauss)

HUDSON, SUZANNE, “Robert Ryman: Painting Pragmatism” (Princeton, H. Foster)

JUNG, EUN YOUNG, “The Legacies of Marcel Duchamp and Vladimir Tatlin in Dan Flavin’s Fluorescent Light Installation in the 1960s,” (UIUC, J. Fineberg)

KAIZEN, WILLIAM, “The Immediate: Video Art and the Aesthetics of Liveness, from Andy Warhol to Postminimalism” (Columbia, B. Buchloh)

LAWRENCE, JAMES ALEXANDER, “Abdication in an Artistic Democracy: Meaning in the Work of Barnett Newman and Donald Judd, 1950–70 (and thereafter)” (UT Austin, R. Shiff)

LEE, HYEWON, “The Cult of Rodin: The Spread of Auguste Rodin’s Reputation in Northeast Asia” (Missouri, Columbia, J. Klein)

MALAGON, MARIA MARGARITA, “Art as Indexical Presence in Times of Violence: The Work of Three Colombian Artists––Beatriz Gonzalez, Oscar Munoz, and Doris Salcedo––in the 1990s” (UT Austin, J. Barnitz, A. Reynolds)

MALONE, MEREDITH, “Nouveau Réalisme: Performative Exhibition Strategies and the Everyday in Post–WWII France” (Pennsylvania, C. Poggi)

MARIE, ANNIKA, “The Most Radical Act: Working toward a Materialist Aesthetic in Theodor Adorno, Harold Rosenberg, Barnett Newman and Ad Reinhardt” (UT Austin, R. Shiff, A. Reynolds)

MATHEWS, HEATHER ELIZABETH, “Making Histories: The Exhibition of Postwar Art and the Interpretation of the Past in Divided Germany, 1950–59” (UT Austin, A. Reynolds)

MAXIM, JULIANA, “The New, the Old, the Modern: Architecture and Its Representation in Socialist Romania, 1955–70” (MIT, S. Anderson)

MOSEMAN, ELEANOR FRANCES, “Expressing Cubism: Ernst Ludwig Kirchner’s ‘Berlin Style’ and Its Affinities with the Painting of Bohumil Kubista” (Byrn Mawr, C. Hertel)

NORRIS, TOBY, “Modern Artists’ Pursuits of State Support in France between the Wars” (Northwestern, O. K. Werckmeister)

PEABODY, REBECCA, “A Strategic Cut: Kara Walker’s Art and Imagined Race in American Visual Culture” (Yale, R. Thompson, H. Carby)

PEARISO, CRAIG, “Re/Citing: Radical Activism in Late–1960s America” (SUNY Stony Brook, J. Katz, J. Rubin)

RICCIO HENRY, BETTINA, “Lights, Camera, Art: John Baldessari, Ed Ruscha and Hollywood Film” (CUNY, H. Senie)

ROYAL, SUZANNE, “Graphic Art in Weimar Berlin: The Case of Jeanne Mammen” (USC, K. Lang)

RUIZ–GÓMEZ, NATASHA, “Morceaux d’Amphithéâtre: Science and the Sculpture of Auguste Rodin” (Pennsylvania, C. Poggi)

SIDLEY, KELLY, “Beyond Self–Portraiture: The Fabrication of Andy Warhol, 1960–68” (IFA/NYU, R. Lubar)

SMITH, T’AI, “Weaving Work at the Bauhaus: The Gender and Engendering of a Medium” (Rochester, D. Crimp)

SNOW, RACHEL, “Incidental Tourists: Vernacular Photo–Travel Books, 1920–40” (CUNY, G. Batchen)

SOCCIO, LISA, “Nothing’s Shocking: On the Persistence of Avant–Gardism in Alternative Music” (Rochester, D. Crimp, J. Wolff)

SURDU, ROBERT C. A., “Wholesome Architecture and the Rise of the Tourist State in Early–Twentieth Century Canada” (Queen’s, Kingston, L. Jessup)

SWENSON, KIRSTEN, “Eva Hesse: From Woman as Machine to Mechanical Reproduction” (SUNY Stony Brook, J. Katz)

TSURUYA, MAYU, “War Campaign Record Painting: Japan’s National Imagery of the ‘Holy War’ (1937–1945)” (Pittsburgh, T. Rimer)

URBAN, FLORIAN, “The Invention of the Historic City: Building the Past in East Berlin 1970–90” (MIT, M. Jarzombek)

VANARRAGON, ELIZABETH J., “The Photo League: Views of Urban Experience in the 1930’s and 1940’s” (Iowa, C. Adcock)

CACIA, “Prefabricated Desire: Surrealism, Mannequins, and the Fashioning of Modernity” (UCLA, Boime, A.)

WEINSTEIN, ANDREW, “After Adorno: The Essayistic Impulse in Holocaust–Related Art” (IFA/NYU, R. Lubar)

WEISSMAN, TERRI, “Documentary Photography and Communicative Action: The Realisms of Berenice Abbott” (Columbia, B. Buchloh)

WENTRACK, KATHLEEN, “The Female Body in Conflict: U.S. and European Feminist Performance Art, 1963–79, Carolee Schneemann, Valie Export, and Ulrike Rosenbach” (CUNY, A. Chave)

WERSCHKUL, HILDA, “Modernism into Memory: The Drawings of Eva Hesse” (Columbia, D. Rosand)

WILLIAMS, GREGORY H., “Laughter and Cultural Pessimism: The Joke in West German Art, 1974–89” (CUNY, R. Golan)

WOLFSKILL, PHOEBE, “Constituting the Elusive City: Documentation and Fantasy in the Work of Archibald Motley, Jr. and Reginald Marsh” (UIUC, J. Fineberg)

WORTHAM, B.D., “Mythologies of an Everyday American Landscape: Henry Ford at the Wayside Inn” (MIT, M. Jarzombek)

Also in this Section

Current

US and Canadian Dissertations, 2006

Dissertations in Progress by Subject

African Art (sub–Saharan)

Architectural History/Historic Preservation

Art of the Middle East/North Africa

Art of the United States

Chinese Art

Contemporary Art

Critical Theory/Gender Studies/Visual Studies

Decorative Arts/Textiles/Design History

Digital Media/Animation

Drawings/Prints/Photography/Works on Paper

Early Christian/Byzantine Art

Early Medieval/Romanesque/Gothic Art

Egyptian/Ancient Near Eastern Art

Eighteenth–Century Art

Film/Video

Greek/Roman

Japanese/Korean

Latin American/Caribbean Art

Native American Art

Nineteenth–Century Art

Oceanic/Australian Art

Performance Studies/Installation/Environmental Art

Pre–Columbian Art

Prehistoric Art

Renaissance/Baroque Art

South/Southeast Asian Art

Twentieth–Century Art

Dissertations Completed by Subject Matter

African Art (sub–Saharan)

Architectural History/Historic Preservation

Art of the United States

Art of the Middle East/North Africa

Chinese Art

Contemporary Art

Critical Theory/Gender Studies/Visual Studies

Decorative Arts/Textiles/Design History

Digital Media/Animation

Drawings/Prints/Photography/Works on Paper

Early Christian/Byzantine Art

Early Medieval/Romanesque/Gothic Art

Egyptian/Ancient Near Eastern Art

Eighteenth–Century Art

Film/Video

Greek/Roman Art

Japanese/Korean Art

Latin American/Caribbean Art

Native American

Nineteenth–Century Art

Oceanic/Australian Art

Outsider/Folk Art Performance Studies/Installation/Environmental Art

Pre–Columbian Art

Prehistoric Art

Renaissance/Baroque Art

South/Southeast Asian Art

Twentieth–Century Art