The Art Bulletin
American and Canadian Dissertations, 2007
Volume XC, 2008Dissertations in Progress by Subject Matter
African Art (sub-Saharan)
BECKER, NATASHA, “Local vs. Global: The Johannesburg Biennales and the Production of Contemporary Art in a Post-Apartheid South Africa” (SUNY Binghamton, A. D’Souza)
BRIDGES, NICHOLE, “Contact, Commentary, and Commodity: 19th-Century Ivory Tusk Sculptures from the Loango Coast, Congo” (Wisconsin, Madison, H. Drewal)
COLLIER, DELINDA, “Art in a State of Emergency: Producing the Angolan Nationalist Present, Figuring the Chokwe Past, 1975–2007” (Emory, S. Kasfir)
FROMONT, CÉCILE, “Christian Icons, Kongo Symbols: Defining Form, Religion, and Meaning in Early Modern Central Africa” (Harvard, S. P. Blier, T. Cummins)
GAGLIARDI, SUSAN ELIZABETH, “Crossing Borders, Pushing Boundaries: Senufo Arts and History in a ‘Frontier’” (UCLA, S. Nelson, Z. S. Strother)
GBADEGESIN, OLUBUKOLA, “Modern Image-Making in Nigeria from 1890–1945” (Emory, S. Kasfir)
GEORAS, CHLOÉ S., “Mutations of Empire: From the musée permanent des Colonies to the musée des arts d’Afrique et d’Océanie” (SUNY Binghamton, T. McDonough)
HOMANN, LISA ARIES, “Loghe: A Modern Muslim Masquerade in Southwestern Burkina Faso” (UCLA, S. Nelson, Z. S. Strother)
IMO, IMEH, “Daughters of Seclusion: Investigation of Mbopa, the Ceremonial Fattening of Girls in Ibibioland, Nigeria” (Yale, R. Thompson)
KART, SUSAN, “Fetish, Figure, Frame: Sokari Douglas Camp, Moustapha Dimé, and Renée Stout on the ‘African’ Body in Art” (Columbia, E. Hutchinson, B. Lawal)
KELLER, CANDACE, “Visual Griots: A Social, Political, and Cultural History of Individuals in Mali through the Photographer’s Lens” (Indiana, P. McNaughton)
MALTZ LECA, LEORA, “William Kentridge: Process as Metaphor and Other Doubtful Enterprises” (Harvard, E. Lajer-Burcharth, S. P. Blier)
MARTIN, MARY R., “Legal and Ethical Issues in African Art” (Iowa, C. Roy)
MOORE, ALLISON, “Shifting Identities: Contemporary Malian Photography” (CUNY, G. Batchen)
MUHAMMED, BAQIE B., “Contemporary East African Artists: The Fusion and Hybridization of Global and National Discourses in Modern Art in the Diaspora” (Indiana, Bloomington, P. McNaughton)
OLA, ABAYOMI, “Critical Lines: The Parody of Power by Yoruba Artists” (Iowa, C. Roy)
PERRILL, ELIZABETH, “Contemporary Zulu Ceramics, 1960s–Present: An Aesthetic Respect” (Indiana, Bloomington, P. McNaughton)
RICHTEROVA, PETRA, “Tu Tumbao—Iconography of the Rumba Complex: AfroCuban Expressive Culture and Embodied Philosophy” (Yale, R. Thompson)
SIMBAO, RUTH KERKHAM, “Performing Patronage: The ‘Traditional’ Ceremonies of Zambia’s Afropolitan Chiefs” (Harvard, S. P. Blier)
SNODDY, DANIELLE M., “Charting the Emergence of Identity Narratives in Post-Apartheid South African Art: Protectionist Sensibilities, Internationalization, and the Johannesburg Biennales” (Iowa, C. Roy)
WALKER, HARRIET, “Transformations in West African Visual Culture through the Lens of Photography” (CUNY, G. Batchen)
WERTS, JULIA KIM, “Imperial Vogue: Fashioning Modernity through Photography in Twentieth-Century Ethiopia” (Cornell, S. Hassan)
Architectural History/Historic Preservation
ABERLE, JESSICA M., “The Architectural Patronage of King David I of Scotland; Kelso, Melrose, and Jedburgh Abbeys” (Virginia, L. Reilly)
AKŠAMIJA, AZRA, “Our Mosques Are Us: Rewriting National History of Bosnia-Herzegovina through Religious Architecture” (MIT, N. Rabbat)
ALLAIS, LUCIA, “Will to War, Will to Art: Cultural Internationalism and the Modernist Aesthestics of Monuments, 1932–1964” (MIT, M. Jarzombek)
ALLISON, LARA, “The Bauhaus in Chicago, 1937–1955” (Columbia, H. Ballon)
ÁLVAREZ-GONZÁLEZ, MANUEL FERNANDO, “From Syndicalism to Imperialism: José Luis Sert and His Master Plans for Barcelona (1931–34) and Havana (1956–58)” (MIT, M. Jarzombek)
ANDERSON, ERIC, “The Design Theory of Jacob von Falke: Historicism and Cultural Transformation in Ringstrasse Vienna” (Columbia, B. Bergdoll, M. McLeod, G. Wright)
ANDERSON, RICHARD, “Industries of Realism: History, Theory, and Technology in Soviet Architecture, 1932–1941” (Columbia, B. Bergdoll)
BAGHDADY, OMAR, “Creating the Canon: A Critical History of Modern Architecture in Egypt between 1930–1960” (Michigan, W. Glover)
BARRETT, ANNE, “The Patronage of Consul Joseph Smith, the ‘Consul Smith’ Palladio, and American Beaux-Arts Classicism” (Virginia Commonwealth, C. Brownell)
BARRETT, CATHERINE, “Cordes and the Intersections of Identity” (Washington, M. Clausen)
BAWEJA, VANDANA, “Otto Koenigsberger: Tropical Architect from Princely Mysore to Post-Colonial London” (Michigan, R. Fishman)
BELLI, MELIA, “Royal Umbrellas of Stone: Memory, Authority, and Public Identity in Rajput Funerary Architecture” (UCLA, I. Bierman-McKinney)
BLACKBURN, MARCIA, “A Social Architectonics of Science Fiction Film Design” (SUNY Binghamton, P. Smart)
BROWN, MARISA ANGELL, “Imagined Communities: The Architecture of Public Housing in America” (Yale, S. Isenstadt)
CHUTE, MAHLON W. L., “Mississippi of the West: Urban Planning, Tourism, and Violence in the Las Vegas Valley, 1930–1970” (UC Santa Barbara, S. Chattopadhyay)
CIEJKA, JASON, “Rare Harmony: The Architecture and Music of Carlo Rainaldi (1611–1691)” (Emory, S. McPhee)
COSTANZO, DENISE, “The Lessons of Rome: Architects at the American Academy, 1947–1966” (Penn State, C. Zabel)
CUTHBERT, NANCY, “The Fountain Sculptures of George TsuTakawa” (University of Victoria, C. Thomas)
D\’ANNIBALLE, MARIA, “Urban Space in Fascist Italy: Contested Grounds for Mass Spectacle, Tourism, and Celebration of the Historic Past; The Case of Verona” (Pittsburgh, B. McCloskey, K. Savage)
D\’ANTONIO, AURELIA, “Politics and the Production of Urban Space: San Francesco, the Palazzo Comunale, and the Reconfiguration of Piacenza’s Center in the 13th Century” (Duke, C. Bruzelius)
DAVIS, BLAIR HIXSON, “The Drawings of Charles Percier” (UC Santa Barbara, R. Williams)
EKICI, DIDEM, “Creating the ‘New Man’: The Modern Architecture and Life Reform Movement in Hellerau Garden City” (Michigan, L. Soo, A. Herscher)
ELFLINE, ROSS, “Superstudio and the Staging of Architecture’s Disappearance” (UCLA, M. Kwon)
ERDIM, BURAK, “The Inception and Foundation of the Middle East Technical University (1956–64) within the Context of Cold War Politics in the Middle East and New Directions in Modernism” (Virginia, S. Crane)
FALETTI, RINA CATHLEEN, “Water, Architecture, and Landscape in California and the American West” (UT Austin, M. Charlesworth, R. Shiff)
FERNG, JENNIFER, “Nature’s Objects: Architecture, Materiality, and Geology, 1750–1850” (MIT, M. Jarzombek)
FINSTEIN, AMY D., “Designing the American Motor City: The Modern Architectural Agenda of Elevated Urban Highways, 1910–1960” (Virginia, R. G. Wilson, D. Spain, O. Zunz)
FISHER, ALISON, “The Type, the Model, and the System: Public Housing and Urban Experiment in France, 1952–1978” (Northwestern, D. Van Zanten)
FLAHERTY, GEORGE, “Mediating the Third Culture at Tlatelolco, Mexico City, 1968” (UC Santa Barbara, S. Chattopadhyay)
FOX, JASON, “Palaces on Main Street: John Eberson, Thomas Lamb, C. W. & Geo. L. Rapp, and the Making of the American Movie Palace” (Virginia, R. Wilson)
FRIEDBERG, EVA J., “Lawrence Halprin’s Urban Plazas (1960–1976): The Creative Process, Critical Public Art, and the Spatial Politics of Landscape Architecture” (UC Irvine, E. Dimendberg)
GAMACHE, GENEVIEVE, “Wat Rong Khun and Neo-Traditional Art in Thailand” (University of Victoria, A. Wright)
GOLLANNEK, ERIC, “Colonial Exchange and Visions of Empire in Britain and Its Colonies” (Delaware, B. Herman)
GÖNLÜGÜR, EMRE, “The Americanization of Postwar Turkish Architectural Culture” (Toronto, P. Scrivano)
GOODMAN, RHONDA, “The Visual Culture of Slave Auctions in Nineteenth-Century North America” (Stanford, B. Wolf)
GREEN, MEAGAN, “Friars in the City: Mendicant Architecture and Pious Practice in Medieval Verona” (Duke, C. Bruzelius)
HALDEMAN DAVIS, ELAINE, “Paradise Built: Thatched Hut Resorts in the Contemporary Tourist Landscape” (UIC, S. Robinson)
HANNAH, CAROLINE, “Between Art, Craft, and Design: Henry Varnum Poor and the Making of a Modern American Artist” (Bard Graduate Center, P. Kirkham)
HARRIS, TERESA, “Transforming the German City: The Kampffmeyer Family and the German Garden City Association” (Columbia, B. Bergdoll)
HARTZELL, FREYJA, “Delight in Sachlichkeit: Richard Riemerschmid and the Thingliness of Things” (Yale, E. Cooke Jr.)
HAUGHEY, PATRICK, “The Presidential Library: Architecture as History, Archive as Judgment” (MIT, M. Jarzombek)
HEFFLEY, DIVYA, “Imaging the American City, 1950–1970: Sequence-Experience Notation and the Ecological Perception of Space” (Brown, D. Neumann)
HENDERSON, AMY, “Furnishing the Republican Court: Building and Decorating Philadelphia Homes, 1790–1800” (Delaware, B. Herman)
HENNEBURY, DEIRDRE L. CHRISTIANSON, “Inside and Outside the Museum Walls: The Tate Museums in London, Liverpool, and St. Ives” (Michigan, R. Fishman)
HOLST, NANCY, “‘A Wise Woman Buildeth Her Home’” (Delaware, B. Herman)
INMAN, GARY, “The Country Place Movement in Central Virginia, 1890–1 (Virginia Commonwealth, C. Brownell)
KAKAR, SHALINI, “Fashioning the Divine: Bollywood Stars, Museum Temples, and Cultural Politics in Contemporary India” (UC Santa Barbara, S. Chattopadhyay)
KARAKAŞ, DENIZ, “Clay Pipes, Marble Surfaces: The Topographies of Water Supply and Waste Disposal in the Outskirts of the Ottoman Capital” (SUNY Binghamton, N. Um)
KEEN, ANN, “Redefining Modernism: Monumentality and Expressionism in Architecture of the Olympic Summer Games, 1960–1976” (Rutgers, C. Yanni)
KELLOGG-KRIEG, ANNAH, “God, the State, and the Sanctuary: The Confrontation of the Major Religions with the German Nation-State via the Architectural Language of the Neo-Romanesque (1860–1900)” (Pittsburgh, B. McCloskey)
KILINÇ, KIVANÇ, “Constructing Women for the Republic: The Spatial Politics of Gender in 1930s Ankara” (SUNY Binghamton, T. McDonough)
KIM, ROBIN, “Centrally Planned Churches in Navarra, Spain: Nationalism, Pilgrimage, and Spain’s Role in the Romanesque” (Bryn Mawr, D. Kinney)
KLEE, JEFFREY, “The Five Orders of Beacon Hill” (Delaware, B. Herman)
KOVAL, LINDSAY M., “Architectural Patronage and Liberal Religion at New York’s Riverside Church” (Columbia, S. Murray)
LEE, MIN KYUNG, “The Tyranny of the Straight Line: Mapping and Constructing Paris” (Northwestern, D. Van Zanten)
LUCE, KRISTINA, “Revolutions in Parallel: The Rise and Fall of Drawing within Architectural Design” (Michigan, M. McCullough, D. Herwitz)
MALLAMPATI, HIMA, “Acquiring Antiquity: Plunder, Provenance, and Politics in American Museums” (Michigan, E. Gazda)
MANSON, ANDREW, “Architecture, Archaeology, and Urbanism in ‘Roma Mussolinea’: The Via dell’Impero and the Palazzo del Littorio Competition” (Columbia, N. Kampen, M. McLeod)
MARSHALL, JESSICA, “Architecture and Popular Religion: French Pilgrimage Churches of the Nineteenth and Twentieth Centuries” (Columbia, B. Bergdoll)
MCATEE, CAMMIE, “Form and Formalism in American Architecture in the 1950s and ’60s” (Harvard, N. Levine)
MCGRAIL, JUSTIN, “Mega-Malls, Category Killers, and Theme Centres: The Architectural and Social Transformation of the Canadian Retail Landscape since 1980” (University of Victoria, C. Thomas)
MCLENDON, ARTHUR, “Spirit, Space, and Ritual Encounter in Shaker Architecture” (Virginia, L. Nelson)
MEADOWS, B. TED, “Monuments and Memory: Three American World War I Memorials in Context” (Kansas, C. Eldredge, D. Cateforis)
MEKINDA, JONATHAN, “Reconstruction and Revolution: The Re-Invention of Modernism in Milan, 1945–1955” (Pennsylvania, D. Brownlee)
MILLÀ BERNAD, MARTINA, “Student Housing à la brésilliene?” (Emory, J. Rohrer)
MILNARIK, ELIZABETH ANN, “The Publicly Funded American Dream: America’s Public Housing Program, 1933–37” (Virginia, R. G. Wilson, D. Upton)
MIMS, MARTINA, “August Endell’s Exploration of the Relationship of the Modern Observer and Form” (Columbia, B. Bergdoll)
MONTGOMERY, LEANNE, “The Carolingian Cathedral at Cologne: Form and Context” (Indiana, Bloomington, W. E. Kleinbauer)
MYERS, TRACY, “Modern Architecture for Education in the Postwar Era: Public School Buildings by the Architects Collaborative (TAC) and the Development of American Modernism, 1946–1995” (Delaware, D. Stillman)
NAPOLITANO, ELENA, “Come una Cittadella: Urban Strategy and the Vision of French Nationhood in Rome, 1660–1700” (Toronto, E. Levy)
NARATH, ALBERT, “Rediscovering the Baroque: Architecture, History, and Politics in Germany and Austria” (Columbia, B. Bergdoll)
NIEMAN, RICHARD, “Monuments to God and Man: The Local Churches of Anglo-Norman Sussex and the New Norman Aristocracy” (Virginia, L. Reilly, R. Wilson, C. Brothers)
NOWICKI, SUSAN, “Montclair, New Jersey: The Development of a Suburban Town and Its Architecture” (CUNY, K. Murphy)
O\’ROURKE, KATHRYN E., “‘The Hour of Mexico’: State-Sponsored Modern Architecture in Mexico City, 1926–1934” (Pennsylvania, D. Brownlee)
OSAYIMWESE, ITOHAN, “Colonialism at the Center: German Colonial Architecture and the Design Reform Movement, 1828–1914” (Michigan, W. Glover)
OSMAN, MICHAEL, “Regulation in the Architecture of American Modernism, 1890–1920” (MIT, M. Jarzombek)
PARKER, JENNIFER, “The Architectural Patronage of the Third Marquess of Bute” (Columbia, B. Bergdoll)
PARNELL, TRACI, “Gilding the Black Box: Showmanship and Revivalism in 1920s American Movie Palace Architecture” (Rutgers, C. Yanni)
PASSANTI, FRANCESCO, “Le Corbusier at the Salon d’Automne of 1922” (Columbia, R. Middleton)
PERRY, REBEKAH, “Ritual Space and Sacred Image: Relationships of Religious Architecture and Fresco Decoration in Rome, Eleventh-Thirteenth Century” (Pittsburgh, A. Stones)
PILAT, STEPHANIE, “Re-imagining Italy: The Ina-Casa Neighborhoods of the Postwar Era” (Michigan, L. Soo)
PIOK ZANON, CORNELIE, “The Sanctuary of Demeter at Pergamon: The Third-Century Attalids and the Creation of a Hellenistic Capital” (Pittsburgh, A. Weis)
PUGH, EMILY, “The Berlin Wall and the Urban Space and Experience of East and West Berlin, 1961–1989” (CUNY, K. Murphy)
RAHIMI, SHAPARAK, “Humanizing Modernism: Architecture and the City at the Triennale in Postwar Milan” (Columbia, B. Bergdoll)
REUT, JENNIFER, “Architecture, the American Tourist and the Reconstruction of Postwar Europe” (Virginia, D. Upton)
RICE, JOHN HENRY, “Kanara Temples: Architectural Transaction on the Edge of Empire” (Pennsylvania, M. Meister)
ROD-ART, MELODY, “Visualizing Merit: An Examination of the Spatial Organization of the Temple of the Emerald Buddha” (UCLA, R. Brown)
ROSKAM, COLE, “Building the ‘Model’ Settlement: Modern Architectural Development in Shanghai, 1842–1943” (Harvard, N. Levine)
ROTHFARB, EDWARD L., “The Architecture of Raja Bir Singh Dev Bundela of Orchha (1605–1627): Continuity, Adaptation, and Invention” (UCLA, R. Brown)
RUFINO, STEPHANIE, “The Art and Color of Jules Guérin” (Virginia, R. Wilson)
SALGIRLI, SAYGIN, “From Thirteenth-Century Toulouse to Fifteenth-Century Serres: A Comparative Study of Dissent, Authority, Architecture, and Space” (SUNY Binghamton, B. Abou-El-Haj)
SANDLIN, JULIANNE PARSE, “Religious Orders and Catholic Reform: Parisian Churches during the Reign of Louis XIII” (Florida State, R. Neuman)
SCHWARTZ, REBECCA, “Picturing the Gothic: American Identity and the Gothic Revival” (Delaware, B. Herman)
SHENOUDA, MONICA ADELE, “Imagining Alexandria in Renaissance Venice” (Virginia, C. Brothers, D. Upton, F. Fiorani)
SHOUP, DANIEL, “Managing Many Pasts: Stewardship and the Future of Classical Sites in Western Turkey” (Michigan, E. Gazda)
SIENKEWICZ, JULIA A., “Citizenship by Design: The Creation of Identity through Art, Architecture, and Landscape in the Early Republic” (UIUC, P. Kruty)
SMITH, SHARON C., “Planned Grandeur: A Comparative Study of Urban Expansion in Early Modern Italy and Mamluk Egypt” (SUNY Binghamton, B. Abou-El-Haj)
SRIDHARAN, SHRIYA, “Śrirangam’s New Antiquity: Negotiating the Hindu Temple’s Divine and Historic Pasts in a Global Present” (SUNY Binghamton, N. Um)
STEWART, CHARLES A., “Domes of Heaven: The Domed Basilicas of Cyprus” (Indiana, Bloomington, W. E. Kleinbauer)
SU, MENG-TSUN, “Work, Shop, Workshop: Lawrence Halprin and Mobility in the 1960s San Francisco Bay Area” (Virginia, S. Crane, E. K. Meyer, D. Upton, H. Singerman, A. Megill)
SUTTON, SUSAN, “Almost Paradise: On the Theological Origins of Suburbia” (Graduate Theological Union, M. Morris)
SWAN, CHRISTOPHER, “An Alternative Modernism: The Pacific Northwest Architecture of John Yeon” (Yale, E. Cooke Jr.)
TAPP, ERIKA, “Colonial Modernismo: The Architecture and Urbanism of Spanish Morocco” (Pennsylvania, R. Holod, D. Brownlee)
TERRY, ANDREA, “Claiming Christmas in Canada: Representation(s) of the Victorian Past and the Multicultural Present” (Queen’s, Kingston, L. Jessup)
TURNER, KELLY S., “A Study of Eighteenth-Century French Pleasure Pavilions” (UC Santa Barbara, A. Bermingham)
UGUR, SELEN, “Ottoman House, Turkish House: Eski Ev in the Contemporary National Imagination” (SUNY Binghamton, N. Um)
VALLYE, ANNA, “The Mid-Century Artist-Intellectual in America: Josef Albers, Walter Gropius, Gyorgy Kepes” (Columbia, B. Bergdoll, R. Martin, J. Ockman)
VARINLIOGLU, GUNDER, “Rural Landscape and Built Environment at the End of Antiquity: Limestone Villages of Southeastern Isauria” (Pennsylvania, C. Striker)
VUJOSEVIC, TIJANA, “Everyday Spaces in Urban Soviet Russia, 1917–1939” (MIT, M. Jarzombek)
WALKER, JULIA, “Capital Building: Anxiety and Memory in Berlin’s Government District” (Pennsylvania, D. Brownlee)
WEBB, KAREN, “Manuscript Diagrams, Medieval Architecture, and Their Relationships” (Pittsburgh, A. Stones)
WEISS, KIRSTEN, “The Face of the German House: Cultural Fantasy in 20th-Century Architectural Photography” (MIT, M. Jarzombek)
WEISS, SEAN, “Photographs for the Modern City: An Enterprise in the Urban Transformation of Second Empire and Early Third Republic Paris” (CUNY, K. Murphy)
WILLIS, CAROL, “Futuricity: American Visionary Urbanism in the 1920s” (Columbia, B. Bergdoll)
WINLING, LADALE, “Post-Industrial Plans: Universities, Students, and the Politics of Urban Space” (Michigan, R. Fishman)
WOODWORTH, MATTHEW, “The Thirteenth-Century Choir and Transepts of Beverley Minster” (Duke, C. Bruzelius)
Art of the Middle East/North Africa
ABBASPOUR, MITRA, “Defining the Present, Archiving the Past: Three Histories of Middle Eastern Photography” (CUNY, G. Batchen)
ADAMJEE, QAMAR, “The Sultanate Chandayana: An Exemplar of Cultural and Artistic Interaction in 14th–16th Century India” (IFA/NYU, P. Soucek)
AL-SALEH, YASMINE, “Licit Magic: The Touch and Sight of Mamluk and Ottoman Talismanic Material, Fourteenth to the Sixteenth Century” (Harvard, G. Necipoglu)
ARCAK, SINEM, “Gifts in Motion: Ottoman-Safavid Cultural Exchange, 1500–1612” (Minnesota, C. Asher)
CHO, MIN YONG, “How Land Came into the Picture: Rendering History in Fourteenth-Century Iran” (Michigan, S. Babaie)
DADLANI, CHANCHAL, “Twilight in Delhi? Architecture and Urbanism in the Late Mughal Empire” (Harvard, G. Necipoglu)
DALAL, RADHA, “The Orient Express: Visual Culture, European Imperialism, and the Ottoman Empire” (Minnesota, C. Asher)
EL SANDOUBY, ALIA\’A, “Remembering the Ahl al-Bayt: The Shrines of the Family of the Prophet in Cairo and Damascus” (UCLA, I. Bierman-McKinney)
HOLMES, DENWOOD, “The Walls of the Well-Protected Domains: The Development of Ottoman Fortification, 1400–1600” (Princeton, T. Leisten)
KAMADA, YUMIKO, “Flowers on Floats: The Production, Circulation, and Reception of Early Modern Indian Carpets” (IFA/NYU, P. Soucek)
KARIMI, Z. PAMELA, “Aesthetics and Ethics of the Iranian Home in the Age of Globalism” (MIT, N. Rabbat)
LATIF, RIYAZ, “Marinid Madrasas in Fez and the Creation of Moroccan Identity” (Minnesota, C. Asher)
LEONI, FRANCESCA, “The Revenge of Ahriman: Images of dîvs in the Shâhnâmeh from the 15th to the 17th Century” (Princeton, T. Leisten)
PRUITT, JENNIFER, “A Tale of Two Cities: Locating the Courtly and the Urban in Classical Fatimid Visual Culture (975–1036)” (Harvard, G. Necipoglu)
RICE, YAEL, “Between the Brush and the Pen: Inscribing and Describing Paintings at the Mughal Court, c. 1555–1625” (Pennsylvania, R. Holod)
ROGERS, SARAH, “Postwar Art and the Historical Roots of Beirut’s Cosmopolitanism” (MIT, N. Rabbat, C. Jones)
SCHEIWILLER, STACI GEM, “Entangled Legacies: Qajar Images in Contemporary Iranian Photography” (UC Santa Barbara, N. N. Khoury)
SMITH, SHARON C., “Planned Grandeur: A Comparative Study of Urban Expansion in Early Modern Italy and Mamluk Egypt” (SUNY Binghamton, B. Abou-El-Haj)
SORNIN, ALEXIS, “Architectural Culture in Early Modern India: Jaipur and the Mughal Building Workshops” (Harvard, G. Necipoglu)
TEECE, DENISE, “Vessels of Verse, Ships of Song: Persian ‘Safina’ Manuscripts and Their Significance” (IFA/NYU, P. Soucek)
YALMAN, SUZAN, “A Period of ‘Transformation’: Religion, Urbanism, and Identity in the Architectural Patronage of Sultan Alaeddin Keykubad (r. 1220–37)” (Harvard, G. Necipoglu)
Art of the United States
ABBAMONTIAN, RAMELA, “Armenian-American Artists: Forging a Diasporic Identity in Los Angeles” (UCLA, A. Boime)
ABBOTT, JANET, “The Barnett Aden Gallery: A Home for Diversity in a Segregated City” (Penn State, J. Robinson)
ANDERSON, SHERMAN REED, “An Epic of the American Farm: James Ormsbee Chapin and the Marvin Paintings” (Kansas, C. Eldredge)
APPLEGATE, HEIDI, “Staging Modernism at the 1915 San Francisco World’s Fair” (Columbia, E. Hutchinson)
ARCHIAS, S. ELISE, “The Body as a Material in the Early Performance Work of Carolee Schneemann, Yvonne Rainer, and Vito Acconci” (UC Berkeley, A. Wagner)
ATKINS, ASHLEY, “Winslow Homer and Aestheticism in the United States” (Rutgers, W. Bellion)
BACKER, MATTHEW, “Building a Brave New World: The Future Made Present at Chicago’s Century of Progress Exposition, 1933–34” (Indiana, Bloomington, S. Burns)
BAILLY, AUSTEN BARRON, “Painting the American Historical Epic: Thomas Hart Benton and Race, 1919–1936” (UC Santa Barbara, E. B. Robertson)
BALL, JEFFREY, “The Missouri State Capitol: Architecture, Mural Painting, and Sculptural Decoration” (Missouri, O. Overby)
BEGGS, MARGO, “Harriet Hosmer (1830–1908): Fame, Photography, and the ‘American Sculptress’” (Toronto, M. Gotlieb)
BILBO, REBECCA, “The Art Academy of Cincinnati: A Social, Cultural, and Institutional History” (Indiana, Bloomington, S. Burns)
BOONE, JOBYL, “The Spectacle in the Art of the United States after 1967” (Delaware, A. Gibson)
BROOKS, LERONN, “An Art of Resistance: The Legacy of Hale Woodruff (1900–1980)” (CUNY, K. Manthorne)
BUCKNER, CINDY MEDLEY, “Sketched on Copper: The Etching Revival in Late-Nineteenth-Century America” (CUNY, S. Webster)
BUHLER, DOYLE L., “Capturing the Game: The Artist-Sportsman and Animal Conservation in American Hunting Imagery, 1844–1894” (Iowa, J. Kinsey)
BURGESS, LANA A., “Advancing American Art: Survival of an Idea” (Florida State, K. Bearor)
CAMPBELL, KATHRYN, “Imaging Russia during the Cold War: Photographs in Life Magazine, 1945–1962” (Virginia Commonwealth, R. Hobbs)
CAMPBELL, MARY, “Holy Lands and Profane Women: Charles Ellis Johnson and the Practice of Mormon Photography” (Stanford, B. Wolf)
CANTOR, KAREN, “Art and Life of Boris Artzybasheff” (SUNY Stony Brook, M. Bogart)
CARO, JULIE LEVIN, “The Early Career of Allan Rohan Crite (1930–1950)” (UT Austin, L. Henderson, C. Smith)
CLANCY, JONATHAN, “Transcendentalism and the Crisis of Self in American Art and Culture, 1840–1930” (CUNY, K. Manthorne)
COSTELLO, EILEEN ELIZABETH, “Between the Easel and the Mural: The Dissolution of Abstract Expressionist Painting into the Realm of Architecture” (UT Austin, R. Shiff)
COYLE, HEATHER CAMPBELL, “Having Fun with Art: Pranks, Performances, and Parody in American Art Schools, 1890–1915” (Delaware, M. Leja, M. Werth)
CURTISS, KIMBERLY, “Painting Skin: The Construction of Racial Identity through Representations of American Indians in Jacksonian America, ca. 1828–1848” (Rutgers, W. Bellion)
DASCH, ROWENA HOUGHTON, “‘Now Exhibiting’: Charles Bird King’s Picture Gallery, Fashioning Taste, and Nation, 1824–1861” (UT Austin, S. Rather)
DE ARMENDI, NICOLE, “Shifting Perception: Labyrinths and the Rise of Phenomenology in American Art of the 1960s and 1970s” (Virginia Commonwealth, R. Hobbs)
DELAMAIRE, MARIE-STÉPHANIE, “Transatlantic Encounters: Franco-American Artistic Exchanges in the Civil War and Reconstruction Era” (Columbia, E. Hutchinson)
DIACK, HEATHER, “The Benefit of the Doubt: An Aporetic Approach to Conceptual Art and Photography, 1965–1980” (Toronto, L. Kaplan)
DİAZ, EVA, “Chance and Design: Experimental Art at Black Mountain College” (Princeton, H. Foster)
DIERKES, ANNE-LOUISE, “Assemblage as Opposition: California’s Counterculture and the Struggle for U.S. Cultural Definition” (CUNY, A. Chave)
DOOLEY, MICHAEL C., “Citizen Bird: American Ornithological Art of the Progressive Era and the Beginnings of the Bird Conservation Movement” (Iowa, J. Kinsey)
DOSSIN, CATHERINE JULIE MARIE, “‘I Like America & America Likes Me’: Artistic Exchanges between France, Germany, and the United States, 1945–1989” (UT Austin, R. Shiff, K. Arens)
DOUBERLEY, AMANDA ANN, “The Corporate Model: Sculpture, Architecture, and the American City, 1954–1969” (UT Austin, A. Reynolds)
ELLIOTT, KATHERINE L., “Epic Encounters: Nineteenth- and Early-Twentieth-Century Representations of First Contact” (Iowa, J. Kinsey)
ELLIS, AMY, “‘Not a Mere Leaf-Painter’: Thomas Cole and the Figure” (Columbia, J. Crary, E. Hutchinson)
ENDERLE, MELANIE, “The Canvas as Stage: The Spectacle of the American Theater, ca. 1895–ca. 1940” (Washington, S. Casteras)
EVANS, YATES, “Doors and Windows: Eastern Philosophy and Western Aesthetics in the Art of Ray Johnson” (Virginia Commonwealth, R. Hobbs)
FALETTI, RINA CATHLEEN, “Water, Architecture, and Landscape in California and the American West” (UT Austin, M. Charlesworth, R. Shiff)
FISHER, JOSHUA F., “The Spiral Jetty in the Landscape of Time and Space” (Iowa, C. Adcock)
FOLLAND, THOMAS, “Robert Rauschenberg’s Combines and a Queer Neo-Avant-Garde: 1954–59” (UCLA, G. Baker)
FOUTCH, ELLERY, “Arresting Beauty: The Perfectionist Impulse in Peale’s Butterflies, Heade’s Hummingbirds, Blaschka’s Flowers, and Sandow’s Body” (Pennsylvania, M. Leja)
GEORGE, ANGELA, “The Old New World: Unearthing Mesoamerican Antiquity in the Art and Culture of the United States, 1839–1893” (Maryland, College Park, S. Promey)
GERHOLD, EMILY, “American Beauties: The Cult of the Bosom in Nineteenth-Century American Art and Culture” (Virginia Commonwealth, E. Garberson)
GLENN, KIMBERLY L., “The Chicago Renaissance: Art, Racial Pride, and Identity” (Iowa, B. Mooney)
GLICK, PAULA F., “The Life and Career of Paul Sample” (Columbia, J. Beck)
GLISSON, JAMES, “Anxiety and Occlusion: New York City in the Painterly Imagination of the Ashcan School and American Impressionists, 1885–1914” (Northwestern, S. H. Clayson)
GOHARI, SYBIL E., “Gender and Race in the Critical Reception and Market Value of Helen Frankenthaler’s and Alma Thomas’s Paintings” (Maryland, College Park, R. Ater)
GÖNLÖGÜR, EMRE, “The Americanization of Postwar Turkish Architectural Culture” (Toronto, P. Scrivano)
GOPINATH, GABRIELLE, “Figuration and Disappearance in the Work of Bruce Nauman, 1969–1990” (Yale, A. Nemerov, D. Joselit)
GREEN, ROBIN COWIE, “‘A Certain Slant of Light’: Exhilaration, Oppression, and the Forces of Sunlight in American Impressionism” (Yale, A. Nemerov)
GREENE, NIKKI, “The Rhythm of Glue, Grease, and Grime: Body and Indexicality in the Works of Romare Bearden, David Hammons, and Renée Stout” (Delaware, A. Gibson)
GREENHALGH, ADAM, “Risky Business: Chance and Contingency in American Art, 1876–1907” (Maryland, College Park, F. Kelly, S. Promey)
GUGLIELMO, ANTONIETTE M., “Work-Bench of American Taste: Richard F. Bach, Industrial Art Exhibitions, and Consumerism at the Metropolitan Museum of Art in the Interwar Years” (UC Santa Barbara, E. B. Robertson)
HAGOOD, MARTHA, “Representing the Truth: Realism, Sensationalism, and the Progressive Era Picture Press, 1902–1913” (Delaware, B. Herman)
HATCH, KEVIN, “Looking for Bruce Conner: Assemblage, Films, Drawings, 1957–1967” (Princeton, H. Foster)
HAXALL, DANIEL, “Politics, Form, and Identity in Abstract Expressionist Collage” (Penn State, S. Rich)
HELLSTEIN, VALERIE, “The Politics of Metaphysics: Abstract Art and Spirituality after World War II” (SUNY Stony Brook, M. Bogart)
HENSLEY, CHRISTAL, “The Cult of Personality: Gertrude Stein and the Development of the Object Portrait in the American Visual Arts” (Florida State, K. Bearor)
HEYDT, STEPHANIE MAYER, “The Art of The Gift: Mount, Huntington, and the Antebellum Gift Book Industry” (Boston, P. Hills)
HEYRMAN, JOY, “‘Signature Drawings’: Social Networks and Collecting Practices in Antebellum Albums” (Maryland, College Park, S. Promey)
HIXSON, KATHRYN ANN, “Body to Image: The 1970s” (UT Austin, R. Shiff)
HOLOCHVAST, CATHERINE REED, “Landscape as Machine: Vision and Imagination in Nineteenth-Century American Painting” (Delaware, W. Bellion)
HUERTA, MONICA, “Is It Real?” (Michigan, R. Zurier)
HYDE, KIMBERLY, “Louis C. Tiffany and the Business of Art” (Case Western Reserve, H. Adams)
IKEMOTO, WENDY, “Double Vision: Pendant Painting in Antebellum America” (Harvard, J. Roberts)
INMAN, GARY, “The Country Place Movement in Central Virginia, 1890–1940” (Virginia Commonwealth, C. Brownell)
JONES, PENNY, “Figural Trees: Artistic Response to Forest Loss in Nineteenth-Century America” (Columbia, E. Hutchinson)
KAISERLIAN, MICHELLE, “Artistic Responses to The Rubáiyát of Omar Khayyám in Great Britain and the United States, c. 1900–1940” (Indiana, Bloomington, M. Facos)
KARPINSKAIA, NATALIA, “Landscape Art and Landscape Attitudes in Russia and America” (Columbia, B. Novak)
KATZ, ROBERTA GRAY, “Mediated by Text: The Literary Paintings of Thomas Cole” (UIC, D. Sokol)
KELLY, SARAH E., “Camera’s Lens and Mind’s Eye: Whistler and the Science of Art” (Columbia, D. Rosand)
KIEFER, EVELYN, “The Birth and Death of the American Dining Room: An Evolution from the Colonial Hall to Frank Lloyd Wright’s Dining Rooms and Beyond” (Case Western Reserve, H. Adams)
KING, JENNIFER, “Michael Asher and the Art of Infrastructure: Space, Cities, Institutions” (Princeton, H. Foster)
KJAER, LISE, “Awakening the Spiritual: James Turrell and Quaker Practice” (CUNY, H. Senie)
KNAPPE, STEPHANIE, “‘Art Perpetuating Fame’: The Visual Imagery of Buffalo Bill’s Wild West” (Kansas, C. Eldredge)
KNOX, PAGE, “Scribner’s Monthly/The Century: A Vehicle of Aesthetic Thought in Late-Nineteenth-Century America” (Columbia, E. Hutchinson)
KOHN, ADRIAN MICHAEL, “Seeing Los Angeles Minimalism, 1958–1972” (UT Austin, R. Shiff)
KROIZ, LAUREN, “New Races, New Media: The Struggle for a Modern American Art, 1890–1925” (MIT, C. Jones)
KURTZ, AMY, “Old Worlds and New: Edward Lamson Henry (1814–1919), Conservative Genre Painting” (Yale, J. Prown)
KUYKENDALL, LARA, “By Popular Demand: The Hero in American Art, c. 1929–1945” (Kansas, C. Eldredge)
LAFOUNTAIN, JASON, “A History of New England Puritan Art” (Harvard, J. Roberts)
LANIER, JESSICA, “Martha Coffin Derby (1783–1832): Travel, Patronage, and the Promotion of Art in the Early Republic” (Bard Graduate Center, K. Ames)
LAWTON, SAADIA, “Representing the Representative: Visual Binaries of the Wedgwood Slave Medallion, 1787–1887” (Wisconsin, Madison, A. Andrzejewski)
LEE, KEE-LEE, “Sur Vampyr: Theresa Hak Kyang Cha and the Cultural Para-Sites of the Korean Diaspora” (UNC Chapel Hill, C. Mavor)
LIAKOS, BARBARANNE E., “The Civil War and Collective Memory: Reconstructing the National Conflict in Paintings and Prints, 1869–1894” (Iowa, J. Kinsey)
LOECHLE, ANNE M., “Ye Intruders Beware: Masculinity, Vicarious Adventure, and Fantastical Pirates in the Golden Age of Illustration and Beyond” (Indiana, Bloomington, S. Burns)
MADSEN, ANNELISE, “Retro Spectacle: Mural Painting, Pageantry, and the Art of Civic Life in America, 1890–1917” (Stanford, W. Corn)
MANN, CRAWFORD ALEXANDER, III, “When in Rome: Italian Travel and the Pursuit of the Ideal Male Body in Antebellum American Art” (Yale, A. Nemerov)
MARKOVITZ, HOLLY, “Reframing the Frontier: Rephotography, Repetition, and Return” (Boston, K. Sichel)
MARLEY, ANNA, “Rooms with a View: Landscape Representation in Early National Domestic Interiors” (Delaware, W. Bellion)
MAY, JESSICA, “Off the Clock: Walker Evans and the Crisis of American Capital” (UC Berkeley, M. Lovell)
MAZOW, ALISSA WALLS, “Plantae, Animalia, Fungi: Transformations of Natural History in Contemporary American Art” (Penn State, S. Rich)
MCATEE, CAMMIE, “Form and Formalism in American Architecture in the 1950s and ’60s” (Harvard, N. Levine)
MCGUIRE, HEATHER, “John Baldessari: Blasted Allegories” (Virginia Commonwealth, R. Hobbs)
MILLER, MARK PARKER, “Claiming and Denying Sophistication: Grant Wood’s Art and Responses to It: 1930–1942” (Delaware, A. Gibson)
MILLER, SARAH, “Inventing ‘Documentary’ in American Photography, 1930–1945” (Chicago, J. Snyder)
MOSS, DOROTHY, “Recasting the Copy: Original Paintings and Reproductions at the Dawn of American Mass Culture, c. 1900” (Delaware, M. Leja, M. Werth)
MURPHY, JESSICA, “Portraiture and Feminine Identity in the Stieglitz Circle: Agnes Ernst Meyer, Katharine Rhoades, and Marion Beckett” (Delaware, M. Werth)
MURPHY, JONI, “Coyote Tales: Stereotypes, Politics, and Humor in the Art of Jaune Quick-to-See Smith” (Kansas, D. Cateforis)
MURRAY, XIOMRA, “Before the ‘Mellon Gallery’: Toward an American National Gallery of Art, 1816–1937” (IFA/NYU, C. Eisler)
NAEEM, ASMA, “‘The Imagery of the Ear’: Listening, Sound, and Sound Technologies in American Art, 1850–1950” (Maryland, College Park, S. Promey)
NAPOLITANO, LAURA GROVES, “Growing Pains: Lilly Martin Spencer’s Images of Children” (Maryland, College Park, S. Promey)
NIEDZIELSKI-EICHNER, NORA, “The South and the City: Representations of Migration in African-American Painting, 1934–1964” (Stanford, B. Wolf)
NOWICKI, SUSAN, “Montclair, New Jersey: The Development of a Suburban Town and Its Architecture” (CUNY, K. Murphy)
NYGARD, TRAVIS, “The Art of Agribusiness: How Visual Culture Shaped Grain Production in the U.S., 1893–1943” (Pittsburgh, K. Savage)
OSMAN, MICHAEL, “Regulation in the Architecture of American Modernism, 1890–1920” (MIT, M. Jarzombek)
PEIFFER, PRUDENCE, “Routine Extremism: Ad Reinhardt and Modern Art” (Harvard, Y-A. Bois)
PERRY, WEENA, “America in Ruins: Photography and the Making of National Meanings” (SUNY Stony Brook, M. Bogart)
PHILLIPS, NATALIE E., “The Pop Apocalyptic: Keith Haring’s and Kenny Scharf’s Remaking of Contemporary Religious Art” (UC Irvine, C. Whiting)
POHRT, TANYA, “Touring Pictures: The Exhibition of American History Paintings in the Early Republic” (Delaware, M. Leja, W. Bellion)
POWERS, SARAH, “Images of Tension: City and Country in the Work of Charles Sheeler, Edward Hopper, and Thomas Hart Benton” (Delaware, A. Gibson, M. Leja)
PRICE, JUSTINE DANA, “Critical Distinctions: Attitudes towards American Abstraction, 1936–1952” (UT Austin, R. Shiff)
PRICE, MARSHALL, “John Ferren and the Development of Abstraction” (CUNY, K. Manthorne)
PULTZ, JANET, “Christian Abrahamsen (1887–1983), Norwegian-American Portrait Painter” (Missouri, O. Overby)
RAAB, JENNIFER, “Frederic Church and the Culture of Detail: Memory, Forgetting, and Landscape in Nineteenth-Century America” (Yale, A. Nemerov)
RAGAIN, MELISSA, “Test Subjects: Psychology and the Viewer of American Art, 1965–75” (Virginia, H. Singerman)
REYNOLDS, REBECCA, “Sculpture Parks, Sculpture Gardens, and Site-Specific Practices in the U.S., 1965–1991” (Chicago, M. Ward)
ROACH, LEIGH ANNE, “A Positive, Popular Art: Sources, Structure, and Impact of Gyorgy Kepes’s Language of Vision” (Florida State, K. Bearor)
ROBERTSON, LETHA CLAIR, “The Art of Thomas Hicks (1817–1890)” (Kansas, C. Eldredge)
ROEDER, KATHERINE, “Cultivating Dreamfulness: Fantasy, Longing, and Commodity Culture in the Work of Winsor McCay” (Delaware, M. Leja, M. Werth)
ROETHKE, LEIGH, “A Passion for Spain: Españolismo in American Visual Culture” (Minnesota, K. A. Marling)
ROSENBAUM, SARAH, “In the Public Domain: Public Art, Advanced Capitalism, and the Contemporary City” (Harvard, Y-A. Bois)
ROTTNER, NADJA, “Claes Oldenburg and the Emergence of the ‘Happening’” (Columbia, J. Rajchman, R. Krauss, B. Joseph)
RUFINO, STEPHANIE, “The Art and Color of Jules Guérin” (Virginia, R. Wilson)
SAMET, JENNIFER, “Another New York School: The ‘Secret History’ of Figurative Painting, 1960–1980” (CUNY, P. Mainardi)
SCANLON, PATRICIA S., “‘God-gifted girls’: Women Illustrators, Gender, Class, and Commerce in American Visual Culture, 1885–1925” (Indiana, Bloomington, S. Burns)
SHERRY, KAREN, “Exposing the ‘Natural’ Woman: Female Bodies in American Visual Culture, 1785 to 1830” (Delaware, M. Leja)
SIVARD, SUSAN, “The Volcano in European and American Art, 1770–1865” (Columbia, B. Novak, E. Hutchinson)
SMITH, JERRY, “Auto-America: The Automobile and American Art, c. 1900–1950” (Kansas, C. Eldredge)
SNOOK, SARAH, “The Development of the American Art Market in Antebellum New York” (Columbia, D. Rosand)
STAMEY, EMILY, “Pop, Place, and Personal Identity in the Art of Roger Shimomura” (Kansas, D. Cateforis, C. Eldredge)
STEPHENS, RACHEL E., “Ralph E. W. Earl and the Myth of Jacksonian Politics” (Iowa, J. Kinsey)
STUART, CAROLYN, “American Autoscapes: The View from the Road, 1920–1949” (UCLA, S. Nelson)
TALBOTT, JENNIFER, “Avis Mortis: Ornithology and Modern American Art” (Kansas, C. Eldredge)
TOTEVA, MAIA TODOROVA, “Language Use in Conceptual Art: Eastern European and North American Strategies” (UT Austin, R. Shiff)
TRAVIS, AMBER, “Theatres of War, Torture, and Duress: Leon Golub’s Mercenaries, Interrogations, and White Squads: 1979–1987” (Northwestern, S. Eisenman)
TRENT, MARY, “Reproducing Childhood: Innocence and Mass Media in the Art of Joseph Cornell and Henry Darger” (UC Irvine, C. Whiting)
TSEN, HSUAN, “Spectacles of Authenticity: The Internationalization of Mass Entertainment in Japan and America, 1890–1910” (Stanford, S. Bukatman)
TUITE, DIANA, “Methods for Modernism: Arthur Wesley Dow Intersects the Stieglitz Circle” (Princeton, J. Wilmerding)
UREÑA, LESLIE, “Lewis Hine at Ellis Island: The Photography of Immigration and Race, 1904–1926” (Northwestern, S. Eisenman)
VINCENTI, MARISSA, “Our Spiritual Strivings: Gurdjieffian Philosophy, Spiritualism, and Politics in the Art of Aaron Douglas” (Duke, R. Powell)
WALZ, JONATHAN FREDERICK, “Abstract Portraiture and the American Avant-Garde, 1912–1927” (Maryland, College Park, S. Promey)
WARAK, MELISSA CHRISTINE, “Sound Exchange: Interactions of Music and Art, 1955–1976” (UT Austin, L. Henderson)
WEATHERS, CHELSEA LEA, “Shooting Underground: Andy Warhol’s Cinema and the Making of a Public Image, 1963–1966” (UT Austin, A. Reynolds)
WEISS, FRANCINE, “Visual Verses: Modernist Collaborations of American Artists and Poets, 1921–1946—Charles Demuth and William Carlos Williams, Walker Evans and Hart Crane, Edward Weston and Walt Whitman, Andrew Wyeth and Robert Frost” (Boston, P. Hills, K. Sichel)
WILDE, TAMARA L., “Virgins and Vixens: Women, Musical Instruments, and Identity in Gilded Age Art” (Iowa, J. Kinsey)
WILLIAMS, THOMAS, “Pop Art, Youth Culture, and Social Change in the 1960s” (SUNY Stony Brook, J. Katz)
WITT, SUSAN POWELL, “The Gendered Language of War: Picturing the Parlor in Civil War America” (Stanford, B. Wolf)
WOFFORD, TOBIAS, “Constructing Africa: The Visualization of Homeland and Diaspora in African American Art during the 1960s and 1970s” (UCLA, S. Nelson)
WOLF, VANESSA, “Surplus Feeling: War and Remembrance in Lee Bontecou’s Wall Reliefs, 1958–1966” (Yale, A. Nemerov)
YOSHIDA, ATSUSHI, “Modern Eremites: Art and the Vocation of Withdrawal in Gilded Age America” (Washington University, A. Miller)
ZUNDO, MARY ELIZABETH, “Mapping Destiny: Cartography and Nineteenth-Century American Art of the Frontier” (UIUC, D. O’Brien)
Chinese Art
AUYEUNG, POYIN, “Critical Spatial Responses to Urban Redevelopment in Beijing and Shanghai: Art in Public Spaces, 1978–1998” (CUNY, R. Bletter)
BENINGSON, SUSAN, “Shaping Sacred Space: Early Buddhist Caves and Their Interaction with Ritual Architecture and Artistic Programs of Tombs in Fifth-Century China” (Columbia, R. Harrist)
BIEBERLY, REBECCA, “‘True’ Images: Seeing/Reading at the Lingyan Temple in Eleventh-Century China” (Michigan, M. Powers)
BRADFORD, ROSALIND, “The Guyuan Sarcophagus: Motifs and Explication” (Pennsylvania, N. Steinhardt)
BRASH, CAROL, “Representations of Gardens under the Ming” (Minnesota, R. Poor)
CHEN, LI-WEI, “Writing and Rulership in Eighth-Century China: Emperor Xuanzong (r. 712–756) and the Politics of Calligraphic Style” (Columbia, R. Harrist)
CHEN, YANLI, “The Experienced Modern and the Transfigured Style: Modern Beauty in Popular Prints, Photography, and Cinema, 1880s–1930s” (Pittsburgh, G. Minglu)
CHOE, KYUNGWON, “The Crowing of Hens: Buddhist Paintings Sponsored by Court Women of the Early Chosŏn Dynasty (1392–1592)” (Kansas, M. Haufler)
CHU, YANGMING, “Gentrification of Women in Early Tang Paintings” (Columbia, R. Harrist)
CURA, BERNICE, “Chinese Bannerman Painters in Beijing, ca. 1700–1770” (IFA/NYU, J. Hay)
DO, YOOHANG, “The Painting of Gao Fenghan (1683–1749)” (IFA/NYU, J. Hay)
GREENWOOD, KEVIN, “Yonghegong: Art, Religion, and Politics in Beijing’s ‘Lama Temple’” (Kansas, M. Haufler)
HONG, JEEHEE, “Death, Children, and Society in Performance Images of Medieval China” (Chicago, H. Wu)
HU, PHILIP, “Mi Qanzhong (1570–ca. 1628): An Artist and Patron in Late Ming China” (IFA/NYU, J. Hay)
HUANG, YUN-JU MICHELLE, “Dunhuang Cave #446: The Embodiment of Hua-yen Buddhism” (Wisconsin, Madison, J. Murray)
HUNG, LING-YU, “Ceramic Craft Specialization and the Development of Social Hierarchy in Late Neolithic Northwestern China (ca. 5300–4050 BP)” (Washington University, G. Bennett)
HWANG, KAREN, “Visual Politics in Dunhuang during the Guiyijun Period, 851–1002” (Harvard, E. Wang)
KEE, JOAN, “Points, Lives, Encounters: The Paintings of Lee Ufan and Park Scubo” (IFA/NYU, J. Hay, R. Storr)
KELLEY, SONJA, “Printmaking in Sichuan after 1949: Regionalism and the Formation of a New National Art in China” (Princeton, J. Silbergeld)
KWOK, ZOE, “Five Dynasties-Early Song Figure Painting” (Princeton, J. Silbergeld)
LARRIVÉ-BASS, SANDRINE, “Cross-Materiality in Environmental and Ritual Contexts: Bronze Surrogates in Late Bronze Age China, 1045–221 BCE” (Columbia, R. Harrist)
LIM, MICHELLE, “Navigating Floating Worlds: Curatorial Strategies in Chinese Contemporary Art, 1979–2009” (Princeton, J. Silbergeld)
LIU, BO, “When Paintings Speak for the Owners: Political Expressions in Song Dynasty Fan Paintings” (Michigan, M. Powers)
LIU, DAVID, “The Prehistory of the Middle and Lower Changjiang Region” (Princeton, R. Bagley)
LO, HUI-CHI, “From Prince to Emperor: Yinzhen’s (1678–1735) Political Deployment of Art in Early Qing Dynasty (1644–1911) China” (Stanford, R. Vinograd)
LORING, KRISTEN, “Region and Artistic Strategy: Hua Yan’s (1682–1756) Bird-and-Flower Paintings” (UCLA, H. S. Lee)
LULLO, SHERI, “Beautification of the Dead in Han Period (206 BCE–220 CE) China: Lian Toiletry Cases and Their Contents” (Pittsburgh, K. Linduff)
MAO, YILING, “Women’s Painting in 17th-Century China: Persona, Performance, and the Construction of Female Aesthetics” (Columbia, R. Harrist)
MARTIN, HUI WANG, “Guangsheng Monastery: The Study of Its Art and Architecture from a Ming Perspective” (Kansas, M. Haufler)
MATTEINI, MICHELE, “Painting in the Age of Evidential Scholarship (kaozheng): Luo Ping’s Late Years (ca. 1770–1799)” (IFA/NYU, J. Hay)
MEI, YUN-CHIU, “Mapping and Mass Production of Stelae in the Eighteenth-Century Cult of Monuments in Qing China, 1644–1911” (Stanford, R. Vinograd)
ORELL, JULIA, “Picturing the Yangzi River—Particular Landscapes in Song China” (Chicago, H. Wu)
PAKHOUTOVA, ELENA, “Reproducing the Sacred Places: The Eight Great Events of the Buddha’s Life and Their Commemorative Stūpas in the Medieval Art of Tibet” (Virginia, D. Wong)
PARK, JAE-SUK, “The Rustic Image and Cult of Su Shi: ‘Su Shi Wearing Bamboo Hat and Clogs’” (Wisconsin, Madison, J. Murray)
QIAN, ZHIJIAN, “Modernism Re-oriented in a Chinese Context: Painting of Modernist Artists in Wartime Chongqing, 1937–1945” (IFA/NYU, J. Hay)
RASMUSSEN, KENNETH, “Wang Shen (born ca. 1048) and Landscape Painting among the Elite in Northern Song China, 1069–1120” (Yale, R. Barnhart)
SIGUR, HANNAH, “Mukei and the Modern Art-Craft Movement in 1920s Japan” (IFA/NYU, J. Hay)
TAKAMATSU, MARI, “Painting, Theater, and Visual Experience in Early Modern Japan (1596–1644)” (IFA/NYU, J. Hay)
TOWNSEND, CYNTHIA, “A Contextual Study of Chinese Burial Figurines: Eastern Zhou through Northern and Southern Dynasties” (Chicago, H. Wu)
TSULTEM, URANCHIMEG, “Ikh Khuree: Nomadic City of the Mongols” (UC Berkeley, P. Berger)
TUNSTALL, ALEXANDRA, “Woven Paintings: Tapestries in the Ming (1368–1644) and Qing (1644–1911) Dynasties” (Columbia, R. Harrist)
WALLACE, LESLIE, “Chasing the Beyond: Depictions of Hunting in Eastern Han Dynasty (25–220 CE) Tomb Reliefs from Shaanxi and Shanxi” (Pittsburgh, K. Linduff)
WANG, MICHELLE, “From Dharani to Mandala: A Study of Mogao Cave 14 and Esoteric Buddhist Art of the Tang Dynasty (618–907)” (Harvard, E. Wang)
WANG, PEGGY, “Responding to the World: Contemporary Chinese Art and the Global Culture in the 1990s” (Chicago, H. Wu)
WANG, SELENA SHEN, “Wang Yuanqi and Orthodox Self-Reflection in Early Qing China” (Pennsylvania, N. Steinhardt)
WHITEMAN, STEPHEN, “Creating the Kangxi Landscape: Gardens and the Mediation of Qing Imperial Identity at Bishu shanzhuang” (Stanford, R. Vinograd)
WONG, WINNIE, “After the Copy: China, Dafen Village, and the Hand-Painted Art Product (1979–)” (MIT, C. Jones)
WU, MANDY JUI-MAN, “Art and Self-Identification by Elite Foreigners in China during the Northern Zhou Period (557–581 CE)” (Pittsburgh, K. Linduff)
XUE, LEI, “Eulogy on Burying a Crane (Yiheming) and Mortuary Inscriptions in Medieval China” (Columbia, R. Harrist)
YA-HWEI, HSU, “Redefining Chinese Culture: Collecting, Studying, and Appropriating Ancient Bronzes in the Northern Song Dynasty (960–1279)” (Yale, D. Sensabaugh)
ZHANG, SHAOQIAN, “Visualized Nationalist Politics: Negotiation and Construction of the Chinese Citizen in the Republican Period (1912–49)” (Northwestern, S. E. Fraser)
ZHOU, XIUQIN, “Zhaoling: The Mausoleum of Emperor Tang Taizong” (Pennsylvania, N. Steinhardt)
Contemporary Art
AHMAD, IZMER, “Painting and Subjectivity in Modern Malaysian Art” (University of Victoria, A. Wright, R. Youds)
ALBERS, KATE PALMER, “Archive / Atlas / Album: The Photographic Records of Christian Boltanski, Dinh Q. Lê, and Gerhard Richter” (Boston, C. Jones)
ARCHIAS, S. ELISE, “The Body as a Material in the Early Performance Work of Carolee Schneemann, Yvonne Rainer, and Vito Acconci” (UC Berkeley, A. Wagner)
AUYEUNG, POYIN, “Critical Spatial Responses to Urban Redevelopment in Beijing and Shanghai: Art in Public Spaces, 1978–1998” (CUNY, R. Bletter)
BAILEY, ROBERT, “A Late Avant-Garde: Art and Language, New York” (Pittsburgh, T. Smith)
BEAUCHAMP-BYRD, MORA, “Hogarth’s Progress: ‘Modern Moral Subjects’ in the Work of David Hockney, Lubaina Himid, and Paula Rego” (Duke, R. Powell)
BECKER, NATASHA, “Local vs. Global: The Johannesburg Biennales and the Production of Contemporary Art in a Post-Apartheid South Africa” (SUNY Binghamton, A. D’Souza)
BIEDERMAN, LEGIER, “The Aesthetics of Globalization and the Politics of Difference: From Identity Exhibitions to Transnational Artworlds?” (UCLA, D. Preziosi)
BYRD, ANNE, “Hats Off, Galileo: Richard Serra before Tilted Arc” (UC Berkeley, A. Wagner)
CARBONELL-COLL, GISELA M., “A Spaniard in New York: Salvador Dalí and American Popular Culture, 1940–1948” (UIUC, J. Mendelson)
CHON, DORIS, “Narrating Shadows: W. G. Sebald’s Photographic Historiography” (UCLA, M. Kwon, G. Baker)
CITRON, BETH, “The City as Canvas: Five Exemplary Artists and Bombay, 1965–1995” (Pennsylvania, M. Meister)
CONTRERAS DE BERENFELD, MARIA CELINA, “Cesare Brandi’s Teoria del Restauro and the Practice of Restoration” (Queen’s, Kingston, C. Hoeniger)
CRAIN, SARAH D., “The Aesthetics of Absence: Thomas Demand, Mariele Neudecker, and Gregor Schneider” (Georgia, I. Wallace)
CULLER, JEREMY, “From Television Signal to Magnetic Strip: An Archaeology of Experimental Television and Video Knowledge, 1962–2006” (SUNY Binghamton, J. Tagg)
DENNIS, SARAH K., “A Pictures Aesthetic: Louise Lawler, Three Decades” (UC Berkeley, A. Wagner)
DIERKES, ANNE-LOUISE, “Assemblage as Opposition: California’s Counterculture and the Struggle for U.S. Cultural Definition” (CUNY, A. Chave)
DUMETT, MARI, “Corporate Imaginations: The Fluxus Collective in the Age of Multinational Capitalism” (Boston, C. Jones)
DURHAM, DENNIS, “Vancouver Conceptual Art from N.E.THING CO. to Jeff Wall: The Transformation of Art Practice through Pedagogy” (Virginia Commonwealth, R. Hobbs)
ELFLINE, ROSS, “Superstudio and the Staging of Architecture’s Disappearance” (UCLA, M. Kwon)
EMMELHAINZ, IRMGARD, “Interventions in the Name of Others: Jean-Luc Godard’s Figuring Palestine in Ici et ailleurs (1969–74) and Notre Musique (2004)” (Toronto, J. Ricco)
ESANU, OCTAVIAN, “The Aesthetics of Transition: Major Shifts in Eastern European Art of the Nineties” (Duke, K. Stiles)
FARKAS, HEATHER, “Space Invaders? Artists in the East Village, 1977–1983” (Stanford, P. Lee)
FIDELIS, GAUDÊNCIO, “The Reception and Legibility of Brazilian Contemporary Art in the United States (1995–2005)” (SUNY Binghamton, A. D’Souza)
FILIPPONE, CHRISTINE, “Science, Technology, and Utopias in the Work of Contemporary Women Artists” (Rutgers, J. Marter)
GAND, ELIZABETH, “Helen Levitt and Representations of Childhood, ca. 1940” (UC Berkeley, A. Wagner)
GRUDIN, ANTHONY E., “Television Dreams: Andy Warhol and the History of Postwar Advertising” (UC Berkeley, T. Clark)
JOHNSON BIDLER, TIFFANY, “Tracing Genealogies: The Question of Inheritance in Early and Contemporary American Art” (Minnesota, J. Blocker)
KALINSKY, YELENA, “Collective Actions: Moscow Conceptualism, Performance, and the Archive, 1976–1995” (Rutgers, J. Sharp)
KART, SUSAN, “Fetish, Figure, Frame: Sokari Douglas Camp, Moustapha Dimé, and Renée Stout on the ‘African’ Body in Art” (Columbia, E. Hutchinson, B. Lawal)
LANG, COLIN, “Room 19, 1966–1969” (Yale, D. Joselit)
LAURITIS, BETH, “Critical Identity: Reconsidering Conceptual and Feminist Art Discourse: 1965–1980” (UCLA, M. Kwon)
LIM, MICHELLE, “Navigating Floating Worlds: Curatorial Strategies in Chinese Contemporary Art, 1979–2009” (Princeton, J. Silbergeld)
LOKHANDWALA, ARSHIYA, “Postcolonial Palimpsests: Historicizing Biennales and Large-Scale Exhibitions in a Global Age” (Cornell, S. Hassan)
MACNAYR, LYNDA C., “Politics and Gender in Portraits of Princess Charlotte of Belgium, Vicereine of Lombardy-Venetia, and Empress of Mexico” (Queen’s, Kingston, J. Helland)
MALTZ LECA, LEORA, “William Kentridge: Process as Metaphor and Other Doubtful Enterprises” (Harvard, E. Lajer-Burcharth, S. P. Blier)
MANGAWANG, MYA, “Sophie Calle: Her(e) but not Her(e)” (Bryn Mawr, L. Saltzman)
MANGINI, ELIZABETH, “Arte Povera, 1968–1978: An Argument for an Italian Avant-Garde” (CUNY, R. Golan)
MAZOW, ALISSA WALLS, “Plantae, Animalia, Fungi: Transformations of Natural History in Contemporary American Art” (Penn State, S. Rich)
MCQUEEN, KATHLEEN, “Strategic Response: Art in an Age of Terror” (SUNY Stony Brook, J. Monteyne)
MILKOVA, LILIANA, “Between Painting and Photography: Soviet Underground Art, 1970–1980” (Pennsylvania, C. Poggi)
MOORE, JORDANA E., “Jean-Michel Basquiat and the Language of Creativity” (UIUC, J. Fineberg)
MUHAMMED, BAQIE B., “Contemporary East African Artists: The Fusion and Hybridization of Global and National Discourses in Modern Art in the Diaspora” (Indiana, Bloomington, P. McNaughton)
MULHEARN, KEVIN, “Taking Critical Positions in Contemporary South African Photography, 1967–2007” (CUNY, G. Batchen)
MURAYAMA, NINA, “Donald Judd’s Furniture, From Do-It-Yourself to the Art of Lifestyle” (CUNY, A. Chave)
NIELSEN, KRISTINE, “The Fate of East Berlin’s Political Monuments in the Early 1990s” (Chicago, W. J. T. Mitchell)
NISBET, JAMES, “Land Is Not the Setting: The Lightning Field and Environments, 1960–1980” (Stanford, P. Lee)
PHILLIPS, NATALIE E., “The Pop Apocalyptic: Keith Haring’s and Kenny Scharf’s Remaking of Contemporary Religious Art” (UC Irvine, C. Whiting)
PROCTOR, JACOB, “Cold War Cut-Ups: Collage, Found Footage, and Expanded Cinema as Alternative Public Sphere” (Harvard, Y-A. Bois, B. Buchloh)
RAGAIN, MELISSA, “Test Subjects: Psychology and the Viewer of American Art, 1965–75” (Virginia, H. Singerman)
RAPP, KAREN M., “Not the Romantic West: Site-Specific Art, Globalization, and Contemporary Landscape” (Stanford, P. Lee)
RICHTER, MARIANNE, “Merged Identities: The Transformation of the Artist’s Persona, 1960–1980” (UIC, P. Hales, H. Higgins)
RICHTER, TILL, “Contemporary Art: Art Historical and Market Criteria” (UT Austin, R. Shiff)
ROGERS, SARAH, “Postwar Art and the Historical Roots of Beirut’s Cosmopolitanism” (MIT, N. Rabbat, C. Jones)
ROJAS-SOTELO, MIGUEL, “Cultural Maps, Networks, and Flows: The History and Impact of the Havana Biennale, 1984 to the Present” (Pittsburgh, T. Smith)
ROSENBAUM, SARAH, “In the Public Domain: Public Art, Advanced Capitalism, and the Contemporary City” (Harvard, Y-A. Bois)
ROSENBERG, CAPRI, “The Meaning of Sensation: Young British Art in the Nineties” (Duke, K. Stiles)
ROUTH, MITALI, “Ice Water Steam: Matthew Barney—From Sculpture, Performance, and Film to Intermedia” (Duke, K. Stiles)
RUGG, WHITNEY, “Brian O’Doherty: Changing the Subject” (Chicago, D. English)
SAMET, JENNIFER, “Another New York School: The ‘Secret History’ of Figurative Painting, 1960–1980” (CUNY, P. Mainardi)
SCHEIWILLER, STACI GEM, “Entangled Legacies: Qajar Images in Contemporary Iranian Photography” (UC Santa Barbara, N. N. Khoury)
SCOTT, EMILY, “Wasteland Aesthetics: Art and the Postindustrial Landscape, 1962–1972” (UCLA, M. Kwon)
SHANE, ROBERT RAND, “A Psycho-Social Investigation of the Role of Pop Culture Imagery in the Art of Paul McCarthy” (SUNY Stony Brook, D. Kuspit)
SHTROMBERG, ELENA, “Conceptual Encounters: Art and Information, Brazil (1968–1978)” (UCLA, C. Villaseñor-Black)
SNODDY, DANIELLE M., “Charting the Emergence of Identity Narratives in Post-Apartheid South African Art: Protectionist Sensibilities, Internationalization, and the Johannesburg Biennales” (Iowa, C. Roy)
SPICER, FRANK, “‘Just What Was It That Made Our Art So Different, So Appealing?’ Case Studies of the Critical Reception of American Avant-Garde Painting in London, 1950–1964” (Case Western Reserve, E. Landau)
SUMMERS, ROBERT, “Unbecoming Art History” (UCLA, D. Preziosi)
SUTTON, GLORIA, “The Experience Machine: Stan VanDerBeek’s ‘Movie-Drome’ and Expanded Cinema Practices of the 1960s” (UCLA, M. Kwon)
TAUB, EMILY, “On Site-Specificity: A Genealogy” (Emory, J. Meyer)
THEODORE, MOLLEEN, “Walter De Maria’s Work: Patronage, Reception, and Aura” (CUNY, A. Chave)
THOMPSON, ALLISON, “Arriving at the Caribbean: Constructing Visual Representations of Transatlantic and Transcultural Experience” (SUNY Stony Brook, B. Frank)
TRADOWSKY, CHRISTOPHER, “After Sherrie Levine: Appropriation and the Art of Absolute Influence” (UCLA, M. Kwon)
TROTMAN, NAT, “Performance, Ritual, and Multimedia in 1970s Body Art” (CUNY, A. Chave)
TSENG, LI-LIN, “Melodrama as Modernity in Early Chinese Cinema: A Case Study in the Works of Zheng Zhengqiu and His Shanghai Contemporaries, 1922–1937” (UIUC, J. Fineberg)
UGUR, SELEN, “Ottoman House, Turkish House: Eski Ev in the Contemporary National Imagination” (SUNY Binghamton, N. Um)
VAZQUEZ, EDWARD, “Aspects: The Art of Fred Sandback” (Stanford, P. Lee)
VIGNEAULT, MARISSA, “The Formation of Memory, Trauma, and Desire in the Art and Writing of Bracha Lichtenberg Ettinger” (Bryn Mawr, S. Z. Levine)
VOSS, ANNEMARIE, “Incremental Remedies: Women Artists and Ecology since 1980” (Rutgers, J. Marter)
WIDRICH, MECHTILD, “Performative Monuments: Public Art and Commemoration in Postwar Europe” (MIT, C. Jones, M. Buskirk)
WILSON, PAUL, “The Global Aesthetics of Nostalgia: Nation and Longing in Contemporary Art” (Minnesota, J. Blocker)
WOFFORD, TOBIAS, “Constructing Africa: The Visualization of Homeland and Diaspora in African American Art during the 1960s and 1970s” (UCLA, S. Nelson)
WONG, WINNIE, “After the Copy: China, Dafen Village, and the Hand-Painted Art Product (1979–)” (MIT, C. Jones)
WOODS, NICOLE L., “Gift Event: Alison Knowles, Fluxus, and the Enigmatic Work of Art” (UC Irvine, C. Whiting)
WYMAN, JESSICA, “Absence, Object Relations, and Performance Historiography” (Queen’s, Kingston, C. Robertson)
YAMAMURA, MIDORI, “Yayoi Kusama: Biography and Cultural Confrontation, 1945–1969” (CUNY, A. Chave)
YI, HYEWON, “Photographer as Participant Observer: The Photographs of Larry Clark, Nan Goldin, Richard Billingham, and Nobuyoshi Araki” (CUNY, G. Batchen)
YOON, SOYOUNG, “The Anarchic Archive: Re-Conceptualizations of Collage and Montage in Postwar Avant-Garde Cinema of the 1950s and 60s” (Stanford, P. Levi)
YOSHITAKE, MIKA, “Requiem for the Sun: The Art of Mono-ha and Bikyoto in Postwar Japan (1968–1974)” (UCLA, M. Kwon, G. Baker)
Critical Theory/Gender Studies/Visual Studies
ALEXANDRE, DAVID, “Violence and Weimar Visual Culture: Embodying the Image of the First World War” (Toronto, L. Kaplan)
ANTONCIC, DEBRA, “Anti-Communism in Postwar Canadian Art History and Criticism” (Queen’s, Kingston, L. Jessup)
BELDEN-ADAMS, KRIS, “Modern Time: Photography and Temporality” (CUNY, G. Batchen)
BIEDERMAN, LEGIER, “The Aesthetics of Globalization and the Politics of Difference: From Identity Exhibitions to Transnational Artworlds?” (UCLA, D. Preziosi)
BLAKE, NATHAN, “Nervous Systems: War-Time Strategies for Bodies in Shock” (UC Irvine, P. Krapp)
CASI, NICOLE, “The Feral but Fertile Paysanne: Marianne as Allegory for Liberty and Degeneracy in Agrarian Tropes of French Democracy” (Cornell, L. Meixner)
CHEN, YANLI, “The Experienced Modern and the Transfigured Style: Modern Beauty in Popular Prints, Photography, and Cinema, 1880s–1930s” (Pittsburgh, G. Minglu)
CHENG, JOYCE, “Fixed Ecstasy: The Figure of the Mask between Avant-Garde Criticism and Ethnology” (Chicago, R. Heller)
CHUTE, MAHLON W. L., “Mississippi of the West: Urban Planning, Tourism, and Violence in the Las Vegas Valley, 1930–1970” (UC Santa Barbara, S. Chattopadhyay)
CONTOGOURIS, ERSY, “The Attitudes and Representations of Emma Hamilton” (Université de Montréal, T. Porterfield)
DE LA ROSA, GABRIELLA, “Picturing the Colonial Enlightenment: Race, Identity, and Difference in French Visual Culture, 1682–1804” (Harvard, E. Lajer-Burcharth)
EKARDT, PHILIPP, “‘Eher eine Rüsche am Kleid’: Real-Time Images, from Benjamin to Gerhard Richter” (Yale, D. Joselit)
FRIDAY, JULIA, “Photographic Representation and Recall: State Management of Public Recollection and Practices of Counter-Memory in Eastern Europe and Russia, 1930–2000” (SUNY Binghamton, J. Tagg)
FRIEDBERG, EVA J., “Lawrence Halprin’s Urban Plazas (1960–1976): The Creative Process, Critical Public Art, and the Spatial Politics of Landscape Architecture” (UC Irvine, E. Dimendberg)
GEPPERT, MELISSA, “Bioaesthetic: The Production of Art and Life” (Minnesota, J. Blocker)
GERHOLD, EMILY, “American Beauties: The Cult of the Bosom in Nineteenth-Century American Art and Culture” (Virginia Commonwealth, E. Garberson)
GLASSER, SUSAN, “Reconceptualizing Aesthetic Experiences in Museums Using Play Theory” (Virginia Commonwealth, M. Lindauer)
GRUDIN, ANTHONY E., “Television Dreams: Andy Warhol and the History of Postwar Advertising” (UC Berkeley, T. Clark)
HAGGARD, AMY, “The Differing Discourses of Art History and Aesthetics on Questions about Art” (Texas Tech, C. Tate)
HAND, JONI, “Female Book Owners in the Burgundian Court, 1350–1550: Books of Hours as Vehicles of Identity” (CUNY, B. Lane)
HARKNESS, KRISTEN, “Designing Russianness: Empire, Nation, and Gender in Fin-de-Siècle Russian Art” (Pittsburgh, B. McCloskey)
HASKELL, CAITLIN WELSH, “A Painter without a Problem: Critical Evaluations of Henri ‘Le Douanier’ Rousseau, 1910–1960” (UT Austin, R. Shiff)
HAUGHEY, PATRICK, “The Presidential Library: Architecture as History, Archive as Judgment” (MIT, M. Jarzombek)
HUEBNER, KARLA, “Eroticism, Identity, and Cultural Context: Toyen and the Prague Avant-Garde” (Pittsburgh, B. McCloskey)
JOHNSON BIDLER, TIFFANY, “Tracing Genealogies: The Question of Inheritance in Early and Contemporary American Art” (Minnesota, J. Blocker)
KAKAR, SHALINI, “Fashioning the Divine: Religiosity, Fandom, and Cultural Politics in Contemporary India” (UC Santa Barbara, S. Chattopadhyay)
KARIMI, Z. PAMELA, “Aesthetics and Ethics of the Iranian Home in the Age of Globalism” (MIT, N. Rabbat)
KILINÇ, KIVANÇ, “Constructing Women for the Republic: The Spatial Politics of Gender in 1930s Ankara” (SUNY Binghamton, T. McDonough)
LULLO, SHERI, “Beautification of the Dead in Han Period (206 BCE–220 CE) China: Lian Toiletry Cases and Their Contents” (Pittsburgh, K. Linduff)
LYON, J. VANESSA, “Faithful in Her Fashion: Piety, Luxury, and the Display Culture of the Spanish Princess, 1563–1673” (UC Berkeley, E. Honig)
MADSEN, ANNELISE, “Retro Spectacle: Mural Painting, Pageantry, and the Art of Civic Life in America, 1890–1917” (Stanford, W. Corn)
MCAULIFFE, MICHAEL, “Connoisseurship in the Twentieth Century: The János Scholz Collection of Italian Old Master Drawings—a Case Study” (Columbia, D. Rosand)
MCGRAIL, JUSTIN, “Mega-Malls, Category Killers, and Theme Centres: The Architectural and Social Transformation of the Canadian Retail Landscape since 1980” (University of Victoria, C. Thomas)
MCQUEEN, KATHLEEN, “Strategic Response: Art in an Age of Terror” (SUNY Stony Brook, J. Monteyne)
MCQUILKIN, KYLE, “A Primer on the Aesthetics, Fabrication, and Culture of Lowrider Bicycles in West Texas: Participant Observation through the Lens of a White, Middle-Class, Male Artist/Educator” (Texas Tech, E. Check)
MEDAKOVICH, MOLLY A., “Between Friends: The Politics of Female Camaraderie in French Genre Painting, 1770–1830” (UNC Chapel Hill, M. Sheriff)
MELIUS, JEREMY, “Art History and the Invention of Botticelli” (UC Berkeley, T. Clark)
MORTON, ERIN, “Visions which Succeed: Considering Culture in Nova Scotia” (Queen’s, Kingston, L. Jessup)
MURRAY, HEATHER, “Monstrous Play in Negative Spaces: The Cultural Production of Biometric Bodies” (UC Irvine, V. Johnson)
NIELSEN, KRISTINE, “The Fate of East Berlin’s Political Monuments in the Early 1990s” (Chicago, W. J. T. Mitchell)
ORTEGA-GRIMALDO, FRANCISCO, “Games as Cultural Practice: Post-Colonial Imaginations” (Texas Tech, E. Check)
POP, ANDREI, “Neopaganism: Henry Fuseli, Theatre, and the Cultural Politics of Antiquity, 1765–1825” (Harvard, E. Lajer-Burcharth)
PORTER, CAROLYN, “Dante Gabriel Rossetti and the Italian Renaissance: Envisioning the Past and the Modern through Images of Women” (Virginia Commonwealth, E. Garberson)
RUGG, WHITNEY, “Brian O’Doherty: Changing the Subject” (Chicago, D. English)
SCANLON, PATRICIA S., “‘God-gifted girls’: Women Illustrators, Gender, Class, and Commerce in American Visual Culture, 1885–1925” (Indiana, Bloomington, S. Burns)
SCHULD, DAWNA, “Nothing to Look At: Art as Situation and Its NeuroPsychological Implications” (Chicago, B. Stafford)
SHEA, TUSA, “Countering Representation: Anarchy and Assemblage on the West Coast, 1950s–1970s” (University of Victoria, C. Thomas)
SILVERS, HOLLY, “The Poitevin Low Road: Profanity in the Ecclesiastical Sculpture of Romanesque Saintonge” (Indiana, Bloomington, D. Reilly)
SORKIN, JENNIFER, “Live Form: Gender and Performance Craft, 1940–1970” (Yale, D. Joselit)
STOB, JENNIFER, “The Internationale Situationniste and the Cinematic Image” (Yale, D. Joselit, D. Andrew)
STRYKER, ERIC, “New Figuration: The City, Space, and the Body in British Art after 1945” (Yale, T. Barringer)
SUMMERS, ROBERT, “Unbecoming Art History” (UCLA, D. Preziosi)
TRADOWSKY, CHRISTOPHER, “After Sherrie Levine: Appropriation and the Art of Absolute Influence” (UCLA, M. Kwon)
TRENT, MARY, “Reproducing Childhood: Innocence and Mass Media in the Art of Joseph Cornell and Henry Darger” (UC Irvine, C. Whiting)
VENDELIN, CARMEN, “Androgyny and Gender Ambiguity in the Parisian Journals Le Chat noir and Le Courrier français, c. 1882–1895” (Rutgers, S. Sidlauskas)
WHITTINGTON, KARL, “The Body-Worlds of Opicino de Canistris, Artist and Visionary, 1296–ca. 1354” (UC Berkeley, W. Davis)
WILSON, PAUL, “The Global Aesthetics of Nostalgia: Nation and Longing in Contemporary Art” (Minnesota, J. Blocker)
WOODS, NICOLE L., “Gift Event: Alison Knowles, Fluxus, and the Enigmatic Work of Art” (UC Irvine, C. Whiting)
WU, MANDY JUI-MAN, “Art and Self-Identification by Elite Foreigners in China during the Northern Zhou Period (557–581 CE)” (Pittsburgh, K. Linduff)
ZUTHER, SIMONE, “Franz Xaver Winterhalter and the Business of Portraying Women in Second Empire Paris” (Virginia Commonwealth, E. Garberson)
Decorative Arts/Textiles/Design History
ANDERSON, ERIC, “The Design Theory of Jacob von Falke: Historicism and Cultural Transformation in Ringstrasse Vienna” (Columbia, B. Bergdoll, M. McLeod, G. Wright)
ATKINSON, ELAINE M., “Fantasy, Memory, and Spirituality in Visual Culture in Britain, 1850–1920” (Queen’s, Kingston, J. Helland)
CARR, DENNIS, “Early Furniture Making in the Narragansett Basin, 1636–1740” (Yale, E. Cooke Jr.)
DAVIS, EMILY, “The Female Nude in Art Nouveau (1889–1914): Manipulations and Motivations in Rupert Carabin, Frances and Margaret Macdonald, Lamps, and Jewelry” (Virginia Commonwealth, E. Garberson)
DIMITROVA, KATE, “Unraveling Christ’s Passion: Archbishop Dalmau de Mur’s Artistic Patronage and Netherlandish Tapestries in Fifteenth-Century Spain” (Pittsburgh, A. Stones)
FERNG, JENNIFER, “Nature’s Objects: Architecture, Materiality, and Geology, 1750–1850” (MIT, M. Jarzombek)
FINAMORE, MICHELLE TOLINI, “Fashioning Early Cinema: Dress and Representation in American Film, 1900–1930” (Bard Graduate Center, P. Kirkham)
FISHER, ELLEN, “Mary McFadden, Fashion Designer” (Bard Graduate Center, P. Kirkham, M. Majer)
HANNAH, CAROLINE, “Between Art, Craft, and Design: Henry Varnum Poor and the Making of a Modern American Artist” (Bard Graduate Center, P. Kirkham)
HARTZELL, FREYJA, “Delight in Sachlichkeit: Richard Riemerschmid and the Thingliness of Things” (Yale, E. Cooke Jr.)
HOOPER-LANE, ELIZABETH, “Domestic Modernism in Middle America: Women in Their Postwar Homes” (Wisconsin, Madison, A. Martin)
JOY, CATHERINE LANFORD, “Reflecting Refinement: The Making and Meaning of Silver Metal in Antebellum Boston, 1800–1875” (Yale, E. Cooke Jr.)
KIEFER, EVELYN, “The Birth and Death of the American Dining Room: An Evolution from the Colonial Hall to Frank Lloyd Wright’s Dining Rooms and Beyond” (Case Western Reserve, H. Adams)
KULLY, DEBORAH, “Speculating on Architecture: Morality, the New Real Estate, and the Bourgeois Apartment Industry in Late-Nineteenth-Century France” (MIT, M. Jarzombek, E. Naginski)
LANIER, JESSICA, “The Grand Tours of Martha Coffin Derby: Travel, Collecting, and the Promotion of Culture in the Early Republic” (Bard Graduate Center, K. Ames)
LICHTMAN, SARAH A., “From Basement to Bandstand: The Private and Public Places of the American Teenager, 1945–1965” (Bard Graduate Center, P. Kirkham, A. Ogata)
LIPPERT, ELLEN, “George Ohr: His Life, Work, and Influence on Contemporary Ceramics” (Case Western Reserve, H. Adams)
MEIERS, SARAH, “The Green Dining Room: The Experience of an Arts and Crafts Interior” (Queen’s, Kingston, J. Helland)
MICROULIS, LAURA, “Gillow and Company Furniture and Interiors, 1851–1897: Design, Manufacture, and Patronage in Britain” (Bard Graduate Center, P. Kirkham)
ORTIZ-HOLMES, AMY, “Tramp Art: Cultural Expression, Visual Splendor” (Wisconsin, Madison, A. Smart Martin)
OSENGA, KATIE, “The Veil: A History of the Marian Veil in Art History and Mariology from Early Christianity to the Counter-Reformation” (Graduate Theological Union, M. Morris)
PERRILL, ELIZABETH, “Contemporary Zulu Ceramics, 1960s–Present: An Aesthetic Respect” (Indiana, Bloomington, P. McNaughton)
SCHILB, HENRY D., “Byzantine Identity and Its Patrons: Embroidered Epitaphioi and Aeres of the Palaiologan and Post-Byzantine Periods” (Indiana, Bloomington, W. E. Kleinbauer)
SCHMIDT BACH, DEBRA, “Makers, Masters, and Moguls: Silversmith William Gale and Early Industrialization in Antebellum New York” (Bard Graduate Center, K. Ames)
TUNSTALL, ALEXANDRA, “Woven Paintings: Tapestries in the Ming (1368–1644) and Qing (1644–1911) Dynasties” (Columbia, R. Harrist)
YAMAMORI, YUMIKO, “The A. A. Vantine and Company: Japanese Handcrafts for the American Consumer, 1895–1920” (Bard Graduate Center, K. Ames)
Digital Media/Animation
ELIAS, CHAD, “Hysterical Documents: A History of Photography in the Middle East (1920–Present)” (Northwestern, H. Feldman)
UREÑA, LESLIE, “Lewis Hine at Ellis Island: The Photography of Immigration and Race, 1904–1926” (Northwestern, S. Eisenman)
Drawings/Prints/Photography/Works on Paper
ABBASPOUR, MITRA, “Defining the Present, Archiving the Past: Three Histories of Middle Eastern Photography” (CUNY, G. Batchen)
ACKERMAN, ADA, “Étude d’une genèse créatrice: L’apport des caricaturistes européens du XIXe siècle aux pratiques graphiques, cinématographiques et théoriques de Sergueï Eisenstein” (Université de Montréal, T. Porterfield)
ALBERS, KATE PALMER, “Archive / Atlas / Album: The Photographic Records of Christian Boltanski, Dinh Q. Lê, and Gerhard Richter” (Boston, C. Jones)
BELDEN-ADAMS, KRIS, “Modern Time: Photography and Temporality” (CUNY, G. Batchen)
BOUCHARD, ANNE-MARIE, “Figurer la société mourante: Cultures esthétiques et idéologiques de la propagande anarchiste illustrée en France, 1880–1914” (Université de Montréal, T. Porterfield)
BUCKNER, CINDY MEDLEY, “Sketched on Copper: The Etching Revival in Late-Nineteenth-Century America” (CUNY, S. Webster)
CAMPBELL, KATHRYN, “Imaging Russia during the Cold War: Photographs in Life Magazine, 1945–1962” (Virginia Commonwealth, R. Hobbs)
CAVALLERO, JANET, “Photography and the Creation and Control of the Masses in 1930s Fascist Italy” (Columbia, B. Buchloh)
CHON, DORIS, “Narrating Shadows: W. G. Sebald’s Photographic Historiography” (UCLA, M. Kwon, G. Baker)
DE SOUZA, C. ROBERTO, “And Love Will Live Forever: The Narrative Structure of the Fotonovela” (UC Santa Barbara, U. Keller)
ELCOTT, NOAM, “Cameraless Modernisms: Art, Media, Photograms” (Princeton, C. Armstrong)
HAMILL, SARAH, “David Smith in Two Dimensions: Sculpture, Photography, and Space” (UC Berkeley, A. Wagner)
HELLMAN, KAREN, “Antoine Claudet and the ‘Spaces’ of Photography, 1839–1867” (CUNY, G. Batchen)
HEYDT, STEPHANIE MAYER, “The Art of The Gift: Mount, Huntington, and the Antebellum Gift Book Industry“ (Boston, P. Hills)
HICKMAN, CAROLINE MESROBIAN, “Clare Leighton (1898–1989): A Wood Engraver’s Impressions of Agrarian Life in England and the American South” (UNC Chapel Hill, A. Marks)
JONES, PENNY, “Figural Trees: Artistic Response to Forest Loss in Nineteenth-Century America” (Columbia, E. Hutchinson)
KELLER, CANDACE, “Visual Griots: A Social, Political, and Cultural History of Individuals in Mali through the Photographer’s Lens” (Indiana, Bloomington, P. McNaughton)
KNAPPE, BRETT, “Hope and Innovation: The Photography of Barbara Morgan” (Kansas, J. Pultz)
KURTOVIC, NIKOLINA, “Communist Stardom in the Cold War and Beyond: Josip Broz Tito in Western and Yugoslav Photography, 1940–1980” (Toronto, E. Legge)
LAMUNIERE, MICHELLE, “Sentiment and Science: Reform Photography in Harvard’s Social Museum” (Boston, K. Sichel)
LINSSEN HABIB, DALIA, “Imprints of Their Being: The Photographs of Hansel Mieth and Otto Hagel” (Boston, K. Sichel)
LOBIS, VICTORIA SANCHO, “Rubens, Imitation, and the Construction of Individual Style” (Columbia, D. Freedberg, D. Rosand)
LOECHLE, ANNE M., “Ye Intruders Beware: Masculinity, Vicarious Adventure, and Fantastical Pirates in the Golden Age of Illustration and Beyond” (Indiana, Bloomington, S. Burns)
MARKOVITZ, HOLLY, “Reframing the Frontier: Rephotography, Repetition, and Return” (Boston, K. Sichel)
MAY, JESSICA, “Off the Clock: Walker Evans and the Crisis of American Capital” (UC Berkeley, M. Lovell)
MCCANN, CARMEN, “Status Viatoris: A New Spectacularization of Death in French Paintings and Prints from the Bourbon Restoration” (Penn State, N. Locke)
MICHAL, EILEEN, “Picture-Loving: Photomechanical Reproduction and Celebrity in America’s Gilded Age” (Chicago, J. Snyder)
MIKULINSKY, ALMA, “The Chisel and the Lens: Picasso, Brassaï, and the Photography of Sculpture, 1933–1948” (Toronto, E. Legge)
MILLER, SARAH, “Inventing ‘Documentary’ in American Photography, 1930–1945” (Chicago, J. Snyder)
MOORE, ALLISON, “Shifting Identities: Contemporary Malian Photography” (CUNY, G. Batchen)
MULHEARN, KEVIN, “Taking Critical Positions in Contemporary South African Photography, 1967–2007” (CUNY, G. Batchen)
QUICK, KATHY, “The Narrative Document: Lewis Hine and ‘Social Photography’” (Brown, M. Doane)
ROMANENKO, KATERINA, “The Role of the Soviet Periodical Press in the Acculturation of the ‘Masses,’ 1928–1941” (CUNY, R. Long)
SASKA, HOPE, “Staging the Page: Theatricality of Eighteenth-Century British Print Satire” (Brown, K. D. Kriz)
SCANLON, PATRICIA S., “‘God-gifted girls’: Women Illustrators, Gender, Class, and Commerce in American Visual Culture, 1885–1925” (Indiana, Bloomington, S. Burns)
SMITH, LAURA, “Obscuring the Distinctions, Revealing the Divergent Visions: Modernity and Indians in the Early Works of Kiowa Photographer Horace Poolaw, 1925–1945” (Indiana, Bloomington, S. Burns)
STETLER, PEPPER, “Bound Vision: Reading the Photograph in the Book in Weimar Germany” (Delaware, M. Werth)
TALLONE, ANA, “A Light in the Darkness: Argentinean Photography, 1973–1986” (CUNY, G. Batchen, K. Manthorne)
TEGROTENHUIS, MEREDITH A., “Stabilizing the City: Berenice Abbott’s Photographs and Urban Representation in the 1930s” (Northwestern, C. Lambert)
VAN SCOY, SUSAN, “Family Feuds: Modernism, Feminism, and the Photography of Tina Barney” (SUNY Stony Brook, J. Monteyne)
WALKER, HARRIET, “Transformations in West African Visual Culture through the Lens of Photography” (CUNY, G. Batchen)
WEISS, MARTA, “British Staged Photography and the Victorian Album, 1858–1875” (Princeton, P. Bunnell)
WEISS, SEAN, “Photographs for the Modern City: An Enterprise in the Urban Transformation of Second Empire and Early Third Republic Paris” (CUNY, K. Murphy)
WHITE, VERONICA, “Serio Illudere: Baroque Invenzione and the Development of the Capriccio” (Columbia, D. Freedberg, D. Rosand)
WOUK, EDWARD H., “Reassessing the Flemish Raphael: The Prints of Frans Floris” (Harvard, H. Zerner)
YI, HYEWON, “Photographer as Participant Observer: The Photographs of Larry Clark, Nan Goldin, Richard Billingham, and Nobuyoshi Araki” (CUNY, G. Batchen)
YOUNG, LISA JAYE, “All Consuming: Weimar Photography and the Aesthetics of Americanization, 1923–33” (CUNY, G. Batchen)
Early Christian/Byzantine Art
ANDERSON, BENJAMIN, “World Image after World Empire: Depictions of the Cosmos in the Early Medieval Successor States” (Bryn Mawr, D. Kinney)
ANGUELOVA, VESSELA, “Place and Spiritual Experience in Middle and Late Byzantine Art, Ninth to Eighteenth Centuries” (Penn State, A. Cutler)
BADAMO, HEATHER, “Among Byzantines and Muslims: Medieval Coptic Representations of Military Saints, ca. 650–1300 CE” (Michigan, T. Thomas)
BOGDANOVIC, JELENA, “TO ΚΙΒΩΡΙΟΝ: The Framing of Sacred Space in the Byzantine Tradition” (Princeton, S. Ćurčić)
CLARK, TRAVIS, “Imaging the Cosmos: The Christian Topography by Cosmas Indicopleustes” (Temple, E. Bolman)
DALGIC, ORGU, “Late Antique Floor Mosaics of Constantinople before the Great Palace” (IFA/NYU, T. Mathews)
DRPIC, IVAN, “Kosmos of Verse: Art and Epigram in Late Byzantium” (Harvard, I. Kalavrezou)
FOX, ALLISON, “The Early Christian Sarcophagi of Ravenna” (UNC Chapel Hill, D. Verkerk)
FULGHUM HEINTZ, MARY, “The Transitive Form: Textiles as Transmitters of Power in the Middle Ages” (Harvard, I. Kalavrezou)
GANNAWAY, ETHAN, “The ‘Cubiculum Leonis’ in the Catacomb of Commodilla at Rome” (Missouri, M. Rautman)
GITTINGS, ELIZABETH, “The Ideology and Aesthetics of Architecture in the Early Christian Mosaics of the Rotunda in Thessaloniki” (Harvard, I. Kalavrezou)
GREENWOOD, JILL VESSELY, “The Romanesque Duomo in Sovana, Italy: Context, Iconography, and Style” (Kansas, M. Stokstad)
JONES, ASHLEY, “‘Lord, Protect the Wearer’: Late Antique Numismatic Jewelry and the Image of the Emperor as Talismanic Device” (Yale, D. Kleiner)
KARABABA, IDIL, “Tetrarchic Capital Cities” (Bryn Mawr, D. Kinney, R. Scott)
KATZ, MELISSA, “Interior Motives: The Triptych Virgin in Medieval and Early Modern Iberia” (Brown, S. Bonde)
KLIMA, ALICE, “A Study of Roudnice Abbey” (Brown, S. Bonde)
MAGRUDER, JAMES, “Byzantine Figural Sculpture, 843–1453” (Johns Hopkins, H. Maguire)
MARSENGILL, KATHERINE, “Portrait and Icon: Between Reality and Holiness in Byzantium” (Princeton, S. Ćurčić)
METHRIC, TIMOTHY, “Art, Identity, and Coinage in 5th- and 6th-Century Thessaloniki” (Indiana, Bloomington, W. E. Kleinbauer)
MIHALJEVIC, MARINA, “Constantinopolitan Architecture of the Comnenian Era (1081–1180) and Its Impact on the Balkans” (Princeton, S. Ćurčić)
MILANOVIC, LJUBOMIR, “Visual Representations of the Translatio of Relics in the Middle Ages: The Case of St. Stephen” (Rutgers, A. St. Clair Harvey)
MUNDIS, MARTHA, “Christine de Pizan’s ‘Livre d’Epitre d’othea a Hector’ at the Intersection of Image and Text” (Kansas, M. Stokstad)
O\’BRIEN, MAUREEN, “Art and Text in the Vienna Genesis” (UNC Chapel Hill, D. Verkerk, J. Folda)
PAYNE, STEPHANIE, “Forming Friendship and Fraternity in Byzantine Monasticism: Illustrating The Romance of Barlaam and Joasaph from the Eleventh to Thirteenth Centuries” (UT Austin, G. Peers)
RATLIFF, BRANDIE, “Image and Relic at Byzantine Pilgrimage Sites” (Columbia, S. Murray, H. Klein)
SCHILB, HENRY D., “Byzantine Identity and Its Patrons: Embroidered Epitaphioi and Aeres of the Palaiologan and Post-Byzantine Periods” (Indiana, W. E. Kleinbauer)
SMINE, RIMA, “Two Syriac Lectionaires from Northern Iraq, Vat. Syr. 559 and British Library Syr. Add. 7170” (IFA/NYU, T. Mathews)
SPONSLER, JESSICA, “Contextualizing the Iconography of the Christological Cycle in the Gerona Beatus” (UNC Chapel Hill, D. Verkerk)
STANCIOIU, CRISTINA, “Everyday Life and Cultural Exchange: The Evidence of Material Culture from Rhodes, Cyprus, and Crete from the Thirteenth through the Sixteenth Century” (UCLA, S. Gerstel)
STANKOVIC, NEBOJSA, “Framing the Monastic Ritual: Architecture and Liturgy of the Byzantine Church Narthexes on Mount Athos (10th–15th Centuries)” (Princeton, S. Ćurčić)
STEWART, CHARLES A., “Domes of Heaven: The Domed Basilicas of Cyprus” (Indiana, Bloomington, W. E. Kleinbauer)
VARINLIOGLU, GUNDER, “Rural Landscape and Built Environment at the End of Antiquity: Limestone Villages of Southeastern Isauria” (Pennsylvania, C. Striker)
Early Medieval/Romanesque/Gothic Art
BADAMO, HEATHER, “Among Byzantines and Muslims: Medieval Coptic Representations of Military Saints, ca. 650–1300 CE” (Michigan, T. Thomas)
BARE, CEIL, “Achilles and the Roman Aristocrat: The Ambrosian Iliad as a Social Statement in the Late Antique Period” (Florida State, P. Gerson)
BASS, CAITLIN, “Home behind the Wall: An Investigation into the Living Spaces of Late Medieval German Convents” (Brown, S. Bonde)
BERENBEIM, JESSICA, “The Sherborne Missal” (Harvard, J. Hamburger)
BOEYE, KERRY, “Judging Solomon: King Sol BOYCE, ELIZABETH LAROCCO, “Miracula Sanctae Virginis: Marian Miracle Illustration in the Thirteenth-Century Manuscripts of Gautier de Coinci’s Les Miracles de Notre Dame” (Yale, W. Cahn)
BROMBERG, SARAH, “The Later Context and Reception History of the Illuminations in Nicholas of Lyra’s Postilla literalis super totam bibliam” (Pittsburgh, A. Stones)
BRUCK, LAURA K., “Word into Deed: Text and Image in Thirteenth-Century Parisian Portable Bibles” (Northwestern, S. Hindman)
CANNING, JONATHAN, “The Stone-Cage Chantry Chapel and the Architecture of Perpetual Commemoration in Late Medieval England” (Columbia, S. Murray)
COCHRANE, LAURA, “‘Where there is no time’: The Quadrivium and Images of Eternity in Eleventh-Century Anglo-Saxon Manuscripts” (Delaware, L. Nees)
CORNETT, MAREN, “Or dient les images (Now the Images Speak): Visual Narrative in BN fr. 95” (Yale, R. Nelson, R. H. Bloch)
CRITES, DANYA A., “From Mosque to Cathedral: The Social and Political Significations of Mudejar Architecture in Late Medieval Seville” (Iowa, R. Bork)
D\’ANTONIO, AURELIA, “Politics and the Production of Urban Space: San Francesco, the Palazzo Comunale, and the Reconfiguration of Piacenza’s Center in the 13th Century” (Duke, C. Bruzelius)
DE APPOLONIA, GIOVANNA, “Profane and Sacred Justice: The Symbolism of the Column-Bearing Lion from Northern Italy” (Boston, D. Kahn)
DIMITROVA, KATE, “Unraveling Christ’s Passion: Archbishop Dalmau de Mur’s Artistic Patronage and Netherlandish Tapestries in Fifteenth-Century Spain” (Pittsburgh, A. Stones)
DONOVAN, ERIN KATHLEEN, “The Culture of Crusade in Fifteenth-Century Burgundy” (UIUC, A. Hedeman)
DOQUANG, MAILAN, “Rayonnant Funerary Chapels: Architectural Additions and Changing Contexts in French Gothic” (IFA/NYU, M. Trachtenberg)
FELDMAN, NANCY, “Aumonieres, 13th-Century Embroidered Narratives” (Chicago, R. Zorach)
FINCH, JULIA, “Reader Portraits in Devotional Manuscripts: The Implications of Literacy for Late Medieval Visual Culture” (Pittsburgh, A. Stones)
FISHER, SUSANNAH, “Materializing the Word: Early Medieval Book Covers” (Rutgers, E. Thunø)
FLUKE, MEREDITH, “Building across the Sacred Landscape: The Romanesque Churches of Verona and Their Urban Context” (Columbia, S. Murray, H. Klein)
FOSTER-CAMPBELL, MEGAN H., “Reading Pilgrimage: Pilgrims’ Badges in Late Medieval Devotional Texts” (UIUC, A. Hedeman)
FOZI, SHIRIN, “The Body Recast and Revived in Romanesque Funerary Sculpture” (Harvard, J. Hamburger)
FUNK, CARLA, “Visualizing Identity: The Decoration and Transformation of the Palazzo Datini in Prato” (Emory, E. Pastan)
GEARHART, HEIDI, “Theophilus’ On Diverse Arts: The Persona of the Artist and the Production of Art in the Twelfth Century” (Michigan, E. Sears)
GERRY, KATHRYN, “The Alexis Quire in the St. Albans Psalter and the Monastic Community of St. Albans” (Johns Hopkins, H. Kessler)
GREEN, MEAGAN, “Friars in the City: Mendicant Architecture and Pious Practice in Medieval Verona” (Duke, C. Bruzelius)
GUÉRIN, SARAH M., “‘Tears of Compunction’: French Gothic Ivories in Devotional Practice” (Toronto, A. Cohen)
GUILBEAU, PHILLIP, “El Paular: Anatomy of a Charterhouse” (Michigan, E. Sears)
GUSTAFSON, ERIK, “Tradition and Renewal in the Thirteenth-Century Franciscan Architecture of Tuscany” (IFA/NYU, M. Trachtenberg)
HANAN, MELANIE, “Romanesque Casket Reliquaries: Forms, Meanings, Development, and Imagery” (IFA/NYU, J. Alexander)
HINDIN, S. ADAM, “Knowledge, Memory, and Ethnic Commitment in Bohemian Visual Culture, 1198–1458” (Harvard, J. Hamburger)
JOLLIFFE, MELISSA, “The Role of the Choir Screen Images at Notre-Dame of Paris” (Emory, E. Pastan)
KELLEY, EMILY, “Piety and the Merchant Patron: Two Carved Altarpieces from Early Sixteenth-Century Burgos” (Cornell, C. Robinson)
KIBBEY, DOUGLAS MARSHALL, “Historical Assemblage and the Aggregate Object in the Later Middle Ages” (Yale, C. Wood)
KILLIAN, KYLE, “The Landscapes of Saint-Pierre d’Orbais: An Anthropology of Monastic Architecture” (Columbia, S. Murray)
KIRKWOOD, KEVANNE, “On Inventive Scribes and Visual Literacy in Western Books: The Bobbio Orosius and the Earliest Medieval Manuscripts from Bobbio” (Delaware, L. Nees)
KITZINGER, BEATRICE, “Real Presence and Ritual Presence: The Early Medieval Processional Cross and Its Representations” (Harvard, J. Hamburger)
KORNFELD, ABBY, “On the Margins: Cultural and Artistic Interaction in the British Library Haggadah Manuscript Additional 14761” (IFA/NYU, J. Alexander)
KOZLOWSKI, SARAH K., “Intersections of Portrait and Icon in Italy and the Mediterranean around 1450” (Yale, C. Wood)
KRALIK, CHRISTINE, “Representing the ‘Macabre’: The ‘Three Living and the Three Dead’ in Late Medieval Devotion and Culture” (Toronto, J. Caskey)
LABATT, ANNIE, “‘Byzantine’ Art before ‘Byzantium’: 8th- and 9th-Century Images in the Context of Medieval Rome” (Yale, R. Nelson)
LACHAT, ISABELLE, “Offering the Sacred Word: The Gospels of S. Maria ad Martyres (Trier, Stadtbibliothek, cod. 23) and Carolingian Court Taste in the Early Ninth Century” (Delaware, L. Nees)
LAKEY, CHRISTOPHER R., “Relief in Perspective: Medieval Italian Sculpture and the Rise of Optical Aesthetics” (UC Berkeley, W. M. Davis, J. E. Jung)
LUGLI, EMANUELE, “Pietre di paragone: The Production of Spatial Order in the Twelfth-Century Lombard City” (IFA/NYU, M. Trachtenberg)
MARSENGILL, KATHERINE, “Portrait and Icon: Between Reality and Holiness in Byzantium” (Princeton, S. Ćurčić)
MARTIN, KATHRYN, “The New Olafs: Representations of Sts. Olaf, Erik, and Canute and Their Relation to Kalamar Politics” (Pittsburgh, A. Stones)
MIHALJEVIC, MARINA, “Constantinopolitan Architecture of the Comnenian Era (1081–1180) and Its Impact on the Balkans” (Princeton, S. Ćurčić)
MILANOVIC, LJUBOMIR, “Visual Representations of the Translatio of Relics in the Middle Ages: The Case of St. Stephen” (Rutgers, A. St. Clair Harvey)
MILLER, JEFFREY, “The Building Program of Walter de Gray: Production and Reform in the Archdiocese of York” (Columbia, S. Murray)
MONTGOMERY, LEANNE, “The Carolingian Cathedral at Cologne: Form and Context” (Indiana, Bloomington, W. E. Kleinbauer)
MONTI, ELIZABETH, “The Patronage of the Avignon Anti-Pope Clement VII (1378–1396)” (IFA/NYU, J. Alexander)
NEVINS, TERESA, “Viewing Revelation: Text and Image in Ninth-Century Apocalypse Manuscripts” (Delaware, L. Nees)
PERCHUK, ALISON LOCKE, “The Basilica at Castel S. Elia, Italy: History, Decoration, Aesthetics” (Yale, R. Nelson)
PERRY, REBEKAH, “Ritual Space and Sacred Image: Relationships of Religious Architecture and Fresco Decoration in Rome, Eleventh–Thirteenth Century” (Pittsburgh, A. Stones)
PRESCHER, AMY, “Saxon Convent Architecture: The Diocese of Halberstadt in the High Middle Ages” (Yale, W. Cahn)
RAMIREZ-WEAVER, ERIC, “Carolingian Innovation and Observation in the Paintings and Star Catalogs of Madrid, Biblioteca Nacional, MS. 3307” (IFA/NYU, J. Alexander)
SALGIRLI, SAYGIN, “From Thirteenth-Century Toulouse to Fifteenth-Century Serres: A Comparative Study of Dissent, Authority, Architecture, and Space” (SUNY Binghamton, B. Abou-El-Haj)
SBISÀ, TIZIANA, “The Cathedral at Nicosia in the Age of Frederick II and Louis IX: Issues of Patronage, Structure, and Meaning” (Case Western Reserve, C. Burroughs)
SCIACCA, CHRISTINE, “The Gradual and Sacramentary of Hainricus Sacrista (Pierpont Morgan Library, M. 711): Liturgy, Devotion, and Patronage at Weingarten Abbey” (Columbia, S. Murray, H. Klein)
SEASONWEIN, JOHANNA, “The Nursing Queen: Sculptures of the Virgo Lactans in Late Medieval France” (Columbia, S. Murray)
SILVERS, HOLLY, “The Poitevin Low Road: Profanity in the Ecclesiastical Sculpture of Romanesque Saintonge” (Indiana, Bloomington, D. Reilly)
SPIRO, ANNA LEE, “The Façade of San Zeno in Verona: A Banner Worthy of Defense” (Columbia, J. Beck)
STALFORT, HEATHER EGAN, “Containing the Sacred: Enamel Phylacteries, Relics, and Twelfth-Century Theology in the Meuse Valley” (Johns Hopkins, H. Kessler)
STANCIOIU, CRISTINA, “Everyday Life and Cultural Exchange: The Evidence of Material Culture from Rhodes, Cyprus, and Crete from the Thirteenth through the Sixteenth Century” (UCLA, S. Gerstel)
STANKOVIC, NEBOJSA, “Framing the Monastic Ritual: Architecture and Liturgy of the Byzantine Church Narthexes on Mount Athos (10th–15th Centuries)” (Princeton, S. Ćurčić)
SULLIVAN, TIMOTHY, “Interactions between Codex and Panel” (Yale, C. Wood)
TADE-SPRING, JESSICA, “Decorative Preoccupation: A Look at Burgundian Romanesque Architecture and Sculpture” (UC Santa Barbara, E. Armi)
WALDEN, CATHERINE, “Redemption and Remembrance: The English Ecclesiastical Tomb in the Twelfth and Thirteenth Centuries” (Virginia, M. Roberts)
WARD, FLORA, “Constructing the Cámara Santa: Architecture, History, and Authority in Medieval Oviedo” (Toronto, J. Caskey)
WATT, KELLY, “Medieval Churches on the Spanish Frontier: How Elite Emulation in Architecture Contributed to the Transformation of a Territorial Expansion in Reconquista” (Louisville, K. Britt)
WEBB, KAREN, “Manuscript Diagrams, Medieval Architecture, and Their Relationships” (Pittsburgh, A. Stones)
WEINRYB, ITTAI, “‘Marvelous in our eyes’: Art and Wonder in the Twelfth Century” (Johns Hopkins, H. Kessler)
WHATLEY, LAURA J., “Localizing the Holy Land: The Visual Culture of Crusade in England, c. 1140–1400” (UIUC, A. Hedeman)
WHITTINGTON, KARL, “The Body-Worlds of Opicino de Canistris, Artist and Visionary (1296–ca. 1354)” (UC Berkeley, W. Davis)
WOODWORTH, MATTHEW, “The Thirteenth-Century Choir and Transepts of Beverley Minster” (Duke, C. Bruzelius )
AKER, JULIDE, “Rhetoric of Transgression: Assurbanipal’s Babylonian Policy and Transformations in the Visual Domain” (Harvard, I. Winter)
AMERI, MARTA, “Middle Asian Interaction Spheres at the Turn of the Second Millennium B.C.: The View from Gilund, Rajastan, India” (IFA/NYU, D. P. Hansen)
ARAVECCHIA, NICOLA, “Christians of the Western Desert in Late Antiquity: The Fourth-Century Church Complex of Ain el-Gedida in the Dakhleh Oasis, Upper Egypt” (Minnesota, F. Asher)
BADAWI, SHERINE, “Transposition and Trans BELCHER, ELLEN, “Embodying the Halaf: Fifth-Millennium Figurines from Northern Mesopotamia” (Columbia, N. Kampen)
CALVERT, AMY, “Changing Dress, Changing Roles: The Evolution of Royal Regalia in the New Kingdom” (IFA/NYU, D. O’Connor)
CODY, MADELEINE, “The Old Kingdom Cemetery at Mendes: Reflections of an Egyptian Community in the New Kingdom” (IFA/NYU, D. O’Connor)
EPPIHIMER, MELISSA, “The Visual Legacy of Akkadian Kingship” (Harvard, I. Winter)
GANSELL, AMY, “Women of Ivory as Embodiments of Ideal Feminine Beauty in the Ancient Near East during the First Millennium BCE” (Harvard, I. Winter)
JUDAS, BETH ANN, “Late Bronze Age Aegean Ceramics in the Nile Valley: An Analysis of Idea and Practice in the Archaeological Record” (Pennsylvania, J. Wegner)
KHATCHADOURIAN, LORI, “Dynasty Reframed: Community and Hegemony in the Armenian ‘Highland Satrapy,’ ca. 600–200 BC” (Michigan, N. Yoffee, S. Alcock)
MARLAR, MICHELLE, “The Temple of Osiris at Abydos in the Late Period Dynasty XXX (380–343 B.C.) through the Roman Occupation of Egypt (30 B.C.)” (IFA/NYU, D. O’Connor)
MCCARTHY, HEATHER, “Queenship, Cosmography, and Regeneration: The Decorative Programs and Architecture of Ramesside Royal Women’s Tombs” (IFA/NYU, D. O’Connor)
MEIBERG, LINDA, “Figural Motifs on Philistine Pottery and Their Relations to the Aegean World” (Pennsylvania, P. Betancourt)
OPPENHEIM, ADELA, “The Relief Decoration of the Pyramid Complex of Senwosret III at Dahshur and Its Relationship to Decorative Programs of Old and Middle Kingdom Pyramid Temples” (IFA/NYU, D. O’Connor)
ULLMANN, LEE, “The Conception of Space in the Art and Landscape of the Hittites” (Columbia, J. Smith, Z. Bahrani)
BARK, JULIANNA, “Jean-Étienne Liotard (1702–1789): The Artist in International Perspective” (IFA/NYU, M. Westermann)
BARRETT, ANNE, “The Patronage of Consul Joseph Smith, the ‘Consul Smith’ Palladio, and American Beaux-Arts Classicism” (Virginia Commonwealth, C. Brownell)
BEAUCHAMP-BYRD, MORA, “Hogarth’s Pro BELL, ESTHER, “Charles-Antoine Coypel: Painting and Performance in Eighteenth-Century France” (IFA/NYU, M. Westermann, M. Ledbury)
CAFFEY, STEPHEN MARK, “An Heroics of Empire: Anglophone History Painting, 1756–1805” (UT Austin, J. Leoshko, S. Rather)
CAMPBELL, KRISTIN, “Spaces of Viewing: Presence, Absence, and Narratives of Loss in London (1775–1815)” (Queen’s, Kingston, J. M. Brooke, J. Helland)
CONTOGOURIS, ERSY, “The Attitudes and Representations of Emma Hamilton” (Université de Montréal, T. Porterfield)
DAVIS, BLAIR HIXSON, “The Drawings of Charles Percier” (UC Santa Barbara, R. Williams)
DE LA ROSA, GABRIELLA, “Picturing the Colonial Enlightenment: Race, Identity, and Difference in French Visual Culture, 1682–1804” (Harvard, E. Lajer-Burcharth)
HANSON, KATIE, “A Neoclassical Conundrum: Painting Greek Mythology in France, 1780–1825” (CUNY, P. Mainardi)
JONES, JENNIFER, “A Discourse on Drawings: P. J. Mariette and the Graphic Arts in Early-Eighteenth-Century Paris” (Columbia, D. Rosand)
KRAUS, HEIDI E., “David, Architecture, and the Dichotomy of Art” (Iowa, D. Johnson)
LAFOUNTAIN, JASON, “A History of New England Puritan Art” (Harvard, J. Roberts)
LATOUR, BENOİT, “Tableaux tirés du Peri Hypsous: Antiques modèles du sublime dans la peinture d’histoire britannique du XVIIIe siècle” (Université de Montréal, T. Porterfield)
LO, HUI-CHI, “From Prince to Emperor: Yinzhen’s (1678–1735) Political Deployment of Art in Early Qing Dynasty (1644–1911) China” (Stanford, R. Vinograd)
LUDWIG, AMBER, “‘She is all Nature, and Yet all Art’: Portraits of Emma Hamilton” (Boston, B. Redford)
MCREYNOLDS, DAN, “Policing the Palladian Canon: Redefining the Palladian Legacy in Eighteenth-Century Venice” (Princeton, J. Pinto)
PIOTROWSKA, ANNA, “The Early Career of Carle Vanloo (1705–1740): Training and Practice in the Capitals of Europe” (IFA/NYU, C. Bailey, M. Westermann)
POP, ANDREI, “Neopaganism: Henry Fuseli, Theatre, and the Cultural Politics of Antiquity, 1765–1825” (Harvard, E. Lajer-Burcharth)
RALICKAS, EDUARDO, “Actes, schèmes et figures intermédiales de la performativité autour du premier romantisme allemande” (Université de Montréal, J. Lamoureux)
SASKA, HOPE, “Theatricality and the Popular Print in Eighteenth-Century England” (Brown, K. D. Kriz)
SMENTEK, KRISTEL, “Collecting in the Age of Enlightenment: Pierre-Jean Mariette and the Universal History of Art” (Delaware, N. Athanassoglou-Kallmyer)
SOHN, SOOYUN, “Rembrandt after the Eighteenth Century” (Wisconsin, Madison, J. Hutchison)
STACY, CHRISTINA, “Veri Ritratti: Pietro Longhi and Genre Painting in Eighteenth-Century Venice” (Princeton, P. Brown)
TURNER, KELLY S., “A Study of Eighteenth-Century French Pleasure Pavilions” (UC Santa Barbara, A. Bermingham)
WHEDON, PAMELA, “Sensing Watteau: The Artist’s Musical Images as Preludes to the Age of Sensibility” (UNC Chapel Hill, M. Sheriff)
WHYTE, RYAN, “Painting as Social Conversation: The petit sujet in the Ancien Régime” (Toronto, W. McAllister Johnson)
ACKERMAN, ADA, “Étude d’une genèse créatrice: L’apport des caricaturistes européens du XIXe siècle aux pratiques graphiques, cinématographiques et théoriques de Sergueï Eisenstein” (Université de Montréal, T. Porterfield)
ADLER, FABIENNE, “First, Abandon the World of Pseudo Certainty: Theory and Practice of the ‘Camera-based Image’ in 1960s Japan” (Stanford, S. Bukatman)
BLACKBURN, MARCIA, “A Social Architectonics of Science Fiction Film Design” (SUNY Binghamton, P. Smart)
BYRD, ANNE, “Hats Off, Galileo: Richard Serra before Tilted Arc” (UC Berkeley, A. Wagner)
CULLER, JEREMY, “From Television Signal to Magnetic Strip: An Archaeology of Experimental Television and Video Knowledge, 1962–2006” (SUNY Binghamton, J. Tagg)
EMMELHAINZ, IRMGARD, “Interventions in the Name of Others: Jean-Luc Godard’s Figuring Palestine in Ici et ailleurs (1969–74) and Notre Musique (2004)” (Toronto, J. Ricco)
FINAMORE, MICHELLE TOLINI, “Fashioning Early Cinema: Dress and Representation in American Film, 1900–1930” (Bard Graduate Center, P. Kirkham)
KIRTLAND, MARY KATHERINE, “Iterations of the Close-Up: Animation and Revelation in Jean Epstein’s Theory of Criticism” (Chicago, T. Gunning)
LESH, ERNEST TODD, “An Angry Prophet: Religion and Politics in the Dramatic Satire of Paddy Chayefsky” (Graduate Theological Union, M. Morris)
LUKE, MEGAN, “Perverse Aesthetics and Stolen Goods: Kurt Schwitters in Exile” (Harvard, Y-A. Bois, B. Buchloh)
MARTIN, COURTNEY J., “Cyclones in the Metropole: British Art, 1976–1989” (Yale, T. Barringer)
MCMANUS, WILLIAM, “‘When we made movies just to make them’: Warhol’s Films and the Surface of the 1960s” (Princeton, H. Foster)
MULLER, GABRIELA, “Abstraction on the Move: The Medium of the German Absolute Film” (Stanford, S. Bukatman)
PROCTOR, JACOB, “Cold War Cut-Ups: Collage, Found Footage, and Expanded Cinema as Alternative Public Sphere” (Harvard, Y-A. Bois, B. Buchloh)
SHAFFER, MICHAEL, “Dan Graham’s Video Installations of the 1970s” (Virginia Commonwealth, R. Hobbs)
STOB, JENNIFER, “The Internationale Situationniste and the Cinematic Image” (Yale, D. Joselit, D. Andrew)
WHEDON, PAMELA, “Sensing Watteau: The Artist’s Musical Images as Preludes to the Age of Sensibility” (UNC Chapel Hill, M. Sheriff)
WILLIAMS, ALENA, “Movement in Vision: Cinema, Aesthetics, and Modern German Culture, 1915–30” (Columbia, J. Crary)
YOON, SOYOUNG, “The Anarchic Archive: Re-Conceptualizations of Collage and Montage in Postwar Avant-Garde Cinema of the 1950s and 60s” (Stanford, P. Levi)
ABBE, MARK, “The Polychromy of Ancient Roman Sculpture” (IFA/NYU, K. Welch)
ANDRIOTI, MARIA, “Votive Stone Sculpture from the Greek East: The Case of the Archaic Cypriot-Type Limestone Statuettes” (Princeton, W. Childs)
AWAN, HEATHER, “Roman Sarcophagi and the Necropoleis at Aphrodisias” (IFA/NYU, K. Welch)
BAHL, NICOLE, “Birds in Attic Vase Painting” (Case Western Reserve, J. Neils)
BALTHIS, ANDREA C., “Monumental Built Altars in East Greece and Western Anatolia in the Hellenistic Period” (Emory, B. Wescoat)
BARE, CEIL, “Achilles and the Roman Aristocrat: The Ambrosian Iliad as a Social Statement in the Late Antique Period” (Florida State, P. Gerson)
BELIS, ALEXIS, “Fire on the Mountain: The Story of Mountaintop Sanctuaries in Ancient Greece” (Princeton, W. Childs)
BLACK, ERIN L., “Centre and Periphery: Artistic Interactions between the Column of Trajan in Rome, Italy, and the Tropaeum Traiani at Adamklissi, Romania” (Emory, E. Varner)
BUTTON, SETH, “Problems in the Comparison and Combination of Data from Archaeological Surface Surveys: Case Studies from Cyprus and Central Dalmatia” (Michigan, S. Herbert)
CAKMAK, LISA, “Major Gods on a Minor Scale: Gender, Iconography, and Small-Scale Arts in the Hellenistic Near East” (Michigan, S. Herbert, M. Cool Root)
CASAGRANDE-KIM, ROBERTA, “Imperial Presence in Milan, Ravenna, and Aquileia from Maximinus to Romulus Augustulus (235–476 CE): Developments and Chances in the Creation of an Urban Imperial Iconography” (Columbia, R. Brilliant)
CASSIBRY, KIMBERLY, “Soldiers, Priests, and Honorific Arches: Redefining a Monument of Empire in the Roman Provinces” (UC Berkeley, C. Hallett, A. Stewart)
CHRISTENSEN, ERIN, “Roman Silver Picture Plates” (Brown, R. Winkes)
CLINE, LEA KIMBERLY, “The Altars of Rome Reconsidered: Rome’s Sacred Furniture, from Evander to Constantine” (UT Austin, J. Clarke, P. Davies)
COLEMAN, PATRICK, “Appropriation and Innovation in Archaic Lakonian Art” (Rutgers, J. P. Small)
CRAWFORD, CATHERINE, “Embellished Spaces: Value and Display on Neopalatial Crete” (Michigan, J. Cherry, L. Nevett)
DARBY, ROBERT, “Gloria Restitutum: Baths from Diocletian to Constantine” (Missouri, M. Rautman)
DONATI, JAMIESON, “Towards an Agora: The Spatial and Architectural Development of Greek Civic Space in the Peloponnese” (IFA/NYU, C. Marconi)
DRAKAKI, ELENI, “Mycenean Stone Seals: Contexts and History” (IFA/NYU, G. Kopcke)
EARLE, JASON, “The Cycladic Islands in the Mycenaean Period” (IFA/NYU, G. Kopcke)
ELKINS, NATHAN, “Architectural Coin Types: Reflections of Roman Society” (Missouri, K. W. Slane)
FLATTA, AMANDA, “The Inception of Cybele in Greece: Cult and Image” (Wisconsin, Madison, N. Cahill)
FOWLKES, BLAIR, “The Cults of Syrian-Phoenician Gods in the City of Rome: Archaeology, Topography, and Connections to the Roman East” (IFA/NYU, K. Welch)
FRANKS, HALLIE MALCOLM, “Hunter, Heroes, Kings: The Hunting Frieze of Tomb II at Vergina” (Harvard, G. F. Pinney)
GOLDBERG, PATRICIA, “Ptolemaic Queens and Roman Empresses as Goddesses with Aspects of Tyche” (UCLA, S. Downey)
GROSSMANN, RICHARD, “Ancestors and Exempla: Posthumous Imperial Portraiture and Roman Cultural Memory” (Yale, D. Kleiner)
GRUPICO, THERESA, “Correlations between Urban Planning and Temple Design in West Greece” (Rutgers, J. Kenfield)
HERRING, AMANDA, “Structure, Sculpture, and Scholarship: Understanding the Temple of Artemis at Magnesia and the Temple of Hekate at Lagina” (UCLA, S. Downey)
HERRING, LYDIA, “Roman ‘Domestic’ Ritual outside the Household: A Reinterpretation?” (Michigan, E. Gazda)
HESS, GERALD, “Eastern Paradigms for the Art Patronage of the Emperor Hadrian and the Tondi Adriani” (Penn State, E. Walters)
HEUER, KEELY, “The Head as a Decorative Motif in South Italian Vase Painting” (IFA/NYU, J. Mertens)
HEUSER, JENNIFER LEDIG, “Visual Epic: Roman Images of the Trojan Cycle” (Harvard, G. F. Pinney)
HOLT, EMILY, “Economics and Social Complexity in Bronze Age Sardinia” (Michigan, J. O’Shea, S. Herbert)
HOPKINS, JOHN, “The Topographical Transformation of Archaic Rome: A New Interpretation of Architecture and Geography in the Early City” (UT Austin, J. Clarke, P. Davies)
HRYCHUK, ANNE, “The Roman Arch Studies: Metropolitan Origins, Urban Settings, and Provincial Reception, West and East (2nd Century BCE–2nd Century CE)” (IFA/NYU, K. Welch)
HUSSER, ZEHAVI, “Worshipping in Community: Jupiter and Roman Religion in the Early Imperial Period” (Princeton, H. Meyer)
IBARRA, ALVARO, “Legions in Mourning: Re-Constructing Communities in the Roman Provinces” (UT Austin, J. Clarke, P. Davies)
JOHNSON, PERI, “The Disintegrated Landscape of Achaemenid Paphlagonia” (Pennsylvania, C. B. Rose)
JONES, ASHLEY, “‘Lord, Protect the Wearer’: Late Antique Numismatic Jewelry and the Image of the Emperor as Talismanic Device” (Yale, D. Kleiner)
JUDAS, BETH ANN, “Late Bronze Age Aegean Ceramics in the Nile Valley: An Analysis of Idea and Practice as Represented in the Archaeological Record” (Pennsylvania, J. Wegner)
KENNEDY-QUIGLEY, SHANNA, “Illuminating the Memphite Sarapieion” (UCLA, S. Downey)
KINNEE, LAUREN, “The Roman Trophy: From Battlefield Marker to Emblem of Power” (IFA/NYU, K. Welch)
KNAPP, JENNIFER, “Shaping Identity: An Analysis of Hellenistic Southern Italian Ceramics and Its Implications for Cultural and Societal Change” (Missouri, K. W. Slane)
LARDI, JOELLE LISA, “Aesthetic, Architectural and Social Considerations of Water Systems in Imperial Residences” (UT Austin, J. Clark, P. Davies)
LJUNG, EMMA, “From Indemnity to Integration: A Comprehensive Study of Aitolia in the 2nd and 1st Centuries BC” (Princeton, W. Childs)
MANGIERI, ANTHONY F., “The Virgin Sacrificed: Images of Iphigeneia and Polyxena in Greek and Roman Art” (Emory, B. Wescoat)
MARTİNEZ, VICTOR, “Etrusco-Italic Herclè: A Study in the Formation of Image, Cult, and Regional Identity” (UIUC, E. Hostetter)
MOLHOLT, REBECCA M., “On Stepping Stones: The Historical Experience of Roman Mosaics” (Columbia, R. Brilliant, N. Kampen)
NANKOV, EMIL, “The Coastal and Inland Fortifications of Hellenistic Opountian Lokris: A Contextual Study” (Cornell, J. Coleman)
OGUS, ESEN, “Columnar Sarcophagi from Aphrodisias: Iconography, Self-Presentation, and Civic Identity in the Roman East” (Harvard, R. Taylor)
OSSI, ADRIAN, “Roman Arches in Greece and Asia Minor from Augustus to Hadrian” (Michigan, E. Gazda)
OZTURK, ONUR, “Gods, Emperors, and the City: The Urban Transformation of Roman Asia” (UT Austin, J. Clarke, P. Davies)
PALINKAS, JENNIFER, “Sacred Gates: Propyla and Propylaia in Greek Sanctuaries” (Emory, B. Wescoat)
PAUMEN, VANESSA, “Constructing Rulership: The Architectural Expression of Emperor Ideology in Rome under Domitian and Trajan” (UT Austin, J. Clarke, P. Davies)
PELLEGRINI, ROBERT E., “Tombs and the Street: Onsite Architectural and Site-Planning Analyses of Roman Late Republican and Augustan Age Funerary Monuments and Street of Tombs Necropoli in Europe and Ancient Asia Minor” (UC Santa Barbara, F. Yegul)
PIOK ZANON, CORNELIE, “The Sanctuary of Demeter at Pergamon: The Third-Century Attalids and the Creation of a Hellenistic Capital” (Pittsburgh, A. Weis)
PIXLEY, KIMBERLEY-ANNE, “Banausic Labour in Attic Vase-Painting” (Toronto, M. Miller)
PRYOR, STEPHANIE, “Gendering the Representations of Women of the Hellenistic, Roman, and Late Antique Courts: A Study of the Visual Evidence” (Missouri, K. W. Slane)
RAFF, KATHARINE, “Social Class and Visual Experience in the Apartments and Houses of Roman Ostia” (Michigan, E. Gazda)
REIF, JO-ANN, “Visual Idea vs. Musical Idea: Rhythm in Attic Vase Painting and Music Theory in Sixth- and Fifth-Century Athens” (Penn State, E. Walters)
ROLAND, SARAH, “Corinth and the Birth of Figural Representation in Greek Monumental Architecture” (Columbia, C. Marconi, N. Kampen)
ROUSSEAU, VANESSA, “Ethnicity and Eschatology in 4th-Century BCE Burial Assemblages in Greek Macedonia and Thrace” (Wisconsin, Madison, N. Cahill)
RUBIN, BEN, “Augustus, King of Kings: The Roman Imperial Cult in Asia Minor, 31 BC–AD 68” (Michigan, M. Cool Root)
SAPIRSTEIN, PHILIP, “The Emergence of Ceramic Roofing Technology in Archaic Greek Architecture” (Cornell, A. Ramage)
SEAMAN, KRISTEN, “Rhetoric and Innovation in the Art of the Hellenistic Courts” (UC Berkeley, A. Stewart)
SEGAL, PHOEBE C., “Soaring Votives: Anathemata in Archaic Greek Sanctuaries” (Columbia, C. Marconi, N. Kampen)
SMITH, CHRISTINE, “Controlling Miasma: The Evidence for the Cults of Greek Craftspeople from the Archaic to the Hellenistic Period (6th–2nd C. BCE)” (Washington University, S. Rotroff)
SOWDER, AMY, “Greek Bronze Hydriai” (Emory, B. Wescoat)
SOYOZ, UFUK, “Ritual Space in Temples of Asklepios: A Case Study of the Asklepieion at Pergamon” (UT Austin, J. Clarke, P. Davies)
THOMPSON, ERIN, “Comic Myth on Greek Ritual Vases” (Columbia, D. Freedberg)
UBBELS, KRISTA, “Wild Women on Wares: An Examination of the Changes in the Image of the Attic Maenad” (Penn State, E. Walters)
UDELL, JENNIFER, “Times of Day and Times of Year in Greek Vase Painting” (IFA/NYU, D. von Bothmer)
WARDLE, MARIANNE, “Naked and Unashamed: A Study of the Aphrodite Anadyomene in the Greco-Roman World” (Duke, S. Dillon)
WEISS, DAN, “The Edge of Empire, a Socio-Economic Center: The Roman Fort of Porolissum in the Context of Its Surroundings” (Virginia, J. Dobbins)
ADLER, FABIENNE, “First, Abandon the World of Pseudo Certainty: Theory and Practice of the ‘Camera-based Image’ in 1960s Japan” (Stanford, S. Bukatman)
BEJARANO, SHALMIT, “Pictures of Agriculture and Sericulture in the Four Seasons: Ideology, Authority, and Representation” (Pittsburgh, K. Gerhart)
BUCKLAND, ROSINA, “The Politics of Style: Orthodox Painting in Japan, 1850s–1890s” (IFA/NYU, M. Trede)
FOXWELL, CHELSEA, “Kano Hōgai (1828–1888) and the Making of Modern Japanese Painting” (Columbia, M. McCormick)
HIOKI, NAOKO FRANCES, “The Color of Conversation: The Aesthetics of Jesuit Folding Screens in Momoyama and Early Tokugawa Japan (1549–1639)” (Graduate Theological Union, A. Garcia-Rivera)
KIM, JIYEON, “Status and Identity: Gathering Paintings and Self-Representation of Late Chosŏn Chungin” (UCLA, B. Jungmann)
KIM, SOOMIN, “Performing Yayoi Kusama” (Iowa, C. Adcock)
KUNIMOTO, NAMIKO, “Portraits of the Sun: State and Subject in the Art of the Gutai Group” (UC Berkeley, G. Levine)
LEE, JUNGSIL, “Reconsidering the Body in Korean Modern Art: Ku Ponung’s Body, World, and Art” (UCLA, B. Jungmann)
LEE, SOYOUNG, “Influence and Reception: Ceramics and Culture from Southern Korea to Western Japan” (Columbia, M. Murase)
LOH, JOSEPH, “When Worlds Collide: Art, Cartography, and Spatial Imagination in Early Modern Japan” (Columbia, R. Harrist)
MORISHIMA, YUKI, “Portraits of Japanese Emperors: Their Political and Ritual Usages” (Pittsburgh, K. Gerhart)
MUELLER, LAURA, “Entertaining Virtue: Gender, Personification, and the Naturalization of Confucianism in Edo Print Culture” (Wisconsin, Madison, Q. Phillips)
NINOMIYA, MASUMI, “Nationalizing Art, Constructing Asia: Okakura Kakuzo and India” (UNC Chapel Hill, P. Ghosh)
PEDERSEN, HILLARY, “The Five Great Space Repository Bodhisattvas and Imperial Power in Ninth-Century Japan” (Kansas, S. Fowler)
SHEPHERDSON-SCOTT, KARI, “Utopia/Dystopia: Japan’s Image of the Manchurian Ideal” (Duke, G. Weisenfeld)
SNOW, HILARY K., “Edo Period (1603–1868) Votive Paintings: Donation and Viewing Practices of Temple Ôema” (Stanford, M. Takeuchi)
SPURGEON, JANET LEE, “Constructing the Classical Japanese Past: History Paintings of the Meiji Period” (Wisconsin, Madison, Q. Phillips)
TSEN, HSUAN, “Spectacles of Authenticity: The Internationalization of Mass Entertainment in Japan and America, 1890–1910” (Stanford, S. Bukatman)
TSUCHIKANE, YASUKO, “Painting upon Buddhist Temples in Modern Japan: Murals and Sliding Door Paintings by Domôto Inshô (1891–1975)” (Columbia, M. McCormick)
WU, CHING-HSIN, “A Buddhist Avant-Garde Painter: Koga Harue (1895–1933) and Modern Art in Japan” (UCLA, D. McCallum)
WU, XIAOJIN, “Beyond Decoration: The Forms, Meanings, and Functions of the Ink Bird-and-Flower Screens in Muromachi Japan” (Princeton, Y. Shimizu)
YAMAMORI, YUMIKO, “The A. A. Vantine and Company: Japanese Handcrafts for the American Consumer, 1895–1920” (Bard Graduate Center, K. Ames)
YOSHITAKE, MIKA, “Requiem for the Sun: The Art of Mono-ha and Bikyoto in Postwar Japan (1968–1974)” (UCLA, M. Kwon, G. Baker)
ZITTERBART, SUSAN, “In and Out of Time and Space: Kumano Mandara as Visual Constructs of Transcendent and Worldly Powers” (Pittsburgh, K. Gerhart)
AFANADOR-PUJOL, ANGÉLICA J., “The Politics of Ethnicity: Re-imagining Indigenous Identities in the Sixteenth-Century Relación de Michoacán” (UCLA, C. Klein)
ALDANA, ERIN DENISE, “Urban Interventions: 3Nós3 and the City of São Paolo, 1979–1982” (UT Austin, J. Barnitz, A. Reynolds)
AVILA, THERESA, “Constructs of Revolutionary History and Identity: El Taller de Grafica Popular, 1936–1950s” (University of New Mexico, D. Craven)
BREAULT, EMILY, “The Mirror and the Mountain: Reflection and Light in the Colonial Churches of Cuzco, Peru” (Columbia, D. Freedberg, E. Pasztory, D. Rosand)
BRODSKY, ESTRELLITA, “Latin American Artists and Postwar Paris, 1950–1970: Soto, Le Parc, and Clark” (IFA/NYU, R. Lubar, E. Sullivan)
CARAGOL, TAINA, “The Pendulum’s Swing: Defining Latin American Art from New York Collections, Exhibitions, and Auction Houses, 1960–1990” (CUNY, K. Manthorne)
CORDERO, KAREN, “The Invention of Popular Art: A Paradigm for the Construction of Mexican Visual Culture, 1915–1940” (Yale, M. Miller)
DAVIDSON, VANESSA, “Alternative Communication Networks and Political Engagement in 1970s Argentina, Brazil, and Uruguay: Edgardo Antonio Vigo, Paulo Bruscky, and Clemente Padín’s Mail Art and Conceptual Practice” (IFA/NYU, R. Storr, E. Sullivan)
DEPALMA, JOHN-MARK, “Jesuit Architecture” (Brown, C. Zerner)
DESVERNINE REED, SARA, “Havana: A Study in Interiors, Identities, and Ideologies” (Delaware, B. Herman)
DONOVAN, CELESTE, “María Izquierdo and Modern Mexican Religious Culture, 1940–1947” (CUNY, K. Manthorne)
DUBS, JASON, “Staging the Social Spectacle: Collectivism, Conceptual Strategies, and Cultural Politics in Latin America, 1961–1981” (IFA/NYU, E. Sullivan, R. Storr)
ENGEL, EMILY A., “Facing Boundaries: Representing Identity and Imperial Authority in the Late Colonial Portraiture of South America” (UC Santa Barbara, J. Peterson)
FERRERO, SEBASTIAN, “El paraíso en el Nuevo Mundo: Interprétation, transfiguration et réélaboration du paysage du Nouveau Monde dans la peinture européenne et andine à l’époque moderne” (Université de Montréal, C. Poupeney-Hart, L. Pericolo)
FIDELIS, GAUDÊNCIO, “The Reception and Legibility of Brazilian Contemporary Art in the United States (1995–2005)” (SUNY Binghamton, A. D’Souza)
FLAHERTY, GEORGE, “Mediating the Third Culture at Tlatelolco, Mexico City, 1968” (UC Santa Barbara, S. Chattopadhyay)
GALPIN, AMY, “Mapping Valadés’ Rhetórica Christiana: Space, Place, and Performance” (UIC, E. Baird)
GAVILÁN, ANA ISABEL PÉREZ, “A Mexican Jerusalem: The Sanctuary and House of Spiritual Exercises of Atotonilco, Guanajuato, Text-Body-Image in Devotional Rituals of the Passion, 1740–1776” (SUNY Binghamton, K. Barzman)
GONZALEZ, CRISTINA, “Landscapes of Conversion: Franciscan Politics and Sacred Objects in Late Colonial Mexico” (Chicago, T. Cummins)
GRANADOS-SALINAS, ROSARIO INÉS, “Santa María Acapulco and Its Mission Church: A Cultural History” (Harvard, T. Cummins)
HERNANDEZ-YING, ORLANDO, “Angels in the Americas: Paintings of Apocryphal Angels in Spain and Its American Viceroyalties” (CUNY, E. Quiñones-Keber)
HOOBLER, ELLEN, “The Zapotec Urn Revisited: Recontextualizing Ceramic Effigy Vessels from Oaxaca” (Columbia, E. Pasztory)
JAMES, ERICA, “What Good Are Roots If You Can’t Take Them with You? Caribbean Art in the Global Imaginary” (Duke, R. Powell)
KILROY, LAUREN, “Representations of the Sacred Heart of Jesus: Devotional Practices and Identity in New Spain” (UCLA, C. Villaseñor-Black)
LEPAGE, ANDREA, “The Arts of the Franciscan Colegio de San Andrés in Quito: A Process of Cultural (Re)formation” (Brown, C. W. Zerner)
LÓPEZ-DURÁN, FABIOLA, “Eugenics in the Garden: Medicine, Architecture, and Landscape from France to Latin America in the Early Twentieth Century” (MIT, A. Dutta)
LUBOWSKI, ALICIA, “Humboldt and the Visual Representation of South America” (IFA/NYU, E. Sullivan)
MCEWEN, ABBY, “The Practice and Politics of Cuban Abstraction, c. 1952–1963” (IFA/NYU, E. Sullivan)
MONTGOMERY, HARPER, “New Venues, New Audiences: Avant-Garde Exhibitions in Mexico City and Buenos Aires during the 1920s” (Chicago, M. Ward)
NIELL, PAUL, “‘Bajo su sombra’: The Narration and Reception of Colonial Urban Space and Identity in Early-Nineteenth-Century Havana, Cuba” (University of New Mexico, R. Hernandez-Duran)
NOEL, SAMANTHA, “Carnival Is Woman! Gender, Performativity, and Power in Contemporary Trinidad Carnival” (Duke, R. Powell)
O\’ROURKE, KATHRYN E., “‘The Hour of Mexico’: State-Sponsored Modern Architecture in Mexico City, 1926–1934” (Pennsylvania, D. Brownlee)
OSPINA, DANA S., “Writ Large: Instances of Kinetic Public Art in Brazil, Argentina, and Venezuela, 1965–1975” (Stanford, P. Lee)
PANBEHCHI, MICHAEL, “History Painting and the Battles of Alexander Farnese in Colonial Latin America” (Virginia Commonwealth, M. Schreffler)
QUILES, DANIEL, “Toward a Counterpublic Sphere: Argentine Conceptual Art, 1966–1976” (CUNY, R. Golan)
RAMOS, EVELYN, “Contested Representation of Cuban Nationalism” (Chicago, T. Cummins)
REYES, ANA MARİA, “Art at the Limits of Modernization: The Artistic Production of Beatriz González, 1962–1978” (Chicago, M. Ward)
RICHTEROVA, PETRA, “Tu Tumbao—Iconography of the Rumba Complex: AfroCuban Expressive Culture and Embodied Philosophy” (Yale, R. Thompson)
ROJAS, ALEJANDRA, “Flora Incognita: Knowledge and the New World in Four Sixteenth-Century Herbals” (Harvard, T. Cummins)
ROJAS-SOTELO, MIGUEL, “Cultural Maps, Networks, and Flows: The History and Impact of the Havana Biennale 1984 to the Present” (Pittsburgh, T. Smith)
SHTROMBERG, ELENA, “Conceptual Encounters: Art and Information, Brazil (1968–1978)” (UCLA, C. Villaseñor-Black)
SMALL, IRENE, “Hélio Oiticica and the Morphology of Things” (Yale, D. Joselit)
TALLONE, ANA, “A Light in the Darkness: Argentinean Photography, 1973–1986” (CUNY, G. Batchen, K. Manthorne)
TARVER, GINA MARIA, “The Emergence of Conceptualism in Colombia (1970–1981)” (UT Austin, J. Barnitz)
THOMPSON, ALLISON, “Arriving at the Caribbean: Constructing Visual Representations of Transatlantic and Transcultural Experience” (SUNY Stony Brook, B. Frank)
TREVER, LISA SENCHYSHYN, “Pre-Hispanic Mural Painting on the North Coast of Peru” (Harvard, T. Cummins)
WINN, PAULA, “Ecuador Effigy Mortars: Ritual and Tradition in Ancient Andean Sculpture” (Virginia Commonwealth, J. Farmer)
CROTEAU, SUSAN A., “‘But It Doesn’t Look Indian’: Producing Native American Art, Culture, and Identity in the Middle Space” (UCLA, C. Klein)
DUEKER, CHRISTOPHER, “Alex Janvier: Narrativity, Mnemonics, and Oral Tradition in Private and Public Spheres” (Columbia, E. Hutchinson)
REDCORN-MILLER, MARLA, “Renegotiating Community Boundaries: Kiara Painting in the First Half of the 20th Century” (Columbia, E. Hutchinson)
SHEA, TUSA, “Countering Representation: Anarchy and Assemblage on the West Coast, 1950s–1970s” (University of Victoria, C. Thomas)
SMITH, LAURA, “Obscuring the Distinctions, Revealing the Divergent Visions: Modernity and Indians in the Early Works of Kiowa Photographer Horace Poolaw, 1925–1945” (Indiana, Bloomington, S. Burns)
ALSDORF, BRIDGET, “The Art of Association: Fantin-Latour and the Modern Group Portrait” (UC Berkeley, T. Clark)
ANDERSON, CATHERINE, “Embodiments of Empire: Figuring Race in Late Victorian Painting” (Brown, K. D. Kriz)
ATKINSON, ELAINE M., “Fantasy, Memory, and Spirituality in Visual Culture in Britain, 1850–1920” (Queen’s, Kingston, J. Helland)
BAILIFF, LARISSA, “Honoré Daumier and the Pursuit of Leisure, 1830–1870” (IFA/NYU, L. Nochlin)
BARKER, SEAN, “A Positive Aberrance: Henri de Toulouse-Lautrec’s Disreputable Women” (Kansas, M. Kessler)
BEAR, JORDAN, “Without a Trace: Early Photography and the History of Visual Objectivity” (Columbia, J. Crary, A. Higonnet)
BECKER, COLLEEN, “Competing Representations: The ‘Volk’ in German Visual Culture, 1890–1900” (Columbia, A. Higonnet)
BEGGS, MARGO, “Harriet Hosmer (1830–1908): Fame, Photography, and the ‘American Sculptress’” (Toronto, M. Gotlieb)
BIBLE, ANN VOLLMANN, “Cakewalking into Representation: Gabriele Münter’s America Travels (1898–1900) and Art of Dailiness” (MIT, M. Jarzombek)
BILBO, REBECCA, “The Art Academy of Cincinnati: A Social, Cultural, and Institutional History” (Indiana, Bloomington, S. Burns)
BLANKENSHIP, ETHAN, “Paris, Mexico: Désiré Charnay’s Photographic Spaces” (Columbia, J. Crary)
BLAUT, JULIA, “Gender and War in American Pop Art” (IFA/NYU, L. Nochlin)
BLESSING, JENNIFER, “Gina Pane: A Study of European Body Art in the 1970s” (IFA/NYU, L. Nochlin)
BOUCHARD, ANNE-MARIE, “Figurer la société mourante: Cultures esthétiques et idéologiques de la propagande anarchiste illustrée en France, 1880–1914” (Université de Montréal, T. Porterfield)
BOYD, JANE E., “The Mapping of Modernity: Impressionist Landscapes, Engineering, and Transportation Imagery in Nineteenth-Century France” (Delaware, N. Athanassoglou-Kallmyer)
BUHLER, DOYLE L., “Capturing the Game: The Artist-Sportsman and Animal Conservation in American Hunting Imagery, 1844–1894” (Iowa, J. Kinsey)
CADERO-GILLETTE, JENNIFER, “Collecting Art and Constructing History: The Recovery of Medieval Panel Painting Circa 1800” (Harvard, J. Koerner)
CAMPBELL, MARY, “Holy Lands and Profane Women: Charles Ellis Johnson and the Practice of Mormon Photography” (Stanford, B. Wolf)
CAROTENUTO, GIANNA, “Domesticating the Harem: Re-Considering Colonial Indian Female Identity in the Zenana Photographs of Raja Deen Dayal” (UCLA, R. Brown)
CHILDERS, HOPE, “The Visual Culture of Opium in British India, ca. 1780–1912” (UCLA, S. Mathur)
COLE, SUSANNA, “Space out of Time: Landscape and Modernity in Nineteenth-Century England” (Columbia, J. Crary)
COLTRIN, CHRISTOPHER, “Destruction and Deliverance: Apocalyptic Religious Painting in Britain, 1816–1832” (Michigan, S. Siegfried)
COOKE, VICTORIA, “Shifting Patterns of Representations: French Orientalist Painting, 1828–1881” (Delaware, N. Athanassoglou-Kallmyer)
DASCH, ROWENA HOUGHTON, “‘Now Exhibiting’: Charles Bird King’s Picture Gallery, Fashioning Taste, and Nation, 1824–1861” (UT Austin, S. Rather)
DAVIS, EMILY, “The Female Nude in Art Nouveau (1889–1914): Manipulations and Motivations in Rupert Carabin, Frances and Margaret Macdonald, Lamps, and Jewelry” (Virginia Commonwealth, E. Garberson)
DELAMAIRE, MARIE-STÉPHANIE, “Transatlantic Encounters: Franco-American Artistic Exchanges in the Civil War and Reconstruction Era” (Columbia, E. Hutchinson)
DE YOUNG, JUSTINE, “Women in Black: Fashion, Modernity, and Modernism in Paris, 1860–1890” (Northwestern, S. H. Clayson)
DESGAGNÉS, ALEXIS, “Que faire? Émancipation et lutte des classes dans l’iconographie révolutionnaire russe, 1861–1905” (Université de Montréal, T. Porterfield)
DEUSNER, MELODY, “A Network of Associations: Aesthetic Painting and Its Patrons, 1870–1914” (Delaware, N. Athanassoglou-Kallmyer)
DROZDEK, JUSTYNA, “A Taste for Paris: The Modernist Dialogue between France and ‘Young Poland,’ 1890–1914” (Case Western Reserve, A. Helmreich)
ELLIOTT, KATHERINE L., “Epic Encounters: Nineteenth- and Early-Twentieth-Century Representations of First Contact” (Iowa, J. Kinsey)
EMMER, JANALEE, “Reflections of the Self: Women Artists in Nineteenth-Century France” (Penn State, N. Locke)
FERANDO, CHRISTINA, “Staging Neoclassicism: Exhibitions of Antonio Canova’s Sculptures” (Columbia, J. Crary, A. Higonnet)
GALVEZ, PAUL, “The Landscape-as-Body in Modernist Painting” (Columbia, J. Crary)
GAUGER, CRYSTAL A., “Transcending History: The Religious Paintings of Jean-Auguste-Dominique Ingres (1780–1867)” (Iowa, D. Johnson)
GOODIN, ALEXIS, “British Artists and the Representation of Egypt, 1838–1902” (Brown, K. D. Kriz)
GOODMAN, RHONDA, “The Visual Culture of Slave Auctions in Nineteenth-Century North America” (Stanford, B. Wolf)
GRUBER, OLIVIA, “Representations of Beauty: Empress Elisabeth and the Visual Culture of Femininity in Austria-Hungary, 1848–1918” (Rutgers, S. Sidlauskas)
HALKIN, TALYA, “Jacques Joseph Tissot, a Reassessment: 1860–1895” (Columbia, J. Crary)
HANSON, KATIE, “A Neoclassical Conundrum: Painting Greek Mythology in France, 1780–1825” (CUNY, P. Mainardi)
HARKNESS, KRISTEN, “Designing Russianness: Empire, Nation, and Gender in Fin-de-Siècle Russian Art” (Pittsburgh, B. McCloskey)
HARTZELL, FREYJA, “Delight in Sachlichkeit: Richard Riemerschmid and the Thingliness of Things” (Yale, E. Cooke Jr.)
HASKELL, CAITLIN WELSH, “A Painter without a Problem: Critical Evaluations of Henri ‘Le Douanier’ Rousseau, 1910–1960” (UT Austin, R. Shiff)
HELLMAN, KAREN, “Antoine Claudet and the ‘Spaces’ of Photography, 1839–1867” (CUNY, G. Batchen)
HENDRICKSON, LAURA, “Against Photography: Art and the Idea of Music in England” (Brown, K. D. Kriz)
HORNSTEIN, KATIE, “Picturing War in France, 1815–1856” (Michigan, H. Lay)
HUEMER, CHRISTIAN, “Isolation and Exchange: The Art Market as a Medium of French-Austrian Cultural Transfers, 1873–1937” (CUNY, P. Mainardi)
HYDE, KIMBERLY, “Louis C. Tiffany and the Business of Art” (Case Western Reserve, H. Adams)
HYLTON, JENNIFER SHERLOCK, “The Seurat Effect” (UT Austin, R. Shiff)
JOHNSON, KRISTINA, “The Orientalism of Théodore Chassériau” (Delaware, N. Athanassoglou-Kallmyer)
KATANIC, JENNIFER M., “Social and Political Transformation in the Balkans, 1856–1878: Visual Culture in an Era of Conflict and Change” (CUNY, P. Mainardi)
KATO, YUKIKO, “The Energetics of Color: Art, Anarchism, and French Neo-Impressionist Theories of Vision and Volition, 1880–1914” (Duke, M. Antliff)
KATZ, ROBERTA GRAY, “Mediated by Text: The Literary Paintings of Thomas Cole” (UIC, D. Sokol)
KELLOGG-KRIEG, ANNAH, “God, the State, and the Sanctuary: The Confrontation of the Major Religions with the German Nation-State via the Architectural Language of the Neo-Romanesque (1860–1900)” (Pittsburgh, B. McCloskey)
KELLY, SARAH E., “Camera’s Lens and Mind’s Eye: Whistler and the Science of Art” (Columbia, D. Rosand)
KENDALL, STEVEN, “Classicism and Modernity: Frederic Leighton and the English Nude” (UC Santa Barbara, A. Bermingham)
KOKKONEN, LARS, “John Martin (1789–1854) and the Mechanics of Making Art in a Commercial Nation” (CUNY, P. Mainardi)
KORKOW, CORY, “Queenship and the Construction of National Identity in Nineteenth-Century British Visual Culture” (Virginia, D. Fordham)
KOVACS, CLAIRE L., “Edgar Degas in Italy: Influence, Dialogue, and Exchange” (Iowa, D. Johnson)
KRAUS, HEIDI E., “David, Architecture, and the Dichotomy of Art” (Iowa, D. Johnson)
KULLY, DEBORAH, “Speculating on Architecture: Morality, the New Real Estate, and the Bourgeois Apartment Industry in Late-Nineteenth-Century France” (MIT, M. Jarzombek, E. Naginski)
LACKMAN, JONATHAN, “Invective in French Art Criticism: 1840–1881” (IFA/NYU, L. Nochlin)
LEADER, KAREN, “L’esthétique du rire: Caricature of the Paris Art World in the Nineteenth Century (1830–1900)” (IFA/NYU, L. Nochlin)
LEE, JUNG-SIL, “The Intersection between Nationalism and Religion in The Burghers of Calais of Auguste Rodin in the French Third Republic” (Maryland, College Park, J. Hargrove)
LE GALL, SHALINI, “Evangelical Imperialism: Holman Hunt and Religious Painting in the Middle East” (Northwestern, S. Eisenman)
LIPPERT, SARAH, “Theory, Practice, and Competition in the Visual Arts: The Fortunes of the Paragone in French and British Nineteenth-Century Art” (Penn State, B. Curran)
LORD, JILL, “Improving the Public: Cultural and Typological Change in Nineteenth-Century Libraries” (CUNY, K. Murphy)
LUBOWSKI, ALICIA, “Humboldt and the Visual Representation of South America” (IFA/NYU, E. Sullivan)
MACNAYR, LYNDA C., “Politics and Gender in Portraits of Princess Charlotte of Belgium, Vicereine of Lombardy-Venetia, and Empress of Mexico” (Queen’s, Kingston, J. Helland)
MANN, CRAWFORD ALEXANDER, III, “When in Rome: Italian Travel and the Pursuit of the Ideal Male Body in Antebellum American Art” (Yale, A. Nemerov)
MARTIN, ELIZABETH, “In Search of Greener Pastures: Nineteenth-Century Irish Landscape Artists Abroad: Francis Danby, James Arthur O’Connor, and George Petrie” (CUNY, P. Mainardi)
MCCANN, CARMEN, “Status Viatoris: A New Spectacularization of Death in French Paintings and Prints from the Bourbon Restoration” (Penn State, N. Locke)
MEDNICK, THOR, “Art and Nationalism in Nineteenth-Century Denmark” (Indiana, Bloom MEDVEDEV, NATASHA, “Imperial Identity and Representation of Russia’s Others” (UCLA, A. Boime)
MEIERS, SARAH, “The Green Dining Room: The Experience of an Arts and Crafts Interior” (Queen’s, Kingston, J. Helland)
MELIUS, JEREMY, “Art History and the Invention of Botticelli” (UC Berkeley, T. Clark)
MINIOUDAKI, KALLIOPI, “Women in Pop: Difference and Marginality” (IFA/NYU, L. Nochlin)
NAPOLITANO, LAURA GROVES, “Growing Pains: Lilly Martin Spencer’s Images of Children” (Maryland, College Park, S. Promey)
NECOL, JANE, “Matisse and His Books: Transcending Limits” (Columbia, D. Rosand)
PAULSON, NOELLE, “The Human Animal: Anthropomorphic Animals in Print and Paint, c. 1820–1850” (Washington University, E. Childs)
PEDERSEN, LINDSEY, “Gender, Empire, and ‘Indian-ness’ in Visual Representations of the Sepoy Revolt, 1857–1900” (UC Santa Barbara, A. Bermingham)
PLOTEK, ARIEL, “Allegory in the Age of Realism: Monumental Sculpture in France from 1848–1880” (IFA/NYU, L. Nochlin)
PORTER, CAROLYN, “Dante Gabriel Rossetti and the Italian Renaissance: Envisioning the Past and the Modern through Images of Women” (Virginia Commonwealth, E. Garberson)
PRESTON, DICKSON, “J. M. W. Turner’s Southern Coast and England and Wales Print Series” (University of Washington, S. Casteras)
PUGLIESE, GINAMARIE, “Gendering a Generation: Constructions of Childhood in England’s Nineteenth-Century Juvenile Periodicals” (SUNY Binghamton, O. Vazquez)
QUIDEAU, FLORENCE, “Romantic Portraiture and Caricature in the July Monarchy, 1830–1848: A Study of the Sculptures of David d’Angers, Dantan-Jeune, Daumier, and Préault” (Rutgers, S. Sidlauskas)
RAAB, JENNIFER, “Frederic Church and the Culture of Detail: Memory, Forgetting, and Landscape in Nineteenth-Century America” (Yale, A. Nemerov)
RAHMLOW, KURT E., “Anterior Decorators: Van Gogh, Gauguin, and Avant-Garde Environments at Arles and Le Pouldu” (Iowa, D. Johnson)
RALICKAS, EDUARDO, “Actes, schèmes et figures intermédiales de la performativité autour du premier romantisme allemand” (Université de Montréal, J. Lamoureux)
RILKE, CHRISTINA, “The Consumption of Fine Arts in Germany, 1848–1889: Private Collections and Public Institutions” (Columbia, A. Higonnet)
ROACH, CATHERINE, “The Painted Picture: Images-within-Images in Britain, 1824–1883” (Columbia, A. Higonnet)
ROSE, JORDAN, “‘Politics is in the streets’: Picturing the Barricade in Revolutionary Paris, 1830–1871” (UC Berkeley, T. Clark)
ROSSNER, RACHEL, “Balkanist Painting: Imagining Montenegro in Nineteenth-Century Europe” (Chicago, M. Ward)
SAMU, MARGARET, “The Female Nude in Nineteenth-Century Russian Art: Reception and Transformation of a French Theme” (IFA/NYU, L. Nochlin)
SCHMIDT BACH, DEBRA, “Makers, Masters, and Moguls: Silversmith William Gale and Early Industrialization in Antebellum New York” (Bard Graduate Center, K. Ames)
SIK, SARAH, “Satire and Sadism: François-Rupert Carabin and the Symbolist Treatment of the Female Form in Fin-de-Siècle France” (Minnesota, G. Weisberg)
SPIGLER, JONI, “Rosa Bonheur and the Cult of Animals” (UC Berkeley, T. Clark)
STEIN, NATHANIEL, “London in the Viewer: British Stereoscopy and Urban Embodiments, 1830–1880” (Brown, K. D. Kriz)
STELMACKOWICH, CINDY, “The Languages of a Bodily Interior: Nineteenth-Century Anatomical Atlases in the Spaces of Art, Science, and the Museum” (SUNY Binghamton, J. Tagg)
STEWART, LEE, “Judging by Appearances: How Physiognomy Influenced Nineteenth-Century French Portraiture” (Columbia, R. Brilliant)
STRAUBER, ALISON, “Representations of the Domestic Interior in Belgian Art, 1865–1895” (IFA/NYU, L. Nochlin, R. Lubar)
STRAUSSMAN-PFLANZER, EVE, “Felsine pittrici: The Women Artists of Early Modern Bologna” (IFA/NYU, L. Nochlin)
STRINGER, ROZANNE, “Hybrid Zones: Representations of Race in Late-Nineteenth-Century French Visual Culture” (Kansas, M. Kessler)
SUCHANEK, ISABEL, “Vision and the Dream-Gaze: Color and Metamorphosis in Redon’s Late Work” (Pennsylvania, C. Poggi)
THIMMESCH, DEBRA, “Women and Social Deviance in Late-Nineteenth-Century French Visual Culture” (Kansas, M. Kessler)
TOWLE, DIANE, “Spaces of Japonisme and the Art of Whistler, Van Gogh, and Monet: Collecting, Decoration, and the Japanese Other” (Washington University, E. Childs)
UNRUH, ALISON, “Aspiring to la vie galante: Reincarnations of Rococo in Second Empire France” (IFA/NYU, L. Nochlin)
VENDELIN, CARMEN, “Androgyny and Gender Ambiguity in the Parisian Journals Le Chat noir and Le Courrier français, c. 1882–1895” (Rutgers, S. Sidlauskas)
VINZ, KATHERINE, “The Social Imagination of a Painter of the Mind: Antoine Wiertz (1806–1865)” (Kansas, S. Goddard)
WEINFELD, REBECCA, “The Fleshly School of Sculpture, 1850–1900” (Toronto, A. Syme)
WITT, SUSAN POWELL, “The Gendered Language of War: Picturing the Parlor in Civil War America” (Stanford, B. Wolf)
WOLK, ANDREA, “A Material Empire: Art as Secular Ministry in the Work of Edward Burne-Jones” (Yale, T. Barringer)
ZALEWSKI, LEANNE, “The Golden Age of French Academic Painting in America, 1867–1893” (CUNY, P. Mainardi)
ZUNDO, MARY ELIZABETH, “Mapping Destiny: Cartography and Nineteenth-Century American Art of the Frontier” (UIUC, D. O’Brien)
ZUTHER, SIMONE, “Franz Xaver Winterhalter and the Business of Portraying Women in Second Empire Paris” (Virginia Commonwealth, E. Garberson)
GEORAS, CHLOÉ S., “Mutations of Empire: From the musée permanent des Colonies to the musée des arts d’Afrique et d’Océanie” (SUNY Binghamton, T. McDonough)
YAMASHITA, VELMA JEAN, “The Commercialization of Belauan Storyboards” (University of Washington, R. Bravmann)
MORTON, ERIN, “Visions which Succeed: Considering Culture in Nova Scotia” (Queen’s, Kingston, L. Jessup)
ALDANA, ERIN DENISE, “Urban Interventions: 3Nós3 and the City of São Paolo, 1979–1982” (UT Austin, J. Barnitz, A. Reynolds)
DE LEON, JOSEPH, “The Passion Drama at San Fernando: Mediating the Relationship between Von Balthasar’s Theo-Drama and Nahua Ritual using Royce’s Notion of Interpretant” (Graduate Theological Union, A. Garcia-Rivera)
DUMETT, MARI, “Corporate Imaginations: The Fluxus Collective in the Age of Multinational Capitalism” (Boston, C. Jones)
GEPPERT, MELISSA, “Bioaesthetic: The Production of Art and Life” (Minnesota, J. Blocker)
JOHNSTON-KEANE, KATHY, “Caravaggio’s Drama: The Influence of Baroque Popular Theater and Literature on the Paintings of Michelangelo Merisi” (Pittsburgh, A. Sutherland Harris)
KUO, MICHELLE, “To Avoid the Waste of a Cultural Revolution: Experiments in Art and Technology (E.A.T.), 1966–1979” (Harvard, Y-A. Bois, B. Buchloh)
LIMA, BENJAMIN, “Wolf Vostell’s Décollage and the Forms of Destruction, 1958–1972” (Yale, D. Joselit)
MACCHIAVELLO, CARLA, “Marking the Territory: Performance, Video, and Conceptual Graphics in Chilean Art, 1975–1985” (SUNY Stony Brook, D. Kuspit)
MILLAR, EVE, “New Sacred Spaces: Transforming the Mundane through Dance, Trance, and South Asian Cultural Iconographies” (University of Victoria, A. Wright)
RICHTER, MARIANNE, “Merged Identities: The Transformation of the Artist’s Persona, 1960–1980” (UIC, P. Hales, H. Higgins)
SCHULD, DAWNA, “Nothing to Look At: Art as Situation and Its NeuroPsychological Implications” (Chicago, B. Stafford)
SORKIN, JENNIFER, “Live Form: Gender and Performance Craft, 1940–1970” (Yale, D. Joselit)
TROTMAN, NAT, “Performance, Ritual, and Multimedia in 1970s Body Art” (CUNY, A. Chave)
VEITCH, MICHELLE, “Site-Specific Practices and Urban Regeneration: Canada from 1980 to the Present” (Queen’s, Kingston, J. Helland, K. McKittrick)
WENDT, PAN, “The Group Cloth Works of James Lee Byars, Michelangelo Pistoletto, and Franz Erhard Walther, 1967–1970” (Yale, D. Joselit, C. Mehring)
WYMAN, JESSICA, “Absence, Object Relations, and Performance Historiography” (Queen’s, Kingston, C. Robertson)
BARNES, WILLIAM, “Icons of Empire: The Art and History of Aztec Royal Presentation” (Tulane, E. Boone)
BRANNEN, LAURA, “Two Millennia of Powerful Women in the Art of Ancient Costa Rica and Nicaragua: Greater Nicoyan Ceramic Effigies, c. 500 BCE–1500 CE” (Emory, R. Stone)
BRITTENHAM, CLAUDIA, “The Cacaxtla Paintings” (Yale, M. Miller)
BURDICK, CATHERINE, “Text and Image in Classic Maya Art” (UIC, V. Miller)
DESAI, PRAJNA, “The Body of History: Constructing Palenque’s Palace, AD 654–783 (Yale, M. Miller)
FRASSANI, ALESSIA,“Art and Identity in Colonial Oaxaca: Dominicans, Spaniards, and the Mixtecs at the Convento of Yanhuitlan” (CUNY, E. Quiñones-Keber)
HENDERSON, LUCIA ROSS, “Preclassic Kaminaljuyú: Reconstructing a Lost Maya City through Its Visual Record” (UT Austin, J. Guernsey, D. Stuart)
HERNANDEZ-YING, ORLANDO, “Angels in the Americas: Paintings of Apocryphal Angels in Spain and Its American Viceroyalties” (CUNY, E. Quiñones-Keber)
HOOBLER, ELLEN, “The Zapotec Urn Revisited: Recontextualizing Ceramic Effigy Vessels from Oaxaca” (Columbia, E. Pasztory)
JONES, KIMBERLY LYNN, “The ‘Fine River’: Ritual Canals in Ancient Peru” (UT Austin, S. Bourget)
JORDAN, KEITH, “Stone Trees Transplanted? Central Mexican Stelae and the Question of Maya Influence” (CUNY, E. Quiñones-Keber)
LYALL, VICTORIA, “Picturing Place: Terminal Classic Mural Painting in the Northern Maya Lowlands” (UCLA, C. Klein)
MACHADO, JOHN LOUIS, JR., “The Murals of Las Higueras, Vera Cruz, Mexico” (UT Austin, J. Guernsey)
MATUSIK, TARYN, “The Image Breakers: Sculptural Mutilation among the Olmec and Maya” (Columbia, E. Pasztory)
OLTON, ELIZABETH, “The Future of Death: Vision, Narrative, and Memory at Three Ancient Maya Burial Monuments” (University of New Mexico, C. Clancy, J. Szabo)
PARK, YUMI, “The Engraved Head Motif on Cupinisque-Style Vessels: Innovation and Appropriation in Early Andean Art” (Virginia Commonwealth, J. Farmer)
RICHTER, KIM, “Religion and Political Legitimacy: A Stylistic, Iconographic, and Contextual Analysis of Postclassic Huastec Sculpture” (UCLA, C. Klein)
ROCHAIX, FERNANDO, “Prestige and Power: Darien Pendants from Ancient Colombia, Panama, and Costa Rica” (UT Austin, S. Bourget)
ROJAS, ALEJANDRA, “Flora Incognita: Knowledge and the New World in Four Sixteenth-Century Herbals” (Harvard, T. Cummins)
SCHER, SARAHH E. M., “States of Dress: Gender, Role, and Status in Moche Art” (Emory, R. Stone)
STEINBACH, PENNY JANICE, “Sacrificing the Jaguar Baby: Understanding a Classic Maya Myth on Codex-Style Ceramics” (UT Austin, D. Stuart, J. Guernsey)
TERRY, JAMES, “Signifying Architecture: Maya Architecture of Chicanná and the Central Yucatán” (Yale, M. Miller)
TREVER, LISA SENCHYSHYN, “Pre-Hispanic Mural Painting on the North Coast of Peru” (Harvard, T. Cummins)
VILA LLONCH, ELISENDA, “Conveying Power in the Andes: Ancient and Viceregal Litters from Peru” (Maryland, College Park, J. Pillsbury)
WALKER, VIRGINIA KAY, “Malinalco: Contextualizing Architecture and Landscape in the Aztec Periphery” (UT Austin, D. Stuart)
WERNESS, MALINE DIANE, “Chocholá Ceramics and the Polities of Northwestern Yucatan” (UT Austin, D. Stuart)
WINN, PAULA, “Ecuador Effigy Mortars: Ritual and Tradition in Ancient Andean Sculpture” (Virginia Commonwealth, J. Farmer)
FERRENCE, SUSAN C., “Lasithi before the New Palaces: A Study of Selected Elite Artifacts from the Hagios Charalambos Cave” (Temple, P. Betancourt)
GAGNÉ, LAURA, “Middle Cypriot White Painted Ceramics: Rethinking Regional Variation” (Toronto, S. Manning)
LANGFORD VERSTEGEN, LOUISE, “Early and Middle Minoan Pottery from a Secondary Burial” (Temple, P. Betancourt)
PARK, YUMI, “The Engraved Head Motif on Cupinisque-Style Vessels: Innovation and Appropriation in Early Andean Art” (Virginia Commonwealth, J. Farmer)
AJELLO, GUENDALINA, “Rione Parione: The Afterlife of an Ancient Roman Cluster of Spectator Buildings” (IFA/NYU, M. Trachtenberg)
ALLAN, EVA, “Triumphal Processions and the Renaissance Multi-Block Print” (Yale, A. Dunlop, C. Wood)
AMBLER, WILLIAM, “The Portrait Workshop at the Court of Philip III of Spain (1598–1621)” (IFA/NYU, J. Brown)
ANDERSON, ELISSA, “Re-forming Mary in Seventeenth-Century Dutch Prints” (Kansas, L. Stone-Ferrier)
ANDERSON, LAURA, “Artistic Exchange and Collaboration in Early Modern Haarlem” (Penn State, C. Houghton)
AUBE, CHRISTINA, “Printmaking and Print Collecting at the Dawn of the Grand Siècle: Robert Nanteuil, Michel de Marolles, and Louis XIV” (Delaware, D. Stone)
BAILEY, MERYL, “Darkness into Light: Charity, Justice, and the Art of Venice’s Scuola di San Fantin” (UC Berkeley, L. Partridge)
BAINES, LORENA, “Nicolaes de Bruyn and the Art of the Professional Engraver in the Seventeenth Century” (Delaware, P. Chapman)
BARRETT, KERRY, “The Artful Hand: Pieter Claesz Soutman’s Style in the Seventeenth-Century Netherlands” (IFA/NYU, M. Westermann, E. Haverkamp-Begemann)
BASS, MARISA, “A Circle Apart: Jan Gossaert and the Scope of Humanist Painting in the Netherlands” (Harvard, H. van der Velden)
BAUTISTA, PRESTON, “Manifesting Masculinities in Central Italian Renaissance Art: Michelangelo’s David, Artistic Theory, and Representations of the Male Body” (CUNY, J. Saslow)
BENAY, ERIN, “The Pursuit of Truth and the Doubting Thomas in the Art of Early Modern Italy” (Rutgers, C. Puglisi)
BENSOUSSAN, NICOLE, “Casting a Second Rome: Primaticcio’s Bronze Copies and the Fontainebleau Project” (Yale, C. Wood)
BENTKOWSKI, SEBASTIAN A., “The Artistic and Architectural Patronage at the Court of Alessandro de’ Medici (1531–1537): Strategies of Representation and Legitimation” (UT Austin, L. Waldman)
BOFFA, DAVID, “Artistic Identity Set in Stone” (Rutgers, S. McHam)
BOURLA, LISA, “Ludovico Cigoli, His Intellectual Milieu, and the Emergence of Baroque Art” (Pennsylvania, M. Cole)
BRACKEN, WILLIAM, “Rembrandt in the 1630s: Dialogues and Competitive Environment” (IFA/NYU, E. J. Sluijter, M. Westermann)
BROWN, MICHAEL, “Portraiture in New Spain and the Spanish Caribbean: History and Development of a Colonial Tradition” (IFA/NYU, J. Brown)
BUDNICK, BARBARA, “The Values of Property: English Landscape Painting, 1660–1714” (University of Washington, C. Göttler)
BUDNY, VIRGINIA, “Benedetto da Maiano and His Workshops” (IFA/NYU, M. Trachtenberg)
BULLEN, DIANA, “The Visual Culture of the Central Italian Foundling Hospital, 1400–1600” (Michigan, M. Holmes)
BYRON, DAVID, “The Visual and Social Strategies of German Propaganda Broadsheets, 1608–1621” (Yale, C. Wood)
CADERO-GILLETTE, JENNIFER, “Collecting Art and Constructing History: The Recovery of Medieval Panel Painting Circa 1800” (Harvard, J. Koerner)
CANTOR, SARAH, “Landscape Painting in the Circle of Nicolas Poussin” (Maryland, College Park, A. Colantuono)
CARSON, REBEKAH, “The Della Torre Tomb Monument: Andrea Riccio and Humanism in Padua and Verona” (Toronto, A. Nagel)
CHENG, SANDRA, “Il bello dal deforme: Caricature and Comic Drawings in Seventeenth-Century Italy” (Delaware, D. Stone)
CHURCHILL, DEREK, “Replication in the Early Netherlandish Tradition: Dieric Bouts and His Copyists” (Yale, C. Wood)
CIEJKA, JASON, “Rare Harmony: The Architecture and Music of Carlo Rainaldi (1611–1691)” (Emory, S. McPhee)
COLÓN MENDOZA, ILENIA, “El Cristo Yacente: Polychrome Sculptures of the Supine Christ in Baroque Spain” (Penn State, J. Porter, B. Curran)
CONTRERAS DE BERENFELD, MARIA CELINA, “Cesare Brandi’s Teoria del Restauro and the Practice of Restoration” (Queen’s, Kingston, C. Hoeniger)
COOK, KELLY D., “Sex and Stones: The Visual Grotesque in Early Modern France” (Cornell, C. Lazzaro)
CORRADINO, CHRISTOPHER, “The Life and Work of Giovanni Mansueti” (IFA/NYU, C. Eisler)
CORRETTI, CHRISTINE, “Benvenuto Cellini and the Loggia dei Lanzi: Configurations of the Body of State” (Case Western Reserve, E. Olszewski)
COUTRÉ, JACQUELYN, “Jan Lievens, Ambition, ‘Influence,’ and Originality in the Seventeenth-Century Netherlands” (IFA/NYU, M. Westermann)
CREE, SARAH ELIZABETH, “Taddeo di Bartolo and the Uses of the Past in Early Quattrocento Painting” (Yale, A. Dunlop)
CROIZAT, YASSANA, “Fashioning Femininity: Beauty, Absolution, and the Rhetoric of Gender at Fontainebleau (1528–1547)” (IFA/NYU, C. Eisler)
DAIMAN, MARINA, “Copying, Inventing, and Recycling in Rubens” (IFA/NYU, M. Westermann)
DAVID, MARGARET DIANE, “Francesco Mochi, Sculptor (1580–1654)” (Columbia, D. Rosand)
DEPALMA, JOHN-MARK, “Jesuit Architecture” (Brown, C. Zerner)
DIFURIA, ARTHUR, “Heemskerck’s Rome: Antiquity, Memory, and the Berlin Sketchbook” (Delaware, L. Pellecchia)
DILLMAN, CYNTHIA, “Van Dyck’s English Friendship Portraits” (UC Berkeley, E. Honig)
DOLPHIN, ERIKA, “Reframing the Renaissance in Spain: The Decoration of the Chapter Room and Mozarabic Chapel in Toledo Cathedral” (IFA/NYU, J. Brown)
ELLIOT BEATTY, SUSAN, “Alexander VII, Bernini, and the Cappella del Voto in Siena” (Toronto, E. Levy)
ESTEVEZ, LISANDRA, “The Image of the Painter in the Age of Calderón de la Barca (1600–1681)” (Rutgers, C. Puglisi)
EVANS, ALLISON, “Structure and Success: The Antwerp Tapestry Market in the 1500s” (Duke, H. Van Miegroet)
FLETCHER, FRANCIS, “Mantegna’s Fictive Reliefs: Painting as Moral Philosophy and the Humanist Language of Historical Inquiry in the Renaissance” (Rutgers, S. McHam)
FORD, SUZAN, “Bernini’s Tomb of Urban VIII in St. Peter’s: A Study of Art and Papal Power in the Context of the Counter-Reformation” (Rutgers, T. Marder)
FUJIKAWA, MAYU, “Pilgrimage and Italian Renaissance Art: A Case Study of Santo Stefano in Prato” (Washington University, W. Wallace)
GARDONIO-FOAT, CASEY, “Seventeenth-Century Professional Women Artists in Spain and Portugal” (IFA/NYU, J. Brown)
GIVISKOS, CHRISTINE, “Abraham Bosse and the Fine Art of Printmaking” (IFA/NYU, M. Westermann)
GLASS, ROBERT, “Filarete and the Taste for the Antique in Mid-Fifteenth-Century Rome” (Princeton, P. Brown, L. Barkan, J. Pinto)
GLAZER, JOSHUA, “The Silver Altar of San Giovanni in Florence” (IFA/NYU, M. Trachtenberg)
GREIST, ALEXANDRA, “Odoardo Fialetti and Seventeenth-Century Art Production in Venice” (Pennsylvania, M. Cole)
GRUBOROVIC, ZLATAN, “Bronzino and the Style(s) of Mannerism” (Bryn Mawr, D. Cast)
GYLLENHAAL, MARTHA, “Rembrandt’s Artful Use of Statues: New Insights into His Studio Practices and Working Methods” (Temple, M. Hall)
HAMMERSCHMIDT, JENNIFER, “Rogier Van der Weyden and the Art of the Liturgy” (UC Santa Barbara, M. Meadow)
HAND, JONI, “Female Book Owners in the Burgundian Court, 1350–1550: Books of Hours as Vehicles of Identity” (CUNY, B. Lane)
HAVENSTEIN, KENNETH, “Choreography and the City: The Politics of Dance Imagery Included in Ambrogio Lorenzetti’s ‘Good Government Fresco,’ Palazzo Pubblico, Siena” (SUNY Binghamton, K. Barzman)
HENRY, CHRISCINDA, “Figuring Social and Sexual Identity in North Italian Genre Painting, 1515–1540” (Chicago, C. Cohen)
HILLARD, CAROLINE, “An Alternate Antiquity: The Etruscans in Renaissance Florence and Rome” (Washington University, W. Wallace)
HOARE, ALEXANDRA, “Amico Vero: Salvator Rosa, Friendship, and the Formation of an Artist’s Identity” (Toronto, P. Sohm)
HORTON, HEATHER, “The Problem of Theory, Practice, and Authorship in Alberti” (IFA/NYU, M. Trachtenberg)
HUCKINS, PAMELA, “Furnishing the Northern Frontier: The Sacred Decoration of the California Mission Churches” (IFA/NYU, J. Brown)
HUNG, KAREN, “The Master of the Parallel Folds: Hans Thoman of Memmingen and the Sculptors of Upper Swabia (1500–1550)” (IFA/NYU, C. Eisler)
HUTSON, JAMES, “Modalities of the Idea: L’Idea della Bellezza and Stylistic Change in Early Modern Italy” (Maryland, College Park, A. Colantuono)
ILCHMAN, FREDERICK, “Tintoretto’s Judgment: Artistic Ambition in Counter-Reformation Venice” (Columbia, D. Rosand)
IMBREY, JAI, “Fictive Frame and Image in Northern Italian Quattrocento Painting” (IFA/NYU, C. Eisler)
ISARD, KATHERINE, “Scritti secondo Vitruvio: Vincenzo Scamozzi and Reading as Architectural Practice in Sixteenth-Century Italy” (Columbia, D. Rosand, F. Benelli)
JACOBI, LAUREN, “The Architecture and Urbanism of Banks in Early Modern Italy, ca. 1400–1600” (IFA/NYU, M. Trachtenberg)
JOHNSON, RACHEL, “Suburban Interest/Urban Identity: The Chorographical and Rhetorical Function of Landscape Painting in Pieter Bruegel’s Antwerp” (UC Santa Barbara, M. Meadow)
JOHNSTON-KEANE, KATHY, “Caravaggio’s Drama: The Influence of Baroque Popular Theater and Literature on the Paintings of Michelangelo Merisi” (Pittsburgh, A. Sutherland Harris)
JONES, TANJA, “Pisanello’s Medals for Ludovico Gonzaga of Mantua: Dynasty, the Relic of the Holy Blood, and Crusade” (Florida State, J. Freiberg)
KARAFEL, LORRAINE, “Mythology and Metamorphoses: Woven Grotesques for the Vatican Palace” (IFA/NYU, C. Eisler)
KARENTZOS, LOUKAS, “Court and Countryside: Central Italian Villas of the Mid-Sixteenth Century” (Princeton, J. Pinto)
KATA, LORI, “Art, Ritual, and Consumerism in Seventeenth-Century Lima: Francisco de Zurburán’s 1647 Commission for the Monastery of la Encarción” (Bryn Mawr, G. McKim-Smith)
KAWASE, YUSUKE, “Jusepe de Ribera and His Workshop in Naples, 1616–1652: Its Function and Practice” (IFA/NYU, J. Brown)
KAY, NANCY CHUTE, “The Sacred Public Sculptures of Counter-Reformation Antwerp” (Brown, J. Muller)
KELLY, JESSEN, “Renaissance Futures: Chance, Prediction, and Play in Northern European Visual Culture, c. 1480–1550” (UC Berkeley, E. Honig)
KEMLING, MICHAEL P., “The Portraits of Michelangelo: 1510–1570” (Georgia, S. Zuraw)
KENNEDY, TRINITA, “Pandolfo Petrucci’s Patronage at the Osservanza: A Study in Political and Religious Crisis in Renaissance Siena” (IFA/NYU, K. Weil-Garris Brandt)
KILROY, LAUREN, “Representations of the Sacred Heart of Jesus: Devotional Practices and Identity in New Spain” (UCLA, C. Villaseñor-Black)
KIM, DAVID, “Artifex Viator: Artistic Travel and Geography in Renaissance Italy” (Harvard, A. Payne)
KIM, IL, “The Cult of Light in Fifteenth-Century Italian Renaissance Architecture” (Columbia, J. Connors)
KIM, SOHEE, “Jacques Le Moyne De Morgues (c. 1533–1588) and the Origins of Seventeenth-Century Netherlandish Flower Still Lifes” (Maryland, College Park, A. Wheelock)
KLINE, JONATHAN, “Typology and Syncretism in the Art of the Italian Renaissance” (Temple, M. Hall)
KOTANI, NORIKO, “Jesuit Missions and Nanban Art” (Princeton, T. Kaufmann)
KOZLOWSKI, SARAH K., “Intersections of Portrait and Icon in Italy and the Mediterranean around 1450” (Yale, C. Wood)
KUBEL, FRANCINE, “Desire and Decorum in the Religious Paintings of Alessandro Allori” (UC Santa Barbara, R. Williams)
KYLE, SARAH R., “The Carrara Herbal in Context: Imitation, Exemplarity, and Invention in Late-Fourteenth-Century Padua” (Emory, J. Campbell)
LAKEY, CHRISTOPHER R., “Relief in Perspective: Medieval Italian Sculpture and the Rise of Optical Aesthetics” (UC Berkeley, W. M. Davis, J. E. Jung)
LEHMAN, GEOFF, “Perspective and the Renaissance Landscape” (Columbia, D. Rosand)
LENTZ, EDWIN LAMAR, “Imaging Knowledge in the Art of Breugel and Ortelius” (UT Austin, J. Chipps Smith)
LEYVA-GUTIERREZ, NIRIA, “Fernandez de Santa Cruz y Sahagun: Prelate and Patron of Pueblo in the Seventeenth-Century” (IFA/NYU, J. Brown)
LICHI, ANTHONY, “Artful Conversions: Renaissance Rhetorics of God and Profit” (Indiana, Bloomington, G. Knox, G. Maiorino)
LLOYD, KAREN, “Altieri Patronage and Adoption in Early Modern Rome (1670–1710)” (Rutgers, T. Marder)
LOBIS, VICTORIA SANCHO, “Rubens, Imitation, and the Construction of Individual Style” (Columbia, D. Freedberg, D. Rosand)
LONG, REBECCA, “Bartolomé Carducho and Italian Artists at the Spanish Court, 1580–1621” (IFA/NYU, J. Brown)
LYON, J. VANESSA, “Faithful in Her Fashion: Piety, Luxury, and the Display Culture of the Spanish Princess, 1563–1673” (UC Berkeley, E. Honig)
MAGRETA, TODD, “Orange-Nassau Artistic Activity, 1618–1632” (CUNY, F. Hofrichter)
MANGONE, CAROLINA, “Bernini/Michelangelo: Imitation and Identity in Art, Architecture, and Biography” (Toronto, E. Levy)
MARKEY, LIA, “The Representation and Collection of the New World in Early Modern Italy” (Chicago, C. Cohen)
MARTIN, ANNABETH, “The Religious Works of Lorenzo Costa, Painter to the Bentivoglio” (IFA/NYU, K. Weil-Garris Brandt)
MAYHEW, ROBERT, “Law, Commerce, and the Rise of New Imagery in Antwerp, 1500–1550” (Duke, H. Van Miegroet)
MCINTOSH, LAURENTIA, “Seventeenth-Century Dutch Still-Life Painter Maria van Oosterwych” (Wisconsin, Madison, J. Hutchison)
MCMAHON, ELIZABETH, “Fra Bartolommeo’s Maniera: Painting and Devotion in Early-Sixteenth-Century Florence” (Virginia, F. Fiorani)
MCREYNOLDS, DAN, “Policing the Palladian Canon: Redefining the Palladian Legacy in Eighteenth-Century Venice” (Princeton, J. Pinto)
MINTEL, MELISSA, “Cangiante and Shot Silk: Material Influence on Artistic Practice in Renaissance Italy” (Bryn Mawr, D. Cast)
MORAN, SARAH, “The Visual Culture of Flemish Beguinages, 1585–1700” (Brown, J. Muller)
MORFORD, MICHAEL, “Carving for a Future: Baccio Bandinelli Securing Medici Patronage through His Mutually Fulfilling and Propagandistic Hercules and Cacus” (Case Western Reserve, E. Olszewski)
MURAOKA, ANNE, “‘Il fine della pittura’: Canon Reformulation in the Age of Counter-Reformation; The Lombard-Roman Confluence” (Temple, M. Hall)
NALEZYTY, SUSAN, “Il collezionismo poetico: Cardinal Pietro Bembo and the Formation of Collecting Practices in Venice and Rome in the Early Sixteenth Century” (Temple, T. Cooper)
NAPOLITANO, ELENA, “‘Come una Cittadella’: Urban Strategy and the Vision of French Nationhood in Rome, 1660–1700” (Toronto, E. Levy)
NEUMANN, ELISABETH, “Imagining European Community: The Invention of Allegories of the Continents in the Netherlands, 1564–1600” (Toronto, M. Kavaler)
NGUYEN, KIM-LY, “Mimesis and Maniera in North Italian Genre Painting: The Politics and Dialectics of Style” (Columbia, D. Rosand, D. Freedberg)
NOGRADY, ELIZABETH, “Abraham Bloemaert, Artistic Collaboration, and the ‘Netherlandish Academy’ in Seventeenth-Century Utrecht” (IFA/NYU, M. Westermann)
NOLIN, HEATHER, “Political Authority and Religious Reform: Artistic Commissions at San Giorgio in Braida, Verona, 1426–1668” (Rutgers, S. McHam)
ODDE, LAURENT, “La Nouvelle Artémise: Catherine de’ Medici, Queen of France and Patron of the Arts” (CUNY, J. Saslow)
O\’LEARY, HEATHER, “‘Viva Bacco e Viva Amore’: Bacchic Imagery in the Renaissance” (Columbia, D. Rosand)
OLSON-RUDENKO, JENNIFER, “Francisco de Zurbarán’s Paintings for the Calced and Discalced Mercedarians in Seville” (Penn State, B. Curran)
ONAFUWA, OBAYEMI, “Bruegel’s Vernacular Bodies” (Columbia, D. Freedberg)
PACKER, MICHELLE V., “‘Aenschouwer, siet how alle dingh verkeeret!’ Envisioning Change in the Seventeenth-Century Dutch Cityscape” (UC Santa Barbara, A. Jensen Adams)
PANBEHCHI, MICHAEL, “History Painting and the Battles of Alexander Farnese in Colonial Latin America” (Virginia Commonwealth, M. Schreffler)
PARK, SOO-YEON, “Crucifixion with the Virgin Mary and Saint John” (Wisconsin, Madison, J. Hutchison)
PAUL, TANYA, “Beschildert met een Glans: Willem van Aelst and Artistic Self-Consciousness in Seventeenth-Century Dutch Still-Life Painting” (Virginia, L. Goedde)
PEREIRA, MARIO, “‘bom cortesão em qualquer corte’: Francisco de Holanda in Renaissance Europe” (Brown, E. Lincoln)
POKPHANH, ROBERTA, “The Proceeds of Prosperity: Images of Money Management and Exchange in Dutch Genre Painting in the Middle of the Seventeenth Century” (Kansas, L. Stone-Ferrier)
POSKA, OLIVIA, “Adriaen van de Venne’s Speaking Pictures: Patronage, Pictorial Literacy, and Workshop Practice in an Age of Print” (Michigan, C. Brusati)
PRITCHARD, SHANNON, “A Study of Giambologna’s Narrative Relief Sculpture and Its Relation to Late-Sixteenth-Century Painting” (Georgia, S. Zuraw)
PURVIS, BETSY, “‘Remember that you fashioned me like clay’: The Terracotta Tableau in Italy, 1450–1550” (Toronto, P. Sohm)
RAWLINGS, KANDICE, “Liminal Messages: The Cartellino in Italian Renaissance Painting” (Rutgers, S. McHam)
REED FREDERICK, AMY, “Rembrandt’s Etched Sketches and Seventeenth-Century Print Culture” (Case Western Reserve, C. Scallen)
REYES, HECTOR, “Faire du Poussin: The Contest for Poussin in Aesthetic Theory and Painting (1665–1785)” (Northwestern, S. H. Clayson)
RIHOUET, PASCALE, “Rituals and Images: Confraternity Banners in Renaissance Umbria” (Brown, E. Lincoln)
RIPOLLES, CARMEN, “Constructing the Artistic Subject in Golden Age Spain” (UIUC, L. Rosenthal)
RISLOW, MADELINE, “Dynamic Doorways: Overdoor Sculpture in Renaissance Genoa” (Kansas, S. Cornelison)
RODRIGUEZ-NEGRON, IRAIDA, “Queens of the Spanish Golden Age: Iconography and Patronage of Isabella of Bourbon (1603–1644) and Mariana of Austria (1635–1696)” (IFA/NYU, J. Brown)
ROMAN, DULCE, “Rubens and the Emergence of High Baroque Style in Spanish Painting” (Columbia, D. Freedberg)
ROSSI, NASSIM, “Depicting the Sultan: Conflict and Representation in Renaissance Portraits of the Other” (Columbia, D. Rosand)
RUTHERGLEN, SUSANNAH, “Cabinet Pictures of Renaissance Venice” (Princeton, P. Brown)
SANDLIN, JULIANNE PARSE, “Religious Orders and Catholic Reform: Parisian Churches during the Reign of Louis XIII” (Florida State, R. Neuman)
SAPORTA, LAWRENCE, “Velásquez: Style, Spiritual Exercises, and the Golden Age” (Bryn Mawr, G. McKim-Smith)
SAVOY, DANIEL, “The Aquatic Scenography of Architecture and Ritual in Renaissance Venice” (IFA/NYU, M. Trachtenberg)
SCAPPINI, CHIARA, “History, Preservation, and Reconstruction in Siena: The Fonte Gaia from Renaissance to Modern Times” (Rutgers, T. Marder)
SCHMID, VANESSA, “Portraiture and Community in Amsterdam, 1650–1672” (IFA/NYU, E. Haverkamp-Begemann, M. Westermann)
SCHNEIDER, LINDSEY, “The Late Career of Pietro da Cortona and Roman Baroque Painting after 1650” (IFA/NYU, K. Christiansen, J. Brown)
SEXTON, HEATHER, “Affecting Bodies: Guido Mazzoni’s Lamentations in Context” (UCLA, J. Woods-Marsden)
SHAMOS, GEOFFREY, “Depictions of the ‘Children of the Planets’ in European Art, 1400–1600” (Pennsylvania, L. Silver)
SHAY MILLEA, MARY, “Visualizing the Desired: The Petrarchan Lover Portrait in Renaissance Italy” (Rutgers, S. McHam)
SHENOUDA, MONICA, “Imagining Alexandria in Renaissance Venice” (Virginia, C. Brothers)
SHERIDAN, VICTORIA, “Venetian Baroque Ornament” (Toronto, P. Sohm)
SILVA, JOSEPH, “Thuscorum et Ligurum Securitati: Cosimo I’s Visual Program for the Naval Knighthood of Saint Stephen in Florence and Pisa” (Brown, E. Lincoln)
SJØVOLL, THERESE, “Queen Christina of Sweden’s Musaeum: Collecting and Display in the Palazzo Riari” (Columbia, D. Freedberg, D. Rosand)
SLIWKA, JENNIFER, “Domenico Beccafumi: Politics, Cultural Identity, and the Bella Maniera at the End of the Sienese Republic” (Johns Hopkins, S. Campbell)
SMITH, SHARON C., “Planned Grandeur: A Comparative Study of Urban Expansion in Early Modern Italy and Mamluk Egypt” (SUNY Binghamton, C. Burroughs)
SOHN, SOOYUN, “Rembrandt after the Eighteenth Century” (Wisconsin, Madison, J. Hutchison)
STEWART, JESSICA, “The Sketch as a Site of Artistic Invention in Late Quattrocento Florence” (Virginia, F. Fiorani)
STEWART, PAMELA, “Corpus Domini and the Body Politic: Eucharistic Devotion in Milan, Urbino, and Venice, 1400–1600” (Michigan, M. Holmes)
STREULE, WENDY, “Objects of Desire: The Production and Consumption of Erotic Images in 17th-Century Holland” (Rutgers, C. Puglisi)
SUFFERN, ERIKA, “Domesticity Made Small: Miniaturization in Dutch Art, 1650–1720” (Delaware, P. Chapman)
SUTTON, ELIZABETH A., “The Art of Ethnology: Competition, Collaboration, and Classification in the Illustrated Travel Series of Cornelis Claesz” (Iowa, J. Hochstrasser)
SWARTWOOD, ANNA, “‘Singular Skill and Beauty’: Antonello da Messina between North and South” (Princeton, P. Brown)
SWITZER, SARA, “Correggio and the Sacred Image” (Columbia, D. Rosand, D. Freedberg)
TICE, LISA NEAL, “Casini in Late-Sixteenth- and Early-Seventeenth-Century Rome: The Revival of Pliny’s diaeta in Villa Architecture” (Rutgers, T. Marder)
TREANOR, VIRGINIA, “Amalia van Solms and the Formation of the Stadhouder’s Art Collection, 1625–1675” (Maryland, College Park, A. Wheelock)
TSOUMIS, KARINE, “Family Portraits: Social Realities and Ideologies of Domestic Life in Early Modern Venice” (Toronto, P. Sohm)
URBAN, EMILY, “The Sala Bologna in the Vatican Palace: Art and Astronomy in Counter-Reformation Rome” (Rutgers, T. Marder)
VEITH, JESSICA, “Jan de Braij in Perspective” (IFA/NYU, M. Westermann)
VUSICH, JANNETTE, “Divinus Amor Extasim Facit: Fra Bartolommeo and Mysticism” (Johns Hopkins, S. Campbell)
WATKINS, CATHERINE, “Rembrandt’s 1654 Life of Christ Prints: Experimentation, Tradition, and the Question of Series” (Case Western Reserve, C. Scallen)
WEHMEIER, JENNIFER, “Pictorial Reflections of the Imperial Presence in Renaissance Italy, 1520–40” (UCLA, J. Woods-Marsden)
WHITE, VERONICA, “Serio Illudere: Baroque Invenzione and the Development of the Capriccio” (Columbia, D. Freedberg, D. Rosand)
WHITTEMORE, LEILA, “Theory, Practice, and the Architectural Imagination: Filarete’s Treatise on Architecture and Early Sforza Urbanism, 1450–1464” (Columbia, J. Connors)
WOODALL, DENA, “Sharing Space: Double Portraiture in Sixteenth-Century Italy” (Case Western Reserve, E. Olszewski)
WOUK, EDWARD H., “Reassessing the Flemish Raphael: The Prints of Frans Floris” (Harvard, H. Zerner)
YOON, RANGSOOK, “Albrecht Dürer as Printer of His Illustrated Books” (IFA/NYU, C. Eisler)
ZILLMAN, MOLLY, “Magdalene van de Passe, Geertruydt Roghman, and the Example of Seventeenth-Century Netherlandish Female Printmakers” (Delaware, P. Chapman)
ADAMJEE, QAMAR, “The Sultanate Chandayana: An Exemplar of Cultural and Artistic Interaction in 14th–16th-Century India” (IFA/NYU, P. Soucek)
AHMAD, IZMER, “Painting and Subjectivity in Modern Malaysian Art” (University of Victoria, A. Wright, R. Youds)
ALI, ATTEQA, “Handle with Care: The Making of an Art History and a Nation in Pakistan” (UT Austin, J. Leoshko, A. Reynolds)
BELLI, MELIA, “Royal Umbrellas of Stone: Memory, Authority, and Public Identity in Rajput Funerary Architecture” (UCLA, I. Bierman-McKinney)
CAROTENUTO, GIANNA, “Domesticating the Harem: Re-Considering Colonial Indian Female Identity in the Zenana Photographs of Raja Deen Dayal” (UCLA, R. Brown)
CHANDRA, ADITI, “History, Tourism, and the Making of a Capital City: Delhi’s Islamic Heritage, 1857–1911–1947” (Minnesota, F. Asher)
CHILDERS, HOPE, “The Visual Culture of Opium in British India, ca. 1780–1912” (UCLA, S. Mathur)
CITRON, BETH, “The City as Canvas: Five Exemplary Artists and Bombay, 1965–1995” (Pennsylvania, M. Meister)
GAMACHE, GENEVIEVE, “Wat Rong Khun and Neo-Traditional Art in Thailand” (University of Victoria, A. Wright)
GUPTA, ATREYEE, “The Making of a Postcolonial Avant-Garde: Silpi Chakra and the Politics of Modern Art in India” (Minnesota, F. Asher)
HALL, REBECCA, “Of Merit and Ancestors: Buddhist Banners in Laos and Thailand” (UCLA, R. Brown)
JAMES, SOUMYA, “Political Manipulation of Religious Imagery in Chola and Khmer Interactions: An Integrated Approach to Charting Past and Present Exchanges” (Cornell, K. McGowan)
KAMADA, YUMIKO, “Flowers on Floats: The Production, Circulation, and Reception of Early Modern Indian Carpets” (IFA/NYU, P. Soucek)
KHERA, DIPTI, “Urban Imaginaries between Empires: Mapping from Udaipur to Jaipur, 1707–1832” (Columbia, V. Dehejia)
KHULLAR, SONAL, “Artistic Labor, Sexual Form, and Modernism in India, 1930–2000” (UC Berkeley, J. Williams)
LEE, EUN-SU, “On Defining Buddhist Art in Bengal: The Dhaka Region” (UT Austin, J. Leoshko)
MADDIPATI, VENUGOPAL, “Building, Dwelling, Thinking Gandhi: Towards an Ethical Architecture in Post-Colonial India” (Minnesota, F. Asher)
MILLAR, EVE, “New Sacred Spaces: Transforming the Mundane through Dance, Trance, and South Asian Cultural Iconographies” (University of Victoria, A. Wright)
NINOMIYA MASUMI, “Nationalizing Art, Constructing Asia: Okakura Kakuzo and India” (UNC Chapel Hill, P. Ghosh)
RAY, SUGATA, “Performing ‘Hinduism’ in the 20th Century: Temple Architecture and Pilgrimage in Braj Bhumi” (Minnesota, F. Asher)
RICE, YAEL, “Between the Brush and the Pen: Inscribing and Describing Paintings at the Mughal Court, c. 1555–1625” (Pennsylvania, R. Holod)
ROD-ART, MELODY, “Visualizing Merit: An Examination of the Spatial Organization of the Temple of the Emerald Buddha” (UCLA, R. Brown)
ROTHFARB, EDWARD L., “The Architecture of Raja Bir Singh Dev Bundela of Orchha (1605–1627): Continuity, Adaptation, and Invention” (UCLA, R. Brown)
SHARMA, YUTHIKA, “At the Margins of Empire: Topographical Imaginings of Delhi and Its Environs (1780–1857)” (Columbia, V. Dehejia)
SRIDHARAN, SHRIYA, “Śrirangam’s New Antiquity: Negotiating the Hindu Temple’s Divine and Historic Pasts in a Global Present” (SUNY Binghamton, N. Um)
WEINSTEIN, LAURA, “Between Iran and India: Golconda Painting of the Late 16th Century” (Columbia, V. Dehejia)
ABBAMONTIAN, RAMELA, “Armenian-American Artists: Forging a Diasporic Identity in Los Angeles” (UCLA, A. Boime)
ABBOTT, JANET, “The Barnett Aden Gallery: A Home for Diversity in a Segregated City” (Penn State, J. Robinson)
AGUIRRE, MARIANA, “Artistic Collaboration in Fascist Italy: Ardengo Soffici and Giorgio Morandi” (Brown, H. Vanel)
AKŠAMIJA, AZRA, “Our Mosques Are Us: Rewriting National History of Bosnia-Herzegovina through Religious Architecture” (MIT, N. Rabbat)
ALEXANDRE, DAVID, “Violence and Weimar Visual Culture: Embodying the Image of the First World War” (Toronto, L. Kaplan)
ALI, ATTEQA, “Handle with Care: The Making of an Art History and a Nation in Pakistan” (UT Austin, J. Leoshko, A. Reynolds)
ALLAIS, LUCIA, “Will to War, Will to Art: Cultural Internationalism and the Modernist Aesthestics of Monuments, 1932–1964” (MIT, M. Jarzombek)
ALTEVEER, IAN, “The Rise of the Poststudio: A History of California Institute of the Arts, 1961–1980” (IFA/NYU, R. Storr)
ÁLVAREZ-GONZÁLEZ, MANUEL FERNANDO, “From Syndicalism to Imperialism: José Luis Sert and His Master Plans for Barcelona (1931–34) and Havana (1956–58)” (MIT, M. Jarzombek)
ASHE, LISA FRYE, “Scale, Size, and the Spaces of American Painting” (Virginia, H. Singerman)
ATWOOD GIBSON, ELEANOR, “Postwar Spectacles: The Zero Group” (Yale, C. Mehring, D. Joselit)
AUSTIN, NANCY, “Industrialization and the Language of Art and Design” (Brown, D. Neumann)
BACKER, MATTHEW, “Building a Brave New World: The Future Made Present at Chicago’s Century of Progress Exposition, 1933–34” (Indiana, Bloomington, S. Burns)
BAILEY, ROBERT, “A Late Avant-Garde: Art and Language, New York” (Pittsburgh, T. Smith)
BARRETT, JENNIFER, “The Power of the Ordinary: Contextualism, Regionalism, and ‘the Everyday’ in the Architecture of Alison and Peter Smithson” (Delaware, A. Gibson)
BARRON-DUNCAN, RACHAEL, “Fashioning Surrealism: The Making of Radical Couture, 1925–1938” (Yale, C. Mehring)
BELASCO, DANIEL, “Women Who Made It: Pioneering Sculpture in the 1940s and 50s” (IFA/NYU, L. Nochlin)
BENNETT, CHRIS, “Boetti and Pascali, Two Case Studies (1965–70): Revisiting Arte Povera after the Fall of the Berlin Wall” (Michigan, A. Potts)
BENUS, BENJAMIN, “The Cologne Progressive Style and the Birth of the Modern Pictogram” (Maryland, College Park, S. Mansbach)
BIBLE, ANN VOLLMANN, “Cakewalking into Representation: Gabriele Münter’s America Travels (1898–1900) and Art of Dailiness” (MIT, M. Jarzombek)
BILBO, REBECCA, “The Art Academy of Cincinnati: A Social, Cultural, and Institutional History” (Indiana, Bloomington, S. Burns)
BLOKKER, JOHANNA, “Kirchen in Trummern: World War II and the Reconstruction of the Church in Cologne, 1945–1963” (IFA/NYU, J-L. Cohen)
BOLAND, LYNN, “Dissonance in Modern Music and Art” (UT Austin, L. Henderson)
BOURNEUF, ANNIE, “The Visible and the Legible: On Paul Klee’s Work and Reception, 1916–1922” (Princeton, B. Doherty)
BROOKS, LERONN, “An Art of Resistance: The Legacy of Hale Woodruff (1900–1980)” (CUNY, K. Manthorne)
BROWN, SIENNA, “The Lithographs of Robert Rauschenberg” (Emory, J. Meyer)
BRYZGEL, AMY, “New Avant-Gardes in East-Central Europe and Russia, 1987–1999” (Rutgers, J. Sharp)
BURGESS, LANA A., “Advancing American Art: Survival of an Idea” (Florida State, K. Bearor)
BURTON, JOHANNA, “‘The Content of Context: Appropriation in American Art of the 1980s” (Princeton, H. Foster)
BUSH, DIANA, “The Dialectical Object: John Heartfield, 1915–1938” (Columbia, B. Buchloh)
CANTOR, KAREN, “Art and Life of Boris Artzybasheff” (SUNY Stony Brook, M. Bogart)
CANWELL, JEREMY, “Mystics and Moderns: Dissident Art in Estonia from 1968 to Glasnost’” (Rutgers, J. Sharp)
CARAGOL, TAINA, “The Pendulum’s Swing: Defining Latin American Art from New York Collections, Exhibitions, and Auction Houses, 1960–1990” (CUNY, K. Manthorne)
CARBONELL-COLL, GISELA M., “A Spaniard in New York: Salvador Dalí and American Popular Culture, 1940–1948” (UIUC, J. Mendelson)
CARL, KATHERINE, “Aorist Avant-Garde: South Eastern European Art from 1965–1980” (SUNY Stony Brook, D. Kuspit)
CARO, JULIE LEVIN, “The Early Career of Allan Rohan Crite (1930–1950)” (UT Austin, L. Henderson, C. Smith)
CARRASCO, MARIA CAROLINA, “Art Hopes, Art Values: Evolution of the Genre of the Multiple since 1964” (IFA/NYU, R. Storr)
CAVALLERO, JANET, “Photography and the Creation and Control of the Masses in 1930s Fascist Italy” (Columbia, B. Buchloh)
CHAFFEE, CATHLEEN, “Troubling the Codes: Conceptual Art’s Poetic Objects (Marcel Broodthaers, Robert Barry, Hanne Darboven)” (IFA/NYU, R. Storr)
CHANG, ALISON, “Beyond the Body: The Female Nude in Edvard Munch’s Late Work, 1912–1944” (Pennsylvania, C. Poggi)
CHANG, CHRISTINA, “The End of Painting” (Michigan, A. Potts)
CHENG, JOYCE, “Fixed Ecstasy: The Figure of the Mask between Avant-Garde Criticism and Ethnology” (Chicago, R. Heller)
CHIONG, KATHRYN, “Lawrence Weiner: Words/Matter” (Columbia, B. Buchloh, R. Krauss)
CHLENOVA, MASHA, “On Display: Transformations of the Avant-Garde in Soviet Public Culture, 1928–1933” (Columbia, C. Kiaer, B. Buchloh)
CHURNER, RACHEL, “Gesamtmerzwerk: Kurt Schwitters and the Total Work of Merz” (Columbia, R. Krauss)
CIURESCU, IOLANDA, “Constantin Brancusi et le débat sur le modernisme dans la critique d’art new yorkaise (1913–1944)” (Université de Montréal, N. Dubreuil)
COSTANZO, DENISE, “The Lessons of Rome: Architects at the American Academy, 1947–1966” (Penn State, C. Zabel)
COSTELLO, EILEEN ELIZABETH, “Between the Easel and the Mural: The Dissolution of Abstract Expressionist Painting into the Realm of Architecture” (UT Austin, R. Shiff)
COUSINS, CHARLOTTE JANE, “The Shaping of Constantin Brancusi: Formalism and ‘Influence’ in the Early 20th Century” (UT Austin, R. Shiff, J. Leoshko)
DE ARMENDI, NICOLE, “Shifting Perception: Labyrinths and the Rise of Phenomenology in American Art of the 1960s and 1970s” (Virginia Commonwealth, R. Hobbs)
DENNIS, SARAH K., “A Pictures Aesthetic: Louise Lawler, Three Decades” (UC Berkeley, A. Wagner)
DESGAGNÉS, ALEXIS, “Que faire? Émancipation et lutte des classes dans l’iconographie révolutionnaire russe, 1861–1905” (Université de Montréal, T. Porterfield)
DIACK, HEATHER, “The Benefit of the Doubt: An Aporetic Approach to Conceptual Art and Photography, 1965–1980” (Toronto, L. Kaplan)
DİAZ, EVA, “Chance and Design: Experimental Art at Black Mountain College” (Princeton, H. Foster)
DONOVAN, CELESTE, “María Izquierdo and Modern Mexican Religious Culture, 1940–1947” (CUNY, K. Manthorne)
DOSSIN, CATHERINE JULIE MARIE, “‘I Like America & America Likes Me’: Artistic Exchanges between France, Germany, and the United States, 1945–1989” (UT Austin, R. Shiff, K. Arens)
DOUBERLEY, AMANDA ANN, “The Corporate Model: Sculpture, Architecture, and the American City, 1954–1969” (UT Austin, A. Reynolds)
DROZDEK, JUSTYNA, “A Taste for Paris: The Modernist Dialogue between France and ‘Young Poland,’ 1890–1914” (Case Western Reserve, A. Helmreich)
DUBS, JASON, “Staging the Social Spectacle: Collectivism, Conceptual Strategies, and Cultural Politics in Latin America, 1961–1981” (IFA/NYU, E. Sullivan, R. Storr)
DUDLEY, HELEN M., “Fascist Regionalisms: The Cultural Politics of Stropaese in Interwar Italy” (Emory, C. Poling)
DUMETT, MARI, “Corporate Imaginations: The Fluxus Collective in the Age of Multinational Capitalism” (Boston, C. Jones)
DURHAM, DENNIS, “‘Vancouver Conceptual Art from N.E.THING CO. to Jeff Wall: The Transformation of Art Practice through Pedagogy” (Virginia Commonwealth, R. Hobbs)
EKARDT, PHILIPP, “‘Eher eine Rüsche am Kleid’: Real-Time Images, from Benjamin to Gerhard Richter” (Yale, D. Joselit)
ELCOTT, NOAM, “Cameraless Modernisms: Art, Media, Photograms” (Princeton, C. Armstrong)
ENDERLE, MELANIE, “The Canvas as Stage: The Spectacle of the American Theater, ca. 1895–ca. 1940” (University of Washington, S. Casteras)
EVANS, YATES, “Doors and Windows: Eastern Philosophy and Western Aesthetics in the Art of Ray Johnson” (Virginia Commonwealth, R. Hobbs)
FISHER, JOSHUA F., “The Spiral Jetty in the Landscape of Time and Space” (Iowa, C. Adcock)
FOA, MICHELLE, “Rethinking the Oeuvre: Georges Seurat’s Figure Paintings, Landscapes, and Drawings” (Princeton, C. Armstrong)
FOLLAND, THOMAS, “Robert Rauschenberg’s Combines and a Queer Neo-Avant-Garde: 1954–59” (UCLA, G. Baker)
GAND, ELIZABETH, “Helen Levitt and Representations of Childhood, ca. 1940” (UC Berkeley, A. Wagner)
GASPARAVICIUS, GEDIMINAS, “Neue Slowenische Kunst: Slovene Neo-Avant-Garde Art and the Socio-Cultural Imagination of the 1980s” (SUNY Stony Brook, D. Kuspit)
GILDERHUS, KIRSTEN, “Karl Hubbuch: Drawings and Graphic Works, 1927–1930” (Wisconsin, Madison, B. Buenger)
GOPINATH, GABRIELLE, “Figuration and Disappearance in the Work of Bruce Nauman, 1969–1990” (Yale, A. Nemerov, D. Joselit)
GRABER, LAUREN, “Gruppe SPUR: Art and Dissent in West Germany during the Cold War” (Michigan, M. Biro)
GREENE, NIKKI, “The Rhythm of Glue, Grease, and Grime: Body and Indexicality in the Works of Romare Bearden, David Hammons, and Renée Stout” (Delaware, A. Gibson)
GU, YI, “The Interaction between Art Photography and Chinese Traditional Painting: 1920–1940” (Brown, H. Vanel)
GUSTAFSON, DONNA, “At Home in the Sixties: Images of the Home in American Art, 1960–1970” (Rutgers, J. Marter)
HAMILL, SARAH, “David Smith in Two Dimensions: Sculpture, Photography, and Space” (UC Berkeley, A. Wagner)
HAND, STACY, “Abstraction and Einfȯhlung: Biomorphic Fantasy and Embodied Aesthetics in the Work of Hermann Obrist, August Endell, and Their Followers” (Chicago, T. Gunning)
HANNAH, CAROLINE, “Betweeen Art, Craft, and Design: Henry Varnum Poor and the Making of a Modern American Artist” (Bard Graduate Center, P. Kirkham)
HARRIS, LINDSAY, “Reframing the Vernacular: Photography, Architecture, and the Construction of Italian Modernism, 1936–1951” (IFA/NYU, J-L. Cohen, R. Storr)
HARTZELL, FREYJA, “Delight in Sachlichkeit: Richard Riemerschmid and the Thingliness of Things” (Yale, E. Cooke Jr.)
HASKELL, CAITLIN WELSH, “A Painter without a Problem: Critical Evaluations of Henri ’Le Douanier’ Rousseau, 1910–1960” (UT Austin, R. Shiff)
HATCH, KEVIN, “Looking for Bruce Conner: Assemblage, Films, Drawings, 1957–1967” (Princeton, H. Foster)
HAXALL, DANIEL, “Politics, Form, and Identity in Abstract Expressionist Collage” (Penn State, S. Rich)
HELLSTEIN, VALERIE, “The Politics of Metaphysics: Abstract Art and Spirituality after World War II” (SUNY Stony Brook, M. Bogart)
HENDERSON, JULIE, “Signal Terrorism: Television and Violence in 1970s Video” (Delaware, A. Gibson)
HENSLEY, CHRISTAL, “The Cult of Personality: Gertrude Stein and the Development of the Object Portrait in the American Visual Arts” (Florida State, K. Bearor)
HENSON, DENNIS, “Beyond Warhol’s 15 Minutes: Pop Art, Pop Music, ‘the Media,’ and Fame” (Missouri, J. Klein)
HEUER, ELIZABETH, “Going Postal: Surrealism and the Discourses of Mail Art” (Florida State, K. Bearor)
HICKMAN, CAROLINE MESROBIAN, “Clare Leighton (1898–1989): A Wood Engraver’s Impressions of Agrarian Life in England and the American South” (UNC Chapel Hill, A. Marks)
HILL, JOE, “Biennials on the Brink: New International Contemporary Art Festivals, 1984–2004” (IFA/NYU, R. Storr)
HINDERLITER, BETH, “The Space of Painting: Kurt Schwitters and El Lissitzky” (Columbia, B. Buchloh, R. Krauss)
HIXSON, KATHRYN ANN, “Body to Image: The 1970s” (UT Austin, R. Shiff)
HUEBNER, KARLA, “Eroticism, Identity, and Cultural Context: Toyen and the Prague Avant-Garde” (Pittsburgh, B. McCloskey)
HYLTON, JENNIFER SHERLOCK, “The Seurat Effect” (UT Austin, R. Shiff)
JACKSON, PAUL, “Audience, Communication, and Public Values in Abstract Expressionism” IFA/NYU, R. Lubar)
JAMES, LINDA, “The Decadent Dandyism of the Work of Yves Klein” (Wisconsin, Madison, B. Buenger)
JARA, JEFF, “A Fine Tradition: Folk Art and the Development of Modernist American Art, 1900–1940” (Delaware, A. Gibson, M. Leja)
JOHNSON, DANIELLE, “Salvador Dalí and René Magritte, 1928–36” (IFA/NYU, R. Lubar)
JONES, ZOE, “A Transnational Bohemia: Dandyism, Eroticism, and Transgression in the Futurist Art of Gino Severini” (Duke, M. Antliff)
JORDAN, SHARON, “Men in the Paintings of Ernst Ludwig Kirchner” (CUNY, R. Long)
JOZEFACKA, ANNA, “Rebuilding of Warsaw: Architecture, Urban Planning, and Ideology in Postwar Poland (1945–1970)” (IFA/NYU, J-L. Cohen)
KAISERLIAN, MICHELLE, “Artistic Responses to The Rubáiyát of Omar Khayyám in Great Britain and the United States, c. 1900–1940” (Indiana, Bloomington, M. Facos)
KAJIYA, KENJI, “Unfolding Modernism: Reconsidering Clement Greenberg’s Art Criticism and the Paintings of Helen Frankenthaler, Morris Louis, and Kenneth Noland, 1948–1961” (IFA/NYU, R. Lubar)
KALINSKY, YELENA, “Collective Actions: Moscow Conceptualism, Performance, and the Archive, 1976–1995” (Rutgers, J. Sharp)
KART, SUSAN, “Fetish, Figure, Frame: Sokari Douglas Camp, Moustapha Dimé, and Renée Stout on the ‘African’ Body in Art” (Columbia, E. Hutchinson, B. Lawal)
KATO, YUKIKO, “The Energetics of Color: Art, Anarchism, and French Neo-Impressionist Theories of Vision and Volition, 1880–1914” (Duke, M. Antliff)
KATZ, ARIELA, “The Maison du Peuple: Modernity and Working-Class Identity in French Architecture and Urbanism” (IFA/NYU, J-L. Cohen)
KEE, JOAN, “Points, Lives, Encounters: The Paintings of Lee Ufan and Park Scubo” (IFA/NYU, J. Hay, R. Storr)
KIM, SOOMIN, “Performing Yayoi Kusama” (Iowa, C. Adcock)
KING, JENNIFIER, “Michael Asher and the Art of Infrastructure: Space, Cities, Institutions” (Princeton, H. Foster)
KITNICK, ALEX, “New Monumentality and the Restructuring of the Arts” (Princeton, H. Foster)
KLICH, LYNDA, “Stridentism and the Visual Arts: Avant-Garde and National Identity in Post-Revolutionary Mexico, 1921–1930” (IFA/NYU, R. Lubar)
KOHN, ADRIAN MICHAEL, “Seeing Los Angeles Minimalism, 1958–1972” (UT Austin, R. Shiff)
KOWELL, MASHA, “Cutting-Edge: The Paradigm of the Cut in the Russian Avant-Garde (1908–1928)” (Pennsylvania, C. Poggi)
KREINIK, JULIANA, “New Objectivity in German Art: The Camera and Modernity in the Weimar Era” (IFA/NYU, R. Lubar)
KROIZ, LAUREN, “New Races, New Media: The Struggle for a Modern American Art, 1890–1925” (MIT, C. Jones)
KUO, MICHELLE, “‘To Avoid the Waste of a Cultural Revolution’: Experiments in Art and Technology (E.A.T.), 1966–1979” (Harvard, Y-A. Bois, B. Buchloh)
KURTOVIC, NIKOLINA, “Communist Stardom in the Cold War and Beyond: Josip Broz Tito in Western and Yugoslav Photography, 1940–1980” (Toronto, E. Legge)
LANG, COLIN, “Room 19, 1966–1969” (Yale, D. Joselit)
LEDEZMA, JUAN, “Gustav Klutsis, El Lissitzky, and the October Group: Montage and the Post-History of the Constructivist Object in Russia’s ‘Reconstruction Period’ (1928–1932)” (Columbia, C. Kiaer, B. Buchloh)
LEE, JUNGSIL, “Reconsidering the Body in Korean Modern Art: Ku Ponung’s Body, World, and Art” (UCLA, B. Jungmann)
LEE, KEE-LEE, “Sur Vampyr: Theresa Hak Kyang Cha and the Cultural Para-Sites of the Korean Diaspora” (UNC Chapel Hill, C. Mavor)
LEE, YULIN, “Architectural Responses to Contemporary Art: Four Cases of Contemporary Art Museums in Japan in the 1990s” (IFA/NYU, J. Hay, J-L. Cohen)
LEEUWRIK, LINDA, “Blue Riders of the Apocalypse: Kandinsky and Marc in the German Apocalyptic Tradition” (Bryn Mawr, C. Hertel)
LIMA, BENJAMIN, “Wolf Vostell’s Décollage and the Forms of Destruction, 1958–1972” (Yale, D. Joselit)
LÓPEZ-DURÁN, FABIOLA, “Eugenics in the Garden: Medicine, Architecture, and Landscape from France to Latin America in the Early Twentieth Century” (MIT, A. Dutta)
LOURIE, ARIANE, “Modernism’s Entrepreneurs: European Design Firms and the Market, 1930–1950” (IFA/NYU, J-L. Cohen)
LUKE, MEGAN, “Perverse Aesthetics and Stolen Goods: Kurt Schwitters in Exile” (Harvard, Y-A. Bois, B. Buchloh)
MACCHIAVELLO, CARLA, “Marking the Territory: Performance, Video, and Conceptual Graphics in Chilean Art, 1975–1985” (SUNY Stony Brook, D. Kuspit)
MAHDI, FATIMA, “Representing the Middle Ages at the Metropolitan Museum of Art, 1870–1940” (IFA/NYU, J-L. Cohen)
MANGINI, ELIZABETH, “Arte Povera, 1968–1978: An Argument for an Italian Avant-Garde” (CUNY, R. Golan)
MARKOVITZ, HOLLY, “Reframing the Frontier: Rephotography, Repetition, and Return” (Boston, K. Sichel)
MARTEGANI, MICAELA, “Costantino Nivola’s Public Work: Art, Architecture, and Social Utopia” (IFA/NYU, J-L. Cohen)
MARTIN, COURTNEY J., “Cyclones in the Metropole: British Art, 1976–1989” (Yale, T. Barringer)
MCEWEN, ABIGAIL, “The Practice and Politics of Cuban Abstraction, c. 1952–1963” (IFA/NYU, E. Sullivan)
MCGUIRE, HEATHER, “John Baldessari: Blasted Allegories” (Virginia Commonwealth, R. Hobbs)
MCMANUS, WILLIAM, “‘When we made movies just to make them’: Warhol’s Films and the Surface of the 1960s” (Princeton, H. Foster)
MIKULINSKY, ALMA, “The Chisel and the Lens: Picasso, Brassaï, and the Photography of Sculpture, 1933–1948” (Toronto, E. Legge)
MILKOVA, LILIANA, “Between Painting and Photography: Soviet Underground Art, 1970–1980” (Pennsylvania, C. Poggi)
MINIOUDAKI, KALLIOPI, “Women in Pop: Difference and Marginality” (IFA/NYU, L. Nochlin)
MITZEN, ANNE, “Gender, Modernism, and Regionalism: The Promotion and Reception of Kȯnstlerinnen in the Rhineland, 1890–1925” (Brown, H. Vanel)
MONAHAN, ANNE, “Form and Content: Politics and Figuration in American Art of the 1960s” (Delaware, A. Gibson)
MONTGOMERY, HARPER, “New Venues, New Audiences: Avant-Garde Exhibitions in Mexico City and Buenos Aires during the 1920s” (Chicago, M. Ward)
MOORE, JORDANA E., “Jean-Michel Basquiat and the Language of Creativity” (UIUC, J. Fineberg)
MOWRIS, PETER, “Surrealism and the Science of Mental Imagery and Hallucination” (UT Austin, L. Henderson)
MULLER, GABRIELA, “Abstraction on the Move: The Medium of the German Absolute Film” (Stanford, S. Bukatman)
MURACHANIAN, JEAN, “Léon Tutundjian: Trauma, Identity, and Modern Art in the Aftermath of Genocide” (UCLA, A. Boime)
MURAYAMA, NINA, “Donald Judd’s Furniture, From Do-It-Yourself to the Art of Lifestyle” (CUNY, A. Chave)
NAKAMORI, YASUFUMI, “Imagined City: Architecture, Photography, and Interdisciplinary Practice from the 1960s Japan” (Cornell, I. Dadi)
NECOL, JANE, “Matisse and His Books: Transcending Limits” (Columbia, D. Rosand)
NEELY, EVAN, “Cy Twombly and the Ethics of Painting” (Columbia, D. Freedberg, D. Rosand, B. Joseph)
NEIL, JONATHAN, “Carl Andre, Richard Serra, the Problem of Materials, and the Picture of Matter” (Columbia, B. Buchloh, R. Krauss)
NELSON, ADELE, “The São Paulo Biennial and Latin American Artistic Exchange, 1951–1969” (IFA/NYU, R. Storr, E. Sullivan)
NIGRO, CAROL, “Cy Twombly’s Italian Journey: Histories and Myths for a Modern Era” (Delaware, A. Gibson)
NISBET, JAMES, “Land Is Not the Setting: The Lightning Field and Environments, 1960–1980” (Stanford, P. Lee)
NYGARD, TRAVIS, “The Art of Agribusiness: How Visual Culture Shaped Grain Production in the U.S., 1893–1943” (Pittsburgh, K. Savage)
O\’DEA, RORY, “From the Spiritual to Science Fiction: The Irrational World of Robert Smithson” (IFA/NYU, R. Storr)
OLDS, KIRSTEN, “Radical Collectivities: North American Artists’ Groups, 1965–1978” (Michigan, A. Potts)
ORENDUFF-BARTOS, LILLIAN, “Polish Symbolism and Negotiations of Modernity” (CUNY, E. Braun)
OSHIMA, TETSUYA, “The Figure Reemerging: Jackson Pollock’s Cut-Outs, 1948–1956” (CUNY, G. Levin)
OSPINA, DANA S., “Writ Large: Instances of Kinetic Public Art in Brazil, Argentina, and Venezuela, 1965–1975” (Stanford, P. Lee)
PAIK, TRICIA, “Ellsworth Kelly: The New York Years, 1954–1969” (IFA/NYU, R. Lubar)
PARSONS, SARA-JAYNE, “Liminal Britain: Place and Memory in British Photography since 1979” (UT Austin, M. Charlesworth)
PEIFFER, PRUDENCE, “Routine Extremism: Ad Reinhardt and Modern Art” (Harvard, Y-A. Bois)
PEPPER, IAN, “On the Difference between Serialism and Seriality in the Visual” (Columbia, R. Krauss)
PERRILL, ELIZABETH, “Contemporary Zulu Ceramics 1960s–Present: An Aesthetic Respect” (Indiana, Bloomington, P. McNaughton)
PERRY, WEENA, “America in Ruins: Photography and the Making of National Meanings” (SUNY Stony Brook, M. Bogart)
POBOCHA, PAULINA, “Tadeusz Kantor: Painting and Theater, 1939–1990” (IFA/NYU, R. Storr)
POLEDNIK, MARCELLE, “Painting over Time: Constructing Temporality in the Work of Amselm Kiefer, Sigmar Polke, and Gerhard Richter” (IFA/NYU, R. Lubar)
PORTNOY, SCOTT, “Abstraction Reduced: The Monochrome in American Painting, 1949–1963” (Columbia, B. Buchloh)
PRICE, MARSHALL, “John Ferren and the Development of Abstraction” (CUNY, K. Manthorne)
PROCTOR, JACOB, “Cold War Cut-Ups: Collage, Found Footage, and Expanded Cinema as Alternative Public Sphere” (Harvard, Y-A. Bois, B. Buchloh)
QUILES, DANIEL, “Toward a Counterpublic Sphere: Argentine Conceptual Art, 1966–1976” (CUNY, R. Golan)
RAPP, KAREN M., “Not the Romantic West: Site-Specific Art, Globalization, and Contemporary Landscape” (Stanford, P. Lee)
REES, ANASTASIA, “‘Notes from the Underground’: Dissident Cultural Communities in Czechoslovakia: 1965–1989” (UT Austin, A. Reynolds)
REYNOLDS, REBECCA, “Sculpture Parks, Sculpture Gardens, and Site-Specific Practices in the U.S., 1965–1991” (Chicago, M. Ward)
RICHTER, TILL, “Contemporary Art: Art Historical and Market Criteria” (UT Austin, R. Shiff)
RIPPNER, SAMANTHA, “Vija Clemins in Context: Paintings, Drawings, and Prints, 1964–1994” (CUNY, M. Hadler)
ROACH, LEIGH ANNE, “A Positive, Popular Art: Sources, Structure, and Impact of Gyorgy Kepes’s Language of Vision” (Florida State, K. Bearor)
ROBBINS, CHRISTA, “Re-Valuing Privacy in 1960s American Art” (Chicago, D. English)
ROBERTS, SARAH REHM, “Englishness, Abstraction, and Surrealism: Modern Art in England, 1932–1936” (Brown, K. D. Kriz)
ROBINSON, JULIA, “In the Event of George Brecht: Chance Encounters of the Readymade, Cage, Fluxus, and Conceptual Art” (Princeton, H. Foster)
ROETHKE, LEIGH, “A Passion for Spain: Españolismo in American Visual Culture” (Minnesota, K. A. Marling)
ROLDAN, DEBORAH, “España Negra: Tradition in Spanish Painting” (IFA/NYU, R. Lubar)
ROMANENKO, KATERINA, “The Role of the Soviet Periodical Press in the Acculturation of the ‘Masses,’ 1928–1941” (CUNY, R. Long)
ROMBERG, KRISTIN, “Gan’s Constructivism” (Columbia, C. Kiaer)
ROMPILLA, DENISE, “From Hiroshima to the Hydrogen Bomb: American Artists Witness the Birth of the Atomic Age” (Rutgers, J. Marter)
ROOT, NICOLE, “The Inassimilable: Mike Kelley’s Poetics of the Low” (IFA/NYU, R. Storr)
ROTH, LYNETTE, “The Cologne Progressives: Political Painting in Weimar Germany” (Johns Hopkins, B. Doherty, M. Fried)
ROTTNER, NADJA, “Claes Oldenburg and the Emergence of the ‘Happening’” (Columbia, J. Rajchman, R. Krauss, B. Joseph)
SALETNIK, JEFFREY, “Pedagogy, Modernism, and Media Specificity: The Bauhaus, John Cage, and Fluxus” (Chicago, R. Heller)
SCHAFER, SUSAN, “Roma Anno Zero: Continuity and Change in Post–World War II Architecture in Rome” (IFA/NYU, J-L. Cohen)
SCHMIEDEKAMP, ASHLEY, “Picturing the Cosmos: Surrealism and Astronomy, 1920s–1940s” (UT Austin, L. Henderson)
SCHULMAN, DANIEL, “African American Art and Artists in Chicago, 1893–1945” (IFA/NYU, R. Storr)
SCHWARTZ SIMON, MALKA, “The Space of Production: Brooklyn and Creation of an Urban Industrial Landscape” (IFA/NYU, J-L. Cohen)
SCOTT, SASCHA, “Paintings of Pueblo Indians and the Politics of Preservation in the American Southwest” (Rutgers, J. Marter)
SCOTT, VICTORIA H. F., “Silkscreens and Television Screens: Maoism and the Posters of May 1968 in Paris” (SUNY Binghamton, T. McDonough)
SELS, KIM, “Assembling Identity: The Object-Portrait in American Art, 1917–1927” (Rutgers, J. Marter)
SHAFFER, MICHAEL, “Dan Graham’s Video Installations of the 1970s” (Virginia Commonwealth, R. Hobbs)
SHANE, ROBERT, “A Psycho-social Investigation of the Role of Pop Culture Imagery in the Art of Paul McCarthy” (SUNY Stony Brook, D. Kuspit)
SHELBY, KAREN, “Conflicted Nationalism and World War I: Belgian Memory and Memorial Design” (CUNY, H. Senie)
SMALL, IRENE, “Hélio Oiticica and the Morphology of Things” (Yale, D. Joselit)
SMITH, LAURA, “Obscuring the Distinctions, Revealing the Divergent Visions: Modernity and Indians in the Early Works of Kiowa Photographer Horace Poolaw, 1925–1945” (Indiana, Bloomington, S. Burns)
SORKIN, JENNIFER, “Live Form: Gender and Performance Craft, 1940–1970” (Yale, D. Joselit)
SPICER, FRANK, “‘Just What Was It That Made Our Art So Different, So Appealing?’ Case Studies of the Critical Reception of American Avant-Garde Painting in London, 1950–1964” (Case Western Reserve, E. Landau)
STANNERS, SARAH, “Going British and Being Modern in the Visual Art Systems of Canada (1906–1976)” (Toronto, M. Cheetham)
STETLER, PEPPER, “Bound Vision: Reading the Photograph in the Book in Weimar Germany” (Delaware, M. Werth)
STOB, JENNIFER, “The Internationale Situationniste and the Cinematic Image” (Yale, D. Joselit, D. Andrew)
STOKIC, JOVANA, “The Body Beautiful: Women’s Self-Representations and the Shifting Currents of Feminism, 1970–2000” (IFA/NYU, R. Lubar, L. Nochlin)
STRAHL-ALLEN, LISA, “Gender Construction and Manifestation in the Art of Elaine de Kooning” (Temple, G. Silk)
STUART, CAROLYN, “American Autoscapes: The View from the Road, 1920–1949” (UCLA, S. Nelson)
STYKER, ERIC M., “After the Blitz: Figuration and Space in Postwar London” (Yale, T. Barringer)
SUDUL, JENNIFER, “The Early Works of Niki de Saint Phalle” (IFA/NYU, R. Storr, L. Nochlin)
SUSIK, ABIGAIL, “The Vertigo of the Modern: Surrealism and the Outmoded” (Columbia, R. Krauss, B. Joseph)
SWEET, LEAH, “Defining (Neo) Dada: German Art of the 1950s and 1960s” (IFA/NYU, R. Storr)
TARVER, GINA MARIA MCDANIEL, “Isolated Iconoclasts and Ambitious Institutions: Early Colombian Conceptualism and Its Antecedents, 1962–1975” (UT Austin, J. Barnitz)
TEGROTENHUIS, MEREDITH A., “Stablizing the City: Berenice Abbott’s Photographs and Urban Representation in the 1930s” (Northwestern, C. Lambert)
TENTLER, GREGORY, “Piero Manzoni (1956–1963)” (Pennsylvania, C. Poggi, K. Beckman)
THOMAS, BRAGAN, “Naked Fascism? Body Politics and the Male Nude in German Sculpture of the Third Reich” (IFA/NYU, R. Lubar)
TIERNEY, CRISTIN, “Domesticating Modern Art: Aspects of the Promotion of Modern Art in the United States, ca. 1905–1936” (IFA/NYU, R. Lubar)
TOTEVA, MAIA TODOROVA, “Language Use in Conceptual Art: Eastern European and North American Strategies” (UT Austin, R. Shiff)
TOTH, EDIT, “Situating the Subject: Hungarian Modernism in Revolution. Budapest-Vienna-Berlin, 1918–1923” (Penn State, N. Locke)
TRAVIS, AMBER, “Theatres of War, Torture, and Duress: Leon Golub’s Mercenaries, Interrogations, and White Squads: 1979–1987” (Northwestern, S. Eisenman)
TSENG, LI-LIN, “Melodrama as Modernity in Early Chinese Cinema: A Case Study in the Works of Zheng Zhengqiu and His Shanghai Contemporaries, 1922–1937” (UIUC, J. Fineberg)
VALLYE, ANNA, “The Mid-Century Artist-Intellectual in America: Josef Albers, Walter Gropius, Gyorgy Kepes” (Columbia, B. Bergdoll, R. Martin, J. Ockman)
VAN HOESEN, BRETT M., “Weimar Re-visions of Germany’s Colonial Past: Max Pechstein, Hannah Höch, László Moholy-Nagy” (Iowa, C. Adcock)
VAN SCOY, SUSAN, “Family Feuds: Modernism, Feminism, and the Photography of Tina Barney” (SUNY Stony Brook, J. Monteyne)
VAZQUEZ, EDWARD, “Aspects: The Art of Fred Sandback” (Stanford, P. Lee)
VUJOSEVIC, TIJANA, “Everyday Spaces in Urban Soviet Russia, 1917–1939” (MIT, M. Jarzombek)
WALKER, LANITRA, “Pictures That Satisfy: Modernist Discourses and the Politics of Race, Gender, and Nation in the Art of Irma Stern (1894–1966)” (Duke, R. Powell)
WALZ, JONATHAN FREDERICK, “Abstract Portraiture and the American Avant-Garde, 1912–1927” (Maryland, College Park, S. Promey)
WARAK, MELISSA CHRISTINE, “Sound Exchange: Interactions of Music and Art, 1955–1976” (UT Austin, L. Henderson)
WEATHERS, CHELSEA LEA, “Shooting Underground: Andy Warhol’s Cinema and the Making of a Public Image, 1963–1966” (UT Austin, A. Reynolds)
WEILER, DEREK, “Saying ‘I’: John Cage, Richard Hamilton, and Proto-Conceptual Art” (IFA/NYU, R. Storr)
WEISS, FRANCINE, “Visual Verses: Modernist Collaborations of American Artists and Poets, 1921–1946—Charles Demuth and William Carlos Williams, Walker Evans and Hart Crane, Edward Weston and Walt Whitman, Andrew Wyeth and Robert Frost” (Boston, P. Hills, K. Sichel)
WEISS, KIRSTEN, “The Face of the German House: Cultural Fantasy in 20th-Century Architectural Photography” (MIT, M. Jarzombek)
WELLER, REBECCA, “The Los Angeles Look: Light, Space, and Phenomenology, 1962–1974” (Delaware, A. Gibson)
WENDT, PAN, “Divided and Connected: The Group Clothing Works of James Lee Byars, Michelangelo Pistoletto, and Franz Erhard Walther, 1967–1970” (Yale, D. Joselit, C. Mehring)
WIDRICH, MECHTILD, “Performative Monuments: Public Art and Commemoration in Postwar Europe” (MIT, C. Jones, M. Buskirk)
WIJEGOONARATNA, MICHELE, “Tradition, Innovation, and National Identity in Otto Dix’s Portraits and Self-Portraits, 1912–1927” (IFA/NYU, R. Lubar)
WILLIAMS, ALENA, “Movement in Vision: Cinema, Aesthetics, and Modern German Culture, 1915–30” (Columbia, J. Crary)
WILLIAMS, THOMAS, “Pop Art, Youth Culture, and Social Change in the 1960s” (SUNY Stony Brook, J. Katz)
WILLIAMSON, DANIEL, “Modern Architecture and Local Culture in Ahmedabad, 1947–1968” (IFA/NYU, J-L. Cohen)
WOLF, VANESSA, “Surplus Feeling: War and Remembrance in Lee Bonecou’s Wall Reliefs, 1958–1966” (Yale, A. Nemerov)
WOODRUFF, LILY, “Can the Bourgeoisie Speak? Utopia and Dystopia in the Art and Politics of Nouveau Réalisme” (Northwestern, H. Feldman)
WU, CHING-HSIN, “A Buddhist Avant-Garde Painter: Koga Harue (1895–1933) and Modern Art in Japan” (UCLA, D. McCallum)
YAMAMURA, MIDORI, “Yayoi Kusama: Biography and Cultural Confrontation, 1945–1969” (CUNY, A. Chave)
YOUNG, LISA JAYE, “All Consuming: Weimar Photography and the Aesthetics of Americanization, 1923–33” (CUNY, G. Batchen)
GINDER, URSULA, “The Secret Snub: Munich in the Thirties” (UC Santa Barbara, R. B. Robertson)
SUTTON, ELIZABETH A., “The Art of Ethnology: Competition, Collaboration, and Classification in the Illustrated Travel Series of Cornelis Claesz” (Iowa, J. Hochstrasser)
TSULTEM, URANCHIMEG, “Ikh Khuree: Nomadic City of the Mongols” (UC Berkeley, P. Berger)
BORTOLOT, ALEXANDER, “A Language for Change: Creativity and Power in Mozambican Makonde Masked Performance, circa 1900–2004” (Columbia, N. Kampen)
CLEVELAND, KIMBERLY L., “New Center, Old Periphery: Race, Identity, and Regional Thematic Influences in Afro-Brazilian Art” (Iowa, S. Adams)
MEIER, SANDY (PRITA), “Local Cityscapes and Transcultural Imaginaries: Competing Architectures of Nineteenth- and Twentieth-Century Mombasa and Zanzibar” (Harvard, S. P. Blier)
STRINGFELLOW, GREGORY, “The Origin, Development, and Significance of the Female-Ancestor Masks among the Punu of Gabon” (Yale, R. Thompson)
APELIAN, COLETTE, “Negotiating the City: Conserving Fez, Morocco, during the French Protectorate (1912–1956)” (UCLA, I. Bierman-McKinney)
BARTEET, C. CODY, “Colonial Contradictions in the Casa de Montejo and Mérida, Yucatán: Space, Society, and Self-Representation at the Edge of Viceregal Mexico” (SUNY Binghamton, K. Barzman)
ÇELIK, ZEYNEP, “Kinaesthetic Impulses: Aesthetic Experience, Bodily Knowledge, and Pedagogical Practises in Germany, 1871–1918” (MIT, M. Jarzombek)
DILLON, JENNIFER, “Modernity, Sanitation, and the Public Bath: Berlin, 1896–1933, as Archetype” (Duke, A. Wharton)
EGGEBEEN, JANNA, “Airport Age: Architecture and Modernity in America” (CUNY, R. Bletter)
HUNTING, MARY ANNE, “Edward Durell Stone: Perception and Criticism” (CUNY, K. Murphy)
ISRAEL, JANNA, “Doge Cristoforo Moro and Patronage in Renaissance Venice” (MIT, D. Friedman)
KAUKAS HAVENHAND, LUCINDA, “Ideas as Interiors: Interior Design in the United States, 1930–1965” (Virginia Commonwealth, R. Hobbs)
KELLER, WILLIAM, “Urban Architecture for Community and Spectacle: The Roofed Arena in the United States, 1890–1969” (Delaware, D. Stillman)
LIEBER, JEFFREY, “Waging Total Peace: Architecture and Aesthetics, circa 1958–1963” (Michigan, A. Potts)
MAULSBY, LUCY, “Politics and Persuasion: The Architectural and Urban Transformation of Milan under Fascism, 1922–1943” (Columbia, R. Middleton)
MICHAEL, VINCENT, “Preserving the Future: Historic Districts in New York City and Chicago in the Late Twentieth Century” (UIC, R. Bruegmann)
MICHAILIDIS, MELANIE, “Landmarks of the Persian Renaissance: Monumental Funerary Architecture in Iran and Central Asia in the Tenth and Eleventh Centuries” (MIT, N. Rabbat)
MOHR, PAULA ANN, “Artificial Constructions and Object Lessons in a Sacred Landscape: The Art and Architecture of Central Park, 1858–1880” (Virginia, R. G. Wilson, L. Nelson, M. McInnis, F. Kowsky)
MULDER, KAREN L., “New Rationales for Neues Glas: Architectonic Considerations in Postwar German Glass Installations” (Virginia, R. G. Wilson, L. Nelson, L. Bouchard, V. Raguin)
MUSTO, JEANNE, “Byzantium in Bavaria: Art, Architecture, and History between Empiricism and Invention in the Post-Napoleonic Era” (Bryn Mawr, C. Hertel, D. Kinney)
REDENSEK, JEANETTE, “Manufacturing Gemeinschaft: Architecture, Tradition, and the Sociology of Community in Germany, 1890–1920” (CUNY, R. Bletter)
SKELTON, KIMBERLEY, “Planning Anew: The English Country House and Social Identity in the 1650s” (Yale, S. Isenstadt)
STEPHENSON, ANNE, “Rebuilding Bungalows: Home Improvement and the Historic Chicago Bungalow Initiative” (Chicago, K. Taylor)
SZCZESNY-ADAMS, CHRISTY M., “Cosmopolitan Design in the Upper Midwest: The NineteenthCentury Architecture of Edward Townsend Mix” (Virginia, R. G. Wilson, D. Bluestone, L. Nelson, P. Barolsky)
WARAICH, SALEEMA, “The Ramifications of Ramparts: The Mughal Forts of Lahore, Pakistan, and Delhi, India” (UCLA, R. Brown)
WHEELER, KATHERINE JEAN, “The Reception and Study of Renaissance Architecture in Great Britain, 1890–1914” (MIT, M. Jarzombek)
AKBARNIA, LADAN, “‘Khita’i’: Cultural Memory and the Creation of a Mongol Visual Idiom in Iran and Central Asia (1256–1353)” (Harvard, D. Roxburgh, G. Necipoglu)
APELIAN, COLETTE, “Negotiating the City: Conserving Fez, Morocco, during the French Protectorate (1912–1956)” (UCLA, I. Bierman-McKinney)
MICHAILIDIS, MELANIE, “Landmarks of the Persian Renaissance: Monumental Funerary Architecture in Iran and Central Asia in the Tenth and Eleventh Centuries” (MIT, N. Rabbat)
MULDER, STEPHENNIE, “The Architecture of Co-Existence: Shi’i Shrines and Sunni Patrons in the Medieval Levant” (Pennsylvania, R. Holod)
OLSON, MARSHA, “Jesus, Mary, and All the Saints: Indo-Portuguese Ivory Statuettes and Their Role as Mission Art in 17th–18th-Century Goa” (Minnesota, C. Asher)
SARDAR, MARIKA, “Golconda through Time: A Mirror of the Evolving Deccan” (IFA/NYU, P. Soucek)
BARI, MARTHA, “Mass Media Is the Message: Yoko Ono and John Lennon’s 1969 Year of Peace” (Maryland, College Park, R. Ater)
CHUNG, NOGIN, “Picturing American Women in the Postwar Period” (Minnesota, K. A. Marling)
GLAHN, PHILIP, “Estrangement and Politicizations: Bertold Brecht and Postwar American Art” (CUNY, G. Batchen)
GREENHILL, JENNIFER A., “‘The Plague of Jocularity’: Contesting Humor in American Art and Culture, 1863–93” (Yale, A. Nemerov)
HACK, BRIAN, “American Acropolis: George Grey Barnard’s Monument to Democracy, 1918–38” (CUNY, S. Webster)
IKEGAMI, HIROKO, “1964: Robert Rauschenberg and the Beginnings of Globalization in Modern Art” (Yale, A. Nemerov)
JENSEN, KIRSTEN M., “‘The American Salon’: The Art Gallery at the Chicago Interstate Industrial Exposition, 1873–90” (CUNY, S. Webster)
KRESSER, KATIE, “Art as History, History as Art: John La Farge and the Problem of Representation, 1859–1910” (Harvard, J. Roberts)
KUSSEROW, KARL, “Picturing Power: Portraiture and Its Uses in the New York Chamber of Commerce” (Yale, A. Nemerov)
LASSER, ETHAN, “Figures in the Grain: The Stakes of Furniture in Anglo-America, 1660–1800” (Yale, E. Cooke Jr.)
LONGWELL, ALICIA G., “John Graham and the Quest for an American Art in the 1920s and 1930s” (CUNY, K. Manthorne)
NELSON, ANDREA, “Reading Montage: The Photography Books of László Moholy-Nagy and Walker Evans” (Minnesota, J. Blocker)
PEDERSON, AMY, “Der Superman, Wie in der Welt Kam Er: Supermen and Modernism in Mid-Century America” (UCLA, M. Kelly, C. Whiting)
PHILLIPS, RUTH ANNE, “‘Pre-Columbian Revival’: Defining and Exploring a U.S. Architectural Style, 1910-1940” (CUNY, J. Sund)
POOR, NATASHA, “Dirty Art: Reconsidering the Work of Robert Rauschenberg, Bruce Conner, Jay DeFeo, and Edward Kienholz” (CUNY, A. Chave)
PRICE, JUSTINE DANA, “Critical Distinctions: Attitudes towards American Abstraction, 1936-1952” (UT Austin, R. Shiff)
ROMAINE, JAMES G., “Constructing a Beloved Community: The Methodological Development of Tim Rollins and K.O.S.” (CUNY, H. Senie)
RUNDQUIST, LEISA, “Firestorms and Conflagrations: The Inflamed Cosmology of Henry Darger” (UNC Chapel Hill, C. Mavor)
SAILOR, RACHEL M., “Meaningful Places: Nineteenth-Century Photography and the Local Landscapes of the American West” (Iowa, J. Kinsey)
SAMUEL, ANNE, “Rethinking Vision in the American Renaissance Murals of Edwin Howland Blashfield” (Delaware, M. Leja, M. Werth)
SHALES, EZRA, “John Cotton Dana and the Business of Enlightening Newark: Applied Art at the Newark Public Library and Museum, 1902-29” (Bard Graduate Center, K. Ames, P. Kirkham)
SLIFKIN, ROBERT, “Philip Guston’s ‘Return to Figuration’ and the Crisis in the Humanities” (Yale, A. Nemerov)
THRUSH, NANETTE, “Tilting at History: Gothic Revival Tournaments in Early Victorian Great Britain and the Antebellum American South” (Indiana, Bloomington, S. Burns)
ZARRO, JENNIFER, “Views of Philadelphia and the Culture of Geography, 1780-1800: Maps, Magazine Engravings, and William Birch” (Rutgers, W. Bellion)
BRASH, CAROL, “Representations of Gardens under the Ming” (Minnesota, R. Poor)
CHANG, HAN-YUN, “He Tianjian (1891- 1977) and Defense of Guohua” (UC Santa Barbara, P. Sturman)
DEBRECZENY, KARL, “Ethnicity and Esoteric Power: Negotiating Sino-Tibetan Synthesis in Ming Painting” (Chicago, H. Wu)
GIUFFRIDA, NOELLE, “Representing the Daoist God Zhenwu, the Perfected Warrior, in Late Imperial China” (Kansas, M. Haufler)
LAI, DELIN, “Chinese Modern: Sun Yat-Sen’s Mausoleum as a Crucible for Defining Modern Chinese Architecture” (Chicago, H. Wu)
LAI, KUO-SHENG, “Learning New Painting from Japan and Maintaining National Pride in Early-Twentieth-Century China, with Focus on Chen Shizeng (1876-1923)” (Maryland, College Park, J. Kuo)
LU, LING-EN, “Sagas, Deities, and Hell: Ming Dynasty Wall Paintings in the Temple of the Three Lords” (Kansas, M. Haufler)
PARK, JONG PHIL, “Ensnaring the Public Eye: Painting Manuals of Late Ming China (1550-1644) and the Negotiation of Taste” (Michigan, M. Powers)
SENA, YUN-CHIAHN, “Antiquity to Antiquarianism: Chinese Discourses on Antiquity from the Tenth to Thirteenth Century” (Chicago, H. Wu)
SHANG, KELA, “Visualizing Social Spaces: Site and Situation in Xiang Shengmo’s (1597-1658) Art” (Stanford, R. Vinograd)
WANG, HAICHENG, “Writing and the State in Early China in Comparative Perspective” (Princeton, R. Bagley)
WANG, MEIQIN, “Confrontation and Complicity: Rethinking Official Art in Contemporary China” (SUNY Binghamton, N. Um)
WANG, YUDONG, “Figures en buste in Medieval China: Three Studies” (Chicago, H. Wu)
YU, HUI-CHUN, “The Intersection of Past and Present: The Qianlong Emperor and His Ancient Bronzes” (Princeton, S. Naquin)
ZHANG, LIANGREN, “Ancient Society and Metallurgy: A Comparative Study of Bronze Age Societies in Central Eurasia and North China” (UCLA, L. von Falkenhausen)
ADAMS, VIRGINIA, “Illusion and Disillusionment in the Works of Jeff Wall and Gerhard Richter: Picturing (Post)Modern Life” (Maryland, College Park, S. Mansbach)
BOETZKES, AMANDA, “Beyond Perception: The Ethics of Contemporary Earth Art” (McGill, C. Ross)
EISMAN, APRIL, “Bernhard Heisig and the Cultural Politics of East German Art” (Pittsburgh, B. McCloskey)
EMERLING, JOHN A., “The Gesture of Collecting: Walter Benjamin and Contemporary Aesthetics” (UCLA, D. Preziosi)
FARRELL, JENNIFER, “Il s’Agit de Voir: The Early Work of Daniel Buren” (CUNY, R. Golan)
FREDRICKSON, LAUREL, “Kate Millett and Jean-Jacques Lebel: Sexual Outlaws in the Intermedia Borderlands of Art and Politics” (Duke, K. Stiles)
GLAHN, PHILIP, “Estrangement and Politicizations: Bertold Brecht and Postwar American Art” (CUNY, G. Batchen)
HOLMES, KRISTY ARLENE, “The Gendered Nation: The Work of Joyce Wieland, 1964-1976” (Queen’s, Kingston, L. Jessup, S. Lord)
MANSOOR, JALEH, “Marshall Plan Monochrome: The Matrix of Fifties Abstraction” (Columbia, B. Buchloh, R. Krauss)
MUIR, KIM H. S., “Wounded Masterpieces: Restoring Works of Art when Damage Carries Meaning” (Queen’s, Kingston, C. Hoeniger)
RICHARDS, ELIZABETH, “Fabrics in Modern and Contemporary America Art: Unraveling Threads of Discourse” (Cornell, J. Bernstock)
ROMAINE, JAMES G., “Constructing a Beloved Community: The Methodological Development of Tim Rollins and K.O.S.” (CUNY, H. Senie)
STECK, STUART, Y., “Veiling the Subject: Ellsworth Kelly and the Discourses of Modernism” (Boston, P. Hills)
TINTI, MARY M., “The Contemporary Art of Travel: Siting Public Sculpture within the Culture of Flight” (Rutgers, J. Marter)
WANG, MEIQIN, “Confrontation and Complicity: Rethinking Official Art in Contemporary China” (SUNY Binghamton, N. Um)
BILLINGS, LYNDA, “The Fine Arts in Healthcare: Development of an Arts-Based Curriculum for the Texas Tech University Health Sciences Center School of Nursing” (Texas Tech, B. Steele)
ÇELIK, ZEYNEP, “Kinaesthetic Impulses: Aesthetic Experience, Bodily Knowledge, and Pedagogical Practises in Germany, 1871–1918” (MIT, M. Jarzombek)
EMERLING, JOHN A., “The Gesture of Collecting: Walter Benjamin and Contemporary Aesthetics” (UCLA, D. Preziosi)
HOWIE, ELIZABETH, “The Courtly Erotics of the Photograph: Photography and the 19th-Century Theorization of Courtly Love” (UNC Chapel Hill, C. Mavor)
MEREDITH, RUTH, “From Material to Meaning: A Multidisciplinary Exploration of Creative Practice and Hermeneutic Theories” (University of New Mexico, H. Barnet-Sanchez)
MUZAFFAR, M. IJLAL, “The Periphery Within: Modern Architecture and the Making of the Third World” (MIT, M. Jarzombek)
O’BRIEN, JAMES P., “Possibilities for Architectural Production under Capitalism” (MIT, M. Jarzombek)
PERSINGER, CINDY, “The Politics of Style: Meyer Schapiro and the Crisis of Meaning in Art History” (Pittsburgh, B. McCloskey)
RICCIARDELLI, LUCIA, “Visual Culture and the Crisis of History: American Documentary Practice in the Postmodern Era” (UC Santa Barbara, S. Chattopadhyay)
SKURVIDAITE, SANDRA, “States of Self: Carolee Schneemann’s Works, 1962–1974” (SUNY Stony Brook, D. Kuspit)
STECK, STUART Y., “Veiling the Subject: Ellsworth Kelly and the Discourses of Modernism” (Boston, P. Hills)
WANG, MEIQIN, “Confrontation and Complicity: Rethinking Official Art in Contemporary China” (SUNY Binghamton, N. Um)
FLEMING, ELIZABETH, “ReDesigning the Decorative Arts: The Production and Promotion of Postmodern Objects” (Yale, E. Cooke Jr.)
KAUKAS HAVENHAND, LUCINDA, “Ideas as Interiors: Interior Design in the United States, 1930–1965” (Virginia Commonwealth, R. Hobbs)
LASSER, ETHAN, “Figures in the Grain: The Stakes of Furniture in Anglo-America, 1660–1800” (Yale, E. Cooke Jr.)
NIEKRASZ, CARMEN C., “Flemish Tapestry and Natural History, 1550–1600” (Northwestern, C. Swan)
SHALES, EZRA, “John Cotton Dana and the Business of Enlightening Newark: Applied Art at the Newark Public Library and Museum, 1902–29” (Bard Graduate Center, K. Ames, P. Kirkham)
O\’BRIEN, JAMES P., “Possibilities for Architectural Production under Capitalism” (MIT, M. Jarzombek)
BARBERIE, PETER, “Conventional Pictures: Charles Marville in the Bois de Boulogne” (Princeton, P. Bunnell)
DANAUX, STÉPHANIE, “L’essor du livre illustré au Québec en relation avec les milieux artistiques et éditoriaux français, 1880–1940” (Université de Montréal, L. Lamarche)
NOONAN, JENNIFER, “Romancing the Stone: Printmaking and the Body in the 1960s and 1970s” (Penn State, S. Rich)
WEIL, MICHAEL, “Sowing the Seeds of a New Fine Art: Stieglitz, O’Keeffe, and Photography in American Museums” (Case Western Reserve, E. Landau)
CAMERLENGHI, NICOLA, “The Life of the Basilica of San Paolo fuori le Mura in Rome: Architectural Renovations from the Ninth to the Nineteenth Centuries” (Princeton, S. Ćurčić)
CHATTERJEE, PAROMA, “Narrating Sanctity: The Narrative Icon in Byzantium and Italy” (Chicago, R. Nelson)
DOWNS, JOAN, “The Topography and Iconography of Death in Christian North Africa” (Michigan, T. Thomas)
POE, ALISON CRYSTAL, “The Third-Century Mausoleum (‘Hypogaeum’) of the Aurelii in Pagan or Mixed-Religion Collegium Tomb” (Rutgers, A. St. Clair Harvey)
PROCTOR-TIFFANY, MARIAH, “Portrait of a Medieval Patron: The Inventory and Gift Giving of Clémence of Hungary” (Brown, S. Bonde)
RYDER, EDMUND, “Micromosaic Icons of the Late Byzantine Period” (IFA/NYU, T. Mathews)
ATAOGUZ, J. KIRSTEN, “The Apostolic Mission of the Monks at the Monastery of Saint John in Müstair, Switzerland” (Harvard, J. Hamburger, I. Kalavrezou)
BAUER, CHARLOTTE, “Visual Constructions of Corporate Identity and Exempla for the University of Paris, 1200–1500” (UIUC, A. Hedeman)
BRADBURY, CARLEE ANN, “Imaging and Imagining the Jew in Medieval England” (UIUC, A. Hedeman)
CARTWRIGHT, SARAH, “The Collectio Antiquitatum of Giovanni Marcanova (Modena Biblioteca Estense Universitaria Ms. alfa. L.5.15 = Lat. 992) and the Quattrocento Antiquarian Sylloge” (IFA/NYU, J. Alexander)
COLLINS, KRISTEN MARY, “Redeemer, Mother, and Ruler: Images of the Virgin in Ottonian Germany” (UT Austin, J. Holladay)
DANIELSON, SIGRID, “The Gold Altar of Sant’Ambrogio in Milan” (Indiana, Bloomington, W. E. Kleinbauer)
DOLAN, MARION, “The Role of Illustrated Aratea Manuscripts in the Transmission of Astronomical Knowledge in the Middle Ages” (Pittsburgh, A. Stones)
HADLEY, MARGARET, “The Yale Missal, Beinecke Library, Ms. 425” (Yale, J. Jung)
HUMPHREY, LYLE, “The Illumination of Confraternity and Guild Statues in Venice, ca. 1260–1500: Mariegola Production, Iconography, and Use” (IFA/NYU, J. Alexander)
JOYNER, DANIELLE, “A Timely History: Images and Texts in the Hortus Deliciarum” (Harvard, J. Hamburger)
KUMLER, ADEN, “Visual Translation, Visible Theology: Illuminated Devotional Compendia in Late Medieval France and England” (Harvard, J. Hamburger)
LAW, AMITY, “Generating Identity through Plan and Architecture: Barcelona Cathedral, Gothic Drawing, and the Crown of Aragon” (Columbia, S. Murray)
MAHONEY, LISA J., “Re-Presenting the Past: The London Histoire ancienne jusqu’à César in the Holy Land” (Johns Hopkins, D. Weiss)
MARCHIORI, MARIA LAURA, “Art and Reform in Tenth-Century Rome: The Painting of S. Maria in Pallara” (Queen’s, Kingston, J. Osborne)
MORROW, KARA, “‘Ears and eyes and mouth and heart PROCTOR-TIFFANY, MARIAH, “Portrait of a Medieval Patron: The Inventory and Gift Giving of Clémence of Hungary” (Brown, S. Bonde)
ROBERTS, ANGELA, “Donor Portraits in Late Medieval Venice, c. 1280–1413” (Queen’s, Kingston, J. Osborne)
TALLON, ANDREW J., “Experiments in Early Gothic Structure: The Flying Buttress” (Columbia, S. Murray)
TOMLINSON, SALLY, “Whispering Demons on the Irish High Crosses: Rethinking the Temptation of Saint Anthony” (UNC Chapel Hill, D. Verkerk)
BESTOCK, LAUREL, “The Development of Royal Funerary Cult at Abydos: Two New Funerary Enclosures from the Reign of Aha” (IFA/NYU, D. O’Connor)
ZIMMERMAN, MICHAEL, “The Hellenistic and Roman Pottery from the Village (Field I) at ‘Iraq al-Amir, Jordan: A Typological Study” (Brown, M. Joukowsky)
FORTIER, MARIE-JOSÉ, “Les jardins d’agré MARCEREAU DEGALAN, AIMEE, “Dangerous Beauty: Painted Canvases and Painted Faces in Eighteenth-Century Britain” (Case Western Reserve, A. Helmreich)
RUDY, ELIZABETH, “Pierre-Paul Prud’hon (1758–1823) and the Problem of Allegory” (Harvard, H. Zerner)
BUSBY, KIMBERLY, “The Temple Terracottas of Etruscan Orvieto: A Vision of the Underworld in the Art and Cult of Ancient Volsinii” (UIUC, E. Hostetter)
COX, SARAH E., “Rome Restored: The Themes of Pax and Restitutio under Vespasian and Titus” (Columbia, R. Brilliant)
DE STAEBLER, PETER, “The City Wall of Aphrodisias and Civic Identity in Late Antique Asia Minor” (IFA/NYU, C. Ratté)
FARO, ELISSA, “Group Identities and Participant Action: Towards a Re-interpretation of the Minoan Extra-Urban Ritual Space” (Michigan, J. Cherry)
FUGATE BRANGERS, SUSAN, “The Mausoleum of Augustus: Expanding Meaning from Its Inception to the Present Day” (Louisville, S. Maloney)
GROSS, ROBERT, “Hellenistic Royal Iconography in Glyptics” (Rutgers, J. Kenfield)
LEVINE, RACHEL, “Dreaming the Divine: Architecture and Ritual in Ancient Healing Sanctuaries” (Toronto, M. Miller)
MARTIN, S. REBECCA, “‘Hellenization’ and Southern Phoenicia: The Impact of Greece before Alexander” (UC Berkeley, A. Stewart)
MCFADDEN, SUSANNA, “Courtly Places and Sacred Spaces: The Social and Political Significance of Monumental Wall Paintings in Late Antiquity” (Pennsylvania, A. Kuttner)
NG, DIANA, “Manipulation of Memory: Public Buildings and Decorative Programs in Roman Cities of Asia Minor” (Michigan, E. Gazda)
SANDHOFF, BRIDGET K., “Androgyny in Etruscan Art and Culture” (Iowa, R. De Puma, W. Tomasini)
STINSON, PHILIP, “The Civil Basilica at Aphrodisias in Its Local and Wider Settings” (IFA/NYU, C. Ratté, K. Welch)
WALCEK AVERETT, ERIN, “Terracotta Sculpture in Early Iron Age Greece” (Missouri, S. Langdon)
WILLIAMS, CHRISTOPHER, “Roman Egypt: Change amid Continuity in the Art and Architecture of an Eastern Imperial Province” (Missouri, K. W. Slane)
COVACI, IVE AASLID, “The Ishiyamadera engi and the Representation of Dreams in Pre-Modern Japanese Art” (Yale, M. Yiengpruksawan)
GUNJI, NAOKO, “Amidaji: Mortuary Art, Architecture, and Rites of Emperor Antoku’s Temple” (Pittsburgh, K. Gerhart)
HOLMBERG, RYAN, “Garo Manga, 1964–1972” (Yale, M. Yiengpruksawan)
OTA, PAULINE, “Re-presenting the Imperial Capital: Kyoto Cityscapes, 1755–1787” (Stanford, M. Takeuchi)
SAKOMURA, TOMOKO, “Pictured Words and Codified Seasons: Visualizations of Waka Poetry in Late-Sixteenth- and Early-Seventeenth-Century Japan” (Columbia, M. McCormick, R. Harrist)
BARTEET, C. CODY, “Colonial Contradictions in the Casa de Montejo and Mérida, Yucatán: Space, Society, and Self-Representation at the Edge of Viceregal Mexico” (SUNY Binghamton, K. Barzman)
BRICE, LESLIE, “Nou La, We Here: Remembrance and Power in the Arts of Haitian Vodou” (Maryland, College Park, S. Promey)
BUONO, AMY, “Feathered Identities and Plumed Performances: Tupinambá Interculture in Early Modern Brazil and Europe” (UC Santa Barbara, J. Peterson)
CORDOBA, JAMES, “Mexico’s Crowned Virgins: Visual Strategies and Colonial Discourse in New Spain’s Portraits of Crowned Nuns” (Tulane, E. Boone)
ELPHICK, NENITA PONCE DE LEON, “Memory, Presence, and Power: The Social Life of Portraits in Peru” (Harvard, T. Cummins)
GONZÁLEZ-ANDRIEU, CECILIA, “García Lorca as Theologian: The Method and Practice of Interlacing the Arts and Theology” (Graduate Theological Union, A. García-Rivera)
HAJOVSKY, PATRICK, “On the Lips of Others: Fame and the Transformation of Moctezuma’s Image” (Chicago, T. Cummins)
MINER, DYLAN, “With Our Hearts in Our Hands and Our Hands in the Soil: Aztlán as Utopic Space in Chicano/a Art and Visual Culture” (University of New Mexico, H. Barnet-Sanchez)
POZZI-HARRIS, ANA JORGELINA, “Peronism and Abstract Art in Argentina, 1943–1945” (UT Austin, J. Barnitz)
BUNN-MARCUSE, KATHRYN BURGESS, “Precious Metals: Silver and Gold Bracelets from the Northwest Coast” (University of Washington, R. Wright)
ALLAN, SCOTT, “Gustave Moreau (1826–1898) and the After Life of French History Painting” (Princeton, C. Armstrong)
BOSTON, LEAH, “Political Vision: Art and Revolution in the Salons of Les XX (1884–1893)” (Northwestern, S. Eisenman)
BRIGGS, JO, “Art, Protest, and Failure in Fin-de-Siècle Europe” (Yale, T. Barringer)
BURNHAM, HELEN, “Fashion and the Representation of Modernity: Studies in the Late Work of Édouard Manet, 1832–1883” (IFA/NYU, L. Nochlin)
COYLE, LAURA, “The Still-Life Paintings of Vincent van Gogh and Their Context” (Princeton, J. Wilmerding)
CROSSMAN, COLETTE, “Art as Lived Religion: Edward Burne-Jones as Painter, Priest, Pilgrim, and Monk” (Maryland, College Park, W. Pressly)
EPSTEIN, JOHANNA, “The Impressionist Brush: Perceptions of Seventeenth-Century Dutch Art in France” (IFA/NYU, L. Nochlin)
GANZ, SARAH, “Promising Pictures: Utopian Aspirations and Pictorial Realities in 1890s France” (IFA/NYU, L. Nochlin)
HEGSTROM, DEBRA, “Gustav Stickley and American ‘Home-making’ in The Craftsman: Gender and Design Issues, 1890–1915” (Minnesota, G. Weisberg)
HOWIE, ELIZABETH, “The Courtly Erotics of the Photograph: Photography and the 19th-Century Theorization of Courtly Love” (UNC Chapel Hill, C. Mavor)
JENSEN, HEATHER, “Portraitistes à la plume: Women Art Critics in Revolutionary and Napoleonic France” (Kansas, M. Kessler)
JENSEN, KIRSTEN M., “‘The American Salon’: The Art Gallery at the Chicago Interstate Industrial Exposition, 1873–90” (CUNY, S. Webster)
KIM, JONGWOO, “Royal Academicians and the Crisis of Masculinity in Modern England” (IFA/NYU, L. Nochlin)
LEHMBECK, LEAH, “Édouard Manet’s Portraits of Women” (IFA/NYU, L. Nochlin)
LINFORD, SARAH, “Symbolism and the Third Republic: Tradition as Avant-Garde, 1871–1915” (Princeton, T. Porterfield)
MOREHEAD, ALLISON, “Creative Pathologies: French Experimental Psychology and Symbolist Avant-Gardes, 1889–1900” (Chicago, M. Ward)
OBERTER, RACHEL, “Spiritualism and the Visual Imagination in Victorian Britain” (Yale, T. Barringer)
O\’HALLORAN, DEIRDRE, “The (Il)legibility of Character: Gesture, Costume, and Identity in Goya” (Bryn Mawr, G. McKim-Smith)
SCHNEIDER, ERICA, “Starving for Recognition: The Representation of the Struggling Artist in America, 1810–1865” (Temple, T. Dolan)
SINGLETARY, SUZANNE, “Whistler and France” (Temple, T. Dolan)
THRUSH, NANETTE, “Tilting at History: Gothic Revival Tournaments in Early Victorian Great Britain and the Antebellum American South” (Indiana, S. Burns)
WHEELER, KATHERINE JEAN, “The Reception and Study of Renaissance Architecture in Great Britain, 1890–1914” (MIT, M. Jarzombek)
WAGELIE, JENNIFER, “Maori Art in America: The Display and Collection History of Maori Art in the United States, 1802–2006” (CUNY, G. Corbin)
HILLMAN, SUSANNE NAIMA, “Robert Rauschenberg, Robert Whitman, and Billy Klüver: From ‘9 Evenings’ to ‘Experiments in Art and Technology’” (Rutgers, J. Marter)
MORÁN, ELIZABETH, “The Sacred as Everyday: Food and Ritual in Aztec Art” (CUNY, E. Quiñones-Keber)
NIEVES, ANA CECILIA, “Between the River and the Pampa: A Contextual Approach to the Rock Art of the Nasca Valley (Grande River System, Department of Ica, Peru)” (UT Austin, S. Bourget, T. Grieder)
PHILLIPS, RUTH ANNE, “‘Pre-Columbian Revival’: Defining and Exploring a U.S. Architectural Style, 1910–1940” (CUNY, J. Sund)
ROBB, MATTHEW, “The Construction of Civic Identity at Teotihuacan” (Yale, M. Miller)
SPENCER, KAYLEE RAE, “Toward an Understanding of Elite Late Classic Maya Representations at Palenque, Mexico” (UT Austin, J. Guernsey)
ANDERSON, SUSAN, “Witty and Lascivious Amusements: The Drawings of Cornelis Dusart and the Dawn of the Eighteenth Century” (IFA/NYU, E. Haverkamp-Begemann)
BADIEE-BANTA, ANDALEEB, “Bernardo Strozzi: Defining an Artistic Identity in Early Seventeenth-Century Genoa” (IFA/NYU, J. Brown, L. Rice)
BALDASSO, RENZO, “Illustrating the Book of Nature in the Renaissance: Drawing, Painting, and Printing Geometric Diagrams and Scientific Figures” (Columbia, D. Freedberg)
BIRD, JENNIFER, “Curiosity and the Ideal: Anatomical Investigation and the Gendered Imagination in Sixteenth-Century Italian Art” (Bryn Mawr, D. Cast)
BUBENIK, ANDREA, “The Reception of Albrecht Dürer, 1528–1700: The Practices of Art, Science, and Collecting” (Queen’s, Kingston, C. Hoeniger, V. Manuth)
CARTWRIGHT, INGRID, “Hoe schilder hoe wilder: Dissolute Self-Portraits in Seventeenth-Century Dutch and Flemish Art” (Maryland, College Park, A. Wheelock)
CHRISTIAN, MICHELLE MOSELEY, “Seventeenth-Century Dutch and Flemish Genre-Portraiture” (Kansas, L. Stone-Ferrier)
DE CAVI, SABINA, “Spain in Naples: Building, Sculpting, and Painting for the Viceroys (1585–1621)” (Columbia, J. Connors)
DUFFY-ZEBALLOS, LISA, “Murillo’s Devotional Paintings and the Late Baroque Culture of Prayer in Seville” (IFA/NYU, J. Brown)
EDWARDS, KAREN, “Rethinking the Reinstallation of the Studiolo of Francesco l de’ Medici in the Palazzo Vecchio” (Case Western Reserve, E. Olszewski)
ELET, YVONNE, “Papal villeggiatura in Early Modern Rome: Poetry, Spoils, and Stucco at Raphael’s Villa Madama” (IFA/NYU, K. Weil-Garris Brandt)
ETHERIDGE, CHRISTOPHER BLAIR, “Con risolutione di mano formate: Francesco Villamena and the Art of Engraving in Counter-Reformation Rome” (Harvard, H. Zerner)
FORTIER, MARIE-JOSÉ, “Les jardins d’agré GENONI, MIA REINOSO, “Filarete in Word and Image: Persuasion and Invention in the Architetonico Libro” (IFA/NYU, M. Trachtenberg)
GHADESSI, TOUBA, “Identity and Physical Deformity in Italian Court Portraits, 1550–1650: Dwarves, Hirsutes, and Castrati” (Northwestern, L. Massey)
GIMÉNEZ-BERGER, ALEJANDRA, “Castiglione, Portraiture, and Performance at the Court of Philip II of Spain” (Temple, T. Cooper)
GIRNIUS, RIMA, “Rembrandt’s Spaces” (Bryn Mawr, C. Hertel)
GIUFFRE, JOSEPH RANDALL, “Design in Raphael’s Roman Workshop” (Rutgers, S. McHam)
HO, ANGELA, “Rethinking Repetition: Constructing Value in Dutch Genre Painting, 1650s to 1670s” (Michigan, C. Brusati)
HUNTER, MATTHEW, “Robert Hooke Fecit: Making and Knowing in Restoration London” (Chicago, J. Snyder)
ISRAEL, JANNA, “Doge Cristoforo Moro and Patronage in Renaissance Venice” (MIT, D. Friedman)
JOHNSTON, BARBARA, “Sacred Kingship and Royal Patronage in the La Vie de la Magdalene: Pilgrimage, Politics, Passion Plays, and the Life of Louise of Savoy” (Florida State, R. Neuman)
KNAAP, ANNA, “Seeing in Sequence: Rubens and the Jesuit Christ in Antwerp” (IFA/NYU, E. Haverkamp-Begemann)
KOREY, ALEXANDRA, “Putti, Pleasure, and Pedagogy in Sixteenth-Century Italian Prints and Decorative Arts” (Chicago, C. Cohen)
LEOPARDI, LILIANA, “Aesthetic Hybrids: Interpreting Carlo Crivelli’s Ornamental Style” (IFA/NYU, C. Eisler)
LOCKER, JESSE, “‘The Hands of Aurora’: Artemisia Gentileschi and Her Contemporaries” (Johns Hopkins, C. Dempsey)
MACLAREN, SHELLEY J., “The Word Made Flesh: Word and Image in Francesco da Barberino’s Documenti d’Amore” (Emory, J. Campbell)
MCGARRY, RACHEL, “The Young Guido Reni: The Artist in Bologna and Rome, 1575–1605” (IFA/NYU, J. Brown, L. Rice)
NEVILLE, KRISTOFFER, “Nicodemus Tessin the Elder and German Artists in Sweden in the Age of the Thirty Years’ War” (Princeton, T. DaCosta Kaufmann)
NIEKRASZ, CARMEN C., “Flemish Tapestry and Natural History, 1550–1600” (Northwestern, C. Swan)
PEDERSON, JILL, “The Academia Leonardi Vinci: Visualizing Dialectic in Renaissance Milan, 1480–1499” (Johns Hopkins, S. Campbell, C. Dempsey)
PENNISI, MEGHAN, “Dutch Flower Still-Life Painting in Middleburg, ca. 1600–1620” (Northwestern, C. Swan)
PILASKI, KATHARINA, “The Munich Kunstkammer: Art, Nature, and the Representation of Knowledge in Courtly Contexts” (UC Santa Barbara, M. Meadow)
POOLE, KATHERINE, “The Medici Grand Dukes and the Art of Conquest: Ruling, Identity, and the Formation of a Tuscan Empire, 1537–1609” (Rutgers, S. McHam)
PRASAD, SHILPA, “Modes of Representation: Genre, Theater, Music, and Voice in the Work of Guercino” (Johns Hopkins, E. Cropper)
SCANLAN, SUZANNE, “Doorways to the Demonic and Divine: Visions of Santa Francesca Romana and the Frescoes of Tor de’ Specchi” (Brown, E. Lincoln)
SCHAUDIES, IRENE, “Proverbs, Fables, and Folklore: The Genre Painting of Jacob Jordaens” (Brown, E. Lincoln)
SHEAN, JULIE, “Models of Virtue: Images and Saint-Making in Colonial Puebla (1640–1800)” (IFA/NYU, J. Brown)
SMITH, JAMIE, “So moeti den schilt draghen; Dien God veruwede met roder greine: Jan van Eyck’s Critical Principles of Oil Painting and Their Middle Dutch Antecedents” (Johns Hopkins, W. Melion)
STERMOLE, KRYSTINA K., “Venetian Art and the War of the League of Cambrai (1509–1517)” (Queen’s, Kingston, D. McTavish)
THOMAS, ROBIN, II, “Charles of Bourbon’s Naples: Architecture and Urbanism” (Columbia, J. Connors)
WAIBOER, ADRIAAN, “Gabriel Metsu (1629–1667): Life and Work” (IFA/NYU, E. Haver WATERMAN, JOSHUA, “Intersections of Art and Literature of the Silesian Baroque: Studies on the Works of Matthias Rauchmiller, Daniel Casper von Lohenstein, Michael Willmann, and Johannes Scheffler (Angelus Silesius)” (Princeton, T. DaCosta Kaufmann)
ZALAMEA, PATRICIA, “Subject to Diana: Myth, Identity, and Artistic Origins in French Court Imagery” (Rutgers, C. Puglisi)
KIM, BOKYUNG, “Indefinite Boundaries: Reconsidering the Relationship between Borobudur and Loro Jonggrong in Central Java” (UCLA, R. Brown)
KIM, HAWON, “The 19th-Century Jain Pilgrimage Site of Satrunjaya, Gujarat” (Minnesota, F. Asher)
WARAICH, SALEEMA, “The Ramifications of Ramparts: The Mughal Forts of Lahore, Pakistan, and Delhi, India” (UCLA, R. Brown)
ADAMS, ELLEN, “After the Rain: Surrealism and the Post–World War II Avant-Garde, 1940–1950” (IFA/NYU, R. Lubar)
ADAMS, VIRGINIA, “Illusion and Disillusionment in the Works of Jeff Wall and Gerhard Richter: Picturing (Post)Modern Life” (Maryland, College Park, S. Mansbach)
AMSELLEM, PATRICK, “Remembering the Past, Constructing the Future: The Memorial to the Deportation in Paris and Experimental Commemoration after the Second World War” (IFA/NYU, J-L. Cohen)
ANDREW, ELLEN, “Bodies of the Avant-Garde: Modern Dance and the Plastic Arts, 1890–1930” (Chicago, M. Ward)
ATKINS, GILLIAN YATES, “Ephemeral Installations: Contemporary Canadian Art in the Public Arena” (Toronto, M. Cheetham)
BANAI, NOIT, “Public Disorder: Yves Klein, 1945–1962” (Columbia, J. Rajchman)
BARI, MARTHA, “Mass Media Is the Message: Yoko Ono and John Lennon’s 1969 Year of Peace” (Maryland, College Park, R. Ater)
BORTOLOT, ALEXANDER, “Appearance versus Reality: The Representational Turn in 20th-Century Makonde Masks and Performance” (Columbia, N. Kampen)
CABAÑAS, KAIRA, “Toward a Performative Realism: Art in France, 1957–1963” (Princeton, H. Foster)
CHUNG, NOGIN, “Picturing American Women in the Postwar Period” (Minnesota, K. A. Marling)
CURLEY, JOHN J., “The Art That Came in from the Cold: Andy Warhol and Gerhard Richter, 1950–1968” (Yale, D. Joselit, C. Mehring)
DEYASI, MARCO, “French Visual Culture and ‘Indochina’: Modernism, Primitivism, and Colonialism, 1889–1931” (Duke, P. Leighten)
EISMAN, APRIL, “Bernhard Heisig and the Cultural Politics of East German Art” (Pittsburgh, B. McCloskey)
GALLIGAN, GREGORY, “The Cube in the Kaleidoscope: The American Reception of French Cubism, 1918–1938” (IFA/NYU, R. Lubar)
HACK, BRIAN, “American Acropolis: George Grey Barnard’s Monument to Democracy, 1918–38” (CUNY, S. Webster)
HAMLIN, AMY, “Between Form and Subject: Max Beckmann’s Critical Reception and Development, ca. 1906–1924” (IFA/NYU, R. Lubar)
HOLMBERG, RYAN, “Garo Manga, 1964–1972” (Yale, M. Yiengpruksawan)
IKEGAMI, HIROKO, “1964: Robert Rauschenberg and the Beginnings of Globalization in Modern Art” (Yale, A. Nemerov)
KATSNELSON, ANNA WEXLER, “Red Aesop? The Visual Culture of Late Russian Avant-Garde” (Harvard, Y-A. Bois)
KIM, JONGWOO, “Royal Academicians and the Crisis of Masculinity in Modern England” (IFA/NYU, L. Nochlin)
LISIEWICZ, MALGORZATA, “Mission Impossible? Zachęta National Gallery of Art at the End of the 20th Century” (Chicago, M. Ward)
MANSOOR, JALEH, “Marshall Plan Monochrome: The Matrix of Fifties Abstraction” (Columbia, B. Buchloh, R. Krauss)
MCBREEN, ELLEN, “The Pimp and the Primitive: Eros and Africa in the Sculpture of Henri Matisse (1906–1909)” (IFA/NYU, R. Lubar)
MCCORMICK, SETH, “Jasper Johns, 1954–1958: Persecution and the Art of Painting” (Columbia, J. Crary)
MINTURN, KENT, “Contre-Histoire: The Postwar Art and Writings of Jean Dubuffet” (Columbia, R. Krauss)
NELSON, ANDREA, “Reading Montage: The Photography Books of László Moholy-Nagy and Walker Evans” (Minnesota, J. Blocker)
NOONAN, JENNIFER, “Romancing the Stone: Printmaking and the Body in the 1960s and 1970s” (Penn State, S. Rich)
PEDERSON, AMY, “Der Superman, Wie in der Welt Kam Er: Supermen and Modernism in Mid-Century America” (UCLA, M. Kelly, C. Whiting)
POOR, NATASHA, “Dirty Art: Reconsidering the Work of Robert Rauschenberg, Bruce Conner, Jay DeFeo, and Edward Kienholz” (CUNY, A. Chave)
POZZI-HARRIS, ANA JORGELINA, “Peronism and Abstract Art in Argentina, 1943–1945” (UT Austin, J. Barnitz)
PRICE, JUSTINE DANA, “Critical Distinctions: Attitudes towards American Abstraction, 1936–1952” (UT Austin, R. Shiff)
RITTER, JONATHAN, “The American Civic Center: Urban Ideals and Compromise on the Ground” (IFA/NYU, J-L. Cohen)
RUNDQUIST, LEISA, “Firestorms and Conflagrations: The Inflamed Cosmology of Henry Darger” (UNC Chapel Hill, C. Mavor)
SAWICKI, NICHOLAS, “Becoming Modern: The Prague Eight and Modern Art, 1900–1910” (Pennsylvania, C. Poggi)
SCHWARTZ, STEPHANIE, “The Crime of Cuba: Urbanism, Photography, and the Geopolitics of Americanization” (Columbia, B. Buch SKURVIDAITE, SANDRA, “States of Self: Carolee Schneemann’s Works, 1962–1974” (SUNY Stony Brook, D. Kuspit)
SLIFKIN, ROBERT, “Philip Guston’s ‘Return to Figuration’ and the Crisis in the Humanities” (Yale, A. Nemerov)
SRYPZAK, JOANN, “Sporting Modernity: German Artists and the Athletic Body, 1918–1945” (Wisconsin, Madison, B. Buenger)
STRAUGHN, MARYCELKA, “Jewish Expressionism: The Making of Modern Jewish Art in Berlin” (Chicago, R. Heller)
WEIL, MICHAEL, “Sowing the Seeds of a New Fine Art: Stieglitz, O’Keeffe, and Photography in American Museums” (Case Western Reserve, E. Landau)
WARWICK, ACACIA R., “Prefabricated Desire: Surrealism, Mannequins, and the Fashioning of Modernity” (UCLA, A. Boime)
MUZAFFAR, M. IJLAL,“The Periphery Within: Modern Architecture and the Making of the Third World” (MIT, M. Jarzombek) Egyptian/Ancient Near Eastern Art
Eighteenth-Century Art
Film/Video
Greek/Roman Art
Japanese/Korean Art
Latin American/Caribbean Art
Native American Art
Nineteenth-Century Art
Oceanic/Australian Art
Outsider/Folk Art
Performance Studies/Installation/ Environmental Art
Pre-Columbian Art
Prehistoric Art
Renaissance/Baroque Art
South/Southeast Asian Art
Twentieth-Century Art
World Art
Dissertations Completed by Subject Matter
African Art (sub-Saharan)
Architectural History/Historic Preservation
Art of the Middle East/North Africa
Art of the United States
Chinese Art
Contemporary Art
Critical Theory/Gender Studies/Visual Studies
Decorative Arts/Textiles/Design History
Digital Media/Animation
Drawings/Prints/Photography/Works on Paper
Early Christian/Byzantine Art
Early Medieval/Romanesque/Gothic Art
Egyptian/Ancient Near Eastern Art
Eighteenth-Century Art
Greek/Roman Art
Japanese/Korean Art
Latin American/Caribbean Art
Native American Art
Nineteenth-Century Art
Oceanic/Australian Art
Performance Studies/Installation/ Environmental Art
Pre-Columbian Art
Renaissance/Baroque Art
South/Southeast Asian Art
Twentieth-Century Art
World Art
