Millard Meiss Publication Fund
Past Winners
Below is an alphabetical list, by author’s last name, of past recipients of the Millard Meiss Publication Fund. The fund supports book-length scholarly manuscripts in the history of art and related subjects that have been accepted by a publisher on their merits, but cannot be published in the most desirable form without a subsidy.
Meiss Recipients, 1975–2012
Abrams, Ann Uhry, The Valiant Hero: Benjamin West and Grand-Style History Painting, Smithsonian Institution Press, 1985
Aitken, Molly, The Intelligence of Tradition: Form and Meaning in Mewar Painting, Yale University Press
Akcan, Esra, Architecture in Translation: Germany, Turkey, and the Modern House, Duke University Press
Ames, Eric, Immersed in the Exotic: Carl Hagenbeck and Nineteenth-Century Theme Space, University of Washington Press
Anger, Jenny, Paul Klee and the Decorative in Modern Art, Cambridge University Press
Armi, C. Edson, Masons and Sculptors in Renaissance Burgundy: The New Aesthetic of Cluny III, Pennsylvania State University Press, 1983
Armstrong, Lilian, Renaissance Miniature Painters and Classical Imagery: The Master of the Putti and His Venetian Workshop, Harvey Miller, 1981
Arnar, Anna, The Book as Instrument: Stéphane Mallarmé, the Artist’s Book, and the Transformation of Print Culture, University of Chicago Press
Atac, Mehmet-Ali, The Mythology of Kingship in Neo-Assyrian Art, Cambridge University Press
Auther, Elissa, String, Felt, Thread and the Hierarchy of Art and Craft in American Art, 1961–1979, University of Minnesota Press
Avcioglu, Nehabat, Turkish Architecture in Europe, 1737–1876, Ashgate
Azarpay, Guitty, Sogdian Painting: The Pictorial Epic in Oriental Art, University of California Press, 1981
Bailey, Gauvin, Art on the Jesuit Missions in Asia and Latin America, 1542–1773, University of Toronto Press, 1999
Bal, Mieke, Quoting Caravaggio: Contemporary Art, Preposterous History, University of Chicago Press, 1999
Ballon, Hilary, Louis Le Vau: Mazarin’s Collège, Colbert’s Revenge, Princeton University Press, 1999
Ballon, Hilary, The Paris of Henri IV: Architecture and Urbanism, Architectural History Foundation, 1991
Bambach Cappel, Carmen, Drawing and Painting in the Italian Renaissance Workshop: Theory and Practice, 1300–1600, Cambridge University Press, 1999
Barbieri-Low, Anthony Jerome, Artisans in Early Imperial China, University of Washington Press
Barnes, Carl F., The Portfolio of Villard de Honnecourt Paris, Bibliothèque nationale de France, MS Fr 19093: A New Critical Edition and Color Facsimile, Ashgate
Barriault, Anne B., Spalliera Paintings of Renaissance Tuscany: Fables of Poets for Patrician Homes, Pennsylvania State University Press, 1994
Bartman, Elizabeth, Portraits of Livia: Imaging the Imperial Woman in Augustan Rome, Cambridge University Press, 1999
Bass, Laura, The Drama of the Portrait: Theater and Visual Culture in Early Modern Spain, Pennsylvania State University Press
Bedell, Rebecca, The Anatomy of Nature: Geology and American Landscape Painting, 1825–1875, Princeton University Press
Belozerskaya, Marina, Perceiving the Renaissance: Burgundian Arts across Europe, Cambridge University Press
Benjamin, Roger, Orientalist Aesthetics: Art, Colonialism, and French North Africa, 1880–1930, University of California Press
Berdini, Paolo, The Religious Art of Jacopo Bassano: Painting as Visual Exegesis, Cambridge University Press, 1997
Berger, Harry, Jr., Fictions of the Pose: Rembrandt against the Italian Renaissance, Stanford University Press, 2000
Berger, Harry, Jr., Marriage, Manhood, and Mischief: Rembrandt’s Night Watch and Other Dutch Group Portraits, Fordham University Press
Berger, Patricia, Empire of Emptiness: Buddhist Art and Political Authority in Qing China, University of Hawai‘i Press
Berger, Robert W., The Palace of the Sun: The Louvre of Louis XIV, Pennsylvania State University Press, 1993
Bergman, Robert P., Salerno Ivories: Ars Sacra from Medieval Amalfi, Harvard University Press, 1980
Bissel, R. Ward, Artemesia Gentileschi and the Authority of Art: Critical Reading and Catalogue Raisonné, Pennsylvania State University Press, 1998
Bissell, R. Ward, Orazio Gentileschi and the Poetic Tradition in Caravaggesque Painting, Pennsylvania State University Press, 1981
Black, Charlene Villaseñor, Creating the Cult of St. Joseph: Art and Gender in the Spanish Empire, Princeton University Press
Blair, Sheila, Islamic Calligraphy, University of Edinburgh Press
Blier, Suzanne Preston, African Vodun: Art, Psychology, and Power, University of Chicago Press, 1995
Blier, Suzanne, The Anatomy of Architecture: Ontology and Metaphor in Batammaliba Architectural Expression, Cambridge University Press, 1987
Boime, Albert, A Social History of Modern Art, vol. 1, Art in an Age of Revolution, 1750–1800, University of Chicago Press, 1987
Boone, Elizabeth Hill, Cycles of Time and Meaning in the Mexican Books of Fate, University of Texas Press
Boone, Elizabeth Hill, Stories in Red and Black: Pictorial Histories of the Aztecs and Mixtecs, University of Texas Press, 2000
Bowen, Karen, and Dirk Imhof, Christopher Plantin, Cambridge University Press
Braun, Emily, Mario Sironi: Art and Politics in Fascist Italy, 1919–1945, Cambridge University Press
Braun, Marta, Picturing Time: The Work of Etienne-Jules Marey, 1830–1904, University of Chicago Press, 1992
Brennan, Marcia, Painting Gender, Constructing Theory: The Alfred Stieglitz Circle and American Formalist Aesthetics, MIT Press, 2001
Brown, Clifford, Isabella d’Este and Lorenzo da Pavia: Documents for the History of Art and Culture in Renaissance Mantua, Librairie Droz S.A., 1982
Brown, Robert L., The Dvaravati Wheels of the Law and the Indianization of South East Asia, E. J. Brill, 1996
Bruzelius, Caroline, The Stones of Naples: Church Building in the Angevin Kingdom, Viella Press
Burns, Dorothea, The Invention of Pastel Painting, Archetype Publications
Burns, Sarah, Painting the Dark Side: Art and the Gothic Imagination in Nineteenth-Century America, University of California Press
Camille, Michael, The Gargoyles of Notre Dame: Medievalism and the Monsters of Modernity, University of Chicago Press, 2009
Campbell, Stephen, Cosmè Tura of Ferrara: Style, Politics, and the Renaissance City, 1450–1495, Yale University Press, 1997
Carroll, Margaret, Painting and Politics in Northern Europe, Pennsylvania State University Press
Casid, Jill, Sewing Empire: Landscape and Colonization in the Eighteenth Century, University of Minnesota Press
Caviness, Madeline Harrison, Princeton University Press
Chatterjee, Paroma, The Living Icon in Medieval Art, Cambridge University Press
Childs, Elizabeth, Vanishing Paradise: Art and Exoticism in Colonial Tahiti, 1800–1901, University of California Press
Cikovsky, Nicolai, Jr., Lectures on the Affinity of Painting with the Other Fine Arts by Samuel F. B. Morse, University of Missouri Press, 1983
Clapp, Anne de Coursey, The Painting of T’ang Yin, University of Chicago Press, 1991
Clayson, Hollis, Paris in Despair: Art and Everyday Life Under Siege, 1870–71, University of Chicago Press
Cohen, Charles E., The Art of Giovanni Antonio da Pordenone: Between Dialect and Language, Cambridge University Press
Cohen, Sarah, Picturing and Performing Aristocracy in the Ancien Régime, Cambridge University Press
Colantuono, Anthony, and Steven F. Ostrow, eds., Critical Perspectives on Early Modern Roman Sculpture, Pennsylvania State University Press
Connolly, Daniel, The Maps of Matthew Paris: Medieval Journeys through Space, Time, and Liturgy, Boydell and Brewer
Cooler, Richard M., The Karen Bronze Drums of Burma: Types, Iconography, Manufacture, and Use, E. J. Brill, 1995
Cronan, Todd, Matisse, Bergson, and the Philosophical Temper of Modernism, University of Minnesota Press
Cropper, Elizabeth, and Charles Dempsey, Nicolas Poussin: Friendship and the Love of Painting, Princeton University Press, 1996
Curcic, Slobodan, Gracanica: King Milutin’s Church and Its Place in Late Byzantine Architecture, Pennsylvania State University Press, 1979
Curley, John J., Andy Warhol, Gerhard Richter, and Cold War Visuality: A Conspiracy of Images, Yale University Press
Cutler, Anthony, The Aristocratic Psalters in Byzantium, Picard, 1984
D’Alleva, Anne, Sacred Maidens and Masculine Women: Art, Gender, and Power in Post-Contact Tahiti and the Society Islands, University of Hawai‘i Press
de Vries, Joyce, Caterina Sforza and the Art of Appearances: Gender, Art, and Culture in Early Modern Italy, Ashgate
DelPlato, Joan, Multiple Wives, Multiple Pleasures, Fairleigh Dickinson University Press
Demos, T. J., Migrations: The Politics of Documentary during Global Crisis, Duke University Press
Dillon, Sheila, Greek Portrait Sculpture: Context, Subjects, Styles, Cambridge University Press
Dixon, Laurinda, The Dark Side of Genius: The Melancholic Persona in Art, ca. 1500–1700, Pennsylvania State University Press
Dodd, Erica, Medieval Frescoes of the Lebanon, Dr. Ludwig Reichert Verlag
Dodds, Jerrilyn D., Architecture and Ideology in Early Medieval Spain, Pennsylvania State University Press, 1989
Donaldson, Thomas E., Hindu Temple Art of Orissa, 3 vols., E. J. Brill, 1985
Doyle, Jennifer, Hold It against Me: Difficulty and Emotion in Contemporary Art, Duke University Press
Drewal, Henry John, Sacred Waters: Arts for Mami Wata and Other Water Divinities in Africa and the African Atlantic World, Indiana University Press
Dunbabin, Katherine, A History of Ancient Mosaics, Cambridge University Press, 1999
Eisenberg, Marvin, Lorenzo Monaco and His Workshop, Princeton University Press, 1989
Eleen, Luba, The Illustration of the Pauline Epistles in French and English Bibles of the Twelfth and Thirteenth Centuries, Clarendon Press, 1982
English, Darby, How to See a Work of Art in Total Darkness, MIT Press
Fehm, Sherwood A., Jr., Luca di Tommè: A Sienese Fourteenth-Century Painter, Southern Illinois University Press, 1986
Feldman, Marian, Diplomacy by Design: Luxury Arts and an International Style in the Ancient Near East, 1400–1200 BCE, University of Chicago Press
Fineberg, Jonathan, The Innocent Eye: Children’s Art and the Modern Artist, Princeton University Press, 1997
Flath, James, Printing Culture in Rural North China: Reading Nianhua as History, University of British Columbia Press
Flood, Finbarr Barry, Objects of Translation: Material Culture and Hindu-Muslim Encounter, Permanent Black
Folda, Jaroslav, The Arts of the Crusaders in the Holy Land, 1187–1291, Cambridge University Press
Frantis, Wayne, Paragons of Virtue: Women and Domesticity in Seventeenth-Century Dutch Art, University of Chicago Press
Fraser, Sarah, Performing the Visual: Making Wall Paintings in China and Central Asia, 618–960, Stanford University Press
Freiberg, Jack, The Lateran in 1600: Christian Concord in Counter-Reformation Rome, Cambridge University Press, 1995
Friedman, Alice T., House and Household in Elizabethan England: Wollaton Hall and the Willoughby Family, University of Chicago Press, 1989
Friedman, David, Florentine New Towns: Urban Design in the Middle Ages, Architectural History Foundation, 1988
Frinta, Mojmír S., Punched Decoration on Late Medieval Panel and Miniature Painting, vol. 1, Maxdorf
Fusco, Laurie, and Gino Corti, Lorenzo de Medici and the Renaissance Taste for the Antique, Cambridge University Press
Gamboni, Dario, Potential Images, Reaktion Books
Gammel, Irene, Baroness Elsa: Gender, Dada, and Everyday Modernity, MIT Press
Gamwell, Lynn, Exploring the Invisible: Art, Science, and the Spiritual, Princeton University Press
George, Victoria, Whitewash, Pindar Press
Gibson, Walter, “Mirror of the Earth”: The World Landscape in Sixteenth-Century Flemish Painting, Princeton University Press, 1989
Gillerman, Dorothy, Enguerran de Marigny and the Church of Notre-Dame at Ecouis: Art and Patronage in the Age of Philip the Fair, Pennsylvania State University Press, 1994
Giunta, Andrea, Avant-Garde, Internationalism, and Politics: Argentinean Art in the Sixties, Duke University Press
Goedde, Lawrence Otto, Tempest and Shipwreck in Dutch and Flemish Art: Convention, Rhetoric, and Interpretation, Pennsylvania State University Press, 1989
Goffen, Rona, Franciscan Florence, Pennsylvania State University Press
Goffen, Rona, Titian’s Women, Yale University Press, 1997
Goldberg, Norman L., John Crome the Elder, 2 vols., New York University Press, 1978
Gómez, Luis O., and Hiram W. Woodward, eds., Barabudur: History and Significance of a Buddhist Monument, Buddhist Studies Series, 1981
Gordon, Donald E., Expressionism: Art and Idea, Yale University Press, 1987
Göttler, Christine, Last Things: Art and Religious Practice in the Age of Reform, Brepols
Green, Rosalie, The Hortus Deliciarum of Herrad of Hohenburg, Warburg Institute, 1979
Grootenboer, Hanneke, The Rhetoric of Perspective, University of Chicago Press
Guth, Christine M. E., Longfellow’s Tattoos: Tourism, Collecting, and Japan, University of Washington Press
Habel, Dorothy, “When All of Rome Was under Construction”: The Building Process in Baroque Rome, Pennsylvania State University Press
Hackenbroch, Yvonne, Enseignes: Renaissance Hat Jewels, Studio per Edizioni Scelte, 1996
Hahn, Cynthia, Strange Beauty: Issues in the Making and Meaning of Reliquaries 400–circa 1204, Pennsylvania State University Press
Hall, Marcia, After Raphael: Painting in Central Italy in the Sixteenth Century, Cambridge University Press, 1999
Halperin, Joan Ungersma, Félix Fénéon: Aesthete and Anarchist in Fin-de-Siècle Paris, Yale University Press, 1988
Hamburger, Jeffrey F., Nuns as Artists: The Visual Culture of a Medieval Convent, University of California Press, 1997
Hamburger, Jeffrey, St. John the Divine: The Deified Evangelist in Medieval Art, University of California Press
Hammers, Roslyn, Art, Technology, and Labor in Early Modern China, Hong Kong University Press
Hannah, Dorita, Event Space: Theatre Architecture and the Historical Avant-Garde, Routledge
Hanson, Marin F., and Patricia Cox Crews, eds., American Quilts in the Modern Age, 1870–1940: A Catalog from the International Quilt Study Center, University of Nebraska Press
Harney, Elizabeth, In Senghor’s Shadow: Art, Ideology, and the Avant-Garde in Senegal, 1960–1995, Duke University Press
Harris, Ann Sutherland, Andrea Sacchi: Complete Edition of the Paintings, Phaidon Press, 1977
Harwood, Laurie B., Adam Pynacker, Davaco, 1988
Hay, Jonathan, Shitao: Painting and Modernity in Early Qing China, Cambridge University Press, 2001
Hazlehurst, F. Hamilton, Gardens of Illusion: The Genius of André Le Nostre, Vanderbilt University Press, 1980
Hedeman, Anne, Of Counselors and Kings: The Three Versions of Pierre Salmon’s “Dialogues,” University of Illinois Press
Hersey, George L., Architecture, Poetry, and Number in the Royal Palace at Caserta, MIT Press, 1983
Hertel, Christiane, Vermeer: Reception and Interpretation, Cambridge University Press, 1996
Hills, Helen, The Matter of Miracles: Forms of Holiness in Baroque Naples, Manchester University Press
Hindman, Sandra, Sealed in Parchment: Rereadings of Knighthood in the Illuminated Manuscripts of Chrétien de Troyes, University of Chicago Press, 1994
Hirsh, Sharon, Symbolism and Modern Urban Society, Cambridge University Press
Hofrichter, Frima Fox, Judith Leyster: A Woman Painter in Holland’s Golden Age, Davaco, 1989
Hollander, Martha, An Entrance for the Eyes: Studies in Space and Meaning in Seventeenth-Century Dutch Art, University of California Press
Horn, Hendrik J., Jan Cornelisz Vermeyen: Painter of Charles V and His Conquest of Tunis, Davaco, 1989
Huang, Shih-shan Susan, Picturing the True Form: Daoist Visual Culture in Medieval China, Harvard University Asia Center
Hulse, Clark, The Rule of Art: Literature and Painting in the Renaissance, University of Chicago Press, 1990
Huntington, Susan L., The “Pala-Sena” Schools of Sculpture, E. J. Brill, 1984
Hutton, Deborah, The Art of the Court of Bijapur, Indiana University Press
Jarrard, Alice, Architecture as Performance: The Practice of Early Modern Absolutism, Cambridge University Press
Jaskot, Paul B., The Nazi Perpetrator and Postwar German Art, University of Minnesota Press
Jirat-Wasiutynski, Voytech, and H. Travers Newton, Technique and Meaning in the Paintings of Paul Gauguin, Cambridge University Press, 2000
Jones, Pamela M., Altarpieces and Their Viewers, Ashgate
Jordan, Jim M., and Robert Goldwater, The Paintings of Arshile Gorky: A Critical Catalogue, New York University Press, 1982
Jung, Jacqueline, The Gothic Screen: Sculpture, Space, and the Community in the Cathedrals of France and Germany, 1200–1400, Cambridge University Press
Kafescioğlu, Çiğdem, Constantinopolis/Istanbul: Cultural Encounter, Imperial Vision, and the Making of the Ottoman Capital City, Pennsylvania State University Press
Kelsey, Robin, Archive Style: Photographs and Illustrations for US Surveys, University of California Press
Kessler, Marni, Sheer Material Presence, University of Minnesota Press
Kim, Jinah, Receptacle of the Sacred: Illustrated Manuscripts and the Buddhist Book Cult in South Asia, University of California Press
King, Richard, ed., Art and the Artist in Cultural Revolution China, University of British Columbia Press
Kita, Sandy, The Last Tosa: Iwasa Katsumochi Matabei, Bridge to Ukiyo-e, University of Hawai‘i Press, 1999
Kline, Naomi Reed, Maps of Medieval Thought: The Hereford Paradigm, Boydell and Brewer
Klingensmith, Samuel, The Utility of Splendor: Ceremony, Social Life, and Architecture at the Court of Bavaria, 1600–1800, University of Chicago Press, 1993
Koerner, Joseph Leo, The Reformation of the Image, Reaktion Books
Kornbluth, Genevra, Engraved Gems of the Carolingian Empire, Pennsylvania State University Press, 1995
Koss, Juliet, Modernism after Wagner, University of Minnesota Press
Krinsky, Carol, Synagogues of Europe: Architecture, History, Meaning, Architectural History Foundation, 1985
Krmpotich, Cara, and Laura Peers, This Is Our Life: Haida People, Collections, and International Museums, University of British Columbia Press
Kunzle, David, The History of the Comic Strip: The Nineteenth Century, University of California Press, 1990
Lachman, Charles, Evaluations of Sung Dynasty Painters of Renown: Liu Tao-Ch’un’s Sung-Ch’ao Ming-Hua P’ing, E. J. Brill, 1989
Laing, Ellen J., Selling Happiness: Calendar Posters and Visual Culture in Early Twentieth-Century Shanghai, University of Hawai‘i Press
Lajer-Burcharth, Ewa, Necklines: The Art of Jacques-Louis David after the Terror, Yale University Press, 1999
Lang, Karen, Chaos and Cosmos: Critical Reflections on the Image, Aesthetics, and Art History, Cornell University Press
Lapatin, Kenneth, Chryselephantine Statuary in the Ancient Mediterranean World, Oxford University Press
Larson, Barbara, The Dark Side of Nature: Science, Society, and the Fantastic in the Work of Odilon Redon, Pennsylvania State University Press
Lawton, Carol L., Attic Document Reliefs, Clarendon Press, 1995
Leighten, Patricia, A Politics of Form: Art, Anarchism, and Audience in Avant-Guerre Paris, University of Chicago Press
Lee, Anthony, Painting on the Left: Diego Rivera, Radical Politics, and San Francisco’s Public Murals, University of California Press, 1999
Levesque, Catherine, Journey through Landscape in Seventeenth-Century Holland: The Haarlem Print Series and Dutch Identity, Pennsylvania State University Press, 1994
Lewis, Suzanne, The Art of Matthew Paris in the Chronica Majorca, University of California Press, 1987
Lillich, Meredith Parsons, Stained Glass of Saint-Père de Chartres, Wesleyan University Press, 1978
Liscomb, Kathlyn Maureen, Learning from Mount Hua: A Chinese Physician’s Illustrated Travel Record and Painting Theory, Cambridge University Press, 1993
Lowden, John, Illuminated Prophet Books: A Study of Byzantine Manuscripts of the Major and Minor Prophets, Pennsylvania State University Press, 1988
Lowden, John, The Making of the Bibles Moralisées, vol. 1, The Manuscripts; vol. 2, The Book of Ruth, Pennsylvania State University Press, 2000
Luber, Catherine Crawford, Albrecht Dürer and the Venetian Renaissance, Cambridge University Press
Luchs, Alison, Tullio Lombardo and Ideal Portrait Sculpture in Renaissance Venice, 1490–1530, Cambridge University Press, 1995
Lyman, Thomas W., Saint-Sernin in Toulouse: The Art of the Early Romanesque Builder, Pennsylvania State University Press
Lyons, Tryna, The Artists of Nathadwara: Continuity and Change in a Rajasthani Chitrakar Community, Mapin Publishing
Madigan, Brian C., The Temple of Apollo Bassistas, vol. 2, The Sculpture, American School of Classical Studies at Athens, 1992
Maginnis, Hayden B. J., Painting in the Age of Giotto: A Historical Reevaluation, Pennsylvania State University Press, 1997
Mansbach, Steven, Modern Art in Eastern Europe: From the Baltic to the Balkans, ca. 1890–1939, Cambridge University Press, 1999
Marrinan, Michael, Painting Politics for Louis-Philippe: Art and Ideology in Orléanist France, 1830–1848, Yale University Press, 1988
Massey, Jonathan, Crystal and Arabesque: Claude Bragdon’s Progressive Architecture, University of Pittsburgh Press
Mathews, Thomas F., Armenian Gospel Iconography: The Tradition of the Glajor Gospel, Dumbarton Oaks Research Library and Collection, 1991
Maxwell, Robert, The Art of Medieval Urbanism: Parthenay in Romanesque Aquitaine, Pennsylvania State University Press
McLean, Alick McDonnell, The Urban Everyman: The Birth, Life, and Death of Medieval Prato in Tuscany, Yale University Press
McPhee, Sarah, Bernini and the Bell Towers: Architecture and Politics at the Vatican, Yale University Press
McTighe, Sheila, Nicolas Poussin’s Landscape Allegories, Cambridge University Press, 1996
Mead, Christopher Curtis, Charles Garnier’s Paris Opéra: Architecture, Empathy, and the Renaissance of French Classicism, Architectural History Foundation, 1991
Mehring, Christine, The Art of Blinky Palermo: The Impulse of the Era: 1964–1977, Yale University Press
Melion, Walter S., Shaping the Netherlandish Canon: Karel van Mander’s Schilder-Boeck, University of Chicago Press, 1991
Meyer, Richard, Outlaw Representation: Censorship and Homosexuality in Twentieth-Century America, Oxford University Press, 2001
Michaud, Eric, An Art for Eternity: The Cult of Art in Nazi Germany, Stanford University Press
Miller, Arthur G., Living with the Dead: Painted Tombs of Oaxaca, Mexico, Cambridge University Press, 1995
Miller, Mary Ellen, and Claudia Lozoff Brittenham, The Spectacle of the Late Maya Court: Reflections on the Paintings of Bonampak, University of Texas Press
Mittman, Asa Simon, and Susan M. Kim, Inconceivable Beasts: The Wonders of the East in the Beowulf Manuscript, Arizona Center for Medieval and Renaissance Studies
Morgan, Nigel, Early Gothic Manuscripts [II], 1250–1285, Harvey Miller, 1988
Moskowitz, Anita, Italian Gothic Sculpture, c. 1250–c. 1400, Cambridge University Press, 2000
Muller, Jeffrey M., Rubens: The Artist as Collector, Princeton University Press, 1989
Murray, Gale B., Toulouse-Lautrec: The Formative Years, 1878–1891, Clarendon Press, 1991
Murray, Stephan, Beauvais Cathedral: Architecture of Transcendence, Princeton University Press, 1989
Murray, Stephen, Building Troyes Cathedral: The Late Gothic Campaign, Indiana University Press, 1987
Necipoğlu, Gülru, Architecture, Ceremonial, and Power: The Topkapi Palace in the Fifteenth and Sixteenth Centuries, Architectural History Foundation, 1991
Neer, Richard, Style and Politics in Athenian Vase Painting, 510–460 BC, Cambridge University Press
Nees, Lawrence, A Tainted Mantle: Hercules and the Classical Tradition at the Carolingian Court, University of Pennsylvania Press, 1991
Nelson, Steven, From Cameroon to Paris: Mousgoum Architecture and the Making of Meaning, University of Chicago Press
Nemerov, Alexander, The Body of Raphaelle Peale: Still Life and Selfhood, 1812–1824, University of California Press, 2001
Neuman, Robert, Robert de Cotte and the Perfection of Architecture in Eighteenth-Century France, University of Chicago Press, 1994
Obler, Bibiana, Intimate Collaborations: Gender, Craft, and the Emergence of Abstraction, Yale University Press
O’Brien, David, After the Revolution: Antoine-Jean Gros, Painting, and Propaganda under Napoleon Bonaparte, Pennsylvania State University Press
Offner, Richard, A Critical and Historical Corpus of Florentine Painting: A Legacy of Attributions, Institute of Fine Arts, New York University, 1980
Oleksijczuk, Denise Blake, The First Panoramas: Vision, the Body, and British Imperialism, 1787–1820, University of Minnesota Press
Oliver, Judith, Gothic Illumination in the Diocese of Liege, c. 1250–c. 1330, Peeters, 1988
O’Neil, Megan E., Engaging Ancient Maya Sculpture at Piedras Negras, Guatemala, University of Oklahoma Press
Ostrowitz, Judith, Interventions: Native American Art for Far-Flung Territories, University of Washington Press
Ousterhout, Robert, Master Builders of Byzantium, Princeton University Press, 1999
Palermo, Charles, Fixed Ecstasy: Joan Miró in the 1920s, Pennsylvania State University Press
Park, J. P., Ensnaring the Public Eye: Painting Manuals of Late Ming China and the Negotiation of Taste, University of Washington Press
Pastan, Elizabeth Carson, The Early Stained Glass of Troyes Cathedral, Corpus Vitrearum
Patton, Pamela, Art of Estrangement: Redefining the Jews in Reconquest Spain, Pennsylvania State University Press
Paul, Carole, The Borghese Collection, Ashgate
Peffer, John M., The Struggle for Art at the End of Apartheid, University of Minnesota Press
Pentcheva, Bissera, The Sensual Icon: Ritual, Space, and the Senses in Byzantium, Pennsylvania State University Press
Pinson, Stephen C., Speculating Daguerre: Art and Enterprise in the Work of L. J. M. Daguerre, University of Chicago Press
Pinto, John, The Trevi Fountain, Yale University Press, 1986
Plesch, Véronique, Painter and Priest: Giovanni Canavesio and the Passion Cycle at Notre-Dame des Fontaines, La Brigue, University of Notre Dame Press
Poggi, Christine, Modernity as Trauma: Cultural Politics of Italian Futurism, Princeton University Press
Pollack, Martha D., Turin 1564–1680: Urban Design, Military Culture, and the Creation of the Absolutist Capital, University of Chicago Press
Pressly, William L., The French Revolution as Blasphemy: Johan Zoffany’s Paintings of the Massacre at Paris, August 10, 1792, University of California Press, 1999
Promey, Sally M., Spiritual Spectacles: Vision and Image in Mid-Nineteenth-Century Shakerism, Indiana University Press, 1993
Promey, Sally, Painting Religion in Public: John Singer Sargent’s Triumph of Religion at the Boston Public Library, Princeton University Press, 1999
Puglisi, Catherine R., Franceso Albani, Yale University Press, 1999
Quinlan-McGrath, Mary, Influences—From the Orb of the Universe to the Orb of the Eye: Astrology and Art in the Italian Renaissance, University of Chicago Press
Radycki, Diane, Paula Modersohn-Becker: The First Modern Woman Artist, Yale University Press
Reichle, Natasha, Violence and Serenity: Late Buddhist Sculpture from Indonesia, University of Hawai‘i Press
Reynolds, Ann Morris, Robert Smithson: Learning from New Jersey and Elsewhere, MIT Press
Rice, Louise, The Altars and Altarpieces of New St. Peter’s: Outfitting the Basilica, 1621–1666, Cambridge University Press, 1997
Rosand, David, The Phenomenology of Drawing, Cambridge University Press
Rowe, Dorothy C., After Dada: Marta Hegemann and the Cologne Avant-Garde, Manchester University Press
Roxburgh, David, The Persian Album, 1400–1600: From Dispersal to Collection, Yale University Press
Rudolph, Conrad, The “Things of Greater Importance”: Bernard of Clairvaux’s Apologia and the Medieval Attitude toward Art, University of Pennsylvania Press, 1990
Ruggles, D. Fairchild, Gardens, Landscape, and Vision in the Palaces of Islamic Spain, Pennsylvania State University Press, 1999
Rykwert, Joseph, The Dancing Column: On Orders in Architecture, MIT Press, 1996
Safran, Linda, Art and Identity in the Medieval Salento, University of Pennsylvania Press
Saltzman, Lisa, Anselm Kiefer and Art after Auschwitz, Cambridge University Press, 2000
Sandler, Lucy Freeman, Gothic Manuscripts, 1285–1385, Harvey Miller, 1986
Saslow, James M., The Medici Wedding of 1589, Yale University Press, 1996
Satkowski, Leon, Giorgio Vasari: Architect and Courtier, Princeton University Press, 1993
Schastok, Sara L., The Samalaji Sculptures and Sixth Century Art in Western India, E. J. Brill, 1985
Schleif, Corine, and Volker Schier, Katerina’s Windows: Donation and Devotion, Art and Music, as Heard and Seen in the Writings of a Late Birgittine Nun, Pennsylvania State University Press
Schulz, Anne Markham, Giammaria Mosca Called Padovano: A Renaissance Sculptor in Italy and Poland, Pennsylvania State University Press, 1998
Scott, John Beldon, Images of Nepotism: The Painted Ceilings of Palazzo Barberine, Princeton University Press, 1991
Seyller, John William, Workshop and Patron in Mughal India: The Freer Rāmāyana and Other Illustrated Manuscripts of ‘Abd al-Rahīm, Artibus Asiae, 1999
Sharp, Jane, Russian Modernism between East and West: Natalia Goncharova and the Moscow Avant-Garde, Cambridge University Press
Shaw, Jennifer, Dream States: Puvis de Chavannes, Modernism, and the Fantasy of France, Yale University Press
Shell, Hanna Rose, Hide and Seek: Camouflage, Animal Skin, and the Media of Reconnaissance, Zone Books
Sidlauskas, Susan, The Body in Place: Interiority and Representation in Nineteenth-Century Culture, Cambridge University Press
Slifkin, Robert, Out of Time: Philip Guston and the Refiguration of Postwar American Art, University of California Press
Smalls, James, Public Face, Private Thoughts, Temple University Press
Smith, Norris Kelly, Here I Stand: Perspective from Another Point of View, Columbia University Press, 1994
Soussloff, Catherine, The Subject in Art, Duke University Press
Srinivasan, Doris Meth, Many Heads, Arms, and Eyes: Origin, Meaning, and Form of Multiplicity in Indian Art, E. J. Brill, 1997
Stafford, Barbara Maria, Voyage into Substance: Art, Science, Nature, and the Illustrated Travel Account, 1760–1840, MIT Press, 1984
Stahl, Harvey, Picturing Kingship: History and Painting in the Psalter of Saint Louis, Pennsylvania State University Press
Steinhardt, Nancy Shatzman, Liao Architecture, University of Hawai‘i Press, 1997
Stewart, Andrew, Greek Sculpture, 2 vols., Yale University Press, 1990
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