posted by Christopher Howard — Jul 10, 2012
The president of the CAA Board of Directors, Anne Collins Goodyear, has confirmed new appointments to the editorial boards of CAA’s three scholarly journals and to the Publications Committee, in consultation with the vice president for publications, Randall C. Griffin. The appointments took effect on July 1, 2012.
The Art Bulletin
The Art Bulletin has announced its next editor-in-chief: Kirk Ambrose, associate professor and chair of the Department of Art and Art History at the University of Colorado in Boulder. In addition to numerous essays and book chapters, he is the author of The Nave Sculpture of Vézelay: The Art of Monastic Viewing (Toronto: Pontifical Institute of Mediaeval Studies, 2006) and the coeditor, with Robert A. Maxwell, of Current Directions in Eleventh- and Twelfth-Century Romanesque Sculpture Studies (Turnhout, Belgium: Brepols, 2010). His book Monsters in Twelfth-Century European Sculpture is forthcoming from Boydell and Brewer. Other future projects include a volume on Portuguese Romanesque sculpture and an exhibition at the University of Colorado Art Museum, tentatively entitled Aby Warburg and the Beginning of Cultural Studies in the American Southwest and scheduled for 2014. Ambrose will succeed Karen Lang of the University of Warwick in England, beginning his three-year term as editor-in-chief on July 1, 2013, with the preceding year as editor designate.
David J. Getsy, the Goldabelle McComb Finn Distinguished Professor of Art History, Theory, and Criticism at the School of the Art Institute of Chicago, has joined the Art Bulletin Editorial Board for a four-year term. His work focuses on modern and contemporary art in Europe and America from the 1870s to the present day. Among his books are Body Doubles: Sculpture in Britain, 1877–1905 (New Haven: Paul Mellon Centre for Studies in British Art and Yale University Press, 2004) and Rodin: Sex and the Making of Modern Sculpture (New Haven: Yale University Press, 2010). Getsy is currently editing the critical writings of the American postminimalist artist Scott Burton, for publication later this year by Soberscove Press.
Rachael DeLue, associate professor of art history at Princeton University in Princeton, New Jersey, has begun a three-year term as the reviews editor of The Art Bulletin, succeeding Michael Cole of Columbia University in New York. Her first section will appear in the March 2013 issue. Thelma K. Thomas, associate professor of fine arts at the Institute of Fine Arts, New York University, has now entered the second year of her two-year service as the chair of the editorial board of the journal.
Michael Corris, professor of art and chair of the Division of Art in the Meadows School of the Arts at Southern Methodist University in Dallas, Texas, was appointed Art Journal reviews editor. He will serve one year as reviews editor designate, taking over from Howard Singerman of the University of Virginia in July 2013. Corris is both an artist and an author of many works on postwar and contemporary art and theory. The Peacock Gallery in London and the Reading Room in Dallas hosted his most recent solo shows; he has also exhibited widely as a member of the collaborative group Art & Language. Among Corris’s many publications are monographs on Ad Reinhardt (London: Reaktion Books, 2008) and David Diao (Beijing: Timezone 8, 2005). Two books forthcoming in 2013 are The Artist Out of Work: Selected Writings on Art (Les Presses du réel and JRP | Ringier) and What Do Artists Know? The Response to Deskilling in Art (Reaktion Books). Corris is a cofounder and editor of Transmission Annual, a collaborative project of Sheffield Hallam University in England and the Meadows School of the Arts.
Joining the Art Journal Editorial Board for four-year terms are Catherine Lord and Hilary Robinson. Lord is a writer, artist, and curator whose work addresses issues of feminism, cultural politics, and colonialism. She is a professor of studio art and women’s studies at the University of California, Irvine. Recent solo exhibitions were held at ONE National Gay and Lesbian Archives and Jancar Gallery, both in Los Angeles. Lord is the author of the text-image experimental narrative The Summer of Her Baldness: A Cancer Improvisation (Austin: University of Texas Press, 2004), and her forthcoming book project coedited with Richard Meyer, to be published by Phaidon, is called Art and Queer Culture, 1885–2005. Robinson is a professor of art theory and criticism in the College of Fine Arts at Carnegie Mellon University in Pittsburgh, Pennsylvania. The focus of her scholarship is the history and theory of feminist art. Her books include Reading Art, Reading Irigaray: The Politics of Art by Women (London: I. B. Tauris, 2006) and Feminism-Art-Theory: A History, forthcoming from Blackwell. She is the editor of Visibly Female: Feminism and Art: An Anthology (London: Camden, 1987) and Feminism-Art-Theory: An Anthology 1968–2000 (Malden, MA: Blackwell, 2001).
Lane Relyea, an art critic and associate professor in the Department of Art Theory and Practice at Northwestern University in Evanston, Illinois, has finished his year as editor designate of Art Journal and now assumes the position of editor-in-chief, succeeding Katy Siegel of Hunter College, City University of New York. His first edited issue will appear in spring 2013. Rachel Weiss, a professor at the School of the Art Institute of Chicago whose work focuses on the art of Cuba, is the new chair of the journal’s editorial board. Weiss recently published To and from Utopia in the New Cuban Art (Minneapolis: University of Minnesota Press, 2011).
The caa.reviews Editorial Board welcomes a new member, Tanya Sheehan, assistant professor in the Department of Art History at Rutgers University in New Brunswick, New Jersey, who will serve for four years. Currently the journal’s field editor for books on photography, she is the author of Doctored: The Medicine of Photography in Nineteenth-Century America, published by Pennsylvania State University Press in 2011.
Six new field editors for books and exhibitions have recently been chosen by the editorial board to serve three-year terms. Gloria Williams will commission reviews of exhibitions of pre-1800 art on the West Coast; Eve Straussman-Pflanzer will oversee reviews of exhibitions in the Midwest; and Jennifer Kingsley will commission reviews of exhibitions in the Southeast. Kirsten Swenson will assign books on contemporary art for review, and Megan O’Neil will commission reviews of books and related media on Precolumbian art. Michael Schreffler will handle reviews of books on early modern Iberian and colonial Latin American art.
S. Hollis Clayson, Bergen Evans Professor in the Humanities and professor of art history at Northwestern University in Evanston, Illinois, was appointed to the Publications Committee as member-at-large. Clayson specializes in nineteenth-century modern European art, particularly French art; her most recent book is Paris in Despair: Art and Everyday Life under Siege (1870–71) (Chicago: University of Chicago Press, 2002). She is the recipient of numerous research and teaching awards and, as director of the Alice Kaplan Institute for the Humanities at Northwestern, promotes discussion and projects focusing on humanities in the digital era. A former chair and member of the Art Bulletin Editorial Board, Clayson has served on CAA’s Annual Conference Committee and on the juries for three CAA awards: the Distinguished Lifetime Achievement Award for Writing on Art, the Arthur Kingsley Porter Prize, and the Distinguished Teaching of Art History Award.