College Art Association

CAA News Today

News from the Art and Academic Worlds

posted by Christopher Howard — Jul 31, 2013

Each week CAA News publishes summaries of eight articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.

Art Collection Assessed as Detroit Nears Bankruptcy

As the city of Detroit’s bankruptcy case survived its first legal challenges in federal court, the Detroit Institute of Arts remains at the center of a national debate over what city-owned property can and should be liquidated to help cover its estimated $18 billion debt. At some point in the past two months, Christie’s auction house sent two employees to Detroit to assess the collection. The employees did not meet with museum leadership during their visit. (Read more in the Art Newspaper.)

Embargoes for Dissertations?

The American Historical Association has released a policy calling on history departments and university libraries to allow students to place embargoes on the online versions of PhD dissertations in the field for up to six years. The association says that such a policy is needed to enable new PhDs to successfully publish books based on their dissertations. But some historians are upset about the proposal, which they say isn’t needed and runs counter to the scholarly mission of sharing research findings. (Read more from Inside Higher Ed.)

Publishing Your Dissertation Online: What’s a New PhD to Do?

The American Historical Association recently released a controversial statement that strongly advised graduate programs and libraries to adopt a policy allowing the embargoing of the publication of completed dissertations online for up to six years. Supporters argue that it protects junior authors, given that in the current academic climate a completed and published single-authored monograph continues to be the standard for tenure and promotion. Opponents counter with several arguments, such as making the dissertation research public allows the junior scholar to gain credit for his or her work. (Read more in the Chronicle of Higher Education.)

Jeffrey Deitch Resigns as Head of Museum of Contemporary Art, Los Angeles

Jeffrey Deitch has made it official: he’ll be stepping down after a stormy three years as director of the Museum of Contemporary Art, Los Angeles. The museum’s board said it had launched a search for his successor. Deitch told the board of his decision to leave at a recent meeting, according to an official statement. “He will stay on to ensure a smooth transition and the successful completion” of a campaign begun in March to boost the museum’s endowment to $100 million. (Read more in the Los Angeles Times.)

From Art Book to iPad App: Josef Albers’s Classic Work Undergoes a “Magical” Transformation

Interaction of Color—Josef Albers’s iconic book that taught legions of students and professionals alike how to think creatively about color—has been given a modern makeover as an iPad app, just in time for the fiftieth anniversary of its publication by Yale University Press. The app, which combines Albers’s traditional teaching methods with twenty-first-century technology, was created by the press and the Josef and Anni Albers Foundation and developed by Potion, an award-winning design and technology firm specializing in interactive experiences. (Read more in Yale News.)

Genres, Like Sand, Tricky to Pin Down

It is pitch dark as you are swallowed up in a crowd of unknowable size, voices chanting and burbling around you, bodies jostling close by. There is no way to know how big the room is, where you are going, or whether you are about to collide with a wall or a human. It is Tino Sehgal’s This Variation, and as your eyes adjust, performers become slowly visible, moving amid the crowd, dancing and singing or pausing to talk about money and jobs. (Read more in the New York Times.)

Is the Australian Resale Royalty Scheme Benefiting Indigenous Artists?

Australia’s artist resale royalty scheme, which came into effect in June 2010 and is currently being reviewed, seems to be offering increased protection to indigenous artists, with 60 percent of the artists who have been paid royalties being Aboriginal or Torres Strait Islander. Indeed, one of the driving forces behind the introduction of the Resale Royalty Right for Visual Artists Bill was to improve the welfare of indigenous artists. (Read more in the Art Newspaper.)

Union Raises for Adjuncts

When adjuncts push to unionize, they typically want better pay, better benefits (or any benefits if they don’t have them), and job security. With unionization drives spreading, a key question is: does collective bargaining yield meaningful gains? The results of numerous initial contracts suggest the answer is “Yes.” Negotiations on first contracts can take six months or more, but gains in those contracts frequently include significant pay increases and other, nonfinancial benefits. (Read more from Inside Higher Ed.)

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