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posted by CAA — Jul 08, 2016

Katherine Smith visits the High Museum of Art’s exhibition Alex Katz, This Is Now. The show focuses on the artist’s landscape paintings, enabling visitors to “discover another, important aspect of Katz’s oeuvre” and “deepen an appreciation of the artist’s achievements in this genre.” Read the full review at caa.reviews.

Allan Antliff reviews The Experimenters: Chance and Design at Black Mountain College, Eva Díaz’s exploration of Josef Albers, John Cage, and R. Buckminster Fuller at the college from the 1930s to 1950s. She calls it “the first sustained examination of the interdisciplinary tensions arising from its protagonists’ shared interest in freedom through experimentation.” Read the full review at caa.reviews.

Emma Sachs examines The Cambridge History of Painting in the Classical World, edited by J. J. Pollitt, a survey of mural and panel painting from the Aegean Bronze Age to Late Antiquity in the Mediterranean. The nine authors “have space to express their own opinions,” resulting in a “refreshingly honest discussion” that “distinguishes this volume from a standard survey textbook.” Read the full review at caa.reviews.

Caa.reviews publishes over 150 reviews each year. Founded in 1998, the site publishes timely scholarly and critical reviews of studies and projects in all areas and periods of art history, visual studies, and the fine arts, providing peer review for the disciplines served by the College Art Association. Publications and projects reviewed include books, articles, exhibitions, conferences, digital scholarship, and other works as appropriate. Read more reviews at caa.reviews.

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