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posted by CAA — Aug 19, 2016

Francesco Ceccarelli visits Jefferson e Palladio: Come construire un mondo nuovo at the Palladio Museum in Vicenza, Italy. The exhibition is dedicated to Thomas Jefferson, one of Andrea Palladio’s “greatest American disciples,” and demonstrates “how both men prefigured a new world through their novel conceptions of the built environment and its symbols.” Read the full review at caa.reviews.

Jo Farb Hernández reviews Horace Pippin: The Way I See It, the catalogue published “in conjunction with the first exhibition project in over twenty years to provide an in-depth examination of the work of the painter Horace Pippin” at the Brandywine River Museum of Art. The six contributing authors “focus their texts to contrast with the platitudes that have defined Pippin’s work” since the late 1930s. Read the full review at caa.reviews.

Linda Rodriguez reads Urban Space as Heritage in Late Colonial Cuba: Classicism and Dissonance on the Plaza de Armas of Havana, 1754–1828 by Paul Barrett Niell. Featuring a “heritage approach,” it is “one of the few books that analyzes the art and architectural history of the Cuban colonial period in depth, while placing it in useful dialogue with works produced in other areas of the Spanish viceroyalties.” Read the full review at caa.reviews.

Caa.reviews publishes over 150 reviews each year. Founded in 1998, the site publishes timely scholarly and critical reviews of studies and projects in all areas and periods of art history, visual studies, and the fine arts, providing peer review for the disciplines served by the College Art Association. Publications and projects reviewed include books, articles, exhibitions, conferences, digital scholarship, and other works as appropriate. Read more reviews at caa.reviews.

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