posted by CAA — Dec 16, 2016
Sunanda K. Sanyal visits the solo exhibition Zanele Muholi: Isibonelo/Evidence at the Brooklyn Museum. For the last decade, Zanele Muholi, “who identifies herself more as a visual activist than an artist,” has created photo and video projects to document “multiple facets of LGBT life in South Africa, focusing particularly on hate crimes against the community.” Read the full review at caa.reviews.
Holly Gore reviews Leap before You Look: Black Mountain College 1933–1957 at the Hammer Museum. The exhibition “offers an earthbound view on this storied institution, as seen through over two hundred artworks created by students and faculty.” Ultimately, the show’s “uplifting effect is grounded in physical encounter,” and the artworks “feel ever-vital, never dusty.” Read the full review at caa.reviews.
Midori Yamamura discusses the sixth edition of The Echigo–Tsumari Art Triennale in Nīgata, Japan. “The world’s largest international exhibition,” the placed-based triennale featured “180 new works in addition to 200 preexisting projects” and impelled viewers “to rethink consumer society, urban lifestyle, and the corporate world as not necessarily happier choices.” Read the full review at caa.reviews.
caa.reviews publishes over 150 reviews each year. Founded in 1998, the site publishes timely scholarly and critical reviews of studies and projects in all areas and periods of art history, visual studies, and the fine arts, providing peer review for the disciplines served by the College Art Association. Publications and projects reviewed include books, articles, exhibitions, conferences, digital scholarship, and other works as appropriate. Read more reviews at caa.reviews.