College Art Association

CAA News Today

News from the Art and Academic Worlds

posted by Christopher Howard — Jan 04, 2017

Each week CAA News summarizes eight articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.

Everything We Know about Whether and How the Arts Improve Lives

The platitudes are on the lips of every arts supporter, ready to be recalled at the first sign of a public hearing or potential funding cut. “The arts are essential—a necessity, not a luxury.” “The arts help kids learn.” “The arts are the foundation of the knowledge economy.” It feels good to say those things, but are they true? (Read more from Createquity.)

Networking the Humanities through Open Access, Open Source, and Not for Profit

Last month the Modern Language Association, in partnership with three other learned societies, launched the beta version of the expanded and now interdisciplinary Humanities Commons—a nonprofit network where humanities scholars can share their work in a social, open-access repository, discuss ideas, collaborate on common interests, and store research and teaching materials. (Read more from the Scholarly Kitchen.)

Eleven All-Important Things to Do before Leaving Art School

Graduating from art school means transitioning from the comfort of campus-provided studio space, access to production facilities, and a climate of constant feedback, criticism, and support to, well, having zero of those things. Abstaining from these perks cold-turkey can feel like quite the plunge—but luckily you can do a few things during your last semester to prepare for entering the “real world” as an artist. (Read more from Artspace Magazine.)

An Audit Nightmare Turned Artist Victory

American businesses sometimes lose money. Those losses create a tax shelter for other income. While the tax code explicitly provides this incentive for businesses—to encourage investment for growth and to allow for unpredictable events—losses that go on for too long tend to draw IRS scrutiny. The artist Susan Crile spent eight years in tax court defending her right to take losses. (Read more from Art F City.)

We Need a New Kind of Feminist Art

A quote that the Brooklyn Museum curator Catherine Morris often turns to is one by the artist and writer Emily Roysdon. “We are not protesting what we don’t want,” Roysdon once said about her queer activism, “we are performing what we want.” The idea of creating the world you want to live in, on a microcosmic level, is one that’s central to feminist theory, the history and methodology of which is closely intertwined with queer and civil-rights activism. (Read more from Artsy.)

The Gulf Art War

In 2005, in the gilded lobby of the Emirates Palace hotel in Abu Dhabi, the crown prince Mohammed bin Zayed al Nahyan described his vision for Saadiyat Island, a $27 billion development not far from the city’s downtown. Saadiyat, which Emiratis refer to as “the island of happiness,” would include luxury hotels, Marbella-style villas, and a boutique shopping quarter. Most important was a vast cultural district, and a new Guggenheim was to be a centerpiece of this effort. (Read more from the New Yorker.)

A Digital Billboard in Chicago Raises Questions about Art in the Public Sphere

Flashing brightly for a few seconds at a time, the black-and-white mugshot of an unnamed African American male loomed against the Chicago skyline, interrupting the mundane ads—for sandwiches, lawyers, Hondas—that shared space on the same digital billboard. I only just glimpsed it, peering from an overpass, but the haunting image has lingered with me ever since. (Read more from ARTnews.)

Is the Traditional Art Gallery Dead?

For the past several months, Artspace’s editors have persistently investigated the novel challenges and opportunities that the twenty-first century holds for the venerable brick-and-mortar gallery system, which has been shaken by both the shifting market and the disruptive power of the internet. Along the way, we’ve spoken at length to artists, dealers, advisors, and art-fair directors in an effort to take the pulse of the industry. (Read more from Artspace Magazine.)

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