posted by CAA — Jul 18, 2017
Association for Critical Race Art History (ACRAH)
The Association for Critical Race Art History’s Bibliographic resource launched on January 9, 2017, and received over one thousand hits on the first day. In conjunction with the publication of the bibliography, reading groups were formed in the San Francisco Bay Area, Boston, New York, and Washington, DC, to bring together art historians engaged with issues of the representation of race and ethnicity and their histories. To date, forty-two people have participated in the reading groups, which have covered a wide array of topics including hybridity, empire, borders, primitivisms, and the contemporary status of identity politics. The reading groups were organized by Caitlin Beach (New York), Layla Bermeo (Boston), Margarita Karasoulas (Washington, DC), Marci Kwon (Bay Area), and Sean Nesselrode Moncada (New York). The organizers would like to thank Jacqueline Francis and Camara Dia Holloway, cofounders of the Association for Critical Race Art History, for their support and guidance in this endeavor.
Association for Latin American Art (ALAA)
The Association of Latin American Art announces its Eighteenth Annual Book Award for the best scholarly book published on the art of Latin America from the pre-Columbian era to the present. The award is generously funded by the Arvey Foundation and consists of a citation and a $1,000 honorarium. We will present the award at the CAA Annual Conference in Los Angeles, February, 21–24, 2018. The name of the recipient will appear in the newsletters of both ALAA and CAA. Visit our website for more information.
Association of Historians of American Art (AHAA)
AHAA announces the June 2017 publication of its ejournal Panorama, issue 3.1. Published twice a year, Panorama is the first peer-reviewed electronic publication dedicated to American art and visual culture from the colonial period to the present day. In addition to peer-reviewed scholarly articles, Panorama publishes Book Reviews, Exhibition Reviews, and shorter Research Notes, and features The Bully Pulpit. Subscribe for FREE here.
AHAA members received 2017 Awards for Excellence from the Association of Art Museum Curators. A publication award went to Melissa Wolfe, Curator of American Art, Saint Louis Art Museum, for Subversion & Surrealism in the Art of Honoré Sharrer at the Columbus Museum of Art. An exhibition award went to Kristina Wilson, Associate Professor of Art History, and Chair, Department of Visual and Performing Arts, Clark University for Cyanotypes: Photography’s Blue Period at the Worcester Art Museum.
AHAA announces its CAA 2018 session “America is (Still) Hard to See.” The program addresses where American art history sits in our twenty-first-century classrooms, galleries, museums, blogs, and journals and directions for its future growth. Speakers include: Kathryn Bunn-Marcuse, University of Washington; Kristine K. Ronan, independent scholar; and Rachel Stephens, University of Alabama. Distinguished scholar Erika Doss, University of Notre Dame, is the discussant.
AHAA’s Fourth Biennial Symposium will be held in October 2018 in Minneapolis, Minnesota (dates TBD).
AHAA’s mission is to promote scholarship on art of the United States through museum-based or theoretically oriented topics, whether regionally focused or offering broad historical sweep, by emerging and established scholars. The organization provides a forum for presenting and advancing new approaches; for examining problems that confront the field; and for identifying scholarly needs and opportunities to its members. Join today!
Association of Print Scholars (APS)
The Association of Print Scholars (APS) recently awarded the 2017 Schulman and Bullard Article Prize to Jonas Beyer of the Department of Art History at the Georg-August-Universität in Göttingen, Germany. Now in its third year, the prize recognizes an article published by an early career scholar that features compelling and innovative research on prints or printmaking. Beyer’s article, “Pictures in Flux: Degas’s monotypes and some notes on their relation to other media,” appeared in the book Perspectives on Degas, edited by Kathryn Brown and published in 2016. This is the first year that an article focusing on modern printmaking has won the award.
APS is pleased to announce that Anne Verplanck, associate professor of American studies at Penn State Harrisburg, has been elected as director-at-large for a three-year term.
During the recent Renaissance Society of America Conference, APS hosted a reception at the Art Institute of Chicago’s Goldman Study Center, where members viewed early modern works on paper. APS is now an affiliated society of the Renaissance Society of America and will host two panels at the 2018 conference.
APS looks forward to hosting our affiliated-society panel at next year’s CAA Annual Conference in Los Angeles. The selection committee is pleased to announce Yasmin Amaratunga Railton of Sotheby’s Institute of Art in London as chair of the panel, titled “Now you see it, now you don’t: Materialism and Ephemeral Prints.”
Community College Professors of Art and Art History (CCPAAH)
CCPAAH wants to thank all the presenters and participants at our affiliated session at the 2017 FATE Conference in Kansas City, Missouri. The panel “Draw and Repeat: Reconsidering the Sketchbook,” was chaired by Susan Altman, Middlesex County College and included the following presentations: “That’s Mine: Making the Sketchbook Personal” by Angus Galloway, University of West Georgia; “Reuse/Reclaim/Repurpose” by Eric Wold, Clark University; and “What’s in a Name? Renaming the Sketchbook” by Jon Hunt, Kansas State University. Everyone left with new ideas to bring back to their studio classrooms.
CCPAAH will be sponsoring a session at CAA’s 2018 Annual Conference in Los Angeles. The call for papers for “Championing the Relevancy of Studio Art and Art History in the Twenty-First Century: Stories of Success and Advocacy,” next year’s affiliated-society session at the CAA conference, was posted to the CAA website on June 30, with a submission deadline of August 14, 2017. Please consider submitting a proposal for this session. Interested in getting more involved with CCPAAH? Contact Susan Altman.
FATE (Foundations in Art: Theory and Education)
Episodes 10, 11, and 12 of “Positive Space,” FATE’s monthly podcast are now available. FATE Educator Award Winner, M. Michelle Illuminato, and FATE Shout Out Award Winner, Ralph Pugay, discuss rebuilding foundations at Portland State University, community engagement, creating welcoming learning environments and how to encourage students to be present in the creative process. FATE Educator Award Winner, Rae Goodwin discusses “Failing Forward” in her own work and how that influences her teaching and interactions with students, and FATE Leadership Award Winner, Scott Betz, discusses mentorship, creativity, and how teaching informs his ability to lead people both inside and outside the classroom. More info on the Positive Space webpage, and you can listen on iTunes.
In addition, FATE in Review seeks thoughtful articles relating to all areas of foundations education, including expanding the practicum, flexing the core, and re-visioning visual culture. Conference papers and/or presentations, as well as papers written solely for publication, may be submitted throughout the year. We are also interested in reviews of newer books that inform foundations discussion and curriculum. Contact FATE in Review Editor, Michael Marks.
Upcoming for CAA 2018: FATE’s CAA affiliate representative, Naomi J. Falk, is looking for panelists for FATE’s affiliate conference session, entitled, “Let’s Dance, But Don’t Call Me Baby: Dialogue, Empathy, and Inclusion in the Classroom and Beyond.” Feeling welcome, acknowledged, and heard encourages learning. Fostering inclusiveness and empathy on behalf of minority students legitimizes perspectives. How do we build trust and empathy between faculty, students, peers, and others in our classrooms and communities? How do we create a welcoming and inclusive environment? What has worked? What has gone terribly wrong? Where do we go from here? Examples of readings, projects, tools, and exercises for building inclusive, encouraging, and productive dialogues are all of interest. Please contact: Naomi J. Falk.
Japan Art History Forum (JAHF)
The Japan Art History Forum is pleased to announce that it will hold its first competition to award the JAHF First Book Subvention Prize this year. This prize will be awarded once a year to a book project that will make a substantial contribution to the field of Japanese art history, broadly defined. The award is for a maximum of $2,000, provided from membership dues and donations to the Japan Art History Forum. The deadline for submission is September 15, 2017. Visit our website for more information.
National Council of Arts Administrators (NCAA)
The forty-fifth National Council of Arts Administrators (NCAA) annual gathering, “Ground | Work: Producing Access and Equity in the Arts,” convenes September 20–23, 2017, hosted by the University of Arizona School of Art in Tucson. The lineup of speakers promises to be dynamic and engaging and includes the artist Wafaa Bilal and keynote speaker Alfredo Jaar. We have a wide range of presentations and activities arranged around this year’s conference theme: “Ground | Work: Producing Access and Equity in the Arts.” We invite current and aspiring art-department chairs, directors, and deans to attend. Visit the website to learn more about the conference, member benefits, and to join NCAA.
Public Art Dialogue (PAD)
Public Art Dialogue welcomes five new board members: Annie Dell’Aria, Leslie Markle, and Andrew Wasserman, are PAD’s new program committee. Laura Holzman joins PAD’s social media team, and Ciara McKeown joins the PAD board as member at large. We’d like to thank our former program committee members, Norie Sato and Renee Piechocki for doing such a terrific job.
In other PAD news, co-chairs Cameron Cartiere and Jennifer Wingate have succeeded Cher Knight and Harriet Senie as co-editors of the journal Public Art Dialogue, and Erica Doss has taken over the position of book editor from Patricia Phillips. The fall 2017 issue will be the new editors’ first. All at PAD are grateful for Cher Knight and Harriet Senie’s stewardship as founding co-chairs of the organizations and as founding editors of the journal, and we also thank Patricia Phillips for her contributions as PAD’s book editor.
Please see CAA’s Annual Conference call for papers for information about PAD’s session in Los Angeles, “Teachable Monuments,” chaired by Sierra Rooney and Harriet Senie. Also, see the Public Art Dialogue website for the call for articles for the Fall 2018 issue of Public Art Dialogue on the topic of “Public Art as Political Action.” The deadline is March 1, 2018.
The Feminist Art Project (TFAP)
The Feminist Art Project (TFAP) at Rutgers University is pleased to announce TFAP Add-a-Thon, a week-long initiative to expand the TFAP Calendar Archive of the contemporary feminist art movement. During July 24–30, 2017, TFAP invites the public to help in reaching the goal to add one thousand additional listings to the TFAP Calendar Archive—the only comprehensive, searchable, virtual, and physical repository of contemporary feminist art activities across varying media and from all over the world.
Participate by adding events to the online calendar during July 24–30. TFAP is looking for new listings to add from 2005 onward, such as exhibitions, films, lectures, performances, and publications, and classes, in or about all visual art media with feminist art content, feminist intent, or work by any individual woman or women of all gender expressions. So dig through your files for past, current, and future events! List your or your institution’s activities, or be a feminist archivist-activist by picking a smaller institution in your community, or a large university or museum, to focus on.
TFAP needs your catalogues, announcements, and other documentation that mirror the Calendar Archive listings that you post. They will be included in the Miriam Schapiro Archives at Special Collections and University Archives at Rutgers University Libraries, where the TFAP Archive is housed. It is vital for us to continue to contribute to this archive to ensure that the activities of women artists are included in the historical record and creating a key resource for researchers and scholars who will study the feminist art movement in the future.
The TFAP Add-a-Thon is presented in partnership with Special Collections and University Archives, Rutgers University Libraries. Visit feministartproject.rutgers.edu for more information about the TFAP Add-a-Thon and sending your archive materials.