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Explore the Latest Issue of The Art Bulletin

posted by November 13, 2017

Cover: The Art Bulletin, September 2017.

The impassioned figure of V. I. Lenin, addressing invisible masses from an elevated lectern of vanguard design, appears on the cover of the recent September 2017 issue of The Art Bulletin. El Lissitzky’s 1924 design for the Lenin Tribune appears in Samuel Johnson’s article exploring Lissitzky’s plans for a horizontal skyscraper in light of a newly discovered drawing.

In other essays featured in the issue: Anthi Andronikou traces a transcultural artistic vocabulary across the eastern Mediterranean in religious paintings of the thirteenth century. Fabio Barry considers how early modern artists from Siena to Oxford used chemical means to infuse seemingly miraculous images in marble. Morten Steen Hansen’s essay subverts the assumption that Francesco Furini’s Baroque allegorical frescoes for the Palazzo Pitti served primarily as panegyrics to his patron. Ebba Koch examines the political underpinnings of intricate illustrations commissioned by Shah Jahan, the builder of the Taj Mahal, to illustrate historical narratives. And Gavin Parkinson uncovers the sway of the Surrealist André Breton in the reception of Georges Seurat’s Impressionist paintings.

The reviews section, on the theme of “Craft, Industry, Design,” encompasses recent books on early stone carving in India, debates about nineteenth-century art, craft, and industry in the British Empire, the development of American design culture as seen through the lens of the industrial designer John Vassos, and the gendered role ceramics played in the twentieth-century American avant-garde.

CAA sends print copies of The Art Bulletin to all institutional members and individual members who choose it as a benefit of membership. The digital version at Taylor & Francis Online is available to all CAA individual members regardless of their print subscription choice.

Filed under: Art Bulletin

Rebecca Easby and Colleen Denney

posted by November 13, 2017

The weekly CAA Conversations Podcast continues the vibrant discussions initiated at our Annual Conference. Listen in each week as educators explore arts and pedagogy, tackling everything from the day-to-day grind to the big, universal questions of the field.

This week, Rebecca Easby, program chair of Fine Arts and Associate Professor of Art History at Trinity Washington University, and Colleen Denney, Professor of Art History/Gender and Women’s Studies at the University of Wyoming, discuss teaching art history in an interdisciplinary context.

Filed under: CAA Conversations, Podcast

New in caa.reviews

posted by November 10, 2017

  

Luis E. Carranza discusses Roberto Burle Marx: Brazilian Modernist, on view at the Jewish Museum, New York, May 6–September 18, 2016. Read the full review at caa.reviews.

Billie Follensbee reads La Ofrenda 4 de La Venta by Diana Magaloni Kerpel and Laura Filloy Nadal. Read the full review at caa.reviews.

Lelia Packer visits Bosch: The 5th Centenary Exhibition, on view at Museo Nacional del Prado, Madrid, May 31–September 25, 2016. Read the full review at caa.reviews.

Laura J. Whatley reviews Illuminators and Patrons in Fourteenth-Century England: The Psalter and Hours of Humphrey de Bohun and the Manuscripts of the Bohum Family by Lucy Freeman Sandler. Read the full review at caa.reviews.

 

Filed under: caa.reviews

Take Action to Keep Graduate Education Affordable

posted by November 10, 2017

Image: University of Washington

“The idea of taxing people on money they don’t get is absurd.”
Hunter O’Hanian, CAA Executive Director, Nov 10, 2017

On November 2, the House of Representatives Ways and Means Committee released the “Tax Cuts and Jobs Act.” Among many provisions that would affect higher education, their version of the bill would treat tuition waivers as taxable income, increasing the tax liability of hundreds of thousands of graduate students.

While the Senate’s version, released on November 9, does not consider tuition waivers taxable income, the House plan could still become law.

This potential additional tax burden would cut into the modest stipends with which many graduate students already struggle to make ends meet. It would make graduate school unaffordable to many, and seriously deplete future generations of scholars and leaders.

With Congress aiming to pass this bill by Thanksgiving, it is urgent to speak out against the House’s provision.

Click here to urge Congress to oppose this provision

Read more on the issue:

Why Graduate Students Are Worried about the Republican Tax Plan (Artsy)

The GOP Tax Plan Will Destroy Graduate Education (Forbes)

The Republican Tax Plan Could Financially Devastate Graduate Students (The Verge)

We thank our colleagues at the National Humanities Alliance for their advocacy on this issue.

Filed under: Advocacy, Higher Education, Students

Why the CAA Annual Conference Matters

posted by November 09, 2017

CAA 105th Annual Conference in New York, 2017. Photo: Ben Fractenberg

At the CAA Board of Director’s meeting in late October, the Board and staff took a detailed look at the Annual Conference and why it matters to the field.

Without question, recent changes like shorter sessions and more diversity have been very popular. In fact, results from our 2017 Annual Conference survey found that 82% of the attendees were satisfied as either presenters or attendees.

As we look at the value that the conference provides members and to the fields of art and design, and art history, here are some thoughts from CAA Board of Directors about the impact of the conference:

  • It provides the next generation of scholars with new scholarship and opportunities of leadership.
  • Attendees hear well-researched papers and others further their career by presenting a paper.
  • The conference deals with urgent issues within academia.
  • It creates the opportunity for intergenerational discussions.
  • Allows academic administrators to see the creative and scholarly work that many educators create each year.
  • Opens the door to new forms of knowledge production.
  • Creates opportunities that can only happen face-to-face — a sense of connection and belonging to the field.
  • The sense of critical mass is really important.
  • Allows for a reunion of friends and colleagues, which helps with professional opportunities.
  • Challenges and energizes educators in their job – a mini-sabbatical.

Register for the 2018 Annual Conference in Los Angeles, February 21-24.

REGISTER NOW

As we think about changes for the future we are focusing on:

  • A higher percentage of the membership that can participate/attend the Annual Conference.
  • Creating a physical/digital memory of the conference via social media.
  • On-site exhibitions for visual artists.
  • Increased profile of our field in general audience media.
  • More social media and blogging about the conference.
  • Offering more opportunities for dealing with practical family issues during the conference (i.e., child/adult care, etc.)
Filed under: Annual Conference

CAA’s Nominating Committee met in early October 2017 to review the candidates who have applied to run in CAA’s Board of Directors election for the term 2018-2022. The Nominating Committee selected the following six candidates, four of whom will be elected to Board service. In the coming weeks, CAA will post their full biographies for consideration by the CAA membership.

Laura Anderson Barbata is a practicing, trans-disciplinary artist living and working in Brooklyn and Mexico City. Her work is intended to connect various cultures through the platform of contemporary art. Her art engages creative practices that promote dignity, shared values, diversity, and collaboration through reciprocal exchange of knowledge.  Among many unique projects, she has worked with the Yanomami of the Venezuela Amazon to document their oral history, overseen collaborative work with stilt dancing groups from Trinidad and Tobago, Brooklyn and Oaxaca and directed a 10-year effort to repatriate the remains of a Mexican Opera Singer. Ms. Barbata has extensive business expertise, as director of image and concept designer for a chain of 50 restaurants throughout Mexico. She was Vice President of the company and worked to protect the interests of the shareholders until the business was sold. Ms. Barbata feels she offers a unique perspective – having international business experience as well as maintaining a career as an artist.

Audrey G. Bennett is a full professor in the Department of Communication and Media, and director of the interdisciplinary graduate program in Communication and Rhetoric at Rensselaer Polytechnic Institute.  She was a 1996 recipient of a CAA Professional Development Fellowship and is currently a member of CAA’s Inaugural Committee on Design. From 2002-2010 she was a member of the Board of the Upstate New York chapter of the AIGA, the professional association for design where she served in a number of leadership roles. She is a former 2015 Andrew W. Mellon Distinguished Scholar, University of Pretoria, South Africa. Prof. Bennett secured funding for and founded the Global Interaction in Design Education (GLIDE), a biennial, virtual design conference. She would like to assist CAA in diversifying its membership culturally and intellectually.

Dahlia Elsayed is an Associate Professor of Fine Arts in the Humanities Dept. at CUNY-LaGuardia Community College. She is a practicing artist who combines text and imagery to create visually narrative paintings that document internal and external geographies. Her work is influenced by conceptual art, comics and landscape painting and cartography.  She is particularly interested in attracting and welcoming the vital constituency of community college faculty and students to CAA.  Furthermore she sees opportunities to facilitate interactions between community colleges, senior colleges and graduate programs to strengthen best practices and continuity.

Alice Ming Wai Jim is Associate Professor in Contemporary Art and Concordia University Research Chair in Ethnocultural Art Histories at Concordia University in Montreal, Quebec, Canada. She is the founding co-editor of the international scholarly journal, “Asian Diasporic Visual Cultures and the Americas.” Alice is an art historian, curator and cultural organizer in the fields of diasporic and global art histories, media arts and curatorial studies. Focusing on Asian Canadian and African Canadian artists, she has curated exhibitions of over fifty artists of color and Indigenous artists and organized major scholarly events within academic settings and for the broader arts community in Canada and internationally. She is also involved in a leadership capacity in several formal partnerships involving international networking and community building initiatives, with a strong commitment to research and social justice. Alice would like to work toward increasing the visibility of members from diverse cultural communities, strengthening international exchanges, and expanding critical capacities for art historical scholarship and critical visual culture studies on and by ethnic minority and Indigenous peoples across the Americas and internationally.

Richard Lubben is Dean of the Arts Division at Lane Community College in Eugene, Oregon.  He is a painter, whose recent work consists of a series of large format abstract oil paintings examining visual transitions of landscapes through seasonal changes, memories of nature and delicate ecosystems. He was awarded a Fulbright Visiting Research Chair in Human Rights and Social Justice at the University of Ottawa in 2013. He has served on CAA’s Task Force on Advocacy, been on panels at CAA’s Annual Conference and is currently the Chair of CAA’s Education Committee.  Lubben urges the inclusion of representatives from community colleges on CAA’s board but even more importantly attracting to CAA the thousands of 2-year institutional members, and potential individual members, associated with the nearly 1500 community colleges across the United States.

Walter Meyer, Professor of Art History at Santa Monica College, a 2-year community college  in California.  His degree is early 20th century art, specializing in Eastern Europe and Russia.  He has taken on a number of leadership positions at SMC including co-chairing the Technology Planning Committee . He is President of the Art Historians of Southern California, and former board member of the Craft & Folk Art Museum in Los Angeles. Currently, he serves on CAA’s Professional Practices Committee. Meyer believes in the mission of the community college system and its ability to help art and art history programs close the equity gap with under-represented populations on college campuses.

Filed under: Board of Directors

News from the Art and Academic Worlds

posted by November 08, 2017

Barbara Kruger installation as part of Performa 17, November 2017. Photo: Scott Heins/Gothamist

Each week CAA News summarizes articles, published around the web, that CAA members may find interesting and useful in their professional and creative lives.

Latinx Community Activism and Social Art Practices Get A Rare Spotlight in New Exhibit

Talking to Action: Art, Pedagogy, and Activism in the Americas is now on view in Los Angeles. (KCET)

Me and My Pencil: Famous Creatives on their Tools – in Pictures

Alex Hammond and Mike Tinney photographed the pencils of 70 artists, designers, musicians and architects. (The Guardian)

The Angriest Librarian Is Full of Hope

After his profanity-laced tweetstorm went viral, Portland librarian Alex Halpern found himself speaking up for his embattled profession. (CityLab)

The Women Who Built the New York Art World

Between 1929 and 1939, four of New York City’s most iconic museums emerged in Manhattan. (Artsy)

Photos: Barbara Kruger’s Bold Statement Pieces Now Up Around NYC

The artist has taken over several spaces in NYC this month as part of the Performa Biennial. (Gothamist)

Galleries Hit by Cyber Crime Wave

Hackers are using an email scam to intercept payments between galleries, collectors and others. (The Art Newspaper)

How to Frame a $100 Million Painting by Leonardo da Vinci

“When you see it with no barrier between you and the actual piece, it’s stunning.” (Artsy)

Filed under: CAA News

Annual Conference Committee Seeks Members

posted by November 07, 2017

CAA invites nominations and self-nominations for at-large members of the Annual Conference Committee to serve a three-year term and for New York Regional Representatives to serve a one-year term. Terms begin February 2018, immediately following the 106th Annual Conference.

Working with the Programs and Publications Department staff, this committee reads and reviews proposals and selects sessions for the Annual Conference. The committee ensures that the program reflects the goals of the association and of the Annual Conference, namely, to make the conference an effective place for intellectual, aesthetic, and professional learning and exchange, and to provide opportunities for participation that are fair, equal, and balanced.

The Annual Conference Committee meets at least three times a year via conference call, once during the Annual Conference, and at the call of the program chair and vice president for Annual Conference. Committee members must be available throughout May and June to review a significant amount of material and select conference content from the submitted proposals.

Please send a 150-word letter of interest and a CV to Michelle Stanek, CAA manager of annual conference. Deadline: January 15, 2018

Filed under: Annual Conference

Molly Sherman and Kate Bingaman-Burt

posted by November 06, 2017

The weekly CAA Conversations Podcast continues the vibrant discussions initiated at our Annual Conference. Listen in each week as educators explore arts and pedagogy, tackling everything from the day-to-day grind to the big, universal questions of the field.

This week, Molly Sherman, Assistant Professor in Communication Design at Texas State University, and Kate Bingaman-Burt, Associate Professor of Graphic Design at Portland State University, discuss design and community engagement.

Filed under: CAA Conversations, Podcast

New in caa.reviews

posted by November 03, 2017

  

Anne Mahady-Kneller discusses Archibald Motley: Jazz Age Modernist edited by Richard J. Powell. Read the full review at caa.reviews.

Zeynep Kezer reviews Architecture and the Late Ottoman Historical Imaginary: Reconfiguring the Architectural Past in a Modernizing Empire by Ahmet A. Ersoy. Read the full review at caa.reviews.

Ellen Shortell reads Villard de Honnecourt: Architecte du XIIIe siècle by Jean Wirth. Read the full review at caa.reviews.

Filed under: caa.reviews