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posted by CAA — Mar 29, 2018

                       

 

Amanda Douberley writes about Dwan Gallery: Los Angeles to New York, 1959-1971 by James Meyer. Read the full review at caa.reviews.

Laura Cleaver discusses Art of Documentation: Documents and Visual Culture in Medieval England by Jessica Berenbeim. Read the full review at caa.reviews.

Julia Peters reviews Fugitive Objects: Sculpture and Literature in the German Nineteenth Century by Catriona MacLeod. Read the full review at caa.reviews.

Karin Zitzewitz examines Visions from India by The Pizzuti Collection and Greer Pagano. Read the full review at caa.reviews.

Alessandra Raengo looks at the exhibition Mickalene Thomas: Mentors, Muses, and Celebrities at Spelman College Museum of Fine Art. Read the full review at caa.reviews.

Lauren Rosenblum discusses the exhibition Between Land and Sea: Artists of the Coenties Slip at the Menil Collection. Read the full review at caa.reviews.

Susan Danly reviews Georgia O’Keeffe: Living Modern by Wanda M. Corn. Read the full review at caa.reviews.

Tanja Klemm explores Strange Tools: Art and Human Nature by Alva Noë. Read the full review at caa.reviews.

Sandra Zalman writes about the exhibition Sol LeWitt: Glossy and Flat Black Squares at Rice University Art Gallery. Read the full review at caa.reviews.

Anya Pantuyeva examines Mi Tierra: Contemporary Artists Explore Place by Rebecca R. Hart. Read the full review at caa.reviews.

Charlie F. B. Miller analyzes Form as Revolt: Carl Einstein and the Ground of Modern Art by Sebastian Zeidler. Read the full review at caa.reviews.

Harper Montgomery writes about the exhibition Embodied Absence: Chilean Art of the 1970s Now at the Carpenter Center for the Visual Arts at Harvard University. Read the full review at caa.reviews.

Phoebe Wolfskill reviews African-American Art: A Visual and Cultural History by Lisa Farrington. Read the full review at caa.reviews.

Mark Hinchman explores The Politics of Furniture: Identity, Diplomacy and Persuasion in Post-War Interiors edited by Fredie Floré and Cammie McAtee. Read the full review at caa.reviews.

Ariel Osterweis looks at The Off-Staging of William Forsythe’s Dance in the Museum. Read the full review at caa.reviews.

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