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posted by CAA — Apr 06, 2018

                                     

Kevin Lotery reviews Buon Fresco by Tacita Dean. Read the full review at caa.reviews.

Sarah Schaefer examines No Idols: The Missing Theology of Art by Thomas Crow. Read the full review at caa.reviews.

Rikki Byrd writes about Dandy Lion: The Black Dandy and Street Style by Shantrelle P. Lewis. Read the full review at caa.reviews.

Sybil E. Gohari explores Matisse/Diebenkorn edited by Janet Bishop and Katherine Rothkopf. Read the full review at caa.reviews.

Caitlin Beach looks at Slavery, Geography and Empire in Nineteenth-Century Marine Landscapes of Montreal and Jamaica by Charmaine A. Nelson. Read the full review at caa.reviews.

Charles Snyder writes about Oceans of Love: The Uncontainable Gregory Battcock by Gregory Battcock, edited by Joseph Grigely. Read the full review at caa.reviews.

Tricia Y. Paik discusses Ellsworth Kelly: Catalogue Raisonné of Paintings, Reliefs, and Sculpture, Volume One, 1940–1953 by Yve-Alain Bois. Read the full review at caa.reviews.

Cynthia Colburn reviews Art of Mesopotamia by Zainab Bahrani. Read the full review at caa.reviews.

Elizabeth Childs examines Degas, Impressionism, and the Paris Millinery Trade by Simon Kelly and Esther Bell. Read the full review at caa.reviews. 

Natilee Harren explores South of Pico: African American Artists in Los Angeles in the 1960s and 1970s by Kellie Jones. Read the full review at caa.reviews.

Rachel Boate writes about the exhibition Matisse and American Art at the Montclair Art Museum. Read the full review at caa.reviews.

Nadja Rottner discusses the exhibition The Transported Man at the Eli and Edythe Broad Art Museum at Michigan State University. Read the full review at caa.reviews. 

Annie Paul considers From San Juan to Paris and Back: Francisco Oller and Caribbean Art in the Era of Impressionism by Edward J. Sullivan. Read the full review at caa.reviews.

Dorota Biczel reviews Cecilia Vicuña: About to Happen by Andrea Andersson, Lucy Lippard, Macarena Gómez-Barris, and Julia Bryan-Wilson. Read the full review at caa.reviews.

Erin Hyde Nolan writes about Camera Orientalis: Reflections on Photography of the Middle East by Ali Behdad. Read the full review at caa.reviews.

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