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New in caa.reviews

posted by CAA — Apr 13, 2018

                          

Lisa Strong writes about Capital Culture: J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience by Neil Harris. Read the full review at caa.reviews.

Rebecca Zorach explores South Africa: The Art of a Nation edited by John Giblin and Chris Spring. Read the full review at caa.reviews.

Ellen Prokop reviews August L. Mayer y la pintura española: Ribera, Goya, El Greco, Velázquez by Teresa Posada Kubissa. Read the full review at caa.reviews. 

Preeti Chopra discusses Architecture and Empire in Jamaica by Louis P. Nelson. Read the full review at caa.reviews.

Beate Pittnauer looks at Zeitspeicher der Fotografie: Zukunftsbilder, 1860–1913 by Katja Müller-Helle. Read the full review at caa.reviews.

Chris Collier examines The Artist as Culture Producer: Living and Sustaining a Creative Life edited by Sharon Louden. Read the full review at caa.reviews.

Sadé Ayorinde reviews No Laughing Matter: Visual Humor in Ideas of Race, Nationality, and Ethnicity edited by Angela Rosenthal, David Bindman, and Adrian W. B. Randolph. Read the full review at caa.reviews.

Jonathan Walley writes about The Off-Screen: An Investigation of the Cinematic Frame by Eyal Peretz. Read the full review at caa.reviews.

Rose Marie San Juan discusses The Bible and the Printed Image in Early Modern England: Little Gidding and the Pursuit of Scriptural Harmony by Michael Gaudio. Read the full review at caa.reviews.

Helena Vilalta explores 1971: A Year in the Life of Color by Darby English. Read the full review at caa.reviews.

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