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posted by CAA — Nov 30, 2018

        

Gregor Kalas reviews Rome: An Urban History from Antiquity to the Present by Rabun Taylor, Katherine Wentworth Rinne, and Spiro Kostof. Read the full review at caa.reviews.

Liliana Leopardi writes about Carlo Crivelli et le matérialisme mystique du Quattrocento by Thomas Golsenne. Read the full review at caa.reviews.

Paul Baker Prindle discusses Global and World Art in the Practice of the University Museum, edited by Jane Chin Davidson and Sandra Esslinger. Read the full review at caa.reviews.

Erin Reitz looks at Cinthia Marcelle and Tiago Mata Machado: Divine Violence at the Reva and David Logan Center for the Arts, University of Chicago. Read the full review at caa.reviews.

Kristopher Driggers reviews Sacred Consumption: Food and Ritual in Aztec Art and Culture by Elizabeth Morán. Read the full review at caa.reviews.

       

Bryant Keith Alexander writes about Question Bridge: Black Males at the Brooklyn Museum, and Question Bridge: Black Males in America, edited by Deborah Willis and Natasha L. Logan. Read the full review at caa.reviews.

Ivana Horacek examines Renaissance Ethnography and the Invention of the Human: New Worlds, Maps and Monsters by Surekha Davies. Read the full review at caa.reviews.

David Ehrenpreis discusses The Stages of Memory: Reflections on Memorial Art, Loss, and the Spaces Between by James E. Young. Read the full review at caa.reviews.

Sarah Stefana Smith reviews the exhibition Senses of Time: Video- and film-Based Works of Africa. Read the full review at caa.reviews.

      

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