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Since membership fees cover less than half of CAA’s operating costs, voluntary contributions from members significantly help to facilitate the wide range of programs and services that the organization offers. In the Acknowledgments section of its website, CAA recognizes the distinguished contributors for each of the following in calendar year 2011:

  • The Centennial Campaign celebrates CAA’s one hundredth anniversary, a celebratory landmark for any organization but particularly so for CAA given its dynamic influence in shaping the study and practice of the visual arts
  • The Donors Circle of Patron, Sponsoring, and Sustaining Members includes individuals who contribute to CAA above and beyond their regular dues
  • Life Members are individuals who make one-time payments of $5,000 and remain active CAA members for life
  • The Art Bulletin Publication Fund supports the production of CAA’s preeminent scholarly journal covering all areas and periods of art history
  • The Art Journal Publication Fund supports the production of CAA’s cutting-edge quarterly of contemporary art and ideas
  • The caa.reviews Publication Fund supports the production of CAA’s online journal devoted to critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies
  • The Annual Conference Travel Grants help cover expenses for graduate students in art history and studio art, and for international artists and scholars, who attend the CAA Annual Conference

CAA offers additional ways to contribute to the organization. Through Planned Giving, you can include CAA in your will. You can also purchase Benefit Prints by the artists Willie Cole and Buzz Spector or a collection of Art Journal Artists’ Projects by Barbara Bloom, Clifton Meador, Mary Lum, and William Pope.L. For general inquiries on CAA’s campaigns and funds, please contact Hannah O’Reilly Malyn, CAA development associate, at 212-392-4435.

 

CAA Wraps Its 100th Annual Conference

posted by March 12, 2012

CAA hosted its 100th Annual Conference and Centennial Celebration, February 22–25, 2012, at the Los Angeles Convention Center. This year’s program included: four days of presentations and panel discussions on art history and visual culture; Career Services for professionals at all stages of their careers; a Book and Trade Fair; and a host of special events throughout southern California.

Attendance

Five thousand art professionals from throughout the United States and abroad—including artists, art historians, students, educators, curators, critics, collectors, and museum staff—attended the conference.

Sessions

Conference sessions featured presentations by artists, scholars, graduate students, and curators, who addressed a range of topics in art history and the visual arts. In total, the conference offered over 200 sessions, developed by CAA members, affiliated societies, and committees.

Career Services

Career Services included four days of mentoring and portfolio-review sessions, career-development workshops, and job interviews with colleges, universities, and other art institutions. Approximately 200 interviewees and 46 mentors participated in Career Services.

Book and Trade Fair

This year’s Book and Trade Fair presented over 120 exhibitors, including participants from the United States, the United Kingdom, Turkey, Belgium, Mexico, China, Germany, Poland, and Cuba, displaying new publications, artists’ materials, digital resources, and innovative products of interest to artists and scholars. The Book and Trade Fair also featured book signings, lectures, and demonstrations, as well as three exhibitor-sponsored program sessions on art materials and publishing.

ARTspace and ARTexchange

ARTspace, a “conference within the conference” tailored to the needs and interests of practicing artists, presented this year’s Annual Artists’ Interviews with Mary Kelly and Martin Kersels. Over 300 people attended this extraordinary event.

The ARTspace program also featured four days of panel discussions devoted to visual-arts practice, opportunities for professional development, screenings of video work curated and produced by graduate students from six Los Angeles colleges, and a symposium exploring art in the public realm. Programmed by CAA’s Services to Artists Committee, ARTspace was made possible in part by a generous grant from the National Endowment for the Arts.

ARTexchange, an open-portfolio event in which CAA artist members displayed drawings, prints, photographs, small paintings, and works on laptop computers, took place on Friday, February 24. Nearly 50 artists participated in ARTexchange this year.

Convocation and Centennial Awards

More than 400 people attended CAA’s Convocation and presentation of the 2012 Centennial Awards. Rocco Landesman, chairman of the National Endowment for the Arts, delivered the keynote address.

The recipients of CAA’s Centennial Awards are:

  • Deborah Marrow, Leadership and Service to the Field. Presented by James Cuno, President and CEO, J. Paul Getty Trust
  • Edythe and Eli Broad, Patronage and Philanthropic Support of the Arts. Presented by Steven D. Lavine, President, California Institute of the Arts
  • California Lawyers for the Arts, Advocacy for the Arts. Awarded to Maria Seferian, Copresident of California Lawyers for the Arts and presented by Joseph Lewis III, Dean, Claire Trevor School of the Arts, University of California, Irvine

Awards for Distinction

More than 300 people attended CAA’s ceremony for the 2012 Awards for Distinction. The recipients of this year’s awards are:

  • David Hammons, Distinguished Artist Award for Lifetime Achievement
  • Adrian Piper, Artist Award for Distinguished Body of Work
  • Lucy R. Lippard, Distinguished Feminist Award
  • Allan Sekula, Distinguished Lifetime Achievement Award for Writing on Art
  • David Antin, Frank Jewett Mather Award
  • Alexander Nagel, Charles Rufus Morey Book Award
  • Maryan W. Ainsworth, Alfred H. Barr Jr. Award
  • Roy Flukinger, Alfred H. Barr Jr. Award for Smaller Museums, Libraries, Collections, and Exhibitions
  • Jacki Apple, Distinguished Teaching of Art Award
  • Gabriel P. Weisberg, Distinguished Teaching of Art History Award
  • Francesca G. Bewer, CAA/Heritage Preservation Award for Distinction in Scholarship and Conservation
  • Rebecca Molholt, Arthur Kingsley Porter Prize
  • Triple Canopy and Colby Chamberlain, Art Journal Award

Centennial Book

Edited by Susan Ball, executive director emerita, The Eye, the Hand, the Mind: 100 Years of the College Art Association surveys the impressive history of the organization from 1911 to the present. The 330-page hardcover book was published jointly by CAA and Rutgers University Press.

Special Events

Following the Centennial Convocation, the Los Angeles County Museum of Art hosted a Centennial Reception on Wednesday evening, February 22. Hundreds of attendees gathered to celebrate CAA’s 100th anniversary and enjoyed exclusive access to the museum’s galleries.

Save the Date

CAA’s 101st Annual Conference will be held in New York, February 13–16, 2013.

About CAA

The College Art Association is dedicated to providing professional services and resources for artists, art historians, and students in the visual arts. CAA serves as an advocate and a resource for individuals and institutions nationally and internationally by offering forums to discuss the latest developments in the visual arts and art history through its Annual Conference, publications, exhibitions, website, and other events. CAA focuses on a wide range of issues, including education in the arts, freedom of expression, intellectual-property rights, cultural heritage and preservation, workforce topics in universities and museums, and access to networked information technologies. Representing its members’ professional needs since 1911, CAA is committed to the highest professional and ethical standards of scholarship, creativity, criticism, and teaching.

Filed under: Annual Conference

Gift Giving That Supports CAA

posted by November 30, 2011

For over one hundred years, CAA has served the needs of a diverse community of professionals and students in the visual arts. You can contribute to the organization’s invaluable work this holiday season by purchasing a gift membership or by making a year-end, tax-deductible gift. Here are several gift-giving options:

  • Buy an annual Gift Membership for a friend or colleague
  • Purchase a Gift Registration to CAA’s 100th Annual Conference in Los Angeles, February 22–25, 2012
  • Contribute to CAA’s Centennial Campaign or Publications Fund in honor of friends, colleagues, or family members. Gifts are prominently acknowledged in each publication and online; donations are 100 percent tax deductible
  • Collect one of four Artists’ Projects, which are CAA signed, limited editions, available at a special price individually or as a complete set
  • To purchase a gift membership or conference registration, please contact Member Services at 212-691-1051, ext. 1. To purchase an honorary gift or Artists’ Projects, please contact Hannah O’Reilly Malyn at 212-392-4435.

Your generosity will go a long way for both the recipient of your gift and for CAA. Thank you for your consideration and your ongoing support. Best wishes for a happy holiday season!

Filed under: Annual Conference, Membership

Quote for Hope Campaign

posted by October 07, 2011

If CAA members receive a quote on automobile, home, or renter’s insurance from Liberty Mutual, a CAA membership partner, by November 30, 2011, the company will donate $5 to Susan G. Komen for the Cure to support the fight against breast cancer. To participate in the campaign, visit the CAA page on the Quote for Hope website or call 888-437-2147.

Susan G. Komen for the Cure is a leading breast-cancer organization with the largest source of nonprofit funds dedicated to fighting the disease.

Please have your current policy and driver’s license on hand when completing the website form or calling. You do not need to purchase a policy to take part in Quote for Hope.

This offer is not available to existing Liberty Mutual customers or to residents of Iowa, Maine, Massachusetts, Missouri, Nevada, New Jersey, New Mexico, New York, Pennsylvania, or Utah. CAA members may get one quote per policy type (auto, home, or renter’s). To the extent permitted by law, applicants are individually underwritten; not all applicants may qualify. Liberty Mutual may obtain a consumer report from a consumer reporting agency and/or a motor vehicle report, on all drivers listed on your policy, where state laws and regulations allow. Coverage is underwritten and provided by Liberty Mutual Insurance Company and affiliates, 175 Berkeley Street, Boston, MA 02116.

Filed under: Membership

CAA has received a $25,000 from the National Endowment for the Arts (NEA) to support the next ARTspace, taking place during the 100th Annual Conference and Centennial Celebration in Los Angeles, February 22–25, 2012.

Designed to engage CAA’s artist members and the general public, ARTspace offers program sessions free of charge and includes diverse activities such the Annual Artists’ Interviews, screenings of film, video, and multimedia, performances, and presentations that facilitate a conversational yet professional exchange of ideas and practices. Held at each conference since 2001, ARTspace is intended to reflect the current state of the visual arts and arts education.

The grant, which is the NEA’s third consecutive award to CAA for ARTspace programming, will help fund, among other things, ARTexchange, a popular open-portfolio event for artists, as well as [Meta] Mentors programming, which has covered topics such as do-it-yourself curatorial and exhibition practices, international networks for artists, and assistance with grants, taxes, and promotion.

Image: ARTexchange participants at the 2011 Annual Conference in New York (photograph by Bradley Marks)

New Member Benefit: Club Quarters

posted by May 10, 2011

Update from April 2015: CAA no longer participates in the Club Quarters program.

In an effort to enhance member benefits, CAA recently joined Club Quarters, a group that offers reasonable room rates at full-service hotels for partnering organizations and companies. The Club Quarters system extends nationwide, with four participating hotels in New York, two in Chicago, and one each in Boston, Houston, San Francisco, Philadelphia, and Washington, DC. You also have a choice of three hotels in London.

CAA’s section on the Club Quarters website explains your benefits. Click “Your Member Rates” to download a PDF with the hotels’ names, addresses, and daily rates. The section also publishes detailed information regarding the amenities and services available to you and offers maps, travel directions, and area attractions.

Make your reservations online through Club Quarters. You may also write to memberservices@clubquarters.com, call 203-905-2100, or send a fax to 203-348-6401.

CAA hopes that you will find Club Quarters useful in your personal or professional life.

Image: A Club Quarters hotel in San Francisco

Filed under: Membership

The Art Bulletin, Art Journal, and caa.reviews have provided important platforms for the open discussion of scholarly, theoretical, and practical issues in the visual arts. With the Centennial year in mind, CAA hopes that you will support the three journals with a generous gift to the 2011 Publications Fund.

Published respectively since 1913 and 1929, The Art Bulletin and Art Journal have grown from their original roots in pedagogy to become authoritative voices in the history and practice of art. Even now, after ninety-eight years in publication, The Art Bulletin continues to evolve and cultivate new interest: the journal witnessed, for example, a 35 percent increase in manuscript submissions during the past year. Upcoming features include interviews with senior scholars and short-form explorations that address the motivations of art historians working today.

Art Journal recently launched a dynamic website, which not only provides free access to select articles from each print issue but also publishes exclusive web-only features. In addition to presenting time-based art online, the journal commissions artists to create special projects—such as Dailies, Kerry James Marshall’s year-long project for the magazine’s inside covers—to underscore a commitment to producing visual art as well as scholarship on it.

Founded in 1998 as one of the first born-digital art journals, caa.reviews recently reached its long-held goal of publishing over 150 reviews a year. With timely, insightful criticism on books, exhibitions, articles, conferences, and an expanding array of other works, caa.reviews also presents the titles of dissertations, both completed and in progress, from PhD students in graduate programs across the United States and Canada. The list for calendar year 2010 is forthcoming later this spring.

At the threshold of its next century of activity, CAA remains committed to the superb quality and ongoing development of these highly regarded journals, which are enjoyed by thousands of readers annually and which remain essential resources for students, educators, and practitioners in all areas of the visual arts. Your contribution not only helps to maintain an invaluable platform for the presentation of new research and interpretation, but it also supports the groundbreaking work of emerging and future scholars.

Contributors of $250 and higher are prominently acknowledged in four issues of the printed publication that they support, or on the donor page of caa.reviews; they are also recognized in the Acknowledgments and through CAA News. CAA hopes that you will take your place on any or all of these growing lists of esteemed donors.

The year 2011 marks the College Art Association’s one-hundredth anniversary, a celebratory occasion for any organization but particularly so given CAA’s dynamic influence in shaping the study and practice of the visual arts over the past century. Without dedicated members like you, CAA would not be where it is today. Show your support with a donation to the 2011 Centennial Campaign.

The Centennial Campaign is an opportunity for you to help CAA support the field and give back to its members. Your contributions allow us to provide fellowships to MFA students, keep conference rates affordable, and subsidize the memberships of student, retired, and low-income members. Donations also help publish an information-packed website, which features calls for entries and papers and listings for grants and fellowships in the Opportunities section, as well as job classifieds in the Online Career Center. Additionally, your donations support advocacy at a time when art is, once again, under political attack.

Contributions at every level are appreciated and will be acknowledged publicly; they are also 100 percent tax deductible. Your generous gift will both sustain the organization now and guarantee its leadership role over the next one hundred years.

Filed under: Centennial, Membership

Membership fees cover less than half of CAA’s operating costs; thus voluntary contributions from members significantly help to make possible the wide range of programs and services that the organization offers. In a new website section called Acknowledgments, CAA recognizes the distinguished contributors for each of the following:

  • The Centennial Campaign celebrates CAA’s one hundredth anniversary, a celebratory landmark for any organization but particularly so given the organization’s dynamic influence in shaping the study and practice of the visual arts
  • The Annual Campaign helps CAA maintain affordable membership dues and Annual Conference fees, implement its myriad programs and publications, and serve the international community of professionals in the visual arts
  • The Donors Circle of Patron, Sponsoring, and Sustaining Members includes individuals who contribute to CAA above and beyond their regular dues
  • Life Members are individuals who make one-time payments of $5,000 and remain active CAA members for life
  • The Art Bulletin Publication Fund supports the production of CAA’s preeminent scholarly journal covering all areas and periods of art history
  • The Art Journal Publication Fund supports the production of CAA’s cutting-edge quarterly of contemporary art and ideas
  • The caa.reviews Publication Fund supports the production of CAA’s online journal devoted to critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies
  • The Annual Conference Travel Grants help cover expenses for graduate students in art history and studio art, and for international artists and scholars, who attend the CAA Annual Conference

CAA offers additional ways to contribute to the organization. Through Planned Giving, you can include CAA in your will. You can also purchase Benefit Prints by the artists Willie Cole and Buzz Spector or a collection of Art Journal Artists’ Projects by Barbara Bloom, Clifton Meador, Mary Lum, and William Pope.L. For general inquiries on CAA’s campaigns and funds, please contact Sara Hines, CAA development and marketing manager, at 212-691-1051, ext. 216.

 

2011 Annual Conference Summary

posted by March 02, 2011

The College Art Association recently held its 99th Annual Conference and Centennial Kickoff at the Hilton New York in midtown Manhattan. Taking place February 9–12, 2011, the conference began the organization’s yearlong celebration of its one hundredth anniversary. The program comprised four days of presentations and discussions on art, art history, and visual culture; career-development workshops, mentoring programs, and job interviews with colleges and universities; a Book and Trade Fair featuring publishers of art books and journals, manufacturers of artists’ materials, and providers of various services for artists and academics; and a host of special events throughout the New York area.

Attendance

The New York conference was not only the largest CAA has produced, it was also the best attended. More than seven thousand art professionals from across the United States and around the world—including artists, art historians, students, educators, curators, critics, collectors, and museum staff—came the event.

Sessions

The conference offered more than two hundred sessions, panels, and talks—all developed by CAA’s members, affiliated societies, and committees. These sessions, which featured presentations from participants and institutions across the country and internationally, addressed a wide range of topics. With papers and presentations as manifold as “The Aesthetics of Sonic Spaces,” “Gender and Sexuality in the Art Museum,” and “Civic Performance and the Genesis of the Roman Social Cityscape,” the 2011 conference was highly diverse.

CAA also organized seven special Centennial Sessions in which invited panelists from different corners of the visual arts—among them Mark Tribe, Griselda Pollock, and James Elkins—came together to debate core concepts, such as diversity, experience, feminism, globalization, medium, technology, and tradition.

Career Services

Career Services included three days of mentoring and portfolio-review sessions, workshops and roundtables on professional-development issues, and job interviews. Approximately one hundred schools, academic departments, and institutions conducted interviews at the conference. Workshops addressed such topics as planning for retirement, advice for new instructors, securing a job in the arts, and self-marketing for artists.

Book and Trade Fair

The Book and Trade Fair presented 149 exhibitors, including participants from the United States, Turkey, Spain, England, Scotland, France, Germany, Italy, and Belgium, displaying new publications, artists’ materials, digital resources, and innovative products of interest to artists and scholars. The Book and Trade Fair also featured book signings, lectures, and demonstrations, as well as three exhibitor sessions on artists’ materials and publishing.

ARTspace and ARTexchange

ARTspace, a “conference within the conference” tailored to the needs and interests of practicing artists, presented the Annual Artists’ Interviews with Krzysztof Wodiczko and Mel Chin, as well as wealth of presentations and programming by and for artists. ARTexchange, an open-portfolio event in which artist members displayed their small paintings, drawings, prints, photographs, and work on laptops, hosted over fifty artists this year.

Convocation and Centennial Awards

More than six hundred people attended Convocation and the Centennial Awards Presentation, held at the Hilton New York on Wednesday, February 9. Jim Leach, chairman of the National Endowment for the Humanities, spoke about the importance of the humanities, and eco-art pioneers Newton and Helen Mayer Harrison delivered a lively keynote address.

On the occasion of CAA’s centennial year, the Board of Directors presented four awards to living individuals who have contributed significantly to the advancement of the visual arts in the United States. The recipients of CAA’s four Centennial Awards are:

  • Stuart E. Eizenstat, attorney and former US ambassador, Centennial Award for Protecting Art as a Cultural Product, presented by Paul Jaskot of DePaul University
  • Agnes Gund, arts advocate and philanthropist, Centennial Award for Service to the Field, presented by Ann Temkin of the Museum of Modern Art
  • Philippe de Montebello, former director of the Metropolitan Museum of Art, Centennial Award for Leadership, presented by Linda Downs, CAA executive director
  • Dorothy and Herbert Vogel, collectors of contemporary art, Centennial Award for Patronage, presented by Anne Goodyear of the National Portrait Gallery, Smithsonian Institution

Awards for Distinction

Each year CAA recognizes the accomplishments of individual artists, art historians, authors, conservators, curators, and critics whose efforts transcend their individual disciplines and contribute to the profession as a whole and to the world at large. More than four hundred people attended the presentation of the 2011 Awards for Distinction in the Grace Rainey Rogers Auditorium at the Metropolitan Museum of Art on Thursday, February 10.

The recipients of CAA’s 2011 Awards for Distinction are:

  • Lynda Benglis, Distinguished Artist Award for Lifetime Achievement
  • John Baldessari, Artist Award for Distinguished Body of Work
  • Mieke Bal, Distinguished Lifetime Achievement Award for Writing on Art
  • Luis Camnitzer, Frank Jewett Mather Award
  • Faith Ringgold, Distinguished Feminist Award
  • William Itter, Distinguished Teaching of Art Award
  • Patricia Hills, Distinguished Teaching of Art History Award
  • Molly Emma Aitken, Charles Rufus Morey Book Award for The Intelligence of Tradition in Rajput Court Painting
  • Darielle Mason, Alfred H. Barr, Jr., Award for Kantha: The Embroidered Quilts of Bengal
  • Yasufumi Nakamori, Alfred H. Barr, Jr., Award for Smaller Museums, Libraries, Collections, and Exhibitions for Katsura: Picturing Modernism in Japanese Architecture
  • Ross Barrett, Arthur Kingsley Porter Prize for “Rioting Refigured: George Henry Hall and the Picturing of American Political Violence”
  • Kirsten Swenson, Janet Kraynak, Paul Monty Paret, and Emily Eliza Scott, Art Journal Award for “Land Use in Contemporary Art”
  • Joyce Hill Stoner, CAA/Heritage Preservation Award for Distinction in Scholarship and Conservation

Centennial Book

CAA introduced The Eye, the Hand, the Mind: 100 Years of the College Art Association, a new book that surveys the impressive history of the organization from 1911 to the present. Susan Ball, executive director emerita, edited the 330-page hardcover book, which was published jointly by CAA and Rutgers University Press.

Special Events

The Metropolitan Museum of Art hosted CAA’s Centennial Reception in the Great Hall and the Temple of Dendur. Hunter College offered its expansive galleries for the CAA Regional MFA Exhibition, which surveyed work by artists from twenty institutions within one hundred miles of New York. The New York Center for Art and Media Studies (NYCAMS) hosted the CAA Regional BFA Exhibition, which featured seventeen undergraduate student artists from seven area BFA programs. Sold-out tours explored the riches of New York’s cultural attractions, from a Chelsea Gallery District excursion to a preview tour of the Museum for African Art.

Save the Date

CAA will conclude its Centennial Celebration at the 100th Annual Conference, to be held February 22–25, 2012, in Los Angeles, California.

About CAA

The College Art Association is dedicated to providing professional services and resources for artists, art historians, and students in the visual arts. CAA serves as an advocate and a resource for individuals and institutions nationally and internationally, offering forums to discuss the developments in art and art history through its Annual Conference, publications, exhibitions, website, and other avenues. CAA focuses on a wide range of issues, including education in the arts, freedom of expression, intellectual-property rights, cultural heritage and preservation, and workforce topics in universities and museums. Representing its members’ professional needs since 1911, CAA is committed to the highest professional and ethical standards of scholarship, creativity, criticism, and teaching.

Filed under: Annual Conference, Centennial