Association of Academic Museums and Galleries
You’ve probably heard the rumors, but now it’s official: the Association of Academic Museums and Galleries (AAMG) will hold its annual conference in Eugene, Oregon, June 22–26, 2017. “Why Museums Matter: The Teaching Museum Today” will be hosted by the University of Oregon’s Museum of Natural and Cultural History and the Jordan Schnitzer Museum of Art. The program will begin at 5:30 PM on Thursday, June 22, and offer tracks for: professional development (emerging and seasoned professionals); governance, best practices, and administration; curricular connections and new teaching and training models; relevance, diversity, and engagement; renovations and new facilities; and more. AAMG will post a call for proposals in early September, along with registration and hotel information.
American Institute for Conservation of Historic and Artistic Works
The Weissman Preservation Center at Harvard Library and the Foundation for the American Institute for Conservation of Historic and Artistic Works (FAIC) will present a multidisciplinary, two-day symposium called “Salted Paper Prints: Process and Purpose.” The program will focus on the preservation, characterization, use, and interpretation of the salt print process, now over 175 years old. Scholarly presentations will include the technical history of the salt print process (both positive and negative images), historical applications of the process for copying and disseminating information, and innovative materials analysis. While many salt prints have survived as beautifully preserved images with rich tonal ranges, they can also be prone to fading and color shifts. New conservation research has assisted our understanding of these fragile items, and renewed interest in the historical and artistic aspects of salt prints has paralleled this preservation research.
Papers are currently being accepted to present at the symposium. Applicants are encouraged to submit abstracts or drafts of three hundred words or less, along with a brief bio or CV. The symposium will include individual presentations of no more than twenty minutes in length and panel discussions on an applicable topic—submissions for both formats are welcome. Preference will be given to recent collaborative research that uses scientific and art-historical evidence to shed light on the preservation of salt prints, their technical evolution and identification, and the cultural impact of this seminal photographic process. Visit the call for papers page on the AIC website for more details. Abstracts must be submitted by December 16, 2016. The symposium will take place September 14–15, 2017, at Harvard University in Cambridge, Massachusetts.
Association of Historians of American Art
The Association of Historians of American Art (AHAA) invites you to attend its fourth biennial symposium, to be held October 6–8, 2016, in Fort Worth, Texas. Online registration is now open. To learn more about the schedule, obtain hotel information, and register, visit www.ahaaonline.org/?page=2016Symposium. The registration fee is $40, and the event is only open to current AHAA members. If you are not yet a member, please consider joining this scholarly community. Membership rates start at $35.
AHAA is also proud to announce a third issue of its online journal, Panorama, which includes a roundtable devoted to pedagogical approaches (featuring the work of Jules Prown), a special section on “Art and Invention,” an article on Kara Walker, new Research Notes, book and exhibition reviews, and responses to the question “Is American art history conservative?” AHAA is grateful for the efforts of Panorama staff, editors, and contributors, and for the support of our readers. As always, the association invites your input and contributions.
AHAA looks forward to gathering in New York for the 2017 CAA Annual Conference. The annual business meeting will take place noon–1:30 PM on Friday, February 17. The AHAA-sponsored scholarly session will be “The Gustatory Turn in American Art” (date/time TBA).
In the coming year, several board terms will expire. AHAA wishes to thank board members who have served the organization and to welcome nominations and self-nominations for the open positions, each with three-year terms. These include three appointed positions (membership coordinator, secretary, and web coordinator) and two elected positions (treasurer and cochair). The cochair alternates annually between academic and museum professionals; this year we invite candidates from the academy. Please contact AHAA at email@example.com or firstname.lastname@example.org if you are interested in the position or wish to nominate a colleague.
Foundation in Art: Theory and Education
Celebrating its fiftieth year of first principles educational leadership, the KCAI’s Foundation Department will host FATE’s sixteenth biennial conference, “To the Core and Beyond,” to take place April 5–8, 2017, in Kansas City, Missouri. Registration for the conference is now open. Leading voices in fundamental art and design instruction will gather at the InterContinental Kansas City at the Plaza. Early-bird registration is open until September 30, 2016. Conference registration includes breakfast and lunch (April 6–8). For conference registration and more information, please visit http://www.foundations-art.org/conferences.
FATE has improved Silver and Gold Institutional Sponsorship levels this year and now offers a new biennial Retiree Faculty Individual Membership! See http://www.foundations-art.org/membership for more information. Also coming up is the FATE regional conference, “Technology Integration into Design Foundations Tech Swap,” which meets on Saturday, November 5, 2016, 10:00 AM–3:00 PM at the University of North Texas. The $20 cost includes coffee, muffins, and lunch (vegetarian option available). For more details, send an email to the event’s coordinator, Deanna Ooley, or visit http://www.foundations-art.org/regional.
FATE’s affiliated-society session at CAA’s 2017 Annual Conference, titled “Using the F-Word for Good, Not Evil: Fail, Fail Again, Fail Better,” meets on Thursday, February 16, 10:30 AM–noon in the Madison Suite, Second Floor, New York Hilton Midtown. How do we, as teachers, ignite courage and curiosity in students to explore and jump past their fears of failing? Discoveries occur when we allow tinkering, investigation, and getting things “wrong”—colossal failures hold surprising connections, connotations, and fruitful risks. That’s where the good stuff lives. “Don’t give up!” (see Miranda July). “Ever tried. Ever failed. No matter. Try Again. Fail again. Fail better” (see Samuel Beckett). This FATE session will proactively frame failure (pep talks), continue inquiries (experiments), and describe what to do when things go off the rails (glean the good). Speakers will present discussions starters, brainstorming, projects, ways of critiquing, pedagogy, and practice.
Italian Art Society
Last month the Italian Art Society sponsored two sessions at the annual meeting of the Sixteenth Century Society and Conference (SCSC) in Bruges, Belgium. “Co-petition: Testing the Boundaries of Cooperation and Competition” was organized by Alexis Culotta (American Academy of Art, Chicago), and “The Holy Republic of Venice,” was organized by Allison Sherman (Queen’s University) and Eveline Baseggio Omiccioli (Fashion Institute of Technology, State University of New York). Along with the Historians of Netherlandish Art and the Flemish Research Centre for the Arts in the Burgundian Netherlands, IAS sponsored a special event at the Groeningemuseum in Bruges. Anne Van Oosterwijk, assistant curator of old master paintings at the museum, lectured on sixteenth-century painters’ workshops and practices in Bruges; the lecture was followed by a gala reception.
IAS has announced the upcoming deadlines for two travel awards: the IAS Conference Travel Grant for Modern Topics (deadline: October 1, 2016) provides a minimum of $500 to subsidize transoceanic travel to present in an IAS-sponsored session on the art or architecture of Italy from the early nineteenth century to the present. The deadline for the IAS Travel Grant for Graduate Students and Emerging Scholars, which funds travel to any conference at which IAS has a presence, is November 1, 2016.
IAS is pleased to announce that Karen Lloyd (Stony Brook University) has joined the executive board as acting vice president for program coordination.
Society of Architectural Historians
An SAH Study Day “Louis Kahn in San Diego and La Jolla,” organized by the Society of Architectural Historians (SAH), will take place on November 4, 2016. William Whitaker, curator and collections manager of the Architectural Archives of the University of Pennsylvania School of Design, and Jochen Eisenbrand, chief curator of the Vitra Design Museum, will lead a special preview tour of their exhibition Louis Kahn: The Power of Architecture at the San Diego Museum of Art, the first retrospective of Louis Kahn’s work in two decades. After lunch, participants will get a behind-the-scenes tour of Kahn’s renowned Salk Institute for Biological Studies with Whitaker, Tim Ball, director of facilities at the Salk Institute, and Claire Grezemkovsky, associate director of foundation relations. Sara Lardinois of the Getty Conservation Institute will be on hand to discuss Kahn’s designs of the teak window walls, which are currently under conservation by the Getty. A Study Program Fellowship will be available for a graduate student or emerging professional to participate in this Study Day. Registration opens on September 13.
SAH will present its 2016 Awards for Architectural Excellence at its seventh annual awards gala on Friday, November 4, 2016, at the Racquet Club of Chicago. Honorees include the philanthropist Richard H. Driehaus (for architectural stewardship); Sarah Herda, director of the Graham Foundation for Advanced Studies in the Fine Arts and coartistic director of the Chicago Architecture Biennial (for public engagement with the built environment); and Peter Landon, founder and principal of Landon Bone Baker Architects (for design, planning, and sustainability). The awards represent a unique gathering of architectural practice and academic study, honoring the contributions of individual projects to the built environment. Gala proceeds benefit the society’s educational mission and the ongoing restoration of SAH’s headquarters, the Landmark Charnley-Persky House. Tickets are available at sah.org/gala.
American Council for Southern Asian Art
The American Council for Southern Asian Art (ACSAA), along with the University of Michigan History of Art Visual Resources Collections and the Center for Art and Archaeology (CA&A) of the American Institute of Indian Studies in Gurgaon, India, is pleased to announce that over 12,000 low-resolution images (suitable for PowerPoint presentations), known collectively as the ACSAA Digital Images, are now newly available for free direct downloading for noncommercial, educational, and scholarly purposes through the Virtual Museum of Images and Sounds (VMIS). Funded by India’s Ministry of Culture, VMIS was recently created by using the image and sound archives of the CA&A and the Archives and Research Center for Ethnomusicology (ARCE)—the two centers of the AIIS.
The ACSAA Digital Images were first distributed under the aegis of the ACSAA Color Slide Project, a nonprofit initiative administered through the former Asian Art Archives of the University of Michigan that from 1974 through 2006 provided high-quality original and duplicate 35mm color slides of the art and architecture of India and greater South Asia, Southeast Asia, and Indonesia, as well as the Himalayan regions, to individuals and institutions around the world for teaching and research purposes. With this new iteration, the original project’s educational intentions have not only been maintained, but have now been expanded to make the images available on an even wider scale and without fee. The user simply needs to register (free of charge) on the VMIS website before the images can be downloaded (free of charge).
Arts Council of the African Studies Association
News from the Arts Council of the African Studies Association (ACASA) includes a call for nominations for the new ACASA Curatorial Awards, coming soon. The spring 2016 Newsletter has been published (available to subscribers only).
ACASA is also sponsoring two panels at the upcoming annual meetings of the African Studies Association and the College Art Association. At the African Studies Association annual meeting, to be held December 1–3, 2016, in Washington, DC, the group will present “Shattering Single Stories in the Labeling and Presentation of Historical Arts of Africa.” The cochairs are Susan Elizabeth Gagliardi of Emory University and Yaëlle Biro from the Metropolitan Museum of Art’s Department of the Arts of Africa, Oceania, and the Americas. The participants are: Silvia Forni, Royal Ontario Museum; Kathryn Gunsch, Museum of Fine Arts, Boston; Nanina Guyer, Hans Himmelheber Photographic Archives, Museum Rietberg Zurich; and Matthew Francis Rarey, Oberlin College. The discussant is Karen E. Milbourne from the Smithsonian Institution’s National Museum of African Art.
The deadline for the call for submissions to the ACASA-sponsored panel at CAA’s next Annual Conference, taking place February 15–18, 2017, in New York, is August 30, 2016. Titled “Flesh,” the session will be chaired by Shannen Hill of the Baltimore Museum of Art.
The call for submissions and the full panel description will be listed on CAA website on July 1. By August 30, interested parties should send a CV and abstract of no more than 500 words to Shannen Hill. All parties will be notified of the outcome by September 15.
Foundations in Art: Theory and Education
Italian Art Society
In May, the Italian Art Society (IAS) sponsored two sessions titled “New Perspectives on Medieval Rome” at the International Congress on Medieval Studies in Kalamazoo, Michigan. Marius Hauknes (Johns Hopkins University) and Alison Locke Perchuk (California State University, Channel Islands) organized the panels. In August, IAS will sponsor two sessions at the Sixteenth Century Society and Conference (SCSC) meeting in Bruges, Belgium: “Co-petition: Testing the Boundaries of Cooperation and Competition,” organized by Alexis Culotta (American Academy of Art, Chicago); and “The Holy Republic of Venice,” organized by Allison Sherman (Queen’s University) and Eveline Baseggio Omiccioli (Fashion Institute of Technology, State University of New York). An IAS Conference Travel Grant for Emerging Scholars has been awarded to Tenley Bick (doctoral candidate, University of California, Los Angeles) to support travel to the recent meeting of the American Association for Italian Studies in Baton Rouge, Louisiana. IAS/Kress International Conference Travel Grants have been awarded to Alexis Culotta and Giada Damen (Morgan Library and Museum) to support travel to SCSC in Bruges. The seventh annual IAS/Kress Lecture took place on June 1 at the Villa I Tatti in Florence. An audience of nearly eighty listened raptly to the paper presented by Megan Holmes (University of Michigan), “New Perspectives on the Reception of Florentine Panel Painting: Interpreting Scratch Marks.”
National Council of Arts Administrators
The forty-fourth National Council of Arts Administrators (NCAA) annual gathering, “The Great Untapped: Unlocking Assets through Alliances,” will convene September 28–October 1, 2016, in Philadelphia, Pennsylvania. Please join NCAA at Temple University’s Tyler School of Art for a discussion considering how institutions are now challenged to reconcile their own particular histories with the development of experiential curricula that connect students to an infinitely expanding world. How does one honor deep institutional history while cultivating alliances with other scholarly and cultural traditions? How can we foster alliances with outside communities as equal partners, and move away from an aesthetics of display to an ethics of care and deep understanding? We invite current and aspiring art department chairs, directors, and deans to attend. Visit the website to learn more about the conference and to join NCAA
Public Art Dialogue
Public Art Dialogue (PAD) has news. The winter 2016 issue of the Public Art Dialogue Newsletter features an interview by Jennifer K. Favorite with Kirk Savage, the recipient of the 2016 PAD award for achievement in public art. Marissa Lerer contributed an essay, “Built and Open Walls,” on public art in Washington, DC. There are several forthcoming special issues of PAD: Public Art Dialogue. The first is “Higher Ed: College Campuses and Public Art,” which will be edited by Monika Burczyk (submission deadline: September 1, 2016). Cher Krause Knight and Harriet F. Senie are serving as coeditors for an open issue (submission deadline: March 1, 2017). A third issue will feature guest editors Silvia Bottinelli and Margherita d’Ayala Valva; the theme will be “Food as Activism in Contemporary Public Art” (submission deadline: June 1, 2017). For more information, see http://publicartdialogue.org/journal/submissions.
SECAC’s annual meeting will be held October 19–22, 2016, in Roanoke, Virginia, with Virginia Tech serving as host. Kevin Concannon, director of the School of Visual Arts and professor of art history at Virginia Tech, will serve as conference director. Sessions will take place at the official conference hotel, the Hotel Roanoke and Conference Center. The Hotel Roanoke, added to the National Register of Historic Places in 1996, is in the heart of the city’s vibrant downtown and within easy walking distance of the Taubman Museum of Art, the Harrison Museum of African American Culture, and the O. Winston Link Museum, as well as many restaurants and bars. The conference schedule will be posted in early July on the SECAC website.
Excursions to Virginia Tech and Hollins University on Thursday and Friday evening include the 2015 Artist’s Fellowship exhibition opening, the 2016 SECAC Juried Exhibition, and the keynote speaker Lynn Hershman Leeson, who will present in the Moss Arts Center’s spectacular Snohetta-designed theater at Virginia Tech.
The last issue of the Southeastern College Art Conference Review has been published. The 2016 edition will be renamed Art Inquiries.
The deadline for the $5,000 SECAC 2016 Artist’s Fellowship is August 1, 2016. For application details, visit www.secacart.org/artists-fellowship.
Visual Resources Association
The Visual Resources Association (VRA) held its third joint conference with Art Libraries Society of North America (ARLIS/NA) in Seattle, Washington, this past March. The event offered an engaging and diverse program from ninety-five submitted paper or session proposals, resulting in thirty-nine sessions; fifteen submitted workshop proposals, resulting in six workshops; fifty-five submitted poster proposals, resulting in forty posters, and eleven SIG/SUG meetings. Topics included digital humanities, visual literacy, geospatial and visualization projects, image rights and reproductions, new technologies, museum education, environmental design, makerspaces, ebook publishing, materials education and research, diversity, RDF and LOD, crowdsourcing, cataloging, archives, visualization, and open access.
Key officers at the conference included VRA vice president for conference program, Chris Strasbaugh, as coordinator of the program and schedule in collaboration with Program Committee cochairs Dan McClure (ARLIS/NA), Denise Hattwig (ARLIS/NA), and Mar González Palacios (AASL, ARLIS/NA); VRA Education Committee cochairs Beth Wodnick Haas, Ryan Brubacher, and Marsha Taichman, who contributed toward programming; and the many presenters, instructors, and moderators who offered such timely, relevant, and forward-thinking content. The collaborative perspectives and working relationships of these individuals and many others set the tone for all conference planning and arrangements.
VRA honored Ann Whiteside with its Distinguished Service Award (she was also the recipient of the same award from ARLIS/NA) and conferred its Nancy DeLaurier Award to VRA Core 4.0 cocreators Kevin Esmé Cowles, Janice Eklund, Benjamin Kessler, and Trish Rose-Sandler. Sarah Bergmann, a design thinker and the founder of the Pollinator Pathway, spoke during convocation and shared perspectives on how the plight of the honey bee inspired her to consider symbiotic relationships and the importance of building pathways to support these relationships. While Bergmann’s consideration of bees inspired her to connect city dwellers to existing green spaces, her work inspired attendees to think about the benefits that might be realized when building connections across disciplines and professional organizations.
Art Council of the African Studies Association
In the past year, the Art Council of the African Studies Association (ACASA) sponsored a panel and a well-attended members’ meeting at the African Studies Association (ASA) annual meeting and hosted a session at the CAA Annual Conference. The council also distributed three extensive newsletters and is finalizing plans for a triennial conference, to be held in Ghana in 2017. To build support for the Ghana event, ACASA has undertaken a fundraising campaign with a five-member committee that meets every three weeks.
ACASA has also implemented a new online system for member payments and had a sizable presence at the European Conference on African Studies (ECAS) in Paris in July 2015. ACASA financially sponsored one artist’s performance at ECAS in a series Dominique Malaquais organized that was devoted to the arts. Finally, ACASA held elections to replace most of the organization’s board members.
Historians of Eighteenth-Century Art and Architecture
The Historians of Eighteenth-Century Art and Architecture (HECAA) has elected new officers. The new president is Amelia Rauser of Franklin and Marshall College. She is a specialist in eighteenth-century British art and the author of numerous scholarly studies, including Caricature Unmasked: Irony, Authenticity, and Individualism in Eighteenth-Century English Prints (Newark: University of Delaware Press, 2008). Christina Lindeman from the University of South Alabama is the new treasurer. She is the author of articles on art and gender in eighteenth-century Germany, with a special emphasis on the court of Anna Amalia of Weimar. Her book Representing Anna Amalia’s Bildung: Visual Metamorphosis from Personal to Political in Eighteenth-Century Germany, is forthcoming from Routledge.
HECAA also maintains a wonderful serial newsletter.
Midwest Art History Society
The Midwest Art History Society (MAHS) held its “Icons of the Midwest” session at CAA’s 2016 Annual Conference in Washington, DC. The meeting was meant to highlight important and museum-related art and art history from America’s vital middle region. This year’s topic was the Chicago Jazz Age painter Archibald Motley (1891–1981). The session’s cochairs were MAHS members Amy M. Mooney (Columbia College) and Mark Pohlad (DePaul University); the speakers were Jerma A. Jackson (University of North Carolina, Chapel Hill), Phoebe E. Wolfskill (University of Indiana), and Romi Crawford (School of the Art Institute of Chicago). A highlight of this lively session was the remarks of the renowned Motley scholar, Richard J. Powell.
The forty-third MAHS annual conference took place in Chicago from April 7 to 9, 2016. Approximately two hundred participants and registrants convened at DePaul University’s Loop Campus to hear more than thirty academic sessions devoted to a wide range of art history. The keynote address, held at the nearby Art Institute of Chicago, was delivered by Gloria Groom, chair of European painting and sculpture and David and Mary Winton Green Curator in the Department of European Painting and Sculpture at the Art Institute of Chicago, who was involved the concurrent Van Gogh’s Bedrooms exhibition. Other conference highlights included a reception at Columbia College’s Museum of Contemporary Photography, a session on “Recent Acquisitions in Midwest Collections” (held at the Art Institute and chaired by the curator Judith W. Mann), and two sessions comprised of undergraduate scholars. For more information and to read conference proceedings and paper abstracts, visit the conference page of the MAHS website.
MAHS will hold its forty-fourth annual conference in Cleveland, Ohio, from April 6 to 8, 2017. The event will be hosted by the Cleveland Museum of Art, Case Western Reserve University, and Cleveland State University. To open the conference, a distinguished keynote panel will speak on Raphael’s School of Athens Cartoon, currently undergoing restoration in Milan. The panel will include: Don Alberto Rocca, director of the Pinacoteca Ambrosiana in Milan; Maurizio Michelozzi, a Florentine paper conservator who is undertaking the restoration; and Carmen Bambach, curator of drawings and prints for the Metropolitan Museum of Art in New York. Funding for the panel has been provided by the Istituto Italiano di Cultura in Chicago, the Italian Art Society, the University of Notre Dame, and MAHS.
New Media Caucus
The New Media Caucus (NMS) has elected new officers and members to its board of directors in February 2016. Mat Rappaport is president elect, Rachel Clarke is secretary, and Kevin Hamilton is chair of the caucus’s journal, Media-N. The new board members are Victoria Bradbury, Darren Douglas-Floyd, Mina Cheon, Abigail Susik, and Doreen Maloney. For more information on the organization’s structure, visit the New Media Caucus website.
Public Art Dialogue
At the CAA Annual Conference in February, Public Art Dialogue (PAD) hosted a roundtable chaired by Kirk Savage, professor of the history of art and architecture at the University of Pittsburgh. Also participating were Thomas Luebke, secretary of the United States Commission of Fine Arts, and Lucy Kempf, a member of the National Capital Planning Commission.
The 2016 PAD award recipient was Kirk Savage, who has contributed extensively to our understanding of American memorials, particularly those dedicated to Civil War soldiers. He is the author of two award winning books: Standing Soldiers, Kneeling Slaves: Race, War and Monument in Nineteenth-Century America (1997) and Monument Wars: Washington DC, the National Mall, and the Transformation of the Memorial Landscape (2009). Savage has also edited The Civil War in Art and Memory (2016). In presenting the award, PAD cochair Cameron Cartiere observed that one of the most compelling aspects of Savage’s scholarship is that it helps us “to look back into our history of memorialization as a means of understanding the ramifications of the political, social, and cultural decisions we make in developing contemporary memorials that mark the present, acknowledge our tumultuous past, and help us to embrace our uncharted future.”
Renaissance Society of America
The Program Committee for the sixty-third annual meeting of the Renaissance Society of America invites submissions for individual papers or sessions on any aspect of Renaissance studies or the era 1300–1700. Because RSA is a multidisciplinary society, we especially welcome submissions that cross traditional disciplinary boundaries, as well as those that spotlight scholarship that is discipline specific. Sessions sponsored by our Associate Organizations and Discipline Representatives will make up part of the program. The rest will consist of sessions and individual papers proposed by RSA members and selected by the Program Committee.
Because the RSA Annual Meeting is a large conference—with as many as fifty sessions meeting concurrently—we have developed guidelines over the years that greatly facilitate the work of the Program Committee and help to ensure an audience for every session. Please note that proposing a session or a paper indicates your commitment to attend. The committee will not be able to accept every submission; good papers will have to be turned away. To take a slot and then later withdraw is discourteous to colleagues who would have liked to present a paper. Once the rooms are scheduled and the AV equipment is ordered, no substitutions are possible.
Organizers may propose a series of linked sessions, up to a limit of five. However, the Program Committee prefers that series be limited to three, to facilitate scheduling them in a row. Sessions organized in honor or in memory of an individual scholar are limited to no more than two. Proposals for roundtables are also welcome, but the committee asks that roundtables be stand-alone sessions in terms of their content. Roundtables that merely involve recapping the content of a series of sessions take up valuable space in the program that could be used to present other research; proposals for them are not likely to be accepted.
The committee welcomes sessions that present the scholarship of members at various stages of their careers. Each session must include at least one speaker who has received a PhD or other terminal degree. Graduate-student speakers should be in candidacy or the equivalent for their program; that is, they must be advanced students who have completed coursework, examinations, and much of their dissertation research. They are invited to speak on topics directly related to their dissertation research, rather than presenting term papers.
Please visit the RSA website for more details. The submission site will open in May, with a submission deadline in early June (TBA). You do not need to be a member to submit a proposal, but if your proposal is accepted you will need to be an RSA member for the year of the conference.
Society for Photographic Education
The Society for Photographic Education (SPE) welcomes conference proposals from photographers, writers, educators, curators, historians, and professionals from other fields for “Family Values,” the fifty-fourth SPE national conference, to be held March 9–12, 2017, in Orlando, Florida. Topics are not required to be theme based; they may include but are not limited to: imagemaking, history, contemporary theory and criticism, multidisciplinary approaches, new technologies, effects of media and culture, educational issues, funding, and presentations of work in photography, film, video, performance, and installation.
The presentation formats are:
- Graduate Student: short presentation of your own artistic work and a brief introduction to your graduate program (must be enrolled in graduate program at time of submission)
- Imagemaker: presentation of your own artistic work (photography, film, video, performance, installation, multidisciplinary approaches)
- Lecture: presentation on historical topic, theory, or another artist’s work
- Panel Discussion: active discussion among panelists (maximum of three), a moderator, and the audience on a chosen topic
- Teaching and Learning: presentations, workshops, and demos that addresses educational issues, including teaching resources and strategies (syllabi, videos, assignments, readings, class preparation and setup, and PowerPoint presentations); curricula to serve diverse artists and changing student populations; seeking promotion and tenure; avoiding burnout; and professional exchange
Current SPE membership is required of all participants with accepted proposals. Please visit the SPE website for full proposal guidelines and special award details.
Society of Architectural Historians
The Society of Architectural Historians (SAH) is accepting abstracts for its 2017 annual international conference in Glasgow, Scotland (June 7–11). Abstracts may be submitted for one of the thirty-six paper sessions, for the Graduate Student Lightning Talks, or for open sessions. SAH encourages submissions from architectural, landscape, and urban historians; museum curators; preservationists; independent scholars; architects; and members of SAH chapters and partner organizations. Deadline: June 6, 2016.
Applications are open for the SAH/Mellon Author Awards, which are designed to provide financial relief to scholars who are publishing their first monograph on the history of the built environment and who are responsible for paying for rights and permissions for images or for commissioning maps, charts, or line drawings in their publications. Deadline: May 15, 2016.
SAH invites nominations and self-nominations for the next editor of the Journal of the Society of Architectural Historians (JSAH) to serve a three-year term: January 1, 2018–December 31, 2020. JSAH is a quarterly, blind-peer-reviewed international journal devoted to all aspects of the history of the global built environment and spatial practice, including architecture, landscape architecture, urbanism, and city planning. Published since 1941, JSAH has defined the field of architectural history and is a pioneer in digital publication. Articles published in JSAH are historically rigorous, conceptually sophisticated, and theoretically innovative. Deadline: June 15, 2016.
Registration is open for the SAH Field Seminar, “Architectural Layers of a Southeast Asian Region,” to take place December 1–13, 2016. The program will explore the fascinating architectural landscape of Vietnam, focusing in particular on the modern era from the nineteenth century to today. Participants will also visit the spectacular Angkor complex in Cambodia, capital of the Khmer empire from the ninth to fifteenth century. The SAH Study Program Fellowship deadline is August 11, 2016.
Society of Historians of East European, Eurasian, and Russian Art and Architecture
In February and March 2016, the Society of Historians of East European, Eurasian, and Russian Art and Architecture (SHERA) conducted an election for its board of directors. As a result, a SHERA–Society of Architectural Historians (SAH) liaison was created, with Anna P. Sokolina as an officer. This new position will be open for reelection every three years. In addition, Hanna Chuchvaha, Natalia Kolodzei, and Andrei Shabanov were designated members at large, and Nicholas Iljine was reelected a member at large for another two-year term.
SHERA has launched a call for papers for its sponsored session for emerging scholars for CAA’s 2017 Annual Conference, chaired by Alice Sullivan.
posted by CAA — April 14, 2016
As noted in CAA’s Affiliated Society News for March 2016, the Italian Art Society (IAS) is delighted to announce that Megan Holmes, a professor of art history at the University of Michigan in Ann Arbor, will deliver the seventh annual IAS/Kress Lecture in Florence at Villa I Tatti, the Harvard University Center for Italian Renaissance Studies, on June 1, 2016. Her lecture is titled “New Perspectives on the Reception of Florentine Panel Painting: Interpreting Scratch Marks.” Holmes was the recipient of CAA’s 2015 Charles Rufus Morey Book Award for her volume titled The Miraculous Image in Renaissance Florence (New Haven: Yale University Press, 2013). For more on the lecture, including the abstract, visit the Italian Art Society website.
The annual IAS/Kress Lecture Series in Italy, inaugurated in 2010 with the generous support of the Samuel H. Kress Foundation, encourages intellectual exchange between North American art historians and the international community of scholars based in Italy. The lectures offer IAS member-speakers the opportunity to engage in productive discussions about their research with a wider range of specialists in the field of Italian art historical studies than is available in the United States; they also create lasting relationships between the IAS and the Italian cultural institutions that host the talks. The lectures are held in late May or early June to accommodate travel to Italy by North American academics and may be given in English or Italian. The IAS provides an honorarium, along with funds to help offset travel expenses, and organizes a reception open to all attendees.
Former IAS/Kress Lecture speakers have reported the many benefits of what one lecturer called a “stimulating experience,” noting how “the lecture really seems to be the sort of international event that many benefit from and that represents what the Kress often endorses.” Another wrote: “Giving the Kress lecture … was a wonderful experience. The event brought together American and Italian scholars and students for a lively exchange. I enjoyed seeing old friends and meeting new colleagues, all in the city whose rich history is our shared passion.”
The IAS/Kress Lectures Series has drawn a wide range of experts from a variety of fields, as well as American graduate students studying in Italy, Italian university students, and many others who have attended and enjoyed the presentations and receptions afterward. Moreover, a number of attendees at these lectures have subsequently joined the IAS, helping to further our mission to promote the study of Italian art and architecture. In keeping with the mission of the Kress Foundation, our speakers have been selected from proposals on subjects ranging from antiquity to the early nineteenth century. Thus far, the IAS/Kress lectures have been on topics ranging from the medieval through early modern periods, and the organization hopes to host lectures on both earlier and later art and architecture in Italy.
If any CAA members or other interested parties are in Florence on June 1, 2016, the IAS encourages attendance at the Villa I Tatti for the seventh annual IAS/Kress Lecture by Megan Holmes! Please do not hesitate to contact the IAS president, Sheryl E. Reiss, with any questions.
Image: IAS/Kress Lecture 2013, Rome, Fondazione Marco Besso (photograph by Olga Posazhennikova)
posted by CAA — March 31, 2016
Staff members from CAA flew to the windy city to exhibit and meet the attendees at the 2016 National Art Education Association (NAEA) Convention from March 17-19. The NAEA, a CAA Affiliated Society, is the leading professional membership organization exclusively for visual arts educators. Similar to CAA’s own Annual Conference, the NAEA Convention provides professional development services including sessions, workshops, events, and activities aimed at improving visual arts instruction in American schools.
The NAEA Convention was held at the McCormick Place Convention Center and the Hilton Chicago Hotel, where CAA will hold its 108th Annual Conference in February of 2020. In the Exhibit Hall, CAA’s booth was visited by hundreds of NAEA members working and practicing across all areas of arts education. CAA staff Tiffany Dugan, director of programs, and Vivian Woo, marketing and development manager, talked with attendees and provided CAA information including institutional and individual membership brochures; the Code of Best Practices in Fair Use for the Visual Arts and Use Fair Use buttons; and information about the 2017 CAA Annual Conference in New York. Examples of Art Journal and The Art Bulletin were also on hand.
CAA looks forward to reconnecting with NAEA attendees next year in New York. For a limited time only, all NAEA members can receive a $10 discount off membership with CAA. For more information please contact the CAA Membership Department at 212-691-1051, ext. 1.
American Council of Southern Asian Art
The fiftieth anniversary of the American Council of Southern Asian Art (ACSAA) was marked at the ACSAA Symposium XVII, which convened October 15–17, 2015, at the Royal Ontario Museum in Toronto. Deepali Dewan, senior curator for the Royal Ontario Museum and ACSAA president, was the symposium’s host. The event consisted of opening and closing keynote lectures by Tapati Guha-Thakurta and Michael Willis, respectively, and two full days of riveting panels, special presentations, and visits to the Royal Ontario Museum and the Aga Khan Museum. Participants included senior scholars, graduate students, museum curators, and artists from the United States, Canada, Europe, India, and the Middle East. The strong international constituency was fitting for the first ACSAA symposium held outside the United States.
American Institute for Conservation of Historic and Artistic Works
To commemorate the fiftieth anniversary of the Florence floods, the theme for the joint annual meeting of the American Institute for Conservation of Historic and Artistic Works (AIC) and the Canadian Association for Conservation is “Emergency! Preparing for Disasters and Confronting the Unexpected in Conservation.” The event will be held May 13–17, 2016, at the Palais des Congrès in Montreal, Canada. Colleagues will address, in a broad-based way, the impact of past, present, and future disasters on the protection of cultural property. In addition, papers that address confronting the unexpected in conservation, whether it occurs during the treatment of an artifact or during a natural disaster, are requested. The scope of the theme will include immediate reactions, such as the application of crowd-mapping technology to aid response efforts, as well as longer term developments stemming from disasters, such as the adoption of simple strategies: effective risk-assessment methodologies, the rapid transformation of damaged artifacts into objects of veneration, and the repercussions of instantaneous visibility of destruction. Learn more and register at online.
American Society for Aesthetics
The American Society for Aesthetics (ASA) is sponsoring five meetings in 2016. Please visit the ASA website for the most up-to-date calls for papers for ASA events and for meetings organized by other schools and organizations.
Association of Print Scholars
The Association of Print Scholars (APS) hosted its inaugural lecture, “Why Study Prints Now?” by Peter Parshall, in September 2015. The group also held a scholarly conference in November 2015, with sections devoted to five-minute presentations by doctoral students on their dissertation topics and an afternoon session on “Method, Material, and Meaning: Technical Art History and the Study of Prints.”
APS invites applications for two major opportunities directed at early-career scholars. A printmaking workshop, scheduled for May 20–21, 2016, in Providence, Rhode Island, is intended to provide advanced graduate students and early-career professionals with the opportunity to learn about prints in a hands-on way through presentations and instruction by practitioners including Andrew Raftery and Brian Shure. Some funding is available, by application, to offset the costs of travel. The Schulman and Bullard Article Prize ($2,000) is given annually to an article published by an early-career scholar that features compelling and innovative research on prints or printmaking, across any geographic region and all chronological periods. Nomination (and self-nomination) criteria and instructions are available on the APS website.
Foundations in Art: Theory and Education
Foundations in Art: Theory and Education (FATE) will soon accept session proposals. The group will also have a series of new membership benefits this year. Members old and new can take advantage of the prorated membership period. Benefits of membership include all enewsletters and the annual FATE in Review journal. Please remember that membership is required to attend the 2017 FATE biennial conference, hosted by the Kansas City Art Institute.
FATE now offers a retiree faculty individual membership rate at $30 for the 2016–17 membership periods. Also, please consider an institutional sponsorship this year at the regular, gold, or silver levels. Annual regular sponsorship at $100 includes one individual membership, five copies of FATE in Review, and your institution’s name on FATE’s website and enewsletters.
FATE is offering further membership benefits for silver and gold institutional sponsorship levels this year. Support your institution’s instructional team through these group memberships. For $250, the silver institutional sponsorship offers four annual memberships and ten copies of FATE in Review. At $500, the gold sponsorship supports ten annual memberships and fifteen copies of FATE in Review.
Historians of British Art
The Historians of British Art have announced the winners of its book awards for publications from 2014. The winners were chosen from a nominating list of over eighty books from more than twenty different presses. Awards are granted in three categories. For pre-1800, the recipients are Paul Binski, Gothic Wonder: Art, Artifice, and the Decorated Style, 1290–1350 (New Haven: Yale University Press, 2014); and Mark Hallett, Reynolds: Portraiture in Action (London: Paul Mellon Centre for Studies in British Art; New Haven: Yale University Press, 2014). For post-1800 books, the winner is John Potvin, Bachelors of a Different Sort: Queer Aesthetics, Material Culture and the Modern Interior in Britain (Manchester: Manchester University Press, 2014). In the multiauthor category, the award went to Catherine Jolivette, ed., British Art in the Nuclear Age (Burlington, VT: Ashgate, 2014).
International Association of Art Critics
The United States chapter of the International Association of Art Critics (AICA-USA) will hold its next annual meeting on May 3, 2016, at the Jewish Museum in New York. Please join members of the organization at noon for the press preview of the Roberto Burle-Marx exhibition, followed by the AICA business meeting at 1:00 PM and a workshop, “How Do Art Critics Use Social Media?”
Italian Art Society
The Italian Art Society (IAS) has announced that Megan Holmes of the University of Michigan will deliver the seventh annual IAS/Kress Lecture, in Florence at Villa I Tatti, the Harvard University Center for Italian Renaissance Studies, on June 1, 2016. Her lecture is titled “New Perspectives on the Reception of Florentine Panel Painting: Interpreting Scratch Marks.”
The recipient of the first IAS Dissertation Grant is Kelly Whitford, a PhD candidate at Brown University, whose project is “Embodying Belief: Crossing the Ponte Sant’Angelo with Bernini’s Angels.” The inaugural Fogliano/Lester Dissertation Research Grant has been awarded to Krisztina Ilko, a doctoral student at the University of Cambridge, for her project “Artistic Patronage of the Augustinian Hermits in Central Italy in the Thirteenth and Fourteenth Centuries.” The recipient of the IAS Research and Publication Grant is Amy Neff of the University of Tennessee, whose project is titled “A Soul’s Journey into God: Art, Theology, and Devotion in the Supplicationes variae (Blibliteca Medicea Laurenziana, Plut.25.3).” Finally, the 2016 Fogliano/Lester Research Grant goes to Ioanna Christoforaki from the Research Centre for Byzantine and Post-Byzantine Art at the Academy of Athens for her project, “From Rags to Riches: Importing Cloth and Exporting Fashion between Venice and Cyprus.”
Society of Architectural Historians
The Society of Architectural Historians (SAH) has received a $123,000 grant from the Alphawood Foundation to hire Harboe Architects to develop a conservation-management plan for the Charnley-Persky House, which serves as the headquarters of SAH. Designed by the firm Adler and Sullivan in 1891–92 when Frank Lloyd Wright was an apprentice in its office, the Charnley-Persky House will celebrate the 125th anniversary of its design in 2016 with a new conservation-management plan that will assess the current physical state of the structure, identify potential problem areas, and establish conservation priorities for the continued health of the building.
SAH will hold its annual international conference in Pasadena and Los Angeles from April 6 to 10, 2016. The conference will include forty-two paper sessions, roundtable discussions, awards ceremony, and more. Public events include architecture tours and a Saturday seminar on SurveyLA, the Los Angeles Historic Resources Survey. Register online.
SAH is accepting applications for the SAH/Mellon Author Awards, designed to provide financial relief to scholars who are publishing their first monograph on the history of the built environment and who are responsible for paying for image rights and permissions. Deadline: May 15, 2016.
Society of Historians of East European, Eurasian, and Russian Art and Architecture
At this year’s CAA Annual Conference in Washington DC, the Society of Historians of East European, Eurasian, and Russian Art and Architecture (SHERA) sponsored two sessions: “Collecting, Curating, Canonizing, Critiquing: The Institutionalization of Eastern European Art,” chaired by Ksenia Nouril; and a double session led by Alison Hilton, “Exploring Native Traditions in the Arts of Eastern Europe and Russia.” The second part of Hilton’s session took place at the Hillwood Museum and Gardens, which also served as the location for the SHERA membership meeting.
Also at the conference, Margaret Samu served as a host to attendees from Bulgaria, Croatia, Hungary, and Russia, who were part of the CAA-Getty International Program. Samu arranged meetings with specialists in the visitors’ expertise and facilitated their participation in a full-day preconference program organized by CAA’s International Committee about international issues in art history, as well as in other events connected to the conference.
Visual Resources Association
Places are still available for the Summer Educational Institute (SEI) for Visual Resources and Image Management, to be held June 7–10, 2016, at the University of North Carolina, Chapel Hill. This intensive workshop, organized by the Visual Resources Association (VRA), features a curriculum that will address the latest requirements for professionals in the visual arts charged with the responsibility of image management. Expert instructors will cover: intellectual-property rights; developing and delivering digital content; metadata for cultural-heritage materials; digital preservation; and bringing it all together (projects, people, and budgets). Founded over ten years ago, SEI is a joint project of the Art Libraries Society of North America (also a CAA affiliate) and the Visual Resources Association Foundation. SEI provides the information and experience needed to stay current in a rapidly changing field; the workshop also offers significant networking opportunities. Past participants have included current and recent graduate students, museum professionals, image-rights managers, and art historians. Please feel free to contact the SEI cochairs, Greta Bahnemann or Jesse Henderson, with any questions.
At its February 2016 meeting, the CAA Board of Directors approved applications from two organizations to become Affiliated Societies. CAA welcomes the two new organizations into the group of over 80 Affiliated Society members.
Design History Society
The Design History Society is the leading organization that promotes the study of global design histories, and brings together and supports all those engaged in the subject: students, researchers, educators, designers, designer-makers, critics and curators. The society aims to play an important role in shaping an inclusive design history.
Feminist Art Project
The Feminist Art Project is an international collaborative network of educators, artists, curators, and other arts professionals advancing the aesthetic, intellectual, and political impact of women on the visual arts, art history, and art practice, past and present. The project presents, documents, and promotes diverse feminist art activities, scholarship, education, and publications through its website, online calendar, and scheduled events; it also facilitates networking and regional program development throughout the world.
To learn more about applying to become an Affiliated Society member, visit the information page on the CAA website.
Art Council of the African Studies Association
The current board members of the Art Council of the African Studies Association (ACASA) are: President – Silvia Forni, Curator, Anthropology, Department of World Cultures, Royal Ontario Museum, Toronto; President Elect/Vice President – Shannen Hill, Associate Curator for African Art and Head of the AAAPI Department, Baltimore Museum of Art, and Senior Fellow, National Museum of African Art; Past President – Dominique Malaquais, Senior Researcher, Centre d’Etudes des Mondes Africains, CNRS; Secretary – Liese Van der Watt, Independent Writer and Researcher, London; Treasurer – Jordan Fenton, Assistant Professor of Art History in the Department of Art, Miami University, Ohio; Website Editor – Cory Gundlach, PhD student (ABD) in African Art History, and Associate Curator of African and Non-Western Art at the University of Iowa Museum of Art; Newsletter Editor – Deborah Stokes, Curator for Education, National Museum of African Art; Assistant Newsletter Editor – Leslie Rabine, Professor Emerita at the University of California, Davis; ASA Liaison – Cécile Fromont, Assistant Professor, Department of Art History at the University of Chicago; CAA Liaison – Yaëlle Biro, Associate Curator for African Arts, Metropolitan Museum of Art; Eric Appau Asante, Lecturer of African Art and Culture; Kwame Nkrumah University of Science and Technology; Boureima Diamitani, Executive Director of the West African Museums Programme; and Sidney Kasfir, Professor Emerita, Art History Department, Emory University.
Art Libraries Society of North America and the Visual Resources Association Foundation
A Summer Educational Institute for Visual Resources and Image Management (SEI 2016) will be held at the University of North Carolina in Chapel Hill from June 7 to 10, 2016. Founded over ten years ago, SEI is a joint project of the Art Libraries Society of North America (ARLIS/NA) and the Visual Resources Association Foundation (VRAF). It is designed to serve a wide range of professionals eager to learn about new technologies and update job skills: museum staff, visual-resources curators, librarians, archivists, art educators, and all those managing digital image media. This intensive workshop offers a mix of hands-on and lecture sessions presented by expert instructors. Registration for SEI 2016 opened in January. Please feel free to contact the SEI cochairs with any questions: Greta Bahnemann, University of Minnesota; and Jesse Henderson, University of Wisconsin.
Association of Academic Museums and Galleries
The Association of Academic Museums and Galleries (AAMG) Leadership Seminar will take place June 19–24, 2016, at Northwestern University in Evanston, Illinois. The application deadline is January 15, 2016. Join colleagues from throughout the United States and beyond for AAMG’s flagship professional development program at Northwestern’s prestigious Kellogg School Center for Nonprofit Management. Dynamic, engaging, highly interactive by design, and interspersed with team and individual problem-solving exercises in leadership and management, this intensive five-day certificate program will allow you to learn from one another and be guided and inspired by nationally recognized scholars drawn principally from Kellogg’s renowned faculty. To learn more about the program and to download an application, please visit the AAMG website.
Association of Art Editors
The Association of Art Editors (AAE) website underwent a major remodeling in the summer of 2015. The New York–based graphic designer Matt See created the fresh and attractive template, which was refined, detailed, and implemented by DataCom Ota of Duluth, Minnesota. The site’s format is now simpler, easier on the eyes (more legible type and appealing colors), and more flexibly viewable (including via smartphone). Among other improvements, the member entries and services index have greater clarity, and job opportunities are linked via the homepage rather than incorporated in the Services section, as before. Over all, navigation has been much enhanced. The AAE website is accessible—free to all.
International Center of Medieval Art
The International Center of Medieval Art (IMCA) is pleased to announce and solicit applications for two recently created awards. First, the Graduate Student Travel Award. Three grants will be awarded this year, at $3,000 each, for PhD students in the early stages of dissertation research. Applications are due on March 1, and applicants must be ICMA members. The second award, the new ICMA book prize, will be awarded in 2017 to the best single-authored, printed book on any topic in medieval art published in 2016. Books published in English, French, Spanish, Italian, or German are eligible for consideration. For more information, please contact Ryan Frisinger.
Italian Art Society
The annual members’ business meeting of the Italian Art Society (IAS) will take place at the 2016 CAA Annual Conference on Friday, February 5, 2016, 7:30–9:00 AM in the Washington Marriott Wardman Park Hotel, Washington 4, Exhibition Level. In addition to reports on IAS activities and election results, three IAS founders will be honored, the 2016 IAS/Kress lecturer will be announced, and recipients of various grants and awards will be recognized. The IAS long session, “Beyond Texts and Academies: Rethinking the Education of the Early Modern Italian Artists,” organized by Jesse Locker of Portland State University, will follow at 9:30 AM in Washington 1, Exhibition Level. The IAS-sponsored short session, “Rethinking the Rhetoric and Force of Images,” organized by Robert Williams of the University of California, Santa Barbara, and Anna Marazuela Kim of the Courtauld Institute of Art, will take place the same day, 12:30–2:00 PM, in the Maryland Suite, Lobby Level.
The deadline for the new IAS Conference Grant for Modern Topics is February 15, 2016. Up to $1,000 will be provided to subsidize transoceanic travel to present in an IAS-sponsored session on the art, architecture, or visual culture of Italy from the early nineteenth century to the present.
Public Art Dialogue
Public Art Dialogue (PAD) is excited to announce two events at the 2016 CAA Annual Conference in Washington, DC. On Thursday, February 4, 6:00–8:00 PM, PAD will host a Public Art Salon and Award Reception in conjunction with Washington Project for the Arts (WPA) at the WPA gallery at 2124 8th Street NW. Local artists will show slides and talk about their public art projects in and around DC. At the event, Kirk Savage, professor of history of art and architecture at the University of Pittsburgh, will receive the 2016 PAD Award for Achievement in the Field of Public Art. On Friday, February 5, 5:30–7:00 PM, Savage will chair a roundtable, “Public Art: Process and Practice,” with Thomas Luebke of the US Commission of the Fine Arts and Lucy Kempf of the National Capital Planning Commission.
The Fall 2015 Public Art Dialogue (PAD) Newsletter has an interview by Marisa Lerer and Jennifer K. Favorite with Sarah Beetham on “Confederate Monuments and the Black Lives Matter Movement.” As Lerer and Favorite note: “Countries around the world, from Syria to Spain to Argentina, have grappled with the bronze and stone sculptural legacy of leaders who represent a dark chapter in their nation’s past.” This issue has a strong link PAD’s forthcoming journal issue, “The Dilemma of Public Art’s Permanence,” edited by Erika Doss. Also in the newsletter, Marisa Lerer has an essay “Public Art’s Role in International Biennials.” She considers the role of public-art practices in contemporary biennials and includes responses from curators, artists, and academics from Cuba, the United States, Ireland, and Canada. The guest editors of two special issues of PAD’s journal are seeking papers and artists’ projects for the topics “Borders and Boundaries” (coeditors: Cher Krause Knight and Harriet F. Senie; submission deadline: March 1, 2016); and “Higher Ed: College Campuses and Public Art” (editor: Monika Burczyk; submission deadline: September 1, 2016). For more information, go to the PAD website.
The SECAC board and membership voted to change the name of the organization from the Southeastern College Art Conference to SECAC.
Awards presented at SECAC’s annual meeting, which took place October 22–24, 2015, in Pittsburgh, Pennsylvania, are:
- Excellence in Teaching: Debra Murphy, University of North Florida
- Excellence in Scholarly Research and Publication: Bibiana Obler, George Washington University
- Outstanding Artistic Achievement: Matthew Kolodziej, University of Akron
- Outstanding Exhibition and Catalogue of Contemporary Materials: Hannah Israel and Michele McCrillis, Columbus State University
- Outstanding Professional Achievement in Graphic Design: Jerry Johnson, Troy University; and Scott Fisk, Samford University
The President’s Awards are:
- Award for Exemplary Achievement: Michael Aurbach, Vanderbilt University
- Certificates of Merit: Thomas Brewer, University of Central Florida; Carol Crown, University of Memphis; and Virginia Derryberry, University of North Carolina, Asheville
The Juried Exhibition featured:
- First-place award: Michael Holsombeck, Chattanooga State Community College
- Second-place awards: Efram Burk of Curry College; and Sara Madandar, University of Texas at Austin
- $5,000 Artist’s Fellowship: Duane Paxson, Troy University
- $5,000 William R. Levin Award for Research in the History of Art: John Ott, James Madison University
Society of Architectural Historians
The Society of Architectural Historians (SAH) will hold its next annual international conference April 6–10, 2016, at the Pasadena Convention Center, 300 East Green Street, in Pasadena, California. Over seven hundred people from around the world will convene to share new research on the history of the built environment from antiquity to the critical present. “New Local/Global Infrastructures” is the theme of the 2016 Pasadena/Los Angeles conference, which includes forty-two sessions with papers, as well as roundtables, exhibits, talks, and public architecture tours. Regional sessions include “Los Angeles Infrastructure: Design, Aesthetics, Publics,” “Styles, Revival Styles, California Styles,” and “Reappraising California Counterculture.” Speakers include Eric Avila, professor of urban cultural history at the University of California, Los Angeles (UCLA), and Dana Cuff, UCLA architecture professor and director of the cityLAB research center. SAH will present “Surveying L.A.: Past, Present, Future,” a public seminar that will take an in-depth look at SurveyLA, the city’s comprehensive study of historic resources funded by the J. Paul Getty Trust and the City of Los Angeles. Panelists will discuss the local and global implications and applications of SurveyLA and its website, HistoricPlacesLA. Early registration ends February 3, 2016. View the complete program and register online.
Society of Historians of Eastern European, Eurasian, and Russian Art and Architecture
Following voting in December 2015, the Society of Historians of East European, Eurasian, and Russian Art and Architecture (SHERA) has elected Ksenia Nouril as its new secretary/treasurer for a two-year term, succeeding Yelena Kalinsky. In addition, Amy Bryzgel will replace Ksenya Gurshtein as the web news editor for a one-year term.
On December 11–12, several SHERA members participated in “The 100 Years of Suprematism Conference” at the Harriman Institute, organized by the Malevich Society. The conference proved to be an important international event, bringing together scholars from the United States, Europe, and the former Soviet Union. The program of the conference is available on the website of the Malevich Society.
At CAA’s Annual Conference in February 2016, SHERA will sponsor the following sessions: “Collecting, Curating, Canonizing, Critiquing: The Institutionalization of Eastern European Art,” chaired by Ksenia Nouril; and a double session led by Alison Hilton called “Exploring Native Traditions in the Arts of Eastern Europe and Russia.”
Vivian Woo is CAA marketing and development manager.
The Southeastern College Art Conference (SECAC) held its 2015 meeting in Pittsburgh, Pennsylvania—the first time ever in a city north of the Mason-Dixon line. This expansion may reflect “the continual growing membership of the organization beyond the traditional confines of the south,” as Kurt Pitluga, an art historian at Slippery Rock University and director of this year’s SECAC, put it in the conference program.
From October 21 to 24, 2015, the industrial city was descended upon by students, educators, and administrators from universities, colleges, community colleges, art schools, and museums, as well as by independent artists and scholars. The four-day event at the Wyndham Grand Hotel in downtown Pittsburgh offered a rich variety of sessions that encouraged conversation and facilitated cooperation about pertinent creative, scholarly, and educational issues among professionals in higher education.
Representing CAA at SECAC this year were Anna Cline, development and marketing assistant, and myself. CAA’s participation as an exhibitor at the conference—alongside the fine-art paper producer Canson, the publisher Thames and Hudson, and the book distributor Scholar’s Choice—was a great opportunity to connect face to face with current CAA members and to meet prospective members. Our table displayed the latest editions of the graduate-program directories, membership brochures, and free copies of the Code of Best Practices in Fair Use for the Visual Arts—a publication that was especially warmly received. Most important, our presence reminded SECAC attendees of CAA’s own Annual Conference next year in Washington, DC, taking place February 3–6, 2016.
SECAC’s 2015 theme—“confluence”—alluded to Pittsburgh’s geographic location on the Allegheny and Monongahela Rivers, which form the Ohio River, and likened it to the conceptual convergence and fluidity of borders related to art, architecture, design, education, and pedagogy today. Highlights of the conference included sessions on various topics in art and design, including “Visual Art and the Aesthetics of Cuteness,” which examined Japanese culture and the power of cuteness in the arts, and “Is Graphic Design Fine Art? Does It Matter?,” where graphic designers and fine artists drew contrasts and comparisons to each other while also exploring the rise of the “meme” and the role of art and design in the internet age. The keynote address by Terry Smith, an art historian and theorist at the University of Pittsburgh, examined the two concepts in the title of his talk, “Defining Contemporaneity; Imagining Planetarity,” in an effort to finding productive connections between them.
Conference attendees were treated to perfect sunny fall weather in a city that offered plenty of art and culture outside the doors of the conference hotel. Gallery crawls were scheduled to visit the gallery Future Tenant, the Society for Contemporary Craft, and the Andy Warhol Museum. Paying tribute to the artist in his hometown, the Warhol Museum treated attendees to seven whole floors of gallery and exhibition space with an art collection that includes approximately nine hundred paintings, one hundred sculptures, and thousands of works on paper, prints, and photographs—a must see for any art lover visiting Pittsburgh. In addition, buses were arranged for attendees to visit the Carnegie Museum of Art, the Miller Gallery at Carnegie Mellon University, and the University Art Gallery at the University of Pittsburgh, among others.
Thank you, SECAC for allowing CAA to connect with familiar and new faces. We will see you again next year!
Association of Research Institutes in Art History (ARIAH)
The Association of Research Institutes in Art History (ARIAH) is very pleased to announce the establishment of a new program that will strengthen intellectual connections among art history disciplines in different regions of the world. With generous support from the Andrew W. Mellon Foundation, the Getty Foundation, and the Terra Foundation for American Art, ARIAH’s East Asia Fellowship program will enable twelve scholars from countries in East Asia to conduct research at ARIAH member institutes on any topic in the visual arts. The project is funded for a three-year period, beginning in 2016, with four fellowships offered each year.
The East Asia Fellowship program is open to art history scholars from Japan, Mongolia, the People’s Republic of China (including Hong Kong and Macau), the Republic of China (Taiwan), and South Korea. Each East Asia Fellow will be hosted by an ARIAH member institute, and will also have the opportunity to travel to other research centers during the fellowship period, which will last three to four months. Fellowships will be awarded through an open, competitive application process. The deadline for the first of three rounds of fellowships is December 31, 2015. Candidates can find more information about the program, including application instructions, at www.ariah.info/east_asia_fellowship.html.
More information about ARIAH, including a complete list of member institutes, can be found at www.ariah.info.
Association of Academic Museums and Galleries (AAMG) Annual Conference: Call for Proposals
Communities in Dialog: Models of Best Practices for Academic Museums, Galleries, and Collections
When: Tuesday and Wednesday, May 24-25, 2016
Where: Katzen Arts Center, American University, Washington DC
Deadline for Submissions: Monday, November 30th, 2015
The AAMG conference committee requests proposals on topics that address and can help establish guidelines, benchmarks, and best practices in all areas of academic museum and galleries, including, but not limited to: collections care and registration, governance, assessment, community engagement, teaching and museum education, exhibitions, public programming, fundraising, and professional development. Topics may address systemic challenges and present model programs that could become “templates” for the field.
AAMG seeks proposals that are representative of a cross-section of the academic field, including anthropology, art, history, science, and natural history museums, galleries, and collections. AAMG particularly encourages students and faculty to submit.
Submission Guidelines: A one-page outline of presentation proposal plus a contact list and CVs of each participant should be sent electronically to Vice President of Programs Leonie Bradbury, email@example.com If multiple presenters please add a one paragraph abstract for each paper or subtopic.
More details online at AAMG Annual Conferences.
The Historians of German and Central European Art and Architecture (HGCEA) recently changed its name to Historians of German, Scandinavian, and Central European Art and Architecture (HGSCEA).
Call for Papers: “Zones of Representation: Photographing Contested Landscapes, Contemporary West Coast Perspectives on Photography and Photograph-Based Media,” symposium organized by Makeda Best (California College of the Arts), Bridget Gilman (Santa Clara University), and Kathy Zarur (California College of the Arts), at SF Camerawork, San Francisco, CA, on Saturday, April 23, 2016.
Contemporary global events and phenomena continue to shape visual interpretations of economic, social, environmental, and political geographies, and to disrupt conceptions of region, nation, citizenship, and community. “Zones of Representation” will consider how photographers and time-based media artists have responded to transformations in the global landscape through new ideas about the function of photographic media, and the shifting roles of makers and audiences. We want to know: how can novel visual practices disrupt traditional narratives of spatial representation?; in what unique ways do artists in time-based media acknowledge and respond to the historical contribution of their medium in defining, producing, and perpetuating these same narratives?; what new connections do these practices demonstrate and reveal?; and, in what ways do contemporary technologies, modes of distribution, and access impact interactions with the land?
We invite papers that address the expanded role of photography and time-based media in global landscape discourses and social fabrics. Proposals on contemporary topics or new perspectives on historic materials are encouraged. Proposals from image makers are also welcome. Please send a 300-word proposal, a one-paragraph biographical statement, and full contact information to firstname.lastname@example.org by January 8, 2015.
“Zones of Representation” aims to connect artists, historians, curators and arts professionals, and students in Northern California, facilitating a regional network for the latest art historical scholarship. The symposium is presented in collaboration with SF Camerawork and is co-sponsored by the Northern California Art Historians (NCAH), a College Art Association affiliated society.
The American Society of Appraisers will offer Signs and Symbols in the Visual Arts, a 2-day course, on January 15-16, 2016, at The Huntington Library, Art Collections and Botanical Gardens in San Marino, CA.
Since the beginning of history, human beings have used visual images to signify concepts, beliefs, and ideas. This class will explore visual vocabularies and how they are used in material culture. We will look at images of the cosmos, the earth, geometric forms, animals, plants and the human body and how they are used in art, architecture and design. The focus will be on imagery of the European tradition, though examples from India, China, Japan and indigenous American cultures will also be considered. Because painting, sculpture, books, furniture, decorative arts, buildings, coins, and other objects will be used as sources, the course will be quite useful for those interested in visual studies and anyone wishing to deepen their appreciation of the rich vocabulary of art, architecture and design.
For more information, visit http://www.appraisers.org/Education/View-Course?CourseID=528
Join the Art Libraries Society of North America (ARLIS/NA) and the Visual Resources Association (VRA) March 8-12, 2016 in Seattle, Washington for the third joint conference of the two organizations. The beautiful and technology-driven city of Seattle was proposed by a coalition of members from the VRA Pacific Rim Chapter and the Northwest Chapter of ARLIS/NA. Both chapters have proposed a theme of “Natural Connections” to highlight both the shared values of ARLIS and VRA as well as the close relationship in the Puget Sound area between its people and nature.
In addition to inspirational speakers, information-packed sessions, a preconference THATcamp, marquis events at the city’s hallmark art and library institutions, and many terrific opportunities for making “Natural Connections” with colleagues and friends old and new, the conference schedule allows a free weekend at either end. Come early, stay late, and check out what Seattle has to offer: stunning natural landscapes, unique architecture, fabulous food & drink, and a huge variety of cultural activities. There is no other place like Seattle to visit in March when it offers cherry blossoms as a cure to your late-winter doldrums.
The Italian Art Society (IAS)
The Italian Art Society (IAS) is delighted to announce the success of its “Campaign for 500.” In early November we reached and surpassed our goal of 500 members, an historic high. Thanks to the generosity of one of our patron members, Mr. Peter Folgliano, next year we will be able to offer two new research and publication grants of up to $1000.00 each. One will be for graduate students, and the other for PhD holders, whose projects concern art and architecture in Italy between 1250 and 1600.
The next IAS/Kress lecture will take place at Villa I Tatti, the Harvard University Center for Italian Renaissance Studies, on Wednesday, June 1, 2016 in Florence, Italy. The speaker will be a senior or established scholar working on a topic related to Florence or its environs (application deadline January 8, 2015, please see our website, www.italianartsociety.org, for more information).
The IAS is pleased to announce the recipients of the extra research and publication grants we offered this summer: Dr. Allison Levy (Independent Scholar), for her book, Misfits, Monstrosities, and Madness at the Villa Ambrogiana and Dr. Johanna Heinrichs (Dominican University) for her book, Mobile Lives, Stable Homes: The Palladian Villa between City and Country.
Building on the success of the 2014 conference, the 2016 MACAA conference will be held in Cincinnati, Ohio and hosted by the University of Cincinnati’s College of Design, Architecture, Art, and Planning (DAAP), with School of Art Director Kate Bonansinga and Kris Holland serving as Conference Co-Chairs. Numerous regional institutions and their faculty have been taking part in planning the conference including Ball State University, Miami University, Thomas Moore College, University of Dayton, University of Toledo, Wayne State University, and Western Michigan University. DAAP is also collaborating with FotoFocus 2016 on inviting and sponsoring keynote speakers.
The title of the conference, Studio Shift: MACAA2016 @ DAAP, was selected to underscore the constantly evolving character of art and design. During the last several decades there has been an escalating interest in socially engaged art and design. In this post-studio context, creative practitioners release control to the audience. While this conference will focus on past, present, and future kinds of creative research space for artists, designers, historians, curators, and critics, other presentation topics are also welcome. We welcome student participation in MACAA 2016 as well. The deadline for session proposals is December 1, 2015. The conference hotel is the Kingsgate Marriott on the campus of the University of Cincinnati.
MACAA continues to contract Eastern Illinois University continuing education for conference and membership support services. In 2014, MACAA was established as a non-profit registered in the State of Michigan and retained the services of a CPA to streamline its accounting and business practices. Since the last conference, we have elected Christopher Olszewski (Savannah College of Art and Design) as President of the organization, Barbara Giorgio (Ball State University) as Secretary, and welcome nine new board members. In addition to Kate Bonansinga (DAAP) and Kris Holland (DAAP), we are happy to welcome Mary Eisendrath (Virginia Commonwealth University), Heather Hertel (Slippery Rock University of Pennsylvania), Jennifer Murray (Loyola University Chicago), Rod Northcutt (Miami University), Elizabeth Olton (University of New Mexico), and Scott Thorp (Georgia Regents University). Our new representative to Foundations in Art: Theory and Education (FATE) is Guen Montgomery (University of Illinois at Urbana-Champaign).
The 2014 MACAA conference, “Mash-Up: Navigating Art and Academia in This Millennium,” was held October 22-25, 2014 in San Antonio, Texas. The Department of Art and Art History at the University of Texas at San Antonio (UTSA) was the conference host, with Dr. Scott A. Sherer serving as MACAA Conference Chair and Professor Greg Elliott serving as UTSA institutional coordinator. The city of San Antonio, with its well-known cultural history, provided a great foundation for camaraderie.
The conference featured 41 panels and presentations regarding diverse topics in studio disciplines, art history, and museum practices. Conference participants enjoyed a cabaret-style Hometown Artist’s Rodeo, organized by Ken Little (UTSA) and hosted by the Southwest School of Art; a keynote performance by The Art Guys hosted by the McNay Art Museum; and a keynote talk by Joseph Seipel (Virginia Commonwealth University) hosted by the San Antonio Museum of Art. Participants enjoyed presentations and extended discussions regarding research and creative endeavors.
The Members Meeting featured door prizes supplied by the University of Texas Press and Routledge/Taylor and Francis. The Green Bag Lady — Teresa VanHatten-Granath (Denver, CO) — contributed beautiful eco-friendly hand-made bags for all participants. Paula Owen, President of the Southwest School of Art, juried the Members’ Exhibition, held at the UTSA Art Gallery. Ellen Mueller (West Virginia Wesleyan College, Buckhannon, WV) won Best in Show and Rosemary Meza-DesPlas (El Centro College, Dallas, TX) was awarded Honorable Mention.
Society of Historians of Eastern European, Eurasian and Russian Art and Architecture, Inc. (SHERA)
The Society of Historians of Eastern European, Eurasian and Russian Art and Architecture, Inc. (SHERA) is actively participating in the yearly convention of the Association of Slavic, East European, and Eurasian Studies (ASEEES), which took place in Philadelphia, Pennsylvania on November 19-22, 2015. SHERA members organized multiple sessions and roundtables on a wide range of topics covering history of art, theory of aesthetics, architecture, textile design, film, photography, and fashion among others. A roundtable discussion devoted to the state of the discipline and new research in histories of art in Russia and the countries of East and Central Europe also took place at this convention.
SHERA has successfully launched its visiting scholar program to Russia by arranging visa invitations this summer for two British scholars, members of SHERA, as part of the visiting scholar program with the Russian State University of Humanities in Moscow (RGGU). The visiting scholar program enables scholars to conduct individual research while being involved in educational activities with a partner institution. Apart from RGGU, SHERA has established working relationship with the Department of Art History of the European University in St. Petersburg. Inquiries about the application process should be directed to: email@example.com.
Association of Textual Scholarship in Art History (ATSAH)
Association of Textual Scholarship in Art History (ATSAH) cosponsored with The Università of Aldo Moro, Bari, Italy an international conference on Arts and Politics, November 4-8, 2015.
Members of ATSAH who presented inlcude Profs. Maureen Pelta, Moore College of Arts and Design, PA; Tina Bizzarro, Rosemont College, PA; Sarah Lippert, University of Michigan-Flint; Emilie Passignat, University of Florence, Italy; Brian Steel, Texas Tech University; Debra Murphy, University of North Florida; Liesbeth Grotenhuis, Hanze University, Groningen, Netherlands; and Liana De Girolami Cheney, President of ATSAH.
Liana De Girolami Cheney, PhD, President of the Association for Textual Scholarship in Art History (ATSAH), recently published articles in the following publications:
“Lavinia Fontana’s Two Minervas,” Woman’s Art Journal (Fall/Winter 2015), 30-40.
“Sofonisba Anguissola’s Ponce Portrait of a Young Man,” SOURCE: Notes in the History of Art Vol. 34, No. 4 (Summer 2015), 39-47.
“Giorgio Vasari’s Saint Michael: A Symbol of Neoplatonic Light,” Journal of Religious Studies, Davis Publishing Company, Vol. 3, No. 3 (May-June 2015), 152-66.
“Giorgio Vasari’s Saint Francis: Aretine Fervor,” Journal of Literature and Art Studies, David Publishing Company, Vol. 5, No. 8 (October 2015), 859-73.
“Giorgio Vasari’s “Sala degli Elementi” in Palazzo Vecchio, Florence: The Symbolism of Saturn as Heavenly Air,” in Heavenly Discourses, ed. Nicholas Campion (Bristol, UK: Sophia Centre Press, 2015), 14-24.
“Edward Burne-Jones’ Heavenly Conception: The Days of Creation,” in Brian Abbott, ed. City of Stars: New York: The Inspiration of Astronomical Phenomena (2015), 75-86.