The myCAA Post-it Wall, located near registration on the Hilton’s second floor, is where attendees can post their notes, scribbles, messages, heartfelt missives, and anything else they feel like sharing on a myCAA Post-it. The myCAA Post-it pads will be easy to find and pick up around the conference. Get yours at CAA’s booth in the Book and Trade Fair, in the registration booth, or at the hospitality booth.
At the New York conference you will find a hospitality booth, where CAA staff and conference help will be stationed to answer questions about sessions and the Book and Trade Fair, or for directions to the restrooms, the lactation room, or the quiet room. Located on the second floor of the Hilton near the registration area, the hospitality booth is intended to make CAA members feel welcome at the conference. The CAA team will also be filming interviews with members at the hospitality booth.
The Pearson Art team is excited to be a part of the upcoming CAA Conference in New York City!
Come Visit Us at the Booth!
Stop by Pearson’s booth #505/507 to take part in our student-lead Revel demonstrations. All demo participants will be entered into a raffle to win the grand prize of an iPad mini! While at the booth you will also be able to see the new 6th edition of Stokstad & Cothren’s Art History.
Please join us in honoring the memory of Art History’s lead author, Marilyn Stokstad, at our booth reception at 3:00 pm on Friday, February 17th. We will also be hosting a Manhattan’s for Marilyn reception following the Marilyn Stokstad: A Memorial Roundtable session at 5:30 pm later that same day. All are welcome to attend.
In addition, Pearson is proud to announce the Marilyn Stokstad Graduate Student Scholarship which has been created to help pass on Marilyn’s legacy to the next generation of Art History teachers. We will have more details on this opportunity for your students available at the booth.
Participate in a Focus Group
On Thursday, February 16th & Friday, February 17th, we will be hosting a series of focus groups. We’re looking to connect with faculty members who specifically teach Art History survey courses. Each session is 90 minutes and participants will receive a $100 honorarium. Light snacks and refreshments will be served.
Interested in signing up? Please complete this brief survey to RSVP.
Space is limited so please reply right away if you are able to attend. We will try to accommodate as many respondents as possible.
Thank you and we are looking forward to seeing you in New York City!
The Pearson Art Team
CAA announces the recipients of the 2017 Awards for Distinction, which honor the outstanding achievements and accomplishments of individual artists, art historians, authors, conservators, curators, and critics whose efforts transcend their individual disciplines and contribute to the profession as a whole and to the world at large.
CAA will formally recognize the honorees at a special awards ceremony to be held during Convocation at the 105th Annual Conference in New York, on Wednesday, February 15, 2017, at 5:30 PM. See the conference website for full details.
Among the winners this year is Kerry James Marshall, recipient of the 2017 CAA Artist Award for Distinguished Body of Work. In his 35-year career painting and making art, Marshall has depicted the African American experience through a medium that has often overlooked the lives of black Americans. His current retrospective at the Met Breuer, titled “Kerry James Marshall: Mastry” (October 25, 2016–January 29, 2017), brings together nearly 80 works by Marshall. Holland Cotter in The New York Times wrote of the show glowingly: “Mr. Marshall has absorbed enough personal history, American history, African-American history and art history to become one of the great history painters of our time.”
Faith Ringgold, the winner of the 2017 CAA Distinguished Artist Award for Lifetime Achievement, is widely considered one of the most influential living African American artists. Born in Harlem in 1930, she is an artist, feminist, activist, and educator who makes use of a variety of media, including painting, quilts, sculpture, performance, and children’s books. Civil Rights, racial justice, feminism, and art history are consistent themes. Ringgold earned BS and MA degrees in art from the City College, the City University of New York, and taught in the NYC public school system for almost twenty years. Since the 1970s Ringgold has been an activist and cofounder of several feminist and antiracist organizations, along with artist Poppy Johnson, art critic Lucy Lippard, and her daughter Michelle Wallace, among others.
Full list of 2017 CAA Awards for Distinction recipients
Charles Rufus Morey Book Award
The Transnational Mosque: Architecture and Historical Memory in the Contemporary Middle East
University of North Carolina Press
Alfred H. Barr Jr. Award
Ruth Fine, ed.
Procession: The Art of Norman Lewis
Pennsylvania Academy of the Fine Arts, in association with the University of California Press
Alfred H. Barr Jr. Award for Smaller Museums, Libraries, Collections, and Exhibitions
Carmella Padilla and Barbara Anderson, eds.
A Red Like No Other: How Cochineal Colored the World
Skira Rizzoli, in association with the Museum of International Folk Art
Arthur Kingsley Porter Prize
Christine I. Ho
“The People Eat for Free and the Art of Collective Production in Maoist China”
The Art Bulletin, September 2016
Frank Jewett Mather Award for Art Criticism
Laura U. Marks
Hanan al-Cinema: Affections for the Moving Image
Distinguished Feminist Award
Art Journal Award
Amy A. DaPonte
“Candida Höfer’s Türken in Deutschland as ‘Counter-publicity’”
Art Journal, Winter 2016
Distinguished Teaching of Art Award
Distinguished Teaching of Art History Award
Artist Award for Distinguished Body of Work
Kerry James Marshall
Distinguished Artist Award for Lifetime Achievement
CAA/American Institute for Conservation Award for Distinction in Scholarship and Conservation
Tom J. S. Learner
Morey and Barr Award Finalists
CAA recognizes the 2017 finalists for the Charles Rufus Morey Book Award and the Alfred H. Barr Jr. Awards for their distinctive achievements:
Charles Rufus Morey Book Award Finalists
- Niall Atkinson, The Noisy Renaissance: Sound, Architecture, and Florentine Urban Life, Pennsylvania State University Press
- Elizabeth Kindall, Geo-Narratives of a Filial Son: The Paintings and Travel Diaries of Huang Xiangjian (1609–1673), Harvard University Asia Center
Alfred H. Barr Jr. Award Finalists
- Helen Molesworth, ed., Kerry James Marshall: Mastry, Museum of Contemporary Art, Chicago, and Skira Rizzoli (honorable mention)
- Barbara Haskell and Harry Cooper, Stuart Davis: In Full Swing, National Gallery of Art, Whitney Museum of American Art, and DelMonico Books
- Alisa LaGamma, Kongo: Power and Majesty, Metropolitan Museum of Art
- Adrian Sudhalter, Dadaglobe Reconstructed, Kunsthaus Zürich and Scheidegger & Spiess
Alfred H. Barr Jr. Award for Smaller Museums, Libraries, Collections, and Exhibitions Finalists
- Andreas Marks, ed., Tōkaidō Texts and Tales: Tōkaidō “gojūsan tsui” by Kuniyoshi, Hiroshige, and Kunisada, University Press of Florida (honorable mention)
- Zdenka Badovinac, Eda Čufer, and Anthony Gardner, eds., NSK from “Kapital” to Capital: Neue Slowenische Kunst—An Event of the Final Decade of Yugoslavia, Moderna galerija and MIT Press
- Geoffrey Batchen, Emanations: The Art of the Cameraless Photograph, Govett-Brewster Art Gallery and DelMonico Books
- Valérie Rousseau, Art Brut in America: The Incursion of Jean Dubuffet, American Folk Art Museum
For more information on the 2017 Awards for Distinction, please contact Tiffany Dugan, CAA director of programs. Visit the Awards section of the CAA website to read about past recipients.
A day-long series of panels on subjects of importance to the membership and the wider visual-arts community, called Saturday Symposia Sessions, will take place at the 2017 Annual Conference in New York on February 18. The four topics in this special programming are: “Museums,” “The Design Field,” “International Art History,” and “Interventions in the Future of Art History.”
The “Museums” rubric opens with a session called “Cultural Preservation and Its Publics.” Next, the Design History Society, one of CAA’s eighty affiliated societies, will facilitate a discussion on “Beyond Boundaries: Art and Design Exhibitions as Transnational Exchange from 1945.” Laura Flusche, executive director of the Museum of Design Atlanta, has found three artists—Sheryl Oring, Patricia Cronin, and Susan Stockwell—to explore “Museums, Artists, and Social Change.” Ending the track is “Preservation by Other Means,” a session lead by Chad Elias and Mary K. Coffey, both of Dartmouth College, that will examine contemporary art and the destruction of cultural heritage.
For “The Design Field,” the 2017 conference will feature “Making Objects Speak: Speculative Design, Critical Making, and the Internet of Things,” led by Gwyan Rhabyt of California State University, East Bay. Following that will be “Design and Science: Catalyzing Collaborations,” chaired by Leslie Atzmon of Eastern Michigan University. Wrapping up the track is a session put together by Andrew DeRosa of Queens College, City University of New York, and Laura Scherling from Columbia University’s Teachers College, called “Ethics in Design.”
Several sessions will address “International Art History.” Nazar Kozak of the National Academy of Sciences of Ukraine will chair “Holy Images on the Move.” Next, Ittai Weinryb of the Bard Graduate Center will lead a conversation with eight panelists about “Future of the Research Institute.” Shortly after that is “Global Conversations IV” chaired by David J. Roxburgh of Harvard University. This talk about “Transnational Collaborations and Interdisciplinary”, is the fourth and final session in a series taking place throughout the conference to celebrate five years of the CAA-Getty International Program. The last session for “International Art History” is titled “Figures and Formations of Civic Space”; four speakers are scheduled to give presentations.
For conference attendees wishing to make “Interventions in the Future of Art History,” CAA recommends following this symposium track. Karen J. Leader of Florida Atlantic University and Amy K. Hamlin of St. Catherine University will chair four sessions: “The Pragmatism in the History of Art,” “Art History Plays with Food,” “Art History as Table, Not Tower: A Practical Conversation about Diversity,” and “What Have You Done for Art History Lately? 2017 Edition.” The fifth session in the “Interventions” rubric—with the timely topic of “Defining and Exploring Socially Engaged Art History”—will be led by Cindy Persinger from California University of Pennsylvania and Azar M. Rejaie from the University of Houston, Downtown.
For full descriptions of the Saturday Symposia Sessions and lists of all speakers and the titles of their presentations, please visit the conference website.
Have some free time? Looking for a good place to brainstorm 2018 session ideas over a drink? Want food recommendations other than Yelp? We love our attendees at the conference, but we also want you to leave. To help, CAA has compiled a list of staff members’ favorite places offsite. Here are a few highlights.
For drinks in midtown, CAA recommends the Library Bar, a cozy spot in the Hudson Hotel with a fireplace, books, and a pool table, and Tanner Smith’s, which boasts a great happy hour and superb cocktails. For those heading downtown, Henrietta Hudson in the West Village is a friendly bar for lesbians. In nearby Greenwich Village is Julius’, the site of a 1966 “sip in” that protested a state regulation prohibiting bars and restaurants from serving homosexuals. If watching NBA basketball or NHL hockey is your thing, the place to go is Boxers, New York’s preeminent gay sports bar, located in Hell’s Kitchen.
Everyone must eat! Within a few blocks of the conference CAA staff can recommended these three restaurants, among several others: China Grill serves upmarket Asian fusion; Fig & Olive offers upscale season Mediterranean fare and a great happy hour; and Nougatine at Jean-Georges is the home of a tasty and reasonably priced prix-fixe lunch.
A short cab or train ride away from the conference hotels are: Elephant & Castle, a charming café in the West Village; Vanessa’s Dumpling House, which dishes up inexpensive dumplings and amazing sesame pancakes, in Union Square; and Yuka, a sushi restaurant on the Upper East Side famous for its all-you-can-eat option. In the same neighborhood as Yuka is Candle 79, serving eclectic, health-conscious organic vegan dishes in swanky surroundings.
Although the Museum of Modern Art is only a half-block away from the Hilton, CAA staff recommends trekking uptown to the Met Cloisters, the Metropolitan Museum of Art’s outpost for medieval European art, as well as to various locations in Harlem for Art in FLUX. An organization whose politics lean left is Interference Archive, a library, gallery, and archive of activist and social-justice movement materials in Brooklyn.
A popular but lesser-known historical site is the Lower East Side Tenement Museum, which tells the story of urban immigration in the United States. A favorite place of contemplation for one CAA staff member is the Irish Hunger Memorial, a site in lower Manhattan that marks the struggle against hunger amid a sublime view of the New York Harbor.
posted by CAA — December 15, 2016
Special forums at the 2017 Annual Conference in New York—taking place during the lunch hour on Wednesday, Thursday, and Saturday—will provide an opportunity for attendees to hear from colleagues, address critical issues, and continue the conversation outside the session grid. With these forums CAA hopes to provide open access to the conference to the public.
The Noon Forum Programs offer two formats. Hot Topics will address critical, time-sensitive issues in the field. The New York conference has slated sessions on “Advocating for Your Department” and “Art Criticism.”
Key Conversations feature scholars, artists, and arts professionals discussing key issues in their fields. Already scheduled for the February meeting are “Navigating Public Opposition to Museum Exhibitions,” “Learning from Experience: Fair Use in Practice,” “Hrag Vartanian with Amin Husain and Nitasha Dhillon,” and “Memorial Session.”
These programs will begin at 12:15 PM and end at 1:15 PM; they are free and open to the public. Please feel free to bring your lunch!
Diversity has long been a part of CAA’s history and this year’s conference is no different. Artnet News notes how race and politics are “at the forefront” of our programming this year. Our effort to find more ways to involve artists and makers in the conference has not gone overlooked either. Brian Boucher, author of the Artnet piece, cites the CAA collaboration with NYFA to offer professional development programming.
At Artnews, writer
CAA invites nominations and self-nominations for at-large members of the Annual Conference Committee to serve a three-year term, beginning February 2017, immediately following the 105th Annual Conference. We welcome all members to participation in the nomination process. Working with the Programs Department staff, this committee selects the sessions and shapes the program of the Annual Conference. The committee ensures that the program will reflect the goals of the association and of the Annual Conference, namely, to make the conference an effective place for intellectual, aesthetic, and professional learning and exchange, and to provide opportunities for participation that are fair, equal, and balanced.
The Annual Conference Committee meets at least two times a year via conference call and once during the Annual Conference at the call of the vice president for Annual Conference and the committee’s chair. Members must be available throughout May and June to review a significant amount of material and select 2018 conference content from the submitted proposals.
Please send a 150-word letter of interest and a CV to Katie Apsey, CAA manager of programs. Deadline: January 31, 2017.
College Art Association
Notice of 105th Annual Business Meeting
Annual Conference Convocation
February 15, 2017
The 105th Annual Business Meeting of the members of the College Art Association will be called to order at 5:30 p.m. on Wednesday, February 15th, at the Convocation of the 2017 Annual Conference, in West/East Ballroom, 3rd Floor, New York Hilton Midtown Hotel, 1335 Avenue of the Americas, NY, NY 10019.
CAA President, Suzanne Preston Blier, will preside. The Annual Business Meeting will be held in two parts.
The Agenda for the first part of the Annual Business Meeting is as follows:
- Call to Order and President’s Report – Suzanne Preston Blier
- Report by Annual Conference Chair and VP for Annual Conference – Judith Rodenbeck and N. Elizabeth Schlatter
- Report by Executive Director – Hunter O’Hanian
- Presentation of Annual Awards for Distinction – Suzanne Preston Blier
- Keynote Address – Mary Miller
After the Keynote Address, the Meeting will be recessed and will reconvene on Friday, February 17, 2017 from 12:15 – 1:15 p.m. in the East Ballroom, 3rd Floor at the New York Hilton Midtown Hotel, 1335 Avenue of the Americas, NY, NY 10019. The Agenda for the second part of the Annual Business Meeting is as follows:
- Approval of Minutes of 104th Annual Business Meeting, February 3, 2016 [ACTION ITEM] – see http://www.collegeart.org/pdf/2016-annual-business-meeting-minutes.pdf
- Financial Report: Teresa Lopez, Chief Financial Officer
- Old Business
- New Business
- Results of Election of New Directors: Suzanne Preston Blier
- MY CAA – Open discussion with members, board and staff regarding future growth of the Association.
If you are unable to attend the Annual Business Meeting, please complete a proxy online to appoint the individuals named thereon to (i) vote, as directed by you, for directors, and, at their discretion, on such other matters as may properly come before the Annual Business Meeting; and (ii) to vote in any and all adjournments thereof. CAA Members will be notified when the proxy for casting votes becomes available online in early January 2017. A proxy, with your vote for directors, must be received no later than 6:00 p.m. EST Thursday, February 16, 2017.
The 106th Annual Business Meeting of the College Art Association will take place on February 21, 2018, in Los Angeles.
Roberto Tejada, Secretary
College Art Association
December 12, 2016