Thank you everyone who made this 2017 Annual Conference in New York a lively and vibrant event. The CAA staff, board, and myCAA helpers spoke with as many attendees as we could and attended as many sessions as we could. From what we heard at the conference, through official feedback channels and informal hallway conversations, people had a good time and learned. Attendees felt challenged and invigorated by the discussions. That is all we can ask. We received positive responses to our themes of inclusion, problem solving, and feedback. The shortened ninety-minute sessions were welcomed and attendees shared that the addition of more sessions on diversity and current politics gave the conference a much-needed vitality. For our attendees, we hope that myCAA collectively felt like ourCAA.
We look forward to carrying this energy and momentum into the 2018 Annual Conference in Los Angeles, February 21-24, 2018.
There will be many, many more images to come in the next few weeks. But here are a few that we wanted to share right away.
CAA will present six 2017 Annual Conference sessions and events via live stream. The sessions will be streamed via CAA’s YouTube Channel. There is no charge to watch these sessions—they are free and open to the public.
Here is the schedule:
- Wednesday, February 15, 5:30–7:00 PM: Convocation, the Awards for Distinction presentations, and Mary Miller’s keynote address
- Thursday, February 16, 10:30 AM–noon: Public Art in the Era of Black Lives Matter
- Thursday, February 16, 12:15–1:30 PM: Key Conversations: Art Criticism
- Thursday, February 16, 5:30–7:00 PM: the Distinguished Scholar Session honoring Kaja Silverman
- Friday, February 17, 3:30–5:30 PM: Artist Interviews: Coco Fusco with Steven Nelson and Katherine Bradford with Judith Bernstein
- Saturday, February 18, 12:15–1:15 PM: Key Conversations: Hrag Vartanian with Amin Husain and Nitasha Dhillon of Decolonize This Place
Use the hashtags #caa2017 and #myCAA during the entire conference week!
A message from CAA Executive Director Hunter O’Hanian about the 2017 Annual Conference
I am very much looking forward to my first Annual Conference as CAA’s new Executive Director. I think the Annual Conference Committee has done a great job presenting an amazing lineup of sessions and the CAA staff has worked hard to make sure that this will be one of the best conferences ever. Many thanks to Tiffany Dugan, Paul Skiff, Katie Apsey and the rest of the Annual Conference staff who have put in so many hours.
But we also need your help at the Annual Conference.
I’d like every attendee to think about three central ideas which will make the experience more rewarding for you and your fellow attendees.
Create an atmosphere of Inclusion – We’ve heard from past participants that they have not always felt welcome by other CAA members. Some have said that they felt marginalized due to their age, experience, or even the color of their skin. Others have said they felt somewhat judged by other CAA members based solely upon what is printed on their name badge.
Obviously we do not want any CAA member to feel this way. While the CAA staff and board will work to make everyone feel welcome and included, we ask they you do the same. Extend your hand and say hello to a stranger. Say hi to the person sitting next to you at a session. Chat with someone new in the elevator or in a coffee line. Together, we can work to make all of our members feel included.
We want to solve your problems – This year there will be more than 4,000 people in attendance at the conference. In essence, we will be creating a small town at the New York Hilton Midtown for the week. Inevitably, problems will crop up – and we want to solve them.
If you find you are having problems with membership, registration, locating information, please look for one of the CAA staff members wearing the “Ask Me!” button. They will try to quickly understand the issue and get you to someone who can resolve it as soon as possible. We are here to help and that’s what we intend to do!
We want your feedback – Building a CAA for the 21st century is the most important work ahead of us. We cannot do that without hearing what you need to help you in your respective professional fields. We need to hear from you. If you completed the recent survey, many thanks. Those results will be processed shortly.
The field and the organization is changing rapidly and we cannot strengthen it properly without hearing what you need and want. We encourage you to vote in the election for the new board of directors, either on the CAA website or on the CAA Annual Conference App. We encourage you to attend the myCAA session on Friday, February 17, 2017 at 12:15PM. If you cannot attend the session, email us noting a few things that you appreciate about CAA and a few things you would like to see improved. Or leave your comments on CAA Connect in the myCAA Discussion Community. What are the current benefits you value and what benefits would you like to see us add in the future?
Many thanks for taking the time to think about these key messages and I look forward to seeing you at the Annual Conference.
Executive Director and Chief Executive Officer
Like many around the world, CAA is concerned with the direction the current US government has taken with regard to international travel in and out of the United States. We view this as having a potentially chilling effect on artistic and academic freedoms. CAA has taken a stand in strong opposition to the current executive order.
However, we would like to do more if we can. If you are planning to attend the 2017 Annual Conference from another county and have been impacted by the travel ban we ask that you contact us immediately. Email our membership department or call 212-691-1051, ext. 1. We will endeavor to assist you in any way we can.
You may also use this Google Form to submit a query if you have been impacted by the immigration ban.
posted by admin — January 27, 2017
Artifex Press, a publisher of digital catalogues raisonnés, is proud to launch their subscription service in February 2017. Currently available are catalogues raisonnes for Chuck Close, Jim Dine, and Tim Hawkinson; and in February 2017 they will release Agnes Martin and James Siena; later in 2017 they will publish Sol LeWitt and Lucas Samaras. Sign up for an introductory webinar about their platform, including a presentation by Tiffany Bell, Editor of their Agnes Martin Paintings catalogue and co-curator of the traveling 2015 – 2017 Agnes Martin Retrospective, which began at the Tate and just closed at the Solomon R. Guggenheim Museum.
Don’t forget to also visit their booth (#1111) at the 2017 CAA Conference!
The myCAA Post-it Wall, located near registration on the Hilton’s second floor, is where attendees can post their notes, scribbles, messages, heartfelt missives, and anything else they feel like sharing on a myCAA Post-it. The myCAA Post-it pads will be easy to find and pick up around the conference. Get yours at CAA’s booth in the Book and Trade Fair, in the registration booth, or at the hospitality booth.
At the New York conference you will find a hospitality booth, where CAA staff and conference help will be stationed to answer questions about sessions and the Book and Trade Fair, or for directions to the restrooms, the lactation room, or the quiet room. Located on the second floor of the Hilton near the registration area, the hospitality booth is intended to make CAA members feel welcome at the conference. The CAA team will also be filming interviews with members at the hospitality booth.
The Pearson Art team is excited to be a part of the upcoming CAA Conference in New York City!
Come Visit Us at the Booth!
Stop by Pearson’s booth #505/507 to take part in our student-lead Revel demonstrations. All demo participants will be entered into a raffle to win the grand prize of an iPad mini! While at the booth you will also be able to see the new 6th edition of Stokstad & Cothren’s Art History.
Please join us in honoring the memory of Art History’s lead author, Marilyn Stokstad, at our booth reception at 3:00 pm on Friday, February 17th. We will also be hosting a Manhattan’s for Marilyn reception following the Marilyn Stokstad: A Memorial Roundtable session at 5:30 pm later that same day. All are welcome to attend.
In addition, Pearson is proud to announce the Marilyn Stokstad Graduate Student Scholarship which has been created to help pass on Marilyn’s legacy to the next generation of Art History teachers. We will have more details on this opportunity for your students available at the booth.
Participate in a Focus Group
On Thursday, February 16th & Friday, February 17th, we will be hosting a series of focus groups. We’re looking to connect with faculty members who specifically teach Art History survey courses. Each session is 90 minutes and participants will receive a $100 honorarium. Light snacks and refreshments will be served.
Interested in signing up? Please complete this brief survey to RSVP.
Space is limited so please reply right away if you are able to attend. We will try to accommodate as many respondents as possible.
Thank you and we are looking forward to seeing you in New York City!
The Pearson Art Team
CAA announces the recipients of the 2017 Awards for Distinction, which honor the outstanding achievements and accomplishments of individual artists, art historians, authors, conservators, curators, and critics whose efforts transcend their individual disciplines and contribute to the profession as a whole and to the world at large.
CAA will formally recognize the honorees at a special awards ceremony to be held during Convocation at the 105th Annual Conference in New York, on Wednesday, February 15, 2017, at 5:30 PM. See the conference website for full details.
Among the winners this year is Kerry James Marshall, recipient of the 2017 CAA Artist Award for Distinguished Body of Work. In his 35-year career painting and making art, Marshall has depicted the African American experience through a medium that has often overlooked the lives of black Americans. His current retrospective at the Met Breuer, titled “Kerry James Marshall: Mastry” (October 25, 2016–January 29, 2017), brings together nearly 80 works by Marshall. Holland Cotter in The New York Times wrote of the show glowingly: “Mr. Marshall has absorbed enough personal history, American history, African-American history and art history to become one of the great history painters of our time.”
Faith Ringgold, the winner of the 2017 CAA Distinguished Artist Award for Lifetime Achievement, is widely considered one of the most influential living African American artists. Born in Harlem in 1930, she is an artist, feminist, activist, and educator who makes use of a variety of media, including painting, quilts, sculpture, performance, and children’s books. Civil Rights, racial justice, feminism, and art history are consistent themes. Ringgold earned BS and MA degrees in art from the City College, the City University of New York, and taught in the NYC public school system for almost twenty years. Since the 1970s Ringgold has been an activist and cofounder of several feminist and antiracist organizations, along with artist Poppy Johnson, art critic Lucy Lippard, and her daughter Michelle Wallace, among others.
Full list of 2017 CAA Awards for Distinction recipients
Charles Rufus Morey Book Award
The Transnational Mosque: Architecture and Historical Memory in the Contemporary Middle East
University of North Carolina Press
Alfred H. Barr Jr. Award
Ruth Fine, ed.
Procession: The Art of Norman Lewis
Pennsylvania Academy of the Fine Arts, in association with the University of California Press
Alfred H. Barr Jr. Award for Smaller Museums, Libraries, Collections, and Exhibitions
Carmella Padilla and Barbara Anderson, eds.
A Red Like No Other: How Cochineal Colored the World
Skira Rizzoli, in association with the Museum of International Folk Art
Arthur Kingsley Porter Prize
Christine I. Ho
“The People Eat for Free and the Art of Collective Production in Maoist China”
The Art Bulletin, September 2016
Frank Jewett Mather Award for Art Criticism
Laura U. Marks
Hanan al-Cinema: Affections for the Moving Image
Distinguished Feminist Award
Art Journal Award
Amy A. DaPonte
“Candida Höfer’s Türken in Deutschland as ‘Counter-publicity’”
Art Journal, Winter 2016
Distinguished Teaching of Art Award
Distinguished Teaching of Art History Award
Artist Award for Distinguished Body of Work
Kerry James Marshall
Distinguished Artist Award for Lifetime Achievement
CAA/American Institute for Conservation Award for Distinction in Scholarship and Conservation
Tom J. S. Learner
Morey and Barr Award Finalists
CAA recognizes the 2017 finalists for the Charles Rufus Morey Book Award and the Alfred H. Barr Jr. Awards for their distinctive achievements:
Charles Rufus Morey Book Award Finalists
- Niall Atkinson, The Noisy Renaissance: Sound, Architecture, and Florentine Urban Life, Pennsylvania State University Press
- Elizabeth Kindall, Geo-Narratives of a Filial Son: The Paintings and Travel Diaries of Huang Xiangjian (1609–1673), Harvard University Asia Center
Alfred H. Barr Jr. Award Finalists
- Helen Molesworth, ed., Kerry James Marshall: Mastry, Museum of Contemporary Art, Chicago, and Skira Rizzoli (honorable mention)
- Barbara Haskell and Harry Cooper, Stuart Davis: In Full Swing, National Gallery of Art, Whitney Museum of American Art, and DelMonico Books
- Alisa LaGamma, Kongo: Power and Majesty, Metropolitan Museum of Art
- Adrian Sudhalter, Dadaglobe Reconstructed, Kunsthaus Zürich and Scheidegger & Spiess
Alfred H. Barr Jr. Award for Smaller Museums, Libraries, Collections, and Exhibitions Finalists
- Andreas Marks, ed., Tōkaidō Texts and Tales: Tōkaidō “gojūsan tsui” by Kuniyoshi, Hiroshige, and Kunisada, University Press of Florida (honorable mention)
- Zdenka Badovinac, Eda Čufer, and Anthony Gardner, eds., NSK from “Kapital” to Capital: Neue Slowenische Kunst—An Event of the Final Decade of Yugoslavia, Moderna galerija and MIT Press
- Geoffrey Batchen, Emanations: The Art of the Cameraless Photograph, Govett-Brewster Art Gallery and DelMonico Books
- Valérie Rousseau, Art Brut in America: The Incursion of Jean Dubuffet, American Folk Art Museum
For more information on the 2017 Awards for Distinction, please contact Tiffany Dugan, CAA director of programs. Visit the Awards section of the CAA website to read about past recipients.
A day-long series of panels on subjects of importance to the membership and the wider visual-arts community, called Saturday Symposia Sessions, will take place at the 2017 Annual Conference in New York on February 18. The four topics in this special programming are: “Museums,” “The Design Field,” “International Art History,” and “Interventions in the Future of Art History.”
The “Museums” rubric opens with a session called “Cultural Preservation and Its Publics.” Next, the Design History Society, one of CAA’s eighty affiliated societies, will facilitate a discussion on “Beyond Boundaries: Art and Design Exhibitions as Transnational Exchange from 1945.” Laura Flusche, executive director of the Museum of Design Atlanta, has found three artists—Sheryl Oring, Patricia Cronin, and Susan Stockwell—to explore “Museums, Artists, and Social Change.” Ending the track is “Preservation by Other Means,” a session lead by Chad Elias and Mary K. Coffey, both of Dartmouth College, that will examine contemporary art and the destruction of cultural heritage.
For “The Design Field,” the 2017 conference will feature “Making Objects Speak: Speculative Design, Critical Making, and the Internet of Things,” led by Gwyan Rhabyt of California State University, East Bay. Following that will be “Design and Science: Catalyzing Collaborations,” chaired by Leslie Atzmon of Eastern Michigan University. Wrapping up the track is a session put together by Andrew DeRosa of Queens College, City University of New York, and Laura Scherling from Columbia University’s Teachers College, called “Ethics in Design.”
Several sessions will address “International Art History.” Nazar Kozak of the National Academy of Sciences of Ukraine will chair “Holy Images on the Move.” Next, Ittai Weinryb of the Bard Graduate Center will lead a conversation with eight panelists about “Future of the Research Institute.” Shortly after that is “Global Conversations IV” chaired by David J. Roxburgh of Harvard University. This talk about “Transnational Collaborations and Interdisciplinary”, is the fourth and final session in a series taking place throughout the conference to celebrate five years of the CAA-Getty International Program. The last session for “International Art History” is titled “Figures and Formations of Civic Space”; four speakers are scheduled to give presentations.
For conference attendees wishing to make “Interventions in the Future of Art History,” CAA recommends following this symposium track. Karen J. Leader of Florida Atlantic University and Amy K. Hamlin of St. Catherine University will chair four sessions: “The Pragmatism in the History of Art,” “Art History Plays with Food,” “Art History as Table, Not Tower: A Practical Conversation about Diversity,” and “What Have You Done for Art History Lately? 2017 Edition.” The fifth session in the “Interventions” rubric—with the timely topic of “Defining and Exploring Socially Engaged Art History”—will be led by Cindy Persinger from California University of Pennsylvania and Azar M. Rejaie from the University of Houston, Downtown.
For full descriptions of the Saturday Symposia Sessions and lists of all speakers and the titles of their presentations, please visit the conference website.