A grotesquely anthropomorphic hound standing on powerful back legs and blowing a stylized trumpet graces the cover of the June 2016 issue of The Art Bulletin. The etching is one of two dozen similar works by the early seventeenth-century artist Christopher Jamnitzer that Madeleine C. Viljoen explores in relation to early modern cosmography. The June issue also presents the first publication of an extraordinary eleventh-century enamel cup from a nomad’s grave in Ukraine, which Warren T. Woodfin examines in the context of other Middle Byzantine works with secular imagery. In addition, the issue features essays by David Young Kim on the multiple functions served by the carpets in Lorenzo Lotto’s paintings, and by Jean H. Duffy on issues of genre and perception in Jean Dubuffet’s mixed-genre spectacle Coucou Bazar. Shao Yiyang’s “Whither Art History?” essay reflects on the flourishing of art history in contemporary China.
The reviews section, with a theme of “Cosmopolitan Art Worlds,” includes six reviews of recent books on art in Renaissance Italy, late nineteenth-century Shanghai, turn-of-the-century Paris, modern India, contemporary Brazil and Japan, and twentieth-century Nigeria.
CAA sends print copies of The Art Bulletin to all institutional members and to those individuals who choose to receive the journal as a benefit of membership. The digital version at Taylor & Francis Online is currently available to all CAA individual members regardless of their subscription choice.
In the next issue of the quarterly journal, to be published in September, essays will consider Kongo visual and cultural practices in contemporary art, twelfth-century Chinese paintings of Buddhist rituals, the nineteenth-century perception of Watteau’s Pierrot character as forlorn, a brush-and-ink painting collectively created in the early People’s Republic of China, and intersections of global politics and imaging in the site-specific art of Walter De Maria. Four reviews will be presented under the rubric “Urban Images, Memories, and Fragments.”
The president of the CAA Board of Directors, Suzanne Preston Blier, has confirmed new appointments to the editorial boards of CAA’s three scholarly journals and to the Publications Committee, in consultation with the vice president for publications, Gail Feigenbaum.
The Art Bulletin
A new member-at-large has joined the Art Bulletin Editorial Board. Laura Weigert is an associate professor at Rutgers University in New Brunswick, New Jersey, whose area of specialization is Northern European art of the late Middle Ages and Renaissance. Her term on the editorial board runs through June 2020.
Three new at-large members have joined the Art Journal Editorial Board. Tatiana E. Flores, associate professor at Rutgers University in New Brunswick, New Jersey, with a joint appointment in the Department of Art History and the Department of Latino and Caribbean Studies, specializes in Latin American and contemporary art. She is also active as an independent curator. Amelia G. Jones, a historian and theorist of contemporary art and performance studies, is Robert A. Day Professor of Art and Design and vice dean of critical studies at the University of Southern California’s Roski School of Art and Design in California. Derek Conrad Murray, associate professor of contemporary art and visual culture at the University of California, Santa Cruz, focuses on the junctures of African American and African diasporic art, postblack art and aesthetics, cultural theory, and identity and representation. The term for each new editorial-board member goes through June 2020.
In addition, Tirza T. Latimer, chair of the graduate program in visual and critical studies at California College of the Arts in San Francisco and a member of the Art Journal Editorial Board since 2014, will now serve as its chair. Her term extends through June 2018.
The caa.reviews Editorial Board welcomes Juliet Bellow, associate professor of art history at American University in Washington, DC, as editor designate for the journal. She will begin a three-year term as editor-in-chief on July 1, 2017. Bellow has been a field editor for books on nineteenth-century art and served on the journal’s editorial board for the past four years. Andrei Pop, associate professor for the Department of Art History and the John U. Nef Committee on Social Thought at the University of Chicago in Illinois, has joined the caa.reviews Editorial Board after serving as field editor for books on theory and historiography.
caa.reviews recently added design history as a subject area, and Karen Carter, an associate professor from the Kendall College of Art and Design at Ferris State University in Grand Rapids, Michigan, will be the first editor to commission books on the subject. In addition, Iris Moon, visiting assistant professor of architecture at Pratt Institute in Brooklyn, New York, has joined the journal’s Council of Field Editors to commission reviews for books on eighteenth-century art. Alpesh Kantilal Patel, assistant professor and director of the MFA program in visual arts at Florida International University in Miami, currently serves as field editor for books on contemporary art.
Emily Shapiro has joined CAA’s Publications Committee as member-at-large for a term of three years. Shapiro is managing editor of the Archives of American Art Journal, after serving as executive editor for American Art.
CAA’s journals continue to deliver the world’s leading scholarship in the visual arts. This year, we welcome many new additions and changes to the publications while maintaining our commitment to bringing readers the most vital, intellectually compelling, and visually engaging scholarly journals in art and art history.
We encourage you to support our mission of advancing the highest standards of intellectual engagement in the arts with a gift to the Publications Fund today. As always, your contribution is tax-deductible, so please give generously!
Beginning July 1, 2016, CAA welcomes Nina Athanasoglou-Kallmyer, Professor Emerita at the University of Delaware, as The Art Bulletin’s next editor-in-chief. Rebecca Brown, Art Journal’s editor-in-chief and Associate Professor at Johns Hopkins University, published her first issue in Spring 2016. CAA’s exclusively online publication, caa.reviews recently launched a new website, and Art Journal Open, CAA’s accessible online venue for contemporary works, takes on appropriation as an artistic strategy in a three-part series.
Here are some recent highlights from CAA publications:
In The Art Bulletin:
- Recent articles include Erik Inglis on revelations in the 1534 inventory of the St-Denis treasury; Paola Demattè on cross-cultural factors in eighteenth-century Parisian prints of Chinese subjects; Richard Taws on the imposter dauphins in the wake of the French Revolution and the issue of truth in nineteenth-century discourse; and the tensions between the individual and the collective in postwar German art groups, in an analysis by Jacopo Galimberti
- In the “Whither Art History?” series, Youngna Kim explores the relation of Korean art history to global developments in the discipline; Shao Yiyang reflects on the state of art history in China
- Reviews of books range from art in Byzantine diplomatic encounters to transcontinental and transoceanic image networks in early America, and from Chinoiserie in eighteenth-century Britain to the circulation of artworks in late Ottoman Istanbul
In Art Journal:
- Artists’ projects by Jason Simon, Amy Adler, and Julia Oldham, the last an astrophysical exploration of loss, love, and canine connection
- Essays by Emma Chubb, examining Isaac Julien’s images of traumatic crossings of the Mediterranean by present-day migrants; Natilee Harren on the means by which materials and fragments of the urban fabric found their way into the confounding commodities of Fluxus artists in the 1960s; Cynthia Chris and Jason Simon on the economic elements of video art as it nears the half-century mark; and Daniel Rosenberg on the presentation of complex data about war and disaster in large photographic works by the Dutch artist Gert Jan Kocken
- A seven-author forum organized by Jordana Moore Saggese that sheds new light on diversity and difference from perspectives including queer failure, craft, diasporic studies, critical race history, and disability
- Reviews of books artists on William Kentridge, Isa Genzken, and Antonin Artaud; on decolonization in postwar France; and on art emerging from postsocialist nations
- In Art Journal Open, “Knight’s Heritage: Karl Haendel and the Legacy of Appropriation” by Natilee Harren. Harren’s three-part essay examines appropriation as an artistic strategy that pressures both the legal and conceptual definitions of authorship through a case study of three specific episodes in artist Karl Haendel’s practice of circulating existing images. Nate Harrison responds, offering a critical reminder of the historical specificity of postmodernism and appropriation. Haendel’s contribution Oral Sadism & the Vegetarian Personality (Approximately) is an animated representation of the artist’s extensive archival collection of some ten thousand found images and photographs, used as source material for his drawings. Other recent pieces are a report on Art + Feminism’s Wikipedia Edit-a-thon at the Museum of Modern Art by Chelsea Spengemann, and a conversation between curator Mia Locks and artist Math Bass.
In caa.reviews (Now fully open access!):
- caa.reviews continues to expand the number and type of reviews published each year. In 2015, the journal published 159 reviews on exhibitions and books in all areas of the visual arts. In 2016, an addition to the Re:Views series—an essay by Eddie Chambers, University of Texas Austin, on his role in commissioning reviews on African and African Diaspora art—discusses the division of subject categories within US academic communities and the lack of scholarship published on these topics. Forthcoming by caa.reviews Editor Designate, Juliet Bellow, is a multimedia project using the Scalar platform reviewing a two-day performance at the Tate Modern, If Tate Modern was Musée de la danse? by choreographer Boris Charmatz, which will be accompanied by an interactive floor plan and additional texts and images.
These highly regarded journals reach tens of thousands of readers around the world and serve as essential resources to those working in the visual arts—none of which would be possible without your support. Contributors who give at a level of $250 or higher are prominently acknowledged in the publication they support for four consecutive issues, as well as on the publication’s website for one year, through CAA News, and in the Annual Conference’s convocation booklet. On behalf of the scholars, critics, and artists who publish in the journals, we thank you for your continued commitment to maintaining a strong and spirited forum for the visual arts community.
With best regards,
Vice President for Publications
posted by CAA — March 15, 2016
Aaron M. Wile is the winner of the 2015-16 prize. The Prize is awarded annually by the American Society for Eighteenth-Century Studies to the author of the best article regarding any aspect of eighteenth-century culture. Receiving the award is Wile’s “Watteau, Reverie, and Selfhood” published by College Art Association in The Art Bulletin.
The Clifford Fund was originally established to support an annual prize in honor of James L. Clifford. Clifford founded The Johnsonian News Letter in 1940, was Secretary to the English Institute, twice a Guggenheim Fellow, a Fellow of the Royal Society of Literature, and third President of the American Society for Eighteenth-Century Studies. During his long and energetic life, he produced numerous books, articles, bibliographies, essays, edited collections, editions and, of course, the much beloved, imitated, and quoted Johnsonian News Letter. Accordingly, the Clifford Prize is awarded to the author of the best article on an eighteenth-century subject, interesting to any eighteenth-century specialist, regardless of discipline.
The American Society for Eighteenth-Century Studies is a non-profit, educational group founded to promote the study of all aspects of the eighteenth century. It sponsors conferences, awards, fellowships and prizes, and publishes Eighteenth-Century Studies and Studies in Eighteenth-Century Culture. Requests for information about the Clifford Prize and nominations may be addressed to:
PO Box 7867, Wake Forest University
Winston-Salem, NC 27109 USA
Telephone (336) 727-4694
Fax (336) 727-4697
Art Journal Open
“Knight’s Heritage: Karl Haendel and the Legacy of Appropriation,” brings together the artist Karl Haendel and the scholar Natilee Harren, with an introduction by web editor Gloria Sutton, and a response text by the artist and writer Nate Harrison. Harren’s three-part essay looks closely at appropriation as an artistic practice through a case study of three specific episodes in Haendel’s career. Harrison provides a response to each essay by Harren to historically contextualize this enduring artistic tradition. Haendel’s contribution Oral Sadism & The Vegetarian Personality (Approximately) draws on the artist’s extensive archival collection of some ten thousand found images and photographs, which he uses as source material for his drawings. Haendel animated 135 images from his analogue archive especially for Art Journal Open, his first foray into the online presentation of his source imagery.
Artists’ projects by Amy Adler and Jason Simon are highlighted in the Winter 2015 issue of Art Journal. It also features extended essays by Cynthia Chris with Jason Simon on the economics of video art as it nears the half-century mark, and by Daniel Rosenberg on the presentation of complex data about war and disaster in large photographic works by the Dutch artist Gert Jan Kocken; a short essay by Liz Kotz introduces the Adler project. In addition to reviews of books by Matthew Kentridge and Hannah Feldman, the issue includes a review of three exhibitions and catalogues on artists of the Dusseldorf school, as well as an annotated bibliography by Gavin Kroeber on the intersection of art, urbanism, and landscape.
The forthcoming Spring 2016 issue, the first edited by Rebecca M. Brown, features an artist’s project with pen-and-ink drawings and text by Julia Oldham, essays by Emma Chubb and Natilee Harren, and a multiauthor forum organized by Jordana Moore Saggese on diversity and difference. Books by Gil Hochberg, Ros Murray, and Anthony Gardner are reviewed, and an annotated bibliography by James Walsh focuses on books from six centuries that he consulted while creating his artist’s book The Arctic Plants of New York City.
The Art Bulletin
The cover of the December 2015 issue of The Art Bulletin presents an unusual view of Édourad Manet’s painting Olympia: it shows just the right side of the 1863 work, cropping out most of the central figure, but bringing into focus both the courtesan’s black maid, the subject of Darcy Grimaldo Grigsby’s essay “Still Thinking about Olympia’s Maid,” and the elaborate shawl draped over the bed, examined by Therese Dolan in “Fringe Benefits: Manet’s Olympia and Her Shawl.” The issue also features essays by Sun-Ah Choi on the medieval reception of the Mahābodhi Temple statue of the Buddha and by Lisa Pon on the visual and auditory impacts of Raphael’s tapestries for the Sistine Chapel, as well as the recurring “Whither Art History?” feature, in which Filiz Yenişehirlioğlu explores the global reach of Ottoman art and architecture.
The forthcoming March 2016 issue includes essays by Erik Inglis, Paola Demattè, Richard Taws, Jacopo Galimberti, and Youngna Kim. In addition, Nancy Um makes her debut as reviews editor of the journal, with four reviews linked by a theme of artistic exchange and material transmission.
CAA’s online book and exhibition review journal publishes content continuously on a newly updated platform. Recently published book reviews include Victoria L. Rovine’s African Fashion, Global Style: Histories, Innovations, and Ideas You Can Wear (Bloomington: Indiana University Press, 2014) reviewed by Erin M. Rice; David Young Kim’s The Traveling Artist in the Italian Renaissance: Geography, Mobility, and Style (New Haven: Yale University Press, 2014) reviewed by Christian K. Kleinbub; and Cynthia Mills’s Beyond Grief: Sculpture and Wonder in the Gilded Age Cemetery (Washington, DC: Smithsonian Institution Scholarly Press, 2014) reviewed by Melissa Dabakis.
Reviews of recent exhibitions include Cubism: The Leonard A. Lauder Collection at the Metropolitan Museum of Art (October 20, 2014–February 16, 2015), reviewed by Michaël Amy; and Rivera and Frida Kahlo in Detroit at Detroit Institute of Arts (March 15–July 12, 2015), reviewed by Delia Cosentino.
Taylor & Francis Online
In addition to their print subscription(s), CAA members receive online access to current and back issues of Art Journal and The Art Bulletin. Taylor & Francis, CAA’s publishing partner, also provides complimentary online access to Word and Image, Design and Culture, and Public Art Dialogue for CAA members. To access these journals, please log into your account at collegeart.org and click the link to the CAA Online Publications Platform on Taylor & Francis Online.
College Art Association
The College Art Association is dedicated to providing professional services and resources for artists, art historians, and students in the visual arts. CAA serves as an advocate and a resource for individuals and institutions nationally and internationally by offering forums to discuss the latest developments in the visual arts and art history through its Annual Conference, publications, exhibitions, website, and other programs, services, and events. CAA focuses on a wide range of advocacy issues, including education in the arts, freedom of expression, intellectual-property rights, cultural heritage and preservation, workforce topics in universities and museums, and access to networked information technologies. Representing its members’ professional needs since 1911, CAA is committed to the highest professional and ethical standards of scholarship, creativity, criticism, and teaching. Learn more about CAA at www.collegeart.org.
Top image: Karl Haendel working in his studio, 2001 (photograph © Florian Maier-Aichen)
CAA invites nominations and self-nominations for one individual to serve on the Art Bulletin Editorial Board for a four-year term, July 1, 2016–June 30, 2020. The ideal candidate has published substantially in the field and may be an academic, museum-based, or independent scholar; institutional affiliation is not required. The Art Bulletin features leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions.
The editorial board advises the Art Bulletin editor-in-chief and assists her or him in seeking authors, articles, and other content for the journal; performs peer review and recommends peer reviewers; may propose new initiatives for the journal; and may support fundraising efforts on the journal’s behalf. Members also assist the editor-in-chief to keep abreast of trends and issues in the field by attending and reporting on sessions at the CAA Annual Conference and other academic conferences, symposia, and events.
The Art Bulletin Editorial Board meets three times a year, with meetings in the spring and fall plus one at the CAA Annual Conference in February. The spring and fall meetings are currently held by teleconference, but at a later date CAA may reimburse members for travel and lodging expenses for the two New York meetings in accordance with its travel policy. Members pay travel and lodging expenses to attend the conference in February. Members of all editorial boards volunteer their services to CAA without compensation.
Candidates must be current CAA members and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Members may not publish their own work in the journal during the term of service. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please send a letter describing your interest in and qualifications for appointment, a CV, and your contact information to: Chair, Art Bulletin Editorial Board, College Art Association, 50 Broadway, 21st Floor, New York, NY 10004; or email the documents to Joe Hannan, CAA editorial director, at firstname.lastname@example.org. Deadline: April 15, 2016.
posted by Nia Page — December 08, 2015
CAA’s publications deliver the world’s leading scholarship in the visual arts in formats that include long-form essays, innovative artists’ projects, and critical reviews. With the addition of our new digital platforms, we can now engage readers with new multimedia forms of scholarly publications and broader interactive functionality.
In The Art Bulletin, online versions of essays can now incorporate supplemental media files, for example, allowing Halle O’Neal to animate the calligraphy on a jeweled pagoda painting and Lisa Pon to model the effects of Raphael’s Acts of the Apostles tapestries on sound and music in the Sistine Chapel. Art Journal’s website, Art Journal Open, publishes probing interviews with artists and curators, most recently by curator Dina Deitsch exploring the creative processes of three artists with whom she worked on exhibitions, William Lamson, Kate Gilmore, and robbinschilds. Our fully open-access online publication caa.reviews now includes about 150 reviews a year, and covers digital publications on diverse topics and geographic regions, like Hypercities: Thick Mapping in the Digital Humanities (book and website, http://www.hypercities.com/). caa.reviews is now read on every continent, and its audience has grown over 100 percent since it became open access in January 2014.
Readers like you enable CAA to carry out our work. Please support our mission of advancing the highest standards of intellectual engagement in the arts by making a fully tax-deductible gift to the Publications Fund today.
Here are some are some highlights from CAA publications:
In The Art Bulletin:
- The long-form essay remains the backbone of the journal. Recent authors have included Sun-ah Choi on the medieval Chinese reception of an Indian statue of the Buddha, Kim Sexton on architectural manifestations of self-government in communal-period Italy, P. Park on surprising sources of artistic inspiration in late Chosŏn Korea,and Therese Dolan and Darcy Grimaldo Grigsby in twin essays on overlooked aspects of Manet’s Olympia
- In the “Whither Art History?” series, prominent art historians trace advances in the discipline, among them Florina Capistrano-Baker on diasporic art andFiliz Yenişehirlioğlu on global elements of Ottoman art and architecture
- Reviews of books on a wide range of topics, from temporality in Mesopotamian art, to the worldwide textile trade from 1500 to 1800, to art history through a Marxist lens
In Art Journal:
- In a project that will be of critical value to both present-day and future art historians and artists, the artist Carolee Schneemann shared thirty pages of key texts, artworks, and photographs from her personal archive; in the artist’s project “Yoga for Adjuncts,” Christian Nagler considered the working conditions of adjunct professors with wily humor
- Recent essays have featured Silvia Bottinelli on nomadism in Italian art and architecture of the 1960s and 1970s, Caroline V. Wallaceon the work of the Black Emergency Cultural Coalition in diversifying US museum exhibitions, Raven Falquez Munsell on the impact of the overthrow of the Chilean Allende government on the 1974 Venice Biennale, and Christopher Tradowsky on Nietzschean ressentiment in current art of a political cast
- Reviews of new books on topics as diverse as how artists sustain their careers, the art of Bruce Nauman, and feminism in museum culture
- The website Art Journal Open launched a new feature, Bookshelf, with annotated snapshots of books in queue on the shelves of scholars and artists such as Steven Nelson, Judith Rodenbeck, and Lenore Chinn
- Recently reviewed books included: Leonardo, Michelangelo, and the Art of the Figure by Michael Cole, Aesthetic of the Cool: Afro-Atlantic Art and Music by Robert Ferris Thompson, Escultura monumental mexica (revised edition) by Eduardo Matos Moctezuma and Leonardo López Luján, and Words Not Spent Today Buy Smaller Images Tomorrow: Essays on the Present and Future of Photography by David Levi Strauss. Exhibitions reviewed include Italian Style: Fashion Since 1945 at the Victoria and Albert Museum, Playthings: The Uncanny Art of Morton Bartlett at the Los Angeles County Museum of Art, Andrew Wyeth: Looking Out, Looking In at the National Gallery of Art, and Radical Presence: Black Performance in Contemporary Art at the Contemporary Art Museum, Houston
These highly regarded journals reach tens of thousands of readers around the world and serve as essential resources to those working in the visual arts—none of which would be possible without your support. Contributors who give at a level of $250 or higher are prominently acknowledged in the publication they support for four consecutive issues, as well as on the publication’s website for one year, through CAA News, and in the Annual Conference’s convocation booklet. On behalf of the scholars, critics, and artists who publish in the journals, we thank you for your continued commitment to maintaining a strong and spirited forum for the visual-arts community.
With best regards,
Vice President for Publications
Over the last year and a half, JSTOR has been making the transition to a new and more flexible technology platform. This shift has been largely behind the scenes, while also simplifying and improving the site experience. Recent changes include:
New citation export and sharing options. Preformatted citations (in MLA, APA and Chicago styles) are now available. These can be exported in formats compatible with common citation management software. Social sharing options that allow for both emailing of citations as well as sharing article links via social media are also available.
New displays of journal content. There are now new journal landing pages and table of contents pages for all titles, as well as a display of title histories, which shows prior and subsequent titles as part of the journal bibliographic information.
An improved experience for books. A new and improved experience for books now mirrors the way journals are treated on JSTOR (including a clear presentation of key functions such as capturing citations and downloading PDFs, and an improved online chapter viewing experience). A new “search within the book” feature has also been introduced.
JSTOR includes what is likely the most substantial online collection of art and architectural history research materials available today. At present, JSTOR includes the complete publication back runs of more than 280 journals and over 1,000 books in these fields, and has worked in deep collaboration with advisors, foundations, museums, and libraries to build out our offerings over time. As a result, we have a network of relationships with the major scholarly art associations, including the College Art Association.
CAA members enjoy discounted access to JSTOR
As part of your membership to CAA, we are delighted to offer the annual JPASS plan for $99. If a year is too long for you, a monthly plan is also available for $19.50. Designed for those with limited or no JSTOR access, JPASS provides unlimited reading and up to 120 article PDF downloads from more than 1,900 journals available in JSTOR, including CAA’s Art Journal and Art Bulletin. That’s more than 300 years of scholarship right at your fingertips. Click here to learn more about College Art Association membership.
For the first time, the cover of The Art Bulletin (September 2015) features a work of Korean art: Watching Mount Kŭmgang from Tanbal Pass, a 1711 painting on silk by Chŏng Sŏn, appears with J. P. Park’s essay on the reception of Chinese painting in early modern Korea. Another first is the inclusion of a video animation as online supplementary material, to accompany Halle O’Neal’s examination of complex pagoda images in premodern Japanese art. The issue also features Kim Sexton’s “Political Portico: Exhibiting Self-Rule in Early Communal Italy,” Nina Athanassoglou-Kallmyer’s “Le Grand Tout: Monet on Belle-Île and the Impulse toward Unity,” and Florina H. Capistrano-Baker’s “Whither Art History in the Non-Western World: Exploring the Other(’s) Art Histories.” The September issue includes reviews of an exhibition at the Metropolitan Museum of Art on the global trade in textiles from 1500 to 1800, and of a book on German philosophy and optical media.
A highlight of the recently published Summer 2015 issue of Art Journal is “Yoga for Adjuncts: The Somatics of Human Capital,” a project by the artist Christian Nagler. The issue features four essays: Caroline Wallace on the 1968–71 protests by the Black Emergency Cultural Coalition of exhibitions at the Whitney Museum of American Art; Christopher Tradowsky on the current work of the Office of Blame Accountability as it relates to the Nietzschean concept of ressentiment; Raven Falquez Munsell concerning the focus of the 1974 Venice Biennale on the previous year’s coup in Chile; and, in the cover story, Silvia Bottinelli on emblems and themes of nomadism in Italian art and architecture of the 1960s and 1970s. The Reviews section covers books on the impact of feminism in museum culture, the aesthetics of surface in contemporary art and media, and the artist Bruce Nauman.
Art Journal Open published the third and final installment of the curator Dina Deitsch’s conversation series: “Two for One: robbinschilds in Conversation with Dina Deitsch.” In this interview, Deitsch speaks with the choreographer-dancer duo robbinschilds (Sonya Robbins and Layla Childs) about Construction I–IV, a group of works they created for Temporary Structures: Performing Architecture in Contemporary Art, a 2011 exhibition Deitsch curated at the deCordova Sculpture Park and Museum.
Art Journal Open launched a new feature this summer, Bookshelf, in which art professionals of all stripes share their personal reading lists. Among those published thus far are Rebecca M. Brown, Lenore Chinn, Megan A. Sullivan, Steven Nelson, Matthew Israel, and Judith Rodenbeck. Bookshelf submissions are accepted on a rolling basis; for consideration please send a brief description of what you’re reading and why, a list of the titles (including author, publisher, and year of publication), and a photo of your books to email@example.com.
CAA’s online-only journal continues to publish timely reviews of books and exhibitions, providing a permanent record of critical opinion on subjects as diverse as Italian fashion (Ross K. Elfline’s review of the exhibition catalogue Italian Style: Fashion since 1945), royal art in Ming China (Craig Clunas’s Screen of Kings: Royal Art and Power in Ming China, reviewed by Lihong Lui), black performance in contemporary art (Diane Mullin reviews the Radical Presence: Black Performance in Contemporary Art at the Walker Art Center), and digital art history (Paul B. Jaskot on HyperCities: Thick Mapping in the Digital Humanities by Todd Presner, David Shepard, and Yoh Kawano). Visit the open-access journal for coverage in all areas of the visual arts.
Taylor & Francis
In addition to their print subscription(s), CAA members receive online access to current and back issues of Art Journal and The Art Bulletin. Taylor & Francis also provides complimentary online access to Word and Image, Digital Creativity, and Public Art Dialogue for CAA members. To access these journals, please log into your account and click the link to the CAA Online Publications Platform on Taylor & Francis Online.
Sarah Betzer has been appointed the new chair of the editorial board of The Art Bulletin. Betzer is an associate professor in the McIntire Department of Art at the University of Virginia in Charlottesville, where she has taught since 2007. Her research examines European art of the eighteenth and nineteenth centuries, with a particular interest in the intersections of art-theoretical debates and artistic practice. Pennsylvania State University Press published her book Ingres and the Studio: Women, Painting, History in 2012. Betzer is midway through the four-year term as a member of the Art Bulletin Editorial Board and will now complete the final two years as its chair.
Image credit: Dave Woody