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JPASS Access for CAA Members

posted by March 11, 2014

JPASS, a new JSTOR access plan for individuals, is ideal for CAA members who want individual access to JSTOR’s rich archival collections. It is especially valuable for individuals without institutional access; faculty members at institutions with limited access to JSTOR; and adjuncts with irregular access to library resources. Regardless of your professional affiliation, JPASS serves as your personal library card to the expansive selection of journals on JSTOR.

As part of your CAA membership, you may purchase a one-year JPASS access plan for $99—a 50 percent discount on the listed rate!

JPASS includes unlimited reading and up to 120 article downloads—not only to The Art Bulletin and Art Journal but also to more than 1,500 humanities, social science, and science journals in the JSTOR archival collections, including Design Issues, Gesta, Muqarnas, and October.

CAA invites you to review the JPASS collections at http://jpass.jstor.org/collections, where you can view all the journal titles and date ranges that are available to JPASS subscribers, as well as filter titles by subject to help you discover publications of interest to you.

Dedicated support personnel for JPASS are available Monday–Friday, 8:30 AM–5:30 PM EDT. You can also get real-time support via Twitter: @JSTORSupport. Here are other ways to learn more:

To use your member discount to sign up for JPASS, log into your CAA account and click the Member Benefits link on the left and then refer to the JPASS instructions which includes the JSTOR custom link. This will admit you to the JPASS purchase website for CAA members.

JSTOR provides access to the complete back runs of CAA’s journals and preserves them in a long-term archive. Users may search, browse, view, and print full-text, high-resolution PDFs of articles from The Art Bulletin (published since 1913) and Art Journal (published since 1929). Coverage in JSTOR includes the journals’ previous titles from their first issues through 2010. Because of a moving wall that changes annually, the most recent three years (2011–13) are not yet available.

The Art Bulletin and Art Journal are available through JSTOR’s Arts & Sciences III Collection. Users at participating institutions can gain access to these two journals through their institutions—contact your librarian to find out if you are eligible and, if so, how to access the journals. In a separate benefit, CAA offers online access to back issues of its two print publications for CAA members unaffiliated with an institution for $20 a year through a special arrangement with JSTOR. Please contact CAA’s Member Services if you have questions about this benefit.

You can review the tables of contents for The Art Bulletin (1996–present) on the CAA website and for Art Journal (1998–present) on its own website.

The Art Bulletin Seeks a Reviews Editor

posted by February 06, 2014

The Art Bulletin Editorial Board invites nominations and self-nominations for the position of reviews editor for a three-year term, July 1, 2015–June 30, 2018, with service as incoming reviews editor designate in 2014–15. Candidates should be art scholars with stature in the field and experience in editing book and/or exhibition reviews; institutional affiliation is not required. Candidates should be published authors of at least one book.

The Art Bulletin features leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913, the quarterly journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art.

Working with the editorial board, the reviews editor is responsible for commissioning all book and exhibition reviews in The Art Bulletin. He or she selects books and exhibitions for review, commissions reviewers, and determines the appropriate length and character of reviews. The reviews editor also works with authors and CAA’s editorial director in the development and preparation of review manuscripts for publication. He or she is expected to keep abreast of newly published and important books and recent exhibitions in the fields of art history, criticism, theory, visual studies, and museum publishing. The three-year term includes membership on the Art Bulletin Editorial Board.

The reviews editor attends the three annual meetings of the Art Bulletin Editorial Board—held twice in New York in the spring and fall and once at the CAA Annual Conference in February—and submits an annual report to CAA’s Publications Committee. CAA reimburses the reviews editor for travel and lodging expenses for the two New York meetings in accordance with its travel policy, but he or she pays these expenses to attend the conference.

Candidates must be current CAA members and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please send a statement describing your interest in and qualifications for appointment, a CV, and at least one letter of recommendation to: Art Bulletin Reviews Editor Search, College Art Association, 50 Broadway, 21st Floor, New York, NY 10004; or email the documents to Joe Hannan, CAA editorial director. Deadline extended: April 16, 2014; finalists will be interviewed on the afternoon of Friday, May 2, in New York.

The December 2013 issue of The Art Bulletin, the leading publication of international art-historical scholarship, leads off with “Regarding Art and Art History,” in which Zainab Bahrani highlights the indispensable role of ancient Near Eastern art in Western art history. For “Notes from the Field,” twelve artists, scholars, curators, anthropologists, and thinkers—Obiora Udechukwu, John Brewer, Jay Clarke, Tapati Guha-Thakurta, Hans Hayden, Gregg Horowitz, Thomas DaCosta Kaufmann, Susanne Küchler, Maria Loh, Ruth Phillips, Regine Prange, and Alessandra Russo—ruminate on tradition in art. Next, Stephen Bann and Karen Lang consider the sense of the past and the writing of art history in the December “Interview.”

The first essay, by Gerd Blum, closely examines Vasari’s alleged account of Roman Jews pilgrimaging every Sabbath to venerate Michelangelo’s Moses, revealing that Vasari’s Lives is underpinned by a Christian theology of history and the theological topos of the “eschatological Jew.” In an article titled “‘Precisely These Objects,’” Jennifer Raab explores Frederic Edwin Church’s use of detail in relation to nineteenth-century American debates concerning the aims of landscape painting, scientific and artistic representation, and the detail as a cultural object.

In “Awa Tsireh and the Art of Subtle Resistance,” Sascha Scott studies silence, misdirection, coding, and masking in Tsireh’s paintings of the 1920s to show how these visual strategies controlled the flow of information about Pueblo Indian culture at a time when the Pueblos were being besieged by anthropologists and persecuted by the Office of Indian Affairs. Finally, Natasha Eaton’s essay analyzes the contested status of color in the art of Indian nationalism—with particular attention to the speeches, manifestoes, and works of art by M. K. Gandhi, Abanindranath and Rabindranath Tagore, Nandalal Bose, and Jamini Roy—to demonstrate the role of color in establishing a new Bengali aesthetic.

The Reviews section features scholarly assessments written by former Art Bulletin editors: Marc Gotlieb considers Edward Snow’s monograph A Study of Vermeer, and David Roxburgh analyzes Laurence Binyon, J. V. S. Wilkinson, and Basil Gray’s book Persian Miniature Painting. Richard J. Powell takes on Freeman Henry Morris Murray’s Emancipation and the Freed in American Sculpture, and Nina Athanassoglou-Kallmyer reviews Daniel Arasse’s Le détail: Pour une histoire rapprochée de la peinture. In a jointly authored review, Michael W. Cole and Christopher S. Wood assess L’antirinascimento by Eugenio Battisti.

CAA sends The Art Bulletin to all institutional members and to those individuals who choose to receive the journal as a benefit of their membership. The next issue of the quarterly publication, to appear in March 2014, will feature Griselda Pollock’s critical engagement with interpretative and institutional trends in an essay titled “Whither Art History?” The March issue will also publish essays on Michelangelo’s drawing Children’s Bacchanal, Pedro Teixeira’s monumental 1656 map of Madrid, olfactory traditions in Ottoman incense burners, and the twentieth-century Brazilian artist Vicente do Rego Monteiro, as well as reviews of books on art and science in the United States and Japan, Mexican modernism, the genealogy of new-media art, and the golden age of Dutch art.

Filed under: Art Bulletin, Publications

CAA Offers Access to JSTOR for Members

posted by December 10, 2013

JPASS, a new JSTOR access plan for individuals, is ideal for CAA members who want individual access to JSTOR’s rich archival collections. It is especially valuable for individuals without institutional access; faculty members at institutions with limited access to JSTOR; and adjuncts with irregular access to library resources. Regardless of your professional affiliation, JPASS serves as your personal library card to the expansive selection of journals on JSTOR.

As part of your CAA membership, you may purchase a one-year JPASS access plan for $99—a 50 percent discount on the listed rate!

JPASS includes unlimited reading and up to 120 article downloads—not only to The Art Bulletin and Art Journal but also to more than 1,500 humanities, social science, and science journals in the JSTOR archival collections, including the Burlington Magazine, Design Issues, Gesta, the Journal of African Cultural Studies, Muqarnas, and October.

CAA invites you to review the JPASS collections at http://jpass.jstor.org/collections, where you can view all the journal titles and date ranges that are available to JPASS subscribers, as well as filter titles by subject to help you discover publications of interest to you.

Dedicated support personnel for JPASS are available Monday–Friday, 8:30 AM–5:30 PM EDT. You can also get real-time support via Twitter: @JSTORSupport. Here are other ways to learn more:

To use your member discount to sign up for JPASS, log into your CAA account and click the Member Benefits link on the left and then refer to the JPASS instructions which includes the JSTOR custom link.  This will admit you to the JPASS purchase website for CAA members.

JSTOR provides access to the complete back runs of CAA’s journals and preserves them in a long-term archive. Users may search, browse, view, and print full-text, high-resolution PDFs of articles from The Art Bulletin (published since 1913) and Art Journal (published since 1929). Coverage in JSTOR includes the journals’ previous titles from their first issues through 2010. Because of a moving wall that changes annually, the most recent three years (2011–13) are not yet available.

The Art Bulletin and Art Journal are available through JSTOR’s Arts & Sciences III Collection. Users at participating institutions can gain access to these two journals through their institutions—contact your librarian to find out if you are eligible and, if so, how to access the journals. In a separate benefit, CAA offers online access to back issues of its two print publications for CAA members unaffiliated with an institution for $20 a year through a special arrangement with JSTOR. Please contact CAA’s Member Services if you have questions about this benefit.

You can review the tables of contents for The Art Bulletin (1996–present) on the CAA website and for Art Journal (1998–present) on its own website.

This year CAA’s three journals—The Art Bulletin, Art Journal, and caa.reviews—brought readers more of what they have come to expect from the world’s leading publisher of art-history journals: exceptional scholarship exploring the full range of the visual arts in formats as diverse as long-form essays, groundbreaking digital-media projects, and critical reviews. In today’s media landscape of repackaged content and 140-character tweets, sustaining the publication of in-depth, thought-provoking content is a challenge—it is the support of readers like you that enables CAA to do so. Because you share our mission of advancing the highest standards of intellectual engagement in the arts, please make a tax-deductible gift to the Publications Fund today.

Here are some highlights from CAA publications over the past year:

In The Art Bulletin:

  • In celebration of The Art Bulletin’s centenary, eight past editors wrote reviews essays reflecting on the critical impact and afterlife of significant books published since the journal’s founding in 1913
  • In the innovative “Notes from the Field,” ten authors took on a new theme in each issue: materiality, mimesis, time, and tradition. The interdisciplinary features, with texts by artists, archaeologists, literary critics, and curators as well as art historians, have proven popular in the classroom, especially at the undergraduate level
  • The Art Bulletin continues to champion the long-form essay, this year including texts by Peter Parshall on Dürer, Namiko Kunimoto on Tanaka Atsuko, and David M. Stone on Caravaggio

In Art Journal:

  • A rare publication of the 1957 Elbe, a series of thirty-one prints by Gerhard Richter, illustrated an essay by Christine Mehring in the Winter 2012 issue
  • Moyra Davey contributed photographs and text for a ten-page artist project titled “Burn the Diaries” to the Spring 2013 issue
  • In the Summer 2013 forum “Conversations on Queer Affect and Queer Archives,” seventeen artists and writers reflected on the vital importance of LGBT archives around the world for both artists and art historians

In caa.reviews:

  • This fall, caa.reviews celebrates fifteen years of publishing critical reviews of books, exhibitions, and projects in all areas and periods of art history and visual studies
  • Using the Scalar digital platform, caa.reviews provided an immersive, multimedia experience of the recent exhibition Bernini: Sculpting in Clay, with an array of critical texts and images as well as a virtual walk-through of the show
  • The essay “Reflections on Photography” by Tanya Sheehan kicked off a new thematic series titled “Re-Views: Field Editors’ Reflections,” in which the journal editors assess—or re-view—their respective fields as seen through the lens of the reviews they have commissioned

With your support, CAA publications will continue to delight, challenge, and engage readers for many years to come. On behalf of the scholars, critics, and artists who publish in the journals, we thank you for your continued commitment to maintaining a strong and spirited forum for the visual-arts community.

With best regards,

 

 

 

 

Suzanne Preston Blier
Vice President for Publications

The College Art Association and Routledge, Taylor & Francis Group are pleased to announce a new publishing partnership to commence in 2014. Beginning January 1, 2014, Taylor & Francis will publish and distribute CAA’s two highly regarded journals, The Art Bulletin and Art Journal, under the Routledge imprint, and provide an open-access digital platform for CAA’s reviews journal, caa.reviews.

The partnership is a positive step for both parties and will bring CAA’s journals to the attention of a wider international audience through Routledge’s state-of-the-art online publishing platforms, high-quality production, and innovative marketing strategies.

The Routledge visual arts program encompasses contemporary art, design, photography, regional art, and visual culture and includes leading titles in the field such as Visual Resources, Photographies and Public Art Dialogue. The Art Bulletin, Art Journal, and caa.reviews will be an indispensable addition to Routledge’s prestigious list of more than 130 Arts & Humanities titles. To learn more about the Routledge library, please visit www.tandfonline.com.

CAA’s Board president Anne Goodyear states, “CAA’s historic partnership with Taylor and Francis promises exciting innovations in the production, design, and dissemination of our leading flagship journals—The Art Bulletin, Art Journal, and caa.reviews. We look forward to expanding the reach of these important publications to new audiences and to offering new means to present groundbreaking scholarship.”

Katherine Burton, art and design journals publisher at Routledge, Taylor & Francis Group, notes, “Routledge, Taylor & Francis is delighted to have the opportunity to enter into a partnership with the College Art Association. In partnering with the Association, we will continue to promote the finely tuned mission of The Art Bulletin, Art Journal and caa.reviews as vital spaces for widening critical debate in art history, criticism and review, while supporting the future sustainability of the publications in the Routledge program. Routledge and the Association will continue to work closely to ensure a smooth transition period for the journals.”

Linda Downs, CAA executive director, says, “The CAA Board, Editorial Boards, and the staff welcome this partnership with Routledge, Taylor & Francis. For the very first time The Art Bulletin and Art Journal will be published online on a multi-media Atypon platform offering authors the capabilities to include video and Internet links. Routledge, Taylor & Francis will be developing broader interactive functionality for caa.reviews. We anticipate increased readership world-wide and greater marketing capabilities. The Art Bulletin and Art Journal will continue to be offered in print. We are excited by all the new opportunities this partnership will bring to the CAA journals.”

The Art Bulletin publishes leading scholarship in the English language on all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913, the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in contemporary scholarly practice. It is published four times a year, in March, June, September, and December.

Art Journal provides a forum for scholarship and exploration in the visual arts, with a particular focus on contemporary art. It operates in the spaces between commercial publishing, academic presses, and artist presses. Published since 1941, the peer-reviewed journal gives voice and publication opportunity to artists, art historians, curators, critics, and other writers in the arts. The content explores diverse forms of art practice and production, as well as the relationships among art making, art history, visual studies, theory, and criticism. Since 2011, a companion website, artjournal.collegeart.org, has both complemented the contents of the quarterly journal and published stand-alone material, with an emphasis on artists’ projects. Art Journal is published four times a year, in spring, summer, autumn, and winter.

Celebrating its fifteenth anniversary as a born-digital journal, caa.reviews fosters timely, worldwide access to the intellectual and creative materials and issues of art-historical, critical, curatorial, and studio practice, and promotes the highest standards of discourse in the disciplines of art and art history. The journal publishes on a continual basis an average of 150 scholarly reviews of studies and projects in all areas and periods of art history, visual studies, and the fine arts, providing peer review for the disciplines served by the College Art Association. The journal also publishes a list of recently published books in the arts and dissertation titles from the United States, Canada, and Great Britain.

New Faces for CAA Journals

posted by September 23, 2013

The president of the CAA Board of Directors, Anne Collins Goodyear, has confirmed new appointments to the editorial boards of CAA’s three scholarly journals and to the Publications Committee, in consultation with the vice president for publications, Suzanne Preston Blier. The appointments took effect on July 1 and in late August 2013.

The Art Bulletin

The three new members of the Art Bulletin Editorial Board are: Sarah Betzer, assistant professor of eighteenth- and nineteenth-century art and director of the undergraduate program in art history at the University of Virginia in Charlottesville; Rita Freed, a historian of Egyptian art and chair of the Department of Art of the Ancient World at the Museum of Fine Arts, Boston, in Massachusetts; and Glenn Peers, a professor of medieval art at the University of Texas at Austin. They will serve four-year terms, through June 30, 2017. In addition, Goodyear appointed David Getsy of the School of the Art Institute of Chicago in Illinois to a two-year term as editorial-board chair.

Art Journal

The new member at large for the Art Journal Editorial Board is Juan Vicente Aliaga, a curator and a professor of modern and contemporary art and theory at Universitat Politècnica de València in Spain.

caa.reviews

The caa.reviews Editorial Board welcomes David Raskin as editor designate through June 30, 2014. Raskin is professor of contemporary art history in the Department of Art History, Theory, and Criticism and chair of the Department of Sculpture at the School of the Art Institute of Chicago in Illinois. Juliet Bellows, assistant professor of nineteenth- and twentieth-century art in the Department of Art at American University in Washington, DC, joins the editorial board for a three-year term.

New field editors for the journal are: Suzanne Hudson, a historian of modern and contemporary art at the University of Southern California in Los Angeles and an active critic, as field editor for reviews of exhibitions of modern and contemporary art on the West Coast; Kevin Murphy, chair of the History of Art Department at Vanderbilt University in Nashville, Tennessee, as field editor for books on architecture and urbanism from 1800 to the present; Kristoffer Neville, assistant professor in the Department of the History of Art at the University of California, Riverside, as field editor for books on architecture and urbanism, pre-1800; Andrei Pop, assistant professor of art history at Universität Basel in Switzerland, as field editor for books on theory and historiography; and Jason Weems, assistant professor in the Department of the History of Art at the University of California, Riverside, as field editor for books on American art.

Joining the caa.reviews Council of Field Editors in late August are: Andrea Bayer, curator in the Department of Paintings, Metropolitan Museum of Art, as field editor for reviews of books on arts administration and museum studies; and Tatiana Flores, associate professor in the Department of Art History at Rutgers University, as field editor for exhibitions on modern and contemporary art in New York and internationally.

Publications Committee

Susan Higman Larsen joins CAA’s Publications Committee. Larsen is director of publications at the Detroit Institute of Arts in Michigan and an adjunct professor in the graduate program in museum studies at Johns Hopkins University in Baltimore, Maryland.

The September 2013 Art Bulletin, the leading publication of international art-historical scholarship, is the third issue of the journal’s centennial year. In the opening text, “Regarding Art and Art History,” David Summers traces his career as a trajectory of changing perspectives on art history. For the “Notes from the Field” section, eleven authors—Eric Fischl, Jan Assmann, Malcolm Bull, Darby English, Ludmilla Jordanova, Mary Miller, Steven Nelson, Ajay Sinha, Gloria Sutton, Gerrit Walczak, and David E. Wellbery—ponder the role of time in art. The September “Interview” features Partha Miller and Keith Moxey discussing the emergence of a world art history.

In his essay “Graphic Knowledge,” Peter Parshall analyzes Albrecht Dürer’s treatise on human proportion to reveal a fear of the transgressing power of imagination that, he argues, ultimately hobbled the artist and his legacy. Next, Matthew M. Reeve explores Horace Walpole’s neo-Gothic villa, Strawberry Hill, showing the role of the eighteenth-century Englishman’s sexuality in the design and reception of the house. In “Rhetorics of Place and Empire in the Fountain Sculpture of 1830s Havana,” Paul B. Niell examines the reconfiguration of international forms, iconography, and materials in three public fountains erected in Cuba during the 1830s to show how a burgeoning Atlantic world city negotiated its relation with the Spanish Empire and its emerging distinctiveness as a local setting. Finally, Namiko Kunimoto considers the Japanese artist Tanaka Atsuko’s Electric Dress in relation to a changing urban and industrial context in postwar Japan that provoked shifts in the status of gender, underscoring the frailty of female subjectivity.

In a “Centennial Review Essay,” H. Perry Chapman discusses what she calls the “problem with artists” by reconsidering two influential books: Ernst Kris and Otto Kurz’s Legend, Myth, and Magic in the Image of the Artist: A Historical Experiment (1934); and Rudolf Wittkower and Margot Wittkower’s Born under Saturn: The Character and Conduct of Artists; A Documented History from Antiquity to the French Revolution (1963). Then, Jacqueline E. Jung assesses Herbert L. Kessler and David Nirenberg’s edited volume, Judaism and Christian Art: Aesthetic Anxieties from the Catacombs to Colonialism, alongside Nina Rowe’s The Jew, the Cathedral, and the Medieval City: Synagoga and Ecclesia in the Thirteenth Century. Last, Peter Chametzky considers a recent exhibition and publishing project on a German art critic, which includes Konstanze Rudert’s catalogue, In the Network of Modernism: Kirchner, Braque, Kandinsky, and Klee … Richter, Bacon, Altenbourg, and Their Critic Will Grohmann, and Rudert and Volkmar Billig’s anthology, Will Grohmann: Texte zur Kunst der Moderne.

CAA sends The Art Bulletin to all institutional members and to those individuals who choose to receive the journal as a benefit of their membership. The next issue of the quarterly publication, to appear in December 2013, will feature essays on the artists Frederic Church and Awa Tsireh, Vasari’s alleged account of Roman Jews “adoring” Michelangelo’s Moses, and the contested status of color in Indian nationalism, among other topics.

 

Filed under: Art Bulletin, Publications

New Faces for CAA’s Journals

posted by August 02, 2013

The president of the CAA Board of Directors, Anne Collins Goodyear, has confirmed new appointments to the editorial boards of CAA’s three scholarly journals and to the Publications Committee, in consultation with the vice president for publications, Suzanne Preston Blier. The appointments took effect on July 1, 2013.

The Art Bulletin

The three new members of the Art Bulletin Editorial Board are: Sarah Betzer, assistant professor of eighteenth- and nineteenth-century art and director of the undergraduate program in art history at the University of Virginia in Charlottesville; Rita Freed, a historian of Egyptian art and chair of the Department of Art of the Ancient World at the Museum of Fine Arts, Boston, in Massachusetts; and Glenn Peers, a professor of medieval art at the University of Texas at Austin. They will serve four-year terms, through June 30, 2017. In addition, Goodyear appointed David Getsy of the School of the Art Institute of Chicago in Illinois to a two-year term as editorial-board chair.

Art Journal

The new member-at-large for the Art Journal Editorial Board is Juan Vicente Aliaga, a curator and a professor of modern and contemporary art and theory at Universitat Politècnica de València in Spain.

caa.reviews

The caa.reviews Editorial Board welcomes David Raskin as editor designate through June 30, 2014. Raskin is professor of contemporary art history in the Department of Art History, Theory, and Criticism and chair of the Department of Sculpture at the School of the Art Institute of Chicago in Illinois. Juliet Bellows, assistant professor of nineteenth- and twentieth-century art in the Department of Art at American University in Washington, DC, joins the editorial board for a three-year term.

New field editors for the journal are: Suzanne Hudson, a historian of modern and contemporary art at the University of Southern California in Los Angeles and an active critic, as field editor for reviews of exhibitions of modern and contemporary art on the West Coast; Kevin Murphy, chair of the History of Art Department at Vanderbilt University in Nashville, Tennessee, as field editor for books on architecture and urbanism from 1800 to the present; Kristoffer Neville, assistant professor in the Department of the History of Art at the University of California, Riverside, as field editor for books on architecture and urbanism, pre-1800; Andrei Pop, assistant professor of art history at Universität Basel in Switzerland, as field editor for books on theory and historiography; and Jason Weems, assistant professor in the Department of the History of Art at the University of California, Riverside, as field editor for books on American art.

Publications Committee

Susan Higman Larsen joins CAA’s Publications Committee. Larsen is director of publications at the Detroit Institute of Arts in Michigan and an adjunct professor in the graduate program in museum studies at Johns Hopkins University in Baltimore, Maryland.

As you may already know, 2013 marks the one hundredth anniversary of The Art Bulletin, CAA’s first print publication and a preeminent scholarly journal for the history of art and visual studies. The Art Bulletin covers the full range of art history in essays by some of the world’s most acclaimed scholars of art. Essays from The Art Bulletin have been staples in art-history courses at colleges and universities for decades, and the journal continues to support exemplary scholarship in all areas of art history.

In honor of this important anniversary, CAA invites you to make a contribution to the Art Bulletin Publication Fund. Contributions of $50 or more made before July 1, 2013, will be acknowledged with a special thank you in the September issue, and contributions of $250 or more will be acknowledged in four consecutive issues and on the CAA website for twelve months.

Please join CAA in celebrating The Art Bulletin’s longstanding excellence as a leader in art-historical scholarship. We look forward to many years to come.

Filed under: Art Bulletin, Publications