CAA

CAA News Today

A Fine Line: Drawing and the Digital Ground in the Work of Tamarin Norwood,” a conversation between the writer and curator Becky Huff Hunter and the artist Tamarin Norwood, has been published on the Art Journal website. In this exchange, Hunter speaks with Norwood about the relationship between video and drawing, and negotiating digital and analogue forms. The two also discuss artistic practice as a form of research, since Norwood is currently pursuing a PhD in fine art at the University of Oxford. This feature is part of Conversations, a new series on the Art Journal website that asks arts professionals in a variety of fields to discuss issues related to their practices.

The Art Journal website welcomes submissions and project proposals from artists, scholars, critics, curators, and others who share an interest in modern and contemporary art, design, pedagogy, and visual culture. Submission guidelines are available on the website, and queries can be sent to art.journal.website@gmail.com.

Filed under: Art Journal, Artists

The Art Journal website is pleased to announce the publication of The New Geography: Earth Music and Land Art, Version 2.0 by Mike Maizels. This is the first installment of a three-part essay in which Maizels, the Mellon New Media Curator/Lecturer at the Davis Museum at Wellesley College, pairs a contemporary work of new media with an earlier work of media art. In this piece, Maziels examines two installations in which the weather plays a direct role: John Luther Adams’s The Place Where You Go to Listen (2008) and Robert Watts’s Cloud Music (1974).

The Art Journal website welcomes submissions and project proposals from artists, scholars, critics, curators, and other prospective contributors who share an interest in modern and contemporary art, design, pedagogy, and visual culture. Submission guidelines are available on the website and queries can be sent to art.journal.website@gmail.com.

Filed under: Art Journal, Publications

JPASS for CAA Members

posted by September 23, 2014

JPASS, a new JSTOR access plan for individuals, is ideal for CAA members who want individual access to JSTOR’s rich archival collections. It is especially valuable for individuals without institutional access; faculty members at institutions with limited access to JSTOR; and adjuncts with irregular access to library resources. Regardless of your professional affiliation, JPASS serves as your personal library card to the expansive selection of journals on JSTOR.

As part of your CAA membership, you may purchase a one-year JPASS access plan for $99—a 50 percent discount on the listed rate!

JPASS includes unlimited reading and up to 120 article downloads—not only to The Art Bulletin and Art Journal but also to more than 1,500 humanities, social science, and science journals in the JSTOR archival collections, including Design Issues, Gesta, Muqarnas, and October.

CAA invites you to review the JPASS collections at http://jpass.jstor.org/collections, where you can view all the journal titles and date ranges that are available to JPASS subscribers, as well as filter titles by subject to help you discover publications of interest to you.

Dedicated support personnel for JPASS are available Monday–Friday, 8:30 AM–5:30 PM EDT. You can also get real-time support via Twitter: @JSTORSupport. Here are other ways to learn more:

To use your member discount to sign up for JPASS, log into your CAA account and click the Member Benefits link on the left and then refer to the JPASS instructions which includes the JSTOR custom link. This will admit you to the JPASS purchase website for CAA members.

JSTOR provides access to the complete back runs of CAA’s journals and preserves them in a long-term archive. Users may search, browse, view, and print full-text, high-resolution PDFs of articles from The Art Bulletin (published since 1913) and Art Journal (published since 1929). Coverage in JSTOR includes the journals’ previous titles from their first issues through 2010. Because of a moving wall that changes annually, the most recent three years (2011–13) are not yet available.

The Art Bulletin and Art Journal are available through JSTOR’s Arts & Sciences III Collection. Users at participating institutions can gain access to these two journals through their institutions—contact your librarian to find out if you are eligible and, if so, how to access the journals. In a separate benefit, CAA offers online access to back issues of its two print publications for CAA members unaffiliated with an institution for $20 a year through a special arrangement with JSTOR. Please contact CAA’s Member Services if you have questions about this benefit.

You can review the tables of contents for The Art Bulletin (1996–present) on the CAA website and for Art Journal (1998–present) on its own website.

The president of CAA’s Board of Directors, DeWitt Godfrey, has made appointments to the editorial boards of CAA’s three scholarly journals, in consultation with the editorial boards and the vice president for publications, Suzanne Preston Blier. The appointments take effect on July 1, 2014.

Art Journal

Two new members-at-large have joined the Art Journal Editorial Board. Tirza True Latimer is an associate professor at the California College of the Arts in San Francisco and chair of its graduate program in visual and critical studies. Janet Kraynak is an associate professor of contemporary art history at the New School in New York, with joint appointment at Parsons the New School for Design and Eugene Lang College. The terms for Latimer and Kraynak extend until June 30, 2018.

The Art Bulletin

The Art Bulletin has announced its next reviews editor: Nancy Um, associate professor in the Department of Art History at Binghamton University, State University of New York, and a scholar of Islamic art and visual culture. For the past year, Um has been a scholar in residence at the Getty Research Institute in Los Angeles. From 2011 to 2014, she served as the inaugural reviews editor of the International Journal of Islamic Architecture. Um is the author of The Merchant Houses of Mocha: Trade and Architecture in an Indian Ocean Port (University of Washington Press, 2009), as well as many essays and book chapters. Um will succeed Rachael DeLue of Princeton University, beginning a three-year-term as reviews editor on July 1, 2015, with the preceding year as reviews editor designate.

caa.reviews

The caa.reviews Editorial Board welcomes two new members-at-large: Meredith Cohen and Suzanne Hudson. Cohen is a historian of the art, architecture, and urbanism of medieval Europe and an assistant professor of art history at the University of California, Los Angeles. Hudson is an assistant professor of art history and fine arts at the University of Southern California in Los Angeles and currently serves as the caa.reviews field editor for exhibitions of modern and contemporary art on the West Coast. Both Cohen and Hudson will serve four-year terms on the editorial board, from July 1, 2014, to June 30, 2018.

The caa.reviews Council of Field Editors has four new members. Phillip Bloom, an assistant professor of art history at the University of Indiana in Bloomington and a visiting researcher at the Institute for Advanced Studies on Asia at the University of Tokyo for 2013–14, will commission reviews of books on Chinese art. Edward A. Vazquez, assistant professor of history of art and architecture at Middlebury College in Vermont, will be the field editor for exhibitions of modern and contemporary art in the northeastern United States. Megan Cifarelli, an associate professor at Manhattanville College in Purchase, New York, and chair of her school’s program in art history, will assign reviews of books on ancient Egyptian and Near Eastern art for the journal. Finally, Pamela M. Fletcher, a professor of art history and codirector of the Digital and Computational Studies Initiative at Bowdoin College in Brunswick, Maine, joins caa.reviews to oversee reviews of digital projects in the visual arts.

New Issue of Art Journal

posted by March 31, 2014

Sexing Sculpture: New Approaches to Theorizing the Object” is the forum topic in the latest issue of Art Journal, now in the mail to subscribers. The forum was organized by Jillian Hernandez and Susan Richmond and features essays by Rachel Middleman, Nicholas Hartigan and Joan Kee, and Gordon Hall; artist portfolios by Rachel Lachowicz and Lily Cox-Richard; and a conversation between Jennifer Doyle and David Getsy.

Jeanne Dunning’s “Tom Thumb, the New Oedipus,” this issue’s artist’s project, is the winner of the 2013 Art Journal Award. The jury that made the award wrote that the project “creatively and cleverly melds aspects of narrative storytelling, visual research, and textual analysis to cast new light on the enduring value of psychoanalytic models through a close reading of the folk-tale character Tom Thumb. It does so with humor and clarity, and is at once a pleasure to read and a careful prod to the imagination.”

Queer Formalisms: Jennifer Doyle and David Getsy in Conversation” is available as free content on Art Journal’s website. Also available in full online is Tina Rivers’s review of Are You Experienced? How Psychedelic Consciousness Transformed Modern Art by Ken Johnson and Psychedelic: Optical and Visionary Art since the 1960s, edited David S. Rubin.

Filed under: Art Journal, Publications

New Faces for Art Journal

posted by March 18, 2014

Art Journal is inaugurating the new position of web editor. Following interviews in February and a strong recommendation from the journal’s editorial board, Anne Collins Goodyear, the president of CAA’s Board of Directors, has appointed Gloria Sutton to the position. The web editor will be responsible for the content and presentation of material on the journal’s website, which complements materials in the printed publication with freestanding projects, primarily by artists.

The step occurs as CAA moves to a partnership with Taylor & Francis, to publish all three of the organization’s journals: The Art Bulletin, Art Journal, and caa.reviews. CAA members will select the journal(s) they would like to receive in print, and for the first time all three journals will available online, free to CAA members.

Of the new position, Sutton writes, “I am excited to help shape Art Journal’s online presence during this pivotal period and foster new intellectual exchanges among artists, scholars, critics, and curators of contemporary art.”

Sutton, who is assistant professor of contemporary art history and new media at Northeastern University in Boston, Massachusetts, will serve a three-year term as web editor. She is an art historian, curator, and author of many works on new media, including the book The Experience Machine: Stan VanDerBeek’s Movie-Drome and Expanded Cinema, to be published by MIT Press this fall. Sutton has curated exhibitions at the Museum of Contemporary Art and the MAK Center for Art and Architecture, both in Los Angeles, California, and at Ars Electronica in Linz, Austria.

Also joining the Art Journal Editorial Board is the art historian Kate Mondloch, whose research focuses on the cultural, social, and aesthetic possibilities of new technologies. She is an associate professor of contemporary art and theory at the University of Oregon in Eugene, where she directs the certificate program in new media and culture. Mondloch is the author of Screens: Viewing Media Installation Art (Minneapolis: University of Minnesota Press, 2010).

Filed under: Art Journal, People in the News

JPASS Access for CAA Members

posted by March 11, 2014

JPASS, a new JSTOR access plan for individuals, is ideal for CAA members who want individual access to JSTOR’s rich archival collections. It is especially valuable for individuals without institutional access; faculty members at institutions with limited access to JSTOR; and adjuncts with irregular access to library resources. Regardless of your professional affiliation, JPASS serves as your personal library card to the expansive selection of journals on JSTOR.

As part of your CAA membership, you may purchase a one-year JPASS access plan for $99—a 50 percent discount on the listed rate!

JPASS includes unlimited reading and up to 120 article downloads—not only to The Art Bulletin and Art Journal but also to more than 1,500 humanities, social science, and science journals in the JSTOR archival collections, including Design Issues, Gesta, Muqarnas, and October.

CAA invites you to review the JPASS collections at http://jpass.jstor.org/collections, where you can view all the journal titles and date ranges that are available to JPASS subscribers, as well as filter titles by subject to help you discover publications of interest to you.

Dedicated support personnel for JPASS are available Monday–Friday, 8:30 AM–5:30 PM EDT. You can also get real-time support via Twitter: @JSTORSupport. Here are other ways to learn more:

To use your member discount to sign up for JPASS, log into your CAA account and click the Member Benefits link on the left and then refer to the JPASS instructions which includes the JSTOR custom link. This will admit you to the JPASS purchase website for CAA members.

JSTOR provides access to the complete back runs of CAA’s journals and preserves them in a long-term archive. Users may search, browse, view, and print full-text, high-resolution PDFs of articles from The Art Bulletin (published since 1913) and Art Journal (published since 1929). Coverage in JSTOR includes the journals’ previous titles from their first issues through 2010. Because of a moving wall that changes annually, the most recent three years (2011–13) are not yet available.

The Art Bulletin and Art Journal are available through JSTOR’s Arts & Sciences III Collection. Users at participating institutions can gain access to these two journals through their institutions—contact your librarian to find out if you are eligible and, if so, how to access the journals. In a separate benefit, CAA offers online access to back issues of its two print publications for CAA members unaffiliated with an institution for $20 a year through a special arrangement with JSTOR. Please contact CAA’s Member Services if you have questions about this benefit.

You can review the tables of contents for The Art Bulletin (1996–present) on the CAA website and for Art Journal (1998–present) on its own website.

SculptureCenter in Long Island City, New York, will present “SC Conversations: Sexing Sculpture” in anticipation of the next issue of Art Journal, to be released in mid-March. For that issue, Jillian Hernandez and Susan Richmond have organized the forum “Sexing Sculpture.” In addition to an essay on Minimalism and gender variance by Gordon Hall, the forum features portfolios by the artists Rachel Lachowicz and Lily Cox-Richard, as well as texts by Rachel Middleman on Hannah Wilke, Nicholas Hartigan and Joan Kee on Lily Cox-Richard, and Jennifer Doyle and David Getsy on queer formalism.

The event will take place on Friday, March 7, 2014, from 11:00 AM to 12 NOON; admission is free.

 

Filed under: Art Journal

CAA invites nominations and self-nominations for two individuals to serve on the Art Journal Editorial Board for a four-year term, July 1, 2014–June 30, 2018. Candidates may be artists, art historians, art critics, art educators, curators, or other professionals in the visual arts; institutional affiliation is not required. Art Journal, published quarterly by CAA, is devoted to twentieth- and twenty-first-century art and visual culture.

The editorial board advises the Art Journal editor-in-chief and assists him or her in seeking authors, articles, artists’ projects, and other content. The group also guides the journal’s editorial program and may propose new initiatives for it, performs peer review and recommends peer reviewers, and may support fundraising efforts on the journal’s behalf. Members also assist the editor-in-chief to keep abreast of trends and issues in the field by attending and reporting on sessions at the CAA Annual Conference and at other academic conferences, symposia, and events.

The Art Journal Editorial Board meets three times a year: twice in New York in the spring and fall and once at the CAA Annual Conference in February. CAA reimburses members for travel and lodging expenses for the two New York meetings in accordance with its travel policy, but members pay these expenses to attend the conference. Members of all editorial boards volunteer their services to CAA without compensation.

Candidates must be current CAA members and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Members may not publish their own work in the journal during the term of service. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please send a statement describing your interest in and qualifications for appointment, a CV, and your contact information to: Chair, Art Journal Editorial Board, College Art Association, 50 Broadway, 21st Floor, New York, NY 10004; or email the documents to Alyssa Pavley, CAA editorial assistant. Deadline: April 15, 2014.

Art Journal Seeks an Editor-in-Chief

posted by February 11, 2014

The Art Journal Editorial Board invites nominations and self-nominations for the position of editor-in-chief for a three-year term, July 1, 2015–June 30, 2018, with service as editor designate in 2014–15 and as past editor in 2018–19. Candidates may be artists, art historians, art critics, art educators, curators, or other professionals in the visual arts with stature in the field; institutional affiliation is not required. Art Journal, published quarterly by CAA, is devoted to twentieth- and twenty-first-century art and visual culture.

Working with the editorial board, the editor-in-chief is responsible for the content and character of the journal, excluding the book and exhibition reviews, which are the responsibility of the reviews editor. The editor-in-chief reads all submitted manuscripts, refers them to appropriate expert referees for peer review, provides guidance to authors concerning the form and content of submissions, and makes final decisions regarding acceptance or rejection of articles for publication. The editor-in-chief also works closely with the CAA staff in New York, where production for Art Journal is organized. This is a half-time position. CAA provides financial compensation to the editor’s institution, usually in the form of course release or the equivalent, for three years. The editor is not usually compensated directly.

The editor-in-chief attends the three annual meetings of the Art Journal Editorial Board—held twice in New York in the spring and fall and once at the CAA Annual Conference in February—and submits an annual report to CAA’s Publications Committee. CAA reimburses the editor-in-chief for travel and lodging expenses for the two New York meetings in accordance with its travel policy, but he or she pays these own expenses for the Annual Conference.

Candidates must be current CAA members and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Members may not publish their own work in the journal during the term of service. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please send a statement describing your interest in and qualifications for appointment, a CV, at least one letter of recommendation to: Art Journal Editor-in-Chief Search, College Art Association, 50 Broadway, 21st Floor, New York, NY 10004; or email the documents to Joe Hannan, CAA editorial director. Deadline: April 3, 2014; finalists will be interviewed on May 1 in New York.