CAA has been awarded a $25,000 Art Works grant from the National Endowment for the Arts to support the next installment of ARTspace, taking place during the 2018 Annual Conference in Los Angeles. Spearheaded by CAA’s Services to Artists Committee, ARTspace is a forum for programming designed by artists for artists that is among the most vital and exciting aspects of the conference. Held at each Annual Conference since 2001, ARTspace is intended to reflect the current state of the visual arts and arts education. The grant is the NEA’s ninth consecutive award to CAA for this event.
ARTspace offers free program sessions and includes diverse activities such as the annual Distinguished Artist Interviews—most recently with Coco Fusco and Katherine Bradford at the Annual Conference in New York last February—and screenings of film, video, and multimedia works in the Media Lounge. Also hosted in ARTspace are live performances and panel discussions that facilitate a conversational yet professional exchange of ideas and practices designed to engage CAA’s artist members as well as the general public.
ARTspace programming for 2017 included sessions on economic fairness and internet activism, artists who collaborate with their families, alternative career paths for artists outside the studio and academia, and a roundtable on artist-run institutions. CAA’s 106th Annual Conference will take place February 21–24, 2018, at the Los Angeles Convention Center and at schools, museums, and other institutions throughout Southern California.
Jane Chu, chairman of the NEA since 2014, has approved over $84 million to fund nearly 1,200 projects and partnerships in all fifty US states in the NEA’s second major funding announcement for fiscal year 2017. The Art Works category focuses on funding the creation of art that meets the highest standards of excellence, public engagement with art, lifelong learning in the arts, and strengthening of communities through the arts. Through grants to thousands of nonprofits each year, the NEA promotes opportunities for people in communities across America to experience the arts and exercise their creativity.
For the full list of 2017 Art Works grants visit the NEA website.
Diversity has long been a part of CAA’s history and this year’s conference is no different. Artnet News notes how race and politics are “at the forefront” of our programming this year. Our effort to find more ways to involve artists and makers in the conference has not gone overlooked either. Brian Boucher, author of the Artnet piece, cites the CAA collaboration with NYFA to offer professional development programming.
At Artnews, writer
posted by CAA — October 13, 2016
CAA Media Lounge
105th Annual Conference NYC 2017
Nov 30, 2016
Craft Action: Genre Bending
Craft Action: Genre Bending is a juried video screening exploring the role of process, skill, and action as it relates to craft mediums. The growing interdisciplinarity of craft practices is the impetus for this call for submissions of video work by practitioners engaged craft media, such as ceramics, textiles, metals, wood, and glass. The use of video with craft enables the artist to engage in using materials and tools in combination with their representation to express new ideas, addressing making by investigating not only what is shown, but how it is shown.
Media Lounge is CAA’s main stage of new media explorations where students, academics, and artists come together to build camaraderie. These methods of working with conceptual and technical content provides fodder for a dynamic dialogue of how artists’ place themselves in the larger distinction of media, both analog and digital.
Each year Media Lounge coordinates a central theme to explore the interrelationship of media across a topic. This year in NYC, Media Lounge presents screenings, panels and discussions that explore the genres of craft and video, politics and strategy, and inter-related material explorations of new media and footage that entangles what is expected of cross-disciplinary explosions of content, surrounding the theme of Genre Bending.
Genre is a way to group practices into categories that are familiar-or frame an expected experience from the audience. Media Lounge NYC 2017 uses genre and the elasticity of bending to explore new media genre relationships and their impulse of hybrid crossovers.
Anne Sophie-Lehman has theorized that the combination of craft and film produces its own unique genre, which she calls “showing making”. Part archival, part instructional, part visual pleasure, and part showmanship, this idea of genre bending and genre production is the starting point for this year’s Media Lab theme.
Craft Action: Genre Bending seeks to explore how artists bend, break, subvert, or invent new genres for craft and film. Artists will be asked to note in their application what genre/s they see themselves as bending or creating. This may be a traditional genre, like comedy, tragedy, animation, or a craft-based genre like the instructional demonstration – or a genre yet-to-be defined that can provoke new understanding and considerations.
All video submission must be original works of art completed within the last 3 years.
- Entries will be accepted from the link HERE
- Artists are required to submit video as Vimeo files, opening up the access of the files to shared
- The video(s) should be an excerpt totaling no longer than 5 minutes.
- Artists may submit up to three videos to be selected
Screening Dates and Panel Discussion
CAA Conference Media Lounge
February 16, 2017
Guest Curators and Conference Panelists
Marilyn Zapf is the Assistant Director at The Center for Craft, Creativity & Design (CCCD) and Curator of CCCD’s Benchspace Gallery & Workshop in Asheville, NC where she has curated a number of nationally-traveling exhibitions including Made in WNC (2015) and Gee’s Bend: From Quilts to Prints (2014). Zapf teaches courses on the History of Craft at Warren Wilson College and publishes articles and reviews in international publications, including Art Jewelry Form and Crafts Magazine (UK). She is a founding member of the international experimental history of design collective, Fig. 9, holds a MA in the History of Design from the Royal College of Art and Victoria and Albert Museum in London, England, and a BA (English Literature) and BFA (Jewelry and Metalworking) from The University of Georgia. Her areas of research include craft, postmodernism and de/industrialization.
Namita Gupta Wiggers is a curator, writer, educator and artist based in Portland, Oregon. She is the Director of Critical Craft Forum, and Exhibitions Review Editor, Journal of Modern Craft. From 2004-12 Wiggers served as the Curator, and later Director and Chief Curator (2012 -14) of Museum of Contemporary Craft. She curated over 65 exhibitions, including: New Embroidery: Not Your Grandma’s Doily, Touching Warms the Art, The Academy is Full of Craft, Object Focus: The Bowl, and Manufractured: The Conspicuous Transformation of Everyday Objects (curated by Steven Skov Holt and Mara Holt Skov), and Gestures of Resistance (curated by Judith Leemann and Shannon Stratton.). She curated the first museum exhibitions on Betty Feves, Laurie Herrick, Nikki McClure, Emily Pilloton, and Ken Shores. Recent exhibitions include Across the Table, Across the Land with Michael Strand for NCECA’s 50th Anniversary, and Everything has been Material for Scissors to Shape, on view at the Wing Luke Museum of Asian American Experience. Wiggers is editing a Companion on Contemporary Craft (Wiley Blackwell), and collaborating on a project focused on gender and jewelry with Benjamin Lignel.
Hilton New York Midtown, College Art Association Conference, Media lounge
ArtSpace + Media Lounge
CAA’s Services to Artists Committee hosts offerings in ArtSpace and Media Lounge, a “conference within a conference” of innovative programs that are of special interest to artists, emerging professionals, and artist / educators. ArtSpace and Media Lounge programming offers an informal, dynamic setting with sessions, panels, screenings, curated media, distinguished artists interviews, exhibition opportunities and other social events. These programs are free and open to the public, and do not require CAA membership or registration fees for the conference to participate or attend.
Thank you in advance for your participation and please feel free to contact carissacarman at gmail.com if you have questions regarding the submission.
posted by CAA — September 08, 2016
The Services to Artists Committee invites artist members to participate in ARTexchange, CAA’s unique pop-up exhibition and annual meet-up for artists and curators. This social event provides an opportunity for artists to share their work and build affinities with other artists, historians, curators, and cultural producers. ARTexchange will take place at the 105th Annual Conference in New York on Friday evening, February 17, 2017, from 5:30 to 7:30 PM.
Each artist is given the space on, above, and beneath a six-foot table to exhibit their work: prints, paintings, drawings, photographs, sculptures, and small installations; performance, process-based, interactive, and participatory works are especially encouraged. Previous ARTexchange participants have found that this parameter sparked many creative display options. Please note that artwork cannot be hung on walls, and it is not possible to run power cords from laptops or other electronic devices to outlets.
To participate as an exhibiting artist in 2017, contact Katie Apsey, CAA manager of programs, by December 2, 2016, with the following information: (1) a short description of what you will exhibit and how you will use the six-foot table space (provide details regarding performance, sound, spoken word, or technology-based work, including laptop presentations); (2) your CAA member number (memberships must be active through February 18, 2017); and (3) your website or a link to a digital portfolio.
Because ARTexchange is a popular venue and participation is based on available space, early applicants are given preference. Participants are responsible for their work; CAA is not liable for losses or damages. Sales of work are not permitted. Deadline extended: January 6, 2017.
National Endowment for the Arts Chairman Jane Chu has approved more than $82 million to fund local arts projects and partnerships in the NEA’s second major funding announcement for fiscal year 2016. Included in this announcement is an Art Works award of $15,000 to the College Art Association (CAA) for ARTspace, part of the CAA Annual Conference. This is the eighth consecutive year the NEA has supported ARTspace. The Art Works category supports the creation of work and presentation of both new and existing work, lifelong learning in the arts, and public engagement with the arts through 13 arts disciplines or fields.
“The arts are all around us, enhancing our lives in ways both subtle and obvious, expected and unexpected,” said NEA Chairman Jane Chu. “Supporting projects like the one from CAA offers more opportunities to engage in the arts every day.”
ARTspace is a conference within the conference tailored to the interests and needs of artists and open to all attendees. Organized by CAA’s Services to Artists Committee, it includes a large-audience session space and a media lounge. ARTspace is the site of the Annual Artists’ Interviews held on Friday afternoon. Each morning begins with coffee and tea. The 2016 Annual Conference Artists’ Interviews featured conversations between Rick Lowe and LaToya Ruby Frazier and Joyce Scott with George Ciscle.
Save the date for the 2017 Annual Conference, February 15-18 in New York City.
To join the Twitter conversation about this announcement, please use #NEASpring16. For more information on projects included in the NEA grant announcement, go to arts.gov
posted by Nia Page — December 18, 2015
UPDATE: CONFERENCE REGISTRATION HAS BEEN EXTENDED TO WEDNESDAY, JANUARY 6, 2016.
The clock is ticking!
Early Conference Registration Rates end December 21, 2015! Submit your Individual Registration Information to attend the largest gathering of visual arts professionals! This year, don’t miss Tania Bruguera, the chairs of the NEA and NEH, MacArthur Fellows LaToya Ruby Frazier and Rick Lowe, and much more!
We are very pleased to invite you to join us for the College Art Association’s Annual Conference. The 104th Annual Conference will be held in Washington, DC at the Washington Marriott Wardman Park Hotel from Wednesday, February 3 to Saturday, February 6, 2016. As the world’s largest international forum for professionals in the visual arts, the conference offers more than 200 sessions, panel discussions, roundtables, and meetings on topics in current art scholarship and practice. Join more than 4,000 artists, art historians, designers, museum directors and curators, arts administrators, and educators in networking opportunities and the exchange of ideas and information between colleagues from across the globe. We invite you to join us.
This year’s highlights include Convocation Keynote address by Cuban installation and performance artist, Tania Bruguera; Opening Night Reception at the Katzen Center at American University; and the Fourteenth Annual Distinguished Scholar session honoring Richard J. Powell, John Spencer Bassett Professor of Art and Art History and Dean of Humanities at Duke University.
Additional highlights include the NEA and NEH 50th Anniversary Presentation Lecture with Jane Chu, Chair of the NEA, in conversation with William “Bro” Adams, Chairman of the NEH; the Annual Distinguished Artists’ Interviews with Joyce Scott, artist of social commentary on racism, sexism and violence, in conversation with George Ciscle, Curator-in-Residence of MICA; and conversation between two MacArthur “genius” fellowship recipients, Rick Lowe (2014) and LaToya Ruby Frazier (2015); Jarl Mohn; National Public Radio CEO and President, will speak on the visual arts and the public; a special tribute to Linda Nochlin, Lila Acheson Wallace Professor of Modern Art at New York University; and the Book and Trade Fair with over 120 publishers, art materials manufacturers, and services in the arts, and much more.
The 2016 CAA conference will also host ARTspace, a conference within the conference. ARTspace is programmed by artists, and tailored to the interests and needs of artists. It is open to all attendees and includes the Annual Artists’ Interviews mentioned above, Media Lounge, and ARTexchange.
CAA has arranged for a curator-led tour of “Marvelous Objects: Surrealist Sculpture From Paris to New York” at the Hirshhorn Museum and Sculpture Garden; a US Capitol Building Tour; a tour of the Kogod House and Art Collection (Donor Circle and Life Members only); a tour of the Glenstone Museum, a Charles Gwathmey-designed private museum housing prime examples of Post-WWII works; and tours of DC-based artist studios and galleries.
CAA members receive substantial discounts on conference registration. For those members who are not eligible for CAA’s discounted memberships, the best overall value on combined membership and conference registration is with the Premium or Donor Circle level membership. CAA members at the Basic level planning to attend the Annual Conference are encouraged to upgrade to the Premium level, which when combined with the discounted conference registration will provide the greatest value. To upgrade your membership please email us or call 212.691.1051, ext. 1 with any feedback or questions.
CAA’s partners are offering exclusive discounts on airfare, car rentals, train travel, and hotel rooms to all conference attendees. Book now and save even more. It is strongly encouraged that you reserve your accommodations at one of the official Conference Hotels. Please note that CAA commits to a block of rooms at these hotels on behalf of its members and has a financial obligation to fill those blocks. Please help us avoid potential penalties and control costs for future events by staying at one of the official hotels.
We look forward to seeing you in DC!
The website for the 104th Annual Conference in Washington, DC, to be held from Wednesday, February 3 to Saturday, February 6, 2016, at the Washington Marriott Wardman Park Hotel, is live today. Get a taste of conference highlights and discover the benefits of registration, including access to all program sessions and admission to the Book and Trade Fair.
The dynamic energy of Washington, DC—known for its world-class museums and as an international destination for American history and culture—provides the backdrop for our annual gathering of more than four thousand artists, art historians, museum directors and curators, arts administrators, scholars, and educators. Look forward to the best in new scholarship, innovative art, and in-depth discussion of issues in the visual arts today.
Highlights of this year’s conference include the presentation of CAA’s 2016 Awards for Distinction, an opening reception at the Katzen Arts Center at American University, and the sixteenth annual Distinguished Scholar Session honoring Richard J. Powell of Duke University. The two Distinguished Artists’ Interviews will feature the sculptor Joyce Scott, speaking to the curator George Ciscle.
Among the highly anticipated sessions are: “South to North: Latin American Artists in the United States, 1820s–1890s,” chaired by Katherine E. Manthorne; “Transforming Japonisme: International Japonisme in an Age of Industrialization and Visual Commerce,” led by Gabriel P. Weisberg; and the two-part “Formalism before Clement Greenberg,” chaired by Katherine M. Kuenzli and Marnin Young. Other exciting session topics range from art as adventure to the Hudson River School, from digital cultural heritage to algorithms and data in contemporary art, and from diversity in curatorial work to staging design in museums.
Online registration for individuals and institutions is now open. In addition, you can book your hotel reservations and make your travel arrangements—don’t forget to use the exclusive CAA discount codes to save money! Register before the early deadline, December 21, 2015, to get the lowest rate and to ensure your place in the Directory of Attendees. You may also purchase tickets for special events and for a place in one of eleven professional-development workshops on a variety of topics for artists and scholars.
CAA will regularly update the conference website in the months leading up to the four-day event, so please be sure to check back often. Averaging more than 40,000 unique visitors per month, the conference website is the essential source for up-to-the-minute updates regarding registration, session listings, and hotel and travel discounts. Visit the Advertising section to learn more about reaching CAA membership and conference attendees.
We look forward to seeing you in Washington, DC!
posted by Katie Apsey — September 24, 2015
The Services to Artists Committee invites artist members to participate in ARTexchange, the annual meet-up for artists and curators at CAA’s unique pop-up exhibition. This social event provides an opportunity for artists to share their work and build affinities with other artists, historians, curators, and cultural producers. ARTexchange will take place at the 104th Annual Conference in Washington, DC, on Friday evening, February 5, 2016, from 5:30 to 7:30 PM.
Each artist is given the space on, above, and beneath a six-foot table to exhibit their works: prints, paintings, drawings, photographs, sculptures, and small installations; performance, process-based, interactive and participatory works are especially encouraged. Previous ARTexchange participants have found that this parameter sparked many creative display options. Depending on the number and type of submissions CAA receives, a schedule of performances may be created. Please note that artwork cannot be hung on walls, and it is not possible to run power cords from laptops or other electronic devices to outlets—bring fully charged batteries.
To participate, send an email to Katie Apsey, CAA manager of programs. Include your CAA member number and a brief description of what you plan to present. Please provide details regarding performance, sound, spoken word, or technology-based work, including laptop presentations. You will receive an email confirmation. Because ARTexchange is a popular venue and participation is based on available space, early applicants are given preference. Participants are responsible for their work; CAA is not liable for losses or damages. Sales of work are not permitted. Deadline: December 14, 2015.
Image: A participant in ARTexchange at the 2015 Annual Conference in New York (photograph by Bradley Marks)
CAA has been awarded a $15,000 grant from the National Endowment for the Arts (NEA) to support the next installment of ARTspace, taking place during the 2016 Annual Conference in Washington, DC. Spearheaded by CAA’s Services to Artists Committee, ARTspace is a forum for programming designed by artists for artists that is among the most vital and exciting aspects of the conference. Held at each Annual Conference since 2001, ARTspace is intended to reflect the current state of the visual arts and arts education.
ARTspace offers free program sessions and includes diverse activities such as the Annual Distinguished Artists’ Interviews (most recently with William Pope.L and Ursula von Rydingsvard in New York in February 2015); screenings of film, video, and multimedia works; live performances; and papers and presentations that facilitate a conversational yet professional exchange of ideas and practices designed to engage CAA’s artist members as well as the general public.
The grant, which is the NEA’s seventh consecutive award to CAA for ARTspace, will help fund programs such as ARTexchange, the popular open-portfolio exhibition for artists; the Distinguished Artists’ Interviews; and the Media Lounge, a space dedicated to curated programs of film, video, and multimedia work. ARTspace programming at the 2015 conference in New York included panels that explored the shifting landscape of the field, from “Surveillance as Art Practice” and “Art Collectives and the Contemporary World” to “Balancing Act: Art, Family, and Other Distractions” and “Imagining an Alternative School of Art.” You can explore all of the 2015 ARTspace programming on the conference website.
CAA’s 104th Annual Conference will take place February 3–6, 2016, in Washington, DC. Through grants to thousands of nonprofits each year, the NEA promotes opportunities for people in communities across America to experience the arts and exercise their creativity.
Jenny Schlenzka of MoMA PS 1 interviews the artist William Pope.L during ARTspace at the 2015 Annual Conference in New York (photograph by Bradley Marks)
A Project of Media Lounge and ARTspace
103rd Annual Conference
February 11–14, 2015
New York Hilton Midtown, Gibson Room
During the 2015 Annual Conference, the Media Lounge and ARTspace will host programming with the shared theme of “Alternative Economies.” These programs will consider models of social, cultural, and technological economies that transform the conditions for critical discourse and art making. The following workshops organized by Jenny Marketou and Stacy Miller are part of the event which take place at the Media Lounge; they are free and open to the public.
Imagining an Alternative School of Art
OWS Arts & Labor | Alternative Economies Working Group
Wednesday, February 11
9:00 AM–1:00 PM
The economic and structural realities of art schools as they exist today can often be a source of anxiety and frustration for students, faculty, and staff alike, so what might an alternative school of art look like? In this workshop the participants will familiarize themselves with over thirty alternative economic models that are in practice throughout the world today. After analyzing the current economic and structural issues apparent in our places of work and study, participants will be asked to imagine and consider the implications of using these alternative models to augment, remedy, or perhaps replace the current structure altogether.
About: Arts & Labor’s Alternative Economies Working Group is focused on researching alternative economic models that can be used to create and nurture more equitable and sustainable art worlds. Believing that vibrant creative communities come from the bottom up, they encourage relationships based on mutual aid rather than competition and advocate for cultural institutions rooted in a framework of social, economic, and environmental justice.
Facilitation: Melissa Liu, Daniel Tuss, Antonio Serna, Yana Dimitrova, and James Douglas Whitman.
Beyond Faxes with Clip Art: Connective Technology and Art Making
Saturday, February 14
This hands-on workshop will move beyond social media as a simple broadcast media for artists and examine how technologically engaged creation and collaboration can enhance, enable, and disrupt established models for art-making practice and interaction. In this workshop, participants will use open-source and/or free tools to connect with artists and create works; they will also discuss relevant issues in practice and pedagogy.
Facilitation: David Hart (MA, Art and Art Education, Teacher’s College, Columbia University) is a producer, writer, and educator with an emphasis in the museum field. He has taught in afterschool settings, corporate workshops, museum programs (in-person and virtually), and undergraduate and graduate programs. Hart worked in the Department of Education and the Department of Digital Media at the Museum of Modern Art and currently is a producer for Acoustiguide, partnering with such institutions as the Solomon R. Guggenheim Museum, the New York Botanical Garden, and the J. Paul Getty Museum.