CAA News Today

CAA is pleased to announce the recipient of the 2020 Professional Development Fellowships. The recipient of the $10,000 fellowship in visual art is Ana Maria Farina, SUNY New Paltz. A fellowship in art history was not awarded this year.

The honorable mention in visual art is awarded to Sabrina Pastard, Columbia College Chicago. All fellows and honorable mentions receive a complimentary one-year CAA membership and registration for the 2022 Annual Conference in Chicago.

2020 PROFESSIONAL DEVELOPMENT FELLOWSHIP IN VISUAL ARTS

Ana Maria Farina, SUNY New Paltz

Ana Maria Farina paints using a gun––a tufting gun––along with needles, hooks, and knots. Repurposing a phallic signifier of violence, she conjures vibrant objects of comfort that inhabit a mystical pictorial space between abstraction and representation.

Ana Maria was born and raised in Brazil and is now based in the Hudson Valley, New York. She received her masters degree in Art and Art Education from Columbia University in 2016, and in 2018 she was awarded a fellowship to the New York Foundation for the Arts Immigrant Artist Mentoring Program. In 2019, she received a scholarship to attend the MFA program at SUNY New Paltz, where she also served as the Visiting Artist Director and Instructor of Record. Ana’s work has been featured in many spaces throughout New York and she has upcoming exhibitions at the Wassaic Project, the Garrison Art Center, the Dorsky Museum, among others.

HONORABLE MENTION IN VISUAL ART

Sabrina Pastard, Columbia College Chicago

Sabrina Pastard is a visual artist who works with the poetics in the meta of the mundane. Often balancing her visuals on the borderline of familiarity and the abject, safety and crisis. Her multidisciplinary practice ranges in medium from ready-made sculptures and abstract prints to conceptual writings and poetry. Each new work invites an intellectual intimacy from the viewer as it inquires to the status of our assumed lives and societal taboos. Pastard was raised in St. Louis, MO and received her B.A. in studio art from George Fox University. She currently resides in Chicago and will complete her MFA at Columbia College Chicago in May 2021.

ABOUT THE PROFESSIONAL DEVELOPMENT FELLOWSHIP

CAA’s Professional Development Fellowship program supports promising artists and art historians who are enrolled in MFA and PhD programs nationwide. Awards are intended to help them with various aspects of their work, whether for job-search expenses or purchasing materials for the studio. CAA believes a grant of this kind, without contingencies, can best facilitate the transition between graduate studies and professional careers. The program is open to all eligible graduate students in the visual arts and art history. Applications for the 2021 fellowship cycle will be due December 15, 2021. Learn more. 

Honorees this year include Samella Lewis, Deborah Willis, Kenneth Frampton, and many other scholars, artists, and teachers, including special commendation for service to art historical scholarship to Gillian Malpass.

CAA Annual Conference, February 10-13, 2021 

We are pleased to announce the recipients and finalists of the 2021 CAA Awards for Distinction. Among the winners this year is Samella Lewis, recipient of the 2021 Distinguished Artist Award for Lifetime AchievementShe was the first African American to earn a PhD in art history at Ohio State University. Mentored by Elizabeth Catlett and Charles White, Lewis embodied the visual culture of the civil rights movement through her prints. In addition to her studio practice, Lewis advocated African American art by writing for and creating exhibition venues. Her book, African American Art and Artists, originally published in 1978, was updated in subsequent editions and remains an important examination of more than two centuries of Black art and artists in the United States. For decades Lewis was a committed educator and scholar. In addition to her Fulbright, Lewis has been honored with a Charles White Lifetime Award (1993), with a UNICEF Award for the Visual Arts (1995), by being named a Getty Distinguished Scholar (1997), and by being interviewed by the HistoryMakers Archives (2003).  

 


 

Deb Willis 

and

Kenneth Frampton Photo credit: Alex Fradkin 

Deborah Willis and Kenneth Frampton are the recipients of the 2021 Distinguished Lifetime Achievement Award for Writing on Art 

Deborah Willis has opened the field of African American photography. When the invention of photography coincided with the promise of abolition, a new arc of aspiration was combined. Its new pictures, thought to be the work of light itself, began to transmit images so that, as Frederick Douglass said, “Men of all conditions may see themselves as others see them.” From the first, photographs and photographic studios proliferated inside the Black community. It is the true extent of this practice that has been revealed by the lifework of Deborah Willis. In effect she has acted as its archaeologist, sifting through the layers from the time of Louis Daguerre to the surface of our present, retrieving the images and researching their histories. 

Kenneth Frampton, trained as an architect, is a prolific architectural historian and critic who has managed to face the behemoth of globalized capital with an enduring version of humane modernity. Frampton has been writing about architecture for over half a century. A model of the architect-scholar, Frampton not only opens new cosmopolitan perspectives on the work of widely influential architects from Le Corbusier and Louis Kahn to Zaha Hadid and Álvaro Siza Vieira with his scholarship but also gives due attention to transitional spaces and movements. 


 

Gillian Malpass 

Gillian Malpass is the recipient of aCAA Commendation for Service to Art Historical ScholarshipAs publisher of art and architectural history at Yale University Press, London, Gillian Malpass assembled a matchless list of titles over three decades that set the press apart from all others. She fostered projects that were gorgeously designed, accessibly written, and beautifully illustrated, including numerous now-classic books by both emerging and senior scholars. She worked on monographs, exhibition catalogs, reference, and biography, from books examining previously unexplored fields to bestsellers. Authors of many of the most important books published in art history over the past thirty years attest in their prefaces to the ways in which Malpass’s encouragement, expertise, and eye shaped their work. 

The Awards for Distinction will be presented during Convocation at the CAA Annual Conference on Wednesday, February 10 at 6:00 PM. This event is free and open to the public. A free and open registration is required.

 


The full list of 2021 CAA Awards for Distinction Recipients:

Sampada Aranke

Art Journal Award  

Sampada Aranke, “Blackouts and Other Visual Escapes,” Art Journal, vol. 79, no. 4 (Winter 2020): 6275 


Katherine A. Bussard

 

Kristen Gresh Photo credit: Oswaldo Ruiz

Alfred H. Barr Jr. Award  

Katherine A. Bussard and Kristen Gresh, eds., “Life” Magazine and the Power of Photography, Princeton University Art Museum, 2020 

and

Louis Marchesano

Louis Marchesano, ed., Käthe Kollwitz: Prints, Process, Politics, Getty Research Institute, 2020 

 


 

Julieta Gonzalez

 

Tomás Toledo

 

Adriano Pedrosa

 

José Esparza Chong Cuy

Alfred H. Barr Jr. Award for Smaller Museums, Libraries, Collections, and Exhibitions  

Adriano Pedrosa, José Esparza Chong Cuy, Julieta González, and Tomás Toledo, Lina Bo Bardi: HabitatMuseu de Arte de São Paulo Assis Chateaubriand (MASP) / DelMonico Books, 2020 

 


 

Nicole R. Fleetwood                                  Photo credit: Bayeté Ross Smith

Frank Jewett Mather Award  

Nicole R. Fleetwood, Marking Time: Art in the Age of Mass Incarceration, Harvard University Press, 2020 

 


 

Charles L. Davis, II

Charles Rufus Morey Book Award

Charles L. Davis, II, Building Character: The Racial Politics of Modern Architectural Style, University of Pittsburgh Press, 2019 

and

Nicole R. Fleetwood                                  Photo credit: Bayeté Ross Smith

Nicole R. Fleetwood, Marking Time: Art in the Age of Mass Incarceration, Harvard University Press, 2020 

 


 

Adam Jasienski

Arthur Kingsley Porter Prize

Adam Jasienski, “Converting Portraits: Repainting as Art Making in the Early Modern Hispanic World,” The Art Bulletin, vol. 102, no. 1 (March 2020): 7–30 

 

Jessie Park

Honorable Mention:
Jessie Park, Made by Migrants: Southeast Asian Ivories for Local and Global Markets, ca. 1590–1640,” The Art Bulletin, vol. 102, no. 4 (December 2020): 6689 

 


 

Maren Hassinger                          Photo credit: Ava Hassinger

Artist Award for a Distinguished Body of Work  

Maren Hassinger 

 


 

Nancy Odegaard

CAA/AIC Award for Distinction in Scholarship and Conservation 

Nancy Odegaard 

 


 

Samella Lewis

Distinguished Artist Award for Lifetime Achievement  

Samella Lewis 

 


 

Deb Willis

and

Kenneth Frampton Photo credit: Alex Fradkin

Distinguished Lifetime Achievement Award for Writing on Art  

Deborah Willis and Kenneth Frampton 

 


 

Simone Leigh                                Photo credit: Kyle Kodel

Distinguished Feminist Award—Artist  

Simone Leigh

 


 

Katy Deepwell

Distinguished Feminist Award—Scholar  

Katy Deepwell

 


 

Dona Nelson

Distinguished Teaching of Art Award  

Dona Nelson

 


 

Kaori Kitao

Distinguished Teaching of Art History Award  

Kaori Kitao 

 


 

Margo Machida

Excellence in Diversity Award  

Margo Machida 

 


 

Gillian Malpass

CAA Commendation for Service to Art Historical Scholarship

Gillian Malpass 

Learn about the juries that select the recipients of the CAA Awards for Distinction. 

 

Filed under: Awards — Tags:

A woman seated on a obstetrical chair giving birth aided by a midwife who works beneath her skirts. Woodcut.

MEET THE GRANTEES

Twice a year, CAA awards grants through the Millard Meiss Publication Fund to support book-length scholarly manuscripts in the history of art, visual studies, and related subjects that have been accepted by a publisher on their merits, but cannot be published in the most desirable form without a subsidy.

Thanks to the generous bequest of the late Prof. Millard Meiss, CAA began awarding these publishing grants in 1975.

The Millard Meiss Publication Fund grantees for Fall 2020 are:

  • Cammy BrothersGiuliano da Sangallo and the Ruins of RomePrinceton University Press 
  • Lindsay CaplanProgrammed Art: Freedom, Control, and Computation in 1960s ItalyUniversity of Minnesota Press 
  • Margaret Graves and Alex Dika SeggermanMaking Modernity in the Islamic MediterraneanIndiana University Press 
  • Diana GreenwaldPainting by Numbers: Data-Driven Histories of Nineteenth Century ArtPrinceton University Press 
  • Subhashini KaligotlaShiva’s Waterfront Temples: Self and Space in Medieval IndiaYale University Press 
  • Sigrid LienColonial LegaciesDecolonial Activism: Indigenous Photographs RevisitedUniversity of British Columbia Press
  • Elizabeth PerrillBurnished: Zulu Ceramics Between Rural and Urban South Africa Indiana University Press
  • Stephanie Sparling WilliamsSpeaking Out of Turn: Lorraine O’Grady and the Art of LanguageUniversity of California Press
  • Rebecca Whiteley, Birth Figures: Early Modern Prints and the Pregnant BodyUniversity of Chicago Press 

Read a list of all recipients of the Millard Meiss Publication Fund from 1975 to the present. The list is alphabetized by author’s last name and includes book titles and publishers.

BACKGROUND

Books eligible for a Meiss grant must currently be under contract with a publisher and be on a subject in the arts or art history. The deadlines for the receipt of applications are March 15 and September 15 of each year. Please review the Application Guidelines and the Application Process, Schedule, and Checklist for complete instructions.

CONTACT

Questions? Please contact Cali Buckley, Grants and Special Programs Manager, at cbuckley@collegeart.org.

Filed under: Awards

CAA is pleased to announce the 2021 finalists for the Charles Rufus Morey Book Award and two Alfred H. Barr Jr. Awards. The winners of the three prizes, along with the recipients of other Awards for Distinction, will be announced in February 2021 and presented during Convocation in conjunction with CAA’s 109th Annual Conference, taking place on February 10-13, 2021.

2021 Charles Rufus Morey Book Award finalists  

Charles L. Davis II, Building Character: The Racial Politics of Modern Architectural Style, University of Pittsburgh Press, 2019 

Emine Fetvaci, The Album of the World Emperor: Cross-Cultural Collecting and the Art of Album-Making in Seventeenth-Century IstanbulPrinceton University Press, 2019 

Nicole R. Fleetwood, Marking Time: Art in the Age of Mass IncarcerationHarvard University Press, 2020 

John Warne Monroe, Metropolitan Fetish: African Sculpture and the Imperial French Invention of Primitive Art, Cornell University Press, 2019 

Liza Oliver, Art, Trade, and Imperialism in Early Modern French India, Amsterdam University Press, 2019 

 

2021 Alfred H. Barr Jr. Award finalists 

Katherine A. Bussard and Kristen GreshLife Magazine and the Power of Photography, Yale University Press, 2020 

Eleanor Jones Harvey, Alexander von Humboldt and the United States: Art, Nature, and Culture, Princeton University Press, 2020 

Stephen Little and Virginia Moon, ed., Beyond Line: The Art of Korean Writing, Los Angeles County Museum of Art and DelMonico Books, 2019

Alisa LaGammaSahel:  Art and Empires on the Shores of the Sahara, The Metropolitan Museum of Art, 2020 

Louis Marchesano, ed.Käthe Kollwitz: Prints, Process, PoliticsGetty Publications2020 

Catherine Jenkins, Nadine M. Orenstein, and Freyda SpiraThe Renaissance of Etching, The Metropolitan Museum of Art, 2019 

                

2021 Alfred H. Barr Jr. Award for Smaller Museums, Libraries, Collections, and Exhibitions finalists 

Gean Moreno, Ettore Sottsass and The Social Factory, Institute of Contemporary Art, Miami and DelMonico Books, 2020

Adriano Pedrosa, José Esparza Chong Cuy, Julieta González, and Tomás ToledoLina Bo Bardi: HabitatMuseu de Arte de São Paulo Assis Chateaubriand (MASP) and DelMonico Books, 2020 

Luca Guido, Angela Person, and Stephanie Pilated., Renegades: Bruce Goff and the American School of Architecture, University of Oklahoma Press, 2020 

Andrea RosenWood Gaylor and American Modernism, 1913-1936, Fleming Museum of Art, 2020 

Jinah Kim and Todd LewisDharma and Puya: Buddhist Ritual Art of Nepal, Brill, 2019

Aprile Gallant, Floyd Cheung, and Margo MachidaDefiant Vision: Prints & Poetry by Munio Makuuchi, Smith College Museum of Art, 2019 

Susan Cookseyed. Peace, Power, and Prestige: Metal Arts in Africa, University Press of Florida, 2020 

Filed under: Awards

Former CAA Interim Director David Raizman and Denise Murrell, who received the Alfred H. Barr Jr. Award for Smaller Museums, Libraries, Collections, and Exhibitions for her catalog Posing Modernity: The Black Model From Manet and Matisse to Today, at the 2020 Annual Conference in Chicago. Photo: Stacey Rupolo

CAA invites nominations and self-nominations for individuals to serve on our Awards for Distinction, Publication Grant, Fellowship, and Travel Grant juries. Terms begin August 2020.

Candidates must possess expertise appropriate to the jury’s work and be current CAA members. They should not hold a position on a CAA committee or editorial board beyond May 31, 2020. CAA’s president and vice president for committees appoint jury members for service.

Awards for Distinction Juries

CAA has vacancies in ten of the fourteen juries for the annual Awards for Distinction for three years (2020–23). Terms begin in August 2020; award years are 2021–23.

  • Alfred H. Barr Jr. Award for museum scholarship in the history of art/Alfred H. Barr Jr. Award for Smaller Museums, Libraries, Collections, and Exhibitions for museum scholarship in the history of art published by smaller institutions: two vacancies
  • Frank Jewett Mather Award for art criticism: two vacancies
  • Charles Rufus Morey Book Award for non-catalogue books in the history of art: one vacancy
  • Arthur Kingsley Porter Prize for articles written by younger scholars in The Art Bulletin: one vacancy
  • Artist Award for Distinguished Body of Work: two vacancies
  • Distinguished Artist Award for Lifetime Achievement: one vacancy
  • Distinguished Feminist Awards for Scholars and Artists: one vacancy
  • Distinguished Teaching of Art History Award: one vacancy
  • Excellence in Diversity Award: four vacancies

Publication Grant Juries

CAA has vacancies on our Millard Meiss Publication Fund grant jury for four years (2020–24) and the Terra Foundation for American Art Publication Grant jury for one year (2020-21).

  • Millard Meiss Publication Fund: three vacancies
  • Terra Foundation for American Art Publication Grant: one vacancy

Professional Development Fellowship Juries

CAA has vacancies on our Professional Development Fellowship juries for three years (2020–23). Terms begin August 2020.

  • Professional Development Fellowship in Visual Arts: three vacancies
  • Professional Development Fellowship in Art History: two vacancies

Travel Grant Juries

CAA has vacancies on our Art History Fund for Travel to Special Exhibitions jury for three years (2020–23). Terms begin August 2020.

  • Art History Fund for Travel to Special Exhibitions: two vacancies

HOW TO APPLY

Nominations and self-nominations should include a brief statement (no more than 150 words) outlining the individual’s qualifications and experience and a CV (an abbreviated CV no more than two pages may be submitted). Please send all materials by email to Cali Buckley (cbuckley@collegeart.org), CAA grants and special programs manager; submissions must be sent as Microsoft Word or Adobe PDF attachments.

For questions about jury service and responsibilities, contact Tiffany Dugan (tdugan@collegeart.org), CAA director of programs and publications.

Deadline: July 31, 2020 

Meet the 2019 Professional Development Fellows

posted by February 14, 2020

CAA is pleased to announce the recipients of the 2019 Professional Development Fellowships. The recipient of the $10,000 fellowship in art history is Ace Lehner, University of California, Santa Cruz. The recipient of the $10,000 fellowship in visual art is Leah Schretenthaler, University of Wisconsin-Milwaukee.

The honorable mention for art history goes to Anne Marie Butler, Kalamazoo College, and the honorable mention in visual art is awarded to Madelaine Corbin, Cranbrook Academy of Art. All fellows and honorable mentions receive a complimentary one-year CAA membership and registration for the 2020 Annual Conference in Chicago.

2019 Professional Development Fellowship in Art History 

Ace Lehner, University of California, Santa Cruz

Ace Lehner is an interdisciplinary scholar and artist specializing in critical engagement with identity and representation; history, theory, and criticism of contemporary art; photography theory; and queer and trans theory. Lehner’s artistic practice often embraces collaboration and primarily utilizes photography and video to mine the complex relation between representations and the constitution of identities. Lehner was recently a Presidents’ Dissertation-Year Fellow at the University of California, Santa Cruz, where they are completing their dissertation, ”Trans Representations: Contemporary Art Photography and Non-Binary Visual Theory,” and earning their PhD.

Lehner has chaired panels on trans representations at the College Art Association conference has spoken about their research and artistic practice at the International Center of Photography (New York, NY) and has been published in Art JournalREFRACTThe Wattis Institute for Contemporary ArtThe Journal on Images and Culture, and elsewhere. Lehner’s artwork has been exhibited internationally and will be featured in a solo exhibition at Practice Gallery in Philadelphia in June 2020. Lehner currently serves as the editor of the forthcoming book From Self-Portrait to Selfie: Contemporary Art and Self-Representation in the Social Media Age published by MDPI Books and works in the Education Department at the Dia Foundation and the Museum of Modern Art in New York, NY, where they are currently piloting the museums’ first-ever queer tour programs. Lehner holds an MFA/MA in Fine Art/Visual and Critical Studies from California College of the Arts. Lehner is based in Brooklyn, New York.

Honorable Mention in Art History

Anne Marie Butler, Kalamazoo College

Anne Marie Butler is Assistant Professor of Art History and Women, Gender, and Sexuality at Kalamazoo College, Kalamazoo, MI. Her research areas are global contemporary art, Middle East North Africa studies, gender and sexuality studies, and queer theory. Her scholarship considers issues of gender, sexuality, and queerness within the parameters of the nation-state, and the imbrication of state authority within social constructs. She is currently working on a book project about surrealism in Tunisia, in which she considers emerging and ongoing questions about how Tunisian artists critique embedded systems of power by examining surrealism as a methodology by which Tunisian women artists negotiate the discordant demands of the state apparatus and social norms. Additional scholarship in progress on contemporary Tunisian visual art addresses the overlap of surrealism and queerness, sexuality in surrealism, contemporary performance art, and negotiations of repression. She is also an activist who has worked in migrant justice and local LGBTQ history. In 2018, she founded the Middle East Studies Association Queer Studies Interest Group.

Dr. Butler received her MA from New York University and her PhD from the University at Buffalo. Her dissertation, “Unintelligible Bodies: Surrealism and Queerness in Contemporary Tunisian Women’s Art” (2019), revealed that many Tunisian women artists imagine queer bodies, bodily configurations, and bodily relationships that rebuke normative conceptualizations of the body, and argued that surrealism and queerness are strategies by which Tunisian women artists launch critiques of repressive systems that remain embedded within the Tunisian state and society.

2019 Professional Development Fellowship in the Visual Arts 

Leah Schretenthaler, University of Wisconsin-Milwaukee  

Leah Schretenthaler was born and raised in Hawaii. After relocating to the mainland, Hawaii continues to be a point of reference for her research and studio practice. Her work uses traditional photography, laser etching, and metal casting to create images. Through her art practice, her research presents a connection between land, material, and performance. Her ongoing series, The Invasive Species of the Built Environment, focuses on the controversial builds of her home state.

Schretenthaler completed her BFA degree from the University of South Dakota and holds a master’s degree in art education from Boston University. She is currently an MFA candidate. Recently she has been named one of LensCulture’s Emerging Talents of 2018 and was awarded second place in the Sony World Photography Awards. In 2019, she was awarded the  Rhonda Wilson Award through FRESH2019 at the Klompching Gallery. In the of fall 2019 she received the Film Photo Award. Her work has been displayed nationally and internationally including Kahilu Theater (Waimea, HI), Washington Pavilion (Sioux Falls, SD), Manifest (Cincinnati, OH), The Rhode Island Center for Photographic Arts (Providence, RI), Center for Fine Art Photography (Fort Collins, CO), and SOHO Gallery (New York, NY), as well as the Somerset House (London).

Honorable Mention in Visual Art

Madelaine Corbin, Cranbrook Academy of Art  

Madelaine Corbin is a multi-disciplinary artist based in Detroit, Michigan. She received her BFA from Oregon State University where she was an artist-in-residence in the departments of Inorganic Chemistry and Microbiology. Recent awards include the Haystack Mountain School of Crafts Stuart Thompson Fellowship, the President’s Award in Sustainability bestowed by Cranbrook Academy of Art, and the Sponenburgh Travel Award granted by Oregon State University.

Corbin’s practice is an archaeological journey to unearth the space between home and land, human and non-human, wild and managed landscapes, and the connection to one another through geographic distance. A fleck of ash, drop of blue, grain of salt, speck of dust, and particle of soil—a constellation of meaning is composed from these elements. Corbin’s practice earnestly endeavors to listen to, translate, and contextualize the conversation between the vibrancy of matter sensed by our fingertips and the expansive questions cultivated by the equally vast universe around. Spaces that invite wonder and interdisciplinary research coalesce to question the quotidian materials accepted as ‘normal’ when few things are actually so. Dirt, salt, and dust are not so simple. Interminable investigations into subterranean histories, values, politics, sciences, fictions, and natural phenomena re-evaluate the inherent meanings embedded in matter. Using her own relationship to ecology rooted in a valley town in Oregon as a starting point, Corbin articulates the complexity and range of relationships to the land beneath our feet, that which once was, and that which will never be.

About the Professional Development Fellowship

CAA’s Professional Development Fellowship program supports promising artists and art historians who are enrolled in MFA and PhD programs nationwide. Awards are intended to help them with various aspects of their work, whether for job-search expenses or purchasing materials for the studio. CAA believes a grant of this kind, without contingencies, can best facilitate the transition between graduate studies and professional careers. The program is open to all eligible graduate students in the visual arts and art history. Applications for the 2021 fellowship cycle will open in the late spring. Learn more.

Honorees this year include Eleanor Antin, Joseph Leo Koerner, Maud K. Lavin, Annet Couwenberg, Harriet Senie, Kyle Staver, and many other scholars, artists, and teachers

CAA Annual Conference, Chicago, February 12-15, 2020

Eleanor Antin

We are pleased to announce the recipients and finalists of the 2020 CAA Awards for Distinction. Among the winners this year is Eleanor Antin, recipient of the 2020 Distinguished Artist Award for Lifetime Achievement. Born in the Bronx in 1935 to immigrant parents, Antin is an innovator and pioneer as a feminist artist, a performance and installation artist, a conceptual artist, filmmaker, and writer. She is an emeritus Professor of Visual Arts at the University of California, San Diego and author of several books including An Artist’s Life by Eleonora Antinova and Conversations with Stalin. Antin’s solo museum exhibitions have appeared at the MoMA, the Whitney Museum, and, in 2019, the Los Angeles County Museum of Art with her retrospective, Eleanor Antin: Time’s Arrow. Her awards include a Guggenheim Fellowship and a 2006 Women’s Caucus for Art Lifetime Achievement Award.

Joseph Leo Koerner

Joseph Leo Koerner is the recipient of the 2020 Distinguished Lifetime Achievement Award for Writing on Art. His achievements include four landmark books on sixteenth-century paintings: The Moment of Self-Portraiture in German Renaissance Art (University of Chicago Press, 1993), The Moment of Self-Portraiture in German Renaissance Art (University of Chicago Press, 2003), The Reformation of the Image (Reaktion Books, 2004), and Bosch and Bruegel: From Enemy Painting to Everyday Life (Princeton University Press, 2016). Koerner has also written widely on more recent artists, from Caspar David Friedrich to Paul Klee, and explored early-twentieth century Vienna through a documentary project and a semi-autobiographical film.

Maud K. Lavin

Dr. Maud K. Lavin is the recipient of the 2020 Distinguished Feminist Award for scholarship. Over the course of three decades, Lavin has worked tirelessly as a key pioneer in the field of feminist art history and visual studies. She is the author of numerous books including the first English-language book on Berlin Dada artist Hannah Hoch, Cut with the Kitchen Knife: The Weimar Photomontages of Hannah Hoch (Yale University Press, 1993), and most recently,  Boys’ Love, Cosplay, and Androgynous Idols: Queer Fan Cultures in Mainland China, Hong Kong, and Taiwan, co-edited with Ling Yang and Jamie Zhao (Hong Kong University Press, 2017). She is a professor of Visual and Critical Studies and Art History, Theory, and Criticism at the School of the Art Institute of Chicago.

The Awards for Distinction will be presented during Convocation at the CAA Annual Conference on Wednesday, February 12 at 6:00 PM at the Hilton Chicago. This event is free and open to the public.

The full list of 2020 CAA Awards for Distinction Recipients

Distinguished Artist Award for Lifetime Achievement

Eleanor Antin

Distinguished Lifetime Achievement Award for Writing on Art

Joseph Leo Koerner

Distinguished Feminist Award—Scholar

Maud K. Lavin

Distinguished Teaching of Art Award

Annet Couwenberg

Distinguished Teaching of Art History Award

Harriet Senie

Artist Award for Distinguished Body of Work

Kyle Staver

CAA/AIC Award for Distinction in Scholarship and Conservation

Jeanne Marie Teutonico

Award for Excellence in Diversity

3Arts

Outstanding Leadership in Philanthropy Award

Terra Foundation for American Art

Charles Rufus Morey Book Award

J. P. Park
A New Middle Kingdom: Painting and Cultural Politics in Late Chosŏn Korea (1700–1850)
University of Washington Press, 2018

Finalists

Chanchal B. Dadlani
From Stone to Paper: Architecture as History in the Late Mughul Empire
Yale University Press, 2019

Barbara Furlotti
Antiquities in Motion: From Excavation Sites to Renaissance Collections
Getty Publications, 2019

Matthew Looper
The Beast Between: Deer in Maya Art and Culture
University of Texas Press, 2019

Alfred H. Barr Jr. Award

Karl Kusserow and Alan C. Braddock
Nature’s Nation: American Art and Environment
Princeton University Art Museum, 2019
with contributions by Miranda Belarde-Lewis, Teddy Cruz, Rachael Z. DeLue, Mark Dion, Fonna Forman, Laura Turner Igoe, Robin Kelsey, Anne McClintock, Timothy Morton, Rob Nixon, Jeffrey Richmond-Moll, Kimia Shahi, and Jaune Quick-to-See-Smith

Honorable Mention

Esther Gabara
Pop América, 1965–1975
Duke University Press, 2018

Finalists

Cathleen Chaffee
Introducing Tony Conrad: A Retrospective
Albright-Knox Art Gallery, Buffalo, NY, in association with Koenig Books, London, 2019

Jessica Morgan and Alexis Lowry
Charlotte Posenenske: Work in Progress
Dia Art Foundation and Walther König, 2019

Elizabeth Morrison
Book of Beasts: The Bestiary in the Medieval World
Getty Publications, 2019

Alfred H. Barr Jr. Award for Smaller Museums, Libraries, Collections, and Exhibitions

Denise Murrell
Posing Modernity: The Black Model from Manet and Matisse to Today
Yale University Press in association with The Miriam and Ira D. Wallach Art Gallery, Columbia
University in the City of New York, 2018

Honorable Mention

Phillip Earenfight
Shan Goshorn: Resisting the Mission
Trout Gallery, Dickinson College, 2019

Finalists

Tracy L. Adler
Jeffery Gibson: This is The Day
Prestel Publishing, 2018

Faith Brower, Heather Ahtone, and Seth Hopkins
Warhol and the West
University of California Press, 2019

Frank Jewett Mather Award for Art Criticism

Darby English
To Describe a Life: Notes from the Intersection of Art and Race Terror
Yale University Press, 2019

Art Journal Award

Philip Glahn and Cary Levine
“The Future Is Present: Electronic Café and the Politics of Technological Fantasy”
Art Journal, vol. 78, no. 3 (Fall 2019): 100–121

Arthur Kingsley Porter Prize

Claudia Brittenham
“Architecture, Vision, and Ritual: Seeing Maya Lintels at Yaxchilan Structure 23″
The Art Bulletin, vol. 101, no. 3 (September 2019): 8–36

Learn about the juries that select the recipients of the CAA Awards for Distinction.

VISIT THE CONFERENCE SITE

Finalists for the 2020 Morey and Barr Awards

posted by December 09, 2019

CAA is pleased to announce the 2020 finalists for the Charles Rufus Morey Book Award and two Alfred H. Barr Jr. Awards. The winners of the three prizes, along with the recipients of other Awards for Distinction, will be announced in January 2020 and presented during Convocation in conjunction with CAA’s 108th Annual Conference, taking place in Chicago, February 12-15, 2020.

The Charles Rufus Morey Book Award Shortlist 2020

Chanchal B. Dadlani, From Stone to Paper: Architecture as History in the Late Mughal Empire, Yale University Press, 2019

Barbara Furlotti, Antiquities in Motion: From Excavation Sites to Renaissance Collections, Getty Publications, 2019

Matthew Looper, The Beast Between:  Deer in Maya Art and Culture, University of Texas Press, 2019

Alfred H. Barr Jr. Award Shortlist 2020

Cathleen Chaffee, Introducing Tony Conrad: A Retrospective, Albright-Knox Art Gallery, Buffalo, NY, in association with Koenig Books, London, 2019

Karl Kusserow and Alan C. Braddock, Nature’s Nation: American Art and Environment, Princeton University Art Museum in association with Yale University Press, 2018

Esther Gabara, Pop América, 1965-1975, Duke University Press, 2018

Elizabeth Morrison, Book of Beasts: The Bestiary in the Medieval World, Getty Publications, 2019

Alfred H. Barr Jr. Award for Smaller Museums, Libraries, Collections, and Exhibitions Shortlist 2020

Denise Murrell, Posing Modernity: The Black Model from Manet and Matisse to Today, Yale University Press in association with the Miriam and Ira D. Wallach Art Gallery, Columbia University in the City of New York, 2018

Phillip Earenfight, Shan Goshorn: Resisting the Mission, Trout Gallery, the Art Museum of Dickinson College, 2019

Tracy L. Adler, Jeffery Gibson: This is The Day, Prestel Publishing, 2018

Faith Brower, Heather Ahtone, and Seth Hopkins, Warhol and the West, University of California Press, 2019

The presentation of the 2020 Awards for Distinction will take place during CAA Convocation on Wednesday evening, February 12, 2020 from 6-7:30 p.m. in the Grand Ballroom at the Hilton Chicago. The event is free and open to the public. For more information about CAA’s Awards for Distinction, please contact nyoffice@collegeart.org

Filed under: Awards, Books

A visit to LACMA at the 2018 Annual Conference in Los Angeles. Photo: Rafael Cardenas

In August 2018, we announced that CAA had received a major anonymous gift to fund travel for art history faculty and their students to special exhibitions related to their classwork. After a successful inaugural year, we’re pleased to now be accepting applications for the second grant cycle of the Art History Fund for Travel to Special Exhibitions.

The fund is designed to award up to $10,000 to qualifying undergraduate and graduate art history classes to cover students’ and instructors’ costs (travel, accommodations, and admissions fees) associated with attending museum special exhibitions throughout the United States and worldwide.  The purpose of the grants is to enhance students’ first-hand knowledge of original works of art.

Applications are due by January 15, 2020.

APPLY NOW

GUIDELINES

  • These awards support student and instructor travel costs incurred while visiting museum special exhibitions in the United States and worldwide.
  • Graduate and undergraduate art history classes are eligible to apply for funds to attend temporary museum exhibitions in the United States and other countries. Travel to see permanent collections is not eligible, nor would be performances and related ephemeral events. Exhibitions on any artist, period, or area of art history are eligible for funding.
  • Awards are made directly to institutions whose institutional membership in CAA is in good standing.
  • Applicant instructors must have individual membership in CAA and be in good standing.
  • Funds may only be used to travel to exhibitions that correspond directly to the content of the class.
  • The size of the class for which a grant may be awarded shall not be larger than fifteen (15) students.
  • Awards may only be used for admission fees, travel and lodging expenses for the instructor and class members. Every attempt to attain group rates must be made.

Completed applications must include the following:

  • Instructor’s curriculum vitae
  • A course description and syllabus that identifies and explains the exhibition as part of the pedagogical aim of the course – Be sure to detail how the visit is integrated into the course (up to 500 words)
  • An explanation of the instructor’s expertise in the subject matter of the exhibition (up to 250 words)
  • A tentative itinerary of travel and lodging (up to 250 words)
  • A budget detailing transportation and lodging expenses associated with traveling to and from the exhibition and lodging and admission costs, including an explanation of how any travel and accommodation funds in excess of the award will be raised
  • A letter of support from the instructor’s department chair or dean

CRITERIA

  • How well the exhibition fits within the pedagogical aim of the course.
  • The scholarly merit of the exhibition.
  • Financial need. Would the class not be able to visit the exhibition, otherwise?

 AWARDS

Awards will not exceed $10,000 per class, per exhibition.

All travel must be completed between June 2020 – May 2021.

REPORTING

Awardees must submit a report of up to 1,000 words which explains in detail the benefits received and problems encountered in the course of travel to the exhibition for which support was received.

*Reports must be submitted to CAA no later than two months after the completion of travel.

ANNUAL CONFERENCE

Recipients of the award will be guaranteed a session at the subsequent CAA Annual Conference after their travel has ended. CAA will make the session available, but costs associated with attending the conference, including registration, membership, travel, and accommodation, will be the participants’ responsibility.

TIMELINE

The deadline for application materials is January 15.

APPLY NOW

CAA invites nominations and self-nominations for individuals to serve on our Millard Meiss Publication Fund jury for four years (2019–23). Terms begin July 2019.

JURY VACANCIES FOR SPRING 2019

  • Millard Meiss Publication Fund: two members

Duties and Qualifications

The Millard Meiss Publication Fund jury awards subsidies to support the publication of book-length scholarly manuscripts in the history of art and related subjects. Members review manuscripts and grant applications twice a year and meet in New York in the spring and fall to select the awardees. CAA reimburses jury members for travel and lodging expenses in accordance with its travel policy. Members volunteer their services to CAA without compensation. Candidates must be actively publishing scholars with demonstrated seniority and achievement; institutional affiliation is not required.

Candidates must possess expertise appropriate to the jury’s work and be current CAA members. They should not hold a position on a CAA committee or editorial board beyond May 31, 2019. CAA’s president and vice president for committees appoint jury members for service.

HOW TO APPLY

Nominations and self-nominations should include a brief statement (no more than 150 words) outlining the individual’s qualifications and experience and a CV (an abbreviated CV no more than two pages may be submitted). Please send all materials by email to Cali Buckley, CAA grants and special programs manager; submissions must be sent as Microsoft Word or Adobe PDF attachments. For questions about jury service and responsibilities, contact Tiffany Dugan, CAA director of programs and publications.

Deadline: May 13, 2019

Filed under: Awards, Publications, Service