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CAA is pleased to announce the 2017 finalists for the Charles Rufus Morey Book Award and two Alfred H. Barr Jr. Awards. The winners of the three prizes, along with the recipients of nine other Awards for Distinction, will be announced in late January and presented during Convocation in conjunction with CAA’s 105th Annual Conference in New York, taking place February 15–18, 2017.

atkinsonnoisyCharles Rufus Morey Book Award

The Charles Rufus Morey Book Award honors an especially distinguished book in the history of art, published in any language between September 1, 2015, and August 31, 2016. The three finalists for 2017 are:

LaGama KongoAlfred H. Barr Jr. Award

The Alfred H. Barr Jr. Award for museum scholarship is presented to the author(s) of an especially distinguished catalogue in the history of art, published between September 1, 2015, and August 31, 2016, under the auspices of a museum, library, or collection. The five finalists for 2017 are:

Padilla and Anderson A Red Like No OtherAlfred H. Barr Jr. Award for Smaller Museums, Libraries, Collections, and Exhibitions

In 2009, CAA established a second Barr award for the author(s) of catalogues produced by smaller museums, libraries, and collections with an annual operating budget of less than $10 million. The five finalists for the second Barr award for 2017 are:

The presentation of the 2017 Awards for Distinction will take place on Wednesday evening, February 15, 5:30–7:00 PM, at the New York Hilton Midtown in Manhattan. The event is free and open to the public. For more information about CAA’s Awards for Distinction, please contact Katie Apsey, CAA manager of programs.

Filed under: Awards, Books, Uncategorized

CAA is accepting applications for the 2016 Wyeth Foundation for American Art Publication Grant program. Thanks to generous funding from the Wyeth Foundation for American Art, CAA awards publishing grants once a year to support book-length scholarly manuscripts in the history of American art and related subjects. For purposes of this program, “American art” is defined as art created in the United States, Canada, and Mexico. Books eligible for the Wyeth Grant have been accepted by a publisher on their merits but cannot be published in the most desirable form without a subsidy.

The publisher, not the author, must submit the application. Awards are made at the discretion of the jury and vary according to merit, need, and number of applications. Awardees are announced six to eight weeks after the deadline. For complete guidelines, application forms, and a grant description, please visit the Wyeth section of the CAA website. Deadline: September 15, 2016.

CAA is accepting applications for fall 2016 grants through the Millard Meiss Publication Fund. Thanks to a generous bequest by the late art historian Millard Meiss, the twice-yearly program supports book-length scholarly manuscripts in any period of the history of art, visual studies, and related subjects that have been accepted by a publisher on their merits but cannot be published in the most desirable form without a subsidy.

The publisher, rather than the author, must submit the application to CAA. Awards are made at the discretion of the jury and vary according to merit, need, and number of applications. Awardees are announced six to eight weeks after the deadline. For the complete guidelines, application forms, and a grant description, please visit the Meiss section of the CAA website. Deadline: September 15, 2016.

This Week in caa.reviews

posted by June 10, 2016

James M. Córdova on sixteenth-century murals in Mexico: Penny Morrill, The Casa del Deán: New World Imagery in a Sixteenth-Century Mexican Mural Cycle.

Lynne Ellsworth Larsen on the relationship between art and language in Yoruba art: Rowland Abiodun, Yoruba Art and Language: Seeking the African in African Art.

Terri Weissman reviews the inaugural exhibition at the new Whitney Museum of American Art, America Is Hard to See.

James Merle Thomas on collaborations between artists and corporations at the Los Angeles County Museum of Art: From the Archives: Art and Technology at LACMA, 1967–1971.

This spring, CAA awarded grants to the publishers of six books in art history and visual culture through the Millard Meiss Publication Fund. Thanks to the generous bequest of the late Prof. Millard Meiss, CAA gives these grants to support the publication of scholarly books in art history and related fields.

The six Meiss grantees for spring 2016 are:

  • Joanna Grabski, Art World City: The Creative Economy of Artists and Urban Life in Dakar, Indiana University Press
  • Shelley Drake Hawks, Painting by Candlelight: The Art of Resistance in Mao’s China, University of Washington Press
  • Miya Mizuta Lippit, Aesthetic Life: The Artistic Discourse of Beauty in Modern Japan, Harvard University Press
  • Leora Maltz-Leca, William Kentridge: Process as Metaphor and Other Doubtful Enterprises, University of California Press
  • Heather McPherson, Art and Celebrity in the Age of Reynolds and Siddons, Pennsylvania State University Press
  • Amanda Wunder, Sacred Art and Society in Seventeenth-Century Seville, Pennsylvania State University Press

Books eligible for Meiss grants must already be under contract with a publisher and on a subject in the visual arts or art history. Authors and presses must be current CAA members. Please review the application guidelines for more information.

 

The College Art Association (CAA) and Terra Foundation for American Art invite applications for the 2017 Terra Foundation for American Art International Publication Grant. The grant provides financial support for the publication of book-length scholarly manuscripts on the history of American art from circa 1500 to 1980 in the current-day geographic United States. The deadline for applications is September 15, 2016.

“Now in its sixth year, this international grant program helps to ensure that the field of American art history includes a wide range of culturally and geographically diverse voices,” stated Terra Foundation Publication Program Director Francesca Rose. “For example, Vardan Azatyan’s Armenian translation of Erika Doss’s book Twentieth-Century American Art increases awareness of the historical art of the United States by making important scholarship available to a broader audience and fostering international collaboration.”

Awards of up to $15,000 will be made in three distinct categories:

Grants to US publishers for manuscripts considering American art in an international context

Grants to non-US publishers for manuscripts on topics in American art

Grants for the translation of books on topics in American art to or from English.

“The generous support by the Terra Foundation for American Art to help finance book publications in the field of art history will benefit not only the recipients of the grant, but also teachers, students, and the art book reading public more generally,” says Suzanne Blier, president of CAA.

For more information on submission process, guidelines, and eligibility, please visit the CAA website.

The 2016 Terra Foundation for American Art International Publication Grant winners were announced in February after the CAA Annual Conference in Washington, DC.

2016 TERRA FOUNDATION FOR AMERICAN ART INTERNATIONAL PUBLICATION GRANT WINNERS

  • Jean-Pierre Criqui and Céline Flécheux, eds., Robert Smithson. Mémoire et entropie, Les presses du réel
  • Erika Doss, Twentieth-Century American Art, translated into Armenian by Vardan Azatyan, Eiva Arts Foundation
  • Eva Ehninger and Antje Krause-Wahl, eds., In Terms of Painting, Revolver Publishing
  • Darcy Grimaldo Grigsby, Colossal: Engineering the Suez Canal, Statue of Liberty, Eiffel Tower, and Panama Canal, translated into French by Karine Douplitzky, Éditions des archives contemporaines
  • Rockwell Kent, Voyaging Southward from the Strait of Magellan, translated into Spanish and edited by Fielding D. Dupuy, Amarí Peliowski, and Catalina Valdés, Museo Nacional de Bellas Artes (Chile) and Ediciones Universidad Alberto Hurtado
  • Will Norman, Transatlantic Aliens: Modernism, Exile and Culture in Midcentury America, Johns Hopkins University Press
  • Annika Öhrner, ed., Art in Transfer—Curatorial Practices and Transnational Strategies in the Era of Pop, Södertörn University
  • Joshua Shannon, The Recording Machine: Art and the Culture of Fact, Yale University Press
  • Fred Turner, The Democratic Surround: Multimedia and American Liberalism from World War II to the Psychedelic Sixties, translated into French by Anne Lemoine, C & F Éditions

Two non-US authors of top-ranked books were also awarded travel funds and complimentary registration for CAA’s 2017 Annual Conference in New York from February 15 to 18; they also received one-year CAA memberships.

The two author awardees for 2016 are:

  • Will Norman
  • Annika Öhrner

Image caption: Winslow Homer, Three Boys on the Shore, 1873, gouache and watercolor on paper mounted on board, 8⅝ x 13⅝ in. (image); 14⅜ x 19½ in. (mat). Terra Foundation for American Art, Daniel J. Terra Collection, 1999.75 (artwork in the public domain)

CAA is accepting applications for spring 2016 grants through the Millard Meiss Publication Fund. Thanks to a generous bequest by the late art historian Millard Meiss, the twice-yearly program supports book-length scholarly manuscripts in any period of the history of art, visual studies, and related subjects that have been accepted by a publisher on their merits but cannot be published in the most desirable form without a subsidy.

The publisher, rather than the author, must submit the application to CAA. Awards are made at the discretion of the jury and vary according to merit, need, and number of applications. Awardees are announced six to eight weeks after the deadline. For the complete guidelines, application forms, and a grant description, please visit the Meiss section of the CAA website. Deadline: March 15, 2016.

Millard Meiss Publication Fund Seeks Jury Members

posted by February 29, 2016

CAA seeks nominations and self-nominations for individuals to serve on the Millard Meiss Publication Fund Jury. Specialists in architectural history, Islamic art, Greek and Roman art, eighteenth or nineteenth-century art, modern art, and contemporary art are encouraged to apply for a four-year term, July 1, 2016–June 30, 2020. Candidates must be actively publishing scholars with demonstrated seniority and achievement; institutional affiliation is not required.

The Meiss jury awards subsidies to support the publication of book-length scholarly manuscripts in the history of art and related subjects. Members review manuscripts and grant applications twice a year and meet in New York in the spring and fall to select the awardees. CAA reimburses jury members for travel and lodging expenses in accordance with its travel policy. Members volunteer their services to CAA without compensation.

Candidates must be current CAA members and should not currently serve on another CAA editorial board or committee. Jury members may not themselves apply for a grant in this program during their term of service. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please send a letter describing your interest in and qualifications for appointment, a CV, and contact information to: Millard Meiss Publication Fund Jury, College Art Association, 50 Broadway, 21st Floor, New York, NY 10004; or send all materials as email attachments to Deidre Thompson, CAA publications assistant, dthompson@collgeart.org. Deadline: April 21, 2016.

CAA is pleased to announce the 2016 recipients of the Terra Foundation for American Art International Publication Grant. This program, which provides financial support for the publication of book-length scholarly manuscripts in the history of American art, is made possible by a generous grant from the Terra Foundation for American Art. For this grant, “American art” is defined as art (circa 1500–1980) of what is now the geographic United States.

The nine Terra Foundation grantees for 2016 are:

  • Jean-Pierre Criqui and Céline Flécheux, eds., Robert Smithson. Mémoire et entropie, Les presses du réel
  • Erika Doss, Twentieth-Century American Art, translated into Armenian by Vardan Azatyan, Eiva Arts Foundation
  • Eva Ehninger and Antje Krause-Wahl, eds., In Terms of Painting, Revolver Publishing
  • Darcy Grimaldo Grigsby, Colossal: Engineering the Suez Canal, Statue of Liberty, Eiffel Tower, and Panama Canal, translated into French by Karine Douplitzky, Éditions des archives contemporaines
  • Rockwell Kent, Voyaging Southward from the Strait of Magellan, translated into Spanish and edited by Fielding D. Dupuy, Amarí Peliowski, and Catalina Valdés, Museo Nacional de Bellas Artes (Chile) and Ediciones Universidad Alberto Hurtado
  • Will Norman, Transatlantic Aliens: Modernism, Exile and Culture in Midcentury America, Johns Hopkins University Press
  • Annika Öhrner, ed., Art in Transfer—Curatorial Practices and Transnational Strategies in the Era of Pop, Södertörn University
  • Joshua Shannon, The Recording Machine: Art and the Culture of Fact, Yale University Press
  • Fred Turner, The Democratic Surround: Multimedia and American Liberalism from World War II to the Psychedelic Sixties, translated into French by Anne Lemoine, C & F Éditions

Two non-US authors of top-ranked books have also been awarded travel funds and complimentary registration for CAA’s 2017 Annual Conference in New York; they also received one-year CAA memberships.

The two author awardees for 2016 are:

  • Will Norman
  • Annika Öhrner

This fall, CAA awarded grants to the publishers of seven books in art history and visual culture through the Millard Meiss Publication Fund. Thanks to the generous bequest of the late Prof. Millard Meiss, CAA gives these grants to support the publication of scholarly books in art history and related fields.

The seven Meiss grantees for fall 2015 are:

  • Monica Amor, Theories of the Nonobject: Argentina, Brazil, Venezuela, 1944–1968, University of California Press
  • Benjamin Anderson, Cosmos and Community in Early Medieval Art, Yale University Press
  • Julia Bryan-Wilson, Fray: Art and Textile Politics since the 1970s, University of Chicago Press
  • Ivan Drpic, Epigram, Art, and Devotion in Later Byzantium, Cambridge University Press
  • Frances Guerin, The Truth Is Always Grey: Painting from Grisaille to Gerhard Richter, University of Minnesota Press
  • Laura Kalba, Color in the Age of Impressionism: Commerce, Technology, and Art, Pennsylvania State University Press
  • Yun Chiahn Sena, From Archaism to Antiquarianism: Antiquity in Song Culture, University of Washington Press

Books eligible for Meiss grants must already be under contract with a publisher and on a subject in the visual arts or art history. Authors must be current CAA members. Please review the application guidelines for more information.