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New in caa.reviews

posted by August 17, 2018

    

Shana Cooperstein reviews Observing by Hand: Sketching the Nebulae in the Nineteenth Century by Omar W. Nasim. Read the full review at caa.reviews.

Itay Sapir writes about Georges de La Tour and the Enigma of the Visible by Dalia Judovitz. Read the full review at caa.reviews.

Andrew Turner discusses Dressing the Part: Power, Dress, Gender, and Representation in the Pre-Columbian Archives, edited by Sarahh E. M. Shcer and Billie J. A. Follensbee. Read the full review at caa.reviews.

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New in caa.reviews

posted by August 10, 2018

Harper Montgomery reviews Collective Situations: Readings in Contemporary Latin American Art, 1995–2010, edited by Bill Kelley Jr. and Grant H. Kester. (caa.reviews)

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New in caa.reviews

posted by August 03, 2018

  

Nicoletta Rousseva writes about Revolution Every Day: A Calendar, edited by Robert Bird, Christina Kiaer, and Zachary Cahill. Read the full review at caa.reviews.

James P. Anno reviews Michelangelo and the Viewer in His Time by Bernadine Barnes. Read the full review at caa.reviews.

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New in caa.reviews

posted by July 27, 2018

  

Mark Erdmann writes about Kyoto Visual Culture in the Early Edo and Meiji Periods: The Arts of Reinvention edited by Morgan Pitelka and Alice Y. Tseng. Read the full review at caa.reviews.

Valeria Federici reviews Art in the Age of the Internet, 1989 to Today edited by Eva Respini. Read the full review at caa.reviews.

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New in caa.reviews

posted by July 20, 2018

      

Natasha Kurchanova writes about Moscow Vanguard Art: 1922–1992 by Margarita Tupitsyn. Read the full review at caa.reviews. 

Robert Summers discusses Hold It Against Me: Difficulty and Emotion in Contemporary Art by Jennifer Doyle, and Performance by Diana Taylor. Read the full review at caa.reviews

Meg R. Jackson reviews Wall Writers: Graffiti in Its Innocence by Roger Gastman, Trina Calderon, and Caleb Neelon, and Basquiat before Basquiat: East 12th Street, 1979–1980, edited by Nora Burnett Abrams. Read the full review at caa.reviews.

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New in caa.reviews

posted by July 13, 2018

Sarah Stefana Smith writes about Blacktino Queer Performance, edited by E. Patrick Johnson and Ramón H. Rivera-Servera. Read the full review at caa.reviews.

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New in caa.reviews

posted by July 06, 2018

Cristina Morandi reviews The Restless Earth (La Terra Inquieta) edited by Massimiliano Gioni and Micola Brambilla. Read the full review at caa.reviews.

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New in caa.reviews

posted by June 29, 2018

    

Andrea Gyorody reviews Paik’s Virtual Archive: Time, Change, and Materiality in Media Art by Hanna B. Hölling. Read the full review at caa.reviews.

Lisandra Estevez reviews Baroque Seville: Sacred Art in a Century of Crisis by Amanda Wunder. Read the full review at caa.reviews.

Sabine T. Kriebel reviews Photography and Humour by Louis Kaplan. Read the full review at caa.reviews.

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New in caa.reviews

posted by June 22, 2018

   

Carol Damian reviews Heaven, Hell, and Everything in Between: Murals of the Colonial Andes by Ananda Cohen Suarez. Read the full review at caa.reviews.

Cindy Teresa Peña writes about Paint the Revolution: Mexican Modernism, 1910–1950 edited by Matthew Affron, Mark A. Castro, Dafne Cruz Porchini, and Renato González Mello. Read the full review at caa.reviews.

Brigit Ferguson discusses Gothic Sculpture in America III: The Museums of New York and Pennsylvania, edited by Joan A. Holladay and Susan L. Ward. Read the full review at caa.reviews.

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New in caa.reviews

posted by June 15, 2018

Ellen Handy reviews Clarence H. White and His World: The Art and Craft of Photography, 1895–1925 by Anne McCauley. Read the full review at caa.reviews.

Jenifer Neils writes about The Image of the Artist in Archaic and Classical Greece: Art, Poetry, and Subjectivity by Guy Hedreen. Read the full review at caa.reviews

Eric Michael Wolf discusses Austin by Ellsworth Kelly, and the exhibition Form into Spirit: Ellsworth Kelly’s Austin at the Blanton Museum of Art. Read the full review at caa.reviews.

Christopher Kasprzak explores the exhibition Calder: Hypermobility at the Whitney Museum of American Art. Read the full review at caa.reviews.

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