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New in caa.reviews

posted by December 06, 2019

    

Luke A. Fidler reviews the exhibition and catalog Jonathas de Andrade: One to One. Read the full review at caa.reviews.

Ian Verstegen discusses Michael Baxandall, Vision and the Work of Words, edited by Peter Mack and Robert Williams. Read the full review at caa.reviews.

Aaron Wile writes about Enchanted Islands: Picturing the Allure of Conquest in Eighteenth-Century France by Mary D. Sheriff. Read the full review at caa.reviews.

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New in caa.reviews

posted by November 29, 2019

   

Peter Scott Brown reviews Sculptural Seeing: Relief, Optics, and the Rise of Perspective in Medieval Italy by Christopher R. Lakey. Read the full review at caa.reviews.

Ariel Evans discusses Margo Natalie Crawford’s volume Black Post-Blackness: The Black Arts Movement and Twenty-First-Century Aesthetics. Read the full review at caa.reviews.

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posted by November 22, 2019

      

Emma Merkling reviews Modern Painters, Old Masters: The Art of Imitation from the Pre-Raphaelites to the First World War by Elizabeth Prettejohn. Read the full review at caa.reviews.

Tracy E. Cooper writes about Tintoretto: Artist of Renaissance Venice, an exhibition that showed in Venice and Washington, DC. Read the full review at caa.reviews.

Laura E. Parodi discusses From Stone to Paper: Architecture as History in the Late Mughal Empire by Chanchal B. Dadlani. Read the full review at caa.reviews.

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posted by November 15, 2019

     

Kathleen Christian reviews the compilation A Companion to Early Modern Rome, 1492–1692, edited by Pamela M. Jones, Barbara Wisch, and Simon Ditchfield. Read the full review at caa.reviews.

Claudia Swan writes about Netherlandish Art in Its Global Context, edited by Thijs Weststeijn, Eric Jorink, and Frits Scholten, and the exhibition and catalog Rembrandt and the Inspiration of India. Read the full review at caa.reviews.

Martha Scott Burton discusses three exhibitions that showed concurrently at McNay Art Museum, San Antonio: Transamerica/n: Gender, Identity, Appearance TodayAndy Warhol: Portraits, and TransSanAntonian: Examining Trans Identities and Gender Fluidity in the ArchivesRead the full review at caa.reviews.

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New in caa.reviews

posted by November 08, 2019

    

Atreyee Gupta reviews No Touching, No Spitting, No Praying: The Museum in South Asia, edited by Saloni Mathur and Kavita Singh, alongside Displaying Time: The Many Temporalities of the Festival of India by Rebecca M. Brown. Read the full review at caa.reviews.

Stephennie Mulder writes about Heghnar Zeitlian Watenpaugh’s volume The Missing Pages: The Modern Life of a Medieval Manuscript, from Genocide to Justice. Read the full review at caa.reviews.

Elizabeth Berkowitz considers Hilma af Klint: Paintings for the Future, formerly on view at the Solomon R. Guggenheim MuseumRead the full review at caa.reviews.

Juliette Milbach discusses the Tate Britain exhibition Aftermath: Art in the Wake of World War OneRead the full review at caa.reviews.

  

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posted by November 01, 2019

   

Susan Kart considers Art World City: The Creative Economy of Artists and Urban Life in Dakar by Joanna Grabski. Read the full review at caa.reviews.

Ila Sheren discusses the book Beyond the Pink Tide: Art and Political Undercurrents in the Americas by Macarena Gómez-Barris. Read the full review at caa.reviews.

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posted by October 25, 2019

       

Fred Rush discusses Chalk: The Art and Erasure of Cy Twombly by Joshua Rivkin. Read the full review at caa.reviews.

Elizabeth Perrill reviews the catalog and exhibition Caravans of Gold, Fragments in Time: Art, Culture, and Exchange across Medieval Saharan Africa in its showing at Northwestern University’s Block Museum of Art. Read the full review at caa.reviews.

Anne N. Feng writes about Dorothy C. Wong’s volume Buddhist Pilgrim-Monks as Agents of Cultural and Artistic Transmission: The International Buddhist Art Style in East Asia, ca. 645–770. Read the full review at caa.reviews.

caa.reviews highlights an in-depth multimedia project from its archives, by former editor-in-chief Sheryl E. Reiss, on the monumental exhibition Bernini: Sculpting in Clay. Explore the interactive project through the link at caa.reviews.

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New in caa.reviews

posted by October 18, 2019

  

Marian Bleeke reviews Mariah Proctor-Tiffany’s book Medieval Art in Motion: The Inventory and Gift Giving of Queen Clémence de Hongrie. Read the full review at caa.reviews.

Amy Golahny writes about the exhibition De Wind Is Op! Climate, Culture and Innovation in Dutch Maritime Painting, currently on view at the New Bedford Whaling Museum in Massachusetts. Read the full review at caa.reviews.

Caroline Boyle-Turner discusses Gauguin’s Challenge: New Perspectives after Postmodernism, edited by Norma Broude. Read the full review at caa.reviews.

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posted by October 11, 2019

        

Emmelyn Butterfield-Rosen writes about Looking at Men: Art, Anatomy and the Modern Male Body by Anthea Callen. Read the full review at caa.reviews.

Dina Ramadan reviews Art, Awakening, and Modernity in the Middle East: The Arab Nude, edited by Octavian Esanu. Read the full review at caa.reviews.

Hannah Slater covers Asato Ikeda’s book The Politics of Painting: Fascism and Japanese Art during the Second World War. Read the full review at caa.reviews.

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New in caa.reviews

posted by October 04, 2019

      

Sarah Hollenberg reviews The Wall of Respect: Public Art and Black Liberation in 1960s Chicago, edited by Abdul Alkalimat, Romi Crawford, and Rebecca Zorach. Read the full review at caa.reviews.

Kristin Romberg discusses Tijana Vujošević’s book Modernism and the Making of the Soviet New Man. Read the full review at caa.reviews.

Risham Majeed writes about the exhibition Agents of Faith: Votive Objects in Time and Place, curated by Ittai Weinryb. Read the full review at caa.reviews.

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