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New in caa.reviews

posted by June 15, 2018

Ellen Handy reviews Clarence H. White and His World: The Art and Craft of Photography, 1895–1925 by Anne McCauley. Read the full review at caa.reviews.

Jenifer Neils writes about The Image of the Artist in Archaic and Classical Greece: Art, Poetry, and Subjectivity by Guy Hedreen. Read the full review at caa.reviews

Eric Michael Wolf discusses Austin by Ellsworth Kelly, and the exhibition Form into Spirit: Ellsworth Kelly’s Austin at the Blanton Museum of Art. Read the full review at caa.reviews.

Christopher Kasprzak explores the exhibition Calder: Hypermobility at the Whitney Museum of American Art. Read the full review at caa.reviews.

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New in caa.reviews

posted by June 08, 2018

Samuel Johnson writes about Soviet Salvage: Imperial Debris, Revolutionary Reuse, and Russian Constructivism by Catherine Walworth. Read the full review at caa.reviews.

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New in caa.reviews

posted by June 01, 2018

crystal am nelson writes about William Kentridge: Being Led by the Nose by Jane Taylor. Read the full review at caa.reviews.

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New in caa.reviews

posted by May 25, 2018

Kate Dimitrova reviews Theophilus and the Theory and Practice of Medieval Art by Heidi C. Gearhart. Read the full review at caa.reviews.

Michelle Millar Fisher writes about SmartHistory.org. Read the full review at caa.reviews.

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New in caa.reviews

posted by May 17, 2018

          

Todd Cronan writes about Principles of Art History: The Problem of the Development of Style in Early Modern Art by Heinrich Wölfflin. Read the full review at caa.reviews.

Monique Kerman reviews Phenomenal Difference: A Philosophy of Black British Art by Leon Wainwright. Read the full review at caa.reviews.

Yulia Karpova discusses Gruzinskii avangard: 1900–1930 by Iveta Manasherova and Elena Kamenskaya, and the exhibition The Georgian Avant-garde: 1900–1930s: Pirosmani, Gudiashvili, Kakabadze, and Other Artists at the Pushkin State Museum of Fine Arts. Read the full review at caa.reviews.

Christian K. Kleinbub explores Raphael and the Redefinition of Art in Renaissance Italy by Robert Williams. Read the full review at caa.reviews.

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New in caa.reviews

posted by May 11, 2018

  

Adam R. Stead reviews The Gothic Screen: Space, Sculpture, and Community in the Cathedrals of France and Germany, ca.1200–1400 by Jacqueline Jung. Read the full review at caa.reviews.

Jared Sexton writes about Migrating the Black Body: The African Diaspora and Visual Culture edited by Leigh Raiford and Heike Raphael-Hernandez. Read the full review at caa.reviews.

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New in caa.reviews

posted by May 04, 2018

                    

Daniel Marcus reviews Giorgio de Chirico and the Metaphysical City: Nietzsche, Modernism, Paris by Ara H. Merjian. Read the full review at caa.reviews.

Haley Coopersmith discusses Carmen Herrera: Lines of Sight by Dana Miller. Read the full review at caa.reviews.

Erina Duganna writes about Gather Out of Star-Dust: A Harlem Renaissance Album by Melissa Barton. Read the full review at caa.reviews.

Emma Chubb explores Zhang Peili: Record. Repeat. by Orianna Cacchione, Li Pi, Robyn Farrell, and Katherine Grube. Read the full review at caa.reviews.

Paul H. D. Kaplan looks at The Black Figure in the European Imaginary edited by Adrienne L. Childs and Susan H. Libby. Read the full review at caa.reviews.

Wendy Ann Parker writes about William Kentridge and Vivienne Koorland: Conversations in Letters and Lines edited by Tamar Garb and Fiona Bradley, and William Kentridge edited by Rosalind E. Krauss. Read the full review at caa.reviews.

Alex J. Bacon reviews Almost Nothing: Observations on Precarious Practices in Contemporary Art by Anna Dezeuze. Read the full review at caa.reviews.

Anna Arabindan-Kesson discusses Kerry James Marshall: Look See by Robert Storr. Read the full review at caa.reviews.

Afua Ferdnance examines Still Raising Hell: The Art, Activism, and Archives of Camille Billops and James V. Hatch edited by Pellom McDaniels III. Read the full review at caa.reviews.

Jo-Ann Morgan looks at Beholding Christ and Christianity in African American Art edited by James Romaine and Phoebe Wolfskill. Read the full review at caa.reviews.

Cristóbal Jácome-Moreno reviews Mexico Modern: Art, Commerce, and Cultural Exchange edited by Donald Albrecht and Thomas Mellins. Read the full review at caa.reviews.

Melissa L. Mednicov explores Mona Hatoum: Terra Infirma edited by Michelle White. Read the full review at caa.reviews.

Katherine Cohn writes about EN MAS’: Carnival and Performance Art of the Caribbean edited by Claire Tancons and Krista Thompson. Read the full review at caa.reviews.

Stephen Petersen discusses Lumia: Thomas Wilfred and the Art of Light by Keely Orgeman. Read the full review at caa.reviews.

Mark Alan Hewitt examines Welcome to Your World: How the Built Environment Shapes Our Lives by Sarah Williams Goldhagen. Read the full review at caa.reviews.

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New in caa.reviews

posted by April 27, 2018

             

Augustus Durham reviews Speculative Blackness: The Future of Race in Science Fiction by andré m. carrington. Read the full review at caa.reviews.

Heidi Gearhart writes about L’imitation de l’Antiquité dans l’art medieval (1180–1230) by Laurence Terrier Aliferis. Read the full review at caa.reviews.

A.L. McMichael explores Photogrammar: http://photogrammar.yale.edu/, a digital platform produced by Yale University and the National Endowment for the Humanities. Read the full review at caa.reviews.

Laura Lisbon examines Agnes Martin: Night Sea by Suzanne P. Hudson. Read the full review at caa.reviews.

Seeta Chaganti looks at Strange Beauty: Issues in the Making and Meaning of Reliquaries, 400–circa 1204 by Cynthia Hahn. Read the full review at caa.reviews.

Colleen O’Reilly writes about the exhibition Kul’ttovary: Bringing Culture into the Soviet Home at the William Johnston Building Gallery at Florida State University. Read the full review at caa.reviews.

Bridget R. Cooks reviews Muse: Mickalene Thomas Photographs by Mickalene Thomas. Read the full review at caa.reviews.

Barbara Reisinger discusses Art about AIDS: Nan Goldin’s Exhibition Witnesses: Against Our Vanishing by Sophie Junge. Read the full review at caa.reviews.

Caroline Hillard explores Italian Renaissance Courts: Art, Pleasure and Power by Alison Cole. Read the full review at caa.reviews.

Suzanne Singletary reviews Louis Kahn: The Power of Architecture by William Curtis. Read the full review at caa.reviews.

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New in caa.reviews

posted by April 19, 2018

            

Kealey Boyd writes about Once Upon a Time . . . : The Western: A New Frontier in Art and Film edited by Mary-Dailey Desmarais and Thomas Brent Smith. Read the full review at caa.reviews.

Elizabeth Legge explores Prehistoric Future: Max Ernst and the Return of Painting between the Wars by Ralph Ubl. Read the full review at caa.reviews.

Sara Blaylock reviews Performance Art in Eastern Europe since 1960 by Amy Bryzgel. Read the full review at caa.reviews.

Randall Griffey discusses Grand Illusions: American Art and the First World War by David M. Lubin. Read the full review at caa.reviews.

Wayne Franits examines Creating Distinctions in Dutch Genre Painting by Angela Ho. Read the full review at caa.reviews.

Ronnie Self looks at the work of Michael Maltzan Architecture on the Moody Center for the Arts, Rice University, Houston. Read the full review at caa.reviews. 

Mati Meyer reviews Hagia Sophia: Sound, Space, and Spirit in Byzantium by Bissera V. Pentcheva. Read the full review at caa.reviews.

Alya Karame writes about The Art of the Qur’an: Treasures from the Museum of Turkish and Islamic Arts edited by Massumeh Farhad and Simon Rettig. Read the full review at caa.reviews.

Stephanie A. Glaser examines Georgian Gothic: Medievalist Architecture, Furniture and Interiors, 1730–1840 by Peter N. Lindfield. Read the full review at caa.reviews.

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New in caa.reviews

posted by April 13, 2018

                          

Lisa Strong writes about Capital Culture: J. Carter Brown, the National Gallery of Art, and the Reinvention of the Museum Experience by Neil Harris. Read the full review at caa.reviews.

Rebecca Zorach explores South Africa: The Art of a Nation edited by John Giblin and Chris Spring. Read the full review at caa.reviews.

Ellen Prokop reviews August L. Mayer y la pintura española: Ribera, Goya, El Greco, Velázquez by Teresa Posada Kubissa. Read the full review at caa.reviews. 

Preeti Chopra discusses Architecture and Empire in Jamaica by Louis P. Nelson. Read the full review at caa.reviews.

Beate Pittnauer looks at Zeitspeicher der Fotografie: Zukunftsbilder, 1860–1913 by Katja Müller-Helle. Read the full review at caa.reviews.

Chris Collier examines The Artist as Culture Producer: Living and Sustaining a Creative Life edited by Sharon Louden. Read the full review at caa.reviews.

Sadé Ayorinde reviews No Laughing Matter: Visual Humor in Ideas of Race, Nationality, and Ethnicity edited by Angela Rosenthal, David Bindman, and Adrian W. B. Randolph. Read the full review at caa.reviews.

Jonathan Walley writes about The Off-Screen: An Investigation of the Cinematic Frame by Eyal Peretz. Read the full review at caa.reviews.

Rose Marie San Juan discusses The Bible and the Printed Image in Early Modern England: Little Gidding and the Pursuit of Scriptural Harmony by Michael Gaudio. Read the full review at caa.reviews.

Helena Vilalta explores 1971: A Year in the Life of Color by Darby English. Read the full review at caa.reviews.

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