CAA News Today

New in caa.reviews

posted by September 11, 2020

   

Martha Scott Burton considers Among Others: Blackness at MoMA, edited by Darby English and Charlotte Barat, about the museum’s history of representation and inclusivity. Read the full review at caa.reviews.

Peter D. McDonald examines a unique creative practice through Asemic: The Art of Writing by Peter Schwenger. Read the full review at caa.reviews.

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New in caa.reviews

posted by September 04, 2020

 

Theresa Avila explores a revolutionary figure’s impact in Simón Bolívar: Travels and Transformations of a Cultural Icon, edited by Maureen G. Shanahan and Ana María Reyes. Read the full review at caa.reviews.

Heather Diack writes about an emblematic German artist in Schizogenesis: The Art of Rosemarie Trockel by Katherine Guinness. Read the full review at caa.reviews.

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New in caa.reviews

posted by August 21, 2020

“What Do We Know about the Future of Art History?”: Nancy Um mines sixty years of CAA’s dissertation data to examine the field’s past and potential future. Read the full essay at caa.reviews.

Cynthia Fowler reviews the traveling exhibition Hearts of Our People: Native Women Artists, curated by Jill Ahlberg Yohe and Teri Greeves. Read the full review at caa.reviews.

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posted by August 07, 2020

  

Dina Ramadan writes about the exhibition Taking Shape: Abstraction from the Arab World, 1950s–1980s. Read the full review at caa.reviews.

Yin Ning Kwok reviews Bauhaus Women: A Global Perspective by Elizabeth Otto and Patrick Rössler. Read the full review at caa.reviews.

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New in caa.reviews

posted by July 24, 2020

   

David Haberstich considers the exhibition catalog Working Together: Louis Draper and the Kamoinge Workshop by Sarah L. Eckhardt. Read the full review at caa.reviews.

Laurence Schmidlin discusses Christina Weyl’s The Women of Atelier 17: Modernist Printmaking in Midcentury New York. Read the full review at caa.reviews.

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New in caa.reviews

posted by July 03, 2020

   

Valerie Gonzalez reviews Building the Caliphate: Construction, Destruction, and Sectarian Identity in Early Fatimid Architecture by Jennifer A. Pruitt. Read the full review at caa.reviews.

Francesca Balboni virtually explores the Amon Carter Museum exhibition The Perilous Texas Adventures of Mark Dion. Read the full review at caa.reviews.

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New in caa.reviews

posted by June 26, 2020

   

Lihong Liu writes about Mount Wutai: Visions of a Sacred Buddhist Mountain by Wen-shing Chou. Read the full review at caa.reviews.

Alexander Nagel considers the Metropolitan Museum of Art exhibition The World between Empires: Art and Identity in the Ancient Middle East. Read the full review at caa.reviews.

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New in caa.reviews

posted by June 12, 2020

   

Komozi Woodard reviews The Black Arts Movement and the Black Panther Party in American Visual Culture by Jo-Ann MorganRead the full review at caa.reviews. 

Imogen Hart discusses the exhibition and catalog James Tissot: Fashion & Faith, Legion of Honor, San FranciscoRead the full review at caa.reviews

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New in caa.reviews

posted by June 05, 2020

Elizabeth Petersen Cyron writes about Christina Neilson’s Practice and Theory in the Italian Renaissance Workshop: Verrocchio and the Epistemology of Making Art. Read the full review at caa.reviews.

Michael Gaudio reviews Disharmony of the Spheres: The Europe of Holbein’s “Ambassadors” by Jennifer Nelson. Read the full review at caa.reviews

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New in caa.reviews

posted by May 29, 2020

Benjamin A. Bross discusses Eugenics in the Garden: Transatlantic Architecture and the Crafting of Modernity by Fabiola López-Durán. Read the full review at caa.reviews.

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