CAA News Today
New in caa.reviews
posted by CAA — July 24, 2020
David Haberstich considers the exhibition catalog Working Together: Louis Draper and the Kamoinge Workshop by Sarah L. Eckhardt. Read the full review at caa.reviews.
Laurence Schmidlin discusses Christina Weyl’s The Women of Atelier 17: Modernist Printmaking in Midcentury New York. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — July 03, 2020
Valerie Gonzalez reviews Building the Caliphate: Construction, Destruction, and Sectarian Identity in Early Fatimid Architecture by Jennifer A. Pruitt. Read the full review at caa.reviews.
Francesca Balboni virtually explores the Amon Carter Museum exhibition The Perilous Texas Adventures of Mark Dion. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — June 26, 2020
Lihong Liu writes about Mount Wutai: Visions of a Sacred Buddhist Mountain by Wen-shing Chou. Read the full review at caa.reviews.
Alexander Nagel considers the Metropolitan Museum of Art exhibition The World between Empires: Art and Identity in the Ancient Middle East. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — June 12, 2020
Komozi Woodard reviews The Black Arts Movement and the Black Panther Party in American Visual Culture by Jo-Ann Morgan. Read the full review at caa.reviews.
Imogen Hart discusses the exhibition and catalog James Tissot: Fashion & Faith, Legion of Honor, San Francisco. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — June 05, 2020
Elizabeth Petersen Cyron writes about Christina Neilson’s Practice and Theory in the Italian Renaissance Workshop: Verrocchio and the Epistemology of Making Art. Read the full review at caa.reviews.
Michael Gaudio reviews Disharmony of the Spheres: The Europe of Holbein’s “Ambassadors” by Jennifer Nelson. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — May 29, 2020
Benjamin A. Bross discusses Eugenics in the Garden: Transatlantic Architecture and the Crafting of Modernity by Fabiola López-Durán. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — May 22, 2020
Debra Pincus writes about Venice Illuminated: Power and Painting in Renaissance Manuscripts by Helena Katalin Szépe. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — May 15, 2020
Lorenzo Pericolo discusses Redefining Eclecticism in Early Modern Bolognese Painting: Ideology, Practice, and Criticism by Daniel M. Unger. Read the full review at caa.reviews.
New in caa.reviews
posted by CAA — May 08, 2020
Fernando Loffredo reviews The Politics of Water in the Art and Festivals of Medici Florence: From Neptune Fountain to Naumachia by Felicia M. Else. Read the full review at caa.reviews.
Deadline extended: caa.reviews Seeks Field Editor for East Asian Art
posted by CAA — May 06, 2020
CAA invites nominations and self-nominations for a field editor in the area of East Asian Art for the caa.reviews Council of Field Editors for a three-year term July 1, 2020–June 30, 2023. An online journal, caa.reviews is devoted to the peer review of new books, museum exhibitions, and projects relevant to art history, visual studies, and the arts.
Working with the caa.reviews editor-in-chief, the caa.reviews Editorial Board, and CAA’s staff editor, each field editor selects content to be reviewed, commissions reviewers, and considers manuscripts for publication. Field editors for books are expected to keep abreast of newly published and important books and related media in their fields of expertise, and those for exhibitions should be aware of current and upcoming exhibitions (and other related projects) in their geographic regions.
The Council of Field Editors meets yearly at the CAA Annual Conference. Field editors must pay travel and lodging expenses to attend the conference. Members of all CAA committees and editorial boards volunteer their services without compensation.
Candidates must be current CAA members and should not be serving on the editorial board of a competitive journal or on another CAA editorial board or committee. Nominators should ascertain their nominee’s willingness to serve before submitting a name; self-nominations are also welcome. Please email a statement describing your interest in and qualifications for appointment, a CV, and your contact information to managing editor Joan Strasbaugh, jstrasbaugh@collegeart.org. In the subject line please include Field Editor, East Asian Art.
Deadline (extended): June 1, 2020