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New in caa.reviews

posted by December 08, 2017

Katie Hornstein discusses Of Elephants & Roses: French Natural History, 1790–1830 by Sue Ann Price. Read the full review at caa.reviews.

K.L.H. Wells reviews Live Form: Women, Ceramics, and Community by Jenni Sorkin. Read the full review at caa.reviews .

Christina Fail writes about Activating Democracy: The “I Wish to Say” Project edited by Sheryl Oring. Read the full review at caa.reviews.

Kate Warren writes on TarraWarra Biennial 2016: Endless Circulation by Victoria Lynn and Helen Hughes. Read the full review at caa.reviews.

Monica Bravo takes a look at Paint the Revolution: Mexican Modernism, 1910–1950 edited by Matthew Affron, Mark A. Castro, Dafne Cruz Porchini, and Renato González Mello. Read the full review at caa.reviews.

Joseph Hammond reviews Renaissance Art in Venice: From Tradition to Individualism by Tom Nichols. Read the full review at caa.reviews.

Akela Reason writes on Icon of Modernism: Representing the Brooklyn Bridge, 1883–1950 by Sarah Kate Gillespie, Janice Simon, Meredith E. Ward, and Kimberly Orcutt. Read the full review at caa.reviews.

Kathleen Chapman reviews Jasper Johns and Edvard Munch: Inspiration and Transformation edited by John B. Ravenal. Read the full review at caa.reviews.

  

Jane Chin Davidson discusses Women, the Arts and Globalization: Eccentric Experience edited by Marsha Meskimmon and Dorothy C. Rowe and Home/Land: Women, Citizenship, Photographies edited by Marion Arnold and Marsha Meskimmon. Read the full review at caa.reviews.

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New in caa.reviews

posted by December 01, 2017

Jessen Kelly discusses Jan Gossart and Invention of Nederlandish Antiquity by Marisa Anne Bass. Read the full review at caa.reviews.

Jordan A. Fenton reviews The Art of Conversion: Christian Visual Culture in the Kingdom of Kongo by Cécile Fromont. Read the full review at caa.reviews.

Vivek Gupta writes on Cultural Exchange in Eighteenth-Century India by Heidi Pauwels. Read the full review at caa.reviews.

Jane Tynan writes about The Birth of Cool: Style Narratives of the African Diaspora by Carol Tulloch. Read the full review at caa.reviews.

Katherine Doniak discusses Terry Fox edited by Arnold Dreyblatt and Angela Lammert. Read the full review at caa.reviews.

Allison Leigh reviews The Russian Canvas by Rosalind P. Blakesly. Read the full review at caa.reviews.

SooJin Lee writes about Yayoi Kusama by Midori Yamamura. Read the full review at caa.reviews.

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New in caa.reviews

posted by November 24, 2017

     

Christina Neilson discusses Lorenzo Ghiberti’s “Gates of Paradise” by Amy Bloch. Read the full review at caa.reviews.

Sarah Gordon reviews Nature’s Truth by Anne Helmreich. Read the full review at caa.reviews.

Nancy Scott on The Civil War in Art and Memory edited by Kirk Savage can be found in full at caa.reviews.

Judah Cohen writes about Jewish Treasures of the Caribbean, an exhibition at the Wyatt Gallery. Read the full review at caa.reviews.

Audrey Goodman discusses Enchanting the Desert by Nicholas Bauch. Read the full review at caa.reviews.

Sarah Cohen reviews The Cry of Nature by Stephen Eisenman. Read the full review at caa.reviews.

Diana Kleiner writes about The Genesis of Roman Architecture by John North Hopkins. Read the full review at caa.reviews.

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New in caa.reviews

posted by November 17, 2017

    

Mark Rosen discusses Imagining the Americas in Medici Florence by Lia Markey. Read the full review at caa.reviews.

Stephanie Porras reviews Jan Brueghel and the Senses of Scale by Elizabeth Alice Honig. Read the full review at caa.reviews.

 

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New in caa.reviews

posted by November 10, 2017

  

Luis E. Carranza discusses Roberto Burle Marx: Brazilian Modernist, on view at the Jewish Museum, New York, May 6–September 18, 2016. Read the full review at caa.reviews.

Billie Follensbee reads La Ofrenda 4 de La Venta by Diana Magaloni Kerpel and Laura Filloy Nadal. Read the full review at caa.reviews.

Lelia Packer visits Bosch: The 5th Centenary Exhibition, on view at Museo Nacional del Prado, Madrid, May 31–September 25, 2016. Read the full review at caa.reviews.

Laura J. Whatley reviews Illuminators and Patrons in Fourteenth-Century England: The Psalter and Hours of Humphrey de Bohun and the Manuscripts of the Bohum Family by Lucy Freeman Sandler. Read the full review at caa.reviews.

 

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New in caa.reviews

posted by November 03, 2017

  

Anne Mahady-Kneller discusses Archibald Motley: Jazz Age Modernist edited by Richard J. Powell. Read the full review at caa.reviews.

Zeynep Kezer reviews Architecture and the Late Ottoman Historical Imaginary: Reconfiguring the Architectural Past in a Modernizing Empire by Ahmet A. Ersoy. Read the full review at caa.reviews.

Ellen Shortell reads Villard de Honnecourt: Architecte du XIIIe siècle by Jean Wirth. Read the full review at caa.reviews.

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New in caa.reviews

posted by October 27, 2017

    

Carolyn Dean reviews The Inka Empire: A Multidisciplinary Approach edited by Izumi Shimada. Read the full review at caa.reviews.

Kelly Presutti discusses Wasteland: A History by Vittoria Di Palma. Read the full review at caa.reviews.

Allison Miller reads Beyond the First Emperor’s Mausoleum: New Perspectives on Qin Art edited by Liu Yang. Read the full review at caa.reviews.

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New in caa.reviews

posted by October 20, 2017

              

In addition to the wrap-up below of our caa.reviews content from this week, you might also notice the site got a little update. We made it easier to navigate and balanced the look and feel of the site. More changes are coming soon. Happy reading!

Phil Lee discusses Contemporary Korean Art: Tansaekhwa and the Urgency of Method by Joan Kee. Read the full review at caa.reviews.

Erin Schoneveld reviews Making Modern Japanese-Style Painting: Kano Hōgai and the Search for Images by Chelsea Foxwell. Read the full review at caa.reviews.

Jessica Locheed visits Degas: A New Vision at the Museum of Fine Arts, Houston. Read the full review at caa.reviews.

Mio Wakita reads A Career of Japan: Baron Raimund von Stillfried and Early Yokohama Photography by Luke Gartlan. Read the full review at caa.reviews.

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New in caa.reviews

posted by October 13, 2017

 

Christopher Taylor reviews the exhibition Marcantonio Raimondi and Raphael (The Whitworth, University of Manchester, UK, September 30, 2016–May 29, 2017) and its accompanying catalogue, Marcantonio Raimondi, Raphael and the Image Multiplied, edited by Edward H. Wouk. Read the full review at caa.reviews.

Mey-Yen Moriuchi discusses Framing Majismo: Art and Royal Identity in Eighteenth-Century Spain by Tara Zanardi. Read the full review at caa.reviews.

Jesse Locker reads Baroque Naples and the Industry of Painting: The World in the Workbench by Christopher R. Marshall. Read the full review at caa.reviews.

Zeynep Yürekli reviews The Shrines of the ‘Alids in Medieval Syria: Sunnis, Shi’is and the Architecture of Coexistence by Stephennie Mulder. Read the full review at caa.reviews.

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New in caa.reviews

posted by October 10, 2017

 

Catherine Barth visits Walker Evans: Depth of Field at the High Museum of Art in Atlanta, which was on view from June 11–September 11, 2016. Read the review at caa.reviews.

Gerhard Lutz reviews Musealisierung mittelalterlicher Kunst: Anlässe, Ansätze, Ansprüche edited by Wolfgang Brückle, Pierre Alain Mariaux, and Daniela Mondini. Read the review at caa.reviews.

Kris Paulsen discusses Artificial Darkness: An Obscure History of Modern Art and Media by Noam M. Elcott. Read the review at caa.reviews.

Stijn Bussels reads French Visual Culture and the Making of Medieval Theater by Laura Weigert. Read the review at caa.reviews.

Wendy Bellion reviews The American School: Artists and Status in the Late Colonial and Early National Era by Susan Rather. Read the review at caa.reviews.

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