posted by Christopher Howard — August 27, 2010
Over the last decade, artists and educators have become acutely aware of the environmental and health repercussions of their studio endeavors. How have the serious consequences for personal health and the environment, as well as the legal and ethical responsibilities of institutions of higher education, shaped individual studio practice and the teaching of visual art? This session will examine the wide-ranging responses of artists working today and offer practical solutions for artists to safely create work without sacrificing their vision. We invite proposals for twenty-minute presentations about individual experiences, personal or institutional, dealing with these pressing matters.
This session will be part of ARTspace at the 2011 CAA Annual Conference in New York. Initiated in 2001, ARTspace has grown into one of the most vital and exciting aspects of the annual meeting, with programming is designed by artists for artists that is free and open to the public. Working in tandem with its affiliated programs, the Media Lounge and ARTexchange, ARTspace promotes dialogue about visual-arts practice, its relation to critical discourse, professional-development programming, and opportunities for the creative exchange of ideas.
posted by Christopher Howard — August 25, 2010
The first decade of the twenty-first century has given rise to new possibilities, new questions, and new challenges. With continued globalization and technological innovation, new platforms for human interaction and exchange have emerged. Simultaneously, we have witnessed an increase in terrorism, an energy crisis, and global economic instability. These problems have generated heated political debate about how we should best prepare for the future. Can we continue to employ the same solutions that worked in the past, or must we fundamentally change the way that we understand and approach these issues? How will this decade be remembered in the future?
To commemorate the tenth anniversary of ARTspace and the Centennial of CAA, the Services to Artists Committee invites artists to submit action-based works that respond in some way to the first decade of this new millennium. These performance works, to be collectively presented as Times, Interludes, and Action, will be displayed in the form of video documentation in the ARTspace Media Lounge at the 2011 Annual Conference in New York.
To be considered, please submit the video that you would like to include; or you may submit a written proposal for a work not completed, along with a portfolio. Please also send your artist statement, résumé, and contact information.
Email submissions limited to three or fewer works are preferred. Video may be sent either as a small email attachment (5 MB or less) or as a link to a website. Please send your submission to both Jeffrey Bird and Joseph Meiser. If an emailed submission is not possible, you can send a CD or DVD along with hard copies of your documents to: Joseph Meiser, Dept. of Art and Art History, Art Bldg., Bucknell University, Lewisburg, PA 17837. Deadline for emailed proposals: October 1, 2010. Mailed items must be postmarked by September 24, 2010.
posted by Lauren Stark — August 18, 2010
For CAA’s Centennial Conference in 2011, recognize someone who has made extraordinary contributions to the fields of art and art history by nominating him or her for one of twelve Awards for Distinction. Award juries consider your personal letters of recommendation when making their selections. In the letter, state who you are; how you know (of) the nominee; how the nominee and/or his or her work or publication has affected your practice or studies and the pursuit of your career; and why you think this person (or, in a collaboration, these people) deserves to be recognized.
You should also contact five to ten colleagues, students, peers, collaborators, and/or coworkers of the nominee to write letters. The different perspectives and anecdotes from multiple letters of nomination provide juries with a clearer picture of the qualities and attributes of the candidates.
All nomination campaigns should include one copy of the nominee’s CV (limit: two pages). Nominations for book and exhibition awards should be for authors of books published or works exhibited or staged between September 1, 2009, and August 31, 2010. No more than ten letters per candidate are considered.
Please read descriptions of all twelve awards and see past recipients. Detailed instructions for nominations are available. You may also write to Lauren Stark, CAA manager of programs, for more information. Deadline: July 31, 2010, for the Morey and Barr Awards; August 31, 2010, for all others.
Image: Barkley L. Hendricks accepts the 2010 Artist Award for Distinguished Body of Work at the Annual Conference in Chicago (photograph by Bradley Marks)
Artists Helen Mayer Harrison and Newton Harrison Will Speak at Convocation at the 2011 Centennial Conference
posted by CAA — July 23, 2010
It is with great pleasure that I announce the keynote speakers for Convocation at CAA’s Centennial Conference in New York: the artists Helen Mayer Harrison and Newton Harrison. This event, free and open to the public, will take place in February 2011.
The Harrisons are interdisciplinary, collaborative, multimedia, environmental, educational, activist, visionary, ethical, and humane. They exemplify many aspects of contemporary artistic practice and speak to numerous concerns of the CAA membership.
I first met Newton in the early 1990s: he was a visiting artist when I was a graduate student in Indiana. (I also met Helen years later at a gallery reception in Colorado.) He left a tremendous impression on me as someone with a truly perceptive mind, possessing the foresight, talent, and determination to create visually compelling art on a scale that makes a positive difference in life on our planet. The Harrisons have been doing this for over forty years. His and Helen’s concept of the individual contributing to the elevation of a collective “conversational drift” resonates today more than ever.
For more information on the Harrisons and their work, please visit their website. Other great sources include the New York Art World, Ronald Feldman Gallery, which represents the artists, Left Matrix, and the Community Arts Network, which republishes an essay on the artists by Arlene Raven.
I’d like to thank Sue Gollifer, CAA vice president for Annual Conference, for her thoughtful consultation with me about potential speakers, and Emmanuel Lemakis, CAA director of programs, for his assistance with confirming and making arrangements for our honored guests.
Please join me in welcoming the Harrisons and spreading the word about our good fortune to have them address CAA as keynote speakers for our 2011 Convocation.
Barbara Nesin, MFA
President, College Art Association
Department Chair of Art Foundations, Art Institute of Atlanta
Batya Tamar Studio at the Arts Exchange
posted by Lauren Stark — June 30, 2010
CAA invites individual members to propose a session for the 2012 Annual Conference, taking place February 22–25, 2012, in Los Angeles. Proposals should cover the breadth of current thought and research in art, art and architectural history, theory and criticism, pedagogical issues, museum and curatorial practice, conservation, and developments in technology. The Los Angeles conference closes CAA’s Centennial year, which will begin at the New York meeting in February 2011.
The Annual Conference Committee welcomes session proposals from established artists and scholars, along with younger scholars, emerging and midcareer artists, and graduate students. Particularly welcome are those proposals that highlight interdisciplinary work. Artists are especially encouraged to propose sessions appropriate to dialogue and information exchange relevant to artists.
Proposals are only accepted online; paper forms and postal mailings are not required. To set up an account in CAA’s content management system, please email Lauren Stark, CAA manager of programs, who will register your email address and provide you with a password. For full details on the submission process, please visit Chair a Conference Session. Deadline: September 1, 2010; no late applications are accepted.
posted by Lauren Stark — April 14, 2010
The 99th Annual Conference in New York—which kicks off CAA’s centennial year—takes place February 9–12, 2011. Listing more than 120 sessions, the 2011 Call for Participation arrived in the mailboxes of all CAA members earlier this month; you can also download a PDF of the publication from the CAA website immediately.
This publication describes many of next year’s panels and presentations. CAA and session chairs invite your participation: please follow the instructions in the booklet to submit a proposal for a paper. This publication also includes a call for Poster Session proposals and describes the Open Forms sessions.
In addition to attending and participating in the wide-ranging panels on art history, studio art, contemporary issues, and professional and educational practices, CAA expects participation from many area schools, museums, galleries, and other art institutions. The Hilton New York is the conference hotel, holding most sessions and panels, Career Services and the Book and Trade Fair, receptions and special events, and more. Deadline for proposals: May 3, 2010.