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CAA has awarded two 2016 Professional-Development Fellowships—one in visual art and one in art history—to graduate students in MFA and PhD programs across the United States. In addition, CAA has named one honorable mention in art history and two in visual art. The fellows and honorable mentions also receive a complimentary one-year CAA membership and free registration for the 2017 Annual Conference in New York.

Accepting the $10,000 fellowship in visual art is Daniel Seth Krauss, an MFA student in photography in the Tyler School of Art at Temple University in Philadelphia, Pennsylvania. The recipient of the $10,000 fellowship in art history is Sara Blaylock, a doctoral candidate in visual studies at the University of California, Santa Cruz.

The honorable mention for art history goes to Lex Lancaster, a PhD student at the University of Wisconsin, Madison. The two honorable mentions in visual art are Allison Rose Craver, an MFA candidate at Ohio State University in Columbus, and Andrew Jilka, an MFA student at the School of Visual Arts in New York.

Suzanne Preston Blier, president of the CAA Board of Directors, will formally recognize the two fellows and three honorable mentions at the 105th Annual Conference during Convocation, taking place on Wednesday, February 15, 2017, at the New York Hilton Midtown.

CAA’s fellowship program supports promising artists and art historians who are enrolled in MFA and PhD programs nationwide. Awards are intended to help them with various aspects of their work, whether for job-search expenses or purchasing materials for the studio. CAA believes a grant of this kind, without contingencies, can best facilitate the transition between graduate studies and professional careers. The program is open to all eligible graduate students in the visual arts and art history. Applications for the 2017 fellowship cycle will open in the late spring.

FELLOW IN VISUAL ART

Daniel Seth Kraus

Daniel Seth Kraus‘s work blends historical research with photographic practice to deepen our understanding of people and places. Currently his research investigates faith and work in the American South. Kraus’s work has been featured in numerous print and online publications, including Fraction Magazine, SeeSaw Magazine, Oxford American, and Aint Bad Magazine. His photographs have been exhibited in national and international juried exhibitions, including one at the Morris Museum of Art in Augusta, Georgia. He earned a BFA in photography and a BA in history from the University of North Florida in Jacksonville and is pursuing a MFA in photography at the Tyler School of Art at Temple University in Philadelphia, Pennsylvania.

FELLOW IN ART HISTORY

Sara Blaylock

Sara Blaylock will complete her PhD in visual studies at the University of California, Santa Cruz, in spring 2017. To date, the bulk of her research has concerned the experimental film, art, and visual culture of the German Democratic Republic during the 1980s. Her dissertation, “Magnitudes of Dissent: Art from the East German Margins,” focuses on how photography and film, body-based practices, print media, and galleries addressed issues of representation, performativity, and collectivity. It argues that experimental practice in a 1980s GDR was not only an antidote for but also an interpretation of a weakening state—a foil and a mirror to official culture.

Blaylock’s dissertation research has been supported by the German Academic Exchange Service and the Rosa Luxemburg Foundation, as well as by numerous grants from the University of California, Santa Cruz. She has published in numerous academic forums. Most recently, an article appeared in Gradhiva, a French-language journal of art history and anthropology, and Blaylock contributed an essay in both German and English to the catalogue for the exhibition Gegenstimmen. Kunst in der DDR 1976–1989 [Voices of Dissent: Art in the GDR 1976–1989], held at the Martin-Gropius-Bau in Berlin. Another article, “Bringing the War Home to the United States and East Germany: In the Year of the Pig and Pilots in Pajamas,” will appear in Cinema Journal later this year.

Blaylock was recently invited to codirect the International Association for Visual Culture, a scholarly organization that encourages inquiry and debate within the field and that advocates the critical and theoretical expansion of visual-culture studies in academic and artistic venues. She looks forward to helping to advance and strengthen the association’s vision.

HONORABLE MENTIONS IN VISUAL ART AND ART HISTORY

Allison Rose Craver

Allison Rose Craver will complete her MFA, with a concentration in ceramics, at Ohio State University in in Columbus in May 2017. Craver grew up in East Aurora, New York, and earned a BFA in 2010 from New York State College of Ceramics at Alfred University in Alfred. A year later she studied as a special student at the University of Wisconsin, Madison. Craver has shown her work nationally, including exhibitions at the Archie Bray Foundation for the Ceramic Arts in Helena, Montana, and the Arrowmont School of Arts and Crafts in Gatlinburg, Tennessee. In 2014 she was invited to demonstrate in the Process Room at the annual National Council on Education for the Ceramic Arts conference in Milwaukee. Craver’s work is process driven, using ceramics materials in conjunction with fiber and found objects to explore the nature of care and work.

Andrew Jilka

Andrew Jilka was born in in 1986 to a working-class home in Salina, Kansas. The son of a bus driver and a lunch lady, Jilka has been employed as a fast-food worker, a cigarette warehouse stocker, a furniture deliveryman, a Hewlett-Packard call-center representative, a bartender, and later an assistant to the artist Tom Sachs. After selling his Camaro, he enrolled at the University of Kansas in Lawrence, where he received a BFA in printmaking in 2009, as well as a scholarship to study printmaking at Hongik University in Seoul, Korea. Jilka’s work is greatly influenced by the instabilities and anxieties of his Midwestern upbringing. His painting is an attempt to reconcile the “high” of the history and lineage of contemporary painting with the Walmart culture he was raised in. Jilka approaches painting with both the deference of Brahms and the irreverence of the Ramones—and perhaps a touch of Taylor Swift. His work has been shown in group and solo exhibitions in Kansas City, Atlanta, New York, and Seoul. He is currently an MFA candidate at the School of Visual Arts in New York.

Lex Lancaster

Lex Morgan Lancaster is a PhD candidate in the Department of Art History at the University of Wisconsin, Madison, where they will complete their degree in May 2017. Lancaster’s dissertation, “Dragging Away: Queer Abstraction in Contemporary Art,” investigates abstraction as a tactic of queering in the work of contemporary artists who deploy nonrepresentational form for political ends. Their related article, “Feeling the Grid: Lorna Simpson’s Concrete Abstraction,” was published in ASAP/Journal (2017), and “The Wipe: Sadie Benning’s Queer Abstraction” is forthcoming in Discourse: Journal for Theoretical Studies in Media and Culture. Lancaster is chairing the session on “New Materialisms in Contemporary Art” at CAA’s 2017 Annual Conference in New York.

Lancaster received their BA in art history from Case Western Reserve University in Cleveland, Ohio. They have assisted with exhibitions and public programs at the Cleveland Museum of Art as coordinator of teen programs and intern to the curator of contemporary art, and at the National Gallery of Art in Washington, DC, as a paid summer intern in the Department of Photographs. At the University of Wisconsin, Madison, Lancaster curated the exhibition Our House! Unsettling the Domestic, Queering the Spaces of Home at the Chazen Museum of Art.




CAA is pleased to announce eight recipients of the annual Wyeth Foundation for American Art Publication Grant for 2016. Thanks to a generous grant from the Wyeth Foundation, these awards are given annually to publishers to support the publication of one or more book-length scholarly manuscripts in the history of American art, visual studies, and related subjects. For this grant program, “American art” is defined as art created in the United States, Canada, and Mexico.

The eight grantees for 2016 are:

  • Ella Diaz, Flying under the Radar with the Royal Chicano Air Force: Mapping a Chicano/a Art History, University of Texas Press
  • Jason Hill, Artist as Reporter: Weegee, Ad Reinhardt, and the PM News Picture, University of California Press
  • Wadsworth Jarrell, AfriCOBRA: Experimental Art toward a School of Thought, Duke University Press
  • Kellie Jones, South of Pico: African American Artists in Los Angeles in the 1960s and 1970s, Duke University Press
  • Jennifer Josten, Mathias Goeritz: Modernist Art and Architecture in Cold War Mexico, Yale University Press
  • Lauren Kroiz, Cultivating Citizens: The Regional Work of Art in the New Deal Era, University of California Press
  • Tirza Latimer, Eccentric Modernism: Making Differences in the History of American Art, University of California Press
  • Jennifer Van Horn, The Power of Objects in Eighteenth-Century British America, University of North Carolina Press

Eligible for the grant are book-length scholarly manuscripts in the history of American art, visual studies, and related subjects that have been accepted by a publisher on their merits but cannot be published in the most desirable form without a subsidy. Authors must be current CAA members. Please review the application guidelines for more information.




This fall, CAA awarded grants to the publishers of seven books in art history and visual culture through the Millard Meiss Publication Fund. Thanks to the generous bequest of the late Prof. Millard Meiss, CAA gives these grants to support the publication of scholarly books in art history and related fields.

The seven Meiss grantees for fall 2016 are:

  • Rebecca Brown, Displaying Time: The Many Temporalities of the Festival of India, University of Washington Press
  • Richard Emmerson, Apocalypse Illuminated: The Visual Exegesis of Revelation in Medieval Illustrated Manuscripts, Pennsylvania State University Press
  • Michele Greet, Transatlantic Encounters: Latin American Artists in Paris between the Wars, Yale University Press
  • Sharon Hecker, A Moment’s Monument: Medardo Rosso and the International Origins of Modern Sculpture, University of California Press
  • Katie Hornstein, Picturing War in France, 1792–1856, Yale University Press
  • Amy Neff, A Soul’s Journey into God: Art, Theology, and Devotion in a Franciscan Manuscript of the Late Duecento, Pontifical Institute of Mediaeval Studies
  • Hsueh-man Shen, Authentic Replicas: Buddhist Art in Medieval China, University of Hawai‘i Press

Books eligible for Meiss grants must already be under contract with a publisher and on a subject in the visual arts or art history. Authors and presses must be current CAA members. Please review the application guidelines for more information.



CAA Local College Tour

posted by CAA


Students are crucial to CAA and the work we do. Support and interest from student members allows us to provide fellowships, professional development, mentorships, and job placement services to those very same students. In the coming months, CAA is visiting several local New York colleges and universities in order to connect with our youngest and one of our most vital constituencies. Below is our upcoming schedule. We hope to see you there.

Monday Oct. 10, 10AM-12PM at Parsons Fine Arts 

Tuesday Nov. 1st at Pratt Institute (Time TBD)

Wednesday Nov. 2nd at Pratt Institute (Time TBD) 

Friday Nov. 18th, 12PM-4PM at School of Visual Arts




The College Art Association is pleased to announce a grant from the Samuel H. Kress Foundation to support a redesign of The Art Bulletin. CAA, the journal’s editors-in-chief, and its editorial boards have maintained unwavering attention to the quality of the journal’s scholarship for more than one hundred years of publication. Through the generosity of the Kress Foundation, the visual character of the print journal will gain a more contemporary and reader-friendly format, incorporating changes in the presentation of images and text, and an open, inviting look. CAA’s copublisher, Taylor & Francis, is also keen to assist with logistics and production support.

The first issue of The Art Bulletin slated for the new format is March 2017. The redesign is spearheaded by Nina Athanassoglou-Kallmyer, the new editor-in-chief of The Art Bulletin, who joined its editorial board in July. As she notes, “The journal not only represents our discipline and our professional association, but, even more, our wish to offer our members high-quality scholarship, a public platform, and a public profile that will earn them the recognition they merit on an international level.” Kallmyer is working closely with the journal’s editorial board, which identified key design elements during the course of several meetings, as well as with CAA staff.

CAA remains firm in its commitment to excellent scholarship in the print and online versions of its flagship journal, and is grateful to the Kress Foundation for making the redesign of the journal possible.



Apply for a 2016 Wyeth Foundation Publishing Grant

posted by Christopher Howard


CAA is accepting applications for the 2016 Wyeth Foundation for American Art Publication Grant program. Thanks to generous funding from the Wyeth Foundation for American Art, CAA awards publishing grants once a year to support book-length scholarly manuscripts in the history of American art and related subjects. For purposes of this program, “American art” is defined as art created in the United States, Canada, and Mexico. Books eligible for the Wyeth Grant have been accepted by a publisher on their merits but cannot be published in the most desirable form without a subsidy.

The publisher, not the author, must submit the application. Awards are made at the discretion of the jury and vary according to merit, need, and number of applications. Awardees are announced six to eight weeks after the deadline. For complete guidelines, application forms, and a grant description, please visit the Wyeth section of the CAA website. Deadline: September 15, 2016.



Apply for a Fall 2016 Meiss Grant

posted by Christopher Howard


CAA is accepting applications for fall 2016 grants through the Millard Meiss Publication Fund. Thanks to a generous bequest by the late art historian Millard Meiss, the twice-yearly program supports book-length scholarly manuscripts in any period of the history of art, visual studies, and related subjects that have been accepted by a publisher on their merits but cannot be published in the most desirable form without a subsidy.

The publisher, rather than the author, must submit the application to CAA. Awards are made at the discretion of the jury and vary according to merit, need, and number of applications. Awardees are announced six to eight weeks after the deadline. For the complete guidelines, application forms, and a grant description, please visit the Meiss section of the CAA website. Deadline: September 15, 2016.




About the Program

CAA’s Professional-Development Fellowships program supports promising artists, designers, craftspersons, historians, curators, and critics who are enrolled in MFA, PhD, and other terminal-degree programs nationwide. Fellows are honored with $10,000 grants to help them with various aspects of their work, whether it be for job-search expenses or purchasing materials for the studio. CAA believes a grant of this kind, without contingencies, can best facilitate the transition between graduate studies and professional careers.

One award will be presented to a practitioner—an artist, designer, and/or craftsperson—and one award will be presented to an art, architecture, and/or design historian, curator, or critic. Fellows also receive a free one-year CAA membership and complimentary registration to the Annual Conference. Honorable mentions, given at the discretion of the jury, also earn a free one-year CAA membership and complimentary conference registration.

CAA initiated its fellowship program in 1993 to help student artists and art historians bridge the gap between their graduate studies and professional careers.

Are You Eligible?

CAA seeks applications from students who are current members; are citizens or permanent residents of the United States; will receive their MFA or PhD degree in the calendar year following the year of application (2017 for the next fellowship cycle); and have outstanding capabilities and demonstrate distinction in approach, technique, or perspective in their contribution to art history and the visual arts. A jury of artists, curators, and other professionals will review all applications in fall 2016 and announce the recipients in January 2017.

How to Apply

Please visit collegeartassociation.slideroom.com to submit applications to the 2016 MFA and PhD Professional-Development Fellowship programs. The deadline for applications for the PhD fellowships is Monday, October 3, 2016, and Friday, November 11, 2016, for the MFA fellowships. CAA will send notifications in January 2017.

Contact

For more information about the CAA fellowship program, please contact Roberta Lawson, CAA fellowships coordinator, at 212-392-4404.

Photograph: Derrick Woods-Morrow




The Getty Foundation has awarded the College Art Association (CAA) a major grant to fund the CAA-Getty International Program for the sixth consecutive year. Having completed five successful years of programming, CAA will use the grant to  underwrite the cost of bringing twenty alumni to the 2017 Annual Conference for a reunion program. The Foundation’s support will enable CAA to bring these international visual arts professionals to the conference, taking place February 15-18, 2017, in New York City. Funds will support all travel expenses, hotel accommodations, per diems, conference registrations, and one-year CAA memberships.

The reunion will focus on common themes and interests in global art history, its greatest challenges, and what can be done to overcome them. Relying on the geographic and scholarly diversity of the twenty alumni, the reunion program will explore multiple points of view related to the state of the field, including interdisciplinary and transnational approaches to art history, the nature of cross-cultural collaborations, and future directions of the discipline. The 2017 attendees, together with leading art historians from the United States, will participate in several sessions devoted to these topics throughout the conference.

Since the CAA-Getty International Program began in 2012, ninety scholars have participated in CAA’s Annual Conference. Historically, the majority of international registrants at the Annual Conference have come from North America, the United Kingdom, and Western European countries. The CAA-Getty International Program has diversified the Annual Conference, adding scholars from Central and Eastern Europe, Russia, Africa, Asia, Southeast Asia, Caribbean countries, and South America. The majority of the alumni teach art history (or visual studies, art theory, or architectural history) at the university level; others are museum curators or researchers. Prior to participating in this program, none of the alumni had attended a CAA Annual Conference.

A remarkable number of international collaborations have ensued, including an ongoing study of similarities and differences in the history of art among Eastern European countries and South Africa, attendance at other international conferences, publications in international journals, and participation in panels and sessions at subsequent CAA Annual Conferences. Former grant recipients have become ambassadors of CAA in their countries, sharing knowledge gained at the Annual Conference with their colleagues at home.

Building on the evident success of the program, alumni at the 2017 reunion will provide input on how to further strengthen the program. How can CAA better serve international members? How can it cultivate future collaborations among CAA-Getty participants and CAA members? Are there ways to broaden the reach of the program to include artists, designers, and other types of arts professionals? The views and suggestions gathered at this convening will provide valuable insights as CAA works to enlarge its international activities.

For more information on the CAA-Getty International Program and other CAA travel opportunities, visit CAA Travel Grants.




This spring, CAA awarded grants to the publishers of six books in art history and visual culture through the Millard Meiss Publication Fund. Thanks to the generous bequest of the late Prof. Millard Meiss, CAA gives these grants to support the publication of scholarly books in art history and related fields.

The six Meiss grantees for spring 2016 are:

  • Joanna Grabski, Art World City: The Creative Economy of Artists and Urban Life in Dakar, Indiana University Press
  • Shelley Drake Hawks, Painting by Candlelight: The Art of Resistance in Mao’s China, University of Washington Press
  • Miya Mizuta Lippit, Aesthetic Life: The Artistic Discourse of Beauty in Modern Japan, Harvard University Press
  • Leora Maltz-Leca, William Kentridge: Process as Metaphor and Other Doubtful Enterprises, University of California Press
  • Heather McPherson, Art and Celebrity in the Age of Reynolds and Siddons, Pennsylvania State University Press
  • Amanda Wunder, Sacred Art and Society in Seventeenth-Century Seville, Pennsylvania State University Press

Books eligible for Meiss grants must already be under contract with a publisher and on a subject in the visual arts or art history. Authors and presses must be current CAA members. Please review the application guidelines for more information.




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