College Art Association

CAA News Today

Thank you for being a member of the College Art Association, the world’s leading professional association for the visual arts. As a dedicated member of CAA, you know firsthand about the important work that CAA does to serve and enhance the visual-arts community. We could not do this without your support.

Today, I ask that you join me in celebrating all that CAA does with a gift to the Annual Fund.

Beyond CAA’s ongoing advocacy efforts; vital professional documents like CAA’s Standards and Guidelines; critical projects like the Code of Best Practices in Fair Use for the Visual Arts; prestigious publishing grants for book manuscripts; career-development resources including the Online Career Center; Professional-Development Fellowships in support of promising artists, designers, craftspersons, historians, curators, and critics; important new writing and scholarship published in The Art Bulletin, Art Journal, and caa.reviews; and CAA’s central forum for exchange of creative work and scholarly research at the Annual Conference—CAA does a great deal more to support its members, the lifeblood of the association.

CAA subsidizes over half of its members through discounted membership and registration fees for students, retirees, part-time faculty, and independent artists and scholars. CAA has made part-time faculty issues a priority, recommending that tenured faculty and administrators in the visual arts implement its Guidelines for Part-Time Professional Employment and also providing a resources section on its website for part-time faculty. At the conference, CAA offers Professional-Development Workshops and mentoring opportunities for artists, art historians, designers, and students. CAA is also dedicated to strengthening its support of its international members. Recently CAA launched a section on its website devoted to international topics, the International Desk, which includes reports from around the world and listings of international grants, conferences, and residencies.

In fall 2016, CAA will also launch CAA Connect, the digital social community where CAA members can discuss the latest in visual arts news and practices and collaborate on projects. CAA Connect will boast a number of private and public communities, each with its own discussion threads and resource libraries for multimedia content. We see it as an important tool in bringing together our members and the wider visual arts and humanities fields. Look for CAA Connect to launch in the fall of 2016.

Voluntary support from CAA members is critical to our collective advancement and your contribution to the Annual Fund will enable CAA to continue providing invaluable resources to its members.

On behalf of CAA’s diverse community of artists, art historians, curators, critics, collectors, designers, educators, and other arts professionals, I thank you for your commitment to CAA. Please give generously!

Sincerely,

 

 

 

 

Doralynn Pines
Vice President for External Affairs

CAA Salutes Fifty-Year Members

posted by April 18, 2016

CAA warmly thanks the many contributions of the following dedicated members who joined the organization in 1966 or earlier. This year, the annually published list welcomes fourteen artists, scholars, and educators—and one attorney—whose distinguished exhibitions, publications, teaching practices, and professional service have shaped the direction and history of art over the last fifty years.

1966: Madeline H. Caviness; Gilbert S. Edelson; Jonathan Fineberg; Ann Sutherland Harris; Sara Lynn Henry; Cecelia F. Klein; Henry F. Klein; Anne-Marie Logan; Peter V. Moak; Anne Morganstern; James Morganstern; Peter H. Schabacker; David M. Sokol; and Marcia H. Werner.

1965: Jean M. Borgatti; Norma Broude; Wanda M. Corn; Elaine K. Gazda; Diana Gisolfi; Dorothy F. Glass; Andree M. Hayum; Ellen V. Kosmer; Lillian D. MacBrayne; Jerry D. Meyer; Ann Lee Morgan; Myra N. Rosenfeld-Little; Ted E. Stebbins; Eugenia Summer; MaryJo Viola; Michele Vishny; and Wallace E. Weston.

1964: Richard J. Betts; Ruth Bowman; Vivian P. Cameron; Kathleen R. Cohen; Paula Gerson; Ronald W. Johnson; Jim M. Jordan; William M. Kloss; Rose-Carol Washton Long; Phyllis Anina Moriarty; Annie Shaver-Crandell; Judith B. Sobre; and Alan Wallach.

1963: Lilian Armstrong; Richard Brilliant; Eric G. Carlson; Vivian L. Ebersman; Françoise Forster-Hahn; Walter S. Gibson; Caroline M. Houser; Susan J. Koslow; E. Solomon; Lauren Soth; Richard E. Spear; Roxanna A. Sway; Athena Tacha; and Roger A. Welchans.

1962: Jo Anne Bernstein; Phyllis Braff; Jacquelyn C. Clinton; Shirley S. Crosman; Frances D. Fergusson; Gloria K. Fiero; Jaroslav Folda; Harlan H. Holladay; Seymour Howard; Alfonz Lengyel; David Merrill; John T. Paoletti; Aimee Brown Price; Lillian M. Randall; Nancy P. Sevcenko; Thomas L. Sloan; Elisabeth Stevens; Anne Betty J. Weinshenker; and William D. Wixom.

1961: Matthew Baigell; Margaret Diane David; Bowdoin Davis Jr.; David Farmer; J. D. Forbes; Isabelle Hyman; Clifton C. Olds; Marion E. Roberts; and Conrad H. Ross.

1960: Shirley N. Blum; Kathleen Weil-Garris Brandt; Dan F. Howard; Eugene Kleinbauer; Edward W. Navone; Linda Nochlin; and J. J. Pollitt.

1959: Geraldine Fowle; Carol H. Krinsky; James F. O’Gorman; and Ann K. Warren.

1958: Samuel Y. Edgerton Jr.; Carla Lord; Damie Stillman; Clare Vincent; and Barbara Ehrlich White.

1957: Bruce Glaser; Marcel M. Franciscono; Jane Campbell Hutchison; Susan R. McKillop; and Frances P. Taft.

1956: Svetlana L. Alpers; Norman W. Canedy; David C. Driskell; John Goelet; Joel Isaacson; John M. Schnorrenberg; and Jack J. Spector.

1955: Lola B. Gellman; Irving Lavin; and Suzanne Lewis.

1954: Franklin Hamilton Hazlehurst; Thomas J. McCormick; Jules D. Prown; Irving Sandler; Lucy Freeman Sandler; and Harold Edwin Spencer.

1953: Dorathea K. Beard; Margaret McCormick; and Jack Wasserman.

1951: Wen C. Fong.

1950: Alan M. Fern.

1949: Dario A. Covi and Ann-Sofi Lindsten.

1948: William S. Dale.

1947: Dericksen M. Brinkerhoff; David G. Carter; Ellen P. Conant; and Ilene H. Forsyth.

1945: James S. Ackerman.

Build your Online Presence with Wix

posted by March 07, 2016

CAA has partnered with Wix, the leading cloud-based development platform that makes it simple to go online with a beautiful, professional and functional web presence. As a CAA member, you will receive 25% off of Wix’s Yearly Combo Premium Package. The Wix website builder has everything you need to create a fully personalized, high-quality free website, whether to promote your business, showcase your art, set up an online shop or just test out new ideas. Build your online presence today. Contact our membership department today to find out how you can receive this special discount.

CAA’s Annual Conference provides an important platform for the dissemination of new research and creative work. It also provides opportunities for networking, hosts workshops on crucial career topics, tackles pressing issues in the field, and provides an opportunity for institutions to interview candidates for open positions. In an effort to serve its members more effectively, CAA has established a Task Force on the Annual Conference to address ways of providing more occasions for members to exchange work and scholarship. The task force will also investigate greater uses of technology to extend the conference beyond its physical location and increased networking opportunities for professionals in the visual arts. The changes announced below are only the first round of a more thorough redesign of the conference, a very much renewed and improved version of which will be introduced in the coming years.

In preparation for the next Annual Conference, to be held February 3–6, 2016, in Washington, DC, and in an effort to strengthen the Annual Conference while providing an even greater value to the membership and our profession, members of the CAA Board of Directors and the Task Force on the Annual Conference have recommended and approved the following changes:

  • Allowing members to present papers and chair sessions in consecutive years at the Annual Conference
  • Extending the Annual Conference through low-cost webinars to accommodate those affected by reductions in funds for professional travel. CAA will offer webinars on a regular basis that will highlight the content generated by members
  • Conference registration, opening in early October 2015, will have only one advance registration period that will end on December 21, 2015
  • A new discounted registration fee for CAA members who are part-time faculty or are independent artists and scholars
  • Institutional members may purchase specially discounted student memberships and register their students for the conference at deeper discounts during the advance registration period. These discounts will not be available onsite
  • CAA members will be hired to be room monitors and to work at CAA’s registration area for a stipend and free conference registration rather than hiring temporary staff to fill these roles
  • Providing a conference that serves members. Everyone who participates (i.e., presenter, speaker, chair) must be a current CAA member at the time of the conference
  • All participants will need to either register for the entire conference or purchase a single-time-slot ticket for the session in which they are participating. This change applies to sessions led by all CAA affiliated societies and special-interest groups

CAA must proactively respond to the escalating costs of producing the Annual Conference. Ever-increasing expenses include staffing the conference, union rates at hotels, guaranteeing minimum numbers of attendees, and providing audiovisual equipment and WiFi. In the past, many sessions were offered without requiring CAA membership or conference registration. CAA can no longer subsidize the attendance and participation of nonmembers and nonregistrants. In order for CAA to maintain the high quality of the conference and to meet the needs of its members, we ask for your support as we introduce these changes to improve the conference experience.

The 2016 Annual Conference in Washington, DC, will be outstanding. The keynote speaker will be David Adjaye, architect of the Smithsonian Institution’s new National Museum of African American History and Culture on the National Mall and newly designated architect of the Studio Museum in Harlem. Richard J. Powell is CAA’s Distinguished Scholar, and Joyce Scott is the Distinguished Artist who will be interviewed. CAA will sponsor an MFA exhibition with student artists from around the region and host a reception for all CAA members at the Katzen Art Center at American University. In addition, the Annual Conference Committee for the DC meeting is preparing special tours to artists’ studios and museums and organizing special events.

Washington is home to a host of outstanding museums and other cultural institutions, and CAA has not held a conference there since 1991. We are very pleased to bring the conference to Washington, DC, and grateful for the support of our membership and institutions in that region. You will not want to miss this exciting event! Please refer to http://conference.collegeart.org for ongoing updates and news about the 2016 Annual Conference.

Filed under: Annual Conference, Membership

CAA Salutes Its Fifty-Year Members

posted by April 23, 2015

CAA warmly thanks the many contributions of the following dedicated members who joined CAA in 1965 or earlier. This year, the annually published list welcomes eighteen artists, scholars, and curators whose distinguished exhibitions, publications, and teaching practices have shaped the direction and history of art over the last fifty years.

1965: Jean M. Borgatti; Norma Broude; Wanda M. Corn; Elaine K. Gazda; Diana Gisolfi; Dorothy F. Glass; Andree M. Hayum; Ellen V. Kosmer; Lillian D. MacBrayne; Jerry D. Meyer; Ann Lee Morgan; Myra N. Rosenfeld-Little; Ted E. Stebbins; Eugenia Summer; Charles Talbot; MaryJo Viola; Michele Vishny; and Wallace E. Weston.

1964: Richard J. Betts; Ruth Bowman; Vivian P. Cameron; Kathleen R. Cohen; Paula Gerson; Ronald W. Johnson; Jim M. Jordan; William M. Kloss; Rose-Carol Washton Long; Phyllis Anina Moriarty; Annie Shaver-Crandell; Judith B. Sobre; and Alan Wallach.

1963: Lilian Armstrong; Richard Brilliant; Eric G. Carlson; Vivian L. Ebersman; Francoise Forster-Hahn; Walter S. Gibson; Caroline M. Houser; Susan Koslow; E. Solomon; Lauren Soth; Richard E. Spear; Roxanna A. Sway; Athena Tacha; and Roger A. Welchans.

1962: Jo Anne Bernstein; Phyllis Braff; Jacquelyn C. Clinton; Shirley S. Crosman; Frances D. Fergusson; Gloria K. Fiero; Jaroslav Folda; Rosalind R. Grippi; Harlan H. Holladay; Seymour Howard; Alfonz Lengyel; Mary L. Maughelli; David Merrill; Francis V. O’Connor; John T. Paoletti; Aimee Brown Price; Nancy P. Sevcenko; Thomas L. Sloan; Elisabeth Stevens; Anne Betty J. Weinshenker; and William D. Wixom.

1961: Matthew Baigell; Margaret Diane David; Bowdoin Davis Jr.; David Farmer; J. D. Forbes; Isabelle Hyman; Henry A. Millon; Marion E. Roberts; and Conrad H. Ross.

1960: Shirley N. Blum; Kathleen Weil-Garris Brandt; Dan F. Howard; Eugene Kleinbauer; Edward W. Navone; Linda Nochlin; and J. J. Pollitt.

1959: Adele M. Ernstrom; Geraldine Fowle; Carol H. Krinsky; James F. O’Gorman; and Ann K. Warren.

1958: Samuel Y. Edgerton Jr.; Carla Lord; Damie Stillman; and Clare Vincent.

1957: Marcel M. Franciscono; Bruce Glaser; E. Haverkamp-Begemann; Jane Campbell Hutchison; and Susan R. McKillop.

1956: Svetlana L. Alpers; John Goelet; Joel Isaacson; and Jack J. Spector.

1955: Lola B. Gellman; Irving Lavin; and Suzanne Lewis.

1954: Franklin Hamilton Hazlehurst; Patricia Cummings Loud; Thomas J. McCormick; Jules D. Prown; Irving Sandler; and Lucy Freeman Sandler.

1953: Dorathea K. Beard; Margaret McCormick; and Jack Wasserman.

1951: Wen C. Fong.

1950: Alan M. Fern; and Marilyn J. Stokstad.

1949: Ann-Sofi Lindsten.

1947: David G. Carter; Ellen P. Conant; and Ilene H. Forsyth.

1945: James S. Ackerman.

Filed under: Membership, People in the News

This past spring CAA restructured its membership program in order to provide more options and better serve its members. CAA added new benefits such as online access to The Art Bulletin and Art Journal as well as discounted access to JPASS. CAA also added new, discounted membership categories for part-time faculty and independent artists and scholars. These changes were made in direct response to important feedback from CAA members.

The four income-based levels of membership that CAA used for many years were replaced by two general categories: Basic and Premium. The Basic level ($125 a year) provides a lower-cost option for members who aren’t planning to attend the Annual Conference. If they do attend, Basic members receive a 20 percent discount on registration. The Premium level ($195 a year) costs a bit more but offers a much greater value for conference attendees: a 55 percent registration discount.

CAA communicated this information through letters, eblasts, a presentation on CAA’s YouTube Channel, and an Individual Member Guide and member FAQs posted on the website. We have since learned from members, however, that some confusion has arisen over the new membership categories and their respective benefits related to conference discounts.

We are in the process of reviewing and updating the Membership section of the website, and we will aim to be clearer in member correspondence throughout the year. Please keep in mind that if you are renewing your membership and you know at that time that you will attend the Annual Conference, the Premium membership with its larger conference registration discount will provide you with the greatest overall value when combined with the conference cost.

If you ever have any questions about your membership, please do not hesitate to contact us at membership@collegeart.org. Thank you for your continued support of CAA.

 

 

John Richardson, CAA Vice President for External Affairs
Professor and Chair, Department of Art and Art History, Wayne State University

Filed under: Annual Conference, Membership

Notice of 103rd Annual Business Meeting

posted by November 14, 2014

Notice of 103rd Annual Business Meeting
College Art Association, February 13, 2015

The 103rd Annual Meeting of the members of the College Art Association will be held on Friday, February 13, 2015 from 5:30 to 7:00 p.m. (EST) in the Rendezvous Trianon Ballroom, 3rd Floor, Hilton New York Hotel, 1335 Avenue of the Americas, NY NY 10010. CAA’s President, DeWitt Godfrey, will preside.

AGENDA

  1. Call to Order: DeWitt Godfrey, President
  2. Approval of Minutes of Annual Business Meeting, February 14, 2014 [ACTION ITEM] – See Minutes at http://www.collegeart.org/pdf/2014_annual_business_meeting_minutes.pdf
  3. President’s Report: DeWitt Godfrey
  4. Financial Report: Teresa Lopez, Chief Financial Officer
  5. Old Business
  6. New Business
  7. Results of Election of New Directors: DeWitt Godfrey

Proxies

If you are unable to attend the Annual Meeting, please complete a proxy online to appoint the individuals named thereon to (i) vote, in their discretion, on such matters as may properly come before the Annual Meeting; and (ii) to vote in any and all adjournments thereof. CAA Members will be notified when the online proxy, and the ability to cast votes for directors, will be available, which will be in early January 2015. A proxy and vote must be received no later than 5:00 p.m. (EST) on Friday, February 13, 2015.

Next Meeting

The 104th Annual Meeting of the College Art Association will take place on Friday, February 5, 2016 in Washington, D. C.

 

Doralynn Pines, Secretary
College Art Association

November 12, 2014

CAA Update from the President

posted by November 13, 2014

DeWitt Godfrey, professor of art and art history at Colgate University in Hamilton, New York, is president of the CAA Board of Directors.

CAA is moving ahead on several strategic goals. After a year of investigation and discussion with over 200 artists, art historians, curators, editors and reproduction rights officers, Professors Patricia Aufderheide and Peter Jaszi are drafting the new Code of Best Practices in Fair Use in the Visual Arts which will be reviewed by the Task Force on Fair Use, the Committee on Intellectual Property, the Professional Practices Committee, and an independent Legal Advisory Committee. We anticipate that the code will be presented at the Annual Conference in February 2015.

At the October 26th Board meeting, the formation of two task forces was approved: one to review CAA’s governance structure, and one to review its professional committees. As a greater number of faculty are now part-time, the board and committee requirements have to be adjusted so that the best expertise is brought to CAA within the most economical timeframes. The Board also had a lively discussion on the best directions to be taken regarding advocacy and how CAA can respond quickly and efficiently to issues that affect members’ daily work. We are exploring the creation of a task force on advocacy.

The CAA Board and senior staff held a day-long retreat which focused on a vision for the future of the annual conference—a more flexible structure, greater opportunities for interdisciplinary discussion, serving the needs and interests at each stage of a career in the visual arts, and the ability to quickly address issues that arise in the field, have an international perspective and participation, and reach those members who are not able to attend the conferences.

New, updated volumes of the Directories of Graduate Programs are now available through CAA’s website. From the data published in the directories, CAA will draw statistical information about all the visual-arts subdisciplines, mapping important changes in the field regarding enrollment and employment. We plan to make information from the past four years available to members in the coming months.

The September issue of The Art Bulletin features the third essay in the “Whither Art History?” series, as well as essays on Jan van Eyck and commemorative art, Hans Burgkmair and recognition, Watteau and reverie, and contemporary Indian Art from the 1985-86 Festival of India. The latest issue of Art Journal includes a forum called “Red Conceptualismos del Sur/Southern Conceptualisms Network,” featuring articles printed in their original Spanish and Portuguese alongside new English translations—this is the first foray into multilingual publishing for CAA. Art Journal Open’s first web editor, Gloria Sutton, associate professor at Northeastern University, has commissioned features from the artist Karen Schiff and the new-media historian Mike Maizels, as well as a dialogue between the curator Becky Huff Hunter and the artist Tamarin Norwood. The vision for this website is to provide an online space for artists’ works, experimental scholarship, and conversations among arts practitioners. And caa.reviews, now open access, includes nearly 2,500 reviews of books, exhibition catalogues, and conferences on art, as well as an annual list of completed and in-progress art history dissertations. Thirty-four field editors commission reviewers to address new publications, exhibitions, and exhibition catalogues and videos in every area of the visual arts. The new copublishing relationship between CAA and Taylor & Francis that supports all three CAA journals will complete its first year this month with a marked increase in readership. We are encouraging authors to use the multimedia resources offered at Taylor & Francis Online as well as its citation app.

The Andrew W. Mellon Foundation has awarded CAA and the Society for Architectural Historians a grant to cooperatively carry out research and develop guidelines in digital art and architectural history for promotion and tenure in the workforce. With the increased use of digital platforms in research and publishing there is a need for guidelines that reflect the best practice in evaluating digital art and architectural history. A task force will be formed of two art historians, two architectural historians, a librarian, a museum curator, a scholar from another humanities or social science field with expertise in digital scholarship, and a graduate student or emerging professional in art history or architectural history. CAA will hire a part-time researcher to gather information on current practices from faculty members throughout the country. Please see the Online Career Center for the listing.

CAA, like other learned, membership societies, faces significant challenges and opportunities for the future. The changing landscape of publication, academic workforce issues, advocating for the arts and humanities, serving a changing membership and the field are areas where CAA has and will continue to make a difference, by building on our legacy of leadership and embracing the necessary changes required to meet our mission and vision.

A new collaboration with Designers & Books will bring special discounts for an array of books and journals on art, architecture, design, and photography to CAA members. This ongoing program, called the Online Book Fair, features new and backlisted books as well as rare and out-of-print titles released by important publishers in the visual arts.

Designer & Books, a website that advocates for books as important sources of creative inspiration, will update the Online Book Fair with new publishers, books, and book dealers every month. The following participants have signed up already and offer various special discounts for their products, new and used, to CAA members:

Payment and checkout occur on the website of each individual publisher, which gives you the chance to browse for additional books and sign up for email newsletters and social-media updates. To receive the special discounts noted above, use this CAA code when checking out: 14BJXAA.

Designers & Books hope you will find the Online Book Fair to be an enjoyable place to browse and discover books and to build your personal library. If publishers or books that you are interested do not appear on the site, you can send an email with your suggestions.

The Online Book Fair will be featured on the Membership Partners page of the CAA website with an updated list of participants and discounts.

 

Filed under: Books, Membership

Last month CAA restructured its membership program and added exciting new benefits, including: online access to The Art Bulletin and Art Journal; online access to additional journals in the Taylor & Francis collection; and access to JPASS, JSTOR’s expansive selection of more than 1,500 journals, at a 50 percent discount. As part of this restructuring, CAA included a new category for Part-Time Faculty among its discounted memberships. And now, based on thoughtful feedback CAA received from supportive members, we have expanded this category to include “Independents” to help support independent artists, scholars, designers, and the like.

The creation of these new membership categories is part of CAA’s response to changing conditions in the workplace for many professionals in the visual arts. CAA is committed to supporting part-time, non-tenure-track faculty, and those in transition, who receive limited institutional support, as well as independent professionals with no institutional affiliation.

Visit the Individual Membership section of the CAA website to learn more about all the new categories.

Filed under: Membership, Workforce