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Recent Deaths in the Arts

posted by Christopher Howard

In its regular roundup of obituaries, CAA recognizes the lives and achievements of the following artists, historians, curators, dealers, collectors, and others whose work has significantly influenced the visual arts. Notable deaths in fall 2013 include the artist Anthony Caro, the photographer Saul Leiter, the philosopher and critic Arthur C. Danto, and the scholar and curator Karin Higa.

  • Kirk Alexander, an art historian, civil engineer, and educational-technology expert who worked at Princeton University and the University of California, Berkeley, died on October 1, 2013. He was 63
  • Charles Cajori, an artist who was part of the second generation of Abstract Expressionists in New York, passed away on December 1, 2013, at the age of 92
  • Anthony Caro, a British modernist artist who created colorful, welded steel sculptures, died on October 23, 2013. He was 89 years old
  • Arthur C. Danto, a philosopher and art critic who taught at Columbia University and wrote for the Nation, died on October 25, 2013, at age 89
  • Wanda Ewing, an artist, printmaker, and associate professor of art at the University of Nebraska, died on December 8, 2013. CAA has published a special obituary for Ewing, who was a member of CAA’s Committee on Women in the Arts, written by Maria Elena Buszek
  • Günther Förg, a German artist who worked in painting, sculpture, and photography commented on modernism, died on December 5, 2013. He was 61
  • Michael Harvey, a pioneer in the craft of lettering and the development of typefaces, died on October 18, 2013, at the age of 81
  • Karin Higa, a scholar of Asian American art and a curator for the Japanese American National Museum in Los Angeles, passed away on October 29, 2013. She was 47. Higa had been a member of the editorial board for Art Journal, which has published a series of remembrances
  • Jenny Hoon, a lecturer on textile design at the Derby School of Art (now the University of Derby) for many years, died on October 15, 2013, at age 79. She also served as an administrator and examiner for numerous schools
  • Saul Leiter, a pioneering photographer of images using color film, died on November 26, 2013. He was 89 years old
  • Georgina Livingston, an English landscape architect whose projects included the visitor’s center at Stonehenge and the Cambridge University Centre for Mathematical Sciences, died in October 2013. She was 72
  • Brian MacDermot, a London stockbroker who became a dealer of nineteenth-century Orientalist painting, died on September 12, 2013, age 82
  • Gridley McKim-Smith, an art historian who specialized in seventeenth-century Spanish art and a longtime professor at Bryn Mawr College, passed away on October 19, 2013. She was 70 years old
  • Samuel Clifford Miller, director of the Newark Museum from 1968 to 1993, died on November 7, 2013, at the age of 83
  • José Esteban Muñoz, a queer theorist and a professor in the Tisch School of the Arts at New York University, died on December 4, 2013. He was 46 years old
  • Hajime Nakatani, a professor of East Asian art history who worked in Canada and Japan, died in June 2013. He was 46
  • George Ortiz, a French collector of antiquities from Sumer, Babylon, Egypt, and Greece, passed away on October 8, 2013. He was 86
  • George Rodrigue, a New Orleans–based artist beloved for his paintings of the Blue Dog, died on December 14, 2013. He was 69
  • Leslie Sacks, a Californian art dealer with galleries at Bergamot Station in Santa Monica and in Brentwood, died in October 2013. She was 61 years old
  • Àngeles Santos, a Catalan artist who was often called the Spanish Rimbaud, died on October 3, 2013. She was 101 years old
  • Martin Sharp, a psychedelic artist who designed album covers in the late 1960s and who founded Oz magazine, died on December 1, 2013, age 71
  • Michael Sullivan, a historian of Chinese art who taught at Stanford University from 1966 to 1984, died on September 28, 2013. He was 96
  • Deborah Turbeville, a fashion photographer and a contemporary of Helmut Newton and Guy Bourdin whose images appeared in Vogue and Harper’s Bazaar, died on October 24, 2013. She was 81 years old
  • David Vestal, a photographer and professor at Parsons School of Design, the School of Visual Arts, and Pratt Institute, died on December 4, 2013. Born in 1924, he received two John Simon Guggenheim Fellowships in photography in 1966 and 1973
  • Ian White, an artist, curator, and writer who performed his works at Tate Britain, Tate Modern, and the Institute for Contemporary Arts in London, died on October 26, 2013, at the age of 41
  • Victor Zamudio-Taylor, a Mexican curator, art advisor, and promoter of contemporary art, has died. Born in 1956, he was once a Rockefeller Foundation senior associate researcher at the National Museum of American Art and the Archives of American Art

Read all past obituaries in the arts in CAA News, which include special texts written for CAA. Please send links to published obituaries, or your completed texts, to Christopher Howard, CAA managing editor, for the next list.

Filed under: Obituaries, People in the News

Jessica Stockholder Is CAA’s Convocation Speaker

posted by Emmanuel Lemakis

The artist Jessica Stockholder will deliver the keynote address during Convocation at the 2014 Annual Conference in Chicago. The event will take place on Wednesday evening, February 12 from 5:30 to 7:00 PM in Hilton Chicago’s Grand Ballroom.

Free and open to the public, Convocation will also include the presentation of CAA’s 2014 Awards for Distinction, overseen by Anne Collins Goodyear, codirector of the Bowdoin College Museum of Art and president of the CAA Board of Directors.

An internationally exhibiting artist whose work has transformed the traditional conception of sculpture, Stockholder creates genre-defying multimedia installation pieces composed of commercially produced objects and referencing the bold, vibrant colors of painting. She is also an educator who spent twelve years at Yale University’s School of Art in New Haven, Connecticut, most recently as director of graduate studies in sculpture. Stockholder joined the University of Chicago in 2011 as professor in the Department of Visual Arts, which she also leads as chair. Stockholder said the university’s lively intellectual atmosphere, as well as the building of the Reva and David Logan Center for the Arts, were key factors in her decision to join the faculty.

Stockholder works at the intersection of painting and sculpture, often incorporating the architecture in which her work has been conceived, blanketing the floor, scaling walls and ceiling, and spilling out of windows, through doors, and into the surrounding landscape. Her work is energetic, cacophonous, idiosyncratic, and formal—tempering chaos with control. She orchestrates an intersection of pictorial and physical experience, probing how meaning derives from physicality. Best known for her temporary site-specific installations, Stockholder has created work that has been discussed in relationship to the works of Robert Rauschenberg, Kurt Schwitters, Henri Matisse, and Paul Cézanne, as well as artists of the Cubist and Minimalist traditions.

Stockholder’s work has been shown in top museums, including the Dia Art Foundation, the Whitney Museum of American Art, the Aldrich Contemporary Art Museum, and the Weatherspoon Art Museum in the United States, and the Centre Georges Pompidou and the Museo Nacional Centro de Arte Reina Sofía in Europe. She has also participated in numerous important group exhibitions, such as SITE Santa Fe, the Whitney Biennial, and the Venice Biennale. The Renaissance Society at the University of Chicago exhibited her installation Skin Toned Garden Mapping in 1991. In North America, Stockholder is represented by Mitchell-Innes & Nash in New York, 1301PE Gallery in Los Angeles, California, and Barbara Edwards Contemporary in Toronto, Ontario, and Calgary, Alberta. Barbara Edwards is currently showing new sculpture and work on paper in the Calgary gallery, on view through February 1, 2014.

Stockholder studied art at the University of Victoria in British Columbia in 1982 and earned an MFA from Yale University in 1985. Both Emily Carr College of Art and Columbia College Chicago have awarded her honorary doctorate degrees, in 2010 and 2013 respectively. In 2007, she received the Lucelia Artist Award from the Smithsonian American Art Museum. Before that Stockholder won a National Endowment for the Arts grant for sculpture in 1988 and a John Simon Guggenheim Fellowship in 1996.


2013 Wyeth Grant Recipients

posted by Alex Gershuny

CAA is pleased to announce the five recipients of the annual Wyeth Foundation for American Art Publication Grant, established in 2005. Thanks to a generous grant from the Wyeth Foundation, these awards are given annually to publishers to support the publication of one or more book-length scholarly manuscripts in the history of American art, visual studies, and related subjects. For this grant program, “American art” is defined as art created in the United States, Canada, and Mexico through 1970.

Receiving 2013 grants are:

  • Ross Barrett, Rendering Violence: Riots, Strikes, and Upheavals in Nineteenth-Century American Art, University of California Press
  • Craig Burnett, Philip Guston: The Studio, Afterall Books
  • Sarah Hamill, David Smith in Two Dimensions: Photography and the Matter of Sculpture, University of California Press
  • Sascha T. Scott, A Strange Mixture: The Art and Politics of Painting Pueblo Indians, University of Oklahoma Press
  • Karen Stanworth, Visibly Canadian: Imaging Collective Identity in the Canadas, 1820–1910, McGill-Queens University Press

Eligible for the grant are book-length scholarly manuscripts in the history of American art, visual studies, and related subjects that have been accepted by a publisher on their merits but cannot be published in the most desirable form without a subsidy. Authors must be current CAA members. Please review the application guidelines for more information.

CAA is pleased to announce the two recipients of the Meiss/Mellon Author’s Book Award for fall 2013. Thanks to a grant of $60,000 from the Andrew W. Mellon Foundation, CAA is supporting the work of emerging authors who are publishing monographs on the history of art and related subjects.

The fall 2013 grant recipients are:

  • Sarah Hamill, David Smith in Two Dimensions: Photography and the Matter of Sculpture, University of California Press
  • Ara H. Merjian, Giorgio de Chirico and the Metaphysical City, Yale University Press

The purpose of the Meiss/Mellon subventions is to reduce the financial burden that authors carry when acquiring images for publication, including licensing and reproduction fees for both print and online publications.

Candidates for the Upcoming Board Election

posted by Vanessa Jalet

The 2013–14 Nominating Committee has announced a slate of six candidates for the annual election of four new CAA members to serve on the Board of Directors for a four-year term (2014–18). Voting will begin on Monday, January 6, 2014. The webpages for the election, which will include the candidates’ statements, biographies, endorsements, and video presentations, will be published in mid-December 2013.

The six candidates are:

  • G. James Daichendt, Professor and Associate Dean, School of Visual and Performing Arts, Azusa Pacific University
  • Helen C. Frederick, Professor, School of Art and Design, George Mason University
  • Jim Hopfensperger, Professor of Art, Frostic School of Art, Western Michigan University
  • Gunalan Nadarajan, Professor and Dean, Stamps School of Art and Design, University of Michigan
  • Dannielle Tegeder, Associate Professor of Art, Art Department, Lehman College, City University of New York
  • David C. Terry, Director of Programs and Curator, New York Foundation for the Arts

If you have questions about the Nominating Committee, the candidates, or the voting process, please contact Vanessa Jalet, CAA executive liaison.

DeWitt Godfrey, associate professor of sculpture in the Department of Art and Art History at Colgate University in Hamilton, New York, has been elected president of the CAA Board of Directors for a two-year term, beginning May 2014. A member of the board since 2009, Godfrey has served on the board’s Executive Committee as secretary (2010–12) and vice president for committees (2012–14). He succeeds Anne Collins Goodyear, codirector of the Bowdoin College Museum of Art in Bowdoin, Maine, who has led the board since May 2012.

Godfrey writes, “During my tenure on the board, CAA has evolved into an organization that can look to the future with greater confidence than in the past. The next president must provide continuity and leadership that builds on our already realized strategic plans and advance the remainder of our unfinished, unmet goals. We must be mindful that our current and future strategic initiatives should be part of a coherent strategy for the growth and improvement of CAA, that individual initiatives contribute to both short- and long-term success, that we recognize the extent of our resources in relation to our ambitions, and finally that the strategic plan is seen as dynamic and of a whole.”

Godfrey did his undergraduate work at Yale University in New Haven, Connecticut, was a member of the inaugural group of fellows in the Core Residency Program at the Museum of Fine Arts, Houston, and received his MFA from Edinburgh College of Art in Scotland. He is the recipient of numerous grants and fellowships, including awards from the National Endowment for the Arts, the New York Foundation for the Arts, the Japan Foundation, and the Louis Comfort Tiffany Foundation. Godfrey’s work can be found in the collections of the Museum of Fine Arts, Houston, and the Brooklyn Museum in New York. His commissioned work includes Concordia for LexArts in Lexington, Kentucky; Blanchard Road for the Cambridge Arts Council in Cambridge, Massachusetts; and Greenwich South, a visioning exercise for the Downtown Alliance in New York. His installations can be seen at the Frederik Meijer Gardens and Sculpture Park in Grand Rapids, Michigan; the DeCordova Sculpture Park and Museum in Lincoln, Massachusetts; Lehman College in New York; and the Kennedy Museum of Art at Ohio University in Athens. Godfrey currently serves on CAA’s Task Force for Fair Use and on its 2015–2020 Strategic Plan Task Force.

Godfrey continues, “As CAA begins its second one hundred years, we look forward to the imminent roll-out of the 2015–2020 Strategic Plan and to the completion and dissemination of the findings of the Task Force on Fair Use. I hope to continue the work of our great predecessors to maintain CAA as the preeminent professional arts organization worldwide, to serve and grow membership, and to ready the association to respond effectively to future challenges, both known and unknown.”

The CAA board chooses its next president from among the elected directors in the fall of the current president’s final year of service, providing a period in which the next president can learn the responsibilities of the office and prepare for his or her term. For more information on CAA and on the Board of Directors, please contact Vanessa Jalet, CAA executive assistant.

Furthermore and Joan K. Davidson, the grants in publishing program of the J. M. Kaplan Fund is pleased to present the inaugural Alice award to the Brooklyn Museum for Youth and Beauty Art of the American Twenties, edited by Teresa A. Carbone and published by Skira Rizzoli Publishing. Awarded in honor of Alice M. Kaplan, the prize recognizes this book’s fresh approach to and keen analysis of its subject and for its general excellence. The Alice was presented to the Brooklyn Museum on October 29, 2013, at the Morgan Library and Museum.

The jury comprised: Paula Cooper of Paula Cooper Gallery; William M. Griswold, director of the Morgan Library and Museum; Gianfranco Monacelli, publisher of Monacelli Press; Jock Reynolds, director of the Yale University Art Gallery; and Massimo Vignelli of Vignelli Associates.

The Alice was established in 2013 by Joan K. Davidson, president of Furthermore, to honor her mother, Alice Manheim Kaplan. Alice loved and collected the illustrated book as a work of art in itself and an essential document of a civilized society. This new award is intended to buttress the kind of slow reading movement that recognizes and cherishes the lasting values of the well-made illustrated book, and the special sense of intimacy it affords. In the fast-changing publishing universe, with its ever rising costs, the continuing life of high-quality printed books will depend upon the determined commitment of writers, editors, designers, and publishers, and their friends. The Alice is dedicated to that heroic commitment and the accomplished books that result from it.

The launching of the award also marks Furthermore’s record so far of financial assistance to some one thousand publications, for a total of $5 million. The Alice carries an award of $25,000. Each year a jury of leaders in publishing and the arts will select the Alice book from the hundreds of eligible titles that have been honored with a grant from Furthermore.

Furthermore grants in publishing is a program of the J. M. Kaplan Fund that supports the publication of significant visual books—and will help to keep them coming in the years ahead. For information on the Alice, please contact Elizabeth Howard at 917-692-8588.

The Women’s Caucus for Art (WCA) has announced the recipients of its 2014 Lifetime Achievement Awards: Phyllis Bramson, Harmony Hammond, Adrian Piper, and Faith Wilding. The winners of the 2014 President’s Art and Activism Award are Janice Nesser-Chu and Hye-Seong Tak Lee.

Please join WCA for an awards celebration on Saturday, February 15, 2014, in Chicago, Illinois. The event will be held during the annual WCA and CAA conferences. The awards ceremony, open free of charge to the public, will take place from 6:00 to 7:30 PM, followed by a ticketed gala from 8:00 to 10:00 PM at the Museum of Contemporary Art, Chicago. The ticketed gala will include a walk-around gourmet dinner, open bar, and the opportunity to congratulate the awardees. Individual tickets may be purchased online for $150 prior to January 7 and for $165 thereafter.

2014 Lifetime Achievement Awardees

Phyllis Bramson is an artist and educator whose recent works use folly and innuendo as narrative tactics to embody exaggerated fictions about love. Infused with amusing anecdotes about life’s imperfections, her sensuous paintings are miniaturized schemes meandering through love, desire, pleasure, tragedy, and cosmic disorder. Bramson received her MFA from the School of the Art Institute of Chicago and taught for twenty-two years at the University of Illinois, Chicago, where she is now professor emerita. Since 2007, she has advised MFA students at the School of the Art Institute of Chicago. Bramson has shown her work in over thirty solo and innumerable group exhibitions across the United States. In 2013, she will have one-person shows at Zolla/Lieberman Gallery in Chicago and at Littlejohn Contemporary in New York. Bramson was selected for the Annual Artists’ Interviews at CAA’s 2010 Annual Conference in Chicago, and in 2012 she received the Distinguished Artist of the Year/Chicago from the Union League Club of Chicago.

Harmony Hammond is an artist, writer, and educator who was a leading figure in the feminist art movement in New York in the early 1970s, cofounding A.I.R., the first women’s cooperative art gallery in New York, and the journal Heresies: A Feminist Publication on Art and Politics. Her earliest feminist work combined gender politics with Postminimal concerns of materials and process, frequently occupying a space between painting and sculpture. Since 1984, Hammond has lived and worked in northern New Mexico. She taught at the University of Arizona in Tucson from 1998 to 2006. Hammond’s Wrappings: Essays on Feminism, Art, and the Martial Arts (1984) is a seminal publication on 1970s feminist art, and her book Lesbian Art in America: A Contemporary History (2000) received a Lambda Literary Award. Her artwork has been exhibited internationally and was featured in High Times, Hard Times: New York Painting 1967–1975 (2006–8) and WACK! Art and the Feminist Revolution (2007–8) In 2013, Hammond was honored with CAA’s Distinguished Feminist Award.

Adrian Piper is a conceptual artist and analytic philosopher. She received a BA in philosophy with a minor in medieval and renaissance musicology from the City College of New York and a PhD in philosophy from Harvard University. Piper became the first tenured African American woman professor in the field of philosophy. For her refusal to return to the United States while listed as a suspicious traveler on the Transportation Security Administration’s watch list, Wellesley College forcibly terminated her tenured full professorship in 2008. In 2011, the American Philosophical Association awarded her the title of professor emeritus. Piper’s two-volume, open-access study in Kantian metaethics, Rationality and the Structure of the Self, Volume I: The Humean Conception and Rationality and the Structure of the Self, Volume II: A Kantian Conception, was accepted for publication by Cambridge University Press in 2008 and praised as “groundbreaking,” “brilliant,” “indispensable,” and “original and important.” Piper introduced issues of race and gender into the vocabulary of Conceptual art as well as explicit political content into Minimalism. In 2000, she further expanded the vocabulary of Conceptual art to include Vedic philosophical imagery and concepts. Her artwork has enjoyed numerous national and international traveling retrospectives. She received CAA’s Artist Award for Distinguished Body of Work in 2012. Piper lives and works in Berlin, where she runs the Adrian Piper Research Archive Foundation Berlin.

Faith Wilding is an intermedia artist, writer, and educator. She is professor emerita of performance art at the School of the Art Institute of Chicago, a graduate faculty member at Vermont College of Fine Arts, and currently a visiting scholar at Brown University’s Pembroke Center for Teaching and Research on Women. Born in Paraguay, Wilding received a BA from the University of Iowa and an MFA from California Institute of Arts (CalArts). Wilding was a co-initiator of the Feminist Art Programs at Fresno State College and at CalArts and key contributor to the Womanhouse exhibition in 1970–71 with her Crocheted Environment installation and her Waiting performance. Her work with the feminist art movement in Southern California was chronicled in her book By Our Own Hands (1977) and later in The Power of Feminist Art (1994), edited by Norma Broude and Mary Garrard. Wilding’s art, which addresses the recombinant and distributed biotech body in two-dimensional and digital media, audio and video, and installations and performances, has been featured in major feminist exhibitions, including WACK! Art and the Feminist Revolution (2007–8), Sexual Politics (1995), Division of Labor: Women’s Work in Contemporary Art (1995), and re.act.feminism (2009). Wilding cofounded and collaborates with subRosa, a cyberfeminist cell of cultural producers using bioart and tactical performance in the public sphere to explore and critique the intersections of information and biotechnologies in women’s bodies, lives, and work. She is also the coeditor of Domain Errors! Cyberfeminist Practices! (2002).

2014 President’s Awardees for Art and Activism

Janice Nesser-Chu is an educator, mixed-media artist, and activist in the arts community. Her life’s work has centered on social activism, education, mentorship, and promotion of women in the arts. Nesser-Chu serves as the Legacy Campaign Director on the national board of WCA, on the WCA Saint Louis chapter board, and on the board of directors for ArtTable. Nesser-Chu was president of WCA from 2010 to 2012 and has served on the organization’s board for over eight years. She coordinated the 2011 Art and Social Justice Conference and sat on the advisory board and steering committee for the 2012 Cross-Cultural Engagement: Building a Diverse and Dynamic Community Conference, both held in Saint Louis. She recently served on the Forums Committee for Art Saint Louis and is a founder and past board member of the Northern Arts Council. Nesser-Chu is chair of the Arts and Humanities Department and a professor of art at Saint Louis Community College, Florissant Valley. Previously she served as the director of the school’s galleries and permanent collection and coordinator of the photography program. Nesser-Chu established the Women’s History Month (WHM) and World AIDS Day/Quilt display programs on her campus and continues to serve as the coordinator for WHM. She has a master’s degree in art from Webster University and a BA in journalism with a minor in political science from Saint Mary-of-the-Woods College. Nesser-Chu has exhibited internationally for over twenty years.

Hye-Seong Tak Lee is an artist, curator, and lecturer from Gwangju, South Korea. While residing in various cities in North America over a ten-year period, she was active in immigrant communities, helping emerging artists enrich their environment through multicultural exhibitions. Since returning to South Korea, she has worked with expatriate artists to broaden her country’s cultural tolerance and expand the society of artists through events such as art classes, workshops, mural projects, and exhibitions. Lee is particularly determined to expand the visibility of women artists in Korea, whose accomplishments have been all but ignored because of the country’s focus on other significant democratic issues. In partnership with WCA’s International Caucus, Lee mounted the 2012 exhibition Woman + Body in Seoul and Gwangju. A survey of contemporary sexual personae—female, transgender, and male—Women + Body raised questions about stereotypes and prejudice, presented diverse points of view, and showcased significant Korean activist women artists spanning several generations, together with WCA activist women artists from the United States. Lee also participated in panel discussions related to gender policies and lectured on the contributions of women in the arts. Woman + Body opened the door for strengthening and widening women artists’ networks for both Koreans and Americans. Lee looks forward to curating more exhibitions with talented women artists from all over the world.


WCA’s Lifetime Achievement Awards were first awarded in 1979 in President Jimmy Carter’s Oval Office to Isabel Bishop, Selma Burke, Alice Neel, Louise Nevelson, and Georgia O’Keeffe. Past honorees have represented the full range of distinguished achievement in the arts professions. This year’s awardees are no exception. The President’s Art and Activism Award is awarded each year to emerging or midcareer women whose life and work exemplifies WCA’s mission of creating community through art, education, and social activism.

Founded in 1972 in connection with CAA, WCA is a national member organization unique in its multidisciplinary, multicultural membership of artists, art historians, students, educators, and museum professionals. WCA is committed to recognizing the contribution of women in the arts; providing women with leadership opportunities and professional development; expanding networking and exhibition opportunities for women; supporting local, national, and global art activism; and advocating equity in the arts for all.


Recent Deaths in the Arts

posted by Christopher Howard

In its regular roundup of obituaries, CAA recognizes the lives and achievements of the following artists, historians, curators, educators, and others whose work has significantly influenced the visual arts. Notable deaths this summer and fall include the artists Stephen Antonakos and Mark Gottsegen and the Renaissance art historian Mark Zucker.

  • Stephen Antonakos, an artist known for abstract sculpture that incorporates neon lighting, died on August 17, 2013, at age 86
  • Jack Beal, an American painter of nudes, still lifes, and murals whose representational aesthetic ushered in the New Realism of the 1960s and 1970s, died on August 29, 2013, at the age of 82
  • John Bellany, a Scottish figurative painter whose retrospective was held last year at the Scottish National Gallery, passed away on August 28, 2013. He was 71
  • Marion Bloch, an art collector and philanthropist, died on September 24, 2013, at age 83. The wife of the founder of H&R Block, she was a longtime supporter of the Nelson-Atkins Museum of Art in Kansas City
  • Michael K. Brown, a longtime curator of the Bayou Bend Collection, part of the Museum of Fine Arts, Houston, passed away on September 8, 2013. He was 60 years old
  • Red Burns, an arts professor and chair of the Interactive Telecommunications Program in the Tisch School of the Arts at New York University, died on August 23, 2013. Known as the “godmother of Silicon Alley,” she was 88 years old
  • Anne Christopherson, an English painter renowned for her depictions of the Thames River, died on August 15, 2013. She was 91
  • Alvin Eisenman, the founding director of Yale University’s graduate program in graphic design, died on September 3, 2013. He was 92
  • Cecil Fergerson, a former curator for the Los Angeles County Museum of Art and a community activist, died on September 18, 2013, at age 82. Fergeson started working for the museum in 1948 as a janitor and became a preparator before joining the curatorial staff
  • Juan Garcia de Oteyza, an editor, publisher, and diplomat who served as director of Aperture Foundation from 2008 to 2010, died on August 26, 2013. He was 51
  • Mark Gottsegen, a painter and the founder of Art Materials Information and Education Network (AMIEN), passed away on September 24, 2013. He had been a professor at the University of North Carolina in Greenboro and was the author of The Painter’s Handbook
  • Alfred Rozelaar Green, a painter who spent the 1930s in Paris and who later founded the Anglo-French Art Centre in London, has died. He was 95 years old
  • Ellen Lanyon, a painter and printmaker based in New York whose work has been described as a “unique blend of realism and the surreal,” died on October 7, 2013. She was 86
  • Frank Martinez, an artist and muralist based in Los Angeles, died on August 17, 2013. He was 89
  • Michael McManus, former chief curator of the Laguna Art Museum in California, died on August 10, 2013, at age 60. He had taught at California State University, Fullerton, and the Laguna College of Art and Design
  • Mario Montez, a drag performer and film actor who was part of Andy Warhol’s entourage of superstars, died on September 26, 2013. He was 78
  • Steve Ross, a literary scholar and the director of the Office of Challenge Grants at the National Endowment for the Humanities from 1995 to 2013, died on August 21, 2013. He was 70
  • Sadegh Tirafkan, an Iranian artist who blended photography and other artistic media in innovative ways, passed away on May 9, 2013. He was 47
  • Arturo Vega, a Mexican artist who designed graphics for the Ramones, including the band’s famous circular logo, died on June 7, 2013. He was 65 years old
  • Gillian Wakely, associate director of education for the University of Pennsylvania Museum, died on August 14, 2013, age 67. She had worked for her institution for forty years
  • Kathleen Watkins, an English curator and secretary of the Penwith Society of Arts in St. Ives, Cornwall, for forty-six years, died on September 5, 2013. She was 80 years old
  • George Weissbort, a traditional painter of portraits, landscapes, and still lifes who was based in London for decades, died on July 9, 2013. He was age 85
  • John Wright, a British artist of many talents—he was a painter, professor, writer, designer, and filmmaker—died on July 9, 2013. He was 82 years old
  • Mark Zucker, a Renaissance art historian and a professor in the College of Art and Design at Louisiana State University for thirty-two years, died on August 3, 2013. He was 69

Read all past obituaries in the arts in CAA News, which include special texts written for CAA. Please send links to published obituaries, or your completed texts, to Christopher Howard, CAA managing editor, for the next list.

Filed under: Obituaries, People in the News

In an effort to promote greater interaction and exchange between American and international art historians and artists, CAA offers twenty International Travel Grants to bring colleagues from around the world to its Annual Conference, to be held next year in Chicago from February 12 to 15, 2014. This is the third year of the program, which has been generously funded by the Getty Foundation since its inception. CAA is pleased to announce this year’s recipients—professors of art history, curators, and artists who teach art history—who were selected by a jury of CAA members from a highly competitive group of applicants. Their names and affiliations are listed below.

In addition to covering travel expenses, hotel accommodations, and per diems, the CAA International Travel Grants include conference registration and a one-year CAA membership. At the conference, the twenty recipients will be paired with hosts, who will introduce them to CAA and to specific colleagues who share their interests. Members of CAA’s International Committee have agreed to serve as hosts, along with representatives from the National Committee for the History of Art (NCHA) and CAA’s Board of Directors. CAA is grateful to NCHA for renewing its generous underwriting of the hosts’ expenses. The program will begin on February 11 with an introductory preconference for grant recipients and their hosts.

CAA hopes that this travel-grant program will not only increase international participation in the organization’s activities, but also expand international networking and the exchange of ideas both during and after the conference. The Getty-funded International Travel Grant Program supplements CAA’s regular program of Annual Conference Travel Grants for graduate students and international artists and scholars. We look forward to welcoming the grant recipients in Chicago at the next Annual Conference.

2014 Recipients of CAA International Travel Grants

  • Rael Artel, Director, Tartu Art Museum, Estonia
  • Eric Appau Asante, Lecturer, Kwame Nkrumah University of Science and Technology, Ghana
  • Cezar Tadeu Bartholomeu, Professor of Art History, Federal University of Rio de Janeiro, Brazil
  • Laris Borić, Assistant Professor, Department of Art History, University of Zadar, Croatia
  • Eddie M. P. Butindo-Mbaalya, Lecturer, Kyambogo University, Uganda
  • Josephina de la Maza Chevesich, Assistant Professor, Universidad Alberto Hurtado, Chile
  • Katerina Zdravkova Gadjeva, Assistant Professor, Institute of Art Studieso, Bulgarian Academy of Science, Bulgaria
  • Heba Nayal Barakat Hassanein, Head, Curatorial Affairs Department, Islamic Arts Museum, Malaysia
  • Lilianne Lugo Herrera, Professor and Vice Dean, Research and Postgraduate Studies, University of Arts, Cuba
  • Heuman Tchana Hugues, Junior Lecturer, University of Maroua/Higher Institute of the Sahel, Camaroon
  • Kanwal Khalid, Assistant Professor, Lahore College for Women University, Pakistan
  • Mahmuda Khnam, Assistant Professor, Department of Islamic History & Culture, Jagannath University, Bangladesh
  • Daria Kostina, Lecturer in Art History, Ural Federal University, and curator of B. U. Kashkin Museum, Yekaterinburg, Russia
  • Portia Malatjie, Lecturer, Art History and Visual Culture  Rhodes University, South Africa
  • Susana S. Martins, Lecturer and Research Fellow, Universidade Nova de Lisboa, Portugal
  • Fernando Luis Martinez Nespral, Head Professor and Researcher, University of Buenos Aires, School of Architecture, Design and Urbanism, Argentina
  • Magdalena Anna Nowak, Assistant Curator, National Museum in Warsaw, Poland
  • Freeborn O. Odiboh, Associate Professor of Art History and Criticism, University of Benin, Benin City, Nigeria
  • Adriana Oprea, Archivist and Researcher, National Museum of Contemporary Art, Romania
  • Ahmed E. Wahby, Lecturer and Vice Dean for Student Affairs, German University in Cairo, Egypt





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